#THIS IS COMING FROM MY NEED FOR SAPPHIC REPRESENTATION

[heybobbygirl]

GIVE. ME. LESBIANS‼️‼️💥💥‼️‼️‼️💥💥💥‼️💥💥‼️💥💥‼️‼️

[virtualflowerbatathlete]

okay @helpallthenamesaretakenblog

Here goes nothing. Happy pride month to my bisexual followers!

Bi!Percy

Percy used to honestly think he was gay for the longest time.

He never really saw bisexual representation on TV, except for an episode of Sex in the City that Gabe watched one time, where a bisexual man named Sean was a character. But the show was incredibly biphobic, with the women claiming that bisexuality "didn't exist," and that Sean was gay. Percy knew he was attracted to other boys in his class, so he just figured he was gay.

He never came out or even dated when he was young; he moved schools so frequently he didn't have time to date or sit down and properly figure out his sexuality beyond the fact that he felt attraction to boys.

It wasn't until Camp-Half Blood, (right around the time he met Annabeth) that he started re-examining his sexuality. Part of the reason it took Percy so long to realize he had a crush on Annabeth is because he thought it was't possible; he was gay!

When Annabeth kissed him, he finally fully realized that he was, in fact, attracted to both men and women. Learning about Apollo's bisexuality confirmed it for Percy.

He only came out to Sally and Annabeth; he didn't feel a particular need to come out to a lot of people, preferring to keep his sexuality private.

After TOA, when he saw how Nico coming out inspired a lot of young queer campers, he decided to start being more open about his bisexuality. He had first-hand experience with homophobia from Gabe, and decided that he was comfortable sharing his sexuality with Camp if it meant that more young campers would feel safe.

Bi!Annabeth

Annabeth took a lot longer to realize she was bisexual.

She'd had a small crush on Luke, then was infatuated with Percy since she was twelve. Percy was her best friend, and she didn't spend a ton of time around other girls, so she never properly got the chance to explore her sexuality, especially because she had been on the run since she was seven years old. It's hard to do proper self-reflection when you're constantly running from monsters.

Piper was her bisexual awakening, though she didn't realize it at the time. Piper comforted her a lot when Percy was missing, ad they had a classic "pre-sapphic-oh-my-god-this-female-friendship-is-super-intense" type of relationship.

Annabeth (as shown in Mark of Athena) found herself constantly admiring how pretty Piper was. Weird, right?

One time, Piper and Annabeth were keeping watch over the Argo II as it sailed, and Piper had leaned her head on Annabeth's shoulder. Annabeth was blushing the entire time, though she couldn't figure out why.

A few things led to the catalyst of her realizing she was bisexual. First, Percy coming out to her after Blood of Olympus. She did a lot of internet surfing about bisexuality. (Purely for research reasons!)

The main catalyst was when Piper broke up with Jason and started dating Shel. One of her best friends coming out as sapphic caused her to re-examine her own sexuality, and she concluded that she was bisexual as well. She told Percy, who was thrilled.

She started being more open about it at around the same time as Percy did. They now both play Smash or Pass on all the actors every time they watch a show together.

I love bi!Percabeth so much.

[flurry-of-beaus-pop-pop]

Let's have a talk...

Over the past few days the fandom has begun to panic, worrying that the focus of Agatha All Along will shift away from Agatha / Rio or that Rio will betray Agatha or any other number of potential scenarios.

And I get it, I really do. The wlw community has been through it when it comes to wlw representation in movies/television.

But with this panic has come another type of conversation... one that states that depending on how the next few episodes go for Agatha / Rio, Jac Schaeffer can either become a hero to sapphics or an enemy to sapphics.

This kind of rhetoric, in my opinion, is unhelpful.

First of all, Agatha All Along is, at the end of the day, an MCU show under the umbrella of Disney... while Jac has ushered in some amazing wlw content so far, it is entirely possible (and also likely) that there are some restrictions as to what Jac is able to include in the show, and that if something we want to happen, doesn't happen, it's because people with far more power than Jac, said so - if this is the case, I'm not saying don't be upset. Letting our voices be heard is how things change. Just make sure your voices are directed at the RIGHT people, not at the person that gave us all they could with the freedon they were granted.

Second, while I 100% understand wanting a happy ending for Agatha & Rio, and have all of my fingers and toes crossed that a happy ending for them becomes a reality, I also think it is time that we move past the very black and white thinking of: happy ending = acceptable: anything else = unacceptable.

I am never going to tell anyone to not want a happy ending for their favorite ship, or to not be upset if their favorite ship doesn't have a happy ending... all I'm saying is that we start to think about these ships in the context of the setting they are portrayed in, that we recognize that not all stories have happy endings, but that doesn't make it a bad story, or the creator of that story, an enemy to the community/a bad person.

Take Agatha All Along for example... it's entirely possible that this story ends with something happening to Agatha or something happening to Rio or simply Agatha and Rio going their separate ways, but that doesn't have to make their story lesser... if Agatha gets the closure she needs? If Rio gets the forgiveness she seeks? Those can make a story just as magical as a happy ending.

I don't know... maybe it's just me, but as one of the very few people that actually enjoyed the ending of Killing Eve, because I never once expected it to end with them running off into the sunset together (the show literally had the tile Killing Eve and was about an assassin network that never seemed to disappear) I was able to see the beauty in the relationship they had, in the moments they shared, and in the heartache of how it ended, and I just don't want Agatha All Along to be written off as "bad" or "queerbaiting" or as "disappointing" because it might not end how people want it to.

[goodluckclove]

Some Loose Thoughts on Queer Rep (Specifically Aspec Rep)

(Just in advance I'm going to dunk on Alastor from Hazbin Hotel like a lil' bit, as a treat. Mainly the team that made him and what he represents, but still. If that's rage bait for you, I suggest maybe dipping out now)

I have a theory that queer media needs both queer characters and queer genre characters. The difference is very important.

I think a queer character would be a character in a story about their queerness. For some reason the only two characters I could think of are the guy from Love, Simon (What was his name again?) and the protagonist from Rubyfruit Jungle, which should express the weird and complicated relationship I have with this particular archetype.

Queer stories centered around queerness are definitely needed, but at the same time I feel like we're just starting to come to terms with the desperate need for the alternative, which are queer characters in genre media that contain overarching plots larger than their sexuality. Not separate, necessarily (Their queerness certainly influences things), but just beyond. This is more accessible for a variety of artists, which is also the reason why it can be a flop or a massive success.

