#That is what the kids call...a character flaw

[jinxkiramman]

It's so interesting to hear Caitlyn echo the sort of twisted thinking that Piltover's bigotry instills in its citizens. I have a lot of thoughts on her character and her progress in Act 1, I do love her a whole lot and I don't think anything she does this season will change that. Do I think she really meant what she said to Vi? Yeah, partially. Do I think she would have said it in any other circumstance? Not at all. Obviously she's talking and behaving out of hurt and grief, but it also shows how weak willed she actually is. All of her progressive ideals and thinking go out the window when it's HER that's being affected.

Not saying that it's a small thing that her mother was killed, not at all, but Jayce and Vi got a child killed in season 1 and Vi's response is "wrong place wrong time, let's keep going." Specifically stating that kids from the Lanes get murdered every day, she is used to this sort of brutality. She had to become used to it, because that was the reality that everyone in Zaun is forced to confront.

Piltover is only now getting a small peek into the horrors that they have inflicted on the citizens of Zaun for decades, and their immediate response is to murder all of them. And Caitlyn doesn't even flinch at the idea of leading a full invasion into Zaun, knowing that it would result in countless civilian casualties. The same sort of horror that gave birth to Jinx and Silco in the first place.

Like I love Cait I do, but she is so willing to align herself with the system that has been oppressing Vi's people for decades, rather than fight against it. And Vi, bless her heart, doesn't get out clean of critique either. Jinx is totally in the right to call her sister out like that, because what do you mean you watched Enforcers murder your parents and now you're one of them?

"Good ones" literally none of them are good the whole system is flawed.

And it's not even as if Jinx is a revolutionary, she has obviously been on a slow suicide mission for a while now, the fight with Vi kind of just proves that. But she has done way more for Zaun that Vi has ever done. It's no wonder people turn to Jinx, she has been there the entire time. Vi was locked up, and the first time they see her again, she's walking around town with an Enforcer. Like this is all so tragic in so many ways, but Piltover is simply in the wrong here.

Caitlyn and Vi are lucky they're women because if they were men, I'd hate them SO MUCH 😭

[turtleblogatlast]

I love Raph and haven’t said that enough so to be more specific I love that Raph is a soft boy who loves bear plushies, a gross boy who eats an assortment of things that are definitely better left alone, a smart boy who is more than capable of taking down villains through planning and fortitude alike, a strong boy who is dedicated to training his muscles and fighting prowess, a teenage boy who loves his brothers but is more than happy to tease and roughhouse with them, an angry boy who sometimes lets his anger take a hold of him to cover the fear, a gentle boy who is generous with hugs and affirmations to those he loves, a capable boy who takes on more than should ever be expected of a teenager, a good boy who just wants to be a hero and slowly comes to realize the cost of that duty, a good boy who has no reservations about putting himself in the way of harm coming to his family, a good boy who’s a great brother and son and person and deserves only the best the world has to offer.

[natsmagi]

honestly the more i hear about engstars and its TLs the more i absolutely dread the inevitable release of poltergeist and what may ensue from it, bc if if the translators themselves are already invalidating arashis identity then i Really Truly do not want to see how theyll translate natsume and tsumugis microaggressions/transphobia towards her. esp since ive noticed a rise in people being comfortably transphobic towards her, and i REALLY do not wish to see natsume and tsumugi being stupid fucking morons be used as evidence to discredit her

and i think this is all the more reason why its VERY IMPORTANT for engstars to DIRECTLY ACKNOWLEDGE arashi and her gender. bc sometimes characters are STUPID and RUDE and APATHETIC. enstars is a story with NUANCED and FLAWED CHARACTERS, and when a character is being a fucking asshole youre meant to PROVE THEM WRONG. but they dont even acknowledge arashi as a girl themselves. so, if you do use engstars, please keep pressuring them bc omfg this is so bad and i can only see it getting worse

[kariachi]

Sorry-not-sorry I'm back on my normal 'Kevin and Argit were so small' bullshittery.

Because they fucking were. Kevin was twelve when Servantis tossed everybody, and Argit couldn't have been far off. They were middle school aged. 'Puberty would be starting about now if we weren't wandering the Null Void and therefor likely not eating near enough' aged.

A pair of children, with minimal education, no paperwork, no homes, no guardians. Wandering the Null Void and then the Milky Way, on their own. One a prime target for the slave trade, both prime targets for adults looking to take advantage of them (*coughcoughOttocoughcough*). With only as much security as they could provide themselves and each other. Only able to rely on themselves for the basic necessities of life.

And then this show has the audacity to try to tell me that they turned to crime due to poor morality. That they're money focused because they're just naturally greedy. That they don't trust people and look out for themselves because they're bad people that either will always be bad people or will only improve because of the power of Tennysons.

What options were there for them? What jobs are there in the Null Void? What jobs are there in the galaxy that'll hire barely-teens, if even that, with no paperwork or educations, that wouldn't ruin them as badly and pay worse than the crime they already had experience with? Will keep them fed and clothed and sheltered? When one of them already has a criminal record, for violent crimes at that? When there's nobody there to stop even the 'good' adults from taking advantage of them?

The show will sit there and tell you that Kevin's violent crimes were the result of a rough childhood, but he and Argit's non-violent ones? Totally on them, no excuse, wholly a matter of greed and not giving a shit about other people. Fucking bullshit. This is a pair of kids who had to grow up way too fast, up against an existence that saw at least one of them as easy profit, with nothing but themselves and each other, and no opportunities. They're a pair of traumatized kids who grabbed the opportunities available to them with both hands and were molded by the problems they faced.

