#THEY MAKE ME SO INSANE YOU DON'T EVEN UNDERSTAND

[wingedshadowfan]

this post has been met w/ a lot of support (endlessly grateful <3) but i'm aware i'm just in an echo chamber-y part of the internet bcuz i saw a video today of someone analyzing this scene in such a one-sided and way, i just had to comment on it.

they claimed:

caitlyn sees vi as lesser than: hot take lol, especially considering caitlyn is a character w/ almost no confirmation bias against zaunites however sheltered/uneducated abt their struggles she might be bcuz of her privilege. and before you pull up one of the 3 quotes you use to base that reading off of, let me debunk all of them.

her "why would i ever trust someone like you" (someone who got sentenced to 7+ years in prison as a teen with no record of their crimes and was moved to solitary confinement) which was at least partly in response to vi's own antagonistic attitude. sorry but i wouldn't trust vi either if i was alone in an unfamiliar place and situation and no one knew where i was like caitlyn was, and let's not forget caitlyn still let vi out (and fun fact she even forbid the use of that cell after she became commander) bcuz she believed she'd help her solve a crime so she did trust her and saved her ass multiple times at the expense of endangering herself

the convo with ekko where she refused to acknowledge enforcers were violent against zaunites (she obv didn't think zaunites deserved to be treated this way, quite the opposite - she didn't know this was a thing bcuz she believed enforcers were always protecting the innocent and that the world was just and beautiful aka baby's first realization she'd been brainwashed), and she still told ekko he can keep the gem if he deems fit and that the undercity needed healing (this is where vi fell in love w/ her btw)

the infamous "animals" quote: ignoring its contextuality and specifically caitlyn saying that now [that she's been personally hurt] she understands how easy it is to hate all zaunites - implying she didn't before (baby's first experience in understanding how prejudice works) and that she's battling those feelings - bcuz of the few ones who staged the attack and slaughtered a bunch of ppl, not bcuz of your average zaunite's characteristics or way of life. again, she's shown a desire to help and protect zaunites who were strangers to her multiple times before bffr.

and EVEN IF you somehow managed to prove to me that caitlyn has this insane prejudice against zaunites (which i don't believe at all), vi would still be an exception to that! caitlyn falls in love with her quickly, and wants to make it work (oil and water) despite their differences - i see no evidence in her words or behavior to believe she deems vi to be inferior to her, in fact, i believe she thinks vi is better than most, zaunites and topsiders alike

caitlyn is the one with greater capacity for violence: this is an interesting one bcuz i see how this can be true in general, but not in the breakup scene. in piltover's council room, miss decorated officer and leader of house kiramman has a greater capacity for violence against zaun through her name, privilege, money and subordinates in the form of armed enforcers invading zaun. and this is not bcuz she's more violent but bcuz she's got more resources she can take advantage of. that's... how privilege works. but in the vents, caitlyn who's almost just died again and is completely tweaking out that their mission failed, she let jinx get away, vi took the choice away from her after giving her the green light, etc, she does not have a greater capacity for violence than vi.

verbal violence: her words practically don't hurt vi at all imo (bcuz they're not jabs or insults, they're confirmed statements vi isn't ashamed of, "i thought you were different but you're not. it's her blood in your veins"), but vi's words ("what if you missed?", "then why are you the one acting like her?")? doubting/mistrusting her and comparing her to her mother's killer? that must hurt like a mf, caitlyn's arc and current mental state considered.

physical violence: caitlyn lashes out suddenly bcuz of vi pulling her back (she couldn't flee so she fought) and bcuz of vi's words. she hurts vi in the worst possible way she could've, but in any real fight, where vi would've anticipated being hit and defended herself, caitlyn would've eaten dirt. it's only circumstantial that she deals so much damage and it isn't after months of sparring with ambessa that she's able to drop vi.

violence/hurting the other wasn't the main goal of that altercation for either of them, it was something that just happened bcuz of a plethora of factors, none of which have to do with how vi and caitlyn truly feel abt each other.

caitlyn looks at vi with anger and contempt/caitlyn shoves her aside quickly, efficiently and coldly after vi did so much for her, caitlyn is brutal and cruel, leaving vi on her knees to rot in the vents: i didn't read any of her behavior that way, vi might've though - and maybe the truth is somewhere in the middle but here's what i got.

what vi did for caitlyn she did by choice and/or bcuz of guilt caitlyn isn't responsible for (i do agree caitlyn asked a lot of her but it's on vi for accepting instead of drawing boundaries). as far as i remember, caitlyn does not make eye contact with vi at all (so idk abt looking at vi with contempt lol) and i see how that can be interpreted as cold, quick and efficient. it's not. it's self preservation. it's bcuz eye contact is very important to caitlyn's character. it's how she understands and connects to people. it's safe to assume she's angry at vi but much more than that, evident in her words, she feels hurt, betrayed, disappointed and overwhelmed. she chooses not to look in vi's eyes, bcuz she wouldn't be able to bear it - she shuts herself off by choice, she doesn't want to connect in that moment, doesn't want to understand or be persuaded to stay (she knows vi has the capability of doing that), and it's not bcuz "contempt/the desire to shove her aside" are her true feelings for vi, it's bcuz caitlyn tried to remove herself from the situation but bcuz she's literally spiraling (please watch that scene again, ik caitlyn is really hard to interpret bcuz she doesn't scream, cry or blow things up, but this is her losing it in her own way), she snapped impulsively when she couldn't leave and put space between herself and vi

those are my two cents.

