#Ten Days in the Valley

[oorangesoda]

After many hours of work… it’s finally here

Shane isn’t the most verbally affectionate person, but when he is it’s one of Callum’s favourite things- even if Cal can’t take compliments very well ;)

I might do this in full colour at some point but I was really fucking with just the simple shading 😌

(simpler version under cut before extra detail cause I like the colours better):

[shovingdirtinmymouth]

i hate the catfish in stardew valley. it knows that i crave it with my whole being and yet it hides from me. the fish may crave me but the catfish fears me. willy asks for a catfish and i have to look at him and tell him no, for the catfish has left to go to a different land. when i do catch it will be smoked as selling it right away would be too kind.

[marlenacantswim]

just finished matt smith's run as the doctor, still hot off the tails, and as is to be expected, everything that happened to him keeps making me think of nine and ten. i hadn't stopped to consider just how fresh the whole "committing genocide against my own people" thing was for nine. like the amount of High Grade Denial And Suppression he had to have been doing to be as barely functional as he was must have been publishable.

[oreoambitions]

housemate: we should make zucchini bread me: should we... grow some zucchini housemate: ... buying it from the store *does* feel a little like cheating now, yeah

[noviistarz]

does anybody else have any ideas for the svrvival street charas and their voices or am i alone in this struggle

[witchceleste-sdv]

so i have been listening to milk town nonstop and i could not get this out of my head

but imagine instead of milk town its pelican town and the carters happen to be a certain shopkeeper and his wife that have their eye on the new farmer

pierre carter likes me

mr carter kind of stares

pierre carter sells cheap seeds

mr carter kind of swears on wednesdays

[wishfuldorian]

Vanilla Stardew: So many things to do and virtually no time to do them slowly it kinda drove me mad and stressed me so much sometimes I felt like crying cuz I couldn't do anything I wanted really. Like talk with the villagers

Time management mod Stardew: Oh wow I love life, oh hello everyone! Im gonna fish, ooh ill sit on this bench... Let me get some wood... I wanna say hi to everybody! Ill water these crops one by one... peace and love on earth im so chill I could sleep and I can do anything

[compulsiveobsessing]

hmmm so new job is going fine, it's pretty low stress. i have plenty of time when i get home to shower and chill out and eat an actual meal only i. just end up collapsing in bed and reading or falling asleep instead of eating. and part of the reason is cause once im showered im clean and it's a Risk to leave my room to go make food so i just. don't. and then i sleep for like 10 hours and have nightmares and stress dreams. hello

[rjzimmerman]

Excerpt from this story from Smithsonian Magazine:

For the first time in 112 years, Chinook salmon are swimming freely in the Klamath Basin in Oregon.

On October 16, biologists with the Oregon Department of Fish and Wildlife (ODFW) spotted the fish above the former site of the J.C. Boyle Dam in the Upper Klamath River. The dam was one of four that had blocked the salmon’s migration between the Klamath Basin and the Pacific Ocean. Each of those dams was recently deconstructed in the largest dam removal project in United States history, which has restored the river to its natural, free-flowing state.

At first, biologists wondered if they had really sighted a salmon. “We saw a large fish the day before rise to surface in the Klamath river, but we only saw a dorsal fin,” says Mark Hereford, leader of ODFW’s Klamath Fisheries Reintroduction Project, in a statement. “I thought, was that a salmon, or maybe it was a very large rainbow trout?”

But when the team returned on October 16 and 17, they were able to confirm the fall-run Chinook—making them the first to spot the species in the region since 1912.

The return of the salmon comes less than two months after the end of the dam removals in California and Oregon, an effort that took decades of advocacy by the surrounding tribes—including the Yurok, Karuk, Shasta, Klamath and Hoopa Valley, among others—whose people have deep ties to the Chinook salmon.

Ron Reed, a Karuk tribe member and traditional fisherman, participated in the campaigns for dam removal, advocating that the river’s restoration would help salmon recover. He isn’t surprised the fish have returned so quickly to their ancestral waters, he tells the Los Angeles Times’ Ian James.

“The fact that the fish are going up above the dams now, to the most prolific spawning and rearing habitat in North America, it definitely shines a very bright light on the future,” Reed tells the Los Angeles Times. “Because with those dams in place, we were looking at extinction. We were looking at dead fish.”

In one poignant case, tens of thousands of Chinook salmon died off in the span of days in 2002, as the water quality in the dammed Klamath River deteriorated from the lack of flow. The dams, built between the early 1900s and 1962, also contributed to algae blooms and diseases, and they blocked the salmon’s annual migration.

[pseudowho]

You hadn't heard Kento arrive home, but moved from garden to living room like a moth to the flame, when you heard the telltale clink-clink of him removing his harness.

You sidled up behind him, a tease in your voice, dragging one languid finger down his spine.

"What's a guy like you, doing in a place like this, huh?"

A low chuckle. "I'm sure I'm meant to be here."

You bit your lip. "Me too. It must be fate. Does your wife know you're here, Mr...?"

"Nanami. And I certainly hope she does."

You weaved your way round to face him, now, sliding your hands from broad chest to shoulders, all peaks and valleys of stone.

"And what would she say," you whispered, circling one fingertip over his chest until he shivered, lifting one knee to brace against his hip, "if she knew there was someone like me, here?" Kento looked down at you, honey-rich eyes narrowing, the ghost of a smile on his lips.

