#THE ANIMATION!!! THE STORY!!! THE COLORS AND DETAILS!!!

[kiryoutann]

Before reading, please check series masterlist to read the warning(s), disclaimer, and to make sure you’re on the right chapter. Minors do NOT interact.

If you enjoy this, you can buy me a Ko-fi :) Likes, reblogs, and comments are greatly appreciated!

TW: attempted baby trapping, detailed writing about burns and scars.

Mother says she was the first witness to your very first steps. 

Surrounded by four newly renovated nursery walls—painted her favorite pink and adorned with decorations Dad hung for a pop of color. Stuffed animals everywhere, even a 43-inch-tall dollhouse waiting to be discovered.

But, of all the toys, that chubby baby girl determinedly balanced herself on her awkward legs. Mother said you smiled widely, showing a toothless grin and extending your tiny hands forward. Eyes wide open when you almost fell, yet the stubborn baby refused to give up until you reached your mother's arms.

Maybe you simply saw something you wanted. Your mother.

How odd. The thought that you ever wanted your mother is an absurd notion. Because as Simon's car sped off, leaving the manor behind you, all you felt was a sense of relief that you had once again escaped her.

Maybe you wanted your mother only when she wanted you too. Lately—for the past few years after you were ten—she acted like she hated you, and children are truly just mirrors of their parents, incapable of hating before being hated first.

Or maybe—so many maybes when it comes to her—Mother didn’t want to hurt you, didn’t intend to instill this distorted image of yourself with every drop of poison she poured on you. Maybe she simply lacked the knowledge and skills to be a mother, lacking a positive role model from the start.

But intentions mean nothing compared to the outcome, the fed-up rational voice asserts. It doesn't matter if she didn't mean it, because in the end she hurt you. The difference between love and hate becomes this fine line that eventually fades and mixes the two together.

It doesn't matter if she didn't mean it this way at first, because the first time turned into the second time, then the third and suddenly now it's the thousandth time. She breeds her pattern and uses it to make you suffocate. And when you try to break free, she looks at you like a disobedient child full of rebellion.

The sickening optimists will tell you to look on the bright side—that it shaped you, made you the woman you are today. But back then, you were a child—you would have grown up inevitably, so going through all that was just an unjust burden.

(All adults do is cause pain, the little girl said.)

Some crackling radio tune played softly as Simon drove in silence through the dark, winding country roads. No questions came—which you were thankful for; you weren’t ready to unpack all that long history just yet. His brown eyes were locked in focus as he steered the car around the turns as if he’d been through this before.

The car slowed and rolled to a stop outside a sprawling two-story building. A pub—from the weathered sign carved on its old stone. Different from the ones in London, of course, this one's cozier and more inviting. Gazing out the rain-spattered window, you squint and see another sign above the door: “The Fox and Hounds Inn.” So they also offer rooms, it seemed.

Simon turned off the engine and twisted in his seat. Reaching behind, he snatched up the suit jacket he had thrown back there earlier. Turning to you, he held it out, signaling you to take it.

“Cover yer ‘ead.” He nods towards the pouring rain outside.

You took it, breathing in Simon’s scent—a hint of his cologne mixed with cigarette smoke—as you draped it over your head as a hood. The sound of the door being opened roughly is heard. Simon has rushed out into the downpour and retrieved your bags from the trunk. Slipping from the car, you hurry to take shelter under the pub’s roof, waiting for Simon before going through the door.

The inside of the pub was surrounded by warm hues. Old wooden shelves stood displaying a variety of bottles of spirits, with low lights casting a dim glow. Worn leather booths were occupied by a few locals who had settled in with their pints, while two others shot pool in the back corner. Behind the bar, the bartender paused from wiping glasses; a questioning look flashed across his face before smoothing it once more.

He set his glass down and asked, "What can I get ya?”

“Bourbon. Kentucky, if y’ve got it.” Simon said.

The bartender cocked his head, checking his stock. “Aye, we’ve a bottle or two left.” Turning back to him, he asked again, “Anyth’ else?”

Simon turned to you. “You want anything?”

“I'm alright, thanks.” You answered in a husky voice.

“Just the bourbon then, and a room for the night.”

At that, the bartender just nodded, reaching beneath the bar to produce an iron key, its number as a keychain. “Room six, up the stairs and to your left. Let me know if you’ll be wantin’ breakfast in the morn.” He explained with efficiency, all business, saving more time from nonsense.

The heavy wooden stairs creaked underfoot as you climbed to the room. Reaching the door carved with the number six, Simon twisted the key and pushed the door open. He set the bags on the old table by the window, leaving your suitcase beside it.

Glancing around, you took in the faded floral wallpaper, lumpy bed, and worn armchair—not fancy, but it would do for a night’s rest. You wandered around the room, stopping when you passed a mirror—your own reflection with mascara tracks smeared across your cheeks, lipstick smudging past your lip line.

“Did I just walk around like this all afternoon?” You wiped away the dark trails, hoping to lighten the heavy atmosphere for exactly the reason why. That or it was just you and your guilt for dragging Simon into this unplanned mess.

The effort fell flat, much like your numb heart. Simon was still wound tight as a spring, with the venomous words of that woman replaying in his mind. However, your own perspective perceived his distant attitude as anger. Mother would often give you two days of silent treatment whenever she was upset, so you presumed it was the same case with Simon.

You nearly jumped from his grunt. Out of the corner of your eye, Simon took out his cigarette and lit it, always paying no attention to where he was smoking. Taking a deep drag, he let the smoke curl slowly as he exhaled towards the ceiling.

The bathroom door creaked open at his touch; Simon gave it a sweep of his eyes to access the condition of it—nothing but the basics; thankfully, the shower worked. He turned then, coming over to where you were sitting on the lumpy mattress.

“Shower,” he rumbled, jerking his head towards the bath. “Get that rainwater off ya.”

(You’re angry, aren’t you?)

The conclusion was drawn after his tone sounded colder than normal—his words were curt, as if he didn't wish to waste breath on you. While a part of you argued this was just the way he spoke all the time, another louder voice suggested there was more going on. His brown eyes held a deeper stirring, a visible frown etched into his features. Simon would likely extend the silence if not for the concern that you would trouble him more if you fell ill.

It hurls you into this desperate need to win him over, despite being uncertain if there's an actual competition to be won. You struggle to contain the age-old, desperate question, but you are known to be a failure at everything.

"Are... are you angry with me?” The question leaves you, hanging awkwardly in the air.

At that, Simon's blonde eyebrows furrowed. "What?" he asked, sharp. Like he's offended.

Your heart thudded against your ribs as you struggled to lift your gaze, meeting his stare. “I just… are you angry with me?”

A scoff, then—

“No.” Simon replied curtly. “Why the bloody ‘ell would I be angry with you?” he added, then chastised himself when the words came out harsher than intended.

But the prejudice had seeped into your pores, causing your shoulders to tense and your head to hang low. You hated this—hated feeling like an over-sensitive child, upset over nothing, easily hurt by everything. Lifting your head, you tried to blink away the pricking tears pooling in your eyes.

Simon lets out a hushed sigh before squeezing out his cigarette and sitting down next to you, the bed creaking under the new weight. Outside, the leaves rustle in the cold night breeze. Within these four walls, you both sit side by side in silence.

“I ain't... that is... I’m not angry. Not with you, at least.” He tries to sort out his words. Something kinder but ends awkwardly—nonetheless, acceptable.

A few tears escaped and rolled hot down your cheeks before the blurry world came back into focus. You raised your eyes to his.

“I'm sorry,” you say, almost a whisper. “I'm such a crybaby, I know.”

“None o’ that now,” Simon soothed you, timbre as soft as talcum powder. “Ain't got nothin' to apologize for.”