We get more of this than ever for gay and sapphic characters, as well as some trans folks and occasionally non-binary. It's definitely way less seen in aspec characters, and even less respected. I started thinking this way because the internet is flooded with references to fucking Alastor from Hazbin Hotel as an aroace character and - like - god, I don't get it.

Like you can have your serial killer comfort character, that's fine. But latching onto him as representation for the entire aspec community when he was only confirmed to be aroace through a reference in a livestream and the weakest joke onscreen is pretty disheartening. It definitely reads like this part of his identity was added pretty late in his character development, and by a team of people that didn't seem to consider what the response and reaction would be and how they'd handle it.

I also wish the newest aspec icon in media wasn't created by a team so adamant on encouraging shipping culture above actually respecting the identity they've decided to provide representation for. Like I see it means a lot to people to have an aroace character doing something cool in a fun TV show that doesn't necessarily have anything to do with their identity. Then there's like four other people right behind that person who really wants that person to be romantic and fuck.

And like, yeah, aroace people can do that sometimes. It's a spectrum, I know. But can't we start with a baseline representation before providing proof of fluidity?

I just think we deserve better. Like a character who in the media is established to be aspec, and people are like "great" and move on to fight robots or do magic or whatever. And the person can be morally grey, or even a total dick, but like I'd personally prefer something with a little more depth than Hot Topic genericism.

Like don't get me wrong, I'll take some sort of eldritch horror as my representation, but...make him at all horrifying? Like everyone talks about how he has Eldritch powers, which I know to mean unfathomable and maddening. But I've seen everything he does in the canon of the show and it is both incredibly fathomable and makes me feel normal and sane. Yog-Sothoth this man is not.

But yeah, I don't think there's a solution here besides more aspec artists creating aspec characters in their work. That way people can still like Alastor if they want, but he's not like the only viable option in terms of representation in the media. Let me see lovingly-crafted cool guys and dipshits and chaos goblins and little babies and True Horrors, all of whom have varying degrees of distaste or indifference towards sex and romance.

Do it. We need it. Please.

[touchoffleece]

Apology in Advance for the probable incoming Sulemio v Destiel Poll posts.

There are layers to why the dumb ship poll has me feeling so passionate, some are: -Sulemio more or less checked off a Bucket List Want I thought I would die before seeing it become a reality. That being: a Sapphic Anime couple where the main focus and story doesn't revolve around discovering or accepting their sexuality and showing it can be a successful story public perception wise and money wise (G Witch has some of that self discovery stuff but it's like a D or E level plot). And having it so the gay relationship can't be perceived away as besties or sisterhood or with a Bury Your Gays end. -wlw/GL ships constantly getting overshadowed by mlm ships or get played down to hype up mlm ships because "there can only be 1 lgbtqi+ ship" mentality in fandoms. -Sulemio fandom was vibing and more or less quiet until this rewoke us up here on Tumblr. We are all once again speaking and writing deep analytical lengthy posts about how deep, well written and portrayed the love between both characters were not only in subtext but throughly explicit sentences in dialogue or actions of Suletta and Miorine, and the world around them. I am very happy to join in and revisit the awesomeness that their story was since I can't truly replicate the journey that was watching their story as it developed in real time. (Shout out to my 2 het cis male acquaintances who nagged me to give G Witch a shot back when only ep 0 and 1 were out you guys freaking amazing. Bros gave me unforgettable memories.) -But a big one I see not getting talked about a lot is how this match up is giving a big and much needed reality check to western-media-live-action-only-consumers/fans that: Just because something is an animation it does not make that type of art/storytelling/show/whatever you want to call it inferior to live action. A few years back I saw so many west live action tv fans shit endlessly and mercilessly on Magical Girl Utena because of a similar ship poll where it had come down to live action fandom ship vs canon anime ship. (iykyk, I don't want to restart that shit up again since it hurt a lot to watch as someone who liked the ship that was leading but didn't watch Utena-I'm too weak for that hurt- see the show and its contribution towards actual wlw/gl representation get shit on) A lot of the criticisms and punchlines of statements were mocking people for getting attached to cartoons as "grown ass adults"; a criticism any animation enjoyer probably knows all too well. Post so many animation shows in western streaming sites get cancelled or be erased and locked behind vaults because the CEOs think there is no fanbase or value in creating animation, this sentiment more towards animated shows with depth in their stories. I think back to that poll and the ensuing shit show. To think about that back then and see a reflection of that situation with the Ship (Sulemio) that has been stated to be inspired by the ship from Utena (Utenanthy) that was shat on so much by similar media consumers back then who perceived and said animation is a lesser form of storytelling-after seeing so many animation shows I enjoyed get cancelled because of this same sentiment from people thinking no adult wants animation as entertainment- to see Sulemio beat "the greater known" ship from a western live action media show that didn't even want the gay representation associated with itself, it feels like properly bandaging a seeping wound that you were letting "dry out". This all still feels like ship war with ships and fandoms that shouldn't have reason to beef, but the catharsis of seeing such a: powerful, moving, and overall amazing story that is Gundam the Witch from Mercury (free on Youtube to watch btw) and Sulemio's love story get recognized when it still feels like animation as a storytelling device gets looked down upon and has partially been erased, is making me cautiously optimistic that maybe in a few years we can get our amazing in depth animated shows that got taken away because animated storytelling is "just for kids" or "isn't good enough".

[becauseimanicequeen]

My Pride Month Watch List

In celebration of Pride Month, I've decided to watch some (or a lot) of the stuff I've been meaning to watch and want to watch. My list will include current watches, what I want to rewatch, and things I want to watch for the first time.

Here are all the things I will watch this beautiful month of June (in alphabetical order because, yes, I'm that person):

Current Shows

These are shows I’m currently watching and the ones I know I am starting this month.

At 25:00, in Akasaka (Japan)

This is nearing its end. I've enjoyed it so far (despite the dead fish kisses). Not one of my favorites, but definitely enjoyable.

Blue Boys Part 2 (Korea)

Part 1 was so good in terms of the chemistry and overall vibe that I'm excited to see part 2 (which is set to be released sometime this month).

My Stand-In (Thailand)

One of my favorite current shows. A naive (but slowly growing) main character, a scum male lead (whom I absolutely love), beautiful cinematography, grief is present (and I love that shit because it's like therapy for me), angst, supernatural elements, etc. It also has Up Poompat and Poom Phuripan in the main roles. I just love it.

