#THE NARRATIVE IMPLICATIONS
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this sky sports checo interview and him talking about how force india/racing point/Aston Martin is his home and how much different red bull is and how hard it can be to adapt and how he has to consciously think through how he’s driving... Jesus Christ the narrative parallels. also the brief mention of his 4th child on the way like I was already on the he wants the red bull buyout conspiracy theory but that interview just heightened it so much
girl what now-
#who has video I NEED VIDEO ASAP#THE NARRATIVE IMPLICATIONS#holy sHIT#red bull redux#zandvoort23#answered#anonymous
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(tw unreality!)
ayo new theory just dropped and bad news! the implications are cosmically horrifying
in the bulletin from time baby in book of bill, he says bill is a “danger to narrativity”, and that he risks the fourth wall. this kept bothering me. why reference the fourth wall here? why have time baby reference it? yeah the heaven page and shit is a bit meta, but thats just how bill talks, right? Well i was a fool
when you put “seven eyes” into the lost files site, this warning pops up from the oracle question mark? from journal three:
the therapese at the bottom translates to “set coords for dimension: r34lity”.
and putting r34lity into the website gives us this image:
the text below it reads they found a new home. those are “real” fucking images. the henchmaniacs are in our “reality”. the cryptids page might not have been a goof goof bit- they were “real”. (“real” meaning our reality in the book of bill sense of it but still our reality. is that tracking.)
none of the rest of the cast actually references us as a specific audience, or the fandom, or acts like we know them at all. the cast addresses everything they write to a mystery “reader” who needs to be saved from the book’s influence.
meanwhile, in the book of bill:
because bill’s not talking to a mystery “reader” who’s reading this book.
bill fucking sees us.
bill sees reality. REALITY reality. like this earth the one with alex hirsch and gravity falls the show and tiktok and shit. book of bill is a book in our reality for us the reader. (ie. there’s a reference to “they both reached for the gun” if you put gun in the website, which would only make sense if bill was sentient in this “reality” right now.) and someone is trying to get here to hide from him. maybe they’re already here.
#for folks w/ grounding issues- this is a theory about a show and is not real! ‘our reality’ is a narrative device#meant to represent the concept of bill showing up in our reality. but it’s not actually tied to reality!!#this sounds cooler in my head than i think it is#and lowkey this may be obvious to anyone w a brain but idk. something about it yall#idk alex keeps hinting to some Big Thing about book of bill we haven’t found out yet. is this? is???#so much of the meta implications of book of bill are so fascinating to me#book of bill#the book of bill#gravity falls#gravity falls theory#the book of bill theory#book of bill theory#bill cipher#shutupmac#alex hirsch#rats#lost files#this is not a website dot com#someone tell me this makes sense and is interesting to motivate me to make a book of bill video essay#unreality
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Actually there is something so choice about how the narrative around Jason’s death pre-ressurection spends so much time reassuring Bruce (and the audience) that Bruce has no culpability and that Jason was hopeless and even at times tries to convince us that actually Jason wasn’t even really his son so Bruce didn’t fail as a father, he did the best he could really. Bruce doesn’t owe him anything. This could be seen as an attempt to distort history in order cope with Jason’s death, but this narrative is never actually challenged, we’re meant to take it as truth. And then Jason comes back and drags Bruce by the ear and goes actually no bitch you do owe me something you owe me a death. Bruce doesn’t get to wash his hands of him. Jason forces the issue, he refuses to let Bruce walk away clean. Good, he shouldn’t <3
#The narrative wants to have its cake and eat it too. We can milk Jason for man pain but we can’t have Batman implicated in a child’s death#and then Jason breaks the peace by climbing out of the fridge and grabbing Bruce by the throat to make demands. If#‘A ressurection is a wound reopening’ Jason has his fingers in there clawing that shit open and he’s getting them both covered in blood 😁#Jason Todd#Dc#Bruce Wayne#Batman#This has been in the drafts for 2 weeks but it fits with my recent flurry of Bruce and Jason posts. You can tell the Gotham Knights social#worker arc pissed me off 🙈#Jason hardly gets to defend himself but at least he has a voice again. At least he gets to make demands
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The idea that uni protesters are "elitist ivy-league rich kids larping as revolutionaries" on Twitter and Reddit and even here is so fucking funny to me if you actually know anything about the student bodies at these unis. Take it from someone who's going to one of the biggest private unis in the US, 80% of the peers I know are either from the suburbs or an apartment somewhere in America, children of immigrants, or here on a student visa. I've heard about one-percenter students, but I've never met one in person. Like, don't get me wrong, the institution as a whole is still very privileged and white. I've talked with friends and classmates about feeling weird or dissonant being here and coming from such a different background. But in my art program, I see BIPOC, disabled, queer, lower-income students and faculty trying to deconstruct and tear that down and make space every day. So to take a cursory glance at a crowd of student protesters in coalitions that are led by BIPOC & 1st/2nd-gen immigrant students and HQ'd in ethnic housings and student organizations and say, "ah. children of the elite." Get real.
