#Teacher!keith
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Adam teaching Keith to be an absolute BEAST at ping pong to impress cute boys in the Garrison rec room >>>>
Then a few weeks later Adam walks past the Garrison rec room and sees McClain furiously practicing with Garrett to “wipe the smug grin off Kogane’s face.”
#No because Adam knows what he’s doing because that’s how he landed Shiro lmao#and he’d be an absolute ruthless teacher#keith kogane#vld adam#vld keith#keith voltron#lance mcclain#vld#vld lance#hunk garrett#hunk voltron#vld headcanons
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The Intransigence of Silence
Actor x fem!reader
Reader has a bit of a shy character in this story
Music to listen to for the atmosphere: teacher's pet _Melanie Martinez
Part_1
Part_2. Part_3
Teacher's pet core ?...Ohhh yes ಡ ͜ ʖ ಡ
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The autumn wind blew gently through the streets, and the subdued atmosphere of the theater conservatory brought an odd sense of calm to an otherwise noisy world. Y/N, a young actress, was one of the newest recruits at one of the country's most prestigious schools. Yet, in this environment where every move seemed scrutinized, every word weighed, she never truly felt at home. Shy and reserved, she struggled to carve out her place, to make herself visible among peers who were often louder, more confident.
The actor was an icon. His career was a jewel of both cinema and television. Behind his ever-brilliant smile and image of a charming prince lay a cold, unyielding man, whose passion for the craft was intertwined with a deep cynicism toward the industry. He had no patience for artists who sought to conform to superficial expectations. Teaching was a new challenge for him: to pass on what he had learned while keeping his distance, desiring only the raw essence of his students without truly letting them into his world.
The day he met Y/N, he had no intention of being impressed by her presence. She was there, among the other students, yet her energy seemed different. Timid, almost invisible. She didn’t have the audacity to stand out, and yet, he saw something in her—a potential she perhaps didn’t even know she had, or maybe one she was running from.
The first class was an ordeal. The actor made no concessions. His remarks were sharp, devoid of compassion. When Y/N stepped onto the stage for her first performance, his gaze bore into her.
— "You’re not here to look pretty. If you want to act, then act. Be present. Don’t aim for perfection; aim for truth."
She froze, unable to respond. She knew she hadn’t yet found her place, that she didn’t have that "something" he was looking for. But what escaped Y/N’s notice was the intensity of his gaze. He was testing her, provoking her—not to break her, but to draw something authentic out of her.
Days passed, and the actor watched Y/N with a frosty intensity. He gave her increasingly difficult tasks but never praised her. On the contrary, his remarks were cutting.
— "Still too timid. You don’t impress me," he would say, almost as if daring her. He pushed her further and further, forcing her to confront her own boundaries. But she couldn’t understand why he was so harsh. Why wouldn’t he just let her be?
One evening, after an especially long rehearsal, when everyone else had left, the actor found her alone in the empty theater. Y/N was still rehearsing, murmuring her lines as if the world around her didn’t exist. He paused at the entrance, silently observing her before finally approaching.
— "You have talent. That’s not the problem," he said at last, his voice cold but firm. "The problem is that you’re hiding that talent behind your fears."
He looked at her for a moment, as though waiting for a reaction, but she gave none.
— "If you want to be a real actress, you need to shed those chains—those little voices telling you you’re not good enough."
Her heart raced. His words hit harder than any critique. He spoke about her as if her doubts were plain to see, as if everyone knew, everyone could tell. But there was no comfort in his voice, only a stark observation, a demand.
She lowered her gaze, unsure of what to say. Yet, despite the harshness of his words, she felt both shattered and motivated. He wasn’t trying to crush her; he wanted her to wake up, to stop hiding. But he remained distant, offering no easy answers. This was a trial, not a helping hand.
In the weeks that followed, Y/N felt his gaze on her more intensely. He kept pushing her, challenging her at every turn. He observed her but never offered a word of comfort. Every comment, every look he gave her seemed to say she still wasn’t doing enough.
— "You need to stop trying to be liked," he told her one day. "That’s not what acting is. Acting is going beyond, into the invisible, into the uncomfortable."
She wrestled with her emotions. On one hand, she felt a certain gratitude toward him. He was right—she couldn’t keep hiding behind her timidity, her fear of falling short. But on the other hand, she found herself inexplicably drawn to him in a way she couldn’t explain. He watched her with an intensity she had never experienced before. But his attention was icy, distant, as if the goal was to push her to surpass herself, not to encourage her success.