caitlyn grew up sheltered, she's privileged, uneducated and unaware of zaun struggles, zaun identity and generational trauma, zaun's history of oppression and piltover's of police violence. she's deeply in love with vi whom she sees as an equal (she sees all people as equals), is in the process of learning and relearning truths abt herself and the world, and in a time of immense trauma, stress and pressure, she lets her fear, anger, grief and guilt blind her to how vi really feels underneath her own guilt. she loses sight of what the right thing to do is. she commits violent acts, she makes bad choices. she's not violent or a bad person. she allows herself to be manipulated. she believes no amount of good will erase those mistakes. and she still tries to set things right and gives it her all.

some thoughts about the caitvi breakup scene

i saw ppl pointing out what looks like a tear running down caitlyn's nose after her and vi's fight w/ sevika and jinx (when she finally stops hitting the wall w/ her rifle and puts her forehead to it) and it could've been just sweat, but here's why i think it wasn't:

it's bcuz vi took the choice away from her.

we all know caitlyn's parents had been keeping her in a gilded cage since she was a child. we see this symbolically in her conversation with jayce when he gets kicked out of the academy after the explosion - he's outside in the rain, but she's within the gates of the kiramman estate, under an umbrella, protected, hidden. she tells him her parents don't allow her to talk to him anymore but she doesn't care. they're friends.

we know cassandra didn't approve of caitlyn's choice to become an enforcer either (we assume caitlyn had to fight for it and her family tried to stop her). even after that "win", her mother kept meddling and made sure caitlyn would always get safer tasks - out of harm's way and where she'd never be able to prove herself or do any actual good like she'd always wanted. her own coworkers make fun of her for being a kiramman and only "playing dress up" as an enforcer - a job she decided she wanted and had been working towards since she was a child, in order to help and protect people. she'd had to fight (not for the first time) to be placed on a case, in a real guard position, to be taken seriously.

caitlyn's choice and her agency - things she's barely been given in her own life, because of her parents, her name and how sheltered she'd grown up - she'd always had to fight for. she's had to fight to be able to choose, she's had to fight to defend her choices, and she's had to fight to prove herself over and over again.

then for the first time in her life, she didn't have to fight because vi (perhaps being swallowed by her own guilt for everything jinx had done to caitlyn) gave caitlyn the ability to choose what happens to jinx. unconditionally.

and caitlyn chose. vi agreed with her choice.

take the shot.

then vi took the choice away from her in the last possible moment, physically stopping her from shooting. (now, we can talk abt what that means to someone who's never been the stronger opponent in any physical altercation they've been a part of so far, but i won't)

this is the real reason caitlyn completely disassociates shuts down, not to mention the adrenaline after almost dying again bcuz sevika wasn't playing. caitlyn goes all out hitting the wall, lets out a single tear, refuses to look vi in the eyes and tells her, "i thought you were different but you're not"

she's yet another person who denies caitlyn the ability to make a choice in her life.

it's her blood in your veins.

vi's loyalties lie with the blood of someone who'd worked for silco in oppressing the undercity, lured and blown up caitlyn's coworkers, tried to kill caitlyn (and vi) multiple times, kidnapped her from her fucking bathroom, dressed her up against her will, kept her hostage for a full day in which she with almost 100% certainty tortured her, kept her as the only person gagged throughout the tea party, asked vi to kill her, then blew her mother up along with 4 more counselors and (allegedly) attacked their memorial. talk abt taking someone's freedom of choice away.

then why are you the one acting like her?

vi - not fully without reason - compares caitlyn to her worst fucking nightmare. a psychotic killer who's caused so much fear and trauma to caitlyn that she admitted jinx's smile is all she sees when she closes her eyes, up there w/ her own mother's lifeless eyes?? and yeah, vi has a point - caitlyn had indeed grown more violent and aggressive in her desparate pursuit for revenge. that doesn't mean it hurts caitlyn any less, especially when she'd been trying so hard to do the right thing (sending a squad to catch jinx instead of a full blown armed invasion, only her and vi having hextech, clearing the streets first), and vi knows this: she just automatically did what she does best - aimed for where it hurts the most. i think she even realizes she's overstepped but before she can do anything about it, caitlyn bites back reflexively and hits her with her rifle. there, in the place of the wound she once took care of herself.

the perfect storm.

the only question i have left is why everyone in this fandom keeps acting like caitlyn is the only one who hurt someone and vi is the only one who got hurt in that scene.

