#Target Audience Engagement

[apcseo]

Do Creative Agencies Really Help in Branding?

Explore the role of creative agencies in branding, their services, and the benefits they bring to businesses. Learn how a creative agency can enhance your brand's visibility, create a unique identity.

In today's competitive business landscape, establishing a strong brand presence is more important than ever. A well-crafted brand strategy can be a game-changer for businesses, enabling them to connect with their target audience on a deeper level and stand out from the crowd. This is where creative agencies come into picture. But what exactly are creative agencies, and how can they help in branding?

What is a Creative Agency?

A creative agency is a team of professionals who specialize in creating and implementing innovative marketing strategies to enhance a brand's visibility and credibility. These agencies employ a range of creative techniques such as graphic design, copywriting, web development, and social media management to craft a compelling brand identity that resonates with the target audience.

What Do Branding Agencies Offer?

Branding agencies offer a comprehensive set of services tailored to meet the unique needs of each client. These services may include:

Brand Strategy: A branding agency will work closely with you to develop a clear brand strategy that aligns with your business goals and objectives. This involves identifying your target audience, defining your brand positioning, and crafting a brand story that sets you apart from your competitors.

Visual Identity:Creative agencies excel in designing visually appealing logos, color schemes, typography, and other visual elements that form part of your brand's identity. They ensure consistency across all marketing collaterals to establish a cohesive and memorable brand image.

Content Creation: Content is king in today's digital age. A branding agency can create engaging and informative content for your brand, including website copy, blog posts, social media content, and advertisements. They know how to use persuasive language and storytelling techniques to captivate your audience and convey your brand's message effectively.

Online Presence: Creative agencies can help build and manage your brand's online presence. From website development and optimization to social media management and online advertising campaigns, they can ensure that your brand is well-represented in the digital space.

How Can a Creative Agency Help Your Brand?

A creative agency can have a profound impact on your brand's success. Here are some benefits to it:

Fresh Perspective: By collaborating with a creative agency, you gain access to a team of experts who can offer fresh ideas and perspectives. Their extensive experience and diverse skill set enable them to think outside the box and introduce innovative concepts that can revitalize your brand.

Strategic Approach: Branding agencies have a strategic approach to brand development. They will conduct thorough market research, analyze consumer behavior, and identify industry trends to inform their branding strategies. This ensures that the decisions made align with your target audience's preferences and expectations.

Consistency and Coherence: Building a strong brand requires consistency. A creative agency ensures that every piece of communication and visual representation aligns with your brand's values, ensuring a coherent and unified brand identity across all platforms.

Time and Cost Efficiency: Partnering with a creative agency saves you valuable time and resources. Instead of spending hours trying to create and execute marketing strategies, you can focus on your core business functions while the agency handles the branding process. Moreover, their expertise and industry connections can help negotiate better rates with suppliers, saving you money in the long run.

How Do You Know if You Need One?

Deciding whether to hire a creative agency depends on various factors. Here are some signs indicating that you may need their expertise:

Limited In-House Resources: If your business lacks the internal capabilities, skills, or manpower to effectively execute a branding strategy, a creative agency can fill that gap and bring their specialized expertise to the table.

Lack of Brand Differentiation: If your brand is struggling to stand out in a saturated market, a branding agency can help you identify your unique selling points and craft a compelling brand story that sets you apart from your competitor.

Inconsistent Brand Identity: If your brand lacks consistency across different touchpoints, a creative agency can help create and enforce brand guidelines to ensure cohesive messaging and visual representation.

Benefits of Hiring a Branding Agency

Hiring a branding agency can offer numerous advantages to your business, including:

Expertise: Creative agencies are composed of professionals who are experts in their respective fields. By leveraging their skills and knowledge, you can benefit from cutting-edge strategies and industry insights that can elevate your brand.

Brand Growth: A creative agency's main goal is to help your brand grow. They will work tirelessly to enhance your brand's visibility, reach, and reputation, resulting in increased customer engagement, loyalty, and ultimately, revenue.

Creative Execution: Creative agencies thrive on creative thinking and out-of-the-box ideas. They have the expertise to execute these ideas with finesse, ensuring that your brand's message is delivered in a visually appealing and impactful manner.

How to Find the Right Creative Agency for Yourself

Choosing the right creative agency for your brand is crucial. Here are some tips to make the direction:

Define Your Goals: Clearly define your objectives and desired outcomes before searching for a creative agency This will help align your expectations and find an agency that pecializes in the areas you need assistance with.