As he said that, he used his thumb to catch your tears, wiping them away gently, almost as if he didn't want another to stain your cheeks. And under his touch, you became still, like obedient clay waiting to be molded by him. You existed solely for him, willingly presenting your skin as a canvas in case he wanted to brand his name on you. Make me yours, your cheap little heart begged; make me yours until I forget who I am.

(Grant me an identity that isn't me.)

I will shed the pieces of myself now like outgrown armor. The nights are prone to the past—never quiet—and I don't like that.

(Give birth to a new me. Someone who isn't what remains left of that little girl.)

The universe explodes another big bang, and your new world is created as you settle on his lap. So sudden you don't even remember crawling towards him. But as your lips crash into his, devouring his moist flesh with your own in an effort to mold it into one, it no longer matters how. Your teeth clamp down on his lower lip, drawing out a grunt as you bite down lightly and feel the taste of his iron against your tongue. Blood-eater woman.

Your hands cup his jaw, tracing the strong, defined bones beneath the blanket of skin. Then, you drag them down to his thundering neck, following the faint pillars, the curve of his Adam's apple, the rise and fall of scar tissue from over-healed wounds.

Simon gasps into your mouth as your hips grind against his, stoking his lust even higher and swelling his cock. He grips your sides, guiding your movements as you seek balance with your grip on his broad shoulders. You moan, pressing your upper body against his face, and he inhales all your scent like he's been deprived of oxygen for ages.

Your desire drips so easily onto your tongue.

Practiced in the efficiency you learned from him, your fingers unbutton his shirt one by one, watching more and more of his skin exposed to you as you unwrap the white fabric off his body.

Simon trailed his tongue down the satin of your dress, tasting it against his gustatory system like a mindless dog. He closes his lips around your erect nipple. Blindly, his digits reached for the laces on your back, tugging it with one unsuccessful pull and two successful ones. The dress undone, your chest completely exposed to his hungry eyes. Simon wasted no time in latching his mouth onto your breasts.

“Ah-! Simon, Simon… slow down.”

You attempted to accommodate his face in your small hands, urging him to meet your gaze. When did you grow accustomed to searching—to decipher the meaning behind his every look, searching for a reflection of your own feelings in his eyes? Hoping to find evidence that he wanted you just as deeply as you yearned for him.

From the moment we first met, Simon had been a confounding puzzle, a conundrum without any clues or leads. An enigma, the deep forest at dusk. He revealed so little, yet, that very scarcity only piqued your curiosity further—inviting the solver girl within you to unravel each layer, to explore every wrinkle in the intricate tapestry that was him.

“I… I want to lead. If that’s all right.” You whispered, looking for disagreement in his gaze.

None, just a gentle squeeze on your hip. He nodded, then, “Alright, love.”

At that, your eyes sparkled, you gave him a smile in return. Biting your lip, you pondered your next move. “Lay down for me.”

Without hesitation, he did as you asked, settling back against the pillows. The roughness of his form was a stark contrast to the linen, muscles rippling beneath inked skin. Eyes as dark as oak never left yours, silently urging you to continue.

Nerves danced inside you, but you chuckled, “I was gonna take this dress off all sexy-like; maybe spin around slow. But you ruined that plan.”

“Should’ve been more patient then, eh?” He said, wetting his lips then.

You sighed, half-shrugging. “Well, I don’t know what sexy moves I can do now.”

“Don’t matter none. You’re always a sight for sore eyes.”

The boldness of his words causes you to throw your head back in laughter. “Are you saying all this just to get laid quicker?"

Simon lets out a raspy chuckle. “Nah,” he watches his own hand travel up your thigh, giving it a squeeze and rubbing slow circles with his thumb. Looking back up at you, you feel your heart skip a beat. “I’m sayin’ it cause it’s the truth. You are the most fuckin’ gorgeous creature I ever did lay eyes on.”

The plum of your lips is pulled into a shy smile. You replay his words in your mind like a wrinkled tape, your soul made to sparkle and float on clouds. He called me gorgeous, you thought.

Simon called you gorgeous—despite everything your mother led you to believe. Despite her words that left you feeling like an hideous being, a flawed and misshapen creature crafted by the hands of an unforgiving God. But he said I was gorgeous, Mother. Most fucking gorgeous.

"Well, you're rather handsome yourself." In truth, this is all amusing—this sudden exchange of compliments between the two of you, with you still sitting right on top of his groin, in your loose dress and Simon shirtless.

But, like an opportunist, you place your finger on the sloping hill of his chest. You feel the rhythmic rise and fall of his breathing—the stuttering of air in his lungs as you make circular motions on his bare skin. “Too bad that you always hide it under a mask.”

The diaphragm beneath his thick skin contracted faintly as he chuckled. Taking your index finger, Simon then held it between his teeth. He sucked the tip slowly and watched you through hooded eyes.

“The mask’s for another reason, darlin’,” he rumbled once he released it.

There it is again. The invisible veil now made visible, taunting you with the reminder that there's always a part of him that remains unknown, no matter how deep you try to dig or how many layers you think you’ve shed. Lately, you'd pushed the limits further than necessary, testing unseen boundaries—just how far were you willing to go, or how far would he allow before growing weary of it?

“And why is that, your mask?”

He gave your thigh another squeeze, his fingers drumming a random rhythm as he considered his response. “That’s a story for another day.” He replied.

It sounded like a promise, felt like an oath. Apparently, your heart found solace in that—in the future and the exact day that story would arrive. You smiled down at him, nodding in agreement.

“Okay, then I suppose that’s a promise, Mr. Simon…”

“Riley,” he fills in the blank space behind. “Simon Riley.”

The heart in the confines of your rib cage throbs with thrill. You smile brightly, testing the full name on your tongue. “Simon Riley…”

After a pause, your hands returned to their task, drifting down his firm torso until they reached his jeans. You made quick work of the buttons, pulling them down and tossing them carelessly to the floor, leaving him in only his gray boxers. Trying to match, you let your gown pool on the floor, leaving you in your black lacy panties.

Here you are, both bare chested, one cloth away from being completely naked. Two imperfect mirror reflections, similar yet distinct in their differences.

You glance back at him, biting your lip to hold back a giggle. His grin greets you in return, revealing a row of perfectly white teeth as his eyes roam approvingly over your form. You stand still, waiting, observing his growing impatience until he finally lets out a raspy chuckle, beckoning you closer with a casual crook of his finger.

“Come ‘ere.”

At his call, you obey like a good obedient girl dedicating her whole life to him.

Crawling onto the bed, your breasts hanging freely with each step your knees take. You stop right above his face, gazing into his warm chocolate with your cheeks blooming red.

Leaning in, you flicked your tongue out to taste the seam of his lips, drawing a soft groan from deep in his chest. Your back stretched to its maximum, arching like a harp as you became greedier and greedier and claimed his mouth completely. Your fond tongue traced his teeth, stroking the velvety softness of his inner cheeks, the contours of his palate. The pricking sensation of his stubble against your chin intertwined with the sweet wetness of your mingled saliva.

Your breasts pressed against his broad chest, the fat melting like popsicles in the hot sun. Swinging one leg across, you sit on top of him with your thighs straddling his hips, feeling the thick mound beneath his boxers from his hardening cock against your soaked panties.

As you began to grind on top of him, Simon grunted into your mouth. He slid his big hands down to squeeze your ass, kneading the soft cheeks as he thrust up to meet your clothed cunt. You moaned at the sensation, breaking the kiss but not tearing your gaze away as you straightened your spine to rock your hips back and forth.

Look at that pair of dark eyes—so devoted in their witnessing of every sway of your tits, with the gaping mouth of a hungry man. He lies beneath you, broad shoulders and thick arms corded with muscle built from the hard days of the military. Blonde hair around his chest, trailing down to his stomach and hidden beneath the tempting waistband of his boxers.