[glitter-stained]

Another day another ask mysteriously disappearing from my inbox when i'm about to hit post on the reply

Anyway the question was basically "what do you think of the "Jason isn't able to get over his death while bruce is capable of forgiving joe chill and sitting by him as he dies" take and doesn't it sound a little like the "everybody died he ain't special " take?"

Why yes. Yes it does sound like that. My thoughts on that idea, in no particular order:

- it's almost 2025 are we still placing moral judgement on characters based on the comparison between how they're enduring their trauma what happened to the universal singularity of human suffering what happened to not comparing apples and bananas weren't we taught not to do that in elementary school

-Is this about the Three Joker comics? It sounds like it is, anyway uh that comics is not mainline (and has pretty shitty writing imo), in mainline even in his least flattering runs (ie Battle for the Cowl) Jason hasn't gone postal because of his death in a while (in BTFC it was Bruce's death and the mention of the "unresolved dark horrors of his childhood" triggering a bad parody of some sort of psychotic break) so like i guess criticizing Jason for something he isn't doing is kinda strange

-if anything Bruce is the one "not over" Jason's death considering the flashback he had right at the beginning of Failsafe arc (though of course demanding he just gets over the trauma of holding his dead son's corpse is just as absurd as demanding Jason gets over the trauma of having died)

-honestly staying by Chill's side as he died was pretty cool and heroic on Bruce's part, totally agreed, that was badass of him to not let him die alone despite his trauma. That being said can we please stop tying morality to the concept of forgiveness? Implying there's a goodness of heart to forgiving/getting over your trauma is weird, it way too puch pressure on the victim, we should stop with the "good victim/bad victim" narrative, martyrdom culture is harmful. If forgiving Chill helped Bruce, cool for him, Jason is in no obligation to forgive Joker, and also Bruce forgiving Chill =/= staying by his side as he died, those are two separate things

-if we're comparing coping we have to compare resources, what does Jason's support system at that time compared to Bruce? Should we make a tally to see who has more friends especially close ones? We both know who will win but also that it's a completely stupid and pointless arrangement, how many apples and oranges must we compare before we conceptualize that it's not the same fruit?

-in terms of personal taste, I find placing moral judgement on characters is about the least interesting analysis angle I can imagine, like, congrats, you've established Angel McPerfect is a better person than Asshole McInteresting! Now multiply me by one and subtract zero.

-kinda hilarious to criticise Jason for not getting over his death and compare that to the coping of a man who dresses as a bat to cope with something that happened thirty years ago. Like if he's so over his trauma why is he wearing pointy ears

-also, obviously, the idea that characters should just "get over their trauma" is insanely dumb. Trauma is like a wound. It can scar, if treated properly, and then the scar will always be there. Imagine telling someone they should get cosmetic surgery because "we get it, you got stabbed, you don't have to shove it in my face every time I look at you." Or telling someone whose wound got infected "why can't you be more like this guy? Look, his stab wound is all healed nice and clean by now. It's like you're not even trying !"

Anyway I hope that answers your question and you have a good day anon, I agree with you that that take is weird, I truly don't understand the reasoning beside "i don't like jason". Idk maybe these people just need to...chill.

[babybearnation]

cause i've got a soft spot (i've got it for you)

⎇paul aron x m!team boss!reader - you don't play favourites, but with paul... (smau) ⎇author's note: my first ever non-texts post and AHHH this is so nerve-wracking omd!! pls be nice to me PLS ⎇content warnings: team boss/racer relationship, hate comments, suggestive content, implied homophobia, arguing,

Paul sighs, wiping his hands on his pants for the umpteenth time. His leg bounces restlessly and he's rather glad he got here after Arthur had already gone into the room to meet Y/n otherwise he's sure he would've annoyed his future teammate before the season could even start.

Paul's about to stand up and start pacing when the door clicks and swings open, Arthur walking out first. Paul watches as Arthur and Y/n exchange farewells before standing up and smiling when Y/n beckons him into the room.

"Paul, hi. Come on in." Y/n says. Paul crosses to the room, smiling as he enters the vast area. He's vaguely aware of the many thoughts he's having about Y/n and how young he is and how insanely attractive he is, but he's pushing them all down.

Professionalism, Paul, come on!

"So, welcome to the team." Y/n says as he sits down, folding his hands atop the desk as he smiles warmly at Paul. Paul finds himself flushing lightly, warmth lighting up his body.

"It's great to be here. Thank you for giving me this opportunity." Paul says, his words feeling thick and heavy on his tongue. Thank you doesn't feel good enough, but his English is clunky and he doesn't want to make a fool out of himself.

"Your post-season test with Alpine showed fantastic potential and we have the finances to invest in more... how shall I put this?" Y/n trails off, tapping his chin before shrugging. "More risky decisions, shall we say."

"Right." Paul says, an embarrassment flushing throughout his system. Do they really think he's gonna be that bad?

"Not that that's a reflection on you or Arthur, of course. I have my confidence firmly placed in both of your hands. But, well, you know how fans and higher ups can be." Y/n says, laughing softly. Paul latches onto the sound instantly, something flickering to life in his gut.

