#THERE WAS LITERALLY NO NEED TO KILL HIM OFF LIKE THAT

[corkinavoid]

I'm pretty sure this has been done before (and several times), but brain going brrr, so

DPxDC John Constantine's How To: Ghost Kids

Bruce doesn't even get to say anything when the door to his study opens with a slam against the wall, and before he knows it, he gets an armful of kids. As in, a bouquet of them.

"I'm so done," John Constantine breathes out, raspy and exhausted, looking like a trainwreck incarnate. Granted, the man always looked like one, but right now, the effect has been greatly worsened. The dark circles under John's eyes are, in fact, black, and it looks like he hasn't shaved in at least a week.

Bruce looks down to the small gaggle of children in his lap that he caught in his hands by sheer reflex.

All three of them look up at him with identical, sky blue eyes. They could be twins if it was not for their obviously different ages - the girl looks no older than three, while the boys are probably around five and six.

The older boy scrunches his nose. The girl pouts, but it looks directed at Constantine rather than at him.

Bruce looks back to John, a silent question in his eyes.

"They are- Well, not mine, for starters," the man begins, placing his hands on the table right over the sheets and documents, and leans on it, hanging his head down. Then, he raises one hand up and waves it in the air, "Not yours either, thank the Gods for that." He takes a deep breath.

Bruce's eyebrows raise all the way up to his hairline. The girl starts trying to wiggle out of his hands, but the middle boy holds her back, keeping her in Bruce's lap. She pouts harder.

"And you've brought them here why?" Bruce breaks the stretched out silence, gently repositioning the kids into a more comfortable hold. John raises his head up at him, and the magician's eyes look straight up pleading.

"You're the only person I know of who is, one, a parent, two, acquainted with supernatural, three, a man of great patience, and four, owes me a favor." Constantine lists off reasons that don't really make sense all together, especially regarding kids. Then he thinks for a moment and adds, "Five, owes a shitton of liquor."

"John, what-"

"Listen, I've been dealing with them for a week, I'm at my limit," Constantine interrupts him, desperate and close to whining, "I haven't slept in more than three consecutive hours for days. I don't remember the last time I ate. Or took a shower."

Yes, Bruce can see that. Or, rather, smell it. But that answers none of his questions as to who, why, and how.

"I would kill for a bath," John admits, like it's some sort of a secret. The middle boy opens his mouth, but Constantine points an accusing finger at him, "No, the puddle of melted ghost ice does not count for a bath. And don't come at me with your death puns."

The child rolls his eyes but closes his mouth back and slumps. Bruce resists the urge to pinch the bridge of his nose, but only because he is holding three kids. His hands are full, quite literally.

"John, I need you to explain," he asks, somewhere between a demand and a careful inquiry. Because, really, the man looks on the brink of losing his sanity, that much is evident. Bruce might not like the man, but he can at least partially sympathize with dealing with kids.

His bare minimum of sympathy - and isn't it a bizarre thought, emotionally sympathizing with John Constantine of all people - does not ease his growing worry and irritation. The girl starts trying to get out of his hold again.

John takes a very deep breath, holds it, and then-

"I stole them," he says, looking Bruce dead in the eye, with a sense of resigned, if a bit unhinged, determination. And, before Bruce is able to ask literally anything else, he keeps going, "Their parents are shit, a branch of government is out for their guts - as in, literal guts - there was- there is a backdoor to the afterlife in their basement, and also they are dead and because of some Realms fuckery and their spiritual granddad being a huge pain in the ass, they are all wrong ages."

Bruce blinks. Then blinks again. Processing that sentence turns out to be a lot harder than he estimated.

The oldest kid in his lap gives John a middle finger, nearly sneering. The girl starts snickering, somehow making it soundless.

"Oh, and they are under a silence charm because if I hear one more references to fucking Ghostbusters I will shoot myself," Constantine finishes matter-of-factly.

Distantly, Bruce wonders if John can make that spell into some sort of an amulet. God knows, Dick really needs one sometimes. Steph does, too. And Jason. Actually, all of them need one.

He looks over the kids again. They don't seem scared or unsettled, neither by the fact they are sitting in a lap of a stranger nor by Constantine's bullet point version of a summary to their lives. They mostly just look annoyed and grumpy, and a bit embarrassed in case of the middle boy.

Bruce sighs and decides to start somewhere.

"Do they have names?"

[part 2 ->]

[sacriou]

Bummer dude! Your subjected to my daily descole doodle dump

[gods-perfect-idiots]

Okay bear with me folks, I have some ~thoughts~ about the Vanessa/Wade relationship (or frankly lack thereof) in Deadpool & Wolverine. I should start by saying that I am analyzing this with the (likely erroneous) assumption that everything on screen is 100% intentional and mindfully written to deepen the characters and inform their arcs. For the record, I don't necessarily believe that's true - there is certainly room for mistakes, lazy writing, confusing plot elements, or in this case, sidelining a potentially strong and important character for nebulous reasons (I'm guessing scheduling conflicts + run time concerns + actor's strike complications but idk for sure). (Also thanks to @gossippool and @kendyroy for encouraging me to post my thoughts instead of just rambling in the tags in the first place, y'all are the realest)

Long rambly post below the cut fyi

Now, granted, it has been a while since I watched the original Deadpool so I am not as well-versed in their early relationship as I am in the handful of scenes Morena Baccarin has in dp3, but I do think it is pretty canon that Wade generally struggles to express his deeper worries and feelings (without filtering it heavily through crude humor, sex, and pop culture references of course), especially after the events of dp1 and the physical and mental damage he sustains, and Vanessa is frankly no exception despite how much he cares for her. The entire first movie hinges on the fact that he doesn't really believe she could love him in his post-Francis mangled state, which is pretty contrived imo given that the film has established already how bonded they are, and she doesn't strike me as being written to be so shallow as to reject him based on a physical deformity. I mean iirc she wanted to stick around through chemo despite him being literally riddled with inoperable cancer, so she clearly is in it for the long haul (at least in dp1), messiness and all.

Now, in dp2, obviously she is shot and killed early in the film, and Wade spends much of the rest of the film wallowing in his very profound grief, trauma, and guilt over losing her due directly to his violent lifestyle. He goes to prison, he basically gives up on life and seems very resigned to dying once he has the power suppressant collar on, even excited to do so so he can be reunited with her. She is mostly sidelined as a Fuzzy Dead Wife trope basically, but the important thing here is that he spends weeks if not months in the throes of despair over losing the love of his life just as they were trying to start a family, and trying to reach across the boundaries of death to be with her.

Now, my first couple times watching dp3 I was frustrated by the trite narrative presented in the interview scene towards the beginning - specifically Wade's whole "my girl is getting tired of my shtick and I need to show her I matter". It felt contrived and disingenuous, and I just brushed it off as iffy writing, a means to an end, but the more I reflect upon it the more I think it is based in an emotional reality that is just handled with a very light touch by the film in favor of fanservice and Poolverine content (NOT that I'm complaining in the slightest - I think this movie is a masterpiece in many ways, albeit a flawed one but that's beside the point here), which for the record I am not against because I think it lends it an air of realism. This is Wade's story after all, Vanessa is a part of it but it is ultimately about him and his journey.

Basically, I think the combination of what happened to him in dp1 (the brain damage, the trauma, the awareness of the fourth wall, etc) followed by the events of dp2 (Vanessa's death, his grief and the associated guilt and trauma of being the direct cause of her death) led to an unbridgeable emotional gap between the two of them that ultimately leads to their breakup.

It's important to note that I don't think Vanessa has any recollection of her own death, given that Wade goes back and saves her before she can take the bullet, and so of course she can never fully fathom what Wade went through grieving her and their life together and their potential family, for however long he spent between her death and bringing her back with Cable's device. She can try (and she clearly does in the one scene I'll talk about next) but I fear she accepts, maybe even in that scene, that she can never succeed. He is beyond her reach by this point, and vice versa, his experiences having fundamentally changed him.