And those scars, of course. Especially that goddamn mysterious scar near his ribs. Were they created by 'bad men' or did you deserve it for the bad deeds you had committed, Simon?

Taking one of his hands, you place it on one of your breasts. Simon closes his hand around it, his thumb and index finger curling into a twist at your nipple. You let out a moan, biting your lower lip in a poor effort to keep another one from escaping you.

"Simon,” you breathed, his length twitching against your cunt.

Rolling your hips, your clothed clit rubbed against his hardness. You closed your eyes, breathing out slowly through parted lips, feeling the friction. He placed his hands on your sides, guiding your movements into a steady rhythm.

“Fuck, look at ya, darlin’…”

Bathed in the dim lighting of this inn, you were a sight he wanted to capture. Sitting on top of him like a long-gone queen reclaiming her place—the very reason for his convulsing cock, the numbing of his brain, his ears tuning out the noise of his old brain. As you continued to roll your hips, he watched every detail and seared it all in the back of his head.

The way sweat slicks and rests on the dip of your collarbone. Kiss-swollen sweet lips, tempting for him to bite or wrap around his throbbing length. Heavy eyelids and dark traces of your mascara.

Fuck, look at those puffy eyes.

Simon had endured his fair share of cuts and gunshot wounds. But nothing prepared him for the invisible grip on his heart when he realized what your cries left behind—puffy and red-rimmed like bruised berries. Fuckin’ hell…

Wanting more, you slide your lace aside. You restart your pace, gasping in pleasure at the new direct contact, the wetness of your building peak coloring the fabric of his boxer darker. The throbbing inside you begins, growing stronger the more you grind. You almost lose your pace—Simon’s large hands grip your hips to guide your movements toward climax.

The tight coil within you twists tighter. You breathe in short, ragged gasps; eyes squeezed shut as white flashes explode behind your lids. The cresting wave rises to a peak, making your thighs tremble.

When it hits, you throw your head back with a cry, Simon supporting your arched back with a strong palm behind you. The heat in your lower belly flushes as your release drips down to his boxers.

You slumped limp against his chest. He wrapped his strong arms around you, waiting for you to catch your breath while he inhaled his own. Christ, your scent is intoxicating—that sweet soap you were devoted to, the perfume he often saw on your dresser, and something natural about you that made his cock throb, begging to be released from the boxers beneath you. It took every ounce of willpower for him not to flip you over and take his fill.

A gentle giggle bubbled up. Simon furrowed his brows, meeting your eyes as you lifted your chin with a lazy smile.

“That was… weird,” you said, confusion written all over your face.

“What’s weird?”

“Well, for starters…” you glanced down between you, tracing a finger along the damp patch staining his boxers and chuckling again when he hissed. “I ruined these.”

Simon chuckled, shifting his hips. “Don’t matter none though, does it? You’re gonna ‘ave them off me soon enough anyway.”

You laugh – the warm, carefree sound from deep within your chest. Cheeks flushed rosy, and you’re sure your eyes sparkled. “Okay, okay. That’s something I might do.”

Leaning down, you brushed your lips against his in almost a chaste kiss. Simon couldn't resist, prolonging it by deepening it gently. He hooked his fingers around the lace loops on your hips, giving a playful tug as your mouths moved slow and sweet.

Breaking away, he narrows his eyes at your black panties. “You can still do them sexy moves takin’ this off, y’know…”

At his words, your smile stretches from ear to ear. Muttering an “okay,” you slip off him and the bed, standing in front of him. He fixes his dark eyes on you, melting the sudden shyness and encouraging you to continue the show. Slowly, teasingly, you begin to peel down your lace, small laughs escaping your throat.

“Well?” you ask, cheeks now rosy as you pose for his eyes. “How’s this?”

“Fucking perfect, darlin’,”

You toss aside your last garment, showing off your fully naked form like some kind of high fashion model. “Your turn now,” you say, walking toward him.

Reaching for the waist of his boxers, you began easing them down as well, eager to harvest the fruits of your ministry for each other. But, as it slid off his ankle, your eyes landed on his skin, and your smile faded, realizing something you hadn't before.

Knotted, mottled skin stretched from his right hip and down the side of his shin. The scars were old, but the memory of the fire that had once caressed him was immortalized in their rugged, rough texture. You tried to avert your already teary eyes from it, but instead found more scars around his legs—some nearly identical to the ones scattered across his upper body, some others resembled surgical scars long healed.

A lump rises in your throat, but you try to smile and crawl back into his lap, trying to lose yourself in whatever follows. But the façade crumbles, and you find yourself frozen, staring at him while fighting back tears pricking the backs of your eyes.

“What’s wrong?” And yet, Simon opens the door for you to broach the subject. Must’ve been something about your expression.

You briefly considered playing dumb, but your chance evaporated when a treacherous tear slipped freely. Hastily wiping it away, you took a shaky breath, focusing your gaze on the ceiling to prevent another from falling. You stared into his eyes again, and Simon saw the composure you had so carefully maintained on the edge of crumbling again.

“Those scars…” Your voice wavered, and you had to pause to steady it. “Were they from your time in the military?”

Watching those pretty lips tremble, tears marring your beautiful face, he felt a sickening clench in his chest. Part of him hated seeing you so sad, while another swelled with something akin to misplaced pride – that this angel was weeping over scars so old they had long since stopped hurting him.

Scars from battles the old Simon had fought years ago. Scars he had seen as part of his creation, marks he bore without feeling.

“Some from service, yeah. Others… more personal-like.” He said it nonchalantly. In his perspective, as proof that it didn’t hurt anymore, didn't need to numb it with ice like he did in the past—so, sweet thing, stop crying over him.

As if that were possible. He could tell you that it happened years ago, but it doesn't matter; it wouldn't lessen the pain even if your human life spanned a hundred centuries. Your tongue seared, heart sliced—someone touched the one you love with the most brutal violence they could choose in this world.

The image must have been absurd—the two of you completely naked in front of each other, yet instead of continuing, you weep over him. But now that you’ve seen it—those scars etched so cruelly and eternally upon his flesh—how do you look away?

"Why... why would anyone want to hurt you?” Your voice trembled, tracing that scar near his ribs that had caught your attention since you first saw it. It stood out, raised and knotted in a way that spoke of a cruel blade—making you wince at the thought of the pain. “Is… is this from your time in the military too?”

“Yeah,”

“What happened?”

Without any real weight, he said, “Got meself ‘anged by the ribs once,” in a light intonation as if it were some kind of joke.

But it wasn’t. My God, you wished it was, but it wasn’t, judging by the scars.

Despite his effort, it couldn’t mask the horror he’d experienced. Your breath hitches in a sob, your hand trying to cover your mouth. Your airway constricts as you imagine how it must have felt for him then. Hanged by the ribs, feeling your skin tear from holding your weight, flesh on display like they do in a slaughterhouse.

And he still manages to shush you, drawing your head to his chest in a tight hug like you’re the one who’s been through it all.

“Twern’t nothin’ – doesn’t even ‘urt no more.”

Pressed against his skin, you seek the usual solace that his heartbeat brings. But your heart remains unsettled, a lingering question nagging at your mind and tongue, refusing to let you find peace until it's voiced.

Raising your head slightly, chin resting upon his chest, you meet his gaze with red-rimmed eyes. "And... and the burn scars?”

“House fire during a mission.”

You know that’s not the full truth, but you don’t dare to press it, choosing to spare your heart from more details of his agonies.

“I don’t like seeing you hurt.” You said.

Simon gave a small hum in response. Reaching up, he wiped away your tears with his thumb. “Then stop cryin', love. 'Urts more to see yer pretty face all red and puffy.”