#also idk how to tell you this but even if it were true. wealthy children potentially sacrificing their educational careers to protest is#a good thing actually. idk how to tell you that caring about people from other nations is good#personal#“this war has nothing to do with most students cuz nobody's getting drafted” idk how to explain to you that we should be angry#that our tuitions of 10s of thousands of dollars that we pay every year for an education is being used to fund a genocidal campaign#also the implication that if you go to a uni institution you are automatically privileged by participation no matter your bg#i didn't /want/ to go to this school. i was supposed to go to a school with an art/animation program. but i realized my immigrant#parents have been working their whole lives to get me here. and turning the opportunity down would be a disservice to their sacrifice#this is getting into convos of “what 2nd gen kids owe their parents” which is different for everyone but. yeah#i just get pissed off at seeing people misrepresenting student bodies as “wealthy” and “privileged” and “elite” when it's such a blatant li#i remember a year ago a friend told me they can't fly home to hong kong for winter break because the plane tickets are too expensive#so they have to find temporary housing around the area#last quarter for a film doc class my film partner made a doc on a small group of marxist grad students from india discussing praxis#during a rally a few months ago in response to police presence the coalition invited palestinian students to speak about their experiences#and lead songs and read poems they wrote. these are STUDENTS. are they elitist too?#this is not to disregard my own personal privilege either.#this whole narrative's just to rationalize a lack of empathy to me. seeing a 19yo student get shot by a rubber bullet and your first#reaction is “HAW! HAW! bet richy rich didn't see THAT coming when she put on her terrorist hood!”#newsflash. these big uni campuses are HAUNTED by the violence of past protests and revolutions and police brutality. we know.#why do you think these coalitions have been making reinforced barricades at record speed
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obsessed with hoyoverse one-upping themselves every time they revisit Alhaitham and kaveh, they gave us a flashback of an intimate conversation in their home in cyno’s second story quest, and now we get a flashback of the two having a ‘private’ conversation in a ‘secluded’ place, where it’s casually dropped that kaveh programmed mehrak to recognise alhaitham’s voice ????
firstly, it’s very, um, INTERESTING that the flashback starts with a line which we have no context for, of kaveh stating that ‘we’ have more than a heartless, transactional relationship to alhaitham, presumably referring to him and Alhaitham. i feel like this lack of context is deliberate, as Alhaitham is the one to provide the context in the following line
this insinuation is !??!!? considering that kaveh has previously considered his and alhaitham’s relationship to be exactly that – a heartless, transactional relationship, in that he believed he owed Alhaitham something, and that Alhaitham expected something from him, when moving into alhaitham’s house
so personally I’m running with this line referring to mehrak, but also commenting on the progression of the relationship between Alhaitham and kaveh, I will make a more extensive post about this at some point!
But also this flashback scene provided us with apparently the very essential information that mehrak now recognises alhaitham’s voice <3
this is driving me a bit umm crazy actually!! Mehrak has been previously established as kaveh’s helper companion, and in his voice line he says that he hopes mehrak understands what he’s saying, which hints to his loneliness at the time he made it – after he moved into alhaitham’s house
and now we have a whole scene establishing how their relationship is not heartless, how kaveh feels terrible about having potentially driven it away from him, and ultimately how important mehrak is to kaveh, only for this to be followed by Alhaitham saying that he and mehrak have ‘met’, as if meeting a person, which to me establishes that he knows how mehrak is important to kaveh, and this culminates in Alhaitham letting kaveh program mehrak to recognise his voice
mehrak being emotionally significant to kaveh is being used to indicate the intimacy of Alhaitham and kaveh’s progressed relationship, as Alhaitham is the only other person whom mehrak recognises, and may even respond to – which highlights how important kaveh interprets the bond between him and Alhaitham to be
where kaveh used to be lonely, he now has integral bonds whom he allows himself to rely on, which corresponds to his understanding of a ‘home’
#haikaveh#kavetham#alhaitham#kaveh#genshin impact spoilers#LIKE WHY IS THIS AN INTEGRAL DETAIL WE HAVE TO KNOW HOYOVERSE?? WDYM KAVEH WANTS MEHRAK TO RECOGNISE ALHAITHAM#heavy family implications heavy narrative arc fulfilment#ALSO THE DAD STANCES??? they are disapproving and worried of their daughter's reckless actions#i know mehrak is canonically genderless but fanon has impressed upon me that mehrak is a she its irreversible#im not okay about this!!!
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In ep 24 "Knock Knock" I found this interaction between Kalaya and Eursulon so fascinating
Kalaya: You're a true friend of a wizard of the citadel?
Eursulon: Yes.
[...]
Kalaya: Is she kind?
Eursulon: She can be.
It felt like such a big sister thing to be cautious of this wizard and have concern for her little brother. A spirit in a world that can be unkind to wild ones such as themselves.
But more interesting than that was Eursulon's answer. "She can be." It could be interpreted as, sometimes she is kind and other times not. Which we have seen both from Suvi (wielding the power, prestige, and station of a wizard vs loving and cherishing her friends).
But it could also be interpreted in a future connotation. Like she COULD be kind but we have yet to see. Will the citadel justification machine take over or will she retain the lessons learned from grandmother wren and hold on to a respect for the world of spirits
Last Eursulon saw Suvi she was caught between her friends and the citadel. And while wizardry is not innately unkind the systems put in place by the citadel can be concerning. Suvi has the potential to go down an alarming path with the brass of the citadel pushing her along. She has the capacity to be "unkind". But the gut reactions we see from her. The Suvi reactions, not Sky or the citadel, but SUVI are always kind. With her friends in her life Suvi can be kind and would continue to be kind. But her friends keep pulling away and the fall out from the last goodbye may be very influential into who Suvi will be.
