#THE “THEM” REFERRED TO ARE THE CHARACTERS

[viniciusleal2121]

Ele pode ter feito um gesto aleatório. Mesmo sabendo que ele é um idiota, que apoia um político idiota, ninguém tem o direito de acusar ninguém de neo-nazismo por suposições idiotas que fazem da pessoa, dos gestos delas, por coisas que a pessoa nem associa a isso.Se você quer acusar uma pessoa de algo dessa magnitude, você tem de ver se ela participa de grupos assim. E até mesmo esses,se sabiam que tavam fazendo parte desses grupos, porque gente desgraçada nem sempre faz essas coisas escancaradamente e também pode incluir pessoas aleatórias em coisas somente pra prejudicar alguém e eles se sentirem tendo poder de persuadir e prejudicar. Porque a maioria das pessoas não entendem sempre essas referências de nazismo. E porque as vezes os verdadeiros Nazistas podem ser os incriminadores e os acusadores de pessoas injustamente, são as Abigail Williams que agem com histeria pra provocar punição pessoas inocentes pra verem a maldade e o sofrimento chegar a elas,destruírem reputações, destruírem negócios, caráteres inteiros.

He may have made a random gesture. Even knowing that he is an idiot, that he supports an idiot politician, no one has the right to accuse anyone of neo-Nazism based on idiotic assumptions they make about the person, their gestures, or things that the person doesn't even associate with that. If you want to accuse a person of something of this magnitude, you have to see if they participate in groups like that. And even those, if they knew they were part of these groups, because wretched people don't always do these things openly and they can also include random people in things just to harm someone and feel like they have the power to persuade and harm them. Because most people don't always understand these references to Nazism. And because sometimes the real Nazis can be the ones who incriminate and accuse people unjustly, they are the Abigail Williams who act hysterically to provoke punishment on innocent people so that they can see evil and suffering come to them, destroy reputations, businesses, entire characters.

Do not let them erase this. Do not let them tell you he meant "my heart goes out for you."

This man is the grandson of a Canadian Nazi sympathizer who moved to South Africa BECAUSE he thought the apartheid was just the coolest.

He has a gaggle of kids specifically because he believes his genes are superior and need to be spread to improve humanity.

He has thrown his support behind the neonazi party in Germany and the far right party in the UK, not to mention how far he's wormed up the ass of the Republican party.

He threw two sieg heil salutes back to back at the inauguration of the president of the United States and is trying to scrub the evidence off the internet.

Elon Reeve Musk is a fucking Nazi.

[demilypyro]

So I was looking at Surge and Kit's design references, and something struck me. Why do they both wear yellow? It's kind of a distinctive choice. It's very bright, it stands out. I don't think we know many characters in the universe that wear yellow. Can't really be a coincidence. I suppose it makes them "match", like a uniform, which would make sense since they are supposed to be a pair. But is there a reason beyond that?

I mean, why yellow? If you just wanted them to match, they could have been any colour. So what does it say about them? Starline created them, and likely dressed them like that, but he doesn't have any particular association with the colour yellow. If anything, he's more associated with dark reds and purples. So why?

Then it hit me.

Crash test dummies.

Starline really was an incredible asshole.

[zenruu]

A Needlessly Thorough Analysis of What Hardening Actually Means for Alistair

You can also read this analysis in a Google Doc if you find that format more palatable: here.

(I do recommend desktop for the comfiest viewing in either case, but both should be serviceable.)

Disclaimer: If critical discussion of a character’s feelings, motivations, and reactions to certain in-game choices could be personally upsetting to you, maybe don’t read this. None of this analysis is me judging you/your choices as a player, I am simply looking through the lens of Alistair’s characterization and the in-universe consequences of choices. Of course this analysis will be colored by my own bias, it’s inevitable. I can’t realistically include every potentially relevant line of dialogue, but I’m always happy to discuss if you think there’s something crucial I left out.

Hardened Alistair is often described as learning to stand up for himself and becoming more assertive, but why? Is it an accurate assessment? Even Alistair himself reacts to the hardening dialogue by saying he’s going to start thinking for himself and looking out for himself more, so surely it’s true… right?

To the contrary, I would actually argue that hardened Alistair tends to put others before himself more than unhardened Alistair. Let’s start by looking at how he becomes hardened.

The Hardening Process

After meeting Goldanna, Alistair is understandably devastated to find that the family he’s been dreaming of his whole life is not what he had hoped. He’s just been yelled at and turned away by the sister he’s never met, the only family he’s ever had a chance of knowing. He’s lost his hope at finding that sense of connection and belonging he’s always been looking for.

If the Warden wants to harden Alistair, they need to tell him, “Everyone is out for themselves. You should learn that.”

The message being sent is basically: suck it up, move on, grow up. This is the way the world is. Stop being so idealistic.

The message Alistair seems to receive, however, is a bit more complicated. In the follow-up conversation after meeting Goldanna, Alistair tells you that his takeaway from the hardening dialogue was that he needs to look out for himself more. This is, obviously, perfectly in line with the common belief that hardened Alistair is more assertive and more willing to stand up for himself.

But is that the reality that we see reflected in hardened Alistair’s choices?

