#Tenant Representation

[smithlee1221]

Tenant Representation Services | Tenant Representation | FVG Property

FVG Property is a trusted name in Insurance Property Valuation Melbourne, offering services that help businesses protect their commercial properties. We assist with Tenant Representation Melbourne, supporting clients throughout the leasing process. Our Retail Property Valuers Melbourne deliver assessments that help businesses plan for the future.

[celiaboren]

Team Focused Retail Real Estate Development Strategies

[lawofficeofryansshipp]

A Florida Eviction Attorney's Guide to Mobile Home Evictions: Breaking Down Florida Statute 723.061

Florida Mobile Home Eviction Attorneys When it comes to mobile home park evictions in Florida, the rules are a bit different from standard residential evictions. Florida Statute 723.061 outlines specific reasons and procedures for mobile home park owners to follow when evicting a mobile home owner, tenant, or occupant. Law Office of Ryan S. Shipp, PLLC knows how important it is to guide park…

[stratuspropertygroup]

Atlanta Real Estate Brokers

Rely on Stratus Property Group and our team of experienced Atlanta real estate brokers for all your property needs!

[tenth-sentence]

Her son was also a tenant in the village, but he did not represent his mother, who answered for herself to the manor court as an independent landowner.

"Normal Women: 900 Years of Making History" - Philippa Gregory

[wibblypod]

WE’RE SO BACK!

Our not-so-minisode is out for The Star Beast! We see a step forward in representation in this episode, and accessibility is something we take seriously here at Wibblypod as well. That’s why we always post transcripts for our episodes! You can find them on our website we also address the transgender representation in this episode with Rose (Yasmin Finney). Join us as we discuss character growth and allyship choices in this episode (and their real-world implications). Visit our highlights or check out the links in our bio to listen now.

[makanseo]

https://www.makan.com.qa/tenant-representation/

[albertmaimoneassociatespc]

🏢✨ Landlord Tenant Attorney Near Me in Queens, NY ✨🏢

Are you facing landlord-tenant disputes and need expert legal assistance in Queens, NY?

At Albert Maimone & Associates, we specialize in navigating the intricate realm of landlord-tenant laws with deep expertise and exceptional negotiation skills. 📜⚖️

Why choose us? Here's why:

✅ Expert Legal Services: Our team boasts in-depth knowledge of Local and State Laws, ensuring you receive top-tier legal services tailored to your specific situation.

✅ Exceptional Negotiation Skills: We excel in resolving disputes outside of court, offering unmatched negotiation prowess to achieve favorable outcomes for our clients.

✅ Aggressive Court Representation: In case your dispute escalates to court, we present your case persuasively and effectively, fighting for your rights with determination.

Remember, the right attorney can make all the difference in your case's outcome. With our experience, organization, and problem-solving skills, we're committed to securing your rights and easing your stress during this challenging time. 🤝

📍 Convenient Location: Our office is centrally located in the heart of Queens, easily accessible to residents of Bayside, Rego Park, Jackson Heights, Elmhurst, Flushing, and Forest Hills. We're here to ensure your journey through the legal process is as seamless as possible.

Don't face these challenges alone. Choose Albert Maimone & Associates, your trusted local landlord-tenant attorney. Call us today at ☎️ tel:7185555555 to speak with a dedicated attorney near you. Your rights deserve protection, and we're here to fight for you! 💪⚖️

[aryomengrande]

don't you need them like they need you now? want an art just like this with your f/o? then just meet me at the apt for this event! this is open to anyone aged 18 and above. read the rules below before joining ദ്ദി ( ᵔ ᗜ ᵔ )

you don't have to be following me to join. but you have to be off anon though. mutuals will be prioritized. only one (1) entry per person.

open to all fandoms! my strongest suits are jujutsu kaisen, tokyo revengers, one piece, and naruto.

the pink thunder background is the default background.

⚡︎ one, when you send your ask, please attach a photo of your f/o, preferably face front. tell me if u want the photo as is or if you want anything changed. please tell me what expression they'll be wearing, whether you want to add accessories or if you want me to copy bruno mars's fit with the ballcap backwards and the sunglasses (like i did with baji). the more specific you are with the details, the better!

⚡︎ two, attach a representation of your face—a picrew, a sim, or even a selfie. do tell me what type of facial expression you want as well. don't worry, i won't post the asks and will delete them right after! i usually use procreate's eyedropper to pick specific colors but if you think the lighting is off or the colors are inaccurate in your picrew/sim/selfie, you can send me hex codes of your skin color, hair color, eye color, and lip color. if there is anything else you want to add such as accessories, please let me know. again, the more specific you are with details, the better!

⚡︎ three, keep your asks/DMs open should i have any questions. if you have concerns, don't hesitate to drop by my ask box/DMs as well.

⚡︎ four, please be patient with me. i will do my best to grant everyone's wishes and just, enjoy doing this without pressure or anxiety lol. i thought of this event bc i finally finished my yearly to-draw list so i'm free besides my pending commissions. i also need to give back to this community that has been nothing but nice to me ♡

the inspiration for this theme was my upcoming birthday art for thee satoru gojo which was apt-inspired. i will start posting finished products on the days leading up to christmas and hopefully finish it all before christmas.

i will message you back to let you know whether you secured a slot or not. please check this post occassionally to know whether there are more slots available.