Knock Knock, Boys! (Thailand)

This show started this week with the first two episodes, and it exceeded my expectations. I went into this series wanting to watch it for Seng (who is an amazing actor) and Best (who has something I can't quite put my finger on that pulls me in every time I see him). So far, after only two episodes, I already love it for the chaos (and I’m sure more chaos will come). Also, it includes a loud and proud pansexual character! I love both him and the representation.

Love Sea (Thailand)

It's about a writer (which means I have to watch it) and about the sea (which I love). And not just the sea, but diving as well (I love that even more). I'm starting this as soon as it premiers on the 9th.

My Marvellous Dream is You (Thailand)

I haven’t started this yet because I wanted some episodes to be out before I dove in. But I really like the gifs I’ve seen so far and will definitely dive into this series this month.

OMG! Vampire (Thailand)

This is the 3rd(?) series I'm watching with Frank and Long but I'm having a hard time getting into it. It started with a bang with Frank and Big kissing (dead fish kisses are clearly banned here, and I love it!) and then a bite (which is one of my kinks, lol). But, then... I'm hoping it picks up again soon because it has the potential to entertain me.

Only Boo! (Thailand)

Definitely not my cup of tea. This is way too cute for me. But, since it's about artists, three boys who want to become dancers/performers/idols, I have to watch it. The acting is great, though. I'm really impressed with these kids.

The Rebound (Thailand)

It's Meen. That's it. That's the reason. It's set to start on the 26th.

Sunset X Vibes (Thailand)

I need more Mos and Bank on my screen. That's it. That's the reason I'm watching this. Honestly, I don't know that much about this series, and want to go in blind. I know they'll deliver on the chemistry, and that's more than I can ask for. I'll be watching this as soon as it premiers on the 15th.

The Two of Us (Thailand)

This is the Freya and Meji spinoff from Deep Night and I can't wait to watch these mature sapphic women being domestic. The first episode came out on Thursday, but I'm watching it today.

Wandee Goodday (Thailand)

Another one of my favorite current shows. This is everything I want in a light, funny, super horny show and I love it so much. Yak is one of my all-time favorite GMMTV characters, and I love how this show has paired two buff eye candies together in Inn and Great. (I can't remember if I've seen this dynamic since Max and Tul, but my memory is fucked so I might've forgotten the others...) I just love everything about this show and the chemistry between Yak and Dee. It also includes an ace character, whom I hope I get to see more of in coming episodes. And it includes a lot of neon lights (and I'm a slut for that).

We Are (Thailand)

I'm watching this for the artists that are in the series (and since I'm an artist, it's my duty, lol). I also love Tan and Fang as well as Q and Toey (which are currently the two couples that are keeping me hooked).

Rewatches

These are, just as the headline states, stuff I want to watch again.

I Told Sunset About You + I Promised You the Moon (Thailand)

I want to be blessed with this cinematography and the amazing chemistry between Billikin and PP Krit.

Secret Crush on You (Thailand)

I just love the friend group in this show so much that I want to rewatch it again. Also, it has neon lights (and I'm a slut for that). And Looknam. Do I need to say more? I think not!

Step by Step (Thailand)

This series isn't necessarily that great, but I want need more Up on my screen. Also, Man is such a huge man (and Scandi), and that's a big plus (that he's huge, I mean). And it's got Zorzo (my ideal woman) and Poppy (he's such a gem)! Despite its flaws, I'm really excited to rewatch this.

To Be Continued (Thailand)

I've been meaning to rewatch this since it ended because I loved it so much. So I'm telling myself to dive into it again this month.

Unintentional Love Story (Korea)

There was just something about the vibe of this series that I want to experience again. Also, it's about a potter (and, as you can probably tell from this post, I love watching shows with artists of all kinds).

New Watches

These aren't necessarily newly produced. They are shows/films I've been meaning to watch for quite some time without having gotten around to it. But now is my chance (and duty) to dive in.

A Shoulder to Cry On (Korea)

I've heard some mixed feelings about this, but that doesn't really deter me. And since Korean BLs are usually short, it doesn't matter that much if I end up not liking it.

The Blue Hour (Thailand)

This is a film with Gun ATP (one of my favorite Thai actors), which I've been putting off for far too long. I'm going into it without knowing very much, which is just how I like it.

His (Japan)

I've been meaning to watch this for months, especially after seeing Miyazawa Hio in Egoist at the end of last year.

Light on Me (Korea)

I've heard about this from various sources a lot lately, so I figured I would watch it this month. I don't know anything about it, but I've heard it's good.

Mama Gogo (Thailand)

I've been putting this off for far too long. It was created by Jojo. That's all I need to know, and all I need to dive into it this month.

The Warp Effect (Thailand)

I've been putting this off for far too long. It's about damn time to watch it. Also, it was created by Jojo.

I could put more on my list, but they say June only has 30 days. So, I'll start with this.

[agatharkn3ss]

I'll see you at the end.

I can't believe we are here already. I'm excited and sad in equal measure.

This show has been such a delightful surprise. I went into it without expecting anything in particular - I loved Wandavision and I loved Kathryn Hahn and that was that. I didn't expect to be literally bewitched by the magic I saw on the screen.

Put simply, the power of AAA is that it is clearly a product of love - from Jac Schaeffer, the actors, the writers, the directors, the set and costume designers, the composers (and THE GODDAMN LOPEZES!), the producers... I could go on.

That level of dedication shines despite (or maybe BECAUSE) the low budget, and it has two massive effects: 1) it creates a truly compelling and stunning story; 2) it sends a very loud, clear message that representation not only matters, but is NEEDED.

Of course it's not the first show that does this, but I cannot tell you how refreshing it is to me to watch something in mainstream media that is centred around sapphic women where their sexuality is NOT the plot of a show. It is not something anyone ever needs to ask about or question. They don't pretend to be younger characters either, they are all 38+ and proud of it, as they should. Instead they focus on what actually matters - their rich, complex stories.

But the diversity is also within the creators - of the producers, half of them were women, headed by superb Mary Livanos (a queer woman herself), costume designer Daniel Selon (also queer), all of the directors were women and there is also of course a diversity of ethnicities. I am a big believer of the power of diversity as it allows you to go places you wouldn't normally consider, and really round the story. And I love this quote from Jac Schaeffer who states "My prerequisites for writers who work with me are first, they have to be kind, respectful humans."

And what stories the writers tell! In the limited time they had, they managed to create these seven multidimensional characters that were all different, yet similar in a lot of ways. My only criticism would be that we really could do with longer episodes to actually allow some more meaningful conversations and connections. All beautifully complemented by the visuals - the practical sets as well as the costumes. I love how the costume designer took his time to consult with the actors for their interpretations, before even starting to create every single design.