Pre-hardening, Alistair tells you many times that he feels like no one cares what he wants; he believes it’s unfair and openly complains about it. Hardened Alistair, however, knows that no one cares what he wants and he accepts that as the way things are and must be. Unhardened Alistair will freely say he doesn’t want to be king and fights against it until he can fight it no more, while hardened Alistair will accept it, even going as far as to say he wants it.

Why would he change so suddenly from saying it’s his worst nightmare to saying he wants it? Does he mean it fully? Is this truly him seeking to fulfill his own wants and meet his own needs?

What actually changes if he’s hardened?

he is seemingly less reluctant about becoming king

if romanced, he will agree to a threesome with Isabela

he will agree to make you his mistress if you push the topic

if not married to Anora and chosen to fight Loghain, he will execute Loghain and take the throne

if not chosen to fight Loghain, he will insist on being made king

if married to Anora, he will become king instead of being exiled if Loghain is spared (Alistair will still leave your party, however)

he will approve of executing Jowan in Redcliffe

With the idea of “hardened Alistair putting his own wants/needs first” in mind let’s break them down one by one:

Note: some lines of dialogue have flags for “hardened”/“changed”, alternatively referred to as Alistair’s motivation being changed from “good to glory” or “Alistair 2”. These all refer to the hardening mechanic. The screenshots do have text that’s a bit small, because I wanted to be sure that I included the flags that show when lines are exclusive to hardened Alistair.

Less reluctance about becoming king

All along he’s said he doesn’t want it. You could potentially make a case that he didn’t truly feel that way and was only saying it because he’s insecure (which he is), but I don’t find this to be a terribly compelling argument. 

This is hardened Alistair’s response to being told he would be a good king after he’s decided to sacrifice himself. There are several lines like this that I feel contradict the theory that unhardened Alistair only says he doesn’t want to be king because he’s insecure in his abilities. It’s not that his insecurities are not a factor, it’s that hardening him doesn’t get rid of those things, meaning that this factor alone would not change his attitude about accepting potential kingship. In fact, he still believes that realistically Anora is better suited.

I’d argue that someone who has consistently said one thing without fail and is now only changing the tune after basically being told to shut up and grow up may not be expressing their truest desires. He is going along with what Eamon is telling him, with what the Warden is telling him, with what he’s told is his duty and responsibility. For the greater good, not for himself.

And you might be saying that can’t be true, hardened Alistair says he wants to be king!

Personally, I’d argue that Alistair saying he wants to be king is much the same as your average person saying they want a job. Do most people want to go to work every day? No, not really, but you have to because it’s just what you need to do. So when asked, you’d say you want a job. Of course you would, because you have to have one. But removed from that necessity, would you still say the same? Likely not. I believe the same holds true for Alistair. If he wasn’t being told at every turn that him being king is what must be done, he wouldn’t feel a need to bow to that.

Hardened Alistair confidently wanting to be king is often accepted as plain fact, when it’s really not so cut and dry. We can dig into some of his dialogue and really look at his feelings on the matter.

Hardened Alistair is saying he wants to be king. Even he’s surprised by it. But what is the context of this line? He’s about to sacrifice himself. He believes that his sacrifice–not living to rule–is the single best thing he can do as king.

But is it pure happiness and willingness, or is it a man simply trying to make the best of a situation he’s locked into? I vote for the latter.

I often see the argument that having a Warden queen would make him happier with the idea of being king, but by all evidence it really doesn’t seem to be the case. Here is his response to the Warden confirming that she does want to be queen. Alistair still doesn’t like the idea of ruling. This isn’t a line exclusive to hardened Alistair, he will always have this line available.

“I wouldn’t be in this position if it weren’t for you” … “you owe me” … Even hardened, Alistair seems to see being king as something negative being thrust upon him. A punishment, perhaps? What would his response be to being told that being king is not a punishment?

On the surface, he agrees, but take a look at that VO comment for his actual feelings on it. He does consider it a punishment. This is indeed a line for hardened Alistair, as it occurs during the mistress conversation, which is a hardened Alistair exclusive.

Even if hardened, Alistair would prefer to stay a Warden if he can.

And if you don’t make hardened Alistair king? He’s grateful. Happy. Happier.

Agreeing to a threesome

Unhardened or hardened, he will push back when you suggest this. However, only hardened Alistair will relent and agree to it. Unhardened Alistair will simply refuse. Which one sounds more like someone standing up for his own wants?

This is the path the conversation goes if Alistair is hardened. His initial refusal and discomfort with the situation remains, but if you tell him to go along, he will.

He is, regardless, clearly not as comfortable with the situation as one should be. It certainly isn’t the kind of enthusiastic consent one would look for when asking someone to engage in a particular sex act. But he had fun, so it’s okay, right?

Well… did he have fun? Isabela jokes about borrowing him in the future and it seems quite clear that he isn’t interested in a repeat occurrence. Not only is he not interested, he’s awkward, uncomfortable. “Oh, but he makes a joke about wet frocks right after this!” He does. But it’s Alistair. He’s constantly making jokes to mask his discomfort.

Agreeing to making the Warden his mistress

Again, he will push back on this at first, only relenting if he’s hardened and you push the issue. If unhardened, he’ll stand by his original statement that he feels it would be wrong. Is he just saying he believes it’s wrong, or is that what he truly believes? Based on what we know of Alistair, I’d say it’s far more likely that he truly does find the idea of making the Warden his mistress to be disrespectful both to the Warden and to his wife, and that he is somewhat disregarding his own beliefs on that to bend to the Warden’s insistence that he take a mistress.