"I totally understand what you mean. Thank you for your confidence. I hope my performance can please you, Mr. Y/l/n." Paul says, all the drilled-in media training entwining with the words that drip from his tongue.

"Please, Paul, call me Y/n. I don't want this to feel like a job to you, but rather a family." Y/n smiles again and Paul finds himself naturally smiling back, all his previous nerves and professionalism replaced with a twisted sense of desire. "Now, about this family thing. Let's go get some lunch with the rest of the staff, shall we? I'm quite famished."

Paul thinks he might like it here.

liked by arthur_leclerc, cbaceracing, and 62,880 others

paularon_ Thank you to @/cbaceracing for signing me on as one of their 2025 drivers. I hope everyone is excited to see me on the grid next year. (And thank you @/aronralf for the silly cake).

comments

user1 let's go, paul on the f1 gridddddd

cbaceracing It's gotta be a good year when you've got Paul Aron on your team, huh @/hitechgp 😉 ‎‎‎‎‎‎‎ liked by paularon_ hitechgp Can't disagree with that, can we? 😉 liked by paularon_

user2 This is fucking insane, I'm so happy right now.

arthur_leclerc I look forward to racing with you next year, mate. liked by paularon_

user3 Arthur's gonna fucking run your shit into the dirt. You're awful. user1 ew, who asked you? user2 Jealousy gets you nowhere, mate 🙄

aronralf That cake was delicious, I think we can both agree. liked by paularon_ paularon_ Remind me who ate most of it again?

Y/n sighs, pacing back and forth as he drags his fingers through his hair. He probably shouldn't dishevel his appearance too much lest he come off as unprofessional or unattractive, but it's been his bad habit for years, so bad habit it shall remain.

His fingers drift down to his tie and he's just about to tug it loose and retie it when there's a knock at the door. He crosses over instantly, tugging it open with far too much excitement, smiling breathlessly when he spots Paul on the other side.

"Hello, come on in." Y/n says, stepping to one side to let Paul through. Paul greets him softly and enters the room, sitting in the chair closest to Y/n's one. Y/n's heart most resolutely does not flutter.

"What's happening? Is everything alright? You look like a mess, to be honest." Paul says. Y/n huffs out a laugh as he leans against the desk, gazing down at Paul.

"Something is plaguing me." Y/n says, wincing when a headache decides to form behind his eyelids. Why right now? When he looks at Paul again, the younger man has a troubled expression on his face.

"Is everything okay with the team?" Paul asks. Y/n wants to laugh. Paul's devotion to the team is already showing and Y/n hasn't even had to do anything to make it happen! It's adorable, it really is.

"Yes, yes, all good. It's more myself." Y/n says. The headache throbs and he reaches over the desk, snatching up his water bottle and drinking a greedy mouthful. A stray droplet trickles down his cheek and he wipes it away with a calculated finger.

"So what's wrong? Is there any way I can help? I mean... you must've called me here for a reason, right?" Paul says, as observant as ever. Y/n smiles softly at him.

"I was wondering if you'd like to go on a date with me." Y/n says, puffing his chest out in triumph. He did it, he said it, now hopefully he's not going to get rejected.

"I- is that not inappropriate? Won't people claim you favour me?" Paul sputters, his cheeks a delicate pink.

"I've held feelings for you for a while. No favouring claims have come out, have they?" Y/n says. He's practically baring the very depths of his soul to Paul right now, an embarrassing hue of red surely filling his face and trickling down his neck.

"That's true..." Paul says, looking away from Y/n's gaze. Y/n smiles and leans down, capturing one of Paul's hands in his own.

"You can say no. I won't react negatively, I promise." Y/n says. Paul nods stiltedly before smiling up at him.

"I'd love to go on a date with you, Y/n."

Every single member of staff who currently fill both Paul and Arthur's garages come pouring out as Paul crosses the line to start his final lap, Arthur hot on his tail. They cram along the fences and the walls around CB Ace Racing's pitbox as Y/n smiles at the screens in front of him.

A 1-2 finish. Every team boss's dream. Every team's dream. Whilst Arthur would surely wish he had finished first, Y/n knew he wouldn't hold that grudge and would celebrate just as hard, if not harder, than Paul would tonight.

One last corner. One last straight. One last bit.

"Paul Aron, you are the winner of the Silverstone Grand Prix!" Cheers and thunderous applause rise up throughout the pitlane as CB Ace staff pound the fences and hoot and holler in excitement over their hard work finally paying off. Paul's white and purple car continues on around the circuit as his radio crackles to life.

"We did it! I did it for you, CB Ace Racing! I did it for you, Callum! I did it for you, Y/n!" You smile as Paul thanks everyone, the tears that are probably soaking into the material of his balaclava audible through his voice.

"You did it, Paul. You did it." Y/n says, proud and triumphant. He listens to Arthur's radio and congratulates him as well before pulling his headphones off and slowly following the rest of his team over to parc fermé.