⚡︎ as of [ dec 9 ] : all slots are taken—submissions are closed.

⚡︎ check out the apt’s tenants right here ! #fromaryg: rfrg

rara's favorite random game | © aryomengrande 2023

[smithlee1221]

Tenant Representation | Tenant Representation Services | FVG Property

FVG Property offers tenant representation services that prioritise your needs and goals. Their commercial property valuers in Melbourne work diligently to provide accurate valuations and expert advice.

[dwreader]

Actual incidents in the book that are in dispute btwn Louis and Lestat since you fuckers can't seem to read:

-Lestat wanted Louis for his plantation vs. he is in fact already rich: not really relevant to the show since show Lestat is flaunting the fact that he's extremely wealthy from the start. Louis is not under any illusion that this guy is after his wealth, HE moves into Lestat's house in fact and accepts Lestat's money/gifts/etc. Lestat is a captial p PROVIDER. He said do NOT take that away from me and it's one thing he's 100% right about.

-A cold loveless relationship depicted in IWTV vs. a more loving though still troubled "marriage" according to TVL: again, more or less moot for the show since season 1 depicts Lestat's version of their relationship more so than Louis's. They are clearly in a romantic relationship, had some good times (that were maybe glossed over quickly by Louis but are still clearly depicted through Claudia's diaries) and yet even in TVL, Lestat agrees that Louis's account was an accurate representation of the atomsphere of their decades together and that he deserved all the punishment he got.

-Lestat torturing + killing people for fun according to Louis vs. Lestat's claim that he only killed people who were "bad" and deserved it: kind of already played out on the show when Louis suggests the idea in 1x03, but ultimately it doesn't significantly alter our perception of Lestat cause does anyone actually care that prostitutes stole money from their clients and think that's a valid reason to torture and kill them? Hope not! It's just a good insight into Lestat's mind and how he justifies killing.

-The events after Lestat's murder and Paris: these parts we have to take from Lestat's POV simply because Louis is unaware of things happening when he's not present. Obviously will be a major part of Season 2.

-The scene at the end of IWTV happening or not: the most direct contradiction between the two accounts but this has not happened yet on the show so it has no bearing on anything in season 1.

As you can see, most of these contradictions involve Louis's omissions in IWTV rather than "made up" events. Save for the final scene in NOLA that doesn't actually mean anything to season 1, absolutely nothing about Louis's depiction of events in IWTV is really disputed by Lestat. Louis's turning, Claudia's turning, the "atomsphere" under which they lived leading up to Lestat's murder and Lestat's murder itself are all indisputable. Lestat is revealing more of his motivations and giving us further vampire context/knowledge that Louis didn't have (because Lestat kept it from him btw and he forgives Louis his errors because he knew it was out of enforced ignorance), but that only slightly changes our perception of his actions. It does not throw them into the trash.

It's also very clear that Season 1 is already an amalgamation of the two versions. If they were taking IWTV literally, the show wouldn't even be a romance and it clearly is. It uses Claudia's diaries (a device revealed only much later in the books) to fill in some scenes that Louis may not have been present for like the kidanpping on the train but the two perspectives make the story kind of bulletproof? The reliability or lack thereof of Louis as a narrator is made possible by Claudia's diary being there as a secondary source and when he's at his most unreliable, it's the diary that provides the contradictions. WE see something's off when the diary's pages are excised. BUT you really don't have any basis in the books for a major lifechanging event like episode 5 to be retconned, let alone an event with two people as sources and involved a prolonged recovery period that's also described in painstaking detail by said two people. Like this woman was a lazy writer most of the time but even SHE wouldn't do that cause its like a basic writing tenant not to feed your reader horseshit??

[lawofficeofryansshipp]

Eviction Services In Martin County, Florida - Law Office of Ryan S. Shipp, PLLC

Martin County Eviction Lawyers Are you a landlord facing tenant issues in Martin County, Florida? Do you require legal assistance with residential or commercial evictions? Look no further than Law Office of Ryan S. Shipp, PLLC. Our experienced team concentrates our practice in navigating the complexities of landlord-tenant law and ensuring swift and effective resolution of your eviction…

[disordercinema]

Carnaval is getting close and you might hear a lot about Brazilian festivities in the internet or the news. So I want to recommend y'all a movie that shows a bit of how the culture o Brazil works, our diversity and all.

It's a beautiful and fun movie about a group of people enjoying/being part of the Carnaval festivities in Pelourinho, Bahia, but with some TWISTS. The plot basically starts with the landlady from their building, is a conservative evangelist, who decides to funish all of her tenants for being involved with Carnaval parties.

If you don't know, Brazil has the largest african-descent population outside of Africa and a lot of them are concentrated in Bahia! So this movie can show you a lot of our diversity and our traditions, while making you laugh and cry at the same time.

And it's fully english subtitled on youtube!!

If you watched Narcos or Puss in Boots you might recognize Wagner Moura, who plays Boca - a not so trustworthy guy. And this is your chance to meet one of the greatest black actors in Brazil, Lázaro Ramos, who plays Roque our leading man. Ramos for a long time was one of the few black men in national television playing non violent/criminal roles when Brazil was still very racist (not that it isn't now). He was one of the few good representation black men had in media for a bit, playing mostly comedies and romcoms, he's also an activist for black voices in Brazil!