The hands around your jaw bring you closer. This time, he's the first to initiate this new kiss, closing his lips around yours with almost hesitant caution. And you want to cry—you want to cry from how gentle his touch is, and yet someone has handled him in the cruelest way possible.

Here you are, bodies pressed together—chest to chest, skin to skin. You let out a gasp as he grips your ass cheeks, spreading them until the chilly air touches your soaked folds. Simon would rather have those pretty eyes rolled back in pleasure than cry; he would rather have those plump lips parted to moan erotic sounds than sob. He bucks his hips and brushes the fat tip of his cock against your entrance.

Breaking the kiss, Simon gives a slow thrust upwards, grunting as he feels your warm labia. You straighten your back to sit on his pelvis, doing your own set of hip rolls as his hands guide you.

“No more tears f’me, ye ‘ear?” He meets your eyes before lowering it to the tantalizing view of your glistening body, causing another twitch of his impatient cock. “I ain’t worth it.”

The tip of his cock brushes against your folds when he thrusts his hips once more. A small mewl escapes your moist lips, vertebrae drawn like a curve of a bow as his length slowly enters your hole.

“No—no, don’t say that. You’re—mmh!” You stumble over your words, voice shaking both from emotion and physical overwhelm. “You’re always worth it, Simon.”

Sweet thing, unaware of the effect her puffy eyes and tear-stained cheek have on a man as corrupt as him. Struggling to find words while he fills her up, trying to convince him that he's worth something.

“That so?”

Biting your lip, you nod. “Yes,”

“Yeah?”

Without waiting for a reply, he grips your hips and slams you against him in one swift thrust. Your eyes fluttered shut on a gasp as he sank home. He groans at the blissful feeling, the remnants of your last orgasm completely coating him. But he has never been a man of gratitude; the gaping hole near his ribs—right where the scar he has shown you and told you about—seems to consume every fulfillment he might have, leaving him perpetually feeling unsatisfied and not enough.

Right now, he felt utterly insufficient. His old soul was always left wanting for more. That stupid, almost pathetic desire for proof that he would never truly believe—

“Prove it then, love.”

And well, he is a selfish man after all.

Slowly, you begin to move, hips rocking sensually against him, stretching your cunt to take his cock. It’s sloppy at first, until you settle into a rhythm and set your pace. He takes in every beautiful detail of you – your kiss-swollen lips beneath the faint bite of your teeth, your skin shimmering with sweat, your bouncing tits as you ride him, and the way your walls tighten their embrace around his cock with each in and out.

“Tha’s it love, ride me.”

Your cunt fluttered at the encouragement. He traced your curves before stopping at your breasts, twisting and pulling your nipples, eliciting a whimper from your throat. Rolling your hips, you grind your clit against his pelvis. He gives a low grunt.

“A-ah, Simon-!”

Listen to that, his name rolling off your tongue like liquid sin, a constant he never gets tired of. The room temperature rises, an invisible fire burning in his groin as you bounce on his cock. Your fingers dig half-moons on his naked thighs.

The room seemed to burn, almost like reminiscent of the flames that once scorched his lower right side. But this time, the sensation that swept through him was one of pure euphoria. The suffering that had gripped him was erased, replaced by a fierce hunger to shed more than just your clothes. The overwhelming need to be swallowed whole, to reside between your viscera and become the first to be embraced there.

Like a fish out of a tank, your lips formed a perfect 'O'—an invitation he accepted as he slipped his rough fingers into your mouth and tucked them beneath the blanket of your tongue. The brush of warm flesh made his cock throb, drawing a muffled sound from you.

Simon put his free hand to continue steering your hips, maintaining their steady rhythm as they started to falter. The angry crown of his cock pulled out before slamming back in and disappearing between your plump labia. He let his ears feast on your cry, watching your eyes squeeze shut as he reached that sweet spot inside. Saliva dripped, running down the curve of your chin and down between your swaying breasts.

The ah-ah! sound becomes the only thing you can produce after he liquifies your brain into a tangled mess, trapping your tongue under the weight of his calloused fingers.

Your inner walls fluttered and clenched around his length, your climax peeking and cresting, forming high waves. Simon growled through clenched teeth. Your back arched, head falling back as you surrendered to your second peak.

His grip on your hips tightened as a warning. “Off, love—fuck, ye gotta get off, now.”

You did not heed him, continuing to bounce on his twitching cock. He groaned, trying to hold back the inevitable tide of his release.

“Love,” he tries again before calling your name, his own hips stuttering.

“No, please- I’m—I’m on the pill,” you gasped—

And the lie slipped through your lips without thinking.

Even as a part of you knew this was wrong—that you were trying to trap him and you were being reckless—you kept going. Simon stopped trying to get you off him, letting you slam your hips one last time before he emptied thick ropes of seed into your womb.

Sex and your indifference to potential consequences permeated the air, screaming for your attention. A voice curses you in the back of your mind, full of snarls that you have gone too far; that you have hated Mother too much to dismiss everything she says—even the true ones—as nonsense. That you will only live to regret this.

But you have to—it's a necessity, driven by the roots that tell you to cement this bond between you. Sure, it may be born out of a desperate fantasy of your own insecurities, but you need this.

“Nothing can make them stay, my dear. Not for love, not for sex, for all your years of devotion to them, not even for their own flesh and blood!” Your mother is screaming in your head.

(Nonsense. Nonsense, all of it.)

You watch his chest rise and fall; somewhere deep within the confines of his strong ribs is a heart that beats in almost the same rhythm as yours. The dim lighting of the room you only acknowledge when it reflects faintly on the slick of his scar-littered skin. Those brown eyes stare at you beneath a canopy of blond lashes, moist lips pulled into a slight smile under his strong nose—and you return it with a wider one.

Would a child make you stay, Simon?

“Fucking ‘ell, love…” he muttered, still trying to catch his breath.

Unable to resist, you grind against his still-sensitive cock, earning a hiss and a hand on your hip to still you, making you chuckle.

“Don’t do that.” He mutters low and rough.

You nod, another giggle. Leaning forward, you press a quick kiss to his lips. “Okay, okay,” you say. “I’ll be good.”

Settling your head on his chest, Simon then pulls the blanket up before draping it over your naked bodies. You sigh in relief as he wraps his arms tightly around your smaller frame. Pulling you close, he buries his nose in your hair, breathing in your scent.

You trace idle patterns on his skin, murmuring: “My big performance is in a month. I got a special pass for you, so you better not even think about missing it.”

“The swan play?”

“Yeah,” you answered, lifting your head to gaze up at him. "Promise you'll be there?"

Promises are risky business, especially for someone like him. He's well-versed in the knowledge that when someone makes a promise, it means they're up for something that always comes along to fuck it up.

Even so, the words came out before he could stop them. “Wouldn’t miss it for the world, love.”

Hearing that, your smile threatened to widen, and you plopped your head back flat against his chest before he saw it. Wanting something to focus on, you settled your gaze on the old window at the end of the room. It was still raining outside, but it had softened. The pitter-patter of raindrops sounded more like a gentle, faint tap, reminding you of the squeaking of the bed when you were still making love earlier.

The steady rhythm of his heartbeat lulls you into a sense of peace. Then, there was a sudden urge to open up to him, created from a feeling of indebtedness to him. After all, he had been the one to step in earlier. There's still a lot Simon doesn't know about you, about Mother.

But just as you were about to part your lips, his arms tightened around you. The warmth of his touch made the courage to speak seep away, replaced by a crippling fear of ruining the moment. In the end, you clamped your mouth shut, squeezing your eyes closed as you forced yourself to let things be how they should be—unsaid.

The ghost of your mother's voice echoes in the back of your mind again. As you adjust your position, feeling the unfamiliar wetness on your thighs, you reassure yourself that this time is different; he is different. He’s going to stay. You feel his fingers gently carding through your hair, magically burning away any lingering doubts in the corners of your soul.