One day, after a particularly difficult scene, Y/N broke down in tears. The actor, watching her with a cold expression, approached without a word. He made no attempt to console her.
— "Still too much doubt," he said simply. "Do you think crying makes you more human? It only makes you look weaker."
It wasn’t cruelty; it was raw truth. And it hurt.
But through the pain, something shifted within Y/N. She finally understood. He hadn’t abandoned her; he had forced her to rise. Every comment, every cutting observation, had been meant to push her to a place she never imagined she could reach. He wasn’t a gentle or kind mentor, but a relentless force driving her past her limits.
He never spoke of her progress or offered her compliments. But one evening, as they rehearsed alone in the empty theater, he turned to her, his dark eyes fixed on hers.
— "Do you want to know why I push you so hard?" he asked. "Because I see that you still don’t understand that art isn’t about comfort. It’s a battle."
And for the first time, Y/N felt truly seen, even without comforting words. She had become stronger, but she hadn’t changed who she was. The actor had broken her down to rebuild her, and in a strange way, that brought her closer to him, even if he remained a cold and enigmatic presence.
---
The days passed in a rhythm of endless rehearsals and the actor’s sharp remarks. With every session, Y/N felt more lost yet more determined. She wanted to earn his respect, but she no longer knew how. His critiques, though harsh, pushed her to go beyond her limits. Yet every word, every gesture seemed to push her further away from him, as if an invisible barrier stood between them.
Despite this, she knew that somewhere deep down, he believed in her. But he never let any warmth or support show. There was no comfort, no kind gestures or encouraging words—only expectations that grew heavier with each passing day. And yet, something about him drew her toward him. There was no flirtation, no obvious signs. But whenever they found themselves alone for rehearsals, a silent tension lingered between them—a kind of unspoken challenge, as though she was trying to understand him while he kept her at arm's length.
One day, after a long day of filming, as she was packing up her things in the dressing room, she saw the actor stop in the doorway, as if hesitating. He stepped inside without a word, his imposing figure framed by the shadows of the room.
“Y/N,” he said, his voice low but firm, as always. “I watched your scene again. It’s not enough. You let yourself go. This isn’t a role you play. It’s a life you live.”
She turned slowly, feeling her heart race. He was staring at her without blinking, as if waiting for a reaction. She still addressed him formally, and he seemed to appreciate that sense of distance, as if it shielded him from the emotions she never allowed herself to show.
“I... I understand, sir,” she replied timidly, though with a growing determination. “I’ll work harder.”
He didn’t reply immediately, and for a moment, he didn’t take his eyes off her. The air between them felt charged with a strange intensity. The actor, usually so in control of his emotions, had something undefined in his gaze—an internal conflict he refused to share. Finally, he nodded slowly, a gesture of acknowledgment but without comfort.
“You need to be more than this role,” he said almost in a whisper. “Be more than what you think you are.”
He turned to leave but paused just before stepping out the door. His eyes lingered on her for a moment, as if he’d caught a glimpse of vulnerability in her. But he didn’t dwell on it. “Tomorrow, rehearse thoroughly. I’ll be there to correct you,” he added without emotion.
Y/N watched him leave, her heart heavy. She didn’t know why his words affected her so deeply. Maybe it was because he spoke truths she didn’t want to hear but knew to be real. She wanted to be more than this role. She knew that deep down. But the task felt insurmountable.
The next day, during rehearsal, he was there as promised. The actor watched her enter the room with his piercing gaze. This time, however, there was no harsh speech, no immediate reproach—just a cold, analytical stare.
“Start,” he ordered in a clipped tone.
Y/N, her body tense, moved to the center of the room and began. This time, she gave her all, shedding her hesitations. She wasn’t thinking about him or his relentless critiques but about the scene, about the essence of the character. She wasn’t Y/N anymore—she was the actress, the soul of the role, losing herself in the performance. Yet even in her complete immersion, she couldn’t ignore his presence. He was there, motionless, watching her with an inscrutable expression.
When the scene ended, he didn’t speak for a moment, which made her nervous. Slowly, he walked toward her.
“Much better,” he said at last. But there was something in his tone—a subtle nuance she hadn’t heard before. A mix of satisfaction and restraint.
“But it’s not enough,” he added. “Do it again.”
This time, he didn’t move closer. He stayed at a distance, watching her from afar. A chill ran through her. Was that a veiled compliment? Or just another cold observation? She couldn’t tell.
