#THIS WAS NOT THE ORIGINAL PLAN FOR THE DRAWING AT ALL BUT THIS IS BETTER I THINK

[sonicboomrevisited]

THE WEEKLY CHECK-IN

Issue 2 Updates:

6/22 Pages have been fully inked

Page 7 is still in the sketching process, but I hope to have the inks started today!

I am technically ahead of schedule on inking pages! Yay!

Issue 1 Page 13 WIPS:

You guys voted last week on what you'd like to see from this blog between now and issue 2s release. WIPs from issue 1 won! Every week, I'll showcase a page. This week I've chosen page 13!

The Initial Sketch: When I first start working on a comic page, I always focus on getting the general layout of the page done first. This means understanding how the panels fit together and jotting down a general sense of the action. You may notice that some of these initial plans changed in the final version. I wasn't originally going to have Amy hit Sonic with her Piko Piko hammer and panel 4 was going to have Sonic kicking Amy again rather than vaulting over her. I wish I had saved more of the in-between sketches to show you guys how these evolved overtime, but I just didn't think to do it during the process. I'm saving a lot of the sketches during Issue 2, though to make up for it!

Final Ink: A page without color! You can see how some of the sizing on the boxes changed, Sonic's surprised face was turned around to better fit with his new vaulting pose and what I originally intended to be a fully in-shadow panel was turned into just having Knuckles in Shadow. This is one of the prettier inks in my opinion. It's the first page that I felt completely happy with the art once it was finished. Looking back now there are things I would do differently, but I can still be proud of it.

Color: And here's the final product, without text, in all it's glory! Coloring is not my strongest suit. In fact, every time I draw something complicated I think about how much trouble its going to be to color later. I'm always up for the challenge, though. If I were to go back and color this page again, however, I probably wouldn't use so many gradients on the background.

Let me know what WIPS from Issue 1 you'd like to see next or if you have any questions about page 13!

[inutiliacapra]

worm and salmon woodburning :))) 🪱

eerrrm .. finally woodburning this piece... that i had sitting in my closet for 2 years... also uhhhmmm *dies* i almost died when i didnt take my meds for the last 3 days never fucking do that it was HORRIBLE but im glad to be back on them things feel better

[shevr]

good news : i might try to draw some more again this month bad news? : its mostly from trying to 10+ years later join the Equestria Daily NATG so its really just gonna be horses. might not share it all

also as mentioned this is drawn after the very very good picture from this post

[estella-the-star]

That one creator meets oc thing

Shhhh ik there's giant watermarks and it's super bad quality sHHHHHhhhsh

Mandatory @dingodoodles

Credit to this guy I guess ┐⁠(⁠ ⁠∵⁠ ⁠)⁠┌

[risingsunresistance]

sunrise ☀️

[savage-rhi]

I haven't drawn since the start of the pandemic in 2020 everybody fucking clap its my Screaming Worm Boy (tm) from my fanfic Duality

[sundial-bee-scribbles]

trying to psych myself up to finally do oc refs by doing fandom-related refs instead: volume 1

wanted to update my yuma from whatever tf this au is so he was a bit more unique... takes inspo from a lot of different things while also trying to be its own sorta thing? which is fitting given the au ;)

bonus chibi now that i'm also figuring out how tf to do chibis lol:

[8cfc00]

dawg so many people in the side of the podcast community im currently observing have their own projects and podcasts i feel like such a doofus for my only creative output being fanart

[sualne]

I'm so excited/terrified to see what happens after crocodile betrays Robin cause like. She's Luffys best friend and he's so not gonna take that well. Part of me thinks that Luffys gonna runaway(with Robin?) because of it and that's how we're gonna start meeting other people

:^^^^^^^^^^^^^)

[nosferatufaggot]

Becky Botsford jr high version is such a coin toss because I could totally see her leaning HEARD into academics and wanting to be taken seriously.........but you also cannot tell me she isn't wearing an alicorn onesie to sleep each night.

[intomybubble]

I'm just about finished with My Little Inferno, and the ML (the LI) is so pathetic omfg. I feel like I'm reading Dame na Watashi ni Koishite Kudsai due to the main leads both being fucking losers (the FL in Dame na is in a dead end relationship and is practically a sugar mommy who ends up in debt to support her BF which almost leads her to being sold into prostitution. Her attitude isn't great either). Like if I could get a hot guy to fall head over heels in love with me even after he witnesses me puking, pissing, and crying myself out of fear and getting hassled by old bullies (if only I were a BL protag bc he'd think I'm cute), I would think something is wrong with him and that I probably made it in life. The ML isn't particularly... useful. The only thing he has going for him is being cute and short, and being needy towards the LI. The LI makes for a good house husband.