Review their Portfolio: Look for agencies with a diverse portfolio that showcases their expertise in different industries and creative disciplines. This will give you a sense of their style, capabilities, and whether their work aligns with your brand vision.

Communication and Collaboration: Choose a branding agency that values open communication and collaboration. Building a successful brand requires a strong partnership, so find an agency that listens to your ideas, provides constructive feedback, and involves you in the decision-making process.

Conclusion

In a highly competitive business landscape, a strong brand identity is paramount for success. If you are still unsure of the direction in which you want to take your business, contact us at Apppl Combine. We will help you connect with your target audience by creating a unique strategy that will resonate with them.Reach out to us and let us know what you think.

This post was originally published on: Apppl Combine

[sheryasharmak1]

Maximizing Online Impact with Professional SEO Services

Elevate your business in the digital domain with affordable local SEO services. This approach is a game-changer for enterprises aiming to make a significant impact in their community.

[branddiariesingurgaon]

What is Social Media Optimization? How to Best Use it?

Introduction

Social Media Optimization (SMO) has become an integral part of any successful digital marketing strategy. As social media platforms continue to dominate the online landscape, businesses and individuals alike are leveraging SMO techniques to enhance their online presence, engage with their target audience, and drive traffic to their websites. In this blog, we will explore what social media optimization is and how you can best use it to maximize your online impact.

What is Social Media Optimization (SMO)?

Social Media Optimization (SMO) refers to the process of optimizing your social media profiles, content, and activities to increase your brand visibility, attract more followers, and generate organic traffic. It involves various techniques and strategies aimed at improving your social media presence and leveraging the power of social media platforms to achieve your marketing goals.

Best Practices for Social Media Optimization

1. Define Your Goals and Target Audience: Before diving into SMO, it's crucial to clearly define your goals and identify your target audience. Determine what you want to achieve through social media and who your ideal audience is. This will help you tailor your SMO efforts towards reaching the right people with the right message.

2. Optimize Your Profiles: Your social media profiles serve as a representation of your brand. Ensure that your profiles are complete, consistent, and visually appealing. Use relevant keywords in your profile descriptions, include a link to your website, and use high-quality images or logos as your profile pictures and cover photos.

3. Engaging Content Creation: Content is at the heart of social media optimization. Create and share engaging, valuable, and relevant content that resonates with your target audience. Use a mix of text, images, videos, and other media formats to keep your content diverse and captivating. Focus on providing educational, entertaining, or inspirational content that encourages interaction and sharing.

4. Strategic Hashtag Usage: Hashtags play a crucial role in increasing the discoverability of your social media posts. Research and use relevant hashtags that are popular in your industry or are trending among your target audience. This will help your content reach a wider audience beyond your immediate followers.

5. Consistent Posting Schedule: Consistency is key when it comes to SMO. Develop a posting schedule and stick to it. Regularly share fresh content to keep your audience engaged and maintain a steady presence on social media. Use social media management tools to schedule your posts in advance, ensuring a consistent flow of content.

6. Encourage Engagement: Social media is all about fostering engagement and building relationships. Encourage your audience to like, comment, and share your posts. Respond to comments and messages promptly, and actively engage with your followers. This not only boosts your online visibility but also helps establish trust and loyalty among your audience.

7. Influencer Marketing: Collaborating with influencers who have a significant following and influence in your niche can amplify your SMO efforts. Identify relevant influencers in your industry and explore partnership opportunities. Their endorsement and promotion of your brand can greatly expand your reach and credibility.

8. Social Media Advertising: While organic reach is important, social media advertising can significantly boost your SMO results. Platforms like Facebook, Instagram, and LinkedIn offer powerful advertising tools that allow you to target specific demographics, interests, and behaviors. Invest in paid social media ads to reach a broader audience and drive targeted traffic to your website.

9. Monitor and Analyze: To optimize your SMO strategy, it's crucial to track and analyze your social media performance. Make use of analytics tools provided by social media platforms or use third-party analytics tools to monitor key metrics like engagement rate, reach, impressions, and click-through rates. Use this data to identify what's working well and make informed decisions for future optimization.

10. Stay Updated with Trends and Best Practices: The social media landscape is constantly evolving. Stay updated with the latest trends, algorithms, and best practices in SMO. Join industry communities, follow experts, and attend webinars or conferences to stay ahead of the curve and adapt your SMO strategy accordingly.