The one scene we really see from their relationship between dp2 and dp3 is the one where Cassandra mind-gropes Wade in the Void and we see Vanessa struggling to reach Wade across this aforementioned gap - she wants him to open up, she wants him to share what he's going through, she wants him to be the person she initially fell in love with (not even selfishly - to her nothing has changed really, because to her no time has passed). But not only does he not understand what she's really asking for (he responds in such a way that makes me think he has unprocessed issues that are only tangentially related to what she's saying - ie the stuff about mattering, about asking her if she even wants to be with him, etc). And he's not the Wade Wilson she met back in dp1 anymore. He watched her die and grieved her and brought her back, believing it would make everything go back to normal and they could resume their life together as if nothing had changed, but he has been fundamentally changed in a way that she can't grasp, even if he WAS good at externally processing his trauma openly without the artifice of wry jokes. She didn't "come back wrong" - instead, she came back exactly the same as before, but HE'S different now. Not wrong, per se. But changed.

It's an interesting scene because it's obviously a memory, and a crucial one at that, but you can see how Wade is misunderstanding what she's saying, viewing it through the prism of his own lack of self-worth and his own hopelessness - he takes away that she thinks he doesn't matter (even though like he says she didn't actually say that, but I don't think Cassandra invented that wholecloth - I think she pulled it out of his psyche because that's what he believes deep down, hence why his fixation on mattering even though she never said those words exactly), he takes away that she doesn't want to be with him, that she thinks he's nothing. Which would be frustrating as an audience member to witness as a pretty simple misunderstanding which could potentially be solved with one conversation, but it feels believable to me that these two people who have shared a great love would be fundamentally separated by unimaginable, cosmic trauma, and the on conversation they would need to have to rectify the misunderstanding is one that is impossible for Wade to verbalize and equally impossible for Vanessa to conceive of. It was one thing when they had shared trauma like violence and SA in dp1, but what Wade has gone through in dp1 and dp2, humor aside, is unfathomably traumatic, brain-breakingly so even, and that's not even factoring in the possible mental illnesses he now struggles with (I've seen folks suggest schizophrenia, DID, etc. but I won't get into diagnosing a fictional character here - suffice it to say he is canonically unwell as a result of what has happened to him, and yes it manifests as quirky fourth wall breaks and cheeky one-liners, but within the universe of the movies he is undeniably profoundly mentally ill, and that includes this humorous alter ego he created to cope with his trauma).

I think off-screen Vanessa probably really tried to reach him, maybe for years (the six year gap implies to me that they didn't break up immediately, that they tried for a while to stay together), trying to get her Wade back, but that Wade is gone. He struggled to express that to her until eventually he started to feel rejected because he couldn't express his trauma or how much he has changed, because even he can't fully conceive of the gulf that has formed between them. The truth is, he WANTS to be that Wade again, for her and for himself, but that Wade died when she died. Or maybe he had already started dying when Francis got a hold of him in dp1.

Anyway, all this is to say, I think Morena Baccarin WAS criminally underutilized in dp2 and dp3, but I think there is a strong argument to be made for the believability of their breakup regardless. I think even relationships built on enormous love can crumble due to trauma, and what Wade suffers over these movies is mind-bogglingly enormous trauma. It's especially heartbreaking that he blames himself for their relationship ending, talks like she just got tired of him, thought he didn't matter, whatever. But it is a credit to him that he never seems to feel anger towards her about it. He doesn't seem to feel entitled to her, though he longs for her and what they had and what she represented (hope, love, a future, a family), but ultimately she becomes more of a symbol of what he lost when he gained his powers, because let's be super fr right now - even if they had succeeded in having a baby, not only would they have lived in fear of her or the kid getting killed, but ultimately Wade would likely outlive both of them even if they managed to die natural deaths. The moment he gained his powers he was already destined to lose her, which is heartbreaking because she was the only reason he opted for the treatment in the first place - so he could stay with her.

I think a big part of Deadpool & Wolverine is watching Wade continue to process his own motivations (vis-a-vis Vanessa but also his other friends) and how he does eventually let go of the idea of "mattering" in favor of just saving the people he cares about (*cough* and being saved right back *cough* by Wolvie, as the final line and shot implies). And in the process he finds someone new who cares about him, who thinks he matters, who tries to sacrifice himself for him and his friends after mere days of knowing him, who comes home with him at the end of the story, who breaks his own centuries-old patterns, who has also experienced unimaginable grief and trauma, who has struggled with wanting to die and being unable to, who not only matches his crazy but matches his FREAK and also not only won't die on him but CAN'T die on him - and more importantly cannot be randomly killed by a stray bullet.

Idk if any of this makes much sense but I do think if you read between the lines and consider the potency of trauma and grief, guilt and emotional damage at play here, Vanessa and Wade's off-screen breakup is actually pretty realistic, and really heart-breaking to boot.

You can tell she still cares about him in so many ways - she shows up for his birthday party, she shows up to his welcome home party at the end, she finds excuses for physical contact multiple times, her eyes get soft when she looks at him, but there is a distance there that Morena Baccarin does an incredible job of portraying. She cares about him deeply, she has mourned the loss of their potential life together, she has let him go and accepted that the Wade she fell in love with is gone, but she wants him in her life even though she's moving on because she realizes he's gone somewhere she can't follow (literally and figuratively). And she wants him to be happy which is why I fully believe she would immediately clock the Poolverine of it all and not-so-subtly encourage them to make it official.

Anyway. Poolverine forever. Nothing against Vanessa at all - I think she delivers a nuanced and beautiful performance, I think their relationship is sweet and heart-wrenching in large part due to her acting chops, especially given how little she is given to work with - but I think their relationship was sadly doomed from almost the very start, because Wade becomes this traumatized superhuman and Vanessa would always be at risk in his orbit, but also would always on the outside of his multiverse superhero experiences. I think it's weirdly beautiful, even if I am filling in a lot of gaps and giving the writers maybe undue credit.

Anyway... thoughts? Please DM me or write in the tags, I am feral about this movie and just want to talk about it with anyone haha. If you have further insight into these characters too I'd love to hear it - I am by no means an expert in these movies or characters!

[mrsunder]

Ever since I made that post about Alone with the little joke about him being Ghoap baby I haven't been able to stop thinking about it.

Like imagine Soap (who isn't dead because fuck activision) finding this hulking monster while doing zombie clean up and thinking it's Ghost at first but Laswell swears up and down (and even shows him proof) that Ghost is safe. After he sees his own familiar tattoo and the unmoving arm he thought was just shadowed behind its back was actually darker skinned... he realizes what it is and is both SUPER PISSED and hesitant.

He knows what these monsters can do… but he can't bring himself to kill Ghost even if it's not actually him. He'd never sleep again if he had to put a bullet between Ghost's eyes himself. (he didn't think about the arms, didn't want to think too hard about what they were trying to do that resulted in a three headed monster and signs of the entire 141 on its body) So he just sits down in the room he found it in, stays close and lets the thing engage first while trying to be as little of a threat as possible. (It's the STUPIDEST thing he's ever done and Ghost absolutely tell him that as loudly as possible when they eventually meet up again) It takes a while, but when it sees his tattoo and realizes they share a mark on their skin Alone decides that Soap is clearly Like Him and now Soap has his very own Giant Murder Child. He goes back to the 141 because he can't keep doing what he's doing while also trying to care for Alone with just the hands off help Laswell can provide and the only reason they have a Calm Discussion and they don't all throttle him for faking his death is because said murder child doesn't quite understand different levels of violence and would just assume they're attacking him. It obviously takes a while for them to really get behind having Alone around (especially Ghost for REALLY OBVIOUS REASONS) but eventually they all realize he's got some kind of humanity in him. He was able to be taught to use a gun and doesn't just run around killing everyone he gets his hands on like the other monsters they were shown after Soap's return. While he has issues speaking because of damage to his body and how the side heads attach to the main one, they're able to teach him to read, write, and how to use BSL. It's slow going, but they make progress. Soap retires to a nice secluded place after a while so he can dedicate more time to helping Alone. Ghost follows along behind him because he's not going to let Johnny out of his sight ever again. (Price and Gaz visit often because Ghost wasn't the only one waking up from nightmares of Soap's "death") Alone will be as close to a fully functional person as he can be (what with the multiple heads, arms, random body jerking, and being a literal monster making it a bit hard to just go get a normal 9 to 5). He just needs to be taught what he missed because he was "born" fully grown. He'd probably either take up Soap's place with Laswell and get to go happily rip zombie heads off or join Kortac because they make a him a damn good offer (and if he threatens to tear out the throat of anyone that so much as looks at the 141 wrong, well that's just between him and his fellow operators).