[stratuspropertygroup]

Office Space In Atlanta

Unlocking the Ideal Office Space in Atlanta: A Broker's Insight

In the dynamic hub of Atlanta, unlocking the perfect office space can feel like navigating a labyrinth. As businesses strive to optimize their environments for productivity and expansion, the role of an commercial real estate broker becomes indispensable. In this article, we'll provide a third-party perspective on the pivotal role of a broker and how they streamline the journey to discovering the optimal workspace.

Deciphering the Broker's Role

A commercial real estate broker is a seasoned professional dedicated to guiding businesses in their quest for tailored office spaces. With a finger on the pulse of the local real estate scene, these experts offer invaluable insights into market trends and available properties, making them indispensable allies in the pursuit of the perfect workspace.

Charting Atlanta's Office Space Terrain

Atlanta's office space panorama is as diverse as it is vast, spanning from downtown high-rises to serene suburban enclaves. Amidst this abundance, pinpointing the ideal location, size, and amenities to bolster business operations can be daunting. Enter the broker, bridging the gap between enterprises and the myriad office spaces available, ensuring a seamless match.

The Advantages of Collaborating with a Broker

Market Mastery: Armed with a wealth of knowledge about Atlanta's real estate ecosystem, commercial real estate brokers provide businesses with the latest market insights, rental trends, and property availability, empowering informed decision-making.

Tailored Guidance: By delving deep into a business's unique requirements, brokers curate bespoke recommendations aligned with company size, budget, industry nuances, and growth projections.

Access to Unrivalled Listings: With an extensive network, brokers unlock a treasure trove of listings, spanning both public and off-market properties, broadening horizons and enhancing the likelihood of discovering the perfect space.

Negotiation Prowess: Negotiating lease terms demands finesse. A broker brings their negotiation acumen to the table, securing favorable terms for businesses, encompassing lease rates, durations, and tenant improvement allowances.

Time Optimization: The quest for office space can devour precious time, diverting focus from core business functions. Commercial real estate brokers streamline this process, conserving invaluable time and resources.

Holistic Comparative Analysis: Brokers furnish businesses with comprehensive property comparisons, weighing factors such as location, amenities, accessibility to transportation hubs, and growth potential, facilitating informed choices.

Partnering with a Broker in Atlanta

Initial Consultation: The journey typically commences with an in-depth consultation, where the broker hones in on the business's needs, preferences, and financial parameters.

Property Curation: Based on the insights gleaned, the broker meticulously curates a selection of properties aligned with the business's criteria, presenting them for consideration.

Property Showcases: Guided property tours orchestrated by the broker offer firsthand experiences, allowing businesses to envisage their operations within the chosen spaces.

Negotiation and Lease Finalization: Upon identifying the ideal space, the broker deftly negotiates with property owners or landlords, advocating for favorable lease terms and shepherding businesses through the agreement process.

Continuous Support: Brokers provide unwavering support throughout the lease term, addressing any concerns or challenges that may arise, ensuring a seamless occupancy experience.

Selecting the Right Broker

A prudent selection process is paramount when choosing a broker in Atlanta:

Reputation: Prioritize brokers with sterling reputations, backed by a track record of successful transactions and glowing client endorsements.

Local Proficiency: Opt for brokers well-versed in Atlanta's market intricacies, from neighborhood nuances to available office landscapes.

Communication: Effective communication is pivotal. Choose a broker renowned for attentive listening, clear understanding of needs, and transparent communication.

Transparency: Ensure transparency regarding fees and potential conflicts of interest, fostering trust and transparency in the partnership.

In Conclusion

In Atlanta's fiercely competitive business arena, securing the ideal office space is a strategic imperative. Collaborating with a commercial real estate broker simplifies this endeavor, leveraging their market prowess, bespoke guidance, and negotiation finesse. Stratus Property Group serves as trusted advisors, empowering businesses to navigate the labyrinth of securing a workspace that mirrors their ambitions. By forging alliances with brokers, enterprises can make astute decisions, optimize their environments, and channel their energies towards driving growth and innovation. Learn more today about how Stratus Property Group can assist you in finding the perfect office space in the Atlanta market. Contact us today!

[red-elric]

aight i got some attention 😎 here's my thesis on classpects lol

ASPECTS:

- aspects in homestuck represent a fundamental part (or "aspect") of the universe. each aspect is a building block that, when used in combination with the other aspects, creates the universe as we (or the players) know it. the aspects primarily work in distinct pairs to create six fundamental tenants of the universe. three of these tenants exist on a more cosmic scale, and the remaining three exist on a personal scale. additionally, within each pair of aspects, there is one aspect that serves as an expanding, limitless concept with large amounts of potential; the other aspect in the pair serves to limit and guide the first with a much more concrete definition and power. (note: this is not to say the limitless aspect has more power or is stronger than the limiting aspect; there is power in limiting as well, and the broadness of the limitless aspects can make them difficult to interpret and utilize. no aspect is more important or powerful than another)

- the cosmic tenants are those that relate to paradox space, fate, the timeline, and the universe. these aspects exist on a grander scale than the personal aspects, but conversely they have little to do with actual people/players and their relationships and emotions. players that act in service to a cosmic aspect can find themselves limited in personal development; whereas those that rebel against the cosmic aspect assigned to them may find themselves personally fulfilled, but less effective in matters that the game deems important. the cosmic aspects are void/light, mind/doom, and space/time. (note that these six aspects all have symbols that are roughly circular in shape and are symetrical in at least one direction, often more than one direction.)

