#THIS IS GONNA BE GREAT CHARLIE

[afterlife-2004]

TODAY’S THE DAYYYYYYYYYYY!!!!!

🦔💨💙💥🦔⚡️🖤❤️

[xxplastic-cubexx]

graph

bonus:

[chrliekclly]

[anonymouscheeses]

Wanted to do something like my other chaggie au post. But added more angst. And idk I was proud of it and wanted to make something like it again.

This Chaggie au has... so much angst. So much..

Put in an ask or two to get to know the au more! :3

[aeolianblues]

It’s gonna be a Chappell Roan summer this, brat summer that, cruel summer; stop it. I need the summer to stop. It’s so hot. End it. I wish I could go back to spring again

[deadpoetsandlivinglegends]

Only exactly one homie expressed anything bout my tags(screenshots cause I feel bad overrunning ops original post a second time) and although it didn’t even specify any actual feelings or say it wanted me to expand, I wanna talk about this more so I’m gonna take that as enough of a reason to blab more about this

Cause like bro Neil took so much shit from his father, and although we saw a pattern of him starting to be disobedient (quitting the newspaper at the beginnning vs going behind his fathers back to be in the play), but throughout the movie I would say throughout all of it, he still had some sense of hope, albeit his father not listening despite his hope. I would say that the reason Neil could get through all those rejections is because he would turn to others. The first time, with newspaper, he was with the boys and they in some sense urged him to talk about it and met him in a conversation when his father didn’t. The second time, we see when his father is upset, the first thing he does is go to Keating and talk to him. That’s two times Neil disobeys his father before immediately turning around and talking to someone about it, though he fails to connect with his father because his father, although occasionally trying to smooth it over and connect with Neil so Neil will empathize with him (comment about his mother, and comment about how Neil has opportunities he didn’t have), his father doesn’t realize that for true connection to be made, both parties must willingly listen to the other. But still, his father’s rejection works as a means for Neil to connect with others. The last time, when his father catches him at the play, Neil is dragged out without being able to talk to anyone, without his connections. He tries to talk with his father, but the first thing his father does is say he is going to pull him out of Welton. His father in one fell swoop breaks off every connection Neil has while also refusing to connect with Neil despite Neil reaching out and pleading time and time again. Before the scene ends, after his father walks out, just like before we see Neil reach out to form a connection, this time with his mother. He is unable to form that connection though because when he tries to talk about it, his mother changes the subject, thus his final failed connection (“I was good. I was really good” “go on, get some sleep”). He feels truly alone now, which is why he is hopeless enough that his very next act, the only option he feels he has left, is to end his own life.

There are two others who lose their connections I want to discuss: Cameron and Charlie. Foils who succumb, in some sense, to the same fate despite being the opposite of one another. Both their connections with the group fail but for different reasons. Throughout the movie Charlie fails in his connections because he refuses to listen to others. Throughout the movie, Cameron fails in his connections because others refuse to listen to him. But also despite the repeated fails at connection by both boys throughout, by the end it is through their own hand (literally) they both once and for all destroy their connections and end up alone, ironically within the same scene (Cameron through signing the document and Charlie through getting expelled for punching Cameron). And I would say they both play a hand in the other’s destruction because they are so intricately interwoven that it’s hard to discuss one without the other. Charlie goes behind the poets backs, bringing girls to the cave without asking first and printing the article without their permission under the club’s name, which is the start of his downfall as well as the start of the downfall of the entire club. He was ‘choking on the bone’ because he didn’t understand Carpe Diem isn’t about action, but about connection. His not communicating with the poets and speaking on behalf of the whole group without listening not only brings unwanted attention to the club, causing intergroup conflict and threatening the whole group’s existence, but also it allows the administration to have a scapegoat when Neil dies. Where Charlie is the one to bring light to the group, but refuses to out the members of the group in the end, Cameron does the opposite. Cameron kept the sacredness of the group, trying to connect with the poets and listen to them, only for them to make fun of him when he opens up and try to push him away. Cameron wasn’t the one who exposed the group itself, but he is the first one to give in after Neil’s death, telling the administration about who is in the club and signing the paper, cutting off his connections. It is fitting that Charlie and Cameron’s stories end at the same time, at the hands of one another. Both of their interconnected stories end with them becoming isolated, which we see illustrated within the end of the movie. We see every poet except these two and Neil stand at the end, because every other poet was able to form connections through Keating’s lessons (Knox takes Chris to the play where they have a good time together thus connecting, Meeks and Pitts got a radio to work which is a physical symbol of them forming connections together without having to be as involved in an already story heavy movie, and Todd we all know from the tags above). The three poets who lose their connections are the ones who cannot participate in the final scene, the final message-driving act of the movie that states we do not stand alone.