In conclusion, Social Media Optimization (SMO) is a powerful tool for enhancing your brand's online presence, engaging with your audience, and driving website traffic. By following best practices, optimizing your profiles and content, and staying consistent and strategic in your approach, you can leverage the full potential of social media platforms to achieve your marketing goals and grow your business. Embrace the power of SMO and make the most of your social media presence.

Content Source: Brand Diaries Marketing Agency in Gurgaon

[turquoise-eyes]

I like drawing silly things

[xbomboi]

hello Ever After High tumblr community, i humbly request your attention briefly.

so basically, i have a lot of Ever After High ideas clogging my head, ranging from misc. concepts, to plans for entire storylines/arcs. (this includes world building regarding both what we’ve already seen and what we haven’t yet seen, character arcs and development, fairytales and fairytale characters we have yet to actually meet onscreen, etc.)

i doubt anyone cares that much, but i have this vision for how the rest of the Ever After High story (in the tv continuity) would go. i have tentative plans to write this continuation using the 4 episode per story arc format that eah later switched to, while staying in line with the tone and writing style of the specials/webisodes so that it feels like it could naturally work as an official, canon continuation of the series, all while still telling a compelling narrative.

currently i have a rough outline for the first four-episode story arc that i’ve come up with (though i still have a few things i wanna workshop with it) written out. (side note: i typically write the finished draft of stuff in screenplay format, so the rough outline is written with eventually being transferred into that format in mind.)

i just wanted to post this to see if there’s any actual, palpable interest in this at all. and because my friends think i’m insane for keeping my work to myself & the select few people i’ve chosen to show it to as opposed to publicly sharing it because they at least think it’s good enough to be shown off.

so, yeah, just putting this out there incase there are people who wanna know more. i’d be willing to share the aforementioned rough outline i’ve written.

tldr; i want to write—and finish—the story of Ever After High.

[randomnameless]

There's something interesting about certain people being able to laugh (or ignore if they feel it's not funny) some nicknames and memes in a certain fandom, like the JJK fandom was known for its plethora of memes, and even some OP fans come up with weekly new memes to cope about the manga/episodes and it's widely accepted to be in good fun...

But then when you type(d) "Supreme Leader" suddenly wild sealife pops up and asks you to stop being disrespectful to the people who like her character and what not.

Fan-favorite Ace can be donut'd, but you can't shitpost about Supreme Leader's information campaign.

[echodrops]

If the "straight women are much more likely to write a spicy and well-written m|m romance with complex male characters because they're naturally attracted to men" claim is correct, then why do straight male authors have acquired the stereotype of writing one-dimensional female characters and lame romances if they're naturally attracted to the opposite gender? Why do they prefer to focus so extensively on the male characters and their bromances then?

First, I think we need to clarify: Absolutely nowhere did I say the spicy mlm fanfics were uniformly "well-written." 😂 There are beautiful gems among fanfiction that have moved me to tears like nobody's business, but there's also just a whole lot of... not very... philosophically deep works out there. I don't want to sound mean, but just being brutally honest, I'd wager if we considered all fanfiction across all fanfic sites, a pretty solid majority of it wouldn't meet most people's definitions of truly "well-written." (Which is completely fine! Fanfic writers aren't getting paid! They're usually amateur authors who are writing for fun and often include younger writers just learning the ropes of grammar and character building for the first time! A fic doesn't have to be perfect to be enjoyable for readers!)

On top of that, let's also just be real--a lot of the explicit-content-for-explicit-content's-sake fics out there aren't really trying to write the most realistic and three dimensional male characters ever. They're trying to write sexy fics; realistically depicting men with life-accurate emotional depth and nuance is often... not the goal. 😂

Of course there are standout fanfics and incredible fanfiction authors. But, if we're being 100% transparent, I think a solid majority of fanfic authors don't actually write male characters that well. A lot of them have limited development, unrealistic or unclear motivations, out-of-character behavior, or a lack of interiority to their thoughts and feelings. A lot of times male characters in mlm fics are even reduced to caricatures of what women want men to do and feel. (I'm not judging here though--if a woman author is writing for women and her women readers want to see men who meet women's expectations, then hey, give the audience what they crave!) Just like Disney princes, a lot of men in fanfiction would seem very unrealistic and flat if you compared them to actual men from the real world!

I think we fanfic readers are just a bit biased, you know. If you're an average fanfic reader, I'm sure you've had the experience many times of being willing to give fic writers the benefit of the doubt even if their works aren't perfect--far more than you would give an actual published author or TV showrunner.