Eursulon may not have meant much by his response but it feels very ominous in that we are yet to see the type of legacy this interation of the wizard Sky is going to leave.
#this is very rambly and idk where i was going but the implications of “she can be” has been stuck in my head#and i didn't even get to the connection to Ame#the little girl who wrote “be kind” on her wall#ugh this story is so good#wbn pod#wbn: www#wbn spoilers#wbn#worlds beyond number#eursulon#kalaya#suvi#ame#wwwo spoilers#wwwo#and let me be clear I love wizards and am obsessed with the narrative potential of the citadel#no hate on wizards what so ever
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need to put some kind of disclaimer on all my silt verses shipping posts to say that i actually think it's awesome that tsv is a very aromantic narrative and that the shipping potential is incredibly limited and largely based on textual extrapolation. i just have a disease called "aromantic who enjoys deconstructing the traditional expectations/"tropes" associated with romance and examining how they can possibly be challenged, reclaimed, or transformed by the people they're used to exploit and shun for failing to meet these ideals".
#🐉#hence my obsession with VALshrue which is based in 1. narrative entanglement and 2. a fucked up if true 'joke' with some#seriously abusive implications#like how do you reconcile something that grotesquely exploitative? well. you get weird with it. and you ask yourself what if.#and draw them in silly little sexually charged poses together. i guess.
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i should've mentioned it in that dragons can plant trees post, but magic in asoiaf is partly being recontextualised through both bran and dany, in bran's case, he's (at least temporarily) inheriting bloodraven's weirwood network which he historically used to run some version of a surveillance state when he was hand. but already bran's involvement with is thematically panning out differently, bran answering theon's anguished prayers to the heart tree in winterfell is saying: this is the new face of the old gods and if they had been cold and unforgiving before, that could change. "gods do not weep, do they?" thinks theon, but we know bran does, "if i cry, will the tree begin to weep?"—now i don't entirely understand where bran's arc is going but also don't think he's meant to fully reject whatever bloodraven and the children are offering to teach him, the way sansa needs to reject littlefinger's overall cynical philosophy but there is benefit to being exposed to the realities of the world, not that it had to happen in such a violent manner. the way arya has picked up valueable skills and knowledge at the house of black and white and eventually rejecting the faceless men does not mean forgetting all that.
similarly, dragons have been historical weapons of war and tools of conquest in the freehold, yes, but already they're, i.e. the last remnant of old valyria is helping dismantle the freehold's imperial and slaveholding legacy. it's a dragon eating its own tail! and what is dany's story if not a cycle of destruction and then after that, rebirth.
#bran is so hard to talk about! i love him he's my favourite pov but also i understand the narrative implications of his chapters the least#valyrianscrolls#asoiaf#*[🫀]#magic in asoiaf#bran#dany
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Ignoring pain is like pretending you haven't entered the event horizon of a black hole.
#the narrative implications that klonoa selectivly forgets things that are tramatic#or that he ignores it and the emotional/mental pain it brings#klonoa#klonoa 2#klonoa lunatea's veil#my art#bandai namco#klonoa fanart#also wantes to do something with dynamic shadows#ink drawing
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The F1 driver who takes every opening he sees
A mechanic’s son, Esteban Ocon took an unlikely path to an F1 driver’s seat. Now he’s fighting to keep it.
MONTE CARLO, Monaco — The mechanic’s son walks past women in bright dresses and men in fine suits, many of them sipping champagne. He breathes in the salty air of the Mediterranean, its shoreline neither rocks nor sand but dozens of mega-yachts.
The Monaco Grand Prix, held each May, is the global peak of sports opulence, less street race than picture postcard from high society: A-listers and royals toasting the good life in the richest place on Earth. Several Formula One drivers live here, their plain-sight hideaway amid a Netflix-fueled fascination with their sport. Among them are Max Verstappen and Lewis Hamilton — champions, multimillionaires and household names in a sport Hamilton has called a “billionaire boys club.”
Esteban Ocon, though, is not of this world. When Ocon was a karting wunderkind, other drivers would sneer at him and scoff, whispering that the only child of a dumpster-diving mechanic doesn’t belong. That the Frenchman, now 28, will forever be a [wanderer] playing dress-up in a place such as Monaco. Even after eight years on the grid, he remains an outsider.
Then again, an impressive finish here would change minds. It might even change Ocon’s, convincing him it’s possible to be born into one end of the economic spectrum and, with enough talent and moxie, reach the other.
He changes out of his jeans and into an Alpine race suit. He stretches the muscles on his thin frame and climbs into a $15 million super machine. The green flag drops. Ocon accelerates, 0 to 100 mph in 2½ seconds, trying to position himself and his team for an early chance at points. Over the years, he has proved himself as a skilled and fearless driver, aggressive sometimes to the point of recklessness.
With Monaco’s narrow streets and hairpin turns, passing is dangerous. Three-time world champion Nelson Piquet once compared it to riding a bicycle in your living room. And trying to pass a teammate? It simply isn’t done.
Before the race, in fact, Alpine instructed its drivers to avoid each other. Whoever is ahead after the first lap should stay there; the driver behind him is to protect his blind side.