[pastadoughie]

i dont know how to say it or what to even do at this point

i am in an abusive housing situation. witch isnt really new info nor something i talk about often. i have learned to deal w/ shit on my own overtime, aswell as my situation getting slightly better with my distancing from certain family members. but its still bad.

my mother & my brother are both extremely abusive, my brother is phisically abusive, and my mother is a pedophile. they are the only other familial ties i have aside from my dad, and they obviously arent viable and would be worse for me.

my dad is my best option in terms of family and the only person i live with currently. when hes drunk he can be actively cruel & abusive, regularly threatening sexual abuse via forfeiting custody of me to my mother. but im still semi able to reason with him while he isnt drunk. most the times hes simply neglectful, witch is preferable to the alternative atleast. & can somewhat be manipulated into caring about me, or at the very least signing & agreeing to things if i do all of the other legwork

i have a disability of some sort, i have alot of theories but overall doctors refuse to properly test me. i smoke so, they just blame every single issue i have on that & dont listen to ANY of my concerns. somewhat similar to pots in terms of symtoms. i just call it "the slop", this sortof sludge that clouds all my thoughts and everything i do. when it gets bad i cant move properly, often knocking things over, completely losing my train of thought. it can be really hard to have conversations with me, i spend alot of time being silent, keep repeating the same simple few words, dont really listen properly. i can sometimes spend hours just staring off into space. it gets better when im laying down, but sometimes not even that helps. it takes a certain kind of determination to get literally anything done. witch is really hard given my lack of any kind of support.

if i am not extremely ontop of things, if i cant force myself to do things through the slop, then i end up getting into these sludge spirals. i dont eat. i dont drink. i just lay in bed. you get so dizzy and your mouth gets so dry, and so hungry, and the slop is just unbarable. not even really existing as a person, sleeping 18 hours a day, sort of halfheartedly & extremely badly trying to do basic tasks, like eating or drinking, and then after 4 hours i just. go back to sleep. its unbarable & dehumanizing. & its not like i have anybody that can help me. i explain this to people and then they always make suggestions on how to manage it that requires another person to help, and then they never listen when i say i do not have anybody.

i need to get some kind of treatment and i need to get some kind of testing, but doing so requires so much work so many phone calls so much effort that i HAVE to do on my own, that i just. dont have the energy for. its not that im intellectually or phisically incapable i just, im just always in slop. its just always a barrier i have to work around. and the fact that just. the entire fucking medical system is so rotten to the core w/ incompetance & malice twards queer and disabled people means that its just.. so hard to get anything done at all for treatment.

and beyond the fact i have to get meds, i also really need to work on moving out. while i dont think my dad would realistically kick me out until im 18, as that would require actually doing paperwork. i dont trust him to be nice to me beyond that point.

and incase i need to say this to some sheltered fuck who does not understand this. no i cannot go to dcs. i have dealt with dcs my entire life. dcs is not an organization made to help people. it never HAS been. any good they do is incedental. they are at their core a government organization that is supposed to sound good. they do not help children. my tharapist submitted a dcs report about my brother trying to kill me back in december, and i had a dcs worker come to my door and start defending pedophilia to me. every single encounter i have had with dcs has eaither done nothing or actively been harmful to me in having a dcs worker actively encorage my families various abusive behavior.

in summery, i need some kind of help figuring out a way to. deal with everything. ideally something that would help me with practical stuff like medical paperwork, scedualling appointments, that stuff. ideally focused on & or primarily targeted to queer autists in the 16 to mid 20s range of ages. and also that is within arizona. most of the stuff ive been reccomending is stuff like housing and independant living programs, witch while helpful what im looking for is primarily medical help & that is centered around more chronic issues & disabilities that like, need more testing & such to be diagnosed, and not really in the vein of teaching me how to do appointments & such, i know how. i just. am not super good at functioning in general.

dont dm me saying "oh im always here if u wanna talk!!" thats weird. i dont know you.

[littlemissmentallyunstable]

Nash Hawthorne & Libby Grambs Headcannons:

(bc my babies are far too underrated and they need some love)

tag list: @bewitchingkisses @whatsamongus @wish-i-were-heather @inmyheaddd @never-enough-novels @sweetlikeanangel @midiosaamor @sweetreveriee @emelia07 @f4iry-bell @zaraaaabear @thoughtdaughter3 @benny1989fredd @elysianwayy77 @maybxlle @sheisntyou @anintellectualintellectual @aleatorio1234 @adalia-jaycee @off-to-the-r4ces @lyra-kane @reminiscentreader @lyrakanefanatic @imaseabear @elizaa31 @loveinalocket

- they decorate cowboy hats for all occasions and match

- it’s actually one of their favourite things to do on a date

- sometimes they do things like swap every ten minutes/try and design the perfect hat for the other/ choose a theme and design off of that

- nash 100% writes songs about libby and plays them too her on his guitar as well as singing

- nash has such a good singing voice and libby finds it really soothing

- sometimes libby will ask nash to give her two random flavours that she has to somehow incorporate into a cupcake

- nash learns how to dye libby’s hair when she wants to change it so he can do it for her

- similarly he also gets libby to teach him how to do different hairstyles (like braiding etc)

- he’s awful at it but libby thinks it’s so cute

- they are defos the biggest animal lovers, so they’d have a cat and a dog bc they couldn’t decide between the two

- I really feel like they’d have a horse as well (or maybe a few horses?? who knows??)

- and tell me they wouldn’t go horse riding into the sunset together wearing their matching cowboy hats

- they’d go in late night drives and blast Taylor Swift in the car

- libby is a passenger princess but nash loves that

- when Taylor released new albums they’d literally be the first in the store to buy it and then know all of the songs by the next day

- libby is a sucker for romance movies and always begs nash to watch them with her, he always complains but secretly he loves them too

- nash ALWAYS cries at the end of notebook and titanic

- libby finds this absolutely adorable

- nan loves libby and constantly tells her that she’s too good for nash

- once libby suggested they play strip bowling and nash literally blushed so hard

- nash tells libby so many crazy stories about him and his brothers and now she has so much to blackmail them all with (but she never will because she’s a literal ray of sunshine)

- libby has this notebook and when nash really likes a cupcake flavour she’ll secretly write it down so she can remember what he really loves and then surprises him with it a few weeks later

- every month the two of them aim to read a book together to talk about it

- nash sometimes uses cake-inspired nicknames when talking to libby, for example ‘sprinkle’, ‘cupcake’ and ‘jellybean’

- his brothers mock him for it but they shut up when nash glares at them

- nash is petrified of spiders but libby refuses to let them be killed, so whenever there’s one in the house libby has to pick it up and take it outside, whilst nash hides in a corner

- libby is the deepest sleeper. EVER. like this girl could sleep through three earthquakes whereas nash is a really light sleeper

- libby snores and nash thinks it’s really cute but he will never tell her

- nash loves painting her nails

- they rant about what they’re passionate about to the other and the other will literally just stare at them lovingly for however long

- they rarely ever fight and when they do they both absolutely hate it and end up just apologising and cuddling

- nash would literally do ANYTHING for this woman… like she wants random sour gummies at 3am? he is out the door. she needs an extra bag of flour mid cake-off? he’s the man on the job. she doesn’t want to go out? he already has a list of excuses and a second list of things they can do instead of going out…

- nash absolutely loves to have libby in his arms

- though she never really admits it, when libby sees nash take his helmet off after a motorbike ride she blushes so freaking hard

- she turns into an adorable little tomato

- libby hates being in any sort of limelight, interviews and paparazzi make her really uncomfortable so nash makes sure she doesn’t have to deal with it

- she never does any interviews and he’s very protective of her when approached by paparazzi, putting an arm around her and shielding her face in his chest, walking away quickly as he requests the paparazzi to stop

- it is also important to both libby and nash that when they have kids they don’t grow up with all the pressure of the media. they don’t show their kids faces or reveal that much about them, until they’re old enough to do it for themselves and consent

- nash is actually a really good cook but a horrible baker

- libby tried to teach him how to make a cupcake once and he managed to mess it up

- and don’t even get me started on when he tried to ice a cupcake… that was an abomination

- but they often plan nights where nash cooks the meal and libby bakes desert and the two of them enjoy it together

- nash really cares deeply that libby always feels safe and happy and loved in the relationship because of her last relationship

- he checks with her every once in a while

- libby finds this so sweet and is so touched that someone cares this much about her

- they’re not massive on PDA, nash likes to have his arm around her usually

- that said, they’re not afraid to kiss or show affection if people are around, they just tend not to

- nash gives the BEST massages, they’re to die for and libby adores them

- no one makes libby laugh harder than nash does

- and he loves the sound of her laugh

- like grayson, libby is also REALLY ticklish so nash often starts tickle wars with her

- one of their daughter’s first words is ‘yee-haw’ (CONVINCE ME OTHERWISE!!!)