Like the whole point of the movie is that the only way we get through life is by connecting with other, why do you think the key poem they bring up is a Walt Whitman poem about Abraham Lincoln? The poem is about the grief over the loss of the leader of the country, who guided America through tough times. Walt Whitman used the poem to connect the country over the loss of their president and allow the grief to become a shared means of connection. As much as dead poets society is about learning to deal with grief and keep on living life despite grief, it is also about searching for connections as a key means to survive and overcome grief. That is why Oh Captain, My Captain was chosen. It is a poem about grief meant to connect people and make them feel less alone through their shared sorrow over the loss of a beloved figure who guided his people through tough times and led the good fight. And we see that same principle, the people who didn’t form connections could not make it through to the end, but those who did did so because they stood together. We don’t even need to just connect with people around us now, the focus on poetry and art is to connect us to the past as well as the present. In fact, it states the past is a means to connect people in the present. They sit in the theater together, the audience connecting with one another over a play written hundreds of years ago. They read poetry in the cave, poetry written by people from the last 5 centuries, so they can open up with one another and form connections, even writing and sharing their own poetry with one another. This whole movie revolves around these few principles and I can’t man it’s like so nicely put together and I think that is why this movie has stood the test of time so well, it knows what it wants to say about our relationships with one another and it makes sure every action taken is to say it.

[peceraynadamas]

New year, new au 🔥🔥

Finally cooking this up after sketching out ideas for a while. It will be fantasy/adventure-ish(?), my brother described it as “like dnd” but I have never played nor do I know much about it so take that description with a grain of salt. I take much inspiration from loz and a bunch of rpgs I play on my nintendo ds lol. The main focus will be on Charlie and Vaggie with the Carmines as supporting cast. Slow burn chaggie and all the goodies guaranteed.

I will be posting the full designs of the main four once they are finished :)

[augustus-hater]

Asoryuu Dead Poets Society AU. Kazuma is adopted by Stronghart and wants to do theater really badly, but Stronghart won’t let him and Ryuunosuke is his roommate.

[vaggieslefteye]

HELL'S GREATEST DAD ↳ from Hazbin Hotel Season One (2024): 1x05 - "Dad Beat Dad"

[rolex-kaard]

okay have these

[iconicvictorydance]

I wanna make these two listen to the mountain goats

[aspiringnexu]

Okay, so, Alastor theory. As far as I know nobody's discussed why Alastor ever made such an apparently disadvantageous deal.

I mean, his power is apparently leashed. He cannot access his true strength. He essentially handicapped himself in Hell. Alastor detests not being in control, he craves power because it nets him control and therefore nets him safety and security, a very rare commodity for a demon. Even an Overlord.

So why the hell would Alastor make such a shitty deal? He's a dealmaker, he knows how this works, it can't just be the result of tricky wording, there must have been something else at play.

Additionally, I'm in the camp that its Eve that has something to do with it. Lilith makes sense of a sort but why would she leash Alastor and then have him help Charlie with a project that would piss off Heaven? She's Lilith, she knows that trying to bypass the initial judgement and redeeming yourself would upset the bigwigs in Heaven. She knows they don't like having their rules bent and twisted. She gains nothing from pissing off the Heavenly Host by indirectly helping her daughter. She made a mysterious deal with Adam to get into Heaven, why would she knowingly jeopardise that?

But why would Eve care? Simple. She feels like Lucifer and Lilith betrayed her by gifting her the apple from the Tree of Knowledge. They betrayed her and she was forced into a life of pain and suffering with a husband who she realised didn't truly love her and children who started to turn on each other the moment they could. And then that same husband (or ex-husband by that point) turns around millennia later and gets Lilith into Heaven.

What the fuck?

So Eve decides that the best way to sort this out is to do what Lilith supposedly did. Betrayal disguised as assistance. Charlie is a well-known bleeding heart by now, all Eve need do is find a way to stoke that altruism until it becomes a Problem that Heaven needs to solve. Poke the altruistic bear enough and that Problem will blossom into a Shitstorm that'll drag Lilith off of her cosy perch in Heaven to sort out her wayward daughter and try to avoid Heaven deciding to exterminate every demon in Hell. Plus it'll give Adam a headache which is only a plus in Eve's eyes. And what better way to help the Princess than gift-wrapping Hell's most powerful Overlord and depositing him on her doorstep?