After everything, he has to.

The morning sun streams through the thin leaves as you and Simon get out of the car to stop for breakfast at the quaint little restaurant you came across. The chilly air still lingers, urging you to pull your cardigan tighter around you as you wait for the food to be served.

Taking in your surroundings, you notice the worn wooden floors, the mismatched chairs and tables. An old-fashioned cash register and shelves that hang various kinds of souvenirs typical of this small town and character key chains.

When the waiter—who also seemed to be the owner—placed two plates down, Simon ate without hesitation. You reached for your fork, but your eyes were drawn to the clock on the wall. Time was ticking fast—the sand in the hourglass slipping through your fingers with each second. You could almost feel the ground beneath you shifting, the earth seeming to swallow you alive.

Breakfast is over. Simon paid the bill and slipped out first for a smoke while you waited for the change. The owner disappeared into the back, leaving you standing there alone. The ceiling fan whirred overhead, the only sound filling the silence.

Casting your gaze around, you search for a distraction, something to stare at. Your eyes eventually land on the souvenir rack. And there, among the keychains and trinkets, a skeleton charm catches your eye, black and white reminding you of the one Simon hangs in his car.

The sound of the door opening jolts you back to reality. The owner returns with a handful of bills in his outstretched hand. Instead of taking it, you point to the skeleton charm, waiting for the old man to follow your fingertip before asking, “How much for that one?”

As the other door opens with the soft chimes of a bell overhead, you walk towards Simon with a barely suppressed smile. He smells of tobacco like he always does after a smoke. But, you hardly mind; all you care about is the delicate skeleton charm you hold in front of him.

“Look what I got you!” you exclaim, your smile bursting from your lips.

Simon’s eyebrows furrowed, dark eyes studying the little bone-white friend. You wait and wait for him to say something; your legs feel jittery as the small figure swings dangling between your thumb and forefinger.

“It’s..interestin’,” he says, finally taking it from you, studying it closer. “Where'd you get it?”

“The owner had it on the shelf over there,” you say, nodding towards the display. “I.. well, I saw it and thought of you. I hope you like it.”

You watched as crow's feet formed at the corners of his eyes, his mouth twitching into a smile beneath his mask. Then, Simon let out a sound—a chuckle, a genuine one which then turned into a short laugh that spread sensations in your chest.

“Thanks,” Simon said to the owner, who was standing behind the cashier with his own grin.

Then, he turns to you, his arms reaching out to wrap around your shoulders. “An’ thanks to you, too,” he says, almost a whisper, meant for just the two of you. “It’s… perfect.”

Without another word, he pulls you close, tucking your head under his chin as you make your way out of the restaurant. The birds chirping, celebrating a sunny day in the countryside. But this warmth… it’s not from the sun, not from the kinder wind. He opens his car door as he always does, and you slide inside, still with the gentle rumble of his chuckle ringing in your head.

You hoped this would never end.

You hoped—

The short trip to the English countryside was almost over; you had to go back to practice and rehearsals on Monday, and Simon had his agenda of disappearing to God knows where else. You didn’t question it; you didn’t ask anymore. You were comfortable enough with the many question marks that always seemed to surround him. He always came back in the end—that's what matters.

As you neared London, Simon pulled into a petrol station to refuel. He unbuckled his seatbelt and got out of the car. The door closed, and you were left alone with your gray thoughts.

You watched Simon standing outside the car, focused on refueling the tank. Fumbling for your phone, you saw the time – well past midnight. After this, he would definitely drive you home, then disappear for weeks, leaving you to wait. He always came back in the end – that’s what matters, you kept telling yourself.

(But a man who always comes back is a man who always leaves.)

Your eyes drifted to your purse at your feet, where the other phone—the newer one, the one you bought on impulse—lay hidden. Biting your lip, you snatched it up, unlocking it and quickly checking the “Find My” app, making sure the two devices were connected.

Taking a deep breath, you brace yourself, internal debate building but you know which side you’re leaning. This is wrong, probably will do more harm than good to Simon, to yourself—but, you have to, you need this. The same old justification ringing like the old ringtone you’ve memorized by heart. You reach down and carefully drop the spare phone onto the car floor, kicking it to hide it under the seat. Out of sight, out of mind – for now, at least.

Simon slid back behind the wheel after he was done, groaning as his neck popped tensely. He turned to you, brows furrowed.

“Alright?”

Giving a faux smile, you said: “Just a little tired.”

He didn’t question further, just nodded before turning the ignition and buckled his seatbelt. “Not far now,” he turned the wheel out of the gas station. “Just a bit further an’ we’ll be ‘ome.”

The car sped back down the long road. In the darkness outside, you barely made out the shadowy landscape rushing by outside the window, just your faint reflection staring back at you. Everything seemed almost lifeless, except for the soft strains of the radio playing a late-night playlist.

Home, he said. Simon said it as if “home” were so close and existent.

@strawberrygato @aprosiacperson @chipsbuttercream @arrozyfrijoles23 @pastel-devil-06 @rroseskull

SUPPORT ME THROUGH KO-FI! CHECK MY WRITING COMMISSION. SHARE YOUR THOUGHTS HERE.

[yuurei20]

I see you mention Magical Archives a lot. Is that like an official artbook? Can I get it in English somewhere?

Hello hello! Thank you so much for this question, I have been hoping to write about this for weeks 🥳

The Magical Archives Game Guide vol. 1 (full name: 『ディズニー ツイステッドワンダーランド』公式ガイド＋設定資料集 Magical Archives ) is maybe the single-most informative Twisted Wonderland resource available!

It includes a huge amount of extremely detailed information, from gameplay to the characters to early-stage development illustrations to a multi-page interview with Toboso Yana herself, only one of two that she has ever given on Twisted Wonderland.

While it may be described as an artbook it is also much, much more, and if you are only capable of purchasing one piece of Twst merchandise in your life, it is absolutely the #1 thing I would recommend.

First published in 2020 it is still available for purchase from outlets such as Square Enix's Online Store, Amazon, Rakuten, Animate and more.

It is not currently available in English, but for a brief while Aniplex USA was releasing "Player Guides" for free via social media:

These were multi-page PDFs that were, visually, quite similar to the first 1/3rd of the Magical Archives game guide, but with updated gameplay information.

These game-guide-inspired PDFs combined with how out of date the gameplay information in the original guide has since become makes me wonder if maybe there not are any plans for any official translation of the original Magical Archives :<

There has since been a second volume of the Magical Archives released (in September 2024), but it is not quite as detailed as its predecessor, including gameplay information and a huge library of game sprites but very few sketches from Yana and no interviews.

On the subject of translated art books, there actually is an official English-language book being released in December!

While its English-language title is "The Official Artbook," this is actually one of four books of a series called "Visual Books!"

Much like the magical archives the first volume is the most detailed, including pre-colored base art and the occasional messages from Yana to the colorist (re: a comment that there is no need to put any light in Rook's eyes for his labwear vignette groovy ww).

The Visual Book Series is not really comparable to the Magical Archives, consisting of pre- and post-groovy card art.

The "Design Note" might be the closest to the usual definition of "artbook," consisting of insight into event outfits worn by various characters and even including a few sketches of unused designs.

Unlike the Magical Archives, however, there are no behind-the-scenes notes such as "He has a black-hearted side, so he may laugh with a hint of that often" (about Trey) and "He has vertically-slit pupils that become round in dark places" (about Leona), which can only be found in the game guide.

There are also volumes 1 and 2 of the Art Gallery! These are collections of artwork by artists that are unaffiliated with Twisted Wonderland, depicting Twst's characters, much like Square-Enix-branded fan art (no contribution from Yana involved).