- nash is such a natural dad because he had so much experience literally raising his brothers

- when libby sees this it makes her really emotional and she thinks she’s a bad mom

- but nash reassures her that she is literally the best mom in the world and that their twins are so lucky to have her

a/n: I just found these headcannons at the bottom of my drafts so I’m posting them?! I don’t even know how long ago they were written but I hope you enjoy anyways. I’ve decided they’re in honour of the libby and nash cards coming out (omg I’m obsessed)

also let me know if you don’t want to be tagged in headcannons in the future, I just tagged everyone I normally would but if you don’t want to don’t be shy to let me know <333

TIG masterlist

[potato-lord-but-not]

once again being annoying in ur ask box bc i have more things to say <3

EVERY TIME I WAKE UP TO YOUR ART I SCREAM AND GIGGLE AND ROLL AROUND IN BED LIKE A SPARROW IN DUST. DO YOU KNOW WHAT I MEAN. SEEING UR DRAWINGS GIVES ME THE MOST INSANE EUPHORIA, THAT'S LITERALLY ALL I WANT MY ART TO LOOK LIKE EVEN THOUGH MY STYLE IS COMPLETELY DIFFERENT AND I SUCK AT CARTOONISH STUFF I WOULD LITERALLY KILL TO BE ABLE TO DRAW LIKE YOU. I SHOW MY IRLS YOUR ART ON A DAILY BASIS. EVERY TIME YOU INTERACT WIT MY POSTS OR ANSWER MY ASKS I EXPLODE INTO A CLOUD OF GLITTER. YOUR DOODLES ARE SO SILLY AND I SWEAR IT DOESN'T MATTER WHEN I SEE YOUR POSTS THEY ALWAYS INJECT ME WITH SHEER PRIMAL RABID JOY <3333 I SAW ONE THE OTHER DAY AFTER A 5.6 MILE CROSS COUNTRY PRACTICE WHEN I WAS ABOUT TO JUMP OFF A CLIFF BUT HTEN I SAW SILLY HUMAN JOHN AND OSCAR AND IT WAS CURED AND I WAS INSTANTLY REJUVENATED!!!! okay enough all caps my pinky hurts from holding the shift key down. i'm on my hands and knees begging my mother to let me buy better alcohol markers because mine are coughing and wheezing a collective death rattle and they are simply NOT SUFFICIENT to try to attempt ur coloring style. ALSO. our human johns are like literally twins??? giggling kicking my feet the way you draw him is so lovely and precious and gorgeous and stunning and marvelous and perfect and adorable and beautiful 🫶🫶🫶🫶🫶🫶🫶🫶 he looks so squishable i think he would give the most marvelous back cracking soul healing hugs ever. AND OH MY GOD. MIGHT BE GIVING MYSELF AWAY BUT WHATEVER. YOUR BUTCHER DESIGN RGAHFHSLJDLJ I HAVE NOT BEEN NORMAL ABOUT HIM EVER AND I YAPPED ABOUT HIM TO MY LESBIAN FREIND (SHOWING THEM YOUR ART OF HIM) AND SHE DOESNT GET ITTTTTT HES SO AMAZING I NEED HIM TO TIE ME TO A CHAIR AND RIP MY FINGERNAILS OF(the pipe bomb under my chair goes off)

ahem. anyways. that concludes today's insanity. my sincerest apologies, it will happen again <33333 i think ur art is gonna get me through this school year

asks that heal your ailments and cleanse your soul— I need to tag this as something niche so I can find it again when I’m feeling down and need some encouragement from izel I mean from this random anon <3

[wolfnight2012]

So is the fandom at large still characterizing "Open Arms" as the ~pacifism~ song or have we gotten past that?

Like, I don't know how keen Polites was for violence as a soldier in the Trojan war, since we meet him after the fact & lose him soon after.

But "Open Arms" doesn't tell us about his capacity for violence. It barely tells us about his thoughts on violence as an option.

The most we can infer from "Full Speed Ahead" and "Open Arms" is that Polites doesn't believe violence is the only option (or the one they should jump to first.)

But that's not even what "Open Arms" is about (not really)

"Open Arms" is about Polites noticing Odysseus' trauma & trying to help his friend heal.

The first lines of the song are:

"I can tell you're getting nervous, so do yourself a service"

Here "nervous" isn't being used to mean "scared" but rather "anxious" or "tense." I think Polites is calling out the fact that Odysseus is going 'fight or flight' mode despite everything being calm/no threat in sight.

He then tells Odysseus to have hope.

"Think of all that we have been through, we'll survive what we get in to"

He then starts to call out Odysseus a bit more explicitly (and notice how Odysseus does not contradict him. After his first [and unconvincing imo] "I"m fine, Polites" Odysseus doesn't speak again until the lotus-eaters show up)

(Btw, if you wanna read my breakdown of Polites & Odysseus' relationship [as explicitly depicted in EPIC], I wrote a post about it here)

"I know that you're tired of the war & bloodshed" <-We the audience also know this: "Will these actions haunt my days/is the price I pay endless pain?" (Plus killing Astyanax messed him up)

"Tell me, is this how we're supposed to live?" <- Must we remain in that kill/be killed mindset, always on alert, always warriors first, men second?

"Look at how you grip your sword, enough said" <- I think we can infer that Polites is either calling out the fact that Odysseus hasn't let go of his sword since they left the ship (aka always in 'warrior mode' aka "is this how we're supposed to live?") OR that Odysseus is white-knuckling his sword, (aka he is nervous/ anxious/stressed about a potential attack despite no visible threats)

Either way, in Polites' eyes, this mentality is detrimental to his friends' mental and/or emotional health.

Then we get to the point where I think the misunderstanding started & ended up overshadowing the rest of the song:

"You can show a person that you trust them, when you stop and lower your guard" <- I think we can take this literally (lower your sword until you actually have need of it) or figuratively (be ~emotionally~ vulnerable by asking for help.)

"This life is amazing, when you greet it with open arms" <- It doesn't have to be "endless pain" Life can be beautiful, but you have to stop closing yourself off/seeing everything as a threat first

Polites is arguing that the world is not always out to get you. Sometimes people are decent. Sometimes they are willing (or want) to help you.

It's a bit of "Try extending your hand in greeting before reaching for your sword" (Not everyone will be friendly, but you won't know if you are aggressive from the get-go.)

And a bit "Life is what you make of it" (if Ody treats every stranger like an enemy, then that is what they'll be.)

"We'll be fine if we're leading from the heart" I talk a bit about this in my response here. TLDR; Odysseus is lying to himself when he says he can "Lead from the heart & see what starts" in "Luck Runs Out" because that is not what he is doing,(and his reward is the windbag betrayal) MEANWHILE he does successfully "lead from the heart" while warding off Circe's advances & it's what saves his men/gains Circe's sympathy.

"No matter the place, we can light up the world, here's how to start" <- Again, life is what you make of it. You can make it a good one; not everything is an enemy/potential threat. Stop being a warrior first & go back to being a man

Of course, this doesnt immediately work, because Odysseus greets the world with his sword when the lotus-eaters show up

(Tbh, I find it hilarious that the lotus-eaters' FIRST word is "Welcome" and Odysseus responds to a Friendly Greeting by drawing his sword)

Like, Odysseus is genuinely seeing a threat here, he IS scared "nervous"

His first words to the lotus-eaters is a demand/warning for them to "stay back" (and both their cute voices [going off audio only] or their canonical fluffy designs tell us these are tiny things. They have no weapons, they haven't indicated any aggression, but Odysseus is so high-strung he sees something he might need to fight anyways)

THIS is what Polites has been refering to. THIS is why he's so concerned about his friend. That is not healthy and Odysseus is buckling under the weight of living in "survival" mode/always being "on"

"My friend, greet the world with open arms" <- this isnt Polites horrified Odysseus is responding with aggression/concerned for the innocent lotus-eaters, THIS is Polites (knowing Odysseus is tired of war & bloodshed) reminding his friend that he doesn't have to put himself through this. There IS another way. These creatures could be friendly, "Maybe they'll share some food, who knows?" Maybe, maybe not, but they won't know until they extend a hand first & ask.