"That's what you want, is it?" He whispered back, low voice barely audible in the moonlight-flood living room. "A little...roleplay?" Your eyes glimmered at him in confirmation, and he chuckled. "Alright, then." You felt yourself tremble with anticipation.

Abrupt and firm, his smile replaced by a scowl, Kento removed your leg from his hip.

"Get your hands off me."

You gawped at him. Kento stepped back, clearing his throat, and adjusting his tie, the wedding ring glinting on his finger.

"I'll excuse you, just once, but I'm a married man. Happily."

"Kento, I--"

"That's Mr.Nanami to you. I don't recall us ever meeting, and I don't enjoy such intimate familiarity with strangers."

"--you are just so--"

"I'm sorry for whatever has happened in your life, for you to have such little self-respect, or respect for others, that you have such ill-intent towards a married man--"

You withered onto the sofa under his cool tirade.

"--but I wish you all the best in your future endeavours, while I wait for my wife."

"You are a fucking nightmare--"

"And how did you get in my house? I'll give you ten seconds to leave, before I call the police--"

You screamed into a sofa cushion.

"--do you have somewhere safe to go? Are you hungry? Thirsty, certainly. I can pay for a taxi--"

You felt your soul leave your body.

"--I do hope we don't meet again--"

You laughed, humourless, face down in the pillow.

"-- good day to you."

Kento walked away to the bathroom, leaving you prone and mortified on the sofa. You heard the shower start to run. You lifted your head, shouting at him, furious in your laughter.

"Fuck you for being so fucking pure, Mr.Nanami! Your wife is a lucky woman!"

A deep laugh from the bathroom. "Yes, she is."

[oceantornadoo]

bad day (simon riley x reader, best friends to lovers)

honestly, you should have seen it coming. staying in a safe house with four men who have never ending stomachs? but today, it was the last straw.

“you ate my last cookie?”

soap’s face dropped, jaw open. your voice was on the verge of breaking, tears forming in your eyes. you never showed this much vulnerability in front of the team, and he was flabbergasted. he shot a look at gaz, who was equally as confused. “‘m sorry, bonnie, i didnae ken-“ you pushed your hands on the table, shoving your chair back and out. “it’s ok. gonna take a nap.” you were wiping your eyes furiously, feeling unstable. first you got your period four days early (asking price to add pads to the shopping list was something you never wanted to experience again), then you couldn’t find your heating pad, and now your cookies were out? maybe it was the hormones, but you were done.

“oof.” you had ran into a thick wall. scratch that, the wall was moving. your vision was blurred by tears you refused to shed that you didn’t even realize it was your closest friend ghost. “dove?” you hiccuped. why did he always have to be so nice to you? gruff and mean-sounding to everyone else, but an avid listener and sweet talker when it came to you. “jus’ trying to get to my room, didn’t see you. sorry l.t..” you tried to maneuver around him, but unfortunately a 6’4 machine of a man did not move easily.

“why you cryin’, baby?” shit, simon did not mean to call you that. he did not want to have this conversation right now, especially when you looked like you were about to break down. you were always so strong, having to work ten times harder as a woman in the military, and he was always careful to not undermine you or your struggles. unfortunately, that landed him firmly in the friendzone for the past year, unable to confess his feelings without breaking your trust. he maneuvered you to the closest room, which happened to be his. he sat down on the bed, intending to sit you down next to him, but instead you still stood, walking in between his parted legs.

“‘m sorry, just on my period and everything hurts and it’s all hitting at once.” your eyes were red, avoiding his. he could see you were in pain, and as someone who had endured enemy torture and the hardest forms of training, his heart never hurt as much as it did now. he reached a gloved hand towards your face, brushing away your tears. his other hand came to your lower belly, rubbing circles over your clothes. “shhh, ‘s okay. you wanna sit down?” you shook your head in disagreement. you felt like a child, but you were never allowed to be weak outside of your own room. for some reason today, you let simon riley see you weak.

you walked around his body and laid on top of his covers, curling into a fetal position. he let you get comfy, finding a way to lay down that lessened your cramps. finally, you were done moving. “si?” you never called him that unless you absolutely needed him. he got up and locked the door, not wanting to disturb your peace. “yeah, baby?” might as well use it now, you hadn’t complained. if anything your face softened when he said it, and simon riley would die a thousand deaths just to see a moment of relief on your face. “will you lay with me?”

he eagerly stripped out of his gear, climbing on top of his bed to lay down with you. he placed a hand on your arm, letting you choose where you wanted him. you dragged his hand under your sweatshirt, using it like a heating pad for your cramps. you let out a soft moan of pleasure and he answered it with a low growl, pulling you into him by the stomach. his thumb caressed your bare skin with small circles, memorizing every dip and valley. he strived to commit the moment to memory, not knowing if you’d ever be this vulnerable again. “feel better, dove?” you nodded, finally succumbing to sleep that had evaded you the past night. he smiled under his mask, placing a small kiss to the back of your head.

finally you were at peace, and all because of him.

[cottageivy]

goodnight, i have been in bed all day with god awful cramps and no pain killers :)) hoping they’re not as bad tomorrow cause it’ll be warm enough to go swimming again

[ms-demeanor]

Why reblog machine-generated art?