Lastly, there are the fanbooks! Contrary to their titles they do not consist of any fan-made content.

Volume 1 of the Fanbook mostly consists of character/story overview, but it also has some fascinating etymology information and exclusive interviews with several members of the voice cast!

The second fanbook focuses moreso on events, and also includes detailed recipes of Master Chef cuisine, a report on the since-concluded Twisted Wonderland Exhibition, a look into a Twst-themed hotel room in Tokyo Disneyland's Ambassador Hotel, and more.

And a third fanbook was just recently listed 🥳 (Amazon link), said to include event, card and story content from the 2nd to the 4th anniversaries.

I hope this helps! ^^

[tftomfoolery]

TRANSFORMERS ONE IS SO GOOD YALL

[hame10]

‘Osamu Dezaki’s aesthetic is to let the landscape speak for itself’

[aphemera]

— Bran thought about it. ❝ Can a man still be brave if he's afraid? ❞

❝ That is the only time a man can be brave, ❞ his father told him.

Ned Stark, Lord of Winterfell

[somelazyassartist]

I hate having really pretty visually interesting dreams because I know I'll wake up and forget it and even if I try to draw them before I forget I won't be able to recreate the style :(

[sskk-manifesto]

ಥ‿ಥ

[lovinggreeniehours]

um. concept art <3

king of the golden country and king of the dungeons surrounding it let's fucking go <3

[dykexenomorph]

^ me watching across the spider-verse for the first time just now and being in actual genuine awe at how fucking amazing it is from an artistic standpoint

[grishamanimationstudios102]

The Ghost's Bully (1934). Fanmade cartoon idea. Shot in two-strip Technicolor. Summary: A ghost comes across a bully, who wants to make ectoplasm out of him. It's up to the ghost to outsmart his opponent through a string of gags in a boxing match.

[swampjawn]

Why The Dungeon Meshi Adaptation Worked So Well

The final episode of Dungeon Meshi season 1, (ep. 24) is like if you took all the best parts of the series so far, all the elements that make it what it is, arranged them all into a luscious charcuterie board, and scraped the whole thing into your mouth in one go like the hungry little bastard ye are.

Series director Yoshihiro Miyajima has shown his dedication to the story and ability to stay true to the source material while enhancing the most important elements and making adjustments when needed to better fit the medium, and that's on full display here with the final two anime original scenes that hint toward the future of the plot and take what would have been a good but not amazing ending for the season and turn it into a great one.

As well as Nobutoshi Ogura's storyboards, whose symmetry and point-of-view and reflection shots always add a touch of foreboding and personality to what's already there in the manga.

Or the addition of color to the scene in the tram where the deep green benches and warm orange glow of electric lighting gives it the comforting atmosphere of respite from the hectic action that came before it -- or a calm before the storm (?)...

But most obvious to me in particular was they carved out a spot for many of the eccentric key animators who have defined the visual style of the show (and who I've pointed out specifically in past episodes of my breakdown series) to go nuts and do what they do best.

Ichigo Kanno's bombastic action with stylized character designs and insanely detailed wrinkles and shadows:

Atsushi Yoneda's clean line work and uncomfortable realism:

Haruki's character acting and subtlety:

Despite the slight awkwardness of having to finish off the changeling plot in the first half, this really is a culmination of everything that's come before and a great end to the season.

There's a whole lot more where this came from, and I get a lot more into the details of the animation in this video where I broke down the entire episode in detail, so if that's something you're interested in, check it out!

Thank you for reading, and double-dog-thank you if you've been here through this whole series -- I had just started trying to figure out how to use tumblr when I started making these breakdown posts and the response has been amazing both on here and on youtube, so thanks!

[vetyr]

hi, i ireally love your work and i don't know if you've answered this before but, what kinds of studies do you do or how did you learn color theory? i wanna get better at rendering and anatomy but im having trouble TT TT

Hi! Long answer alert. Once a chatterbox, always a chatterbox.

When I started actively learning how to draw about 10 1/2 years ago, I exclusively did graphite studies in sketchbooks. Here's a few examples—I mostly stuck to doing line drawings to drill basic shapes/contours and proportions into my brain. The more rendered sketches helped me practice edge control & basic values, and they were REALLY good for learning the actual 3D structure behind what I was drawing.

I'd use reference images that I grabbed from fitness forums, Instagram, Tumblr, Pinterest, and some NSFW places, but you could find adequate ref material from figure drawing sites like Line of Action. LoA has refs for people (you can filter by clothed/unclothed, age, & gender), animals, expressions, hands/feet, and a few other useful things as well. Love them.

Learning how to render digitally was a similar story; it helped a lot that I had a pretty strong foundation for value/anatomy going in. I basically didn't touch color at all for ~2 years (except for a few attempts at bad digital or acrylic paint studies), which may not have been the best idea. I learned color from a lot of trial and error, honestly, and I'm pretty sure this process involved a lot of imitation—there were a number of digital/traditional painters whose styles I really wanted to emulate (notably their edge control, color choices, value distributions, and shape design), so I kiiind of did a mixture of that + my own experimentation.

For example, I really found Benjamin Björklund's style appealing, especially his softened/lost edges & vibrant pops of saturated color, so here's a study I did from some photograph that I'm *pretty* sure was painted with him in mind.

Learning how to detail was definitely a slow process, and like all the aforementioned things (anatomy/color/edge control/values/etc.) I'm still figuring it out. Focusing on edge control first (that is, deciding on where to place hard/soft edges for emphasizing/de-emphasizing certain areas of the image) is super useful, because you can honestly fool a viewer into thinking there's more detail in a piece than there actually is if you're very economical about where you place your hard edges.

The most important part, to me, is probably just doing this stuff over and over again. You're likely not going to see improvement in a few weeks or even a few months, so don't fret about not getting the exact results you want and just keep studying + making art. I like to think about learning art as a process where you *need* to fail and make crappy art/studies—there's literally no way around it—so you might as well fail right now. See, by making bad art you're actually moving forward—isn't that a fun prospect!!

It's useful to have a folder with art you admire, especially if you can dissect the pieces and understand why you like them so much. You can study those aspects (like, you can redraw or repaint that person's work) and break down whether this is art that you just like to look at, or if it's the kind of art that you want to *make.* There's a LOT of art out there that I love looking at, probably tens of thousands of styles/mediums, but there's a very narrow range that I want to make myself.

I've mentioned it in some ask reply in the past, but I really do think looking at other artist's work is such a cheat code for improving your own skills—the other artist does the work to filter reality/ideas for you, and this sort of allows you to contact the subject matter more directly. I can think of so many examples where an artist I admired exaggerated, like, the way sunlight rested on a face and created that orange fringe around its edge, or the greys/dull blues in a wheat field, or the bright indigo in a cast shadow, or the red along the outside of a person's eye, and it just clicked for me that this was a very available & observable aspect of reality, which had up until that point gone completely unnoticed! If you're really perceptive about the art you look at, it's shocking how much it can teach you about how to see the world (in this particular case I mean this literally, in that the art I looked at fully changed the way I visually processed the world, but of course it has had a strong effect on my worldviews/relationships/beliefs).

Thanks so much for sending in a question (& for reading, if you got this far)! I read every single ask I receive, including the kind words & compliments, which I genuinely always appreciate. Best of luck with learning, my friend :)

[nikibogwater]

Actually while I'm thinking about it, I just wanna say that the more live-action remakes Disney shlups out like shoveled manure, the more amazed I am that Cinderella (2015) exists. It breaks literally every standard of Disney's LA remakes.

It's not a shot-for-shot remake of the original 1950 animated film, though it does include small references and homages to it, but only when such things can be incorporated organically into the story.