And Odysseus does it by half measures *cough* just like all his actions after "Just a Man"*cough*

He lets the lotus-eaters know of their plight "We're only here for food" and threatens them in the next breath "600 men are waiting/stay back, I'm warning you/my men will turn this place into blazes"

He doesn't even ask for food/help, he simply lets the lotus-eaters know they're searching for food, then immediately piles on three additional threats to make sure they don't try anything.

Then of course the lotus-eaters offer food, but not food they can eat & Odysseus becomes dejected (which I think implies he was [sorta] listening to Polites, or at the very least, is so tired/stressed/wrung-out that he was secretly hoping it could be as easy as Polites claims.)

And Polites tries one more time.

"I'd like to show my friend that kindness is brave" <- I've seen so many people call Polites naive. That his optimism is too extreme/and not fit for the world (or at least the world of EPIC) but i would disagree with this common interpretation as well.

Why is kindness brave? If Polites believed greeting the world with open arms would help them find ONLY friendly strangers (instead of hostile ones or outright foes) then why would kindness be brave. Wouldn't it simply be? After all, what's brave about a sure thing? What's brave about having a get-out-of-danger-free card?

Kindness is brave because sometimes you WILL be met with hostile strangers/foes. But you extend your hand in peace first anyways. You don't know for certain if you will be met with friend or foe. But that does not mean you walk around, one hand on your sword, seeing enemies at every turn. You greet the world with open arms & give strangers the benefit of the doubt first, THEN use force if necessary.

I see Polites' philosophy as similar to Waymond's from EEAAO in that regard.

Polites, like Waymond, is choosing kindness. Is choosing to be optimistic. Not because he is naive to the ways of the world, but in spite of them. That is how Polites fights against darkness & despair. He is not naive.

When Polites tells the lotus eaters he'd "Like to show my friend that kindness is brave" he knows he's taking a risk. That's why it's brave. He is extending his trust to these creatures in the hopes they'll help/they have no ill intent, BUT being Well Aware he could be met with the latter.

Just because he's optimistic about the outcome doesn't mean he doesnt understand the risk. To refuse to dwell on the negative doesn't mean you're unaware of negative possibilities.

Then Polites reiterates his advice "This life is amazing, when you greet it with open arms" because it doesn't have to all be war & bloodshed & stress. You CAN find goodness in the world, and you'll feel much better if you don't assume everyone & everything is out to get you. And he lets Ody know he's aware of what he's going through/what's upsetting him.

"I seen in your face there is so much guilt inside your heart" <- I genuinely don't know if the crew know Odysseus dropped Astyanax, every time Odysseus references the infant, it's vaguely or as an aside. But even if Polites DOESN'T know Odysseus killed an infant, he still has 10 years of war to draw from (plus the wooden horse/killing sleeping Trojans bit.) Like, Polites is aware of what Odyssues has done, he knows what Odysseus is grappling with. This is not a simple/superficial/naive call for Odysseus to 'cheer up!' Polites knows of the darkness weighing on Odysseus' shoulders & he's telling Odysseus he's allowed to put it behind him.

"So why not replace it, and light up the world" <- He's allowed. It's over. It's behind them. Polites does not want his friend to torment himself forever. Whatever he did, he can move on. He can be a better man that what he was forced to become while at war/Troy (remember, Polites is well aware Odysseus is "tired of the war and bloodshed".)

And how can Odysseus begin to heal from his guit/trauma?

"Greet the world with open arms" <- stop seeing every stranger as a potential enemy/threat. Open yourself up to the possibility that good things happen sometimes. Sometimes, people are kind

"Greet the world with open arms" <- and Odysseus begins to tentatively open himself up to the concept & take Polites' words to heart

"You can relax, my friend" <- you're allowed

Sidenote: I told myself this post would ONLY be about Open Arms (and this ended up being SO Much longer than I anticipated) but I have a few more things to say, so I'll try to be brief.

Warrior of the Mind:

I'm convinced Athena pops in when she does because Odysseus is listening to Polites. He's been eaten by guilt since Astyanax & shyed away from violence in Full Speed Ahead. His nervousness is not very "warrior of the mind" of him. YET Athena doesn't come in to scold Odysseus at any of these points.

It's only when Odysseus sings Polites' chorus back to him, signaling he's opening himself up to the concept of open arms that Athena makes her entrance.

Polyphemus:

I'm not asserting this, but I think the argument can be made that Odysseus checks out the cave because of Polites. Like, either:

A.) He's giving Polites' advice a try here & now by trusting the lotus eaters/that they mean no ill-intent OR

B.) (less likely probaby??) His friendship/affection for Polites is the sort where he wants to please him. Polites is set on trusting the lotus/showing Odyssues "another way" & Odysseus will humor him because it's Polites asking

(Tho obviously the other explanation is that they are just THAT desperate for food & Odysseus doesn't think they have time to go searching for yet another island when this one (the lotus eater one) already turned out to be a bust

Underworld:

I feel like the general consensus for Polites' section of "Underworld" is that Polites died still seeing/believing in the good of the world OR that his dying wish was for Odysseus to chose nonviolence/pacifism???

(But as you can tell from *gestures at this entire post* I don't subscribe to the idea that "Open Arms" is about nonviolence. THEREFORE)

We know Polites last words/action in life was calling for Odysseus. And, imo, Polites' dying wish was for Odysseus to heal. If "Open Arms" is about Polites' calling out Odysseus' stress/trauma & trying to coax Ody to approach life differently so he can start to move on from the horrors of war.

Then that means, in death, Polites is stuck hoping Odysseus heals. Over & Over Polites sings for his friend to let go of his guilt & try to build a life worth living (not just one have to survive in)

And THAT imo is 1000x sadder than a call for pacifism. Because Polites' dying wish doesn't come true. Odysseus' mental/emotional health grows worse & worse. He pushes everyone away in the Ocean Saga, to the point that his crew of 10 years starts to doubt him! He already "can hardly sleep" in the Circe Saga. The Underworld Saga almost destroys him and it only gets worse from there!

In the Underworld Odysseus is confronted with Polites' love for him. His desire for him to get better. His hope for Odysseus to find peace/happiness.

Polites loved him soooo much, his Final Thoughts were concern for his friend. (Then Ody gets to hear from his mom, who loved him so much she died waiting for his return)

No wonder it breaks him.

[Anyways, if you wanna see my (much shorter) post over how the Wisdom Saga basically argues for/confirms Polites' philosophy Was RIGHT, you can find it here]

[howlsofbloodhounds]

So glad someone else sees the weirdness of people being gross about fem body nightmare it always comes off as somewhat fetishy too bc they reduce him to just being hot

Yes! Absolutely. Seeing the weirdness not only in how nightmare is treated, but also how killer is treated! If he supposedly respects his boss, then why the hell is he drooling over him and treating him vastly different just because nightmare has tits now?

I also see this a lot with female killer or feminine killer—female killer always has huge breasts and small waist and it hardly seems like killer. Even when it’s just normal killer wanting to dress or express himself more feminine, it makes me uncomfortable when it’s done in an overly sexual manner for no reasons?

And of course nightmare and killer are adults, so there’s absolutely nothing wrong with being attracted to them or writing/drawing them in adult situations with eachother or others, it’s just that it feels very fetishized and hyper sexualized to have characters drooling over nightmare when hes just existing and also has breasts.

Even with killer as he is now, vastly hypersexualized as a character for not even any real reason either. He only flirted like once or twice in his canon drawings, clearly as a joke even and mostly because people asked rahafwabas to draw those things with killer, and yet it somehow became his entire character. Not to mention how people took “flirty” and “romantic” and immediately went “lustful creepy pervert.”