As he goes, Y/n thinks to himself about how big this was for them. A rookie team. Two rookie drivers. Hundreds of points and a handful of podiums under their belt. And now a win. It was a dream come true as well as a big fuck you to everyone who had doubted them.

Y/n lines up front and centre as he watches Paul pull into parc fermé, the white and purple of his car sparkling and practically iridescent under the British sun. Arthur's car comes next but Y/n isn't able to stare for long, Paul clambering out of his car seconds later.

Paul stands atop his car and cheers, all the mechanics and staff around Y/n cheering along too. Y/n claps, slowly and patiently, as he waits for Paul to get weighed. Before long, his helmet has been discarded and he starts running over.

Straight to Y/n.

"I did it!" Paul says as he all but collapses in Y/n's arms. Y/n holds him close, offering his hand to Arthur when the other man appears moments later. He rolls his eyes fondly at Paul and Y/n before moving over to congratulate the rest of the staff.

The interviews and the cool down room waiting period passed so quickly Y/n was almost sure he imagined them. Before long, however, he stands in a crowd of thousands, eyes fixed on his two drivers. On his boyfriend. On his staff. On the legacy they've created in only their first year. And there's still more to come.

As the Estonian and British national anthems fill the Silverstone circuit in rapid succession, Y/n feels ecstatic.

Paul knocks against the doorframe. Arthur's driver's room door is open, but Paul doesn't want to just barge in without getting some sort of consent.

"Paul! Come on in." Arthur says, looking up from his phone with a soft smile. Paul smiles in return and slowly enters the room, kicking the door shut behind him.

"Can we talk?"

"Of course." Arthur says, locking his phone and placing it to one side, all his attention fixed solely on Paul. It's a bit daunting. "What is up?"

"You know me and Y/n are dating right?" Paul says, watching as Arthur's eyes widen almost comically in shock. "That's a no then."

"No clue." Arthur clarifies, laughing softly. A small amount of tension bleeds from the atmosphere at that and Paul finds himself relaxing somewhat.

"Well we are and um, do you think it seems like he favours me?" Paul asks, wringing his hands together. The question was out there now, simmering in the air between them. Arthur hmm's, causing Paul to look up and meet his eyes.

"No, not at all. You two seem closer, but I've never felt like you were prioritised over me." Arthur says, shrugging with a wonky expression on his face.

"Oh thank god. I was so worried someone would think that was the case. People are already getting suspicious about us on Twitter." Paul says, all the tension seeping from his shoulders, allowing him to practically melt against the wall behind him.

"Ah, Twitter rumours. The place of all good F1 commentary." Arthur snarks, both of them laughing at the idiocy of his words.

"That's an understatement."

liked by paularon_, arthur_leclerc and 20,072 others

y/n.cbace Sorry everyone, but this one's mine. (Bonus Arthur with Paul at the end I guess? 🙄)

tagged paularon_, arthur_leclerc

comments

paularon_ Love you, kallikene 🤍 liked by y/n.cbace y/n.cbace Love you more 😘

arthur_leclerc What's that supposed to mean 😐 liked by y/n.cbace y/n.cbace Nothingggg! I love you equally, just in different ways! arthur_leclerc Uh-huh, sure 😒 liked by y/n.cbace

neonpinkleds I TOLD Y'ALL MOTHERFUCKERS !!!!

user3 Eugh, the only reason you got the seat is because you're fucking the team principal. user1 Just say you're jealous you're not getting your dick wet🙄 liked by y/n.cbace

© all rights to babybearnation 2024.

[20001541]

There's a small theory that I've had for a while but recently felt more validated after seeing what Hori said on the popularity poll livestream

The thing he said being this:

Which is interesting because we all know he infamously said back in 2018 that he planned on revealing Hisashi at some point in the story. Which as we know today never happens. So, it leaves us with the question, what happened?

Because in order for him to say this he must've had something in mind at the time for what he wanted to do with Hisashi. The first time we learn his name is in the BNHA Ultra Archive book that came out in 2016. Never officially translated into English btw so this is all we got.

Anyways this means he had something in mind for Hisashi for a while then, but then he changed his mind and kept him out of the story. He feels he put everyone and he wanted to put in the story and wouldn't change anything.

My theory is that he might've planned to make DFO a thing initially but decided it would be best if the story goes a different route and kept it out.

Because why else would you say you plan to reveal who is Hisashi is at some point only for your story to end with no sight of him? Not even a tiny mention. Let us not also forget how people pointed out that Inko's birthday 07/04 spells out nana shi in Japanese which is like Nana's name. It's also canon that All Might pointed out how her hair reminds him of Nana. So I wonder if he also planned on her being Nana's daughter and had AFO target her as a result. This was also something I found to be rumored among some Japanese fan forums. Even though the translations I got weren't great the little I could understand suggested it.

And even though I lost interest in DFO and stopped believing before the story ended this one panel has always stuck out to me.