Her ultimate goal might be provoking an all-out war or simply petty-revenge that'll eventually get out of hand but I digress.

How does she persuade Alastor to accept such a shitty, hampering, restricting joke of a deal?

Again, simple. She's in Heaven and as such has access to angelic steel and a plethora of souls. Including Alastor's mother. The only person he ever truly loved in his life.

I'm willing to bet Alastor would do anything to safeguard his mother. Even selling his own soul.

Of course there's still the seven-year gap to tackle but who says Alastor didn't spend those seven years in Heaven? Maybe Eve managed to smuggle him up there and disguise him, let him enjoy seven years of bliss by his mother's side before blindsiding him with her ultimatum. Makes the clipped wings comment more literal.

Just my thoughts, of course, but I really can't see why else Alastor would sign his own soul away if not to protect the one person he lets himself love. He hardly made the deal for power if the deal restricted his powers and he was certainly in no danger from the other Overlords. So he made the deal, he saved his mother, but that doesn't mean he's not gonna try to find a way out of it.

[shouldwemaybe]

renewing this kid's subscription to the Horrors

[thattheater-kid]

Random Innerworld Conversations

*while in church*

Charlie: Why are we here? Neither of us are Catholic. I don’t even believe in God.

Georgie: Ain’t you the Devil’s daughter?

Charlie: Yeah, so what?

Georgie: How’re you gonna say God ain’t real when He’s your grandad?

Charlie: Spite.

Georgie: You know what? Fair enough.

[pigeonstab]

You didn’t tell me you were making a calendar! I can’t believe I know a famous model :O lol

Hiiii I hope you’re having a nice weekend and staying warm :D

Well I gotta have some secrets. Hehe

I am!! The dark and gloom is getting to me but I am fighting!! At least it's warm and I have my favourite dude, favourite rat, best silly fukn guy I dunno. I have you talking to me!! Which is delightful!!

How are yoouuu? Hope work's been treating you well, also we should have that movie night soon! If you're free. Preferably with sound lol.

[sirserpentine]

The Road Trip of Hell.

@hazbinned Multiple Characters.

It was barely eight in the morning and Pentious had already hurricaned his way through the hotel for hours. He had first prepared a breakfast that could have fed an entire army, then woken everyone up at an ungodly hour, told them to get their luggage sorted and piled piles upon piles of pancakes on their plates with the reminder that their next proper meal would be many hours away. He had been a proper whirlwind, cooking, washing dishes and preparing coffee seemingly all at the same time.

Then he had double and triple-checked that he had all of his own items with him, before reminding everyone to use the bathroom around five times. Between each task, he quickly crossed out items on a list he had conducted weeks earlier.

Then, finally, he rounded everyone outdoors where Alastor and his amazing Radio Demon RV awaited. It was a true work of art! Large enough to comfortably transport them all, and stylish to boot!

"Before our holiday road trip commences, I shall remind you of today's timetable," Pentious informed as everyone loaded in their luggage.

"We shall spend most of our day and night on the road so that we reach Dante's Supernatural Reserve by tomorrow morning. We shall camp out there for two nights, but more on that later. We shall take turns driving and the switches shall take place after three to four hours. The driver has the ultimate power over the AUX cord and thus gets to choose the music. No whining for bathroom breaks, we don't want to fall behind on our ssschedule! Our first stop is the Gas Station at the West Border of the Pentagram, which we should reach by 1 PM! Alastor drives first."

The serpent barely paused to gasp for breath.

"That's all the luggage! Everyone hop on board! AJ, Frank, Felix, Francis- stop fighting-, Fred, Freddy Mercury, Frog," the serpent spoke, watching and counting each egg boi running into the large, vintage-styled vehicle.

"Princess Charlotte, Vagatha, Angel Dust, Husk and Niffty my dear, you too! AND YOUR MAJESTY, AFTER YOU-" A stiff-postured salute was given to Lucifer, who regally stepped into the car toting his cane and a plush duck tucked under his arm. What an honour it was to have the King himself join their week-long expedition to Lu Lu World and beyond!

With everyone safely inside the car, Pentious hopped in himself and slammed the door shut behind him.

"That's everyone, Alastor," he boisterously informed, greeting his partner director at the wheel with a quick elbow bump before settling next to him on the front seat. "And a lovely vehicle you have summoned, absolutely wonderful. Permissssion to drive granted!"