- VOID/LIGHT: this aspect pair deals with the tenant of CHAOS AND ORDER. void is the limitless aspect of nothingness; it is the chaos through which every concept might exist, but through the contradictory overlap it is meaningless. light limits void by giving it order, picking through the infinite possibilities and finding the one true path with meaning, creating a narrative. void and light also have associations with luck; while void represents the statistical inevitability that anything that could exist does, somewhere, light represents the infintessimal chances that any given possibility actually DOES exist in the reality the players exist in. light has a tendency to try to make things 'work out the way they should;' light players have an association with heroism and narrative satisfaction; they can seem more like characters in a story than any other players and tend to feel something is 'off' if things don't work out the way they 'should.' conversely, void has the capacity to understand that anything is possible; void players have incredible capacity to 'roll with the punches' as nothing can really surprise them, but they can veer towards nihilism and depression if they conclude 'nothing matters.' void and light are represented in a more literal sense by darkness and space (void) or brightness and sources of light (light); players that are more literal minded may end up with abilities relating to these representations, such as a prince of light being able to remove all light from an area to allow stealth attacks.

- MIND/DOOM: this aspect pair deals with the tenant of CHOICE AND FATE. mind is the limitless aspect of choices; it is the existence of every possible branching reality, brought upon by every individual choice that might be made. doom limits mind by definining the alpha timeline as the one that is 'real;' all other branches are 'doomed.' this does not mean they are meaningless, especially since doomed timelines frequently interact with the alpha timeline; it simply means the events in these timelines are not the ones fated to happen by paradox space. mind represents a player's free will, stating that their actions have distinct consequences; 'we make our own luck.' doom represents the determinism inherent to paradox space, stating that actions exist for the benefit of the alpha timeline; 'we've been doomed from the start.' doom players have a tendency to see the world in black and white, all in absolutes with no nuance; things are the way they are because thats the way they are. they may also tend to stagnate because of this; they accept things as unchangeable and are less motivated to action at times. conversely, mind players tend to take matters into their own hands; they see every outcome as something they are personally responsible for and can be extremely motivated to take decisive action. on the other hand, a mind player might find this responsibility overwhelming, while a doom player might find the predetermination freeing; it depends on the player's disposition. literal representations of these aspects include brains and dice/coins/any tool for random chance (mind) or death/decay and fire (doom); literal minded players may develop powers relating to these representations as well, such as a sylph of mind becoming able to heal someone from brain damage or mental impairment/inhibitors

- SPACE/TIME: this aspect pair deals with the tenant of BEGINNINGS AND ENDINGS. space creates limitlessly, ever expanding with dominion over all life, objects, locations, etc in existence; it sets the stage for all creation. time defines the ways life, objects, etc play out and brings them all to their proper resting point; it cleans up after space and closes chapters on space's creations. these aspects in particular and the cyclical way they interact with one another in paradox space are the most relevant aspects to the game of sburb/sgrub, because the goal of the game is to create a new universe, which lies heavily in space's domain, and it executes this goal through the paradoxical creation of players who are capable of playing the game as required, which is only possible through close association with time. this is why sessions without a space player are doomed to fail (especially considering the frog must be bred on a space player's planet) and sessions without a time player have an extremely low chance of success (the time player takes the role of making sure all loops are closed as they should be, and is naturally predisposed to clean up after paradox space). time players have strong associations with endings, particularly death, and tend to see things from the perspective of the end result. they may veer towards nihilism or determinism through this perspective, or they may find a sense of peace through knowing how things will play out in advance. conversely, space players have strong associations with beginnings, particularly birth and growth. they have the perspective of the starting potential, and may be optimistic about all the possibilities open to them, or they may be anxious from the potential ways things might go wrong. literal representations of these aspects include frogs, plants, and matter (space) or gears, corpses, and clocks (time) and more literally minded players may develop powers related to these manifestations, such as thief of time physically turning back the hands of a clock to travel backwards in time

- the personal aspects deal much more primarily with the matters of players and individuals, and players with these aspects are rewarded for developing their personal life and conversely not as poweful if they focus too much on the fate of the game and paradox space itself. each pair of personal aspects is directly parallel to a pair of cosmic aspects, they just deal with matters on a different scale. the personal aspect pairs are RAGE/HOPE (parallel to void and light), HEART/LIFE (parallel to mind and doom), and BREATH/BLOOD (parallel to space and time).

