The Dread Wolf Take You (Part 1)
~~Link to the complete 31 page comic here~~
"Imagine that, overlooking the god in your mids!"
May I present, my attempt at illustrating the last four pages of Tevinter Nights. 😁 (Also, the first time I'm posting art on here!)
As the whole thing was quite literally too long to post on tumblr, I uploaded the full version on a customized site made for reading webcomics (via ComicFury). Feel free to check out the link above if you like to read the rest! Also, if you're on mobile, there's a "Scroll View" option for easier navigation. :)
And, obviously, HUGE spoilers for those who haven't read Tevinter Nights!!
On a personal note though, I can't believe I actually finished it... As it had been a *very* long time since I drew (and finished) anything, let alone a 31 page comic and reading Tevinter Nights again finally sparked my motivation (and the courage to post it lol). So I want to thank Patrick Weekes for helping me overcome this massive art block and over two decades of Case Closed mangas for inspiring me how to draw an overly dramatic "exposing the imposter" moment. 😂 I tried my best to be as faithful to the book as possible and it took me forever, so... hope you like it! :D
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The Painted Lady stared at Zuko, eyes wild in deep focus, and sank into her knees next to him. Her pale, scarred hand reached out to meet him, but stopped short before making contact.
Her voice was soothing and gentle as she asked, “Is that what you truly believe?”
Sometimes, it feels as if Izumi knows Zuko better than anyone else.
For our confidants and spirits (and those who are one and the same) is For the Spirits Chapter VI: Dream of You.
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For the Laicion nation (aka, me and three other people)
I had this illustration commissioned (a big thank you to @lunehowls) for my werewolf AU Laicion fic (still a WIP).
The general pitch is as follows :
AU in which Laios never got to meet his sister again, putting his life on a whole other path, a more desperate one. A military deserter with barely a coin to his name, Laios hitches a ride on a boat to one of the elven continents, where he learns about magical tattoos that binds one’s soul to a wolf’s, effectively making them artificial werewolves. Illegal magic be damned, this feels like the answer to… everything.
In the process, he learns about the existence of an illegal fighting ring in one of the elven cities, where beastmen gladiators gather. Freshly tattooed and without anywhere else to go to, Laios decides to head there, where he meets Lycion, an elf and artificial werewolf gladiator. If they first bond over a simple shared meal, by spending time together (sharing the same room in the barracks, maybe the same bed? gasp) they find that they have a lot in common, notably a shared distaste for the body they were born in, a dysphoria partially remedied by becoming a werewolf.
They bond :)
NB: I commissioned another piece, go take a look :D
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Sukuna is Peak Gap Moe. I’ll never be over this. This bastard talks tough, eats people, and kills like a woodchipper and yet…he is a poetic little sap. Getting mad over an improper haikus, the misidentification of flowers…and confessing his feelings to Gojo Satoru under several layers of wordplay no one except those well-versed in ancient Japanese would catch.
I've been over this in greater detail in Sukuna's Negative Rizz, but @tangsakura added more context in the replies to that post, making Sukuna's use of 凡夫 (bonpu) for Gojo even gayer.
In summary, 凡夫 (bonpu) can be translated as painfully ordinary or unenlightened. But in the individual kanji readings, 凡 is mediocre and 夫 is husband. You could read this as Sukuna calling Gojo his mediocre husband. And that's just the modern readings! The ancient readings...
So you can read this line from Sukuna as the following:
“You were born in an era without me and hailed as 'The Strongest'
1) And yet you turned out to be…painfully ordinary.”
2) And yet you turned out to be…unenlightened.”
3) And yet you turned out to be…a mediocre husband/wife/spouse.”
4) And yet you turned out to be…the ordinary one who could stand by my side.”
Sukuna seems to be saying these things all at once. (It’s no different than the Megumi Activities wordplay he uses with Enchain. Alt. link if the Twitter dies.) Gojo apparently makes him feel very conflicted. He’s boring, he can do better, he shouldn’t even call himself the Honored One, he’s his equal, they’re married. The irony here is that no one except Sukuna can understand this.
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i was never as optimistic about the ending of bnha as some villain stans were, but i never thought it'd end so badly it left me wondering why horikoshi ever bothered to humanize the villains or make them complex characters at all.
like-- i expected that at least 1-2 of the 3 villains who were heavily foreshadowed and outlined by the narrative as people to be saved would be, you know, actually saved. i didn't think that was a high bar. i've been let down before in fandoms where everyone was certain a character would live and then they didn't, so i tried to keep my hopes low. AND YET.
what happened to tomura was upsetting, but i wasn't that shocked after how disinterested the manga has seemed to be in him for like, the past 100 or so chapters. a bit surprised, because you'd think if anyone would succeed in the 'saving' mission it would be the MC, but whatever. dabi, well, they've spent a lot of time showing the way his quirk destroys his body even before this arc, so that also sucked but at least it didn't feel completely out of left field.
........but they're not even letting toga live???
i just-- what have we even been doing here? when zero out of the 3 characters that were marked out for saving were actually saved, you have to acknowledge that something has gone seriously fucking wrong with the storytelling. not even just from the perspective of a villain fan but from the perspective of someone who likes stories to be thematically consistent or satisfying in any way.
you can set up an expectation of these characters being saved and then subvert that and turn it into a tragedy- if done well that could even be worthwhile and interesting. but you can't turn it into a tragedy and then just... keep trucking along with the happy ending messaging and act like anything in the manga has been resolved and that the characters have somehow successfully completed their heroic origin stories.
like, maybe i shouldn't have expected this much from a shounen- at the end of the day it is still a shounen so i didn't expect to feel that it truly satisfactorily wrapped up all the themes it brought up around societal ills. but i expected it to at least resolve those things in a shounen-y way where they punch the problems and help these specific people and then you can feel good assuming that the state of things will continue to improve in the post-canon world of the manga.
instead we got... uh, none of that. the story refused to answer a single one of the larger questions it's been outlining for the past 400+ chapters. in the end, it was all flash and no substance, which again could've been fine, if it weren't for the way the story seemed to spend significant chunks of time trying to delude you into thinking it had substance.
truly makes me wonder what horikoshi thought he was doing the entire time. can it really all be blamed on burnout? the most that can be said for this ending is that it is, well, an ending. fuck dude, it is that.
and that's just... such a sad way to end a project that took up 10 years of your life.
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One piece fans are great cause no matter who you are, where you come from, what your age, gender, sexuality, socioeconomic status is, 1 of these 4 middle aged men will inevitably become your blorbo. Margaritaville uncle, big titty mob boss, morticia addams, or assigned clown from birth. They're all hot, homeless and obsessed with a teenage boy. The world's worst polycule. Choose wisely.
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