The creators understood and respected the cross-cultural significance of the Cinderella story. They didn't want to "fix" it, or add some wacky twist to it, they just wanted to make the best possible version of the Quintessential Cinderella that they could.

Everything that could be done practically was done practically. The carriage was a real, the horses pulling it were real, and all of the other animals (with the exception of the mice and lizards, since their performance was a lot more involved than the others') were real living animals, the lizard footman and goose carriage driver were wearing prosthetics instead of just having their animal features added in post, the Fairy Godmother's dress had little LED lights sewn into it so that it would actually glow for real, the ballroom set was built by hand and included real chandeliers with more than 2000 total candles that were all actually lit for the scene, and I could go on but you get the point.

There's a ton of attention paid to little details that make the world feel real and lived in. Ella's shoes are always a little scuffed and dirty. Her farm dress is faded and wrinkled. When she breaks down and runs away to the woods, she rides her horse bareback (which, once again, was a thing Lily James actually did, no stunt-double or editing in post), because not only is that something a country girl like her would know how to do, but it also makes sense that with as upset as she is, she wouldn't want to waste time with saddling the horse. When she's dancing with the prince, it's visually obvious that he is leading her and giving her cues because of course Ella wouldn't know the latest ballroom dances, and would need him to guide her through it.

Hey speaking of dancing, y'know what else this movie does that no other LA remake has been allowed to do (at least not to this extent)? ROMANCE. Land sakes alive, this is one of the most unabashedly and yet still tastefully romantic movies I've ever seen. Ella and Kit are just oozing romantic chemistry from the moment they lock eyes for the first time. It all comes down to the fact that these two characters both have the same core values of courage and kindness, which makes their admiration for each other feel grounded and believable. Richard Madden also really sells Kit's feelings for Ella with the way his eyes go all big and soft whenever he looks at her. And don't even get me started on Lily's performance as Ella. Her quiet awe that someone as powerful as the prince loves her. The timidity and fear that she's not really worthy of that. The selfless determination to protect him from her family's cruelty, even if it means she'll never see him again, I'm just-- *banging my fist against the table and screaming into a pillow*

Absolutely god-tier costume design. No notes, I think Sandy Powell's work speaks for itself. Btw, in case you were somehow still wondering, yes, Ella's ballgown is fully practical--those layers upon layers of dreamy silk skirts are real. CG was only used to brighten up the blue color to make her stand out from the crowd more.

Wicked stepmother was allowed to actually be wicked. The movie never tries to make you sympathize with Lady Tremaine, or shift the blame off to someone else. And her villainy is given an extra layer of depth with the reveal that she is a dark reflection of Ella. They've both lost people they loved, but where Ella refused to let her grief get in the way of kindness, Lady Tremaine became utterly consumed by it. She views the death of her first husband as a sort of twisted justification for pursuing all her worst impulses. She despises Ella for her ability to flourish even while enduring terrible suffering, for being everything Lady Tremaine was either unable or flat-out refused to be.

Also Cate Blanchet absolutely SLAYS in this role. Hands-down my favorite portrayal of the wicked stepmother character.

Anyways, TLDR: Cinderella (2015) is the only Disney live-action remake that can justify its own existence and that's because it actively defies everything the LA remakes are today.

[sabertoothwalrus]

so I’ve been gaining a lot of insight into the animation industry recently, especially in regards to pitching & the creation of new shows. There’s a few ways to go about it.

First, there’s pitching to a studio. When you pitch, it has to be SHORT and CONCISE. You may write a lovingly detailed pitch bible that perfectly breaks down episodes and characterizations, and it might barely even get read. First impressions, first impressions, first impressions!

Most peoples’ first projects don’t get picked up. I’ve heard a few stories from directors that said they tried pitching a story they’d had for years, which got rejected, to then spend a week or even several hours in their car coming up with a new idea, only for that to get greenlit.

But that’s not the end of it. Just because a show gets greenlit, doesn’t mean it will ever get finished. There’s lots of things that can happen. Sometimes, unexpected major world events (like… a global pandemic) can cause projects to get chopped. Sometimes, a CEO change or studio merge means a single person can decide a project “no longer fits with the company’s brand.” Sometimes, the one producer that was rooting for your project gets laid off, and no one else cares enough, so it gets shelved. Sometimes, a streaming service decides to create an animation department, and then they decide they don’t want it anymore. Sometimes, the studio will be simultaneously be developing another project that was too similar to yours and they just didn’t think to tell you until they decide yours is the one with less potential.

On top of that, almost everyone in the industry is saying that “studios just don’t pick up original content anymore.” Studios want something they can franchise, something that will bring in money. New content is risky. Established fanbases are safer.

However! Studios can still be a very good thing. They can be unionized. They can provide better benefits and resources. They can have connections and infrastructure and a larger volume of workers. At a studio, you can divide the labor and produce more in less time. Longer episodes, longer seasons, more consistency in quality.

But this comes with all of the disadvantages of having more in the kitchen.

The alternative is indie animation.

With indie animation, you have total freedom. Full artistic control. It doesn’t even matter if your idea sucks ass, because there’s no one to tell you you can’t make it. You could make it anyway, and you can make it whatever you wanted.

The thing is, making animation is hard. In my production class last semester, the average maximum animation one person could make in that timeframe was 30-60 seconds, and that’s not even counting background design, sound design, or cleanup/color. To make a 5 minute animated short, you should probably have at least 5 people.

And it is CRUCIAL you have a production manager. Ideally someone who’s not already doing art for the project. Most projects without a production manager will fall apart pretty quickly. Once the adrenaline and impulse-fueled motivation wears off, you need someone to hold you accountable and enforce deadlines and proper time management.

Speaking of time, that’s also hard to get. The more people you have, the more likely schedules won’t line up. Most people will have school, or other jobs.

And it costs MONEY!!!!!! You either have everyone work for free and volunteer their time & energy, or you establish a business as a proper indie studio, with people who may or may not have experience on how to handle paying someone else’s salary. And the money has to come from somewhere, so you have to rely on crowdfunding like patreon or kickstarter. (This, by the way, is why I could never fault an indie animation for releasing merch with their pilot.)

And like, maybe you wanna do a series, and all your friends agree to volunteer their labor and time to make the first episode, but it was unanimously not sustainable. Deciding not to produce a second episode until you can raise enough money is not being suddenly greedy, it’s attempting to compensate people rather than expecting them to be continuously taken advantage of.

You have to consider your output as well. There are some outliers like Worthikids, who afaik does all his animation himself, and afaik can work on it full-time thanks to his patreon subscribers. And he still has only produced a total of 30 minutes of animation (for Big Top Burger specifically) in the past 4 years. This is an IMPRESSIVE feat and this is with using a lot of 3D as part of his pipeline!!

Indie animation also has the complication of being more accessible for fandoms. When you’re posting your Official Canon Content on youtube, it doesn’t look a lot different than the fandom-created video essay in the sidebar next to it. What’s canon vs what’s fanon becomes less distinguishable. The boundaries are blurrier. When the creator is just some guy you follow on twitter, it’s easier to prod them for info regarding ships and theories and word-of-god confirmation. They don’t have a PR team or entire international tv networks to appeal to. And this is when creators get frustrated that their fans snowball and turn their creation into something they don’t recognize (and no longer enjoy) anymore.

So it’s tricky.

Thankfully, the threshold to learn animation is fairly low nowadays!! There are TONS of resources online to learn it on your own without forking over a couple hundred thousand to a private art college. There are conventions and discord servers and events where you can network, if you know where to look.

I know it can seem discouraging in the face of capitalism, but I think that’s all the more reason why it’s so important to BE DETERMINED about animation!! We’re already starting to see the beginning of an indie animation boom, and I think it’s a testament to humanity’s desire to tell stories and create art. Even if there’s no financial gain, we do whatever it takes to tell our stories anyway.