- RAGE/HOPE: this aspect pair deals with the core tenant of INSTINCT and PHILOSOPHY. rage is the aspect dealing with base, instinctual emotions and reactions, tied closely with behaviors in one's pure self interest, without trust in others and community. hope is the aspect dealing with enlightened thought, faith, and heroism; it surpasses rage's instincts by presenting lofty ideals for people to believe in, and produces heroes and strength for light's narrative. rage inspires fear in the isolated; hope inspires strength in the community. these aspects represent two schools of thought in the philosophy behind peoples' behaviors; rage insisting we are ruled by our instincts and the needs of our bodies, and hope insisting we have evolved beyond that and are ruled by thought, which can overcome those instincts. both philosophies have a degree of truth to them and combine to explain general human (or inhuman, depending on the player) nature, despite their contradictions. hope players have a strong connection to the narrative of the hero's journey (or, depending on their alignment, the villain's journey), though they are much less likely to be cognizant of this than light players. they deal with grandeur and lofty ideals about life and purpose, and can be either inspired by or overwhelmed by this, often feeling pressure to 'be a good person.' conversely, rage players have a strong connection to base emotion; they are good at finding core emotions that drive us and the fundamental feelings behind instinctual reactions. they deal with the innate, rather than the cerebral; some may find peace in their understanding of these subconcious emotions, while others may feel disturbed by the idea that they are controlled by their feelings alone and overwhelmed by this connection. literal representations of these aspects include angels and light (hope) or clowns and darkness (rage), and more literal minded players may develop powers related to these physical manifestations, such as a witch of hope summoning and controlling angels to fight for them

- HEART/LIFE: this aspect pair deals with the core tenant of SOUL AND BODY. heart is the aspect dealing with the essence of who a person is, including constants across all iterations of the person as well as their limitless potential to change across different iterations. mind represents all possible choices that can be made to influence reality, while heart represents the possible results of those choices on a single person. life is the aspect dealing with the physical and limited form that a soul inhabits; it represents the defined, exact iteration of a person in this reality and the form they take. the body (including the specific circumstances that create this body) houses the soul and limits it to one instance of a person, but the body without a soul is worthless. life players can (depending on their class), however, heal and raise the dead by reminding the body of the soul it previously held and reforging that connection. life players have a tendency to feel strong connections to their own sense of self, and can show strong confidence in their own actions; alternatively, they can feel overwhelmed by the limitations of the body they are 'trapped' in and feel as though they cannot break out of bad habits. conversely, heart players can feel overwhelmed by the enormity of their understanding of themselves, and their personal iteration of themselves can feel dwarfed by the possibilities of what they could have been; alternatively, they could also feel empowered by these alternatives and their ability to change themselves to better suit their goals and ideals. physical representations of these aspects include literal hearts and energy (heart) or plants and other forms of life (life); more literal minded players may develop powers related to these representations, such as an heir of life finding their enemies strangled by plant life.

- BREATH/BLOOD: this aspect pair deals with the core tenant of INDEPENDENCE AND COMMUNITY. breath is the aspect dealing with freedom, a disconnect from worldly and personal ties to focus on one's self. it has associations with the limitless ideals of nirvana, of removing one's self from others to achieve personal enlightenment, without the distraction of connections. blood is the aspect dealing with connections and relationships, choosing to focus more on the team or community as a whole than one's self. it utilizes connections with others to achieve social fulfillment, locking away personal freedoms for the opportunity to interact with others and creating strong social power. blood players are very often the best among all other aspects at helping other players work together towards a common goal. they are good at leadership, as long as they have and understand a goal; however, they are more focused on the team itself than the actual goals and may become lost if teamwork is not necessarily the priority. conversely, breath players are not generally good at working with a team, preferring to forge their own path, but their commitment to freedom and individuality can in itself be very inspiring to those who watch them, and they may be considered leaders in their own right (though a breath player would never consider themselves a true leader). these two aspects are not any more or less important than other aspects; however, due to the cooperative nature of the game and the game's focus on individual fulfillment and growth for the players, the aspects are strongly related to the themes of the game from the players' point of view, and as such blood and breath players are often held in high regard by others (though there are exceptions to this. it depends how commited the players are to realizing their aspect, and how contrary their non breath/blood teammates feel). physical representations of these aspects include wind, air, and literal breath (breath) or vows, family, and literal blood (blood); more literal minded players may develop powers related to these manifestations, such as a thief of blood having the ability to drain all the blood from an enemy's body.

CLASSES:

- unlike aspects, classes in homestuck deal entirely with the personal and not at all with the cosmic scale. a player's class represents how they interact with their aspect (broadly, in a constructive or destructive way), as well as whether they are benefited more by using their aspect power for themselves (active) or for others (passive). the classes are divided into 7 active and passive pairs, and both classes within a pair interacts with the aspect in a very similar way, but with the purpose of meeting a different goal depending on which side of the active/passive scale the class falls upon. these pairs are divided into three sets of contructively aligned classes, three sets of destructively aligned classes, and one pair that has ultimate control, both constructive and destructive. this exception is, of course, the master classes (lord and muse). it is this pair we will discuss first.

- LORD (-)/MUSE (+): this class pair interacts with their aspects using ULTIMATE CONTROL. unlike all other classes, lords and muses can both create and destroy their aspect and representations of their aspect, and have very few limitations to their connection with the aspect. the limitations that do exist lie within the differences between the two classes. the lord is purely an active class, and can bend their aspect to their will, and their will alone. they will struggle greatly with using their aspect to benefit others, but they will likely not feel compelled to do so in the first place. conversely, the muse is a purely passive class, and can only inspire their aspect to act in ways that benefit others. they, too, are capable of great power, but this power often comes at great personal sacrifice and they must rely on others to defend and protect them. however, by aligning yourself with a muse, you will have acess to great power frorm their aspect; their aspect will help you with your goals, so long as the muse feels as though they can place their trust in you.

- the destructively aligned classes associate their aspect with destruction in some way, whether that is by directly destroying the aspect, or using the aspect to destroy other things. the three pairs of destructive classes are prince/bard, thief/rogue, and page/knight.