Midway through the first lap, the cars are clustered. Pierre Gasly, Alpine’s other driver, is immediately in front of Ocon. On the eighth turn, just before the circuit’s famed tunnel, Gasly eases off the accelerator. Ocon sees his teammate drift left, allowing space between Gasly and the wall, creating an opening.
FIVE HUNDRED MILES NORTH, there’s a small French village built into the lush countryside. People in Évreux raise chickens, recycle batteries, mow their own grass. And the locals tell of a man north of town who could bring back the dead, so long as the corpse had four wheels.
One of those locals, Marc Guillouet, still remembers the sound of Laurent Ocon’s air compressor bellowing at all hours as Ocon performed reconstructive surgery on another broken-down used car that had been towed through his gate. Then, hours later, another sound: the engine humming back to life.
“The way he refurbished it,” Guillouet says, “it was like new.”
Laurent was a self-taught mechanic who built his shop onto the back of the Ocons’ home, a single-car garage jutting out in yellow stucco. It was in the house’s rear, but it acted as the family’s entrance. Before school some mornings, young Esteban would see his father, grease up to his elbows, still trying to solve the previous night’s puzzle. When Esteban returned in the afternoon, he would watch Dad beamas he turned the key, listened and … there it was, that beautiful music.
“We live for that,” Esteban says now. “He wants to win, like me.”
Laurent’s passion was reviving machines. His son’s was maneuvering them. Esteban says he was 4 the first time he got behind the wheel of a go-kart, gliding around the track at an amusement park, through cones and around other karts as if it were second nature. His friend who came along drove straight into the wall.
Esteban kept driving, testing himself in bigger, faster, more complex machines. The families of some other 8-year-olds hired engineers, barked into radios and traveled with professional mechanics. But Laurent and wife Sabrina had no money for that. If Esteban’s carburetor failed or his torsion bar broke, it was Laurent who mounted a new one. Then they would return to Évreux from Ambourville or Rouen, often with Esteban cradling another trophy.
“We tried to protect Esteban from pressure as much as possible,” Laurent says, answering questions emailed by The Washington Post. “But unfortunately, the only solution is to perform.”
After one of Esteban’s races, a representative from a management company approached. The boy had the talent to make racing his career, the man said, but it wouldn’t be easy. Or cheap.
Thousands of European kids grow up dreaming of the Formula One life, waiting to pilot a rocket at circuits such as Monza and Silverstone and Monaco. Most never make it, and even those who only come close do so after millions have been spent on equipment, travel and engineering.
The families of many drivers commit hundreds of thousands before their child becomes a teenager, largely to get noticed by top feeder programs and driver academies. Among the hopefuls are the kids of billionaires and oligarchs, able to bankroll the pursuit of a nine-figure dream. A few even pay their way onto the F1 grid, with cash-strapped teams agreeing because it transfers the financial responsibility.
Most, though, spend years working their way up.
“Even if you are talented,” Esteban says, “if you don’t have the right people, you don’t manage.”
But all he had were his parents.
“If he really wants to do it,” Esteban remembers hearing Laurent say years ago, “we’ll give him everything we can.”
LAURENT AND SABRINA SOLD THEIR HOUSE and the family business, leaving behind anything that didn’t fit in a 21-foot motor home. They stuffed Esteban’s mini-kart into the rear of a van, surrounded it with tools and Esteban’s toys, then hitched the motor home to the van’s rear.
“Prepping,” Esteban’s parents told him, “for the rest of your life.”
With Évreux in the rearview, home now was a parking lot in Lyon or a roadside in Le Mans. Ten-year-old Esteban had his bicycle and the family border collie to keep him company. Sabrina outfitted the motor home with a fake fireplace and told friends it was their mobile chateau. Le Palais des Ocons had a living room and shared sleeping quarters, with views that were a mountain some days, a vineyard others.
Sabrina and Laurent convinced their son that each day was an adventure, each morning a chance for Esteban to open the door so he and their dog, Viper, could breathe in a dramatic new backdrop. He and Laurent sometimes went on long bicycle rides, where they talked about engines, racing, the future. Then the convoy headed to a nearby track, where the soft-spoken Esteban slid on a helmet, climbed into his kart and transformed into an assassin. There wasn’t an opening he wouldn’t hit, a pass he wouldn’t attempt, a throat he wouldn’t cut. Esteban wanted to win races, yes, but victory was about more than bragging rights.
In his 9-year-old mind, he says, it was the only way to repay his parents.
“I had weight on my shoulders very early,” he says. “There was never a Plan B in my head.”
In 2006, Esteban, then 10, won the regional mini-kart championship, which qualified him for a spot in the French Cup’s “Minime” division. He reached the final heat, and he and another young star, Charles Leclerc, angled for positioning on the last lap. Esteban went inside, trying to overtake Leclerc, and their tires touched. Leclerc spun out and hit the wall; Esteban recovered but finished outside the top five. The two boys spent the rest of the day crying.
The family returned to Évreux each winter, staying with family so Esteban could attend a few months of school before the new season. Otherwise, they kept moving, rarely in the same place for more than a few days.
Esteban won the French Cup in 2007, the “Cadet” title a year later, the junior championship in 2010. With every promotion came longer trips and more expensive gear. An entry-level “baby” kart costs about $3,000, not including registration fees and fuel, and a used mini-kart engine and chassis can be twice that.