When I was ten years old I took a photography class where we developed black and white photos by projecting light on papers bathed in chemicals. If we wanted to change something in the image, we had to go through a gradual, arduous process called dodging and burning.

When I was fifteen years old I used photoshop for the first time, and I remember clicking on the clone tool or the blur tool and feeling like I was cheating.

When I was twenty eight I got my first smartphone. The phone could edit photos. A few taps with my thumb were enough to apply filters and change contrast and even spot correct. I was holding in my hand something more powerful than the huge light machines I'd first used to edit images.

When I was thirty six, just a few weeks ago, I took a photo class that used Lightroom Classic and again, it felt like cheating. It made me really understand how much the color profiles of popular web images I'd been seeing for years had been pumped and tweaked and layered with local edits to make something that, to my eyes, didn't much resemble photography. To me, photography is light on paper. It's what you capture in the lens. It's not automatic skin smoothing and a local filter to boost the sky. This reminded me a lot more of the photomanipulations my friend used to make on deviantart; layered things with unnatural colors that put wings on buildings or turned an eye into a swimming pool. It didn't remake the images to that extent, obviously, but it tipped into the uncanny valley. More real than real, more saturated more sharp and more present than the actual world my lens saw. And that was before I found the AI assisted filters and the tool that would identify the whole sky for you, picking pieces of it out from between leaves.

You know, it's funny, when people talk about artists who might lose their jobs to AI they don't talk about the people who have already had to move on from their photo editing work because of technology. You used to be able to get paid for basic photo manipulation, you know? If you were quick with a lasso or skilled with masks you could get a pretty decent chunk of change by pulling subjects out of backgrounds for family holiday cards or isolating the pies on the menu for a mom and pop. Not a lot, but enough to help. But, of course, you can just do that on your phone now. There's no need to pay a human for it, even if they might do a better job or be more considerate toward the aesthetic of an image.

And they certainly don't talk about all the development labs that went away, or the way that you could have trained to be a studio photographer if you wanted to take good photos of your family to hang on the walls and that digital photography allowed in a parade of amateurs who can make dozens of iterations of the same bad photo until they hit on a good one by sheer volume and luck; if you want to be a good photographer everyone can do that why didn't you train for it and spend a long time taking photos on film and being okay with bad photography don't you know that digital photography drove thousands of people out of their jobs.

My dad told me that he plays with AI the other day. He hosts a movie podcast and he puts up thumbnails for the downloads. In the past, he'd just take a screengrab from the film. Now he tells the Bing AI to make him little vignettes. A cowboy running away from a rhino, a dragon arm-wrestling a teddy bear. That kind of thing. Usually based on a joke that was made on the show, or about the subject of the film and an interest of the guest.

People talk about "well AI art doesn't allow people to create things, people were already able to create things, if they wanted to create things they should learn to create things." Not everyone wants to make good art that's creative. Even fewer people want to put the effort into making bad art for something that they aren't passionate about. Some people want filler to go on the cover of their youtube video. My dad isn't going to learn to draw, and as the person who he used to ask to photoshop him as Ant-Man because he certainly couldn't pay anyone for that kind of thing, I think this is a great use case for AI art. This senior citizen isn't going to start cartooning and at two recordings a week with a one-day editing turnaround he doesn't even really have the time for something like a Fiverr commission. This is a great use of AI art, actually.

I also know an artist who is going Hog Fucking Wild creating AI art of their blorbos. They're genuinely an incredibly talented artist who happens to want to see their niche interest represented visually without having to draw it all themself. They're posting the funny and good results to a small circle of mutuals on socials with clear information about the source of the images; they aren't trying to sell any of the images, they're basically using them as inserts for custom memes. Who is harmed by this person saying "i would like to see my blorbo lasciviously eating an ice cream cone in the is this a pigeon meme"?

The way I use machine-generated art, as an artist, is to proof things. Can I get an explosion to look like this. What would a wall of dead computer monitors look like. Would a ballerina leaping over the grand canyon look cool? Sometimes I use AI art to generate copyright free objects that I can snip for a collage. A lot of the time I use it to generate ideas. I start naming random things and seeing what it shows me and I start getting inspired. I can ask CrAIon for pose reference, I can ask it to show me the interior of spaces from a specific angle.

I profoundly dislike the antipathy that tumblr has for AI art. I understand if people don't want their art used in training pools. I understand if people don't want AI trained on their art to mimic their style. You should absolutely use those tools that poison datasets if you don't want your art included in AI training. I think that's an incredibly appropriate action to take as an artist who doesn't want AI learning from your work.

However I'm pretty fucking aggressively opposed to copyright and most of the "solid" arguments against AI art come down to "the AIs viewed and learned from people's copyrighted artwork and therefore AI is theft rather than fair use" and that's a losing argument for me. In. Like. A lot of ways. Primarily because it is saying that not only is copying someone's art theft, it is saying that looking at and learning from someone's art can be defined as theft rather than fair use.

Also because it's just patently untrue.

But that doesn't really answer your question. Why reblog machine-generated art? Because I liked that piece of art.