[innerfare]

You See His Cabin For The First Time  

Summary: You see their cabin (or in Sabo's case, his bedroom at the RA base) for the first time.

Characters: Luffy, Usopp, Zoro, Sanji, Ace, Sabo, Law, and Kid

Genre: Fluff

CW: None // SFW

——— 

Luffy: He's literally so proud of just his hammock. Insists it can hold the both of you and could probably hold the entire crew if you tried, asks if you want to try, asks you if you’re sure when you say no. Definitely has a couple of dirty dishes that he’s forgotten about, as well as a few wrappers on the floor. Has some fishing poles, a net, quite a few different games, and a bookshelf that’s full of both comic books and snacks so that he doesn’t have to go all the way to the kitchen if he gets hungry in the middle of the night. 

Zoro: Your first thought is, why does it smell so freaking good in here? You expected dirty laundry strewn around and the stench of sweat and maybe a hint of metal from those blades he was always sharpening. And sure, there is a hint of metal in the air, probably more from the many weights against the wall than his swords, but it also smells fresh, like laundry detergent. He has his own wanted posters on his wall- not just the current one, but the old ones, too, all of them lined up in order so you can see his increasing bounty. He also has a collection of unique booze bottles from all over the world, his equivalent of keeping a map with pins in the locations he’s visited. Oh, and there’s an anatomy coloring book and some markers that belong to Chopper that Zoro keeps in his room because sometimes when Chopper is having a bad day, he wants to chill with his dad big bro. 

Sanji: Sparkling clean, and yet, he’ll apologize anyway because the pillows aren’t fluffy enough, the rug isn’t completely straight, etcetera. His closet is very well organized, all of his clothes ironed and properly taken care of (Sanji’s the rare type to actually read labels and do his laundry accordingly). His most prized possession is a book on the All Blue, which he’s poured over countless times, using color coded tabs to flag various pages and writing detailed notes in the margins. He also came across one of Zeff’s old wanted posters in Loguetown, and he keeps it framed next to his own, the closest thing he has to a family photo.

Usopp: You’re surprised to find he has quite a bit of clutter in his small space. He has a collection of different style slingshots and a surplus of supplies to fix them should they ever break, as well as literal boxes full of special stars and ammunition. He has an entire set up rigged on his desk to create more, and some plants in his windowsill to grow ingredients. In addition, his bookshelves are heavy with various collections of fables and tales; he’s working on his own and hopes to publish it one day, but he doesn’t talk about it because he’s worried nobody will take him seriously, and you only learn about it when you see the notebook he left on his bed. He also has a couple of fun hats, crazy sunglasses, and feather boas that he definitely pulls out when the Straw Hats get a little too drunk. Oh, and there’s a picture of his parents on his nightstand. 

Ace: His cabin is pretty sparse because he tends to travel light. He has a collection of animal teeth secured from a menagerie of wild beasts he’s taken down over the years, and he’s very proud of those teeth. He'll tell you about each one if you ask, is practically bursting at the seems with stories. He has way more animal teeth than he does clothing or books. Also has a pretty sick tiger pelt for a rug (he had intended it as a blanket, but he runs so hot he can’t actually sleep with it). He has Luffy’s wanted poster on his wall, and beside it, a note reminding himself to send money back to Dadan on the first of every month. Buried in the chest at the foot of his bed, he has the original ASL flag. 

Sabo: His bedroom at the Revolutionary Army’s base is a total bachelor pad, and when you see it for the first time, it wasn’t planned, so he’s a little embarrassed by the state of it. He has some dirty dishes he forgot about, some dirty laundry on the floor, and a pile of books on his bed. He spends virtually no time there and probably wouldn’t even have furniture beyond a mattress on the floor if it wasn’t provided by the Revolutionary Army as part of his living quarters. That being said, he did pin Luffy’s and Ace’s wanted posters to his wall, and he has a couple of different lotions and skincare products on his bathroom counter. 

Law: You don’t know what you were expecting- would it be sterile like an operating room? You’re surprised to see comic books and a few action figures. He has some records, too- a bit of rock, some low-key emo music- and to your complete and utter surprise, a candy wrapper on his nightstand. And then there’s the coin collection on his desk, tiny pieces of metal he picked up on his many travels. You’re careful not to have a big reaction to his personality showing through for once. 

“I like your action figures.” 

“They’re kind of childish, but-” 

You cut him off before he can dismiss his own interests as dumb. “No, they’re not. They’re cool.” 

Kid: It’s as messy and ostentatious as you’d expect, but he sheepishly tries to fold the leopard-print blanket crumpled on the bed and put some laundry in the hamper, though you quickly deduce he has no clue which clothes belong in the hamper and which go in his closet. It’s shocking to see him care what someone thinks. He has a pile of lipstick and nail polish on his desk and an impressive collection of weapons he’s stolen from various pirates; he could probably open a museum with all the weapons he has. Also has lots of tools he forgot were in there. TBH, he’s probably as shocked as you are by the state of his cabin because he spends most of his alone time in his workshop, anyway. 

———

Hope you enjoyed it! If you want more, you can check out my masterlist here!

[writers-potion]

Creating Villains and Monsters (dark fic)

Human Villains

Serial killer, cruel despot, sexual sadist, religious fanatic, playground bully or a hypocritical schemer.

Cliches to Avoid

a villain who is pur evil with no redeeming qualities

the villain who is evil without real reason

hot stinking breath

manical laughter

Motivation

"Because he is evil" is not a sufficient answer.

Give him ambition, a twisted worldview, a twisted past, an obsession that drive him forward with some logic, not blind bloodlust.

Depth

A complex villain adds emotional power and depth to the story.

He has a genuine good side, and may even be up for redemption...but doesn't choose this path.

Draw similarities between the evil and the hero. They may come from the same background, skills or even the same cause - but they have different ethical standards.

Show the hero struggling against the evil streaks in his nature, and the villain fighting the good streak in his.

Describing the Villain

Smiles: make them chilling by using detail. - his lips curved and bared teeth. - the corners of her mouth turned up, but the smile did not reach her eyes.

Voice: compare the voice to something unpleasant. - his voice sounded like a dentist's drill - he spoke with the coldness of a ... - his voice had the ... tone of a ... - his voice was as sharp as a ...

Eyes: compare the color to something unpleasant - as dark and murky as a stagnant pond - as piercing as a pair of daggers - glinting like steel blades - the color of frostbite

Smell: insert a detail about how the villain smells when they approach the POV character - peppermint mouthwash and aftershave - beer and stale sweat - garlic and axle-grease

Hands: describe the texture of this hands, and the shape of their nails.

Monsters

Invite the reader to feel pity for the monster by giving it a motivation that readers can understand on a human level - for example, to protect is young, or break its loneliness.

Reveal Bit By Bit

The issue with inducing horror with monsters is that once the reader has seen it, it no longer has the same chilling effect.

Show a different part each time, and delay the full view for as long as possible. Perhaps it can only be heard first, then the smell.

Keep It Plausible

If the monster is a beast of imagination, plausibility is another challenge.

How did it come into existenc?

A prehistoric animal, survived or recreated.

A mythological creature

A new species from faraway lands

A real animal infected with a new disease

A ruthless government ran a program for new monsters

A mutation occurred, resulting in a monster.

A major plausibility factor is size. Just times 4x a normal animal wouldn't be palusible, since their skeleton won't be able to hold the weight.

Outsize flying creatures are also not likely. Water creates can plausibly have enormous sizes.

─── ･ ｡ﾟ☆: *.☽ .* . ───

💎If you like my blog, buy me a coffee☕ and find me on instagram! 

💎Before you ask, check out my masterpost part 1 and part 2 

💎For early access and prioritized questions, become a Writing Wizard