By 2011, with a promotion to Winning Series Karting, the chateau was crossing borders so Esteban could race in Spain, Italy and Portugal. Entry fees alone were upward of $5,000 per race, with fuel and spare parts pushing the cost higher. All youth sports have their own unique cultures, and in this one, there is an established taboo: Kids don’t talk about their parents’ wealth.
But chatter happens anyway. Jos Verstappen, father of 14-year-old Max, used to drive in Formula One and spent $1 million bankrolling his son’s career. Leclerc grew up among the yachts and Ferraris of Monaco, and Lance Stroll’s dad, Lawrence, was a fashion billionaire.
Esteban’s folks?
Homeless, the other boys murmured. Sometimes, they said, they even saw his dad lurking near the circuit, waiting to pull other drivers’ used tires out of the trash.
IN 2014, OCON, THEN 18, won nine races and finished in the top three in 21 of 33 races to claim Europe’s Formula Three championship. But it was 17-year-old Verstappen, who had finished third, who was promoted seven months later and became the youngest driver ever to appear on the F1 grid.
“My dad always said it’s not going to be easy,” Ocon says now. “I didn’t really know what my future would be.”
He spent the 2015 season with Mercedes and Lotus — discussed alongside Verstappen, George Russell and Gasly as the sport’s next generation of starsbut still toiling in its minor leagues.
The next season, another young driver, Indonesia’s Rio Haryanto, won a spot with Manor Racing, a fledgling F1 team from Britain. F1 teams today operate under an annual maximum budget. Back then, though,the annual cost for a two-car team could reach nearly $200 million per year. Some teams have lucrative sponsorship agreements and investments from engine manufacturers, but others rely only on prize money and the potential share of a year-end financial pie that is distributed to the teams that finish in the top 10 in points.
Haryanto started the first 12 races that year before Manor dropped him — and not just because he never finished better than 15th. It was because Haryanto, initially backed by a $16.65 million investment from an Indonesian oil and gas company, ran out of money.
Manor’s own survival depended on performance, so in August 2016, it contacted the most talented driver available and told 19-year-old Esteban to get to Belgium. A management company had agreed to underwrite Ocon’s career, so with the motor home now retired, the family traveled by plane.
“A lot of emotions and relief,” Laurent recalls. “The culmination of 16 years.”
FOUR MONTHS AFTER ESTEBAN’S F1 DEBUT, with the sport itself at a crossroads, Manor Racing announced it was broke.
It was January 2017, and this was the first of several dominos to tumble.
The next was that Force India, a well-funded team and a new contender, offered Esteban a multiyear contract after its No. 2 driver, Nico Hülkenberg, defected for Renault. With an elite car, Esteban finished seventh in Russia, fifth in Barcelona, sixth in Montreal — valuable points for his team and proof he belonged.
Then, in Azerbaijan, Ocon saw an opening. He tried to pass Sergio Perez, his Force India teammate, before their wheels touched. A moment later, he went for it again, contacting Perez’s car and damaging both vehicles.
“What did Esteban do, guys?” Perez said on his headset radio. He later called Ocon’s behavior “unacceptable.”
Three races later, Ocon again collided with Perez in Hungary, and a week later in Belgium, Ocon tried to pass his teammate on the inside. The cars made contact, Perez’s front wing flew off, and the veteran driver’s anger exploded.
“Honestly, what the f--- is this guy doing?” Perez said. “F---ing idiot.”
High drama — which, considering the sport’s new ownership, was undoubtably welcome.
Long owned by a European private equity fund, Formula One had recently been purchased by Liberty Media, an American entertainment titan that parlayed its ownership of struggling assets, from satellite radio to the Discovery Channel and QVC, into ownership of the Atlanta Braves. It wasalready planning the all-access Netflix docuseries that would debut in 2019 — less than a year before the pandemic. When the sports calendar ground to a halt, “Drive to Survive” became a massive hit that sent each team’s value soaring.
Sponsors and investors were fighting for a piece of a sports gold rush. Not everyone could keep up, though. Force India’s owner, Vijay Mallya, defaulted on more than $1 billion in loans after his airline failed, before numerous banks accused him of fraud. (Mallya has called these accusations “rubbish” but, after fleeing India for England, is still considered a fugitive.) He sold his team to a group of investors led by Canadian billionaire Lawrence Stroll, who had made his fortune on the threads of Tommy Hilfiger and Michael Kors. And who happened to have a son, Lance, who drove, if not very well, for Williams Mercedes.
Just like that, it was Ocon being bumped, his dream blown to pieces by his own team. When the 2019 season started, he was out of a job. He blamed “politics.”
He joined Mercedes as a reserve driver, and during race weekends, he says, he would climb into a racing simulator and go through scenario after scenario until 4 a.m. On no sleep, he would go to the airport and travel to wherever F1 was because that’s also where Ocon could meet with potential investors, sponsors and engineers. Then, a week later, he would do it all again.
“I didn’t care because I said, ‘Let’s give it a full go,’ show the people how hungry I am,” he says. Failure, he told himself, would mean that his parents’ sacrifices had been in vain.
“I didn’t do all that just to sit on the side,” he continues. “Teams saw how much I was willing to give, how much I was willing to suffer. I wanted to show everyone that I’m willing to go further than anyone else. No sleep for three straight days, simulator day and night, I’m going to do it. And, yes, I’ve lost four kilos in that year and got sick seven or eight times, and the reality is, yes, I’ve suffered and it was tough. And I don’t want to be suffering forever.”