Of course they're money-focused, unlike the Tennysons they don't and haven't had anybody making sure they had enough to get by. They've had to support themselves and live with the constant worry that something is going to go pear-shaped and they'll have nothing.

They spent years with anybody and everybody being a potential threat (even between the two of them, Argit's noting that Kevin's snapping while he worked for the Rooters was the worst he'd seen 'before or since' makes it quite clear he's seen him on and passed the edge at least as much if not more than we have), of course they're going to be slow to trust, quick to toss people aside, and unwilling to help their enemies without some sort of payout, they've been burned before.

Just- Damnit these two come from some shitty fucking situations, the effects they had on them are obvious if you bother to fucking look, and they both deserved better than the series just going "oh yeah they're assholes what do you expect they're criminals" and moving the fuck on. Like, for fuck's sake at least acknowledge that they're like this because life was a fucking lead pipe to the teeth to them! We know Kevin's situation was shit even before they met, we got to see it, but even if Argit had a perfectly good life beforehand (unlikely) the earliest we see him is being held captive for illegal experimentation purposes by law enforcement! These two have been through shit! At least acknowledge it!

Fuck, they could've replaced Color of Monkey with that, hitting on the differences between how Kevin and Argit adapted to their circumstances, give us upfront the Tennysons being a safety net that let Kevin heal (rather than just 'oh the Tennysons taught him morals because they're the Good People') while Argit's issues and lack of security kept him stagnant. It would go better with what we see of him over the course of OV leading up to the Rooters arc, and what we're shown in the Rooters arc. Give us him still being far from great or on the up-and-up but improving with the stability that comes with his 'hero' status, a repairing relationship with Kevin after that arc, and a flourishing, above-board business. Rather than backpedaling on any good the writers had thrown at him like they'd realized they were coming up against a cliff.

Shit that makes you want to get the writers by the shoulders and shake them mercilessly.

[gibbearish]

yknow what bugs me is when ppls criticism of YA media boils down to them just not knowing how teenage crushes work

[yuridovewing]

"Ugh Violetpaw was being so hypocritical when she asked Twigpaw to stay in ShadowClan over ThunderClan, when she refuses to go to ThunderClan over ShadowClan!" Yeah that's the point

[lpbear]

I can’t believe they made me prefer Shyamalan’s adaptation. I can’t believe they’ve done this to me.

[aparticularbandit]

kyoko: -makes a noise that indicates she likes touching junko's hair-

junko: yeah? that good?

kyoko: UH. NO. SORRY.

junko, dismissive: nah, it's fine. i do such a good job taking care of my hair.

kyoko:

kyoko: there's literally jelly in it right now.

junko: THAT'S NOT MY FAULT.

[dullahandyke]

i wont lie i am the type of man to look at art of sora n riku and immediately go 'wheres kairiiiiiiiiii'

[astrow1zar6]

Astrology Observations- 34

Capricorn moons are very uncomfortable expressing emotions and can get kinda weird when others express strong emotions to them. A lot of cap moons felt they needed to detach from their emotions to survive when young so it can be harder for them to get in tune with their emotional nature. (They are surprisingly sensitive tho however)

Mercury in Pisces usually struggled with logical thinking and speaking when growing up. They usually understand things without having to think about them it’s like they get a hunch and just know without explanation but they usually have a hard time expressing what they know in logical terms so that others can understand. Because of this inability many people might’ve thought they weren’t smart or are never paying attention.

Sun in the 1st house people are so magnetic. Even if they barely speak they usually have a a bunch of people trying to date them or be their friend. If any of you ever watched Naruto I feel like Sasuke definitely had this placement. He really didn’t care to be around anyone or socialize but people were so obsessed with him. They just have the IT factor whether they realize it or not.

Moon in Leo’s really enjoy being babied by people especially by their partners! They really crave emotional attention low-key.

Mars in the 8th house people can be without human touch for too long or they start acting really unstable. They are very physical people.

Saturn in the 8th house people don’t really experience true intimacy till later in life. I’ve seen a lot of people with this placement deal with very surface level relationships that are usually unsatisfying. they deeply fear emotional connections mainly because they are very sensitive to criticism and rejection which causes them to avoid it completely. when things get too deep they put up more walls which prevents their relationships from blossoming past a certain point. As they age however they will learn to trust others more.

Pisces sun/moons loved to play pretend when they were kids. They were always pretending they were fairytale creatures and usually had imaginary friends.

Jupiter in Leo is such a slay placement. If you have this placement you ARE the main character (especially if it’s in the 1st, 2nd, 7th or 10th house) chefs kiss 😘 🤌🏼

Virgo moons can be veryyyy petty when mad mad. I know a lot who enjoy throwing others flaws in their face, they can be very notorious for that (if underdeveloped however) they can be more impulsive with their words than Aries moons at times.

Leo risings can be very blinded by others beauty. I’ve seen some that date the shittiest people just cuz they’re attractive they can be very superficial (similar to libra rising) they just really appreciate beauty and love showing off attractive partners they can almost see it like a trophy.

Pisces sun/mercury can become very confused easily. They can be listening to someone so intently and then completely forget what they were talking about or vice versa they can be telling a story to someone and then in the middle of the story completely forget what they’re talking about 😂 (I’m guilty for this 😭)

Sag risings could’ve been called obnoxious a lot growing up :(

Leo suns love attention negative and positive. That’s why they usually take fame better than most signs they just really love being seen.