To the point where people just cant seem to let these aspects of killer’s character be just that; aspects, something interesting and fun, but not his whole entire character.

Don’t yall find it interesting to explore how a character who views themselves as emotionless and is dissociated from themselves and their actions most of the time navigates things like physical intimacy?

Especially when this character has very likely not felt any kind or comforting touch that wasn’t just a way to keep him further manipulated and controlled? How his experiences with abuse and torture and control have become so normalized it taints every aspect of his life, from the ideas of consent to the idea of boundaries.

Can he even feel much sensation that is too gentle, would it send him reeling in discomfort and disgust at first. would he hate how his body reacts even if it’s something that feels good—wouldn’t he feel viscerally unsettled if someone could provoke bodily reactions like flushing cheeks or a beating “soul beat” or even genuine arousal from him.

wouldn’t he think with contempt if his body reacts positively or negatively to receiving comfort. wouldnt he try to find a way to maintain control and detachment because too much stimulation or stress or feeling threatened or trapped or controlled or afraid for his safety and life could trigger higher stages and he lashes out and literally could kill his partner(s) because his mind mistakes the situation for something else. wouldn’t he need a level of either trust or control to willingly engage in something that feels deeply threatening.

Anyway i got off topic, but you’re absolutely correct. I love female or feminine Sanses, especially with the apple twins, and i don’t think there should be any need to hyper sexualize and fetishize the female body. (especially if these feminine/fem presenting or female bodies also happen to be trans/queer bodies; such as with transfem dream.)

like just let nightmare exists as nightmare, regardless of if he happens to have breasts or not—and don’t have his subordinates drooling all over him and behaving super strange just cause nightmares got boobs now.

(and I also don’t wanna see any situation where nightmare who usually doesn’t have boobs has boobs one day and the gang make a big deal about it, since nightmare is a shapeshifter and all. he could realistically just decide he wants boobs one day and the gang could just go “interesting. Anyway..” and hardly even that.

unless it’s to like, ask for today’s pronouns or something, i don’t see no need to comment on the breasts unless in the context of, nightmare is engaging in intimacy with their partner(s) or something. a context where it would make sense. Anyway just be normal about female/fem killer and nightmare please.)

[gloveslut]

oda died. chuuya has no idea.

babe, i'm back. ... hey, what's going on?

i'm leaving.

you're what? 'samu, did something happen?

stop fucking using that tone. or my name.

what the fuck? can you explain?

explain what?

everything?!

you knew it was only a matter of time. i don't know why you act surprised.

you don't wanna talk about it?

no.

...where to?

none of your business.

but osa- listen, you swore you wouldn't- ever-

i didn't swear shit to mafia.

...fuck no. that's not how you talk to me, you fucking piece of shit.

get off of me.

you're leaving me too! you swore shit to me!

you're nothing more than one of my mistakes.

i know you're lying, fuck, what's gotten into you?

i'm not lying, i can't bear even looking at you now.

but why? dazai, it's unfair to-

oh, and you're always fair to me? i know you're seeing someone else.

...who? tell me who told you that and i'll rip them apart, because it's fucking bullshit.

you're bullshit. all of you. it's your nature. quit playing the victim.

this is ridiculous-

and what are you gonna do about it? beg for me to stay? again? aren't you tired?

you know what? i am. because saying shit like that out of blue is too low, even for you.

i need to pack my things, get out of my-

who's blood is that? the hell is-

mine! it's mine cause i felt uneasy! stop sniffing around, you're not helping!

this doesn't look like- like- you know, there's too much of it, dazai, i don't understand-

you don't need to understand, chuuya, please, stop trying to get closer. you're not special. i'm not gonna take you with me so we can run off into the sunset.

but you can't do it completely on your own, god, are you even here with me?

i'm the one thinking critically right now. i can get killed otherwise, and i'm not gonna be alone.

...you can't just throw it at me like that. can i at least know when it started?

when what started?

well, your falling out? i guess i should've seen it coming with the way you hated introducing me to literally anyone.

i'm not here to fight about it with you.

but you accused me of cheating first thing i came in, idiot!-

i'm not- i was talking about him.

who? ...odasaku? ... fuck, i'm sorry for assuming- whatever, you do realise he's not gonna be here for you forever?

...chuuya, please.

i'm not trying to scare you off and obviously i'm not any better but-

please stop. some... people were here, but they left, and it's not so bad. it's gonna be fine and we're gonna find the best place to hide, i don't care what you think of it, we're gonna be- fine-

honey... i didn't mean to make it worse, it's o-

no it's not! you know nothing about me or my friends, i'm begging you- just- fuck off-

i know it's hard and-

don't touch me! ... god, just go away.

...so you mean it.

yes. i fucking do. now leave. you can get suicidal and stick around this burnt house as long as you want later.

...fuck you. i can't stand you anymore.

oh yeah? news to me.

yeah, cause i fucking loved you! i put everything i had eating me from inside away and stayed with you up untill this point. i made my whole life evolve around you. jesus, i even grew my hair for you!

uh-huh.

and guess what! i never fucking liked it this way. i barely got anything out of whatever we had going on. you didn't even wanna give it a name. cause i'd eat it up. and i did.

right.

fuck, dazai, can't you have a heart for a minute?

yeah no, not around someone who thinks of me as crazy, but thanks.

i don't- what the fuck are you talking about?

all the... nice treatment you gave me was always based purely on the fact that i'm fucking broken and that you should fix me. not only it's incredibly fucked up, you also just can't. you always play god here and there but you don't carry the power of one, not even close.

now, i didn't even-

chuuya, please. i'm asking kindly. i can easily get it over with, but i don't think it'd be either rational or pleasant for you.

...just like this?

yeah. just like this. if you can't accept that you're not needed, then you earn all the hostility. i'm done with all this shit. let us both finally have peace. ... that look doesn't exactly evoke peaceful feelings in me.

i... i have so much to say, to- to ask before- and there's not enough time- huh, it seems like it's never the time. i don't know if i should waste my chance, though.

i mean, if you realise how useless all of our conversations ever were...

...

woah. okay. ... one last question.

if you promise to never talk to me again, go on.

...did you- it's hard not to- ...well, i know someone died. i just have to know, are you the cause?

yes and no. unfortunately, i didn't get to kill anyone this time. but i'm also at fault. great one. i'm at hurry. so may i be excused? ... you better not show up in my life later on. not necessarily because you're so distractive, it's just the way it- it has to be. have fun around here, but be cautious. you never know where your line's gonna end. or when you're gonna lose someone. i guess it would be even more heartbreaking to you, 'normal people'.

wait, are you saying-

i thought you stopped bothering me. ...nevermind. do whatever you want.

i can't believe you're doing this to me.

please, move.

dazai- baby, i was only trying to-

now, you shut it and let me go or i'll slit your throat with this shiny thing. ... cool. oh, and... your letters or anything like that will never reach me. we have nothing to discuss. nothing that is worth the effort. i also think you said everything you wanted to. ...thank you- for, uh, not whining too much. see you in hell.

[bitethedevil]

How do you think Raphael would react to feeling loved (not even necessarily in a romantic way—it could also be him feeling appreciated and loved platonically)?

Raphael and Love

(As always, these are just my interpretations of him. It’s dark, but I trust that you have read my “ask”-section and knew it probably would be beforehand anyway. I feel like I’ve made a post about Raphael and love before, but I can’t find it anywhere, so I’m using your ask for it. Hope that’s alright <3)

He would love it. He’d bask in it. He would get addicted to it so fast and it would fascinate him. Not in any healthy or soft way though, far from it. Your love is a tool that is to be explored and exploited for his own pleasure and morbid curiosity, platonic or not.

Testing limits

Ah, so you say you love him: Are you sure about that? If you really do love him, how far are you willing to go? If you truly loved him, surely, he could do whatever he wanted with you, right? He would constantly test your adoration to him, and each little line that you let him cross only means that he will go even further the next time. I am not talking about just ‘making you jealous’ or something like that. I am talking truly abusive and horrible shit. He will literally not stop until he knows that you would literally suffer the worst torments, die, and kill for him.