The rehearsals continued, and a strange dynamic began to take shape between them. She realized that every time he was there, her focus sharpened. There was no room for hesitation, no space for fear. She was becoming the actress he demanded, but at what cost? Sometimes, the line between fear and respect blurred.
One day, while they were alone in the room after yet another grueling rehearsal, the actor suddenly turned to her. “You’re changing,” he said without preamble, as if it were obvious. “But don’t forget why you’re doing this. It’s not just to land a role. It’s for your own truth. Don’t lose yourself.”
Y/N, her breath shallow, lowered her eyes. His words resonated within her with an intensity she couldn’t quite grasp. The actor remained as distant as ever, but with every interaction, she felt there was something more beneath the surface. A kind of interest—not in her as a person, but in what she was becoming because of him. An interest that was unreadable, yet powerful enough to push her further, always further. But never past the silent boundary between mentor and protégé.
She straightened, forcing herself to meet his gaze. “I won’t disappoint you, sir.”
He held her gaze for a moment, his dark eyes gleaming with an emotion he never allowed to surface. Then, without another word, he turned and walked away as always, leaving behind a lingering warmth in the air—a mystery she might never unravel.
---
Weeks had passed, and with each rehearsal, the atmosphere between Y/N and the actor grew denser, almost tangible. Y/N strived to follow every directive with precision, taking note of his every word, but she never truly understood where it all was leading. The actor, for his part, continued to push her, never offering any sign of approval. He shaped her like a sculptor shapes a statue, but without the slightest hint of tenderness. There was something almost inhuman in the way he treated her: on one hand, he gave her relentless attention, but on the other, he kept her at a distance, as if she were merely a tool for achieving a greater purpose—a masterpiece to be perfected.
Y/N no longer knew where she stood. Every time he gave her a role, a scene to rehearse, she threw herself into it without restraint, as if she had something to prove. But deep down, she constantly wondered: why her? Why this relentless effort? At times, she felt closer to him than anyone else, and at others, he seemed like a distant figure—a demanding master she could never fully understand.
One evening, after an especially grueling day of rehearsals, she wandered the corridors of the conservatory, her thoughts in turmoil. She had never seen the actor so silent, so detached, and it troubled her more than she wanted to admit. It felt as if he was ready to abandon her, to let her drown in her own doubts.
As she walked through a dimly lit hallway, she saw him. He stood near the door of the theater room, arms crossed, as though he had been waiting for her. He still had that intense, cold gaze—a gaze with a depth that fascinated her despite herself.
“You’re not satisfied with your performance, are you?” he asked in a calm, almost icy tone.
Y/N stopped a few steps away from him. She lowered her eyes before responding, not wanting to appear more vulnerable than she already felt. “I... I’m not sure, sir. Maybe I’m still making mistakes.”
He nodded slowly. ��Mistakes, yes. But necessary ones,” he added, his tone neutral. “You can’t move forward without making them. And you need to accept that.”
A shiver ran down her spine. Why was his tone becoming more distant? She felt as though he was simultaneously pushing her to excel and to lose herself. He scrutinized her as if he could see beyond her timid exterior, as if every move he made was designed to turn her into a stronger, more relentless actress.
“Why... why do you push me so hard?” she finally asked, breaking the silence between them. “Why won’t you just let me express myself?”
He stared at her for a long moment before answering, his gaze piercing like a beam of light cutting through the darkness of the room.
“Because you don’t know yet what you’re capable of,” he said in a low, almost inaudible voice. “Because you’re so desperate to be accepted that you hide behind roles, masks, rehearsed lines. But that’s not what I’m looking for. I’m looking for what makes you vibrate, what burns inside you—what you’re still refusing to show.”
Y/N felt trapped by his words. Each sentence was like a challenge she had to overcome, a mountain she had to climb without the luxury of making mistakes. He seemed to know her better than she knew herself, and that terrified her.
“I... I don’t know if I can do it,” she whispered, her voice breaking with uncertainty.
He didn’t respond immediately but looked at her with a calculating expression, as though waiting for her to find her own truth. After a heavy silence, he stepped slightly closer.
“You don’t need to know if you’ll succeed. That’s the beauty of art. There are no certainties. Only the constant pursuit. And the pain of never being satisfied with yourself,” he said with a cold, almost wise tone. “But trust me—if you stop clinging to what’s comfortable, you’ll eventually find the part of you you’ve always been hiding.”