Hori is insanely detailed oriented, like during Dabi's first appearance he's in front of a hair salon which foreshadowed that the hair colour he has now isn't his real one and was used as proof in Dabi is a Todoroki theory. So the fact that Hori chose to place the "my only family" bubble over a shot where Izuku is watching everything unfold stands out to me even now. Keep in mind this chapter released in 2018 which was the same year Hori said he planned to reveal Hisashi. Maybe could be me reaching, but still something to consider.

I'm not entirely sure of all of this actually and could be wrong. But it's an interesting theory as to what could've happened behind the scenes.

Another theory that I'm less sure of but can see it being possible is that the elements of the reveal he intended for DFO ended up being used for the reveal with Tomura.

Think about. It's actually crazy how similar the Tomura reveal in 419 was similar to what a lot of DFO fans were hoping for all these years.

AFO took on a whole new identity to get close to a civilian, he helped build the home Tomura would live in, played a part in Tomura's conception, he took away his original quirk, set Tomura up as a successor, and AFO had a big reveal moment that left Tomura devastated... like I remember several posts that theorized things like this about Izuku. The reason why AFO targeted Kotaro in the first place was because he was Nana's son and I remember that Inko being targeted for being Nana's daughter was a big part of the Inko Shimura theory.

I don't know for sure if this reveal was built off of his ideas for a DFO reveal he had initially planned. Really it depends on when he first created the idea of AFO being behind all the terrible things in Tomura's life and if he even had DFO in mind in the first place at some point.

But it's fascinating either way. Either DFO fans were right in how they interpreted some aspects of the story to suggest DFO were true and correctly guessed some aspects of the story that were recycled for a different reveal later on, or they were completely off the mark and by coincidence some of their theories for DFO ended up being eerily similar to how the 419 reveal ended up being.

[faffreux]

Woody and Buzz are standing on Andy's night stand, having a heated discussion

Woody: Buzz, we have to talk to them about their noise level. We might get caught!

Buzz: We aren't going to get caught, Woody. We make noise all the time and we never get caught.

Woody: But Buzz, they are so loud! The kissing noises are driving me insane.

Buzz: So this isn't about the noise level. It's about how you don't like to hear it.

Woody: Okay-yes I don't want to hear it! Ever since those custom made plushies came in, they only ever been in love and making out!

Buzz: I think it's sweet. I'm also proud of Andy ordering custom made toys like that.

Woody: They aren't even well known though! One is from a RPG series for Mario & Luigi, and the other isn't part of the series at all! I can't understand why he would do that.

Buzz: Woody, you have to calm down buddy. We are proud of Andy branching out and wanting to be part of certain fandoms. Jolliful seems really wholesome, and they genuinely love each other. I'm all for it. If they express their love by kissing, that's fine. Just tune it out like everyone else does.

Woody: I CAN'T BUZZ!!!

Buzz: Don't be jealous Woody.

WHO.... WHO WROTE THIS ??? HELP ??? i'm laughing so hard

[ancharan]

sorry im sorry im not fucking done, coloring this stupid pictures got me emotional

i know fords not christian, i know his family is jewish, but i was raised as a christian, even if i dont practice or believe any more, and i empathize with people who participate in that community

and the reason im bringing this up is bc, for a lot of those people, religion is what you put into it. that's the whole "personal relationship with christ" that mainstream protestant christianity loves to talk about. its meditative. its cathartic. appeals to a power outside of your understanding, who knows you so intimately, who loves you unconditionally, who has been there for every prayer, who gives you the assurance that, at the end of the day, it's all going to work out fine - even if you starve, even if the ceiling falls in, you did the right thing by praying and you're going to be taken care of in the end. it's a nice idea. it's a seductive idea. not bashing christians at all in this post - everyone comes to religion for their own reasons. i left for personal reasons, too.

so like. lets talk about billford?

bc you have this thing that knows you, this thing outside of time, outside your comprehension, a god in a very literal sense - and he loves you. he wants you around. he thinks you're smart. he knows, better than anyone else could know in the entirety of existence, just how smart you are. you get privileged access to this being, he gives you his literal flesh, he lets you tap into the core of what makes him who he is - and, the most unforgivable thing of all, he reciprocates the love you give him? not in the ambient way that a christian god loves his children, but you. specifically you. exclusively you. jesus fucking christ. how do you not go fucking insane about that? lose yourself in it?

the thing is, though... that bill's not God. the appeal of the christian god is that he's infallible, infinite, ultimate - concepts of morality don't apply to him, and he isn't petty, or jealous, or vindictive (we're talking pure protestant church bylines here, do not come at me citing bible verses). but bill - the thing from another world, cataclysmic force of change, snappy dresser - he absolutely is all of these things. worse, too. so you get the seductive allure of a personal, literal, reciprocal relationship with your own god - but he's also the worst person you know and wants to kill your family.

of course he's there to catch you when you fall. that's what prayers are for. of course he'll welcome you back. take comfort in it. bask in it. you don't have to worry about a thing.

god fucking theseus' guide has given me the worst brain worms. like of course stanley doesn't get it - but what is there to get? he hit the nail on the head, ford can dress the relationship up however he wants, there's no grand romance happening, it's as base and banal as anything stanley ever did, ford's business isn't inherently more important

sure, he's sad. sure, he's having some kind of fucking crisis right now. but like we have a couple of equally traumatized kids on the beach, can we fucking move this along please?