In late summer 2019, with the first season of “Drive to Survive” being filmed, Ocon’s phone rang. Renault was parting ways with Hülkenberg. The French team wanted the kid from Évreux to come home.
“A crazy moment,” Ocon says. “This was it. The tough times are over now.”
LAST YEAR IN MONACO, something happened that was highly disruptive: Ocon finished third. It was his third appearance on the podium and his best result since he won the Hungarian Grand Prix in 2021. In one of Europe’s nightclub capitals, the 27-year-old celebrated. Hard.
Fatigued, dehydrated and emotionally drained, Ocon again got sick. He was nonetheless due back on the grid in Barcelona four days later. He finished eighth in each of his next two races, then 14th, then didn’t finish the two after that.
Nobody weeps for the motorsports rock star, but a life spent in constant motion does take a toll. A year after signing with Renault, which rebranded as Alpine, Ocon was reportedly paid $5 million per year. He put Laurent and Sabrina on the payroll of “Team Esteban,” he says, assigning his mother administrative tasks and his father responsibilities such as renovating Esteban’s house. He could also hire a performance coach to keep his body and mind sharp — or as sharp as possible in a sport whose schedule features two dozen stops around the globe.
Now, years after Laurent and Sabrina tried shielding their son from many of racing’s pressures, it is Tom Clark’s job to act as Ocon’s conscience. To tell him it’s okay to sleep in on weekends, to grab a nap after practice, to avoid media and fans because more interactions mean more exposure to pathogens.To urge him to eat more lean protein and complex carbohydrates, stay ahead of time zones by wearing sunglasses to simulate darkness, use a light therapy lamp or glasses that emit a bright glow above the eyes. To encourage him to take it easy sometimes, especially when it comes to challenging teammates, and maybe to even think about gearing things down a tad.
“Let’s really just put a bubble around you,” Clark says he tells Ocon.
The problem is this is in conflict with the instincts that got Ocon here. Without deprivation and exhaustion, would he have ever left Évreux? If not for aggressive racing and a ruthless competitive drive, could he have even reached the grid? Especially when it comes to challenging teammates, can’t he gear things down a tad?
ON THE FIRST LAP at this year’s Monaco Grand Prix, there’s Gasly in 10th place. Ocon is 11th. Points are awarded to only the top-10 finishers.
The Alpine drivers have known each other since childhood, their hometowns just 20 minutes apart, friends scratching and clawing for better footing. When they were 12, both were in the same championship race. Gasly overtook Ocon on the last lap to win. “I kicked his ass,” Gasly told the Netflix documentary crew, “and he didn’t like it.”
Not long after, the French racing federation had an opening at its sports academy in Le Mans, a kind of Hogwarts for kid racers. It was Gasly who got the invitation, not the mechanic’s son. The friendship crumbled, just one more thing Ocon left behind as he boarded the motor home once more, looking to win races, yes, but also in search of acceptance.
“But look where I am now,” he says. “That has helped me to get through a lot of steps in my life. That’s what made me so competitive, I guess, from so early on.”
Ocon and Gasly hadcollided in 2023, too, in Australia, with both cars taking race-ending damage. After that, tension between the teammates boiled over when Gasly accused Alpine of coddling Ocon. Before Monaco, the team told the pair to cool it.
And they did, for all of 40 seconds. Now, seeing that narrow opening, Ocon goes for it.
His rear tire connects with Gasly’s front wheel once, then a second time, sending a bitter cloud of burned rubber into the sea air. Ocon’s car goes airborne before turning sideways, and though it lands on its wheels, the impact causes catastrophic damage.
“What did he do?” Gasly says into his radio.
Pieces of carbon fiber fly off Ocon’s car. The tire is punctured, the gearbox fried, the suspension arm broken.
“That’s it, guys,” Ocon tells his team. His Grand Prix is finished.
Needing repairs that will cost tens of thousands and with Ocon’s car due in Montreal in 10 days, Bruno Famin, Alpine’s team principal, publicly admonishes Ocon and vows “consequences.” F1’s governing body, the Federation Internationale de l’Automobile, penalizes Ocon after ruling he initiated the collision.
A week after Monaco, Alpine announces that, in 2025, it will replace one of its drivers. Neither had gotten a podium, and only Ocon had won a point for Alpine. But the team chooses to keep Gasly, meaning Ocon again will be set adrift, the [wanderer] seemingly destined to forever roam.
A FEW MONTHS AGO, Esteban and Laurent went for a long bike ride. The old man still lives near Évreux, operating a shop his son bought him. He still likes to work on cars and make music, albeit as more hobby than job, andprefers to traverse the countryside on an e-bike.
Even against his dad, Esteban can’t help himself.
“I still pull away,” he says.
First, though,during a quieter moment on a recent ride, Laurent told his son a story.
There was once another boy with talent and ambition, the story went, hoping to someday become a professional cyclist. He was as skilled as anyone, but the other kids had access to training and coaches that this boy’sfamily couldn’t afford. So lying in bed one night when he was 16, he succumbed to these economic realities and abandoned his dream, diverting his attention and passion into becoming a mechanic.