Based on the cover art for the manga, I would've thought it was really dark (like Killing Stalking or Blind play) but its mostly just about cyber crime and embezzlement and sorta the yakuza (mostly mentioned, briefly seen). To an extent, this series sorta reminded me of Semantic Error, but only because of the computer stuff though. Otherwise, I sorta like the slice of life aspects. I think the crime stuff is sorta underbaked. I wish there was more risk or something to make things tense bc the only thing was ML's mom getting get info stolen and getting $300k in debt.

[emojialtblog]

ok i'm finally doing my requests (college caught us up so bad but now it's summer break)

uhhhhhh i swear there was an ask that was something about a mouth stim??? (mouth click maybe?) but now tumblr has eaten it. whoever sent that, if you see this can you resend the request?

i'll try to draw some stims also, like mouth stims, in case i vaguely land upon what they asked for

as to the others who sent in requests! yes it has been. several months. but we are going to do them now! for real this time!

[ghstmsk]

Old vs new

[dravidious]

You're more amazing than D

Black uncommons! :D

[tiredsmashbros]

LIP BITE COMIC PART ONE {CLICK HERE}

GOOD GOD IT'S FINALLY DONE... maybe. even though i still plan on making a part 3 i'm going to take a fatass break first + plan it out more better in the future. for now enjoy this meal silly goobers

aight now for some quick behind the scenes lore: this took way longer than i was expecting with 17 PAGES in total while taking the opportunity to experiment this type of sketch + comic style. i have a BAD habit of starting a story with just a minor draft idea, and with the more i progress the more i start changing the plot. like- this was supposed to end with smg4 in the bathroom embarrassed but i didn't like it anymore + the scene of smg3 opening the pickle jar was rewritten to fit a better narrative. i have a difficulty elaborating a short story so i might do mini comics for now as practice. furthermore, i tend to get wAY into making sure the character's are accurate as possible to the original material. been doing my best to get out of that strict mindset and just enjoy it being fun and remind myself it's okay to break some cracks. doesn't need to be perfect after all ;^)

other than that, i want to sincerely thank everyone for supporting and enjoying the first part of this silly comic. never have i ever received such a positive response that not only has scared the shit out of me, but motivated me to make more for me as a person, artist, and for everyone in the smg4 community. genuinely has made me so happy this past month and i can't explain how much i am so excited to just start drawing these guys and everyone else in the cast + other fun stuff!! 💛

now i'm going to play wuwa and hide for a day bye bye :3c

[alfheimr]

My Favorite Cheap Art Trick: Gradient Maps and Blending Modes

i get questions on occasion regarding my coloring process, so i thought i would do a bit of a write up on my "secret technique." i don't think it really is that much of a secret, but i hope it can be helpful to someone. to that end:

this is one of my favorite tags ive ever gotten on my art. i think of it often. the pieces in question are all monochrome - sort of.

the left version is the final version, the right version is technically the original. in the final version, to me, the blues are pretty stark, while the greens and magentas are less so. there is some color theory thing going on here that i dont have a good cerebral understanding of and i wont pretend otherwise. i think i watched a youtube video on it once but it went in one ear and out the other. i just pick whatever colors look nicest based on whatever vibe im going for.

this one is more subtle, i think. can you tell the difference? there's nothing wrong with 100% greyscale art, but i like the depth that adding just a hint of color can bring.

i'll note that the examples i'll be using in this post all began as purely greyscale, but this is a process i use for just about every piece of art i make, including the full color ones. i'll use the recent mithrun art i made to demonstrate. additionally, i use clip studio paint, but the general concept should be transferable to other art programs.

for fun let's just start with Making The Picture. i've been thinking of making this writeup for a while and had it in mind while drawing this piece. beyond that, i didn't really have much of a plan for this outside of "mithrun looks down and hair goes woosh." i also really like all of the vertical lines in the canary uniform so i wanted to include those too but like. gone a little hog wild. that is the extent of my "concept." i do not remember why i had the thought of integrating a shattered mirror type of theme. i think i wanted to distract a bit from the awkward pose and cover it up some LOL but anyway. this lack of planning or thought will come into play later.

note 1: the textured marker brush i specifically use is the "bordered light marker" from daub. it is one of my favorite brushes in the history of forever and the daub mega brush pack is one of the best purchases ive ever made. highly recommend!!!