She didn’t reply. She didn’t know what to say. His words echoed in her mind, both a challenge and an invitation. Why did she feel like he wasn’t just pushing her to become a better actress? There was something more.
“Go rehearse. I’ll be here tomorrow,” the actor said as he turned away, as if he’d just finished a casual conversation. But he didn’t look back. Y/N remained there, frozen, her heart pounding in her chest, as though the weight of his expectations bore down on her shoulders. It wasn’t encouragement, but it had a destabilizing effect on her. He was right. She hadn’t yet found what she was searching for.
The next morning, during rehearsals, she once again felt the invisible pressure emanating from him. With every movement, every line, the actor watched her without blinking. He was still as distant as ever, but every adjustment he made to her performance pushed her further out of her comfort zone. Every minute spent under his unyielding gaze made her stronger—but also more fragile.
After a particularly difficult scene, where Y/N, on the verge of a breakdown, nearly collapsed, the actor paused for a moment and gave her an intense look. She waited, almost silently, for his verdict.
“You did well,” he said, his cold tone contrasting with the effort she had just poured into the scene. But there were no congratulations. No smile. Just a matter-of-fact statement.
She lowered her eyes, barely taking the time to process his words. He still hadn’t told her what he truly thought of her, of her progress. Nothing more than endless challenges and constant expectations.
“I know you expect more from me,” she murmured, almost despairingly.
He looked at her, his eyes seeming to analyze every part of her being. He wasn’t the type to offer comforting words. Yet in the silence that followed, there was a shared truth: he offered no easiness, no emotional support, but he was shaping her. Slowly, she realized he wasn’t pushing her just for the art—but for what she was becoming, for the strength she could build through every trial.
She had no choice but to keep going, to accept his cold and uncompromising methods. This was his truth, and Y/N was ready to search for it—even if she didn’t yet understand everything he expected of her.
---
Y/N was at her limit. Every day spent under the actor’s relentless guidance had pushed her further, eroding every shred of confidence she had in herself. His critiques, though measured, left no room for error. He showed no leniency, no satisfaction—always ready to take her to the edge of the precipice.
She might have been able to endure this pressure if she still believed in something. But she no longer believed in anything—not her talent, not her choices, not even him. And the rumors didn’t help. The whispers, the lingering glances as she passed through the studio, the half-muttered comments: "She’s special to him," "He favors her for some other reason." Y/N heard them, even if no one dared say them to her face.
One evening, alone in her cramped apartment, she broke. Everything seemed to collapse around her. The thought of quitting suddenly seemed appealing. More than that: a release.
The next day, Y/N arrived at the studio, her thoughts heavy but her decision burning in her mind. This would be her last day. She couldn’t take it anymore. During rehearsal, her movements were mechanical, her lines devoid of life. Her gaze remained lowered, as if she wanted to disappear.
The actor, who observed every detail, abruptly stopped the scene.
“Stop,” he said coldly. “Y/N.”
She lifted her head, but her face was closed off, her eyes dull.
“You can continue without me,” she said suddenly. Her voice trembled slightly, but she remained firm. “I’m leaving this project.”
The room collectively held its breath. No one dared intervene. The actor, meanwhile, stared at Y/N, a flash of disbelief crossing his face. But it was his icy tone that sent a chill through the room.
“You think you can just walk away? After everything you’ve invested here?”
Y/N felt a surge of anger. She replied, her voice cracking with emotion:
“Everything I’ve invested? You mean everything you’ve taken from me. You’ve used me, pushed me to my limits, and for what? To satisfy your need for perfection? I’m not your toy, sir!”
The silence that followed was heavy. The other actors exchanged nervous glances. The actor, motionless, seemed to weigh his words. Then, he abruptly turned to the others.
“Leave.”
Once they were alone, the actor slowly approached Y/N. He was calm, but his gaze burned with intensity.
“You think I’m using you?” he said, his voice sharp. “You think everything I do, everything I say, is for my own pleasure?”
Y/N stared at him, silent tears streaming down her cheeks. “Yes,” she whispered. “That’s how it feels. You push me, but you don’t see me. Not really.”
Those words seemed to strike him. He stopped, his shoulders lowering slightly as if an invisible weight had settled on him.
“And you, Y/N,” he finally said, “do you see yourself?”
She remained silent, caught off guard. He continued, his tone softer but still charged with intensity:
“Do you think I’m harsh because I enjoy it? I’m harsh because you have something I can’t ignore. Something you refuse to see. If I push you, it’s because I want you to find it. Not for me. For you.”