- PRINCE (-)/BARD (+): this class pair interacts with their aspects using PURE DESTRUCTION. they are both often surrounded by their aspect in some way, and perhaps overwhelmed by it, and can find great power in destroying it or using it for destruction. the prince, as an active class, directly destroys their aspect in a desire to feel control over it, and must balance this with the power their aspect grants them when it is in abundance around them. too little of the aspect, and they have nothing left to control and use; too much of the aspect, and the aspect uncontrollably overwhelms them. the bard, as a passive class, invites destruction through their aspect, inspiring rather than controlling directly. their presence in a group must also be balanced; given too much influence, the bard's power could destroy everything around them uncontrollably, but with too little influence, the bard is supressed and unhelpful.

- THIEF (-)/ROGUE (+): this class pair interacts with their aspects by REMOVING AND RELOCATING. they both may feel a lack of their aspect around them, and cannot create it themselves; they must take it from others instead. both are also especially adept at turning the intangible concepts behind the aspect into something quantifiable and real. the thief, as the active class, draws their aspect to work for themself vampirically, taking representations of it exclusively from others to benefit themself. they are able to precisely control their powers and understand them implicitly. the rogue, as the passive class, struggles more with their understanding of their powers, and cannot control them as well, especially if they feel as though they are attempting to take their aspect for their own benefit alone. however, if they have a robin hood-esque motivation to rebalance their aspect and help their friends, they are capable of similar things as thieves.

- PAGE (-)/KNIGHT (+): this class pair interacts with their aspects by WIELDING them as a WEAPON. they both draw great power from their aspect and can channel it to great destructive force. the page, as the active class, is capable of channeling and controlling huge amounts of their aspect as raw power. however, this power is only accessible if the page desires it for themself; they are often predisposed to let their desires sit by the wayside and can feel lots of pressure from others to achieve their true potential, and that pressure can make it possible for a page to awaken their true power. the knight, as the passive class, can also wield their aspect as a powerful weapon, but their skills are most effective in helping or protecting others. the aspect is not kind to the knight themself, and often great power for the knight comes at great personal sacrifice.

- the creatively aligned classes associate their aspects with creation in some way, whether that is by directly creating the aspect or using the aspect to create other things. the three pairs of creatively aligned classes are maid/seer, witch/sylph, and heir/mage.

- MAID (-)/SEER (+): this class pair interacts with their aspects by COMPLETE UNDERSTANDING. they both have an innate connection to and knowledge of their aspect and can channel that information towards constructive purposes. the maid, as an active class, works in service of the aspect completely in exchange for dominion over the aspect itself; they become 'made' of their aspect. they have a fundamental understanding of the aspect that cannot be compared to another class's relationship with the same aspect, and can use that knowledge to their own great benefit. the seer, as a passive class, uses their aspect as a conduit to better understand the actions and paths they and their party must take for ultimate victory. while many seers are predisposed to work alone, their skills are much better utilized to guide others in the use of their own skills, and they are rewarded for taking an advisory position instead.

- WITCH (-)/SYLPH (+): this aspect pair interacts with their aspects by MANIPULATION AND CREATIVITY. they, like thieves and rogues, can take hold of conceptual ideas of how an aspect works, and can bend the aspect to their own will. a witch, as the active class, has incredible control over the aspect and creatively uses it to mold an optimal reality. however, their manual control over their aspect can sometimes lead to catastrophic mistakes if they are not careful. the sylph, as a passive class, struggles to reach this same level of control, but if properly motivated by the desire to help those around them, they can achieve similar abilities as a witch, albiet in a more roundabout way. the sylph in particular is drawn towards healing, and a sylph of ANY aspect might find a creative way to justify that power.

- HEIR (-)/MAGE (+): this aspect pair interacts with their aspects by PURE CREATION. they both manifest their aspect around them in abundance, conciously or not. the heir, as the active class, will find that their aspect protects and serves them, initially without concious control on the heir's part. they are beloved by their aspect and can wield it freely. the mage, as the passive class, is also surrounded by their aspect; however, the aspect is more aligned to helping those around the mage than the mage themselves. the mage can find benefit from this by surrounding themselves with friends; surrounding themselves with enemies will lead more towards detriment.

[likealittleheartbeat]

hello !!

i was wondering, do you know any other characters like aang from other shows/movies/books? or maybe, just his theme of radical kindness appearing in other stories?

i've been missing aang, and it would be nice to find other representations of such a fun and warm personality like his.

ps.: your blog is like, fantastic. truly.

🥰🥰🥰🥰 This is the best ask I’ve ever received!!! Depictions of radical kindness in media is a special interest of mine—not exaggerating. So I’ve done my best to make a list of rec’s, just tv, from most formally similar to ATLA to least, with a short description for each.

1. Fruits Basket (2019)

"My mom told me, it's better to trust people than to doubt them. She said that people aren't born with kind hearts. When we're born, all we have are desires for food and material things. Selfish instincts, I guess. But she said that kindness is something that grows inside of each person's body, but it's up to us to nurture that kindness in our hearts. That's why kindness is different for every person."