and the dismissive attitude makes sense given the circumstances, given that it's stanley, but also we're in ford's head as the readers, so like... yeah dude it is a big deal. it would have been so so easy for ford to just go along with bills plan this whole time. it would have been sooo easy. and yet here he is, he blew up his only chance at ever getting home to save their dimension, when he could've had literally everything

and then right back at it it's like dude, you want a fucking cookie for not blowing up the earth? you really have that little regard for humanity as a whole, that this was ever even a question for you? what the fuck is wrong with you? why does this matter so much to you? what the fuck is your problem, ford?

[stormyoceans]

when the cute boy who asked you to call yourself phi when you're with him confesses to you and all you want to do is cross the distance that separates you from him and kiss him and wipe away his tears and tell him that you like him too but he's an intern and you're his mentor so you grip the edge of the table to stop yourself from doing something stupid ANYWAY WELCOME BACK PRIDE AND PREJUDICE HAND FLEX SCENE!!!!!!!!!!!!!!!!!!

[kaiser1ns]

TAKIISHI CHIKA IN CHAPTER 153

[king-spite]

so it seems the poppy war has become my absolute favorite series so ofc i'm losing my mind comparing every scene with my other favorite series (red queen) and making an unfathomable amount of headcanons

[quaranmine]

On Wednesday before I gave my presentation I confessed to a new employee that I was worried it would be too long and she brightly told me her life hack was to just let AI rewrite things for her. She said I should put in all my talking points and ask ChatGPT to give me a five minute exactly presentation. I was like....how is the most polite possible way (since this is a new colleague I shouldn't get off on the wrong foot with) that I can express that I will Not be taking this advice. Ever. I told her that I didn't think we were allowed to use ChatGPT at this job (we most certainly are not, it is a nightmare for any type of protected information) and also that I prefer to write all of my own work. Despite my best efforts the last part of that was still passive aggressive, lol.

Something about being a writer makes it so that it's almost offensive to me for someone to suggest I use AI to do my work instead? Like, the day I reach the point where I let AI write something for me is the day y'all need to be checking me for brain damage because clearly I'm losing it

[bacchuschucklefuck]

Can you expand on what you mean by Baron being "too cool" to really fit a horror monster? It's a very interesting concept and I'd love to hear your thoughts. Is it that they're too active/involved/tangible and it detracts from their scariness?

I feel like I should preface this with a wall of disclaimers lmao 1/I am a hardcore, down-to-the-marrow, avid, deeply sincere horror enthusiast, esp. horror creatures. this usually means my mileage is vastly different from the average populace's, and my scaredy bone has been disintegrated by longterm exposure. most things in a piece of horror media won't scare me! so I practically never use that on its own as the scale to talk abt horror experiences, but when something does scare me it's always a special occasion to be treasured. 2/canon d20 is never really meant to be horror horror, and for good reasons: it doesn't fit the company's output, it takes a kind of carelessness in production estimation that is always a huge risk, it's often vulnerable in a way that kinda goes against how TTRPGs usually facilitates vulnerability, and for most people it's just! stressful! d20, even with the "horror-themed" seasons, generally just plays with horror tropes and stays focused in its goal of being a comedy improv tabletop theater show. 3/fantasy high's chosen system is DnD, which as I've mentioned before is before all a combat-based game system, which means the magic circle of play is drawn based on stats that facilitate and prioritize combat. want or not this affects every interaction you have in the game, and given fantasy high's concept from the ground up (everyone's going to school of DnD stuff to get better at DnD) it's doubly relevant. 4/This Is Fine I have no quarrel with this. my meters are internal, I do not ask this show to be anything it doesn't advertise itself to be, and what it is is fucking great! I like it! when I expand on this ask's question it will be like a physicist going insane in a lab. that's the mindset we're going in with.

disclaimers done. my stance on horror as a genre is that it's a utility genre rather than a content genre or a demographic genre; it is the discard of narratives. it's the trash pile. horror, above being scary, is about being ugly and messy, it's the cracks on the ground any story inevitably steps over to stay a genre that isn't horror. the genre's been around long enough to develop a codex and a general language that medias and makers and enthusiasts of the genre can use to talk about and build onto, but if you go into individual pieces there's really no unifying Horror Story. one person's beautiful life can be another's horror story, it's just how it is.

this makes The Monster a deeply intriguing piece of the genre. thing is a monster is in a decent percentage of any story - it's just when the antagonist force steps into something past a certain line traced out in the story's world. monstrousness is in pretty much every western fantasy story, it's in any story with a hero and something to vanquish or win; more than anything it's a proxy of that thing up there. the line in a narrative's world. the monster is the guard of the unknown lands, where heroic, civilized people don't tread.