His words hurt because, deep down, she knew he was right. But it didn’t erase the pain she felt, the loneliness he had allowed to grow inside her.
“And at what cost?” she asked, her voice breaking. “If I have to lose everything to reach what you see, is it worth it?”
He was silent for a moment, his gaze locked on hers. Then, in a quieter, almost vulnerable voice, he replied:
“I won’t let you lose everything. But if you stop now, you’ll never know what you’re capable of. And that, Y/N, is a loss I can’t accept.”
Y/N spent that night thinking. The actor hadn’t tried to hold her back with promises or apologies. He had left the choice to her. And that choice weighed heavily on her.
When she returned to the studio the next day, he was there, as if he knew she would come back. He didn’t say a word to her, but his gaze was different: less harsh, less impenetrable.
Rehearsal resumed, and he pushed her again, but there was a new subtlety in his methods. When she succeeded in a particularly challenging scene, he gave a barely perceptible nod. That simple gesture was worth more than any speech.
Y/N didn’t know if she could continue indefinitely. But for now, she had chosen to stay. Because despite everything, deep down, she wanted to prove to the actor—and to herself—that he was right.
---
Y/N had made a decision in the quiet of her own mind. After weeks under the relentless guidance of the actor, she needed to prove—not to him, but to herself—that she could stand on her own. It was an almost desperate impulse, a vital need to reclaim her identity.
Without telling anyone, she auditioned for a minor role in a low-budget historical drama. It wasn’t much—just a few lines in three scenes. But that role meant so much more to Y/N. It was proof that she could find her place, that she could be seen for her talent and not because she was the favored student of a renowned actor.
When she got the call confirming she had landed the role, a rare feeling of triumph washed over her. For the first time in a long while, she felt free.
The news eventually reached the actor. He heard it from a colleague, a director he frequently collaborated with.
"Your student, Y/N, got a role in The Weight of the Crown. You should be proud of her," the director said casually.
The actor froze. The information hit him like a blow. She hadn’t said anything. She had acted behind his back. His jaw clenched, and a quiet anger rose within him. It wasn’t betrayal—he knew that—but it sparked a frustration he couldn’t name.
When he saw her arrive at the studio that day, he didn’t wait. He approached her quickly, his expression dark.
"You auditioned for a drama," he said without preamble, his tone sharper than he intended.
Y/N looked up, surprised, but she remained calm. "Yes, sir," she said softly. "I wanted to try something on my own."
"On your own?" he repeated, almost mocking. "Do you think you’re ready for that? Do you think appearing in a drama without being fully prepared will help you?" He paused, his voice dropping but growing harsher. "You didn’t even tell me."
"Because I knew you’d react like this," Y/N replied, her voice trembling slightly. "I knew you’d tell me I’m not ready. But it’s not your decision, sir. It’s mine."
This unexpected boldness caught him off guard. But instead of responding, he took a slow breath, trying to regain control of his emotions.
"Cancel the role," he said finally, every word heavy.
Y/N stared at him, incredulous. "Excuse me?"
"You heard me," he replied, his eyes fixed on hers. "You’re not ready. That role could destroy you more than it helps you. You need to withdraw."
Y/N said nothing. She lowered her eyes, holding back her emotions. But deep down, a quiet anger was rising. She was tired of being treated like a child incapable of making her own decisions. Yet, she obeyed.
A few days later, she informed the director that she was withdrawing from the project. Her voice trembled, but she didn’t want to explain her reasons. She hung up, her heart heavy, and felt empty.
That evening, as the studio emptied, Y/N stayed behind to rehearse alone. She needed to keep her mind occupied. As she recited her lines, her voice rose in the silence, rough with emotion. She collapsed onto the stage, unable to continue.
When the actor entered the room, she didn’t notice him at first. He lingered in the shadows for a moment, watching her. Guilt gnawed at him, but he didn’t know how to express it.
"Why are you still here?" he asked abruptly, breaking the silence.
Y/N jumped, looking up. "I... I wanted to practice."
He approached, his steps measured, and sat on the edge of the stage, his gaze fixed on her. "I asked you to withdraw from that project to protect you," he said softly, his voice losing its edge. "Not to break you."
"Then why do I feel like that’s exactly what you’ve done?" Y/N murmured, her eyes glistening with tears. "I just wanted... to try. Even if I failed."
The actor looked at her, and for a moment, he seemed to hesitate. Then, without thinking, he reached out and gently touched her wrist—a rare gesture of tenderness from him.