Whether he’s marrying Anora or not, his views on the matter are the same. He intends to be loyal to whoever he marries, and he knows he cannot do so if he continues the relationship with the Warden.

It’s clear that he finds the entire idea distasteful.

Much like the threesome, you do have to press him to get him to agree. He’s quite set in his beliefs on the matter, but he will acquiesce if the Warden pushes it.

Insisting on becoming king in the context of dealing with Loghain

These are the choices where I’d say there is potentially a case to be made that Alistair is making the decision he wants to make. However, I wouldn’t say that the decision being made is that he wants to be king. I would argue that becoming king is simply a means to an end to give him the power to get revenge in the way he wants.

In the first potential scenario here, Alistair will insist on being made king if he is not chosen to fight Loghain. Why? He wants Loghain dead, and he isn’t being given the choice to make that happen. He wants the power to make that choice, all else be damned.

Here you can see that hardened Alistair insists on taking the throne while making it abundantly clear that the reason for doing so is to take care of Loghain in the manner he wants.

Unhardened Alistair does the same. Why? Because the motivation remains the same whether he’s hardened or not. Unhardened Alistair simply hasn’t become so resigned as to pretend he’s any less displeased with it than he is.

In the second potential scenario, Alistair is chosen to fight Loghain and kills him. He finally achieves the goal he’s been working towards all along: getting his revenge on Loghain. He’s running on that high when Eamon immediately suggests he take the throne, he says yes, he’ll do it. There’s not really anything to break down dialogue-wise in this scenario, as his acceptance of the throne is the exact same dialogue as it would be in any other case. He simply says he accepts when it’s proposed.

Is it what he truly wants? Maybe. You could make a case for it. However, I interpret it more as running on that adrenaline high, feeling powerful and not fully thinking it over in the moment.

Accepting being king & marrying Anora if Loghain is spared

Alistair has been tunnel visioned on getting his revenge on Loghain the entire time, and this is the only circumstance in which sparing Loghain will not result in Alistair leaving and becoming a drunk. He both accepts marrying Anora (which he isn’t happy about) and sparing Loghain (which is very counter to his wishes).

He doesn’t like Anora and doesn’t want to marry her, but he does anyway. Hardened Alistair knows that marrying Anora is politically advantageous and prioritizes that over his personal desire to enact his vengeance, though he makes it clear to the Warden that his personal feelings on the matter have absolutely not changed.

Hardened Alistair goes along with marrying Anora after Loghain is spared and leaves the party, unhappy with the Warden’s choice to spare Loghain. If this line alone didn’t make his displeasure clear enough, there’s also this one:

He refers to the Warden’s actions as a betrayal. He’s obviously not happy.

Unhardened Alistair, however, stands his ground and refuses.

Approving of executing Jowan

Another case of a changed tune to go along with what the Warden is doing. Unhardened Alistair actively disapproves of the Warden executing Jowan. We could assume that hardened Alistair is just more pragmatic, or perhaps simply more willing to accept it when the Warden tells him this is what must be done.

There is no Alistair specific dialogue to look at here, just the approval points, so it’s really just a matter of looking at what we know of him and the situation. I would say in general Alistair values life and values mercy. Are there exceptions? Yes. Loghain, for example, whose crimes Alistair has judged worthy of death. Clearly unhardened Alistair does not feel that way about Jowan. Hardened Alistair though? He approves of his execution, but is it because he personally thinks it’s best or is it because he accepts the Warden’s judgment?

I would argue that it’s the latter primarily because it’s completely in line with everything else we’ve seen from hardened Alistair. There really are just no solid cases of hardened Alistair asserting his own will when compared to unhardened Alistair, so I don’t see this case as being any different.

In Review

In each case of behaviors changed by hardening Alistair, we see him putting his own wants and needs on the backburner in favor of an externally imposed sense of duty or to bend to another’s will because he accepts that his personal feelings are irrelevant. I’d go as far as to say that hardening is really a misnomer, because what we’re really looking at would be better called resignation.

I actually didn’t include every single line I found of hardened Alistair expressing the sentiments I’ve laid out in this analysis because I didn’t want it to be too long, but there is more in the game. Now I will get into less concrete analysis and a bit more of an explanation of my own personal opinions on hardening.

Aside from looking at what hardening actually means for Alistair, we can also question its necessity. Do you need to do it if you want to do certain things in Origins (threesome, mistress ending, etc.)? Yes. But I often see people argue that hardening Alistair is necessary for him to grow or mature as a person, and I completely disagree.

My personal opinion is that hardening Alistair is neither necessary nor kind.

In terms of helping Alistair to grow as a person, I maintain that Alistair will become more naturally “hardened”, or more accurately, he will mature on his own if you give him the chance to do so. Why do I say so? Look at Alistair in Inquisition. That is not the same idealistic young man we see in Origins, and this remains true regardless of hardening status. Whether it’s Warden Alistair or King Alistair, he’s clearly grown and changed.

Sure, you can mod the game to make the hardening dialogue more palatable, but that’s an entirely different discussion. As is, you’re required to essentially kick him when he’s down, and I simply do not find it to be necessary for his own personal development.