Having a lot of 3rd house placements can make even the most introverted person talk A LOT. Especially when it’s in Venus or mercury. When given an opportunity they can yap all day and when it’s something they’re into you’ll never hear the end of it😂 it’s very cute tho

If a Capricorn rising looks really bothered while you are talking to them they are lol. They HATE pointless yap.

Saturn in 7th house have DADDY ISSUES!!!

Moon in 5th house composite is sooooo adorable 🥺 you feel so happy inside being near them even if you don’t say a word to eachother you just want them there. You also love touching eachother.

[pigeonrocks]

blitz being the youngest in the sr:df crew has never not fucked me up. btw.

like. even in his interactions! some of them show how young he is (freeing the feuerschwinge, the apex drone thing? meeting plotz- you get the idea) i think.

dialogues for these ^ under the cut. i guess.

[picturejasper20]

Another thing about Steven Universe as character (and the series) that has been mischaracterized over the course of the years and the source of a good chunk of discourse online is the relationship that Steven has with the Diamonds.

A lot of videos, posts and memes have spread around the idea that Steven went to Homeworld in the final arc of the series because he wanted to ¨be besties¨ with the Diamonds, when what happens in the actual show is very different.

In the episode "Legs from Here to Homeworld"-which takes place after the episode ¨Reunited¨ that Blue and Yellow Diamond find out that Rose Quartz was in fact Pink Diamond- Steven shows to Blue and Yellow one of the corrupted gems (Centipeetle) and helds them accountable for making a lot of gems end up this way and orders them to fix the mess they caused.

Steven: ¨Do it again! It was working!¨ Yellow Diamond: ¨How long do you expect us to hold her together?¨ Steven: ¨I don’t know. Forever! You did this! So you have to do something!¨

Seeing they need White Diamond to fix the corrupted gems, Steven thinks of going to gem Homeworld to see if he can talk to White about the corrupted gems and convince her to come to Earth and help them.

That's the main reason Steven goes to Homeworld- he doesn't like the Diamonds nor wants to be friends with them- he just wants to see if White Diamond can listen to him and help to heal the corrupted gems.

He is aware that the Diamonds listen to him because he himself is a Diamond-Pink Diamond. So he goes along with this little game pretending to be Pink thinking that way White Diamond and the others will listen to him. He believes that maybe as ¨Pink¨ he can make them see the errors of their ways and stop this mini war conflict that he has been caught on in the last few years.

Others have made more detailed analysis about this in the past, that a good part of this arc has a huge trans/queer metaphor for Steven's character- where he keeps being refered to and imposed an identity he doesn't see himself as. He gets called by the Diamonds and other homeworld gems as ¨Pink Diamond¨ and refered to as ¨She¨, when he often corrects and clarifies that he prefers to be called ¨Steven¨.

The final showdown against White Diamond is about this: White keeps trying to play mind games with Steven, making him believe that Pink/Rose is still alive in him and he is in fact Pink/Rose. Because Steven doesn't know this for certain, it proves to be effective for a while, making him feel very confused.

White believes that she is perfect in every way- it is what all her identity is about. She is obsessed with her own perfection so much that she doesn't allow herself to think that she has flaws nor she can't be wrong about something- and because she thinks she has to be perfect, that means that she is right about Pink Diamond still existing inside Steven.

The reality proves her wrong when she takes out Steven's gem and everyone sees that the gem part turns into Steven. As a way of metaphor to a trans allegory and self love, Steven sees that he has always been himself and he shouldn't let other people define what his identity should be, that only him should decide that.

So, in a way, the Diamonds Days arc is intended to be seen as a metaphor to a LGBT+ kid/teenager standing up against their relatives, grandmothers or aunts in this case- and prove them wrong about their identity, that they are what they are and their family can't change that.

Okay, so Steven proves the Diamonds that they are wrong, they change their minds and they help with healing the corrupted gems by the end of ¨Change Your Mind¨.

Does this means Steven becomes friends with them after this?

Well... no

In Steven Universe The Movie, during the song sequence ¨Lets Us Adore You¨ the Diamonds beg Steven to stay with them a bit longer because they miss having Pink around, Steven is seen very uncomfortable around them and wants to get out as quickly as possible to return to Earth.

He sees them as somewhat allies and tries to persuade them in different ways to improve the current situation on Homeworld but he doesn't seem to like them much and doesn't enjoy being around them even if they aren't acting antagonistic towards him anymore.

He has a similar reaction when they come to Earth near the end of the movie. He is very done with them and says that they staying to leave on Earth isn't a good idea on the long run. Instead he shows Spinel to them and Spinel sees this as an opportunity to make a new friend again.

Well, about SU Future? How does Steven feel about them in that series?

In Future is where Steven begins to show real strong PTSD trauma symptoms (something he has had for a while except it wasn't nearly as strong). He knows that he has a problem most of the show but he avoids going to ask the Diamonds for help because he just feels very uncomfortable around them and it reminds him of traumatic experiences he had with them in Diamonds Days arc.

He doesn't go to them until after he accidentally shatters Jasper in ¨Fragments¨ and sees himself as a monster because of this. He separates himself from the rest of the crystal gems, feeling like he is as terrible as the Diamonds were. In ¨Homeworld Bound¨ he interacts with the three Diamonds, asking them for any way they can help him with his powers.

Most of the episode he feels frustrated because A) He can't find a solution to his problem and B) Sees that the Diamonds and Spinel are doing pretty well and he has been getting worse. It makes him get more and more angry the more time he spends in there.