what does this mean in the context of horror? the genre is about that perceived lawlessness, that "unknown land" so to say. we're in the monster's home. that's the literary context that we often walk into a horror piece with; the monster knows more than you about where you are. it may not understand you, but it holds more information than you, and with that it moves swifter than you, has more covered than you, and is more assured in its existence in this context than you. it's a struggle to catch up to it, it's nigh impossible to get one over it, and you're never sure it'll 100% work, because you just don't have the information necessary to.

with that framing you can kinda see where I'm coming from here: horror's often about the breaking of rules. I always think a monster's most effective when it breaks well-established rules of both existence and visual storytelling. think Possum (2018) or Undertale's Omega Flowey or the Xenomorph Queen - unique change in medium, unique change in graphic, unique change in design language, etc. in that sense I actually really like how canon baron plays out: they don't really function like anything else in the fantasy high universe, the bad kids have not managed to kill them when they've felled literal gods, their domain in fhjy literally introduces new mechanics to encompass their existence! from an experience design standpoint they slap mad shit. BUT! I can't help finding their character, like as a character riz (and the other bad kids, eventually) interact with, to be very... coherent? in design. this is kinda hard for me to articulate in words, it's more often a sense you get once you've looked at enough of these scrumptious fuckers, their general design and the way they show up is just kinda too clean, so to say. always kinda newly made? fresh unboxed. it, once again, makes sense for their lore - they are looking for more about themself from riz - and their function - they're an antagonist in a game experience, they're meant to be interacted with in a way that produces results and meshes with the existing magic circle - but that shininess takes away from the implied history they should have dominion over and the person they're haunting doesn't.

from another angle there is kinda something there about how put-together canon baron is as a concept; the domain they call home is riz's deep-seeded fears, extremely vulnerable things he's drawn borders around to quarantine and refused to walk into. things that from his perspective would irreversibly shatter certain pleasant fictions his world is built on top of. canon baron, While Extremely Cool, I feel is kinda too neat to connect with and signify the apocalyticized mess that'd result from this paradigm shift. the part where they're in riz's briefcase and looking through every mirror is Very Cool And Fucked Up! but ultimately the show draws a line around them as well, by making game-physical, tangible spaces they're in (the mirrors and the haunted mordred manor) and put riz and the bad kids there only when they need to confront stuff. riz is meaningfully narratively away from baron's unknown land for most of fantasy high.

with that and all of my disclaimers in mind my conclusion here is if canon baron wants to be a Horror Monster they'd have to cross way more lines. be a Lot more invasive. hence (holds up my class swap baron like a long cat)

[meowsticmarvels]

i think i mightve talked abt this a bit in my longpost about how insane phi as a character is to me but yknow what i really wanna point out? all the nonary game shit she has to go through happens in really quick succession to her - she doesn't really get a proper "break" in between VLR and ZTD for her mentally. junpei and akane at least have about a year between the two, and sigma has 45 years (not that either of those situations were particularly good either though, looking at how sigma and junpei especially turned out, and sigma spent years WORKING on the AB game, just not participating in it). but for phi? she has a matter of DAYS in between the two. the time sigma spends she spends in cold sleep, so mentally to her, her consciousness goes from the events of VLR's phi end to DCOM almost instantly. dcom only ends up lasting for about 5 days, and even then the prologue states that phi/sigma/akane spent most of it worrying about radical-6 and the future + the flashback with diana shows phi is just so Tired after everything after just that. and then the decision game happens. my point is just that i cannot imagine being in a death game like that (not to mention everyone had radical-6, so she went from a body that Did have it to one that didn't, which i can imagine would probably a pretty weird experience considering one of its symptoms is messing up your perception of time. and also she was on the moon.), spending 5 days like god how did the apocalypse start i can't let it happen this time and then being in Another death game that is much more gruesome and violent. not to mention both of them in a way HAD to happen because of her (2074 nonary game bc it needed to train sigma and phi's SHIFTing abilities to a good enough degree and decision game one of the reasons was to ensure she and delta were born). in summary: i would fucking die at that point if i was phi dealing with that All At Once. in the span of a few days. and with the memories of my + others' deaths. what the fuck

[stinkyhyena9000]

Buster Moon Stimboard !!

For my Sing friends still out there, here's some food for y'all

🤍 💙 🤍 | 💙 🐨 💙 | 🤍 💙 🤍

Totally non-abrupt segway to a sentimental message:..

I just wanted to thank all of you for hosting such a lovely and wholesome fandom. I love we're a small community, but y'all have always made me feel so extremely loved, and I'm glad have had y'all be my first and sofar only fandom experience.

Please never stop making art and writing stories!

[multishipper-baby]

Not publishing the ask yet because I want to reply with the playlist but I have to comment on it because

Anon. You just gave the biggest neuron activation.

IT'S 2 AM. BUT HOW AM I SUPPOSED TO SLEEP WHEN I'M THINKING ABOUT THEM.

[shadessallow]

I love being so insane because y'all are NOT ready for the nun fic I'm about to drop.

[doggytail-duck]

Why is it that I can be reduced to tears at a few notes of the viola every single time Penelope's theme plays