If it’s not already completely obvious by me doing all of this in the first place, I really, really love Alistair. Of course I’m quite settled and happy as an unhardened Warden Alistair truther, but I’m always happy to discuss and debate. I’m very interested in any thoughts you might have, whether you agree with my assessment or not (as long as you’re nice).

Thank you for reading my (almost sickeningly thorough) little analysis if you made it this far!

As a treat (or unhardened Warden Ali propaganda depending on your perspective), here's my Warden, miss Neria Surana with her very happy unhardened Warden husband:

[akanemnon]

Hello, I just wanted to ask what the inspiration for Chara's dark world outfit is? in the reference sheets you say their colour scheme is from the red soul and flowey but I was more wondering about the style of their clothes?

Their boots kinda remind me of a cowboy. (cowperson?)

Typically, I take inspiration from D&D and Final Fantasy when coming up with Dark World outfits for these characters. They are all reminiscent of what you would see in them, but typically never outright the same.

EXCEPT FOR CHARA.

The thing with Chara is that they are so intertwined with the whole videogame aspect of Undertale, that I thought it would be funny to DIRECTLY put them in the outfit of a different videogame character. Namely Zidane from Final Fantasy IX

See the resemblance? In the story, Chara fills the role as thief/rogue, so this choice was very deliberate.

If I were to give College Chara a Dark World outfit, I'd probably go for Cloud's from FFVII. Just to continue the gag.

[lurkinglurkerwholurks]

Oh oh I can tell you how I handle this!

First, I must acknowledge that epithets are hard. When writing in a specific character's POV, you have to be careful about describing another character only using descriptors that they would use or it'll feel awkward and weird. (I don't generally think about my sister's height relative to mine and therefore wouldn't refer to her as "the tall one" or even "the taller one", for example, unless it's relevant in the moment. Talking? Not relevant. Her hitting her head on a ledge that I missed? Relevant. That wouldn't be true of someone I just met. If you're tall[er than me] I'm probably noticing it and don't have other ways to differentiate you from other strangers.)

Luckily, I don't usually have to resort to epithets in writing, because readers can generally follow pronouns and support way more proper name uses than you might expect! Pronouns by definition are placeholders for proper names. Where writing gets confusing is when it feels like the pronouns are floating free and unmatched. Reconnecting the proper noun and the pronoun is all you need to reset.

Within a paragraph, use a proper noun enough to be clear. Vague, I know, but it really is an art instead of a science and largely comes down to personal taste. Refining your personal taste can help a ton, and one way to do that is to look at works by people who you feel write these kinds of scenes clearly and cogently. I'm going to use my own writing as an example, just to make it easy for myself.

Structuring your writing so the subject is fairly consistent will help a ton, as will "checking in" with a proper noun when it feels like you've checked in on the other person more recently.

[alt: The muscles in Bruce’s face, Jason realized, were good at going completely still when surprised. That was useful. He had said intervened like Jason had done it on purpose, throwing himself into this nightmare to save Bruce instead of acting like a petulant, stomping child. He had just a moment to wonder if the look from Bruce was meant as gratitude or as an apology when Bruce turned his attention back to the others. “It should reverse in a few days.”]

In the snippet above, because I'm moving tightly between two he/him characters, I use their names just enough to stick into place who's being reference at any given point. If I had wanted to be extra careful, I could have changed "He had just a moment to wonder" to "Jason had just a moment to wonder."

Over multiple paragraphs, when you're sticking with one person, reconnecting (or what I mentally refer to as "checking in") can happen once a paragraph and really shouldn't be needed more than that.

[alt: He really didn’t have much of note to say. Dick narrated his way through the canned goods and the dry goods, making jokes about Wally’s Skittles stash and the cans of Spaghetti-Os Roy demanded be kept on hand but no one else ever touched. He talked about a TV show he had been watching and made a joke that elicited a hrmm from Bruce that would have been a laugh from anyone else. And the more he talked, the more he remembered little stories from his week that he had tucked away with a mental note to tell Bruce.

At last, though, Dick had finished his final story and let the call lapse into a pause that stretched into silence. He bit his bottom lip and fidgeted with the rolls of gauze, stacking them into pyramids outside the gutted medical kit. He could never tell with Bruce whether the silences were contented or an interrogation technique, the patience of an investigator applying pressure to a reluctant witness. In the end, it didn’t much matter.]

But really, truly, the TL;DR of it all is you don't need as many epithets as you think; as long as you don't go crazy with your subject and object switches and check in on your connections regularly, you can lean on pronouns way more than you think; and readers can handle way more uses of names than you might suspect.

Me writing a scene with two or more people of the same gender and trying not to get the readers confused, while also trying not to overuse the characters' names or epithets

[sm-baby]

Mushy the way you plan out your art is so cool man. Especially Mei’s character concepts. Do you have any tips on how you planned all this stuff out bc Ik you did a lot of art studies to get this point. How did you know where to start after find references and stuff. I’ve been trying to do studies of your art but god idk where to start so I thought I would ask🥹

When creating a full animatable character, you make...