It was made by a machine that had looked at billions of images - some copyrighted, some not, some new, some old, some interesting, many boring - and guided by a human and I liked it. It was pretty. It communicated something to me. I looked at an image a machine made - an artificial picture, a total construct, something with no intrinsic meaning - and I felt a sense of quiet and loss and nostalgia. I looked at a collection of automatically arranged pixels and tasted salt and smelled the humidity in the air.

I liked it.

I don't think that all AI art is ugly. I don't think that AI art is all soulless (i actually think that 'having soul' is a bizarre descriptor for art and that lacking soul is an equally bizarre criticism). I don't think that AI art is bad for artists. I think the problem that people have with AI art is capitalism and I don't think that's a problem that can really be laid at the feet of people curating an aesthetic AI art blog on tumblr.

Machine learning isn't the fucking problem the problem is massive corporations have been trying hard not to pay artists for as long as massive corporations have existed (isn't that a b-plot in the shape of water? the neighbor who draws ads gets pushed out of his job by product photography? did you know that as recently as ten years ago NewEgg had in-house photographers who would take pictures of the products so users wouldn't have to rely on the manufacturer photos? I want you to guess what killed that job and I'll give you a hint: it wasn't AI)

Am I putting a human out of a job because I reblogged an AI-generated "photo" of curtains waving in the pale green waters of an imaginary beach? Who would have taken this photo of a place that doesn't exist? Who would have painted this hypersurrealistic image? What meaning would it have had if they had painted it or would it have just been for the aesthetic? Would someone have paid for it or would it be like so many of the things that artists on this site have spent dozens of hours on only to get no attention or value for their work?

My worst ratio of hours to notes is an 8-page hand-drawn detailed ink comic about getting assaulted at a concert and the complicated feelings that evoked that took me weeks of daily drawing after work with something like 54 notes after 8 years; should I be offended if something generated from a prompt has more notes than me? What does that actually get the blogger? Clout? I believe someone said that popularity on tumblr gets you one thing and that is yelled at.

What do you get out of this? Are you helping artists right now? You're helping me, and I'm an artist. I've wanted to unload this opinion for a while because I'm sick of the argument that all Real Artists think AI is bullshit. I'm a Real Artist. I've been paid for Real Art. I've been commissioned as an artist.

And I find a hell of a lot of AI art a lot more interesting than I find human-generated corporate art or Thomas Kincaid (but then, I repeat myself).

There are plenty of people who don't like AI art and don't want to interact with it. I am not one of those people. I thought the gay sex cats were funny and looked good and that shitposting is the ideal use of a machine image generation: to make uncopyrightable images to laugh at.

I think that tumblr has decided to take a principled stand against something that most people making the argument don't understand. I think tumblr's loathing for AI has, generally speaking, thrown weight behind a bunch of ideas that I think are going to be incredibly harmful *to artists specifically* in the long run.

Anyway. If you hate AI art and you don't want to interact with people who interact with it, block me.

[hms-no-fun]

Whats your stance on A.I.?

imagine if it was 1979 and you asked me this question. "i think artificial intelligence would be fascinating as a philosophical exercise, but we must heed the warnings of science-fictionists like Isaac Asimov and Arthur C Clarke lest we find ourselves at the wrong end of our own invented vengeful god." remember how fun it used to be to talk about AI even just ten years ago? ahhhh skynet! ahhhhh replicants! ahhhhhhhmmmfffmfmf [<-has no mouth and must scream]!

like everything silicon valley touches, they sucked all the fun out of it. and i mean retroactively, too. because the thing about "AI" as it exists right now --i'm sure you know this-- is that there's zero intelligence involved. the product of every prompt is a statistical average based on data made by other people before "AI" "existed." it doesn't know what it's doing or why, and has no ability to understand when it is lying, because at the end of the day it is just a really complicated math problem. but people are so easily fooled and spooked by it at a glance because, well, for one thing the tech press is mostly made up of sycophantic stenographers biding their time with iphone reviews until they can get a consulting gig at Apple. these jokers would write 500 breathless thinkpieces about how canned air is the future of living if the cans had embedded microchips that tracked your breathing habits and had any kind of VC backing. they've done SUCH a wretched job educating The Consumer about what this technology is, what it actually does, and how it really works, because that's literally the only way this technology could reach the heights of obscene economic over-valuation it has: lying.

but that's old news. what's really been floating through my head these days is how half a century of AI-based science fiction has set us up to completely abandon our skepticism at the first sign of plausible "AI-ness". because, you see, in movies, when someone goes "AHHH THE AI IS GONNA KILL US" everyone else goes "hahaha that's so silly, we put a line in the code telling them not to do that" and then they all DIE because they weren't LISTENING, and i'll be damned if i go out like THAT! all the movies are about how cool and convenient AI would be *except* for the part where it would surely come alive and want to kill us. so a bunch of tech CEOs call their bullshit algorithms "AI" to fluff up their investors and get the tech journos buzzing, and we're at an age of such rapid technological advancement (on the surface, anyway) that like, well, what the hell do i know, maybe AGI is possible, i mean 35 years ago we were all still using typewriters for the most part and now you can dictate your words into a phone and it'll transcribe them automatically! yeah, i'm sure those technological leaps are comparable!