"Y/N," he murmured, his voice almost hoarse, "I don’t want you to fail. Not because you’re not ready, but because I... I don’t want to see you get lost in this harsh world before you’re strong enough."
That unexpected touch broke something inside her. Y/N gently pulled her hand away, but the weight of his words hung between them.
"And what if I don’t want your protection anymore?" she murmured. "What if I just want... to be seen for who I am?"
He remained silent, unable to respond. The tension between them, usually cold and disciplined, had shifted. It had become palpable, almost suffocating. And this time, it was Y/N who let the boundaries blur.
She straightened, slowly moving closer to him. Her gaze, hesitant but determined, met his. She opened her mouth to speak, but no words came out. Then, in a moment she didn’t fully understand herself, she placed a light hand on his arm.
"Thank you," she finally murmured, before leaving the room, leaving him alone with his own inner turmoil.
The days that followed were marked by a silent tension. The actor was more distant than ever, avoiding any prolonged contact with Y/N. But every interaction, no matter how brief, carried an emotional weight they couldn’t ignore.
For her part, Y/N felt increasingly lost. She continued to work hard, but her mind was haunted by the confrontation, by the moment she had crossed a line she had sworn never to cross.
And the actor… He was conflicted. He knew he had to maintain the distance. But every time he met her gaze, he wondered how much longer he could ignore what he truly felt.
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#kdrama fic#ji chang wook#kactor#actor#kdrama#movies#ji chang wook x reade#matthew gray gubler x reader#matthew gray gubler#mgg#mgg x reader#mgg x y/n#aaron pierre#aaron pierre x black reader#aaron pierre x reader#keith powers#Keith power x reader#actor x reader#hollywood#teacher's pet#celebrity#celebrity x reader#fem reader#female reader#yandere actor#korean actor#actor x actress reader#yandere actor x reader#Spotify
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Based off this tweet
#plz thank my metaslsmithing teacher for the idea for the og tweet that blew up#please thank my lack of sanity and normal sleep scedule for the drawing#klance#vld#keith kogane#voltron#voltron legendary defender#keith voltron#lance mcclain#keith x lance#vld au#lance voltron#klance au
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Omg your instagram story is so right! I can’t believe I’ve never even noticed that, probably because in fanon keith and shiro are so close that I’d forgotten that isn’t canon :0
Deserves this awesome quote which I had to dig out of my sideblog reblogs
#for context - i was complaining how under-served we were to listen how much shiro did for keith and how amazing their relationship is#and then were forced to watch him just recruit him for school and be a decent teacher#like any teacher should#i mean....#any.#like he was just showing basic decency for not throwing Keith away for bad behavior#keith acted as if that man hung the moon#as if he was reliable... took a few punches that were meant for Keith ....risked something for him#wanted to give up his liver or something#gave up his last food in the apocalypse to feed him i dont fucking know#Keith acted as if that guy literally saved his life and we got scenes where Shiro is emotionally manipulating him to stay in school#or to become a leader#never really asking how he feels about it or if he needs help#i thought twice before saying Keith attached to a pile of shit because it was warm#but not thrice#i've re-watched season 1 of Arcane and was so mad about it i couldn't hold it in djdjdjd#i do think they could have a good relationship but what we were /shown/ was just not it too many plot holes to fill#love that the fandom can fill the discrepancies and rewrite those relationships though#and also i was really glad people answered to that story agreeing#i was feeling weird reading all those 'keith and shiro are my fav relationship in the show'#...lance was more warm to the mice than Shiro to Keith '#i feel like it owuld make more sense to me if keith did all of this WHILE being pissed at Shiro for leaving him#or if we saw he finds him unreliable - Shiro was only useful to him as long as Keith followed his rules too#Vander doing all he did for his daughters that shit was unconditional fucking love#vi and jinx never being able to off one another had more raw pure love than that#you know what i mean??? sorry im doing it again.... end of ramble#mezzy out 💀
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Keith Maillard
Gender: Non binary (he/him)
Sexuality: N/A
DOB: 28 February 1942
Ethnicity: White - American
Occupation: Writer, poet, professor
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So I was doodling and right after two drawings I realized I never drew anything after watching IF (I am ashamed of myself) so here you go
On the left was my character for my profile pic and a mix of a bat and a rat
Then it’s Cosmo, Art Teacher (does he have a name), Blue, Calvin yelling at Keith, Sunny and the burning marshmallow (does he have a name too?)