So, he went on, when that boy became a man and a husband and a dad, he and his wife agreed to do everything possible to position their son for success. To tell him about possibility, not limitation, and raise him in an environment that would eliminate regret.
“He had never told that story,” Esteban says. “That moment, basically, when he was lying on the bed like that, probably changed my life. They clearly gave more than what they could, and without them I wouldn’t be here.”
Esteban says he occasionally fantasizes about what it would be like to stay in one place: to stop moving, inhale, feel settled. Maybe someday, he says, but not just yet. In July, after Ocon was two months adrift, Kevin Magnussen announced he would be leaving Haas.
Haas, as it happens, is run by Ayao Komatsu, a former F1 engineer who had met and encouraged Esteban when he was just a teenager. A decade later, Komatsu came through. Haas offered Ocon not only a seat for 2025 but acceptance for all the things he is and is not.
“Esteban, he needs an environment that he knows the team is behind him, supporting him, listening to him,” Komatsu says. “No politics. I believe we can provide that.”
But what about the suggestion that Ocon doesn’t play well with others? That you can never take the Évreux fully out of the kid?
“If I was worried about that,” Komatsu says, “I wouldn’t sign him.”
After their bikeride, Laurent and Esteban turned around but kept talking over the wind. Farmland and hills blurred past, same as they did years ago, and a favorite memory of Esteban’s sprung to mind. It was morning, and the 12-year-old awoke in the motor home again with no idea where he was. So he opened the door to see blue sky, the slopes of great mountains, the shoreline of the Mediterranean.
Laurent had parked the van and motor home in Monaco, where yachts are moored and the best drivers live. Esteban remembers the feeling of that moment, the possibility, and his dad stepped out and said there was nothing to stop his son from racing here someday. Whatever came next would be determined by Esteban.
“There was no guarantee,” Esteban recalls his dad saying. But the boy had a chance to prove he belonged. Picturing the momentyears later, he inhaled, kept pedaling and let Laurent catch up as the two of them headed home.
#used a site to remove the paywall#so here is the whole article for those interested! <3#esteban ocon#f1#btw the things i put in brackets is bc the author used the g slur and while i get the implication#of este always being on the move in the caravan and now as adult as well#i still think it is a bit in poor taste#also be aware that this author has zero wheel knowledge bc he mentions incidents that were simply not este's fault#and feed into the dumb bad teammate narrative
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It's interesting that when Keeley is telling Ted about the implications of that photo of him and her leaking to The Sun, she says "Jamie is going to go mental" but it's not followed up with "he's going to think i cheated on him" or "he's going to break up with me" or "it's going to ruin our relationship" it's instead followed up by, "there's going to be photographers all over us!" And later when she's talking to Rebecca it's, "My god, Jamie would've been so pissed off with reporters poking around in our love life." There's something to be said for like, she never once expresses doubt that Jamie won't hear her out on the truth or believe what she tells him. The major focus of her concern is just keeping their business out of the press. Their relationship in season one is far from perfect but there's a lot of implicit trust between them.
#i also think this also has implications on the Bex of it all.#like...i don't think any of keeley's anger stems from thinking Jamie cheated on her.#instead it comes from Jamie breaking their mutual trust#he made a stupid decision without consulting her and was only worried about how it would affect HIS image#meanwhile him bringing bex could have easily made it to the press and painted the narrative that he's a cheater and keeley's the victim#she has the courtesy to respect and protect jamie's image in their publicity but he doesn't show the same courtesy for him#obvs rebecca is clearly warning keeley under the assumption that Jamie is cheating on her#but not only do i think we as the audience are supposed to get that isn't what's actually happening#i also think KEELEY gets right away that that isn't what's actually happening#it doesn't make her any less angry but it does change the shape of her anger#anyway#jamiekeeley#ted lasso#keeley jones#jamie tartt
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So do you guys actually think that Jason's entire story, relationship to the others, and philosophy amounts to him being a rebellious teen who wants his dad's attention? Like are you 100% serious? I thought you were joking about that but too many of you are saying it with your whole chest.
And what the fuck is this "Bruce antagonizing Jason is fanon!" Shit I've been seeing? You guys are aware that a parent can love their kid and still be a shit parent right? I know you guys don't want to fathom the thought that maybe your blorbo might also occasionally have to face responsibility for consistently endangering children but let's not start being delusional now.
Bruce does love his kids, that doesn't mean that he hasn't hurt them. And I'd also argue that for the most part he feels in the right for it, and he's said multiple times that he believes it's for their own good, so you can't even argue that he's sorry about it. It's okay for you guys to admit that your PERSONAL INTERPRETATION of the character wouldn't do that but don't sit here and pretend that it's not a facet of the source.