And on top of the great character stories and visual , we then have an engaging plot with mysteries to solve on the way. I cannot emphasise enough how fantastic it felt to follow the breadcrumbs. To spot all those little details that would foreshadow what's to come. The different ways they appeared - through dialogue, visual clues, music themes, lore symbolism and so so many art and literature references. The knowledge and confidence that they were left there on purpose too, because the creators took the show seriously - it literally felt like finding little personal messages!

This is why I've decided I need to pick them up and then try to piece them all together - just to see if I could make my sense of it, since the creators clearly put so much love and effort. No other show has ever made me do it to this extent. And it's been so much fun! I loved I wasn't alone with this and that I could discuss and read others' theories too. It's like we've formed this awesome coven.

So in my post-AAA blues, I don't think I will have it in me to just take my "murder board" down. I feel there is still so much to explore so I will probably keep looking for any more cool details to cheer me up.

I've not been actually particularly precious about whether or not my theories could be right or wrong. If some of them are - great, bonus! If not, also great, I am looking forward to being surprised!

Although we haven't seen the ending yet, I have ultimate trust in Jac. After all, she once said:

"I believe so strongly in sticking the landing and it's always up to the audience whether or not you truly stick the landing. But I believe that you have to put all your energy toward that. It's your job to try the best you absolutely can to stick the landing. You have to plot your mysteries, figure out what they are. It’s like a good murder mystery. The feeling that you want at the end of a murder mystery is you want to be surprised, but not. It still needs to feel within the realm of possibility, right? It needs to make sense and still surprise you." 

So I trust we will have a solid ending, wherever it lands. And afterwards - I will always remember the time when a show has made me feel this way. Thank you!

[tellmegoodbye]

Happy Monday everyone!!

I'm kicking off this week with our first season 5 Music Monday song! Episode 2 is coming to us tonight, so I would like to share a song that I felt was perfect for 5x01.

---

Leave A Light On (Talk Away The Dark) - Papa Roach

Dry bones rattle in a lonely soul Slipped and fell into a deep black hole I can tell you're lost, I'm here for you Wildfires burning you down to stone Blind eyes, turning from a world so cold A million miles apart, within my reach

It's not like me to worry But when I see you fading in the dark I'll leave a light on for you Through the long nights, I will be right There for you if you drift too far I'll leave a light on for you

This song is a beautiful representation of how it feels to watch someone you love struggling and not knowing how to help them. Sometimes all we can do is leave that door open for them to walk through when they're ready to, and that is exactly what TK is doing for Carlos.

TK has been watching Carlos slowly become consumed by this obsession and wants to support him, but at the same time he's worried about what this is doing to him. He knows he can't force Carlos to stop searching and he understands that he needs closure, so him "leaving the light on" is him saying that he will wait for Carlos. No matter how hard it gets, he's always going to be there and he's always going to love him. There will come a point where they will have to fight for their marriage, but they will also fight for each other through all of it.

Sidenote: I fucking bawled my eyes out when I saw Papa Roach perform this song live last year.

@strandnreyes @herefortarlos @lemonlyman-dotcom @bonheur-cafe @heartstringsduet

@ironheartwriter @emsprovisions @sapphic--kiwi @whatsintheboxmh @certifiedflower

@thisbuildinghasfeelings @corsage @reeeallygood @toomanycupsoftea @kiwichaeng

@goldenskykaysani @firstprince-history-huh @paperstorm @guardian-angle22 @reasonandfaithinharmony

@eclectic-sassycoweyes @literateowl @carlos-tk @butchreyes @morganaspendragonss

@nancys-braids @captain-gillian @reyesstrand @theghostofashton @alrightbuckaroo

@sweettkstrand @lightningboltreader @freneticfloetry @goodways @honeybee-taskforce

+ open tag

[seluneclerics]

Omg just binge read the five existing chapters of more the fool me and brooooo

Like I just sat my self down and didn’t get up until I finished and I’m so desperate for more!!!

The way you write the characters feels so authentic, even though their relationships develop fairly quick - it doesn’t feel rushed and makes complete sense!

You write Miranda so well, I’ve always in my head saw her as almost adjacent to characters like Narcissa Malfoy, Regina from Ouat etc

They have a cold, detached air around them but they’re fuelled by this addictive passion and commitment to their loved ones that they’re practically clinical about, like they’re not here to play and you get that across so well with Miranda.

I don’t usually read x readers and if I do, I don’t read OC ones but I enjoyed this thoroughly. I might be a little bias because I look a bit like Fraser - brown skin, long, black curls barring the fact that she’s 5’9 and I’m 5’4 at the best of times - but it comes down to how universal you write her.

The name Fraser doesn’t feel like it carries too much connotations like a name like mf Amy or Charlotte which are wayyy to western for a non-white person to easily relate to and her personality is so relatable. And big plus she’s not super annoying so

But your writing is amazing - the way you write intimacy without it being sexual is divine, how the characters look at each other fondly or appreciate the others mind or oh! oh! How you slip in Fraser’s knowledge about them to emphasise how well she knows them! Like how she knew it was Alcina because of her height when she was passed out or how she’s aware that Miranda was coming to yell at her on the balcony! The way she holds Miranda’s face and how Alcina plays piano to her, how Fraser easily makes Mira, Alcina, and soon Donna I’m guessing feel less lonely.

I don’t know, I just live for good sapphic yearning and pining and it’s so nice to see that there’s still a plot - which omg I can’t wait to see where that goes - and it isn’t all easy. Fraser may feel some attachment to Alcina and Miranda but she’s still willing to go behind their backs to search for her father - like trying to sneak into that storage room. She gets close with them but not without her own agenda. The tender, heady back and forth with Fraser and the Lords/Mira is so perfectly countered by the far more gritty landscape and setting, the depictions of the violent, grotesque nature of the corpses and flesh, of the worms and the far less idealistic village and it’s history. You stay true to the grit of RE8 and I’m here for it, I hate when a wlw story or any queer story is all fluffy or all angsty like there needs to be balance and you got it.

Alcina has to hold herself back, she feels uncomfortable knowing about Miranda’s closeness with Fraser or vice versa, Miranda letting Fraser into her vulnerable parts despite how perturbed she is and Fraser not being a dick head that has no common sense but still makes mistakes.

The pacing is great, you have pretty neat prose and I am so interested! Keep up the really awesome work!