We don't scrutinize fanworks to the same extent that we scrutinize published media. Most people aren't grabbing someone else's fic and writing a ten page essay on how their male love interest wasn't properly fleshed out. Fanfic is full of poorly written men too, we're just not looking for the writing flaws when we read fanfics, at least not to the extent that meta analysts notice flaws in published media.

Side note that I also think is worth thinking about here: Because most fanfiction readers are female (and statistics suggest that a majority are even cisgender women), I think we're already at a slight disadvantage. Do female readers really have the most accurate perspectives on what realistic and three dimensional men would feel or act like? People are people, of course, but my perspective as a cisgender woman is never going to be as "100% genuine" as the perspective of someone who actually identifies as a man.

Second, and sorry, I know this is already long, but I think it's actually a mistake to buy into the stereotype that a majority of male authors can't write believable and interesting female characters. I think this illusion comes because fanfic fandoms congregate around very specific types of media, and often (though of course not always) that media is geared toward younger audiences. The bulk of the fandom claims that "male authors suck at writing women" come out of the shounen anime and young adult genres which are so prevalent in fandom spaces.

The target audiences for both these types of media are teenagers, who (I'm going to be completely honest) are usually not that picky about the development of the characters in the stories they read. I don't mean that no teenagers care about well-written stories (obviously there are many who do!), but that the typical standard for philosophical depth and nuance to which media for young adults is held is, for better or worse, lower than the standard we hold media for adults to.

We don't expect Twilight to be as deep as Moby-Dick. We don't expect My Hero Academia to be Maus.

This isn't an insult to young adult media; we have different genres of content for different reasons, and I definitely would not have wanted every single manga I read as a teenager to be as mentally or spiritually challenging as Moby-Dick. Content for teenagers should be designed to resonate with teenagers, both intellectually and emotionally. Many works for teens can have excellent writing and punch above their target audience demographic too. But the bulk majority of teenage readers are not (yet) going to be experts in literary criticism and sociocultural theories, capable of pounding out advanced meta analyses of the gender dynamics of characters in their favorite stories. Some will, but most won't.

Stories for young adults just don't have to hold up to that level of scrutiny, at least among their target audience.

At its core, however, the issue with the lower standards for depth of character building in young adult media is that it corresponds with lower standards for becoming popular as an author in fields such as YA lit and shounen manga. You don't have to be Leo Tolstoy or Emily Brontë to gain recognition among younger audiences. Sometimes, you don't even have to be good. Twilight was a roaring success, even while people lambasted it for being poorly written.

You don't have to be a literary giant whose books will be short-listed for addition to the canon of classical literature to develop a massive online fandom; Voltron was insanely popular despite being terribly written. 😂 You don't have to be god's gift to storytellers to become a popular shounen mangaka; Naruto is still one of the most popular manga in history and I hope no one genuinely thinks its characters were masterfully developed.

I'm not saying it doesn't take talent! It absolutely does! What I believe is that there's just not a guaranteed correspondence between "this author is popular and has a huge fandom" and "this author is actually good," especially in genres where the target audience is younger and therefore a little less likely to deeply critique the media they consume. Even if your characters--male or female--aren't that well-written, you can still get very, very popular in internet fandoms, especially with younger and more forgiving audiences, where only the rare few in the fandom will dedicate hours of their lives to performing meta analysis of your work, picking apart the writing quality and development of your characters.

So, long story longer: It's not that male writers overall are incapable of writing women. It's that a lot of fandoms spring up around kind-of-poorly written stories in the first place, and male authors who are not great at writing in general are equally unlikely to be great at writing women.

In fact, I'd suggest that male writers who are poor at writing women are probably also not great at writing men. Like, come on, don't tell me you think Bakugou and Midoriya's writing was good by the end of My Hero Academia.

Many popular authors with big fandoms are just being given more of a pass when it comes to writing poor male characters than they are with their female characters, and I'd argue that's likely because of the same reason I highlighted before: Their fandoms are dominated by women who like men and are willing to do more work to flesh out/fix the male characters they're interested in.

(It also helps that, with an overwhelming number of fic writers being female, they have less insight into truly depicting the male experience in authentic ways in the first place; if you are a woman, you're more likely to recognize a poorly written female character on the spot, while having at least slightly less ability to identify the unrealistic or inaccurate elements of male characters.)

Essentially, it's confirmation bias in action: We think men don't understand women, so we scrutinize male writers' depictions of women very closely, all while giving a pass to the fact that a lot of these writers just kind of suck at writing men too.