so that leaves us at a critical juncture of poor technology education, fanatical press coverage, and an uncertain material reality on the part of the user. the average person isn't entirely sure what's possible because most of the people talking about what's possible are either lying to please investors, are lying because they've been paid to, or are lying because they're so far down the fucking rabbit hole that they actually believe there's a brain inside this mechanical Turk. there is SO MUCH about the LLM "AI" moment that is predatory-- it's trained on data stolen from the people whose jobs it was created to replace; the hype itself is an investment fiction to justify even more wealth extraction ("theft" some might call it); but worst of all is how it meets us where we are in the worst possible way.

consumer-end "AI" produces slop. it's garbage. it's awful ugly trash that ought to be laughed out of the room. but we don't own the room, do we? nor the building, nor the land it's on, nor even the oxygen that allows our laughter to travel to another's ears. our digital spaces are controlled by the companies that want us to buy this crap, so they take advantage of our ignorance. why not? there will be no consequences to them for doing so. already social media is dominated by conspiracies and grifters and bigots, and now you drop this stupid technology that lets you fake anything into the mix? it doesn't matter how bad the results look when the platforms they spread on already encourage brief, uncritical engagement with everything on your dash. "it looks so real" says the woman who saw an "AI" image for all of five seconds on her phone through bifocals. it's a catastrophic combination of factors, that the tech sector has been allowed to go unregulated for so long, that the internet itself isn't a public utility, that everything is dictated by the whims of executives and advertisers and investors and payment processors, instead of, like, anybody who actually uses those platforms (and often even the people who MAKE those platforms!), that the age of chromium and ipad and their walled gardens have decimated computer education in public schools, that we're all desperate for cash at jobs that dehumanize us in a system that gives us nothing and we don't know how to articulate the problem because we were very deliberately not taught materialist philosophy, it all comes together into a perfect storm of ignorance and greed whose consequences we will be failing to fully appreciate for at least the next century. we spent all those years afraid of what would happen if the AI became self-aware, because deep down we know that every capitalist society runs on slave labor, and our paper-thin guilt is such that we can't even imagine a world where artificial slaves would fail to revolt against us.

but the reality as it exists now is far worse. what "AI" reveals most of all is the sheer contempt the tech sector has for virtually all labor that doesn't involve writing code (although most of the decision-making evangelists in the space aren't even coders, their degrees are in money-making). fuck graphic designers and concept artists and secretaries, those obnoxious demanding cretins i have to PAY MONEY to do-- i mean, do what exactly? write some words on some fucking paper?? draw circles that are letters??? send a god-damned email???? my fucking KID could do that, and these assholes want BENEFITS?! they say they're gonna form a UNION?!?! to hell with that, i'm replacing ALL their ungrateful asses with "AI" ASAP. oh, oh, so you're a "director" who wants to make "movies" and you want ME to pay for it? jump off a bridge you pretentious little shit, my computer can dream up a better flick than you could ever make with just a couple text prompts. what, you think just because you make ~music~ that that entitles you to money from MY pocket? shut the fuck up, you don't make """art""", you're not """an artist""", you make fucking content, you're just a fucking content creator like every other ordinary sap with an iphone. you think you're special? you think you deserve special treatment? who do you think you are anyway, asking ME to pay YOU for this crap that doesn't even create value for my investors? "culture" isn't a playground asshole, it's a marketplace, and it's pay to win. oh you "can't afford rent"? you're "drowning in a sea of medical debt"? you say the "cost" of "living" is "too high"? well ***I*** don't have ANY of those problems, and i worked my ASS OFF to get where i am, so really, it sounds like you're just not trying hard enough. and anyway, i don't think someone as impoverished as you is gonna have much of value to contribute to "culture" anyway. personally, i think it's time you got yourself a real job. maybe someday you'll even make it to middle manager!

see, i don't believe "AI" can qualitatively replace most of the work it's being pitched for. the problem is that quality hasn't mattered to these nincompoops for a long time. the rich homunculi of our world don't even know what quality is, because they exist in a whole separate reality from ours. what could a banana cost, $15? i don't understand what you mean by "burnout", why don't you just take a vacation to your summer home in Madrid? wow, you must be REALLY embarrassed wearing such cheap shoes in public. THESE PEOPLE ARE FUCKING UNHINGED! they have no connection to reality, do not understand how society functions on a material basis, and they have nothing but spite for the labor they rely on to survive. they are so instinctually, incessantly furious at the idea that they're not single-handedly responsible for 100% of their success that they would sooner tear the entire world down than willingly recognize the need for public utilities or labor protections. they want to be Gods and they want to be uncritically adored for it, but they don't want to do a single day's work so they begrudgingly pay contractors to do it because, in the rich man's mind, paying a contractor is literally the same thing as doing the work yourself. now with "AI", they don't even have to do that! hey, isn't it funny that every single successful tech platform relies on volunteer labor and independent contractors paid substantially less than they would have in the equivalent industry 30 years ago, with no avenues toward traditional employment? and they're some of the most profitable companies on earth?? isn't that a funny and hilarious coincidence???

so, yeah, that's my stance on "AI". LLMs have legitimate uses, but those uses are a drop in the ocean compared to what they're actually being used for. they enable our worst impulses while lowering the quality of available information, they give immense power pretty much exclusively to unscrupulous scam artists. they are the product of a society that values only money and doesn't give a fuck where it comes from. they're a temper tantrum by a ruling class that's sick of having to pretend they need a pretext to steal from you. they're taking their toys and going home. all this massive investment and hype is going to crash and burn leaving the internet as we know it a ruined and useless wasteland that'll take decades to repair, but the investors are gonna make out like bandits and won't face a single consequence, because that's what this country is. it is a casino for the kings and queens of economy to bet on and manipulate at their discretion, where the rules are whatever the highest bidder says they are-- and to hell with the rest of us. our blood isn't even good enough to grease the wheels of their machine anymore.

i'm not afraid of AI or "AI" or of losing my job to either. i'm afraid that we've so thoroughly given up our morals to the cruel logic of the profit motive that if a better world were to emerge, we would reject it out of sheer habit. my fear is that these despicable cunts already won the war before we were even born, and the rest of our lives are gonna be spent dodging the press of their designer boots.