The scene that leaves pretty clear how he feels about them, specially White, is when he talks to White. As shown in the gif above, when White touches Steven near where his gem is, Steven pushes her hand off from him, clearly being reminded of the time White ripped his gem off him in ¨Change Your Mind¨.

White uses her powers so Steven can talk to own self. This leads to an iconic scene that Steven gets angry at himself and White. He has a very strong intrusive thought of crashing White's gem into a pillar for what she put him through. He gets shocked for this and makes him run away scared as result.

This scene leaves clear that Steven has a lot of buried resentment for what the Diamonds did to him, mainly White. Being around them reminds him of his trauma, it makes him deeply uncomfortable and he would rather avoid them as much as possible.

The Diamonds get concerned about Steven and show up during the events of ¨I Am My Monster¨ when Steven transforms into gem like monster. The Diamonds and Spinel blame themselves for Steven feeling this way because of their past actions. White feels it is her fault because of how she hurt Pink Diamond and this brought problems to Steven.

They help with calming Steven down and him returning to his human form. Now there is some argument to be said about why they took part of this hug aside from using their powers to help the gems. I have talked more about this in here but i think it is to represent Steven accepting himself as being part Diamond and maybe forgiving, realizing that he isn't an ¨irredeemable monster¨ because of what he did, that way he stops seeing himself as one and goes back to his normal form.

After this, it is a bit unclear where Steven stands his opinion on his relationship with the Diamonds. I would assume that it is probably not much different than it was before. He still doesn't like them and probably doesn't want to be around them even after all that happened.

In short: Steven sees the Diamonds as allies and post the events of ¨Change Your Mind¨ he shows to be uncomfortable being around them, he doesn't seem to like them and mostly prefers to avoid them. He is glad that they are changing their ways for the better but he would prefer to not interact with them if he doesn't have to due to his own trauma.

The Diamonds regret how they have hurt Steven (and Pink) and care about Steven but he thinks it is better for him to have a distant relationship with them for the reasons i discussed. They can still improve and make amends for everything they did and Steven doesn't have to feel forced to have a relationship with them if he doesn't want to.

There are other things that could be discussed, about how the Diamonds Days arcs should have been longer or how the Diamonds needed more screen time- However, the point of this post is talk about people have mischaracterized Steven's relationship with the Diamonds, saying Steven is best friends with them when in reality he doesn't like them and spends most of Future series avoiding them.

[fumifooms]

Rin, smiling, and nagging

Rinsha Fana’s character is summarized in a couple facts thrown here and there. Because she worries for him, she follows Kabru to help his cause and protect him, and to nag him. She’s a grumpy angry tsundere, but it seems not only rooted in her attitude but on a deep rooted physical level, to the point where any intense emotion she feels will make her frown and scowl even if it’s genuine joy. Her childhood was half spent ostracized in the tallman community her family lived in and half with the elves, where she’s said to have been treated like an animal.

We don’t know how she was raised exactly or who it even was, but knowing she was "treated like an animal" by the elves taking care of her…

Elves are shown to have a highly hierarchical society, not only with their concern with status such as nobility and the purity of bloodlines but also reflected by its social culture imo. They have high society and etiquette, upmost devotion to the queen, very role-oriented, like cogs in a machine, and as such, it’s a bit skewed since most of what we see of the elves is in a military context with military people but they seem to value having emotions under lock and key to be efficient and not bring dishonor, Flamela is an interesting character on this. Don’t be a bother and do your job until you’re called on, fulfill your role, everything else is extra at best inconvenient at worst.

Personally I do think the canaries kept Rin, it’d make sense that whichever canaries got stuck with the job at the headquarters would be barebones with her and treat her like an ‘impounded article’, they couldn’t find another place for her and this way they can get her report on the events whenever she can speak again in however many years, and this way it makes sense that she could keep in touch with Kabru too. They’re used to prisoners, not kids. Being raised in a military context rather than at some orphanage would shape her further.

All of this to say…

She’d already seen the world’s harshness to those who don’t conform in her hometown, but with the elves? Her disdain for those who had formal education at a magic school?

Wouldn’t she become very concerned with proving she is not an animal, proving that she’s smart and skilled in her own right on her own merit, even without schooling. And to do this she nitpicks and nitpicks, because even being pristine isn’t enough to be respected, but at least it’s not giving others reasons to disrespect and dehumanize her. Learning to school her emotions, to scowl as a defense mechanism because anything else makes her vulnerable, because they don’t care about her as a person with feelings, because showing other expressions was dangerous or punished in some way: because it was fit in or don’t fit in and that’s the difference between having your house burnt down and being tolerated, between getting her food or having her questions answered and being yelled at to shut up… Because all her life she’s been surviving in hostile social environments and at the mercy of others, but unlike Kabru she doesn’t become a people pleaser but becomes very self-reliant and wary of socializing.

So she nitpicks and nitpicks and nags, because she’s worried. Because flaws are dangerous. So she has a hard time smiling and laughing, because it’s dangerous to allow yourself to feel safe in being authentic.

It would be nice…

Is my red, red enough? I'm waiting for your teeth at my throat. It’s only good manners. -Stephanie Valente 

[linkspooky]

Are You Satisfied?

As you might have heard chapter 236 of Jujutsu Kaisen ends with the death of Gojo Satoru. The fandom is making a pretty big deal about it. As someone who predicted from the beginning that Gojo was going to lose against Sukuna, the reaction is fascinating to me. This is perhaps the most controversial chapter of Jujutsu Kaisen I've ever seen. So I've decided to throw my hat into the ring.