Making up

What happens then when you snap? He is definitely the type to lovebomb someone and effectively winning them back with all he has got. It is him loosening and tightening the leash. He would give back all that love you craved in return for yours…Until he knows he has got you and then it is back to dissecting you for weaknesses again, like a child seeing how many limbs they can pull off an insect before it dies.

Jealousy and ownership

You are his property. He won’t accept anyone even looking or thinking about you. If possible, keeping you locked away from everything else is the ideal. Why would you need to see other people, if you allegedly loved him more than anyone else? Isolation, control, full attention on him…

It’s the same thing when it comes to affection and intimacy. It will be very dependent on what he wants and likes. I don’t believe it would be entirely one-sided though. He will still touch you and make you feel good, but more in the way that one explores a new and expensive toy to see how it works, and it will be transactional. He never does a thing in his life without wanting something in return.

Love

It’s complicated. He loves your love. He loves the attention and adoration. He craves it. But again, you are a tool for him to get that love. He has no problems molding and shaping you into what he wants, because it can always be better. Look at the House of Hope: everything he owns is shaped in his own image and for his specific needs, and you will be too. Unconditional love is not a part of his vocabulary.

Obsession and dogs and cars

Raphael is just like his daddy when it comes to obsession. It’s hyperfixation. He will get obsessed with someone who gives him the adoration he thinks he deserves, and he will want every bit of it that he can squeeze out of you. He will lose himself completely in it. But. He ‘likes when people put up a fight’ and he likes puzzles, like Korrilla says. You are a puzzle to him. Once you have endured all his excruciating tests with flying colors and he has molded, broken, and shaped you into what he wants, the puzzle is over and things start to get boring. You start to get boring, and Raphael is not a man who lets himself be bored. It is like a dog chasing a car.

(Thank you for the ask <3)

[rpg-elf-girl]

I have a lot of thoughts right now about the latest episode (14)

Here's your warning to watch the episode before reading the post:

Okay okay okay

So I went back and watched the sequence of the whole Ace body discovery to try and see if there's anything there after the whole tape debacle this episode.

Here's a little recap of what happened for reference (episode 6 ~ timestamp: 18:36-21:55) :

-Teruko and Eden go to the workout room and see Nico over Ace, They run off

The tape is clearly by Aces feet here and remains there for some time

-The girls have a talk about the situation, Eden freaking out, and Teruko suspects Nico

-Teruko starts investigating, & Eden says she needs to process what just happened, Teruko tells her to sit down and not to touch stuff

-Teruko does her investigation she points out the tape here

-Eden comes over and offers to help after a little bit of this

-Teruko starts to investigate Aces body

-Ace gets up screaming and knocks Eden down

(it's about here the tape dissappeard)

-Eden gets up, surprisee Ace is alive

-after some more screaming Ace bolts out of the room and after Nico

-MonoTV promptly kicks everyone out

Okay, so I have some thoughts about all this. Character and story wise I have a hard time believing Eden did this but I don't think it's possible for Ace to have stolen the tape or mimicked the crime.

I can get behind him killing motive wise, but not with the method presented here.

The mans been scared to death since the start, got even more paranoid after the first case, literally everyone shits on him, he overheard Teruko saying he'd probably die, theres Veronikas whole disection of him in the cafeteria fight scene, and now he's nearly been murdered. So him getting paranoid and desperate isn't too far off. Also, him having nothing to do with Arei would be a good cover for him, so I don'treally count that as a defense of him.

That being said according to Nico, he woke up mid murder and fell unconscious again. How much of the method could Ace have possibly seen? Also, something that strikes me as odd is something in this image:

Ace's hands are covered in blood, so even if he theoretically grabbed the tape, wouldn't there also be blood on it? How would he hide it when using it for Arei's Murder?

Also the minute he woke up he was the center of attention, so I highly doubt he would even have time to properly hide the tape from both Teruko and Eden, or that he'd even be thinking of that the second he wakes up from nearly dying.

So because of all that, I don't think it's possible for him to be the killer here.

Opportunity wise, Eden has the most chance at staying undetected, seeing as she was on the floor around when the tape disappeared. She also had the opportunity when she was resting to observe the crime scene so she could more easily figure out and mimic the murder method.

That being said, Eden as a killer confuses me so freaking much, I feel there has to be some curveball here????? Like she'd have to have a pretty clear head directly after seeing a whole ass body so?????

I get Arei said she's likely not as innocent as she appears, but this feels like a bit much. Unless she's being blackmailed leading to some traitor reveal? It's really hard to say.

Anyway, that's my two cents here.

The two people I thought would least likely be the killer are the two main suspects, and now my brain is soup.

[desperatelyneedcoffee]

The X-Men 97 season basically killed me. Like Morph loves Logan, Logan loves Jean, Jean loves Scott and Scott is confused asf between Jean and Madelyne but ig settles on them being the same but different. Could be wrong but ig he grieved for losing what he could have had with Jean before she was cloned and for losing Madelyne and his son. He still seems content ish with Jean again tho.

I swear it's all just a huge love line though. No one can have who they really want apart from Scott and Jean.

And then we have Remy and his love for Rogue. It's not central to the story which is cool but you can obviously tell it's there. She loves him but not being able to touch him ig puts her off the relationship because it's something she needs. She still has feelings for Erik and Erik still seems to like her so that's another little love line.

Ughhh I just want them all to be happy but there's no way that's happening. Also Remy quite literally blew up or some shit and Logan had adamantium ripped from his body so we'll see what happens when the next season comes out

[sepublic]

Hunter is NOT Luz’s brother, he’s not a Noceda, he’s not even that important to her compared to many other relationships Luz has and vice-versa. Like genuinely, go rewatch the show with this consideration in mind, cleanse the fanon for a fresh slate.

People just latched onto them as siblings because they found their Hunting Palismen dynamic funny, but also because they wanted to ward off Lunter. And they couldn’t articulate their dislike for Lunter as stemming from Luz’s longstanding dynamic with another female character being immediately replaced by fans for some white boy who just showed up, so they said they’re actually more siblings. It wasn’t an issue of biphobia it’s just people being tired of fandom inserting white boys into everything.

And FTR I hate Lunter, for the same reason I now hate the Luz & Hunter as Siblings take; It’s the fandom’s obsession with making Hunter more important than he actually is, to the point of replacing Luz’s actual important relationships with him. And hell even replacing Luz herself in her dynamics with her loved ones, because people portray Hunter as more Camila’s child than Luz when Darius is right there.

This fandom has a massive White Favoritism problem with Hunter, and he’s not even a female character he’s another White Boy, the most bland and milquetoast choice to raise as the fandom darling. He’s not THAT interesting and while him and Luz have their parallels and shared trauma and are still friends, what about Hunter and Gus? Or Luz and King, the latter explicitly calls Luz his sister but Hunter sure as hell didn’t! What about explicit on-screen dynamics huh???

ISTFG this fandom is overrun by Hunter content everywhere, he drowns out everyone except the literal main character and even she struggles sometimes! It’s because he’s a White Boy, that’s it. It’s not illegal to like Hunter, but you need to actually appreciate and engage with other characters accordingly instead of acting like that’s illegal. Hunter does the bare minimum and is lauded meanwhile everyone else goes above and beyond and is still overlooked for him.

Stop inserting him into everything we do not need Luz and Hunter angst we can just settle for Luz angst. She has other relationships and priorities you know and there’s so much more to this show than Hunter suffering. Sometimes you’ll even take Luz’s canon angst and give it to Hunter even! And try to make him more of a main character by inserting him into everything but he’s a side character.

So yes, your AU where Hunter is the main protagonist is racist. Especially if it doesn’t even explore Darius as his mentor, and has Eda take his place despite her barely interacting with him. And constantly praising Hunter for being a weird passionate nerd gets aggravating when Luz does the exact same thing but with greater emphasis, but gets ignored in favor of Hunter as she’s relegated to just Lumity.

And all of her additional depth and angst is just ignored for Hunter’s instead, sometimes they’ll even make up angst for him when other characters actually have it; I’ve seen popular fanart of a Luz moment where Hunter is in her place. Because fandom will sooner micro-analyze Hunter’s hands for nothing, than Luz going on a suicidal rant.