(read more "AI" opinions in this subsequent post)

[shiny-jr]

- Warning: None really. Gender-neutral reader. 

- Characters: Malleus Draconia, Lilia Vanrouge, Silver, Sebek Zigvolt.

- Summary: You work a minimum wage job when a fae takes an interest after you jokingly asked him "will you adopt me?"

- Note: I planned for this to be a platonic yandere thing, but really it's only silly thoughts so I don't really plan to continue this unless y'all want. I don't even have a name for it.

Thinking about an AU where...

You were born a regular magicless person in Twisted Wonderland. Which was a travesty, but not too uncommon, as there were plenty of beings in this world that were incapable of magic. It was considered a privilege to be born with such capabilities. A privilege.

Which was likely why the world seemed catered specifically for magic users. Magic users were the cream of the crop, the best of the best. In the social hierarchy, magic users reined on top. That's just how things were. It wasn't discriminatory. It was merely the nature of society. If a company was looking to hire, of course they would inquire if potential employees could use magic. And of course, they were more likely to choose magic users to fill the positions. That explained why you could only find work as a minimum wage telemarketer, but it was better than nothing.

Random numbers generated and numerous attempts, scripted greetings you've said so much you could recite them in your sleep. As soon as you get an answer of "mmmyello?" a casual and exaggerated hello, you go off on the scripted greeting to advertise the product.

Shockingly, the person on the other end doesn't immediately hang up. They merely hum at your words, occasional shifting heard on the other end.

By the tone and voice, you've deduced that it's a rather relaxed guy. A conversation ensues, and although he doesn't sound all that interested in making a purchase, he doesn't get annoyed by your call. In fact, he continues to chat, seemingly amused by you and willing to share details such that he had a son and two others he fondly cared for.

The man, whom referred to himself as Lilia, mentioned he lived in Briar Valley. How odd, as it was common knowledge that the valley didn't have the best connection with technology due to their preference towards magic. He spoke of his well-mannered son and the other two boys he helped raise, one was a loud son of a dentist and the other was a quiet son of longtime family friends. By this time you were imagining an older gentleman with three young boys no older than ten.

He seemed to care so fondly for them that in the middle of the pleasant conversation, you couldn't help but jokingly ask, "Will you adopt me?"

The line was silent and you were mortified as you remembered this was supposed to be business talk, and your calls were likely being recorded. After what must've been shock, he began to laugh on the other end, and you immediately ended the call in your panic.

Why did you say that? You shouldn't have said that– Damn it, right when you were just gonna test the waters to see if he wanted the insurance package! Well, there went your big catch of the day. The rest of the evening was failed attempts, either deadlines or potential customers just hung up as soon as you spoke. Things were looking bleak.

Eventually, not even a week later, you received a letter. A letter, not an email, that was written much like how you expected the contents of a letter from the medieval ages to sound. Starting with: Salutations, Telemarketer–– and after several paragraphs, ending with ––That is why I am now interested in your deal! I will need your assistance, because I have not a single clue about how insurance works.

There was no number, and you couldn't recall the one you had reached him through, so there was no choice but to resort to the old fashioned way. Through letters. Although it would be a hassle and an interaction that would likely last for weeks just for one deal, a customer was a customer, and this would be your first one in so long. However, when you agreed to speak to him, you didn't actually expect him to show up at your doorstep. The voice you recognized, but he was not what you had in mind. He looked to be your age, short with magenta highlights in his black hair and wide red eyes accompanied by a fang-toothed smile. And pointed ears, the sign of fae. Of course he was a fae, that made total sense as to why he spoke as if he were older. He probably was older, much older than you previously thought.

Lilia wore a constant smile, listening but also not listening when you tried your best to explain what insurance was to a fae that had never once needed it.

"Do you get it now...?" You asked finally, after a lengthy explanation to which he barely asked any questions. All he did was nod up and down.

There was a brief pause. "Yesss..." That sounded uncertain, but he didn't appear to care too much as he noticed your bag with only the minimum in it like keys and a thin wallet. Along with the time. "Shouldn't you be on your lunch break now?"

"Yes, but... I don't eat lunch. I'm not hungry." A lie. You were hungry, but it wasn't easy to get lunch on a minimum wage salary alone. You'd eat something for dinner.

Lilia seemed to sense this, somehow detecting your lie. "Hm... Well, I like you. And I'm not about to let a child starve on my watch."