note 2: "what do you mean by exclusion and difference?" they are layer blending modes and not important to the overall lesson of this post but for transparency i wanted to say how i got these "effects." anyway!

with the background figured out, this is the point at which i generally merge all of my layers, duplicate said merged layer, and Then i begin experimenting with gradient maps. what are gradient maps?

the basic gist is that gradient maps replace the colors of an image based on their value.

so, with this particular gradient map, black will be replaced with that orangey red tone, white will be replaced with the seafoamy green tone, etc. this particular gradient map i'm using as an example is very bright and saturated, but the colors can be literally anything.

these two sets are the ones i use most. they can be downloaded for free here and here if you have csp. there are many gradient map sets out there. and you can make your own!

you can apply a gradient map directly onto a specific layer in csp by going to edit>tonal correction>gradient map. to apply one indirectly, you can use a correction layer through layer>new correction layer>gradient map. honestly, correction layers are probably the better way to go, because you can adjust your gradient map whenever you want after creating the layer, whereas if you directly apply a gradient map to a layer thats like. it. it's done. if you want to make changes to the applied gradient map, you have to undo it and then reapply it. i don't use correction layers because i am old and stuck in my ways, but it's good to know what your options are.

this is what a correction layer looks like. it sits on top and applies the gradient map to the layers underneath it, so you can also change the layers beneath however and whenever you want. you can adjust the gradient map by double clicking the layer. there are also correction layers for tone curves, brightness/contrast, etc. many such useful things in this program.

let's see how mithrun looks when we apply that first gradient map we looked at.

gadzooks. apologies for eyestrain. we have turned mithrun into a neon hellscape, which might work for some pieces, but not this one. we can fix that by changing the layer blending mode, aka this laundry list of words:

some of them are self explanatory, like darken and lighten, while some of them i genuinely don't understand how they are meant to work and couldn't explain them to you, even if i do use them. i'm sure someone out there has written out an explanation for each and every one of them, but i've learned primarily by clicking on them to see what they do.

for the topic of this post, the blending mode of interest is soft light. so let's take hotline miamithrun and change the layer blending mode to soft light.

here it is at 100% opacity. this is the point at which i'd like to explain why i like using textured brushes so much - it makes it very easy to get subtle color variation when i use this Secret Technique. look at the striation in the upper right background! so tasty. however, to me, these colors are still a bit "much." so let's lower the opacity.

i think thats a lot nicer to look at, personally, but i dont really like these colors together. how about we try some other ones?

i like both of these a lot more. the palettes give the piece different vibes, at which point i have to ask myself: What Are The Vibes, Actually? well, to be honest i didn't really have a great answer because again, i didn't plan this out very much at all. however. i knew in my heart that there was too much color contrast going on and it was detracting from the two other contrasts in here: the light and dark values and the sharp and soft shapes. i wanted mithrun's head to be the main focal point. for a different illustration, colors like this might work great, but this is not that hypothetical illustration, so let's bring the opacity down again.

yippee!! that's getting closer to what my heart wants. for fun, let's see what this looks like if we change the blending mode to color.

i do like how these look but in the end they do not align with my heart. oh well. fun to experiment with though! good to keep in mind for a different piece, maybe! i often change blending modes just to see what happens, and sometimes it works, sometimes it doesn't. i very much cannot stress enough that much of my artistic process is clicking buttons i only sort of understand. for fun.

i ended up choosing the gradient map on the right because i liked that it was close to the actual canary uniform colors (sorta). it's at an even lower opacity though because there was Still too much color for my dear heart.

the actual process for this looks like me setting my merged layer to soft light at around 20% opacity and then clicking every single gradient map in my collection and seeing which one Works. sometimes i will do this multiple times and have multiple soft light and/or color layers combined.

typically at this point i merge everything again and do minor contrast adjustments using tone curves, which is another tool i find very fun to play around with. then for this piece in particular i did some finishing touches and decided that the white border was distracting so i cropped it. and then it's done!!! yay!!!!!

this process is a very simple and "fast" way to add more depth and visual interest to a piece without being overbearing. well, it's fast if you aren't indecisive like me, or if you are better at planning.

let's do another comparison. personally i feel that the hint of color on the left version makes mithrun look just a bit more unwell (this is a positive thing) and it makes the contrast on his arm a lot more pleasing to look at. someone who understands color theory better than i do might have more to say on the specifics, but that's honestly all i got.

just dont look at my layers too hard. ok?