- from a dedicate fan now <3

holy shit, i’m???

thank you so much for taking time out of your day to read about the little evil gay women in my phone. thank you even more for making such a detailed comment, really it means the world to me—and also shocks me???

the representation of fraser being a black/mixed black woman was incredibly important to me. the RE community in general has a lack of rep for women of color, likely due to the games themselves not having too many woc in general.

i’m so glad you like my miranda characterization! in this fic, i wanted to lean heavily into what it’s like to be a grieving mother. outside of the vengeful, scornful side of miranda we see inside of RE8. of course, her rage and schemes are still very present in more the fool, but i wanted the aspect of dealing with the grief of losing someone to take center stage.

i think the beauty of miranda/fraser’s dynamic is that fraser exists within miranda’s grief, rather than trying to do away with it or fill the hole that’s left in her heart. she knows she can’t assuage her loneliness and she doesn’t want to. she simply wants to be with her through it all, and i think that’s the beautiful thing about them.

outside of the who-done-it nature of more the fool’s overarching story, i think it’s a story of what it’s like to go to the ends of the earth for a person, solely because you love them and would do anything to see you two reunited.

fun fact: fraser’s name means “of the forest men” and strawberry! the truth is, i got so attached to it when i was trying to come up with a name for her, but then realized it was a boy’s name. i thought it’d be funny for her lore to add in the fact that her father knew it was a boy’s name, but kept it anyway because he liked it so much. besides, i think we can all say it fits her better!

there’s so much more i want to say, but tumblr has deleted this on me like 4 other times already, so i’ll end it there. thank you again, and i look forward to giving you more to read soon!!

[spirit-meets-the-b0ne]

In the middle of my HotD rewatch

The gyroscope of interpretation on this show has been at the forefront of my rewatch along with now having read some of the script and read/watched cast interviews.

This one inference made by Olivia Cooke (via Sarah Hess) has plagued me for the first few episodes.

Now, now I know these waters are really muddy what with a few obvious conceptual things: "isn't this queer baiting" "if it wasn't it wouldn't be good sapphic representation anyway" "this is an actors interpretation" blah blah blah. I'm not arguing any of that.

Just that Olivia's head canon held against this scene hits SO MUCH HARDER

Because I gotta say MY GOD imagine how that strikes Alicent if at some point her mother caught them together. Before they even really knew what they were doing (objectively to the tune of they were 13/14 not fully clear on platonic/romantic love) her mother impressed upon them it was wrong. When they denied and in some way or another Alicent/Rhaenyra saying "she never touched me." Only for Alicent to hear it echoed back to her years later like this... Knowing that even in her naïveté she would recognize the truth. That Alicent’s mother, naturally, kept this contained. Which honestly plays more to truly making Alicent more complex by the way she saw what “scandal” her mother covered up for her only for her to act out some perversion of this with Aegon when she’s a mother. A learned behavior twisted in the worst way, because that's what she knew.

Listen I fully understand that this show is NOT taking this angle even though there seems to be a huge division between what some writers and actors are playing to and the editors at HBO imaginably being like "what's all this gay shit?" BUT

I think it's part of what this show missed about TRAGEDY and I mean come on you want drama???? These girlies were ready to hand it to you on a silver plater! In this context I needed:

Rhaenyra being devastated by the news that Alicent was going to be marrying her father. The sheer heartbreak of “this can’t be happening” and knowing she would have lost Alicent to a husband but not THIS. Show her with Syrax, confiding in her dragon because now she has no other friend to talk to - I’m just saying if they were going with the context of “Fire & Blood itself is an unreliable narrator and only shows certain people’s views” - then a scene like this disrupts nothing. Tell me how when they prayed together and Alicent told her to "kneel with me" that part of Rhaenyra prayed for that world where they flew off on dragon back and ate cake.

Alicent being devastated - having her heart torn in two, crying behind every closed door knowing she was going to break the heart of her best friend. The deleted scene does give a peak of that being the case - but again it could/should have been included. Show me Alicent begging Rhaenyra to forgive her and desperately saying she loves her. I think one of the things that Team Green argues the most could have been explored by this avenue, Alicent is a victim of her marriage - it would be inherently more compelling if in the process she is also losing the closest thing to a "first love" she had. Show me Alicent at her desk writing letters to Rhae once a week and then ceremoniously burning them in the braziers. Alicent leaning more into religion as a means of getting out from under her repressed desires and past actions.

Show me both women struggling in their adulthood to even remember why they held "such childhood affections" for each other. Knock the fucking wind out of me with a line like, "the worst part of it all was that they only ever wanted to love each other."

To me one of the worst parts of this production (of which there's a few) has got to be this was the apex of completely missed opportunities to explore. In the premise of "going by unreliable sources" their queerness would be suppressed information. I even think it plays into the dynamic between Rhae-Alicent-Criston in a kind of "Jennifer's Body" way where Rhae was really only interested in him as the object of Alicent's desires which I believe is made a little clearer in the books. A kind of "see this could have been us if you didn't marry my bag-of-bones father" for Rhaenyra who clearly had no aversion to consorts.

I'm sorry to go on this rant, and yes I KNOW - the counter arguments for many of these points. I would even argue some of them further such as the sapphic representation not being invalidated simply because both women do end up with men in the source material. If this was the case then why was "Portrait of a Lady on Fire" received so well? This at the very least to say if they made Alicent and Rhaenyra explicitly queer it would still be less controversial than what the queer men on that show got … Still its not even to say "it's a better way" to explore more of Rhaenyra and Alicent's characters but its at least A WAY to do it. More than we got. Surely both sides could agree on that.

Sorry, now I'm just being pedantic. As a queer woman naturally I have a bias but I still think this was objectively a missed opportunity to explore. Both girl's back stories could have been enriched and tbh a lot of HOTD fans I know also had the same complaint that the time skip came in too early. I think it also makes things less likely to be so divisive between TG and TB when you look at the central pillars of this conflict. You can truly grieve for Alicent and Rhaenyra and what they lost already while on the verge of losing it all. Anyway, I gotta go cry about my divorced lesbian war wives.

[leikeliscomet]

Let's Talk About Thasmin

Intro Chapter 1 - Not Something I Usually Do [TW: SA Mentions] Chapter 2 - I Haven't Even Told Anyone, Not Even Myself Chapter 3 & Conclusion - I Wish This Would Go On Forever

Intro

I didn’t know how to write about Thasmin because I didn’t understand what Thasmin was. 