Turn around

To teach the animators how to draw your character in every angle

Walk cycle

To show how a character walks (can aldo be reused in the final show)

Expression sheet

To see how a character's eyes, mouth, nose, etc. moves

Animation test

To give yourself a taste of what its like to animate a character... Usually this is where people figure out whats hardest to draw over and over and redesign them in a more comfortable manner

This also, sadly, means that i have to do this with EVERY SINGLE CHARACTER SOBS THIS IS GONNA BE AWHILLEEE

[rispwr]

Tasty - J.JK - Mini (M) —

Pairings : idol! Jk x nepo baby! Reader

Genre : smut, idolverse

Contents/warnings : making out, unprotected sex(yk what to do), nepo baby! Reader, idol! Jk, tasty in busan reference, model! Reader, missionary, fingering if u squint?, oral(fem recieving), pwp

Note : this was kinda rushed. Please don’t expect too much from this. It’s 1:12 am rn huhu i should sleep i have exams💔💔also ive been watching gossip girls all over again. If you find my new characters in my new fics similar to the characters in gg then i probably got inspired. Hdidhudgs i need to sleeppp. scratch that, study actually. Goodluck to me tomorrow, or later…? I’ll be waking up at 4 anyway

Wc : 2k?

As someone new to the modelling industry, I’ll admit, I don’t know much about it. Except for the fact that my mom and dad are both in it, and yeah, maybe their names help. Okay, definitely their names help. They’ve gotten me the brands, the deals, the connections I need. But their advice? Practically useless. I get called ‘nepo baby’ often like it’s some big insult, but honestly? I don’t care.

If I was them, I’d wanna be me too.

this time, I want real advice. Not from my parents, or the people who are just dying to kiss up to me, but from people who actually know what they’re talking about. The real seniors.

The problem?

They’re not exactly the kind of people you can just text for advice. Or… are they?

I’m sitting in the director’s chair during one of my “breaks” (which are so not long enough), watching as he barks orders at the photographers and crew. My phone’s in my hand, and I’m scrolling aimlessly until something catches my eye. It’s a video. An old one. And not just anyone’s video. the exact senior I’ve been thinking about.

Hey, maybe advice isn’t the only thing i’d ask for.

I click on it, my lips curling into a smirk.

���What’s tasty in Busan?” someone asks. I think it’s hoseok? one of the guys in their group. He’s holding a microphone, and Jungkook leans over to whisper something in his ear. Hoseok immediately pulls back, laughing like he’s grossed out. “Jungkookie is weird!” he says dramatically.

Then Jimin jumps in, curious. “What did he say? Tell me too!” He laughs, shaking his head, before leaning into the microphone with this smug little grin. “Everyone… Jungkookie has turned into an adult.”

The camera pans to Jungkook, who’s at his desk, grinning that ridiculous bunny smile of his, looking both shy and pleased with himself.

I can’t help but laugh under my breath. What did he even say? It’s like some inside joke in their fanbase, and honestly, some of the comments on the video are gold. Others?…. Nevermind.

“Okay, Y/N! I think I’ve given you enough of a break,” the director calls out, clapping his hands. “Back to your position, please!”

I roll my eyes, shoving my phone back into my bag as I get up. My four inch heels click sharply against the floor as I walk to the set. It’s exhausting, sure, but if the pictures turn out hot? Worth it.

Still, even after the shoot, that video sticks in my mind.

——

You and your friends, Kayla and Zia, sit at the table, laughing and drinking like it’s the only thing you know how to do. A few hours pass, and predictably, the two of them are completely wasted, while you’re still sitting pretty, your alcohol tolerance saving the night.

“Hey, Y/N and Kay?” Zia slurs out, leaning in way too close and grabbing both your faces in her hands. “Don’t tell Zia I told you guys…” she giggles, already spilling the tea, “but we slept with each other.”

“What??” Kayla suddenly sobers up from the sheer shock, her eyes wide as saucers.

You’re just staring at both of them, blinking in disbelief. “I need more drinks. I don’t have enough brain cells left to process this,” you mutter, grabbing your purse and standing up to head to the bar.

You wobble slightly on your heels? terrible decision for a night like this, but you make it to the counter and sit down on one of the stools, finally giving yourself a moment to breathe.

“Hey, Kook. Truth or dare?” Jimin slurs, clearly a few drinks ahead of Jungkook, who sits there calmly sipping his beer.

“Truth,” Jungkook answers flatly, raising an eyebrow at him.

“Ugh, no fun, man.” Jimin groans dramatically, leaning forward.

“Fine. Dare,” Jungkook sighs, tilting his head in annoyance but accepting the challenge anyway.

Jimin smirks, his eyes darting across the bar. Then he spots you, sitting on the stool, ordering drinks, completely unbothered. “I dare you to go up to that girl and buy her a drink.”

Jungkook scoffs, raising an eyebrow. He glances at the table, half the members are already passed out drunk, while Jimin, Taehyung, and Yoongi look on. With a little smirk, Jungkook sets his drink down and gets up, the air of a challenge written all over him.

“Hey,” a deep voice greets you from beside the bar, nearly making you jump.

You glance up, surprised, and then let your lips curl into a small, amused smirk. “Didn’t think I’d find you here.”

Jungkook stares at you, confused. “I’m sorry?” he asks, tilting his head.

“Where’s your cool guy act now?” you tease, your voice dripping with playful mockery.

Jungkook bites his lip, staring at you for a second before shaking his head with a low laugh. “Let me buy you a drink,” he offers, signaling to the bartender.