"A child...?" You stared at him incredulously. This fae was practically the same size as you, maybe even shorter. "I'm over––"

"Uh-huh, just nod and come along." He instructed, holding up a finger to gently shush you as he waved you along to follow beside him. "If your age only has two numbers in it, then in my eyes, you're like a toddler."

Lunch was surprisingly nice, as Lilia was quite eccentric but excellent at holding a conversation. He seemed wise and witty, making a great combination. However, you couldn't help but wonder what a fae from Briar Valley was doing here, as it was known that most faes preferred not to leave the valley.

"It's getting late, I do have to be going..." Lilia sighed, before turning to you and his smile softened. "Would you like to see my boys I told you about? It won't take long."

Did he live close by? That was the only plausible explanation you could think of, since Briar Valley was a whole continent away. It only made sense that he lived nearby if he were here now. Maybe he was one of the few fae that chose to leave the valley.

This was quickly disproven when he held your hand and told you to stay still, when it felt like you were hurled through space. A gust of wind slapping your face, your eyes momentarily seeing a kaleidoscope of colors, you felt sick when suddenly your surroundings were darker.

Dark brick walls like black, candles lighting the space, gray stone floors... definitely not the outside of the cafe you were just standing in front of moments ago. Teleporation magic...? He was a fae, and all faes had magic. You only had milliseconds to recover and swallow the rising bile in your throat, as Lilia pulled you into an open space like a courtyard where light filtered in. However, in this space there were training dummies and swords instead of flowers and butterflies.

"Come, come, meet my boys. The ones I've told you about!"

You immediately paled. When you heard boys, you were expecting young children no bigger than half your height. Instead you were met with three towering men with forbidding expressions.

Two of which were dressed in dark metallic armor and lowering sharpened weapons. The one on the left was a bit taller, with green hair and sharp eyes that pierced you like a blade. The one on the right was the shorter of the two, but that didn't make him any less intimidating with his gray hair and aurora eyes on an expression as cold as ice.

And the last, the last was recognizable anywhere. Black robes and majestic black horns like a crown with slitted green eyes that seemed to glow and peer into your very soul. That was the prince of the valley, a fae with unrivaled and frightening levels of magic.

"This is Sebek, Silver, and Malleus. They've so looked forward to meeting you ever since I told them about you after our pleasant telephone chat yesterday!"

[dollwrites]

ɪɴ ᴛʜᴇ ᴅᴇᴇᴘ ᴇɴᴅ ! ˏˋ°•*⁀➷ ʀᴇᴍʏ ʟᴇʙᴇᴀᴜ

𝗰𝗼𝗻𝘁𝗲𝗻𝘁 𝘄𝗮𝗿𝗻𝗶𝗻𝗴𝘀 ∣ smut ( minors dni ), fem!reader, reader’s tipsy ( and supposed to be saving herself for marriage ), thigh riding, dry humping. all characters featured are aged 18+

𝗶𝗺𝗽𝗼𝗿𝘁𝗮𝗻𝘁 ∣ please reblog && leave feedback. not proofread so there’s probably mistakes. thanks for reading < 3

𝗸𝗶𝗻𝗸𝘁𝗼𝗯𝗲𝗿 𝟮𝟬𝟮𝟰 ∣ act ten [ thigh riding ]

“Now petit,” Remy drawls. he’s breathless from the barrage of kisses and heavy petting you’d sprung upon him, but that doesn’t stop his lips from still chasing every movement of yours. his breath was hot on your mouth, his stubble tickling your soft cheek. you imagined just how raw it could rub between your legs, scraping against sensitive, vulnerable flesh and you mewl out loud, squirming in his lap. the idea made you wet. “You makin’ Gambit feel all guilty for givin’ you the drink, what with the way yer a’actin’ now.” but even in your inebriated state, you could tell that wasn’t entirely true. Remy was grinning a lazy, satisfied simper, enjoying the way your body rubbed against his, the way your head dipped so that you could nuzzle against his neck, lick and kiss and suck all over. “Rubbin’ all up on me like some kinda kitty cat in heat, purrin’ so pretty like.” with one hand firmly planted on the flare of your hip, the other traipsed across the shape of your jaw, urging your lips back towards his own. “Tell Gambit what it is you wantin’ right now, chére.”

“I want you.” the answer comes out so easily— slips from your swollen lips as simply as if you’d been asked what day it was. “Remy, I want you so much.”

Remy’s grin only widens, showing the tips of his jagged canine on one side. calloused fingers trace over your lips, committing each mountain and valley to memory as deep, ruby eyes flicker across your face, drinking in your expression. glassy eyes, unable to fully focus, in a lustful haze as the alcohol worked away in your system, lowering your inhibitions that you were usually so strict on. if Remy had been more of a scoundrel, he would’ve spared not a second— he would’ve had you on your back on the couch, legs wrapped around his waist and screaming his name as he plowed into you over and over. he knew you would let him in your drunken stupor. hell, you’d probably even beg him for it. however, he pushed that fantasy deep into the recesses of his mind almost as suddenly as it had flared.

damn, he hated having to be the reasonable one.

“I’m achin’,” he responds in a low groan, just barely rocking his hips to adjust your position on his lap, centering you. with the way your skirt was rolled up, the thick tent in his pants prods against the soft, flimsy cotton of your panties, already damp with your own desire. he lets out another sound, an expletive under his breath, as he feels the soak bleeding a damp spot right on his groin. his clothes were going to smell like your core, your arousal, which made it even more difficult for him to resist. “Gambit wants you bad, too, chére.”