I’m in a weird position with it. I watched the Chibnall era and barely thought about it. I knew about it in series 11, not minding if it became canon or if Ryasmin would instead. I thought Yaz’s attachment to Thirteen seemed stronger than Ryan and Graham’s in series 12 and it was interesting but not that exciting enough for me to go full thassie. I liked the Thasmin bits in series 13 like in Eve of the Daleks and Legend of the Sea Devils (even though I didn’t like the rest of it). But after my rewatch, several things started coming together. I started to see Thirteen and Yaz differently, even seeing parts of them in myself and essentially started looking at the Chibnall era a bit differently as a whole. It’s still not my fave era, but there’s things from it I can appreciate that I didn’t see before.

What interests me about Thasmin isn’t just the ship itself but how the fandom talks about it. Both praise and critiques. Thasmin is the first sapphic ship involving the Doctor, with one sapphic only realising her attraction to women recently, and the other essentially being one of the very few asexual sapphic characters in mainstream TV at the time. Thasmin was fresh with potential but as the essay goes on and from the fandom’s reaction, the potential didn’t fully blossom in the way a lot of fans wanted it to. Whilst I’ve stayed indifferent to it, this ship is somehow so controversial it’s torn the fandom in half, caused many YouTube videos, debates and articles (like this lol) and caused some of the wildest discourse I’ve ever seen throughout my time in the fandom. So this essay is basically an attempt at an asexual, lesbian and possibly bi interpretation of what Thasmin tried to be, how lesbophobia and compulsory sexuality shape the fandom’s ideas about queerness using Thasmin as an example and what Thasmin could've been if handled differently.

I need to make it clear this essay isn’t about proving whether or not Thasmin is queerbait. The discourse since 2022, to me, is unproductive, repetitive and only reinforces misinformation and ignorance towards other queer labels. Regardless of writing quality, Yasmin Khan and the Thirteenth Doctor have confirmed feelings for each other so in my personal opinion, I don’t consider the ship queerbait. I’m aware queerbait has expanded definitions like how the queer character’s storylines and how the queer relationship is carried out but to me, that isn’t proof either. Queerness is a large umbrella term of various identities that are outside of the norm, so not all forms of queerness depend on or can be ‘proven’ solely with a romantic/sexual relationship. These definitions to me exclude queer people whose queerness isn’t dependent on those things or doesn’t involve them at all. Lastly, I don’t believe the conclusion of bad queer representation is that it isn’t queer. It is. It just flopped. 

I’m not writing to prove Thirteen really loved Yaz because as far as I’m concerned, her feelings for Yaz are canon. I’m not writing to prove Thasmin is toxic or morally good because as far as I’m concerned, all ships involving the Doctor, a morally grey character, are all morally grey in their own ways and that would mean also critiquing the ethics of Thoschei, Tenrose, TwelveClara and DoctorRiver. I have no interest in doing this or singling out Thasmin as some unique evil because to me that’s performative. I’m not writing to prove that Yaz is ‘really gay’ or ‘gay enough’ because as far as I’m concerned she is a canon sapphic companion and I don’t believe in gold-star, lesbophobic or biphobic rhetoric to erase any sapphic character’s attraction to women. I’m not writing to prove Thirteen/The Doctor is ‘actually asexual’ because as far as I’m concerned they are, as confirmed by Tennant, Smith, Pertwee, other actors and the official account and I don't care for the validity or close-minded opinions of anti-asexual and ace exclusionist fans, the same way I don’t care for the approval or permission from homophobes, lesbophobes, biphobes, transphobes or any group of queerphobic people to exist.

If you’ve come to this essay for me to critique Thasmin specifically on the basis that the Thirteenth Doctor, Yasmin Khan and/or Thasmin the ship have failed to live up to some arbitrary measure of queerness and that they are un-queer, less queer, fake queer, queerbait or ‘cishet’ then basically… you’re in the wrong place.

With that out of the way, let’s talk Thasmin!

Chapter 1 ->

[yourturntofnaf]

can you list the top ten most lesbian yttd characters

oh I certainly can. starting from number 10...

10. mai tsurugi

for 10, we have mai. she's certainly wlw to some extent. although I generally lean towards her being pan, I can also absolutely see her being a femme lesbian. I definitely see the vision.

9. anzu kinashi

once again, I see her as generally sapphic of sorts instead of strictly a lesbian, but there's also a part of me that sees myself in her. I want you to hear me out with this one: nonbinary lesbian for lesbian ranzu. this came to me in a dream and I think the people need to hear this.

8. maple

certainly, this is the most debatable lesbian take in terms of canon considering her plot revolving around midori. although that is pretty hard to argue against, consider this: she's out of his league anyways and she deserves better, specifically the love of a woman.

7. strawberry girl

yeah I know she has no canon content yet beyond one picture but like...

she just has the vibe. when I see her, I know she's one of us.

6. nao egokoro

everyone's favorite fat femme lesbian representation. is she canonically fat or a lesbian? nope. however, I am a fat femme lesbian so my stamp of approval outweighs canon. thank you for understanding.

5. megumi sasahara

no straight woman could rock that uniform quite Ike she does. once again, she's just got that vibe. plus, maigumi is pretty based.

4. touko rikuno

arguably the most girlboss character to come out of this series. the first time I saw her I thought "one of us, one of us". her and jin are totally mlm/wlw solidarity.

3. reko yabusame

I feel like the fandom generally agrees on this one. it just makes sense. I will never get over that "I love fat ladies" post with reko. this is canon content to me.

plus, the way she hangs her hand? lesbian as fuck

2. kugie kizuchi

kugie is canonically wlw so that's pretty cool! I absolutely headcanon her as the coolest butch you've ever met.

now, you might be thinking: "kai this is literally canon, why is she only second place?!" and to that I would say...

1. emiri harai

the epitome of the lesbian vibe. I mean come on

ok, this was really fun. I will spread lesbianism to the masses. please don't take this too seriously! happy pride, support your local queer

[blorboazula]

Thank you got calling out the bullshit about w@nd@ and the gargoyle that's supposedly her son. I haaate that the show and fandom is getting overtaken by them. Like we have QWOC and older queer women and yall want to drool over the whitewashed abuser and her white boy mini me? People once again gushing for m/m crap with that twerp and his bf when we might not even get a kiss from the canon f/f couple due to censorship? Ugh. Not even touching people villainixong Agatha immediately again.