“No need,” you say smoothly, already taking the drink you’d just ordered. You lift it slightly to emphasize your point.

“Well then… your number?” he tries again, his smile soft and genuine…. or at least i hope it’s genuine.

You raise an eyebrow, leaning in just enough to keep the game going. “I’m sure we’ll be in touch soon.” you say with a wink before turning on your heel and heading back to your table, leaving him behind.

For the next three weeks, Jungkook came to the same bar, at least twice a week, hoping to bump into you again. He played it cool, but let’s be real, it was obvious.… well this day must be his lucky day then.

A week ago

“Calvin Klein, you say?” you hum, admiring yourself in the mirror as you try on the lingerie you’d just picked up. The fit? Perfect. You smirk at your reflection, loving the way it hugs your curves.

“Yes, ma’am,” the stylist calls from outside the fitting room.

“I’m in,” you say with a final glance at yourself, satisfied.

Back to the present.

You sit in the chair on set, scrolling aimlessly on your phone when one of the stylists walks up to you. “Are you aware you’re shooting with a partner today?” she asks casually.

“Uh… no?” You raise an eyebrow, confused.

“Jeon Jungkook, Ms. He’s your partner for this shoot. Did your agent not tell you?”

You blink. “I think…?” You give her a weak smile, but she just rolls her eyes and mutters under her breath as she walks away, loud enough for you to catch.

“Doesn’t even have to try to get the brands, and she doesn’t even know who she’s working with,” the stylist grumbles.

You roll your eyes.

Irrelevant words from an irrelevant person.

Satisfied, you adjust your posture as someone calls you to get into position.

“Well, looks like it’s your lucky day, Jeon,” you whisper into Jungkook’s ear as the two of you move into position for the first shot.

———

“Think you wanna tell me the answer to the ‘what’s tasty in Busan’ question?” I teased, cocking an eyebrow at Jungkook as he kept kissing along my neck, his lips warm and soft but slightly distracted.

He froze for a moment, then leaned back just enough to look at me with a crooked grin. “Omygod, you saw that?” he asked, his voice dripping with amusement.

I shrugged, biting my lip to hide my smirk. “You said it so confidently in that video, like you had it all figured out. So? What’s tasty in there, Jeon Jungkook?”

He burst out laughing, his head falling into the crook of my neck as his shoulders shook. “Oh my god, did you actually see that? That was so embarrassing,” he mumbled between his laughs, his ears turning red as he tried to compose himself.

I grinned wider, running my fingers through his dark hair. “Of course, I saw it. It’s the joke of your fans. So wanna tell me?, or better…. Show me?”

Jungkook raised his head, his laughter fading into a playful glare. “Alright,” he said, his voice lower now, a teasing edge to it. “You think you’re funny, huh?”

“I think I’m hilarious,” I shot back, sticking my tongue out at him.

He let out a low chuckle, shaking his head as his hands slid down to my waist. “You wanna know what’s my answer?” he asked, his tone shifting as his grip tightened slightly, pulling me closer.

I blinked up at him, suddenly aware of the heat in his eyes, the way his lips curved into a sly smirk. “Uh… yeah?”

Jungkook leaned in, his nose brushing against mine as he whispered, “I’ll show you instead.”

Before I could process his words, his lips were on mine, soft but firm, moving with a confidence that made my head spin. His hands slid down to grip the backs of my thighs, and with one smooth motion, he lifted me off the floor like I weighed nothing.

“Jungkook!” I squealed, wrapping my arms around his neck as my legs instinctively locked around his waist. “What are you-”

He cut me off with another kiss, deeper this time, his tongue brushing against mine in a way that made me forget whatever I was about to say. “Still wanna know the answer?” he murmured against my lips, his voice dripping with mischief.

“You’re all questions, are you gonna show or tell me?” I muttered, though the breathlessness in my voice ruined the effect.

He just grinned, carrying me to the bed and laying me down gently, his body hovering over mine. “Oh i will,” he said, his hands already sliding up my thighs, pushing up the hem of my skirt. “But do you think you deserve it?

I rolled my eyes, trying to keep up my usual sass even as heat pooled in my stomach. “Im pretty sure i do”

Jungkook’s smirk deepened, and he leaned down to press a kiss just below my jaw, his hands sliding higher up my thighs. “That’s right baby, you do.”

The teasing tone in his voice made my heart race, and when his lips found mine again, any thought of arguing vanished completely.

Jungkook’s lips moved from mine to trail down my neck, his kisses lazy but purposeful, his teeth grazing my skin just enough to make me shiver. His hands were everywhere. firm on my thighs, sliding higher as he pushed my legs apart.

“You’re already quiet,” he teased against my skin, his voice warm and teasing, sending a jolt of heat straight through me. “What happened to all that attitude?”

“I still have it,” I shot back, though my voice was already breathless.

He chuckled, his lips moving lower, pressing kisses down my collarbone and along the curve of my chest. “We’ll see how long that lasts,” he said, tugging at the hem of my shirt.

“Don’t act so cocky,” I said, but the challenge fell flat as he yanked my shirt up and off in one quick motion, leaving me exposed in my lace bra. His eyes flicked down, darkening as his tongue swept across his bottom lip.