An anime orphan whose established memory of the kindness by which her family raised her ends up transforming and liberating a whole clan from an intergenerational curse that enforced an abusive hierarchy all within a show that has a deeply queer subtext, beautifully complex plotting and character development that due to its zen influence refuses to demonize anyone or any perspective wholly, AND a straight romance you can actually root for!? Nothing comes closer to ATLA thematically than this show. While the lead Tohru Honda is the biggest representative of radical kindness, the character of Momiji Sohma with his complex purity, idealism, and gender performance is one of the closest you'll find to Aang in any media.

2. Mob Psycho 100 (2016-2023)

"The truth behind one's charm is kindness. Just be a good person, that's all."

Mob Psycho 100 explores a core tenant of ATLA's critique of imperialism and power: greatness and perfection are overrated. They both ask the question about what to do for the world with one's gifts if that's the case. How can one be both normal and prodigious at the same time? The satirical comedy and style of this anime, which deconstruct a lot of the shonen genre tropes, are pretty distinct from ATLA, but when ATLA arrived on the airwaves, it was a pretty massive break from tradition in Western animation, and for both of these series, that difference of style is tied to the message of the show about the experience and acceptance of difference.

3. Natsume's Book of Friends (2012-present)

"As I encountered kindness, I wanted to be kind myself."

The anime, Natsume's Book of Friends and ATLA both depict the challenge and necessity of facing abandonment, loss, and a deep-seated loneliness with kindness and gratitude despite the persistence of grief. Both take a deeply spiritual view--even a responsibility--of this experience that demands a compassion for all beings including those who intend to do harm. Natsume, an orphan shuffled between houses who is one of the few people who can see spirits called youkai, inherits his maligned grandmother's book of yokai names, becoming a target for them in the process. He hides all of this from everyone in his life, and even five season in, still has trouble admitting to the one person who understands him when he is struggling and needs help. The gentle and light tone papers over a profoundly honest representation of attachment trauma and the wisdom of compassion that develops as a tool to cope with it.

4. Hunter x Hunter (2011-2014)

"You can do whatever you want to hide your feeling. You still have a heart."

If you think that "Radical Kindness" is by definition non-violent, then this show is either not for you or going to change your mind. Gon, the protagonist of HxH, like Momiji mentioned in Fruits Basket, is another rare character whose naivete and optimism are treated with respect. He is allowed to suffer, to be wrong, to be stupid, and to inspire others away from their own cynicism with the persistence of his beliefs nevertheless. But HxH is a show that integrates the most violent aspects of the world (organized crime, capitalistic competition and privileging, state-sanctioned brutality, pure sadism) with its examination of human potential for goodness. And even within a list of shows deeply inspired by spirituality and religions, this show is abundant with religious references as it seeks out meaning, balance, and an ethic for modern experience. On top of that, it ranks with ATLA for the depth and relevance of its magic system to its themes, plus its got gay subtext out the wazoo!

5. Mushishi (2005-2014)

“Make sure to remember, every person and place has a right to exist. It is true for you too, the entire world, as a whole, is your home."

Elegaic, episodic, compassionate, and strange, with some of the best short story-telling of all time, Mushishi is the story of a medicine-man who travels the Japanese countryside helping people deal with the spirits that accompany the little trials and tragedies of life that cling to our minds long after they're passed. The protagonist, Gingko, and the show itself takes the approach of restraint to observe these problems fully and come to a conclusion that's taoist in its balance and acceptance of reality--"Eyes unclouded by hate" as Miyazaki/Gaiman would have it. Each episode is like a therapy session arguing for you to choose to live even as the heaviest burdens sit on your chest.

6. Reservation Dogs (2021-2023)

"See...love doesn't have to be received, it can just be."

We're finally out of the animes, and moving away from the zen and shinto approach into some other options. Reservation Dogs' indigenous humanism was groundbreaking, bringing in distinctly modern American realities (with the kind of true-to-life details only a an on-location shoot could offer) with Native beliefs about ancestry, community, and connection to the land, while rarely feeling preachy. Instead, it's just fucking hilarious and casually heartbreaking. Four friends on the edge of graduating high school on a reservation in Oklahoma try to figure out what to do with their lives after their plans to go to California get abruptly messed up. Radical kindness as a concept often gets focused on accepting the enemy but what about accepting the weird stoner uncle who farts all the time and won't talk about his years in the army. I think that might be a more important goal of radical kindness, in truth, if we are being asked to look and accept reality for what it is, because growing comfortable with disappointment and the mundane let's us live without the relentless striving that drives perfectionism.

7. Skam (2015-2017)

"The second you start looking for hate, you find it. And when you find hate, you start hating."

A Norwegian teen drama that understood internet culture better than any show before or since, four season-long romance plots better than any romance film from that decade, and a masterfully constructed exhortation about leaning into failures of connection to build deeper compassion rather than demonize another person or group. Each season focused on a specific character within a high-school friend group, emphasizing the limited scope of subjective experience, and had them confront the challenges of opening up to others fully. And even when they return into the scenes with new protagonists, their lives weren't sorted perfectly, reflecting how resolving a single romantic plot point would not resolve life. The impact of this low-budget public-television web series (!!!) will be felt for years (it's already been referenced by Netflix juggernauts like Sex Education and Young Royals), but we're not likely to see something that juggles political themes, heartfelt characterization, realistic dialogue, and meta-commentary (it flashed its own hater and fan comments across the screen in the last episode!!) in such a obsession-inducing package anytime soon.