So, I try to not be as vocal as I can be about how much I don't like Wanda and her stans, but here we go. I won't even tag her and such so don't come at me (or come, if you want). Little rant:

Yeah, like, I really, really don't like the way I'm seeing way too many people talking about him as if he's the main character of the show.

Like, yeah, sure, be excited about a character you like. I was jumping in joy when Carol showed up in the post credit scene of Ms. Marvel. I was talking about it on Twitter a lot but I also talked about the other stuff. I used to have a MCU side-blog and the majority of my posts weren't about that one thing. (Even if lots of my theories involved her since 1. The Marvels a movie I've been waiting and 2. she was one of the main characters in the direct sequel to Ms. Marvel). I still enjoyed the show for who the show was about even if my favorite character of the 'verse showed up + the series was very much connected to it.

(In the same vein, you don't need to consume every media with characters you like. I didn't watch WandaVision even if Monica was there.)

Agatha is the main character of the show, it's in the fucking name of the show. Sure, it's a trilogy and whatever (or so I heard), this part isn't about fucking Wanda, for fucks sake. It's Agatha All Along, not Wanda & Her Spontaneous Creations All Along.

But I knew it was going to happen. I've seen people tearing apart every non-Teen-is-Billy theory to shreds as if those were personally offensive. I'm sorry some people liked the theory that Teen was, somehow, the protagonist's kid. You know, because the protagonist is the character in which the story revolves around and the protagonist is the most important character because she's the FUCKING PROTAGONIST.

Queer representation is important, yup, and they fucked it up before (Loki anyone?). And the one in Eternals is almost a blink and you'll miss. But even if I'm not a lesbian/sapphic myself, I'm here like "come on, let the lesbians have this for ONCE". It was going so well, the jokes about lesbian witches and their emotional support emo twink, it was going so well.

I knew the moment that we had the identity reveal, the Wanda stans would be even louder and ruin the enjoyment of the others. I genuinely liked Teen and I still think that he was a pretty nice character before that fucking episode end – even if I wouldn't be surprised that he was manipulating them all this time, an evil little bitch like his mom (and that would be fun if it wasn't 1. for the twisted morals & 2. the fact that I ended up really liking Agatha).

About how they talk about Agatha: only Wanda is allowed to be mean, bitchy, evil, cruel and blame it all on her trauma. Every other villain? They're just evil. It's the kind of thing Ms. Volunteer-to-be-Experimented-on-by-HYDRA believes, considering her bullshit line to Strange.

Like, Wanda stans are really the fucking worse.

[swimmingwithfish]

XO, Kitty and the start of the queer character evolution.

(Spoilers for XO Kitty Below!)

I’m always one for teen dramas. It’s a guilty pleasure that I take much delight in. Classic rom-coms like 10 Things I Hate About You and Clueless have always been my favourites. But to me, they always felt too straight. Too much heteronormative things and none of the queer rep I always wanted, even in more modern films and TV Shows in the genre. 

To All the Boys I’ve Loved Before has always been one of my favourtie movies, so, when I found out about the spin off series XO, Kitty, I was ecstatic. Kitty had always been a character I resonated with and I loved all of Jenny Han’s other work. 

Going into it, I expected the classic two boys fighting over one girl love triangle, a gay best friend and the girl best friend that I always seem to ship the main character with. I had predicted most of the story from the start. Until.

XO, Kitty is far from the ‘girl meets boy’ I was familiar with. It’s a queer love story and a coming out story and a self-discovery story. Definitely not the black and white romance i thought it would follow. 

We have Q, the GBF, who is far from the feminine male sterotype you see in teen TV. He doesn’t give Kitty fashion advice and makeovers (which isn’t a bad thing btw), but a jock, the atheltic scholarship kid, who sure, does know a good dress when he sees one, but takes on a character that’s still such a worthy queer person without having to fall into the feminine sterotype. 

Then we have Yuri, the Korean ‘it’ girl, also the girl best friend. She’s not the bimbo pick me girl you think she might me. She’s complex and interesting and she’s gay. Her storyline is something you don’t see often, and they really delve into the struggles of what it’s like being queer in a place and family where you’re not allowed to. Her journey is beautiful and powerful and reflects the coming out struggle in such an honest way, without making her story as a queer person just about coming out. She says the line ‘I have to live a fake life just so you’ll keep loving me’, when coming out to her mum and that encompassed so much of my current queer experience, especially as a person of colour. I think that it was for me, a sort of ‘Hey! we’re in the same boat’ thing and really made me feel so much more seen. She’s a well developed queer character that isn’t reduced to a ‘placed there just for representation’ character.

And we have Kitty herself. The main character. I honestly did not expect Netflix and the producers to go in this direction, but Kitty is queer. At first, I didn’t know if they were just sorta doing it for the sake of it. It didn’t feel like a deliberate decision. Maybe more of a thought that crosses her mind during the show. But Kitty has a crush on Yuri, and the way they address it is so different. They don’t exactly show that coming out to yourself thought process (which I kind of wish they did), rather, Kitty likes Yuri and she just accepts that, which I think is cool. I like now we don’t always need this big revelation moments (although, they’re still cool), but I think it shows the progression of how we treat queer characters as not spectacles for the audience, but just, people. Kitty’s crush on Yuri also felt very resemblant to my own crush on my friend which was probably why I related to her so much but just in general, it felt so natural to just have a queer main character in a non-queer focused show. Like, this wasn’t Hearstopper. No one expected it to be, yet, here we are, and I’m so happy about that.

This evolution into organically created queer characters is something we defnintely need more of and I’m so glad that Netflix is taking the step to do so. ALTHOUGH I REALLY HOPE THIS IS NOT BECAUSE THEY’RE TRYING TO GET REDEMPTION FOR CANCELLING ALL THE OTHER SAPPHIC SHOWS. 

I also feel like though, that Jenny Han is just like a great person because whenever it’s her books being adapted, there’s always this like ‘organic queerness’. Like, in The Summer I Turned Pretty, there’s this guy Jeremiah, who in her book is presented as this straight guy, but in the show he just like kisses some guy and it was a dileberate from of causal representation (if that’s even a thing). Like kissing that guy didn’t add to the plot, but it wasn’t queerbaiting either because (well for me personally) I felt like the directors were like ‘This is Jeremiah. He’s queer, and he’s a main love interest’ and being queer didn’t like shatter the earth around him, it was just a part of him, as it is for all queer people.