The central theme of Jujutsu Kaisen is death, so the death of one of the main characters isn't too surprising, but what does Gojo's death mean for the story? What does it say about his character?

As I said above I am a little bit shocked by the extreme controversy over Gojo's death. Gojo was never going to win the fight in the first place, because Jujutsu Kaisen is a story and the story would be over if he defeated Sukuna. He'd easily be able to take care of Kenjaku afterwards and the main conflcit would be resolved. Would it really be an interesting story if Gojo one shotted the villains while the kids just wathced on Television?

The story is also not about Gojo, it's about the students. Gojo may think he's the protagonist of reality but he's not the protagonist of the story.

Once again, Jujutsu Kaisen is a story and stories have themes. We may grow personally attached to characters, but characters are just narrative tools to convey the themes of a story, no different from prose, dialogue, and art. Characters are a tool to be used well or used poorly, and sometimes yes that means killing them. Whether Gojo's death was naratively satisfying though isn't the purpose of this post though we're only asking what does it mean?

Finally, Jujutsu Kaisen is not only a fictional story, it's specifically a tragedy. Full disclosure, it's a manga about death.

The Protagonist of a Tragedy

So, number one shout out to me for making this post 4 months ago where I called the way Gojo would end the fight.

Excuse me while I fist pump for calling it!

The question on everyone's minds is why does one of the most powerful characters in the manga die offscreen in a pretty humiliating way, cut in half and helpless on the ground just like Kaneki. The reason Gojo didn't get a more heroic (or cooler) death is because we're not reading My Hero Academia, this is not a story about heroes or even a typical Shonen manga it is a tragedy.

In poetics Aristotle defines tragedy as:

"an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; through pity and fear effecting the proper purgation of these emotions" (51).

To paraphrase a tragedy is about human action, actions characters make in a tragedy often have dire consequences. One of the most common consequences if the reversal of a hero's fortune, a hero of a tragedy usually starts out on top and ends up on the bottom because of the bad choices they make. If in normal shonen manga characters overcome their flaws through effort and persistence, in Jujutsu Kaisen we see characters more often than not lose to their flaws.

The reason I posted that Kaneki panel specifically is because it was a brilliant moment of narrative punishment for Kaneki's central character flaw. Kaneki the hero's main flaw is that he always fights alone, and he constantly makes that same choice over and over again to fight alone. One of the characters helpfully explains it as well.

Stories are primarily about change. If a character doesn't change they're not serving the plot, unless that specifically is the point. People have pointed out how abrupt it is for Gojo to get sealed in Shibuya, get let out, and then immediately die afterwards but that's kind of the point. Gojo made more or less the exact same choice (he asked for Utahime's help for a buff but otherwise fought the entire battle himself). The definition of insanity and what not, why would doing the same thing over and over again net him a different result?

Not only did Gojo choose to fight alone, but as I've been hammering on and on about in previous meta the entire fight Gojo cared more about fighting a strong opponent then he did saving Megumi, the child he was responsible for.

Jujutsu Kaisen is not a typical shonen manga where everything is resolved by beating a strong villain in a fight. That's specifically why I used the Tokyo Ghoul reference, because the reason Kaneki is defeated offscreen like that is because he thought the world worked like a shonen manga. He has a fantasy sequence where he's fighting Juzo in a shonen battle tournament like this is Yu Yu Hakusho right before it snaps back to reality and he's limbless on the ground.

Gojo is a major character in the manga Jujutsu Kaisen, literally "Sorcery Fight" and he is the best sorcerer in the whole world. His entire identity revolves around being a sorcerer. Since he is so good and beloved at what he does, he thinks that everything is resolved by exorcising a curse or defeating a strong opponent. He has basically no identity outside of that. Which is why when he's fighting the possessed body of his student, a person he's been mentoring since childhood his priority is not to save Megumi but to beat a strong opponent. Gojo is a sorcerer, before a human being. That's who he is, that's who he always has been since day one.

I think part of the negative fan reaction comes from fans being really attached to this scene in the manga and deciding Gojo's entire character revolves around being a good mentor figure to children.

Which is just incorrect, Gojo's entire character revolves around being the strongest. On top of that though, Gojo can care about children and also care about being the strongest he can care about multiple things at once and have those things contradict each other because humans are complicated. I'd point out even in this panel where he's stating motivation he's not trying to raise these kids up into being healthy adults, he wants them to be strong Jujutsu Sorcerers. Even when he's raising kids, his intention is to turn them into Jujutsu Sorcerers because everything in Gojo's mind revolves around Jujutsu Sorcery. Gojo does not exist outside of the world of sorcerers. Gojo may be the chosen one but he'd never be able to hold down a job at Mcdonalds.

I think in general readers put more investment in the things characters say out loud, rather than their actions. You can say one thing and do another. I can say "I should never eat sweets again I'm going to improve my diet", and then go and eat ice cream five hours later. Gojo can state out loud his intention to foster children and protect their youths, but then fail to properly do that in the story. Characters are not always what they say they are, that's why they're interesting to interpret. This isn't me calling the readers stupid, just pointing out that Gojo is made up of contradictions. He wants to get rid of the old guard and replace them with something new, but Gojo IS THE OLD GUARD.

If the culling games arc has shown us one thing, it's that ancient sorcerers brought to the modern age do not care that much about human life on an individual level, they are all of them egoists. There's a reason Gojo resembles someone like Sukuna more than he does any other character in the manga. I'm not saying Gojo is exactly like Sukuna, he's far more altruistic and uses his genuinely noble ideals but at the same time Sukuna is a shadow archetype to Gojo he represents Gojo's flaws. The flaws that Gojo succumbs to in tragic fashion.