#you can argue meta until you're blue in the face#but I can't ignore the ingerent abuse of Batman and Robin because DC is always drawing attention to it#Stephanie and Jason directly died because of Robin#Stephanie wanted to impress Bruce to live up to his idea of a sidekick and prove her worth#Sheila only sold Jason out when she found out he was Robin#Damians life certainly got worse when he became Robin/moved with Bruce#if you bring up racist retcons I'll kill you btw#how are we supposed to read children dying and being tortured and traumatized constantly#and just ignore that these are children#I can ignore the reality of child sidekicks in campy light hearted early comics#but if DC wants to deal with serious topic they're going to have to deal with some serious implications too#Also that post that's going around about “Bruce loves Jason and it's Jason who's causing all the animosity” is such bullshit#what the fuck are you even talking about#and let's not act like Jason is the ONLY one at fault and Bruce is just a poor loving father#is Bruce spreading that utter bullshit about Jason's death and who he was not an act of violence?#was he not the one to cast the first stone by disgracing Jason's legacy and using a version of him that never existed as a cautionary tale#and I know some of you are going to argue that with most of the kids there's nothing Bruce could have done to stop them#and this is the one time in which I will ignore all the very real ways that he could have#but I still think that in universe the characters have a right to be angry about it#Jason always since his debut as red hood been a vehicle for calling out Bruce#he's so heavily steeped in meta narrative because his run is when they started dealing with the real BAD cases#The Cult Garzonas onscreen murders were getting more common#AND NO ONE CAN CONVINCE ME THAT BEING ROBIN DIDN'T MAKE JASON'S LIFE WORSE#THERE WAS NO REASON TO MAKE HIM ROBIN HE COULD HAVE BEEN VERY HAPPY AS JUST A NORMAL KID#But Bruce made having a place in his home synonymous with being Robin because the narrative dictated it had to be#what was homeless orphan Jason going to do? say no?#it was basically coercion and it doomed him and he has every right to blame the adult that put him in that position#dc#bruce wayne critical#bat family
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#so um i was thinking about the theme of change in kuwagami#and this kinda popped in my head because smoking is a good visual metaphor for that#the implications behind vaping/smoking yk#ah to be (un)willingly altered by your narrative foil#it's just not the same anymore#they will haunt eo for the rest of their lives#i wanted to say more but i forgot how to english so i'll just let it speak for itself i guess#kuwagami#kuwana jin#yagami takayuki#yakuza#rgg#rgg fanart#lost judgment#judge eyes#ryu ga gotoku
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mercymorn the first + fragrant is my many flower'd crown, lingua ignota
#pretty sure i could write a thesis on the thematic/narrative implications of how her death is treated by john and also augustine#all bitches die / bitches get what we deserve also could have wormed onto here#anyway. she makes me crazy. her circumstances make me crazy#mercymorn the first#comparatives#aust.txt#tlt
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There’s something so important about Gillion - who never heals himself, who rushes into danger, who hides his wounds- facing death and realizing he isn’t unafraid as he was raised to be. He uses his magic on himself to help with the exhaustion, to keep his life intact. And still he tries to comfort Jay and Chip while he’s coherent, being realistic about his chances but refusing to make it painful. Wanting their possible last moments to be light, to be about seemingly inconsequential things, small favorites that still mean the world to him purely because they’re Chip and Jay’s favorites. And then when all is said and done, he makes a raccoon for Jay. He talks about raspberries for Chip. He uses his last saved up arcane energy to try desperately to stay awake, and it works, and it saves him in the final hour.
It’s just. There’s something about how he hasn’t had a chance to rest since the Feywild, really, truly rest. How this whole time he’s been down on himself and taking extreme risks. And now, at what might be the end of it all, he realizes he doesn’t want to die. He wants to live. And not to be able to save others, not to fulfill his destiny, not out of obligation to anyone else - but purely for himself. For all the little things. And though it’s not quite healing in the literal term, his nearly final act was spent trying to save himself - and it worked.
#tw again for tags I’ll say and let me know if I gotta tag any more#but the past 30 episodes have been gillion tidestrider gets the shit beat out of him by the narrative#gillion tidestrider faces passive suicidality and faces old trauma and fresh new trauma#he goes through a shift of his foundation as a person he loses his sister the whole filipe thing and then this Curse#and he goes through with a mindset of ‘these problems exist because I do’ with some heavy implications behind that#it’s been getting easier and easier to choose his own destiny and break from expectations but it’s still not easy#but facing real death. slow and creeping and painful. he realizes he wants to live#not live because destiny demands it but because his friends do. because he does. because he wants to know more and share more of himself#I just. there’s something about all of it yknow#jrwi riptide 98#jrwi 98#jrwi#jrwi riptide#gillion tidestrider#z speaks#at what point should I start tagging spoilers like. 100 maybe?
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jsbajan i got whiplash bc i followed u for scollace & i haven’t been on tumblr in a while. so when i saw kaishin i was like, HM. THIS ART STYLE IS SO FAMILIAR?? then i realized. you’re posting bangers. another fav ship of mine. i love kaishin sm omgosh. <3 keep up the awesome work & have fun w/ ur art!!!
omg that's really funny since i've been thinking that my artstyle changed a lot (back to normal) after scollace but thank you so much!!! kaishin goated!! even if 73 is making stupid retcons!!! and i will i have so much devious plans for drawing them rn wahahahahhaa
fake ass bitch ^
#siu talks#asks#Not To sound like those Big Things Coming. Huge Things Coming guys but#every day i am tormented with visions of kaishin stuff i wanna draw#after the djs there may be another one. altho it might be more kidcon centric instead cus im obsessed w how#they're like the only ppl who would understand the loneliness of living two identities and never being seen by those they love#even if kaito does it by choice (family burden. wtv) and shinichi is forced into it#also just like they got that 4d chess sapiosexual shit going on????#idk. they make my head hurt. fake ass rivals i saw you flying together!!!#and having romantic implications in the narrative! (bandaid) (singapore dates) (the theme songs) (etc)
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