But XO, Kitty itself aside from Kitty and Yuri is so good (maybe because I’m a sucker for these things), but everything about it just makes me squeal. I feel like teen TV is taking a turn in terms of creating realistic characters. And while we still have a long way to go (GENDER DIVERSE AND CULTURALLY DIVERSE PEOPLE!!!! CMON NETFLIX), XO, Kitty feels like a really big win for queer (and especially QPOC) people. 

[harrylights]

ok so I’m having some Thoughts re: my activity (or lack there of) in the fandom rn

1d and the boys will always be a source of joy for me. connecting w their music and the side of myself that feels seen in this little community can be really healing and I never want to lose touch w that completely. that being said, I’m in a weird place w my relationship to sexuality and gender and I feel like I need to expose myself to less media that’s centred around cis men, and find more that allows me to see more expressions of queerness that are focused around gender expression and sapphic attraction, and also more diverse body representation. it can feel really isolating to live in a fat body where there isn’t much community in person that centres that and then to also not expose myself to the more abundant online community that not only looks more like me but is also working toward our collective liberation in that regard. so, at least for a little while, I think what I need to do is take a break from this space and curate an experience that meets me where I’m at so I can navigate this weird transitory phase I’m in a little bit easier.

tldr: to help my own journey I need to take a break here and focus on other things.

BUT !!! I will always love all of u with my whole ass heart and I will always be grateful for the community I’ve found here. I won’t be gone forever, but I expect to come back a little bit different and hopefully with a more solid internal foundation etc etc

thank u to every single one of my lovely mutuals, I love u so much. you can still message me whenever, add me on tiktok or instagram (both are @ gaybirdwizard) and I’ll still be around and maybe post little updates when it feels right.

until then take care of yourselves and do what makes you happy!!! ilysm ❤️❤️❤️

[peggy-sue-reads-a-book]

Some started called gay men achilleian as in emphasize the same term lesbians give on the term "Sapphic love" which doesn't make ANY SENSE.

Firstly Sapphic comes from the Greek poet Sappho who lived on the Greek Island Lesbos and was famous for her romantic poems.

Achilles is just a character in a story by Homer written thousands of years ago mostly remembered for his complex character, his rage. His love for Patroclus may be for debate, but soulmate love is also platonic as it is romantic.

Achilles was never a gay icon before Miller's fiction book and the Iliad is a masterpiece of literature and his character is waaay more than his sexuality which also isn't labelled or certain either so why people are having a YA novel be the source material for his sexuality?

Interesting question.

I do not believe Miller to be responsible for the queering of Achilles. In fact, if you listen to interviews with her, her reasons for a queer interpretation are thoughtful and thorough. Namely, that a “bomb seems to go off” when Patroclus is killed. She believed his consequent actions to be most aligned with those of a grieving husband.

The novel’s earliest draft actually began as an academic essay after she directed Shakespeare’s Troilus and Cressida, which characterizes Patroclus as more effeminate than Homer’s representation. Miller’s narrator is more closely aligned with Shakespeare, actually.

If you go further back, you have other ancient Greeks commenting on and disputing not whether or not Achilles and Patroclus were having sex, but who topped.

Returning to the Iliad itself. I believe it is most accurate to say both men were bisexual. They live together in fairly close quarters. If they aren’t partners, they are at least comfortable performing sex acts in front of one another with their concubines. I would say that Miller’s version where they “rescue” the girls but never sleep with them is a bit far fetched. However, there is also some implication that the two men shared a bed. I’d ask yourself, if this were a man and a woman, would I be thinking this hard as to whether they were a couple? Probably not.

There is finally the issue of the word “philtatos” itself. The -tos suffix is superlative. There’s no way around the translation “most beloved.” I am dubious of Victorian scholars who were bent on inserting “comrade” or “companion” in there. I call censorship.

So yes, I think queer interpretation really is an interpretation and not a fetishized, contemporary theory.

However, I’d like to address your point of platonic love and it’s societal value. To the understanding of many, (actually, Aristotle) “philia” between two men was the most fulfilling relationship possible. This creates a bit of a confusing wrinkle in ancient literature, doesn’t it? Gilgamesh and Enkidu’s behavior certainly queer-codes in 2023, but they come from a context which de emphasized women and their capacity to relate to male partners. So sure, maybe Patroclus and Achilles are meant to be broing out this whole time mainly because Briseis is too stupid and too afflicted by wandering-womb to understand them. I guess that’s the book you could read.

Maybe you wish to shelf that criticism and what you saw was a rich friendship. To challenge my own point above about if they were a straight couple, we accept completely different behavior from two women. There’s no reason friends can’t share profound intimacy and physical affection without any sexual connotation. You can’t say the death of a dear friend isn’t big enough to serve as the poem’s crisis point. You’re right — especially considering that these boys were raised together and have been living together and at war together their whole lives. The same could be said of David and Jonathan, another popular queer speculation. A sexual relationship is not needed to validate such a bond.

I still think they were having sex. I am sorry to have nothing to cite but remember my own mother explaining a queer reading of the Iliad to me before The Song of Achilles was even published. I believe she was teaching the Aeneid at that time but doing some background research. She mentioned specifically reading that sex was normal and encouraged between specifically infantry and charioteers. The idea was that by forming a sexual/romantic bond, those men would be more effective as a team. The point being, this is nothing new.

I want to speak to your comparison to Sappho, because it is pertinent. The prose of The Song of Achilles is heavily inspired by Sappho’s style. Her intention with that particular project was to focus on the perspective of a sidelined character and give him an intimate, lyric voice. That was the point. For her purposes, Achilles is a sexual and romantic icon because of who is telling the story. Contrast even the openings, “Sing, muse of rage of Achilles,” to, “my father was a king, and the son of kings.” One is invoking Calliope to tell us an epic about an angry little man and the other sets the expectation that you’re going to get his life story. If you read this book, you will get a subjective one-to-one experience of Achilles as a primary love interest and sexual partner. If that’s not for you, I recommend Pat Barker’s work.

A fair question, and I don’t know the answer, would be when did guys start referring to themselves as Achillean? Personally, I don’t really care. I think other people should describe their sex lives how they like. Hypothetically, even if the term were responsive to Miller’s fiction, I still don’t care.

And here’s where we get to what I really have to say. The Homeric tradition is oral— no one really “wrote” the Iliad in accordance with modern standards of intellectual property. We carry that tradition today. Here is the part where I disagree with you: Achilles is not just a character in a book written by Homer thousands of years ago. He is ours. Fluid and thriving, part of culture. If the myths of Achilles continue another millennium, carried by tumblr girlies and esoteric gay men, then great. It’s as it should be. It’s how fiction works.