“You were saying?” he murmured, his hands sliding under me to unclasp my bra before I could even protest. The garment joined my shirt on the floor, and I swallowed hard as his gaze drank me in.

“You’re staring,” I muttered, trying to sound unaffected, but my body betrayed me as my skin burned under his gaze.

“Of course I’m staring,” he said, his voice low and warm. “You’re fucking gorgeous.”

My retort died on my lips as he leaned down, his mouth closing over one of my nipples, his tongue flicking against the sensitive bud while his hand teased the other. A soft moan escaped me before I could stop it, and I felt his smirk against my skin.

“Still got something to say?” he asked, his voice muffled as he moved to give the same attention to the other side.

I glared down at him, tugging lightly at his hair. “Shut up.”

He laughed softly, lifting his head to look at me. “Make me,” he teased, his hands sliding down to my hips as he tugged at the waistband of my skirt.

I arched an eyebrow, determined not to let him have the upper hand. “What if I don’t want to?”

Jungkook tilted his head, his smirk widening “Then I guess i better take the lead, baby,” he said, his voice dripping with challenge.

He grips my thighs before he yanks my skirt down with one swift motion, his eyes dropping to the soaked lace between my legs.

“Fuck,” he muttered, his voice low, “you’re already dripping, Y/N.”

Before I could snap back, he hooked his fingers into the sides of my panties and dragged them down, tossing them aside like they didn’t matter. His hands spread my thighs wide, and before i knew it, his mouth was on me

The first swipe of his tongue sent my back arching off the bed, a gasp tearing from my lips. He didn’t tease, instead he went straight for my clit, sucking it into his mouth and flicking his tongue against it with maddening precision.

“Jungkook,” I moaned, my hands flying to his hair, tugging at the soft strands as his mouth worked me over.

He groaned against me, the vibration making my legs shake. His tongue slid lower, teasing my entrance before he pushed it inside, fucking me with it while his nose pressed against my clit.

“Oh my god,” I gasped, my hips bucking against his face, but he just tightened his grip on my thighs, holding me down as he ate me like a man starving.

Every flick, every suck, every moan he let out against me drove me closer to the edge. “You taste so fucking good,” he muttered, his lips glistening as he pulled back for a second before diving right back in.

My thighs started to tremble, the tension in my stomach coiling tighter and tighter. “I’m gonna- fuck, Jungkook, don’t stop!” I whimpered, my voice breaking as he sucked my clit hard and slid two fingers into me, curling them perfectly to hit that spot that made me see stars.

“Come for me,” he growled against me, his fingers pounding into me as his mouth stayed relentless on my clit. That was all it took. I shattered, my body shaking as my orgasm crashed over me, his name spilling from my lips in a breathless scream.

He didn’t stop until I was a trembling mess beneath him, my body twitching with aftershocks. When he finally pulled back, his lips and chin were slick, and the look in his eyes was pure sin.

“You good?” he asked, smirking as he wiped his mouth with the back of his hand.

I glared at him, still breathless. “Shut up and fuck me.”

“Thought you’d never ask,” he said, already tugging his pants down.

He then kicks off his jeans and boxers in one quick motion, his cock springing free and standing thick and hard. The sight alone made my mouth water, but he wasn’t giving me time to admire it. He was already climbing back over me, one hand gripping my thigh to hook it around his waist as the other lined himself up at my entrance.

“Ready?” he muttered, his voice low and strained, like he was barely holding himself together.

I rolled my eyes, grabbing his jaw and pulling him down for a messy, heated kiss. “Do I look like I want to wait?” I bit back.

That was all the permission he needed. With one smooth thrust, he buried himself inside me to the hilt, stretching me so perfectly that all I could do was gasp, my nails digging into his shoulders.

“Fuck,” he groaned, his forehead dropping to mine as he stayed there for a moment, letting me adjust. “You’re so tight.”

“Then move,” I breathed out, arching my hips against him, already desperate for more.

Jungkook’s lips curled into a smirk, but he didn’t tease this time. His hips pulled back, and then he drove forward again, setting a deep, steady rhythm that had me clawing at his back, moaning with every snap of his hips.

“God, you feel so fucking good,” he growled, his voice rough as his hands gripped my thighs, holding me in place as he fucked into me harder, deeper, the sound of skin slapping against skin filling the room.

My body was on fire, every thrust sending a wave of pleasure crashing through me. “Jungkook,” I whimpered, barely able to get the word out as he hit that perfect spot inside me over and over again.

“Say it again,” he demanded, his pace quickening, his teeth scraping against my neck as he kissed and nipped at my skin. “Let me hear you.”

“Jungkook!” I moaned, louder this time, my voice breaking as I felt myself spiraling closer and closer to the edge.

“Good girl,” he muttered, his hand sliding down between us to rub at my clit, the added stimulation sending me into a frenzy. “You gonna come for me again?”

“Yes- omygod!! fuck, yes,” I gasped, my nails digging into his shoulders as my entire body tensed, the pressure building until it exploded, my orgasm crashing over me so hard I saw stars.

Jungkook groaned as I clenched around him, his hips faltering for a second before he buried himself deep, his pace turning rough and erratic. “Fuck, baby, I’m close,” he growled, his voice strained as he chased his own release.

“Come inside me,” I whispered, wrapping my legs tighter around him, pulling him deeper. “I want to feel you.”