The "lame romances" in stories written by men aren't exclusively lame because of flat female characters--if the female character is flat, half the time the male character is flat too, and the romance is lame because the writer overall is... kind of lame... 😂

But why all the bromances? I wrote about this in my big long essay before, and I think there's plenty of very complicated reasons that men write so many male-male friendships and relationships into their story (re: coming from genuinely misogynist cultures, deliberately baiting fans with hints of BL, an actual internalized desire for greater emotional connection with fellow men due to perceived male loneliness, self-projection into their own characters, having been told they aren't good at writing women so they've given up, etc. etc.), but I honestly think one of the simplest reasons is genre. The majority of these "bromances" are coming from shounen manga, and shounen manga has some very common recurring tropes, chief among them being the whole "me and my ~RIVAL~" dynamic.

A lot of mainstream shounen stories have had such enormous success with this "young male protagonist and his best bro/rival/arch-enemy" dynamic that, frankly, I think many modern manga are just piggy-backing on the trope. "Dudes who beat each other up and become besties" has worked for so many series now that it's just become a staple of the entire genre.

I also think the market for Japanese manga in particular is very unique, with male manga artists recognizing--and capitalizing--on the power of the "fujoshi" reader early on. It's easy for shounen manga artists to see the benefits of over-stocking their stories with male characters and queerbait, because hinting at mlm ships they have no intention of ever paying out on 1) rarely reduces their male readership and 2) actually broadens their readership dramatically by deliberately bringing in female readers.

Basically, so long as the endgame is a het ship (or at least no ship), male readers will still read a story even if it has mlm shiptease, while more women will be drawn to the story for the mlm shiptease when they otherwise might not be that interested. There's no way to lose.

In essence, on the topic of queerbait, the shounen manga artists were just really savvy and realized faster that "having your cake and eating it too" is possible by incorporating a higher number of male-male relationships in their stories in order to broaden their readership and sales. Comparatively, western media was just much slower to cotton on to this technique, and I'd say it wasn't until relatively recently that western series have begun hyper-emphasizing male-male relationships specifically to appeal to women readers and viewers (see Supernatural, Good Omens, probably Teen Wolf [I don't actually go there so I can't confirm but I feel like this is true lol], etc.).

And, one final sidenote: I think it's difficult to compare published media to fanfic in terms of "featuring what you're sexually attracted to" because in published media, people are at least supposed to pretend their own sexual preferences aren't entirely warping the story, especially in young adult series (which have the biggest fanfic fandoms). Like... Compare: If you're a shounen manga artist you can get away with some panty shots but you can't be a flat out gooner--conversely, if you're a fanfic writer, you can write hardcore porn without hesitation. If we want to make an actual comparison in how much sex appeal sways character gender ratios in fanfic versus published media, I'd say the only comparable match would be comparing the ratio of female characters in harem anime and straight up hentai to the ratio of men in fanfics. We can't be out here comparing like... the original story content of Harry Potter (made for children, cannot be overly sexual) to its AO3 content (where nearly 40% of all HP fics are labeled explicit/mature). You gotta compare 18+ apples to apples.😂

Phew, sorry, that was a lot.

tl;dr: Tons of factors--yes, including misogyny--affect how men write women, but the issue of male writers being bad at writing women is likely being exaggerated in fandom spaces because 1) Fandoms are overwhelmingly female and women are better able to identify and critique poorly written female characters than anyone else, 2) Most of the biggest fandoms on the internet center around stories for younger audiences who haven't had enough time to develop strong media literacy and literary criticism skills, allowing writers to become popular without necessarily needing to be of highest quality, 3) Female fans are more willing to forgive poorly written male characters because they're more likely to be interested in and attracted to those male characters, and 3) A lot of writers just suck in general; it's not localized to just being shitty at writing women.

[rabid-wolfie]

can cis girls interact with your stuff tagged t4t 🧎‍♀️

Yes! And thank you for asking!

[theladyrebecca2]

It's human nature to gain or lose hope when you see Netflix socials promoting Byler or Midleven, but we've gotta pull back the curtain to see the full picture.

First, always remind yourself that the Stranger Things team and Netflix are completely separate entities. Netflix is the vehicle the ST team are driving their story on, but they're not the same people who actually create it. They get little to no say in what the ST writers write.