#if movie#if 2024#if cosmo#if cal#if calvin#if art teacher#if sunny#if blue#if keith#if marshmallow#my art#artists on tumblr
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Klance but they both major in arts and hate eachother. Lance majors in theater and Keith majors in visual arts.
Lance thinks, "God, this guy thinks he's so cool. It's not that hard to draw pictures. So much more goes into a single production than a portfolio. Not to mention the teamwork. I can't imagine being some loner silently drawing a model. Where's the fun? He can have fun being a starving artist."
Meanwhile, Keith thinks, "God, this fucking douchebag has no idea what goes into theater. He clearly has no respect for the arts. I can smell the high school Hamilton phase. He wants to be Lin-Manuel Miranda so bad. He's probably one of those guys who does ballet to be the only guy in a class full of girls. Has he ever even been in a production. He's definitely an actor with no respect for tech."
They're fine with anyone else in the major, they just got off on the wrong foot and refuse to amend these misconceptions.
#bonus if they still feud after graduation and only become friends and get together after being hired at the same private school years later#voltron#keith voltron#vld keith#keith kogane#klance#lance voltron#vld lance#lance mcclain#private school students are too comfortable with teachers and would most definitely ship them#I should know#I go to one
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I HATE BILL WYMAN SO MUCH. HE'S A DIRTY AND SICK FREAK I HOPE HIS WIFE LEAVES HIM AND HIS BLOODLINE ENDS IN THIS LIFETIME BECAUSE BEING EVEN DISTANTLY ASSOCIATED WITH HIM IS ENOUGH TO MAKE A GROWN MAN FUCKING BREAK DOWN AND CRY. BILL WYMAN YOU DIRTY PIECE OF SHIT
#bill wyman#charlie watts#teacher crush#keith richards#mick jagger#mick taylor#ronnie wood#the rolling stones#rock and roll#psychedelic rock#classic rock#blues rock#glam rock#hard rock#hell is a teenage girl#girlblogging#boyblogging#this is what makes us girls#girlhood
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Training
Kolivan: Having the will of a Galra is not enough to defeat a Galra. Get back up and do it again.
Keith: I'm trying
Kolivan: Trying never solved anything, doing is the only way to survive. Again.
#voltron headcanons#keith voltron#voltron#vld keith#keith kogane#kolivan#bom#idk#i just think Kolivan would be the hard ass teacher thats mean because he doesnt want to lose anyone#meanwhile Keith is trying really hard#but hes just so small compared to the others#keiths like: i cant just instinct my way outta this one??#he still got skill#hes still the bastard that broke into a quarenteen base knocked out some garrison medics#stole his brother with a guy he claims not to remeber#(keith we all know thats a lie)#and proceeded to fly to space and foght a war like its a typical tuesday thing to do#imagine how long he was probably alone in that shack#do you think Adam trued to find him? I hope he didnt die thinking keith was dead along with Shiro#i think about that sometimes
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...dragon keith???
>:) it is a very distinct possibility. or perhaps. only half. >;)
#atla au#the spirits said. if we can't find a firebending teacher for the avatar. we can just make one#heath gets a vision to go to the fire nation#the spirits temporarily grant krolia a human body#eight months later keith is born
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it's fucking wild watching voltron again and seeing scenes that i remember sparked so much disk horse, but removed from all of that i'm just like. oh. actually both sides were wrong.
#like the whole thing about shiro and keith lmao. 'theyre boyfriends' 'no theyre brothers'#when shiro is like. very obviously keith's former teacher. the latter calls him 'sir' all the time#and shiro is like 'wow you remember that thing i taught you'#etc#like they were definitely close but it feels. close in the way of a favorite teacher/student#in case there is still discourse out there lol. i will clarify that this is just my interpretation coming back to it years later#and to a lesser extent. seeing things that people used to spiral out on theories about#like that galra everyone thought was keith’s dad#like all of the scenes where shiro has a Connection with zarkon#and had everyone like ‘oh he’s not the real shiro’#heith is still real tho. i'll say that much.#mine#voltron
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dr diggins is just like. a more masc ms frizzle, to me. you understand.
#diggins' gender is Weird Teacher (lesbian edition). wears a different bowtie print every day.#and skuntankpmd is just Womens Wrongs. you understand. keith is a tomboy. and moe is like. full butch. to me. he deserves it.#thankyou. thats all for real this time ithink#piktalk
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I need help for an AU because I cannot decide for the life of me if Coran would be a guidance counselor or a history teacher h e l p
I have a Sheith AU rattling around in my brain where they + the gang are high school teachers (save for Allura; she's the principal) and everyone else has already been assigned a subject or two to teach except for Coran.