Which if you believe that Gojo genuinely does love his students, and the ideal he's fighting for is to raise up a better generation and allow them to live out their youths, then Gojo throughout the entire Sukuna fight is acting against those ideals. He cares far more about fighting Sukuna then he does saving Megumi, it's shown over and over again in the battle, Megumi is an afterthought to him. If Gojo care moredefeating the big bad and saving the world is more important than helping a child that Gojo is responsible for then Gojo is acting against his stated principles. Why should Gojo win the fight when he's fighting for all the wrong reasons?

Tragedies are like visual novels, if you make the wrong choice the novel will give you a red flag. If you ignore the red flag then you get locked into the route with the bad ending. Gojo always fights alone. Gojo only ever fights for himself, even if he's using that selfishness in support of a more noble ideal like creating a better generation of sorcerers. If Gojo consecutively makes the same changes then in a tragedy he's not going to be rewarded for it.

Gojo wants the old generation out and the new generation in, but Gojo resembles the old generation too much. Old sorcerers like Hajime and Sukuna respect him, Hajime argues that Gojo being able to fight for his pride is far more important than him living to the end of the battle when Yuta wanted to interfere and help him.

Gojo's death isn't a surprise curve ball that Gege is throwing us for shock value, it's a result of his choices throughout the manga. A manga about change, and the change between generations is not going to punish a character for remaining roughly the same. Of course you might find it disappointing that Gege didn't give Gojo the chance to grow and change and experience a character arc like Megumi or Yuji, but Jujutsu Kaisen is a tragedy, and the way Gojo's arc ended is consistent with what Gege wrote.

Jujutsu Kaisen is not just a tragedy though, it's a manga about death. The manga begins with Yuji's grandfather warning him not to die alone the way that he did. His grandfather's dying words are what motivate Yuji throughout the beginning of the manga as he's searching for a "proper" death.

One of the major themes of Yuji's character is a contemplation of death. He accepts that death is inevitable, so he wants to save them from the gruesome deaths they'd experience if they became victims to curses and allow them to have a more satisfying death. Yuji's grandpa died an unsatisfying death because he died alone in a hospital room. Yuji even tries to make his own death a satisfying one because he believes by dying to seal away Sukuna he'll reduce the total number of casualties to curses.

Jujutsu Kaisen keeps investigating the theme of death and what exactly would make for a satisfying death. At one point it's all but stated that death is the mirror that makes humans analyze their lives.

When Yuji fails to save Junpei from the "unnatural death" it calls into question whether or not his goal of saving people from unsatisfying deaths and the gruesome deaths caused by curses is even feasible. Nanami even says that Yuji might not be able to accomplish his goal and warns him away from the path.

We see repeated unsatifying deaths in the manga, each time someone reflecting on their deaths that they weren't able to get what they wanted out of life. This list comes via @kaibutsushidousha by the way I'm quoting them.

Nanami's a character who chose to work as a sorcerer because he didn't want to evade the responsibility of doing all you can to help people, he wanted to believe he's somewhere where he's needed. He never runs away from responsibility like Mei Mei does so he quite literally works himself to death, living and dying as a sorcerer. Nanami or Gojo's dying hallucination of Nanami even says as much, his death is the result of him choosing to go south and returning to be a sorcerer.

Maki chose revenge against the Zen'in over her sister, and as a result Mai is dead. Maki has all the power in the world now, her revenge complete but she's left with a sense of "now what?" She's as strong as Toji now but she failed to protect her sister, and it's the result of the choices she made. Maki's reflection isn't triumph, it's "I should have chosen to die with her."

Even Yuji himself is robbed of his narrative purpose. The manga began with Yuji saying he wants to choose how he's going to die and he'll die taking out Sukuna with him so he can reduce the number of people killed by curses in the world. Both of those things are thrown in Sukuna's face. Number one the amount of people Yuji can save by permanently killing Sukuna is now a moot point because he let Sukuna rampage in Shibuya.

Number two, Sukuna isn't even in Yuji anymore. To build on what Comun said though, this repeated tragedy has a purpose to it and understanding requires understanding that Jujutsu Kaisen is an existentialist manga. Existentialism is basically a school of philosophy centered around the question of "Why do I exist?"

There's nothing about the invetability of death to make you question why you're alive in the first place. In the myth of Sispyhus, Albert Camus boils down all of philosophy to one question.

"There is but one truly serious philosophical problem, and that is suicide. Judging whether life is or is not worth living amounts to answering the fundamental question of philosophy. "

All of philosophy is should I shoot myself in the head or should I keep living? Everything comes after that question, which is why in Jujutsu Kaisen a lot of the characters motivations revolve around them contemplating death. Sorcerers exist in a world where they can die any moment, and as Gojo says most of them die alone. It might be the nature of sorcery itself that causes so many people to die, not only are they dying because they are trapped in an uncaring system, but the characters themselves aren't really attempting to live outside of it. They live and die as sorcerers, replaceable cogs in the machine.

All of these unsatisfying deaths may just be the result of all these characters making one choice, to live as sorcerers rather than people. Because to exist means to live in the world.