7. Boys Like Boys (2023)

"Because I have always been someone who hates myself, I don't have the courage to face it. Running away is my only option...What if I give myself one more chance to be brave?"

So how can a reality show make it onto a list of radically kind tv series, especially a dating show!? Well, when that reality dating show casts people who radiate warmth, vulnerability, and respect and seem to have the kind of chemistry that most scripted shows can't even manage, it's a good start. But then, when they elevate that cast with a format that addresses the cruelty of dating, elimination formats, and broader societal exclusion (an important consideration for a gay dating show), it offers a new model for future shows. Boys Like Boys did this when mid-season (spoiler alert) they had contestants vote out a contestant, only to provide the contestants with a vote in which they could retain a contestant who they didn't want to leave. In fact, many of the contestants asked if they could abstain from making a vote that would eliminate a constestant and were allowed to. The final result left one contestant, Jia-Hang, up for elimination--he had voted for himself to be eliminated, and many contestants, recognizing his reticence to continue on the program, didn't want to force him against his will to stay. Then, looking around at nearly the whole cast sobbing, even apologizing to him for not providing him enough support, Jia-Hang chooses to stay on. This is just one of many heart-warming authentic moments in the show that illustrate the vital influence of kindness to impact the trajectory of our hearts.

8. Joe Pera Talks With You (2018-2021)

"I can help you reach things. I can tend the garden. The different hours we keep are a good thing. And when they overlap, I can offer companionship and entertainment."

So much has been written about this show's groundbreaking kind approach, I'm going to quote instead: "It can be difficult to convey how a TV show airing on Cartoon Network’s provocative nighttime programming block Adult Swim can evoke almost nostalgic feelings of kind-heartedness. The premise of Joe Pera Talks With You is so simple as to almost be beside the point: Comedian Joe Pera plays a lightly fictionalized version of himself as a sweet Michigander, a middle-school chorus teacher with small and specific passions. Joe likes breakfast food, obscure trivia, beans, trips to the grocery store, and his grandma. He greets every day with a contented smile, stands beneath a pale blue sky, packs a balanced lunch that contains no surprises. (A turkey sandwich with cheese and a tomato, a banana, some trail mix, and as a treat, some cookies.) Joe, more than anything, is satisfied. His greatest joy is sharing these small pleasures with you, the viewer who exists on the other side of the fourth wall he has cleanly dismantled, often speaking quietly to the camera like he’s sharing a secret, just between you two. That he’s talking “with” and not “to” you is a crucial distinction in the show’s title: Joe never lectures nor rhapsodizes. Instead, he waxes poetic about what he loves and who he cares for and how he leads his life, telling his stories from a vulnerable position of welcoming you into his daily existence.” --“A Great Comedy About Being Good,” Allegra Frank for Vox

9. Anne with an E (2017-2019)

"Her life was not short on challenges, and still she held no grudges, believing instead that grace is perennial like the green, green grass."

While maligned for not being the 1980s version, this Netflix adaptation of Anne of Green Gables takes what many have read as an autistic subtext and made it text, giving Anne a performative quality that pushes a lot of the audience into the same irritation that the characters of Avonlea feel for Anne at first, and, thus, requires its audience to persevere toward the same kindness that Anne inspires in her adoptive mother figure, Marilla, among others, which is much more rewarding than simply identifying with Anne right away. In so doing, it enhances the development of its broader approach to acceptance--an approach in its insistence on the requirement of a community of kindredness (see Sebastian's excitement at finding out about the black community in "The Bog") that is much more rigorous than many other shows will cop to. Expanding far beyond literal adaptation into queer, black, and indigenous characters, without disguising history or disparaging the thematic seed of grace at the heart of the novels, Anne with an E imagines what it meant and what it might still mean to build real joyful community with others through kindness.

10. Little Bear (1995-2003)

"Interesting."

A childhood favorite that disguised in its simplicity a wide-openness to the world and an acceptance of different natures. While most child shows emphasize kindness, few do so with as much patience, wonder, and generosity extended to its viewers. Little Bear is a curious kid who goes on adventures in the woods around his house that can turn into games or small imagined experiences. He is sometimes with his friends Cat, Duck, Hen, Owl, and Emily, whose personalities, along with Little Bear's, bring about small tensions in their games that ultimately resolve, if not independently, then with the help of Mother Bear or Father Bear, who give each other knowing glances about the expected childhood behaviors. This is the first show that initially taught me to observe things while withholding my judgment, that first step of radical kindness.

12. The Andy Griffith Show (1960-1968)

"The key to happiness is finding joy in the simple things."

One really old and somewhat controversial throwback for my last entry. If you have concerns about a sheriff character representing radical kindness, I would encourage you to start with the third episode of season 3 where Andy, the sheriff in question, has to explain to the new mayor why he doesn't carry a gun and lets prisoners go to gather their crops. There have been some fantastic pieces written about the complexities of this show's bucolic fantasy and Southerners (of all races) attachment to it, but they all acknowledge a type of humanistic and deceptively simple virtue found in Mayberry that audiences long to witness, if not emulate themselves. It's a morality that resists the "hyperactive zealotry" and bureaucracy that the show satirizes through Barney Fife (along with guest characters like the new mayor) and instead emphasizes the understanding that one can have for each individual and the trickstery middle paths that one can find to address conflict.