If you're interested, ti's be as follows:
Keith: Algebra and calculus
Shiro: Physics and astronomy
Lance: English as a Second Language, Spanish, music
Hunk: Chemistry and home economics
Pidge: Computer science and biology
Lance is the only one with three classes to teach because he was very passionate about keeping the music department alive at their school. The others all help out if/when needed. Lance and Keith co-direct the Glee club (this is not a crossover lmao). Shiro and Keith both help with the GSA (gay/straight alliance). Pidge and Hunk coach the robotics team together. At Allura's insistence, they're all involved with the PTA.
#voltron: legendary defender#alternate universe#teachers au#high school teachers au#sheith#shiro/keith#shiro x keith#cannot stress that enough lmao#keith kogane#lance mcclain#hunk garrett#pidge holt#takashi shirogane#allura#coran hieronymus wimbleton smythe#coran#keith#shiro#lance#hunk#pidge#for anyone wondering about who teaches english language arts: it's james lol
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curious george fic idea for you my love: lance as ted (autistic, loves to infodump about bugs, a topic most find unpleasant (yes this is based on your bug boy fic), would absolutely destroy a brightly colour coded outfit, 10/10 would befriend a monkey) and keith as drew barrymores character (maggie? i think?) (the love interest, works with foster kids instead of school kids maybe? loves to listen to lances ramblings, clear as day hes smitten and the kids tease him for it incessantly, comes to the museum weekly just to see lance) and the fall in love obviously.
thats all i have and feel free to completely ignore it but i thought it'd be cute especially in your writing style <333
ive always thought broganes for curious george (walking disaster most naive man alive whipped bad for local teacher shiro and little menace galra keith who just wants a family and also to follow shiro around like a little duck + cause as many problems as possible) HOWEVER this is cute as all hell. i LOVE teacher keith idc idc and bug lover lance my love
#keith would be a good teacher actually#he's just so earnest. u know#oh my god im in another weepy 'i love the way keith loves' mood huh#ask
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watching mars vs mars and was getting really annoyed at veronica's stance in this episode but then i realised that it actually makes perfect sense for her personality and history and also the context of when this show was made
#anyways shout out to keith for being an actual good guy about this#oh this is the epiosde with gross teacher adam scott#and leighton meister too#meester?#anyways also loving the logan b plot here#beth stuff
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@keith-shadis sent:
did they have a rebellious stage as a teenager? what did it involve?
Character Development Questions
SCREAMS IN JOY!!! HELLO!! THANK YOU FOR THE ASK i was very shy on sending a message but HELLO!!! <333 WELCOME TO MY LITTLE ABODE
gonna be honest, thinking about erwin having a rebellious stage... that shit started and just NEVER ended, considering this motherfucker overthrew the government, but i imagine it'd genuinely kick up when he'd first join the scouts
with his experiences of knowing the Royal Government killed his father, he's very averse to the thought of superiors, because in his mind: he's lost his dad because of the military in some shape or form, the thought of dealing with something like that is just insanity-- so he'd unintentionally cause some problems by not being toooooo cooperative once in a while-- but erwin as a young just-joined-the-scouts fella i imagine would STILL listen to orders given to him... mostly. by his squad-leader/captain/section-commander era, he became known for bucking orders if he believed they'd get more people killed, and it's why he crafted the Long-Distance Scouting Formation
at most, he'd 'rebel' in his own little ways as a cadet/fresh scout, but was quick to pretty much fall in love with the scouts when realizing how there were so many others that could be considered 'odd' and 'strange', and soon enough would work in his own ways to benefit the scouts. he's always been a rebel, it's just that he evolved more and more and would learn more on how his actions could benefit the survey corps or humanity
#[ teacher... how do i investigate something that doesnt exist? | ask answered . ]#[ so many times i thought death would be so much easier | ooc / out of character . ]#[ i was astounded. | headcanons / musings / aesthetics . ]#ask to tag tw#death tw#keith-shadis#//HELLO!!! OUOUGHRKGHRLG i didnt expect an ask but <333 FEEL FREE TO INTERACT ANY TIME!!! I CAN BE A BIT SHY WITH APPROACHING#//I DO INTERACTIONS THROUGH MY HUB BLOG KCNHUB
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