Even in Mechamaru's case, his goal is deeply existentialist by what I defined, all he wants to do is live in the world with everyone else rather than be stuck in his hospital room but his actions contradict that goal. Instead of letting his friends come and visit he's obsessed with the idea of getting a normal body because he feels that's the only way he can exist with everyone else, he makes a deal with the devil, he lies and goes behind their backs. He wasn't living with everyone else in the world and he could have chosen to, he chose wrong and his death is the result of that choice.

Jujutsu Sorcerers aren't living in the world. They're living in a little snowglobe far removed from the world with its own rules, most of them regressive and disconnected from the rest of society. If you define existentialism as just "living in the world' then a lot of these characters aren't, because they only exist in the world of sorcery.

INVISIBLE BUFFY: What are you talking ab- SPIKE: The only reason you're here, is that you're not here. (drinking) INVISIBLE BUFFY: Right. Of course, as usual there's something wrong with Buffy. She came back all wrong. (moving around on the bed) You know, I didn't ask for this to happen to me. SPIKE: Not too put off by it though, are you? (drinking) INVISIBLE BUFFY: No! Maybe because for the first time since ... I'm free. She tosses the sheet aside. Spike looks around, trying to figure out where she's going. INVISIBLE BUFFY: Free of rules and reports ... free of this life. SPIKE: Free of life? Got another name for that. Dead.

Not living in the world with everyone else is the same as being dead.

A lot of these characters either make the choice to act alone, or be a jujutsu sorcerer rather than a person and because of that they die as sorcerers, b/c sorcerers die that's what they do. Mai didn't want to keep living as a hindrance to Maki so she kills herself. Maki didn't want to be anything other than a sorcerer, so her little sister dies and she's not a big sister anymore. Nanami chose to leave his job behind and become a sorcerer again, he dies as one.

Of course I don't think the manga is punishing characters for being too egotistical, but rather too unbalanced. If anything Mai is too selfless and that is why she died, she didn't want to live for herself and chooses self sacrifice for her sister. An unbalance between selfishness or selflessness results in an underdeveloped ego. Jujutsu Kaisen doesn't punish individualism per se, moreso if you're not a fully developed individual you won't last long. Because it's also a manga about growing up in the world, and a person who doesn't have a healthy, mature, well-balanced sense of self is not a grown up.

This twitter user det_critics points out that Gojo (and also Yuki + Yuji's) failures in the manga can be attributed to the fact they don't have real senses of self.

Gojo has an identity crisis as outlined by Geto, "are you Satoru Gojo because you're the strongest, or are you the strongest because you're Satoru Gojo?"

It's a challenge for him to find some reason to live outside of being the strongest, and in tragic fashion Gojo just doesn't find it in time. Gojo lived for fighting others, and proving to himself that he's the strongest, and that's how he dies.

There's something I like to say about narrative punishment in stories. There are two ways to punish a character, you either don't give them what they want, or you give them exactly what they want. This is the latter, Gojo wanted to find someone stronger than him because deep down he believed that nobody could understand him unless they were on his level. He wanted to be surpassed, and that's why he focused on creating stronger young sorcerers, but he never shook himself of the belief that only someone as strong or even stronger than he was could ever be emotionally attached to him so he made a deliberate choice to draw a line between himself and others.

Gojo's essentially gotten what he wanted from that choice in the worst way possible. The student he picked to succeed him Megumi, has his body stolen and kills him. Gojo is surpassed, but it's not by one of his own students it's by an enemy that's not only trying to kill Gojo but is going to massacre his students afterwards.

Gojo's spent his entire life believing that because he's more powerful that makes him inherently different and above others, and being lonely because he himself believed he couldn't relate to ordinary people and he dies like an ordinary person, an unsatisfying death where he wasn't able to bring out Sukuna's best, where he gets unceremoniously cut in half offscreen but yay he's no longer the strongest. He's gotten exactly what he wanted. Megumi is still not saved, Sukuna's probably going to kill more people because Gojo failed to stop him here, but hey at least he stopped to compliment Gojo.

It's empty, but it's empty because of the choices Gojo made in life to just not bother connecting to people or develop any kind of identity besides being a sorcerer. Gojo lives and dies as a sorcerer, and his dying dream is returning to a teenager being surrounded by everyone he was with during his school days, because that's the happiest time in his life. Ironically he was happier before he became the strongest, because that was the only time in his life that he allowed himself to connect to people.

However in the eyes of others, he is someone who has it all. That's why he is always alone. There was no one who could hold the same sentiments and mutually understand him. Geto was the only one who could understand what he was trying to say, and the only one who could communicate well with him.

It's no coincidence Gojo and Geto die exactly a year apart on the same day, if anything I'd say the reasons they die are similiar to at least thematically. They both die because they don't want to live in the world. Geto thinks the world is too corrupt and GOjo doesn't want to be anything other than a sorcerer, both of them fail to adapt.

「 'It's just. . .' It's just that it was what Geto had to do. [...] To someone like him, the reality that the world of sorcerers presented to him was just too cruel. '. . .that in a world like this, I couldn't truly be happy from the bottom of my heart.'」

They can't be happy in a world like this from the bottom of their hearts, so narratively they both die. The things they chose to live for at the end of their life they fail to accomplish, Gojo is no longer the stronget, Geto fails to wipe out mankind or make major changes to the world and they die as normal people unsatisfied because they weren't trying to live in the world and make connections to others. They die almost karmically a year apart because their main connection for both of them, the thing which made them feel connected to the world and other people was each other.

Which is why this panel breaks my heart and is so narratively satisfying because of how unsatisfying it is...

"If you were among those patting my back... then I might've been satisfied."