They’ll cradle Hunter’s trauma and suffering in their hands as a sacred and delicate subject, gnash at Darius for not being nice; But then sweep over Luz’s trauma and not realize how much certain things affected her, and why it’s fucked up to just ignore that in favor of bad AUs where Luz is a friend to Belos, who prompted a lot of her suicidal depression and scarred her face too.

They’ll insist Hunter should’ve been a bigger part of the finale and that Luz’s nightmare should’ve been her guilt for hurting him, as if it wasn’t already about Flapjack’s death and just her guilt towards ALL of her friends. So you know what, in addition to Hunter not even needing to kill Belos, I’m glad he wasn’t in that final battle and that the show reminded fandom who the actual main characters are (Luz, Eda, and King), which obviously pissed off a lotta people. Because it’s not like Hunter didn’t have major focus in the last two specials and S2B!!!!!!

[notes-of-nari]

Stray Kids as the Friendly Ghost

Changbin/Bangchan/Lee Know/Hyunjin/Han/Felix/Seungmin/I.N

•You and your group of popular friends decide that the best thing to do on a girls night is to try the Ouija board.

•Well guess what? You find that your house had been haunted all these years. But well you also have a new bestie

• You all realize that he is literally the - Looks like can kill you,But is a cinnamon roll

•Takes the karaoke game pretty seriously.

•During truth and dare, your friend dares him to rap, and my my my... everyone's jaw drops

•But he surprises you guys further when he reveals that he knows all the Girl group choreographies and absolutely defeats you all in a dance battle.

•He always lends you a shoulder to cry on, and listens to you. tries his best to make you laugh. •Admits that he was the one who uses your brother's gym equipment in the middle of the night (which explains the odd sounds at night) , and apologizes.

•"uhm Changbin do ghosts need lights in the middle of the night?"

"Why?"

"The electricity bill has gone up a bit…so I was checking on ways to reduce it. I know that you stay awake the whole night with the lights on so can you.."

From that night onwards he switches off all the lights. (He doesn't tell you that he is afraid of the dark though)

[droidders]

Transformers One review

I'll start off with a non spoiler review.

First of all, amazing voice acting especially from Chris Hemsworth and Brian Tyree!! I didnt think Chris would be able to do a good orion/optimus voice but boy was I WRONG. They did amazing. Scarlett Johansson's voice for Elita was an amazing pick and keagan michael for bee's voice is also good.

Stellar voice acting with so much emotion!!

The animation is amazing. And the way they showed the world of cybertron is amazing. The world building in this movie is so good, i seriously feel like cybertron is a real planet with real creatures with its own rules, history, culture. They made the planet feel so alive, its insane.

All the characters were likeable, i was really vouching for all of them to succeed in their goals. The movie knows when to be funny and when to be serious, and it can get REALLY serious when it needs to be. The movie talks about real world problems and reflects it so well.

THE TRAILERS DID NOT DO THE MOVIE JUSTICE.

The trailers really made it look like a kids power ranger type of movie. The trailers gave it a vibe of:

"Bumblebee, you go left! D-16, you go right! And Elita.. well, you just be elita."

When the actual movie really wasnt. I kept my hopes low cause the trailers weren't really hyping me up that much and i didnt expect much from the movie overall but holy moly my expectations were blown away. The movie does have its flaws like any movie but yeah. This genuinely feels like the spiderverse of transformers. Truly amazing.

Overall 9.8/10, amazing job to everyone who worked on this movie, YOU COOKED!!!

I highly reccommend watching it in cinemas. Its worth it, just trust me on this!!!

Waiter! Waiter! I'd like a trilogy of transformers movies that are as good as this!

Id also like to add that this movie is the best transformers movie. And you dont have to be an insane transformers fan like me to like the movie, nor do you have to watch any other transformer movie to understand it. Its a great standalone movie. Its a movie great for both new and old transformer fans and people who are just looking for a good movie to watch.

GO WATCH IT NOW.

Now onto the spoiler review

I said all that i wanted to say about the overall movie in the non spoiler review. Here, I'll talk about the actual characters and story.

THIS IS CINEMA HOLY MOLY.

I had to resist screaming in theaters especially the part where Orion and D16 went to that thruster thing to get a better view of the Iacon 5000 and d16 is all like: "You did all this for me?"

AAAGWGSFEGWGSGDGDHHYDTST

The character development with D16 slowly turning into the monster that is megatron is BEAUTIFUL.

The movie writes d16 in a way that makes us NOT want him to turn evil which makes him slowly turning into megatron and betraying orion all the more heartbreaking. CHARACTER DEVELOPMENT.

Seriously, his descension into evil makes me wanna cry. His unbridled rage towards Sentinel portrayed through the voice acting is just WOW. You can really feel his anger through his voice.

The way his eyes change as the movie progresses is just great. They did great writing him, deep down I really wanted him to be redeemed and for him to NOT turn into a brute like sentinel even though I knew it was inevitable. Some transformations are good, useful even, but in the case of Megatron it was a terrifying transformation thats unfortunately permanent.

Sentinel prime, as much as I hate him he is still such a great character. I hate him so much I love him. THE SCENE WHERE HE WAS BEGGING D16 TO NOT KILL HIM SENT CHILLS. You can feel the amount of fear in his voice. It was a striking contrast to his confident demeanor, his ruthlessness as a 'leader', and he who is the literal killer of the Primes,

to see him BEG for his life truly shows how terrifying D16 is.

ORION PAX AKA THE GLORIOUS OPTIMUS PRIME.

A wonderful and entertaining main character. THE SCENE WHERE HE JUMPS OUT OF THE PIT AS OPTIMUS PRIME??? Holy moly that was so badass. AND THE LINE WHERE HE SAYS:

"We could've built the future together."

GOD IT MAKES ME WANNA CRY.

The expression he made when he saw D16 being absolutely BRUTAL to Starscream as he realizes that his friend is slowly transforming into someone evil is gut-wrenching.

And throughout the first part of the movie he was this reckless character who did stupid things, he had hope and determination unlike anyone. It made me question 'How could this guy possibly turn out to be the strong leader that Optimus is?'

But during that scene where he talked to the other miners and led the High Guard to sentinel made me 100% sure that yeah, this guy definitely can be a great leader. And the way he gave the miners a CHOICE to join him or not. That is PRIME.

Elita was a straight up girlboss. I love how they didn't make her just another love interest for Orion or made her just this girl who was a good fighter. She was sassy, witty, and a hard worker. I almost feel bad for her getting demoted and having to deal with the mess that is Orion, D16 and Bee. But anyways, shes an amazing character, really likeable personality who is way more than just a bot who's a good fighter (which was the impression i unfortunately got from the trailers)

Her pep talk with Orion was both funny and beautiful. She knows how to break someone down with her words and build them back up to be stronger. I loved her. Not to mention her design looks gorgeous??? Probably my fav elita design of all time.

At first I found Bee a strange addition to the movie and I was scared they were gonna make him an annoying character but thank god he really wasnt! He was a great comic relief character who had a lot of funny lines. He adds so much silliness into a serious movie and not in a bad way.

He knew when to be serious and the gravity of the situation with Sentinel being a terrible, corrupt leader. I loved the portrayal of him as this almost crazy guy whos been stuck being alone talking to inanimate objects in a place where all he does is burn trash all day (makes sense as to why he talks so much).

A really good character, thank primus they didnt make him annoying or overbearing.

Lastly, Cybertron itself. THE WORLD BUILDING IS SO GOOD. It's environment, its people (or bots?) make the planet feel so real. All of these cool mechanisms with the road and trains, the landscape during the train scene with the vapor wave-esque sun is just gorgeous. Such a beautiful portrayal of Cybertron that I love.

I personally dont think the movie NEEDS a sequel since the rest of the transformers just takes place after this, but if they make another movie thats as good as this, Im not complaining. If they do make a new movie though, I'll guess that it probably has something to do with the Quintessons or something idk.

Its a really beautiful take on Megatron and Optimus' backstory. And though there are many takes on it like how megatron was a gladiator and not a miner, etc,

This is still probably my favorite take on their story, its a really interesting portrayal of them and their fallout.

Anyways thats the end of my yap, honorable mentions to the music, it helped the immersion of the movie, and its really good.

Do note that Ive only seen it once, i might've gotten some stuff wrong but ill be looking to watch it again somehow in the future. My review may be subject to change but yeah.

Buh-bye!!