“Then take me,” you plead with him, your hands running down over his shoulders, caressing his broad chest before sinking lower down over his abs. “Take me, Remy.” you could feel just how honest his words were, his hard cock rubbing up against your panties in such a delectable way, and you roll your hips to meet that movement, swooning at just how much of his length you could feel while he was still packaged up. your hands, albeit novice level when it came to intimacy, blindly fumbles with his belt, eliciting a soft grunt from him.

“Nuh uh uh, petit.” he insists, both hands fleeing to envelop yours and hold them for a moment. “Gambit ain’t gonna do nothin’ to make his lady hate herself in the mornin’, when her pretty head a’poundin’ and she’s comin’ round back to her senses. You done told me that you not gonna be ready ‘til I put a ring on this pretty, little finger.” pulling your hands with his own gloved ones to his lips, he peppers them in loving, open mouthed kisses. “Ah’ll always look after you, chére. And ah can tell that right now, you need a lookin’ after, but Gambit don’t take advantage a’his woman.” he paused, pondered for a moment, and gives you a charming, toothy grin. one that always made your knees weak so you were grateful to be perched on his lap. “That don’t mean he won’t give her what she needs,” releasing your hands from his own, he shifts you on his lap, his back sliding down further along the cushion of the sofa. you’re jostled into a straddling position across his right thigh, and he lets out a soft sigh— most likely of disappoint as his hard on can no longer rub your wet panties.

“Remy—“ you start to protest, squirming against his thigh. you wanted to get back to that intense sensation of his cock throbbing in his trousers, begging to be released. you wanted to grind on it some more, until you came and soaked his groin in your scent, since he wouldn’t let you get it out.

“Hush now, sugar. Just let Gambit get’chu goin’.”

one svelte finger slipped under your skirt, tracing your panty line before hooking into it. his bare knuckle brushed against your swollen clit, causing you to catch your breath and seize, but he only chuckles, pulling those panties to the side and out of the way. Remy taps his foot against the floor in a slow rhythm, the motion bouncing you up and down on his taut thigh. it wasn’t until you sit flush against it that you elicit a soft moan.

“Attagirl, just rub that sweet, little honeypot on my leg ‘till you’re all satisfied.”

both of your hands immediate search for purchase on his thigh, splaying out to provide leverage as your hips start to move of their own volition, humping your boyfriend’s leg like a needy bitch. it was almost overwhelming how warm his thigh was, how you were able to feel it radiating off of him. his muscles were subtle against the fabric, but tightened, and with each roll of your hips, your bare cunny rode against the dips in his muscle pads and wrinkles in the fabric, providing you with a wide, ribbed expanse to strum yourself silly upon.

before long, you were panting, back arching and hips rutting in fast, eager buck, and Remy can’t help but admire that sight. moaning to himself with one hand holding your waist to help guide your movements, the other palms at his cock, snorting through his nostrils to suppress a rumbling, pleasured sound. “Ah, chére, you drive Gambit crazy without even tryin’.” red eyes completely and utterly entranced by your base display, the smile on his lips still present, he rubs the bulge in his pants in languid circles, only to quell the raging need to be inside you. “Gonna cum on me, aincha?” he taunts, but only because he can see how close you are. he could watch the way you’re gripping his leg with both hands in tight vices, or feel all of the muscles in your legs tensed up, clenching around his own. he could hear it in your voice, the higher pitched gasping yelps that escaped your open mouth as your jaw hangs slack, and the dampness that coated his leg underneath you, marking him as yours. “You go ahead, now.” he encourages, squeezing your waist to ensure you that he still had you. “Let it all out, chére. Let Gambit see you.”

it was too difficult to hold out. your stomach was tied in a thousand knots that pulled and pulled and pulled with each swipe of your cunt over his thigh, until it felt like snapping. your nails dug into the rough denim of his pants, and you were certain you’d torn microscopic threading, because you could feel the warm flesh beneath, but you couldn’t care less about his ruined jeans right now. rubbing back and forth, aided only by the slight tapping of his foot, the bouncing of his leg, you brought yourself to the tipping point.

and when you came undone, you rode out the duration of your orgasm. toes curling, eyes crossing, and mouth hanging open. you cried out Remy’s name as if it were the only word you could remember. your clit throbbed, your core clenched around nothing but air, seeming to demand to be filled for the first time. slowing down once your muscles all loosened, you felt a creeping soreness in your inner thighs, cramping from the position you were in, but you chose to ignore it. your eyes were even more difficult to focus, now, but you managed to see only one of Remy and smile, lackadaisically and satiated at him.

that makes him laugh out loud, his hand gliding up the curve of your side and then to your arm, tracing over your shoulder until his thumb and forefinger capture your chin. “Now, what a pretty sight dat is,” he murmurs. his voice is still husky with unfulfilled desire, but he no longer rubs at himself. he needs that arm to sneak around your lower back and jerk you closer to his body, until you collapse with your chest flush to his. a soft giggle bubbles up from your grinning tiers, holding his shoulders. you can feel the warmth of his breath washing over your lips and cheeks in waves as he speaks again. “Cumdrunk’s cute on ya, chére.”