Gojo reflects that he's not satisfied dying against Sukuna, not because he failed to give him a good enough challenge but because Geto wasn't there to pat him on the back. The one thing that would have satisfied him he couldn't have, because he didn't live to connect to people he lived to be the strongest and he died alone as the strongest. There's just something deeply upsetting about Gojo's dying dream fantasy just him being there talking with all of his dead friends who he never appreciated or connected to properly when he was alive. Knowing that if something had just gone a little differently, that even if he had to die no matter what he could have died happier if Geto was among the people saying goodbye to him because that connection with Geto is what gave his life meaning.

Dazai Osamu: "A life with someone you can say good-bye to is a good life, especially when it hurts so much to say it to them. Am I wrong?" -Bungou Stray Dogs Beast

[queen-morgana91]

"Why do people dislike Zuko/Zutara stans??"

Mmmh

🤦‍♂️

Sorry but I can't stay silent anymore, these posts are insane

Aang: a kid/genocide survivor lashing out because his best friend and only living link to his people has been stolen. The avatar state (a power he is afraid of) was a response to losing another part of his home, the only person connecting him to his past and eradicated culture

Katara: saw Aang loosing control in the avatar state and CHOSE to be at his side and help him, because she KNOW what's it's like having your loved ones stolen from you, she is hurt from seeing him hurting because she's an empathetic person and she loves him. She's comforting a friend during an emotional crisis.

Zutara/Zuko's stans: Ugh violent destructive tantrums save yourself katara! Zuko <3

Mh ok.

It's funny because those people are stanning a character who called Katara a peasant and threatened to wipe her village and only were in good terms in the last few episodes. They are stanning a character who was a villain/antagonist for two seasons (and half of season 3) who tried to kill her and her friends over and over again. But that's ok, he suffered and redeemed himself in the last 3 episodes, so it doesn't matter, while everything the abuser/toxic Aang """did""" was beyond forgiveness.

That's the message of Avatar the Last Airbender :)

The way people in this fandom are so unempathetic towards a 12 year old who lost everything is so crazy to me.

These episodes are full of sad moments with a lot of hurt behind it. These are all children (child soldiers also) overwhelmed by moments of severe loss. These children are human and they have flaws.

This is why being a fan of most animated content sucks as their fanbases have the intellectual capacity of a goldfish

[silversodas]

Some Interesting Things About Peri and Dev

Truthfully this is more about Peri and his interesting flaws, but there is some character analysis about Dev too.

I think when Peri and Dev finally do become friends, they would actually make an interesting pair, we actually learn that they are conflicting opposites

Peri: Rules are the only thing that separates peace from total chaos

Dev: But Peace is boring

Now, Dev may be a neglected kid, but he is the furthest thing from a wet Cat. He is smart and resourceful and a force to be reckoned with when he feels a certain type of way. It’s not entirely what he can do it’s what he is willing to do that makes him dangerous. Speaking of which, I may be calling it early, but I think that the glass ball on Peri’s wand/cane is a stabilizer and that Peri is still insanely powerful but also a pacifist. So Peri will reason with you and let’s his all powerful self get bulldozed but his human, ten year old Godkid will feed you your hair. That dynamic has the potential to be hella interesting

We also learned that Peri has an interesting flaw, he has jealousy issues. And lies to his parents?

I mentioned before that in the Birthday take back episode that Peri showed to be a little bit jealous of Hazel but didn’t see that it was a hint to his issues with jealousy till he got really jealous of Irep in the next episode

In that next episode Peri tells Dev that he’s done, that he quits. But when Dev informs Cosmo Wanda and Hazel of this apparently Peri told Cosmo and Wanda a different story

Wanda: Peri didn’t quite, he was waiting for you to call

Cosmo: He thought you two were on a brake

Uhhhh that is not at all what Peri told Dev. Don’t get me wrong, I am glad he talks to Cosmo and Wanda about his problems but boy straight up lied. He probably changed his mind and just told his parents that because he feels like they would be disappointed in him if he actually quite. And at this point I am thinking he is only sticking around with Dev for his parents, but that’s not entirely the case

Before Dev and Irep unalives Cosmo and Wanda Peri steps in with Jorgan and straight up LAUGHS in Ireps face (this took me by surprise) and gloats informing him that he never actually quite so Dev was still his Godkid

What’s so interesting is that this is the most immature we have ever seen Peri. Like this is basically the equivalent of a child running up to another child and yelling MINE! Before snatching a toy away. And that’s basically what Peri did, he basically went MINE! And snatched Dev away.

I mean look at him here. He looks like a kid who is happy that another kid he doesn’t like is in trouble. I wonder of Irep brings out this childish side of Peri. And does Jorgan punish Dev for attempted murder-

Nope…man Jorgan must have less fucks to give this time around, from what I remember if Timmy so much as farted while in Fairyworld Jorgan would appear out of nowhere like “TURNER! THIS JACKASSERY WILL NOT STAND!!!”

In case we needed it to be any clearer, Peri accidentally admits that he was jealously spying on Dev, so Peri can be a bit jealous and possessive? Interesting.That actually didn’t really bother me till this frame

Like, really dude? Your just gonna mark your territory, snatch his new friend away and not even talk to him about it? I mean he almost killed your parents at least chew him out! Ok honestly if the episode had went on longer it probably would have shown Peri turning away from his parents to face Dev and talk to him only to see that Dev ditched him. But Peri ONCE AGAIN! Got distracted by his parents at a time he needed to have his attention on Dev.

If seeing Peri at his parents place is anything to go by, I would say that Peri is definitely in the dog house