I say 'little' because the bones of each season will have been greenlit by select Netflix higher-ups (with NDA's signed). But if the Stranger Things team want Storyline A, and Netflix were to say no, what about Storyline B? Then the ST team are absolutely capable of standing their ground and not moving. Perhaps some compromises can be made, but the final say will be down to how stubborn the ST writers can be. This was made apparent by the Duffer Brothers’ open stance on the writing and acting strikes, which directly opposed Netflix. It mattered to them that in the future, writers will continue to have control over their work. That Netflix can't just weasel out of their contracts with shows and write their own endings with AI. Right now, Netflix provide funding, connections, and a platform to host stories on. The ST team provide their content, the original idea, the heart and soul. It's a mutually beneficial relationship.

When it comes to promoting stuff on social media, we have several teams working separately. This leads to exchanges like this from the Netflix Tudum event:

This is two completely different social media teams interacting with each other. Most important to remember though - right now, the Netflix social media team won't know anything about Season 5. The earliest they may be told anything important will be at the start of the Season 5 promotional campaigns, but even then, it's not a given. NDA's will be in effect at Netflix right up until the bitter end. The social media people will be working in tandem with the marketing team, all of them given set content or working under guidelines when told what they can promote/ talk about.

Secondly, they're just ordinary people doing their job. When it comes to liking comments or replying to them, it will all differ depending on which person happens to be logged into the Netflix account at that time.

For ST5, it looks like Dana and Chris are two Senior Social Media Managers at Netflix US:

But look at all the related connections, and you begin to realise just how many people make up these social media teams (and marketing, which is related). And remember, this is just Netflix US - not the ST team.

So just think about how each person has their own opinions, has their own views on the show. How many of these people might ship Byler? How many ship Midleven? I bet they have their own interpersonal work politics behind the scenes, hoping their idealised ending is the right one.

My point is, there's no point freaking out about this occuring underneath Netflix US's recent post about ST S5:

All this shows is that we have a Midleven shipper in the social media team. After Season 4, a lot of people got excited at this:

But again, all this indicates is that we also have a potential Byler shipper in the Netflix UK team. It's just as pointless getting happy and excited about pro-Byler stuff on there, as it is to get worried or upset about pro-Midleven stuff.

[starkii]

Congrats Millie!

[mongeese]

Listen. I was a Harry Potter kid. I read those books over and over again for probably a decade. I get it, okay? But any and all virtues that people ascribe to them are true of countless other children's book series. Many of which are less intensely bigoted. Obviously, the fact that Harry Potter became so insanely popular is indicative of something in them, whether that be engaging characters, entertaining worldbuilding, whatever, so I won't say that they're totally bad with no redeeming qualities. But they simply aren't that unique! Stop saying that they're groundbreaking or complex for whatever reason! They aren't! And like, if you have the books and want to keep rereading them or whatever I'm not gonna tell you to stop, you aren't hurting anyone. But I am begging people to recognize that the reason they like them is nostalgia, and that they are not the fucking holy grail of fantasy or children's writing. You want kids books which tackle the way adults can be wrong and hurtful and ignorant? Read A Series of Unfortunate Events. You want the escapism of being whisked off to an extraordinary world underneath this one? Read Percy Jackson. You want magical boarding school? Read A Wizard of Earthsea. There are so many other series to choose from stop fucking praising JKR her books aren't that impressive

[pommigranite]

Hey! Turtles All the Way Down Au made it into the prelims for the @/tmntaucompetition… so- what do yall want first? (Everything on the list will be done- this poll will decide their order aka the one with the highest votes gets done first and so on)

Options:

redone/revamped full character sheets/color palettes for the tatwd turtles (eventually- I can only do so many things at once lol)

actually starting the comic lmao

q&a sesh about the au (you can ask me or the turtles anything you’d like about the au or themselves)

propaganda poster of the turtles (aka new au comic cover)

[amandayetagain]

New Year’s resolution is to stop censoring myself on my blog. “But Amanda, 13yo kotlc fans follow you!” Yeah and they can unfollow me whenever if they’re uncomfortable. It’s up to them, not me. That’s how tumblr works. Xx <3

[hyp3rfixation-h3ll]

jsyk . if you ever get mad at traumatised people engaging with a completely sfw , non-k!nk / fe.tis.h related coping mechanism that sprouts from childhood abuse / neglect or just general stress, and label them a freak or bully them or anything along that lines, you're ableist, a complete cunt and i dont like you. this goes double for if you completely REFUSE to understand the concept of what the coping mech is and why its helpful. traumatised people dont owe you normalcy and we sure as fuck dont owe you an explanation 👍 and if you disagree w/ me you can piss off

[silverspadesss]

i’m going to have to reread watership down in preparation for this aren’t i