That was all it took. With a low, guttural moan, Jungkook’s hips slammed against mine one last time, his body tensing as he spilled into me, filling me with heat. He stayed there for a moment, his forehead resting against mine as we both tried to catch our breath.

“Guess that answers the question,” he finally muttered, a lazy grin spreading across his face.

I frowned up at him. “What question?”

“What you asked me,” he said, smirking as he kissed me again, his lips slow and soft now, as if he didn’t just wrecked me.

“Idiot,” I muttered against his mouth, but I couldn’t help the laugh that escaped me.

The next day.

the comments from my new post….. was surely what i expected.

“Is she a whore?”

“That nepo baby once again”

“New boy of the month?”

“Im leaving this fandom”

Surely i did make alot of fans mad, but what can i say? It was indeed tasty

[relicsongmel]

Iris, Miles, and their mutual "secret"

The Ace Attorney fandom is no stranger to discussions of homoerotic subtext in the game's script—pretty much everyone who's spent more than five seconds here will be able to tell you that. Screenshots of lines that imply romantic tension between same-gender characters are all over the place, to the point that many fans are drawn to the series purely by its reputation as "the gay lawyer game." Some scenes are more well-known than others, but one I find brought up fairly regularly is this conversation between Miles and Iris:

This is optional dialogue that can be triggered by presenting incorrect evidence on Iris' Psyche-Lock during the Investigation portion of Bridge to the Turnabout. The argument here is that the "secret" Iris is referring to is the same as her own: that being, a romantic interest in Phoenix Wright. Which is definitely hilarious when you consider that Iris has known Miles for less than a day and she's already reading him for filth (granted, she could have been clued in by the similarly infamous "indispensable friend" line, and she's also exceptionally good at reading people despite Miles thinking otherwise). As a Narumitsu shipper myself I am not immune to enjoying that interpretation; however, I feel like there's a lot of nuance in this scene that isn't often addressed by the fandom at large. Which is unfortunate because watering it down to just Iris calling out Miles for being the gayass he is (to be fair. she's not wrong) does a MASSIVE disservice to both of their characters, and I'll explain why.

My bone to pick with the usual analysis of this scene is mostly centered around the larger conversation to be had regarding the treatment of female characters in fandom spaces. All too often they tend to play second fiddle to the male characters, and a similar principle holds true for ships with their canonical male love interests: mostly ignored in favor of the the more popular M/M ship(s). At best these women are sidelined, at worse they are flattened into wingmen for the boys (as is frequently the case with many AA girls and Narumitsu, Iris included), and at the absolute worst they are demonized for their perceived "competition" with whatever gay ship is most popular and therefore the Only Valid One for the male characters involved (as exemplified by some very "passionate" fans that I generally try to avoid interacting with). Whenever this scene gets brought up, the focus is almost always exclusively on Miles and what the interaction says about his relationship with Phoenix; Iris is only relevant insofar as she's the one initiating Miles' Homosexual Moment™—you could replace her with almost any other character and there'd be a similar level of neglect for their role in the interaction. Only very rarely will you see attention given to what Iris' question about Miles' secret means when she is the one asking it, and what it can tell us about her relationship with Miles/what she thinks of him, and vice versa (absolutely wild how even Miles himself is often flanderized despite being the fandom's golden child). It's all too characteristic of the systemic misogyny that has plagued fandom since its inception, which is deeply frustrating to me as someone who adores Iris as much as I do (if that wasn't obvious by now). So that said, let's dive deeper into what I think the missing link is here: namely, the Iris-Miles dynamic as it pertains to their relation to Phoenix.

Iris and Miles is one of my favorite relationships to explore in the whole series—but as I've described above, unfortunately a lot of people get it wrong in my opinion. Discussion about the two is frequently centered around Narumitsu Love Drama—which is a conversation worth having, don't get me wrong—but the elements at play there aren't always represented the way I envision them, which again, is frustrating. Take the idea of potential jealousy, for instance: it's pretty standard love triangle fare that can be (and often is) quickly turned into demonization when it's used in a shipping context, character assassination be damned (re: Narumitsu fanfic authors that project their personal dislike of Feenris onto Miles via his jealousy of Iris and/or how they tend to portray Iris unfavorably). However, it's not inherently a bad thing to explore: personally, I do believe that there is mutual jealousy between the two of them. Miles might not have the full context of Iris' history when this conversation takes place, but he's emotionally intelligent enough to pick up on what Iris means to Phoenix, and vice versa. And him being a jealous hoe about it isn't out of the question when you consider that he's a bit of a loner by nature and doesn't have many close friends or outlets for socialization outside of his job. The crucial element that's sometimes missed, though, is that Miles not only lacks the self-awareness to realize he's a jealous hoe...he's also a self-sabotaging jealous hoe.

And the same can be said for Iris, who is similarly introverted and doesn't often leave her home at Hazakura Temple.

The whole reason Miles is peering into Iris' heart in the first place can be found in this exchange, after he breaks her Psyche-Lock:

Miles uses the Magatama in order to gain the answers he needs to bring the truth to light and get Iris acquitted, and he does so for the express purpose of reuniting her with Phoenix so they can find closure—in fact, he reiterates this to her multiple times. He obviously recognizes how Phoenix is suffering from what happened between them (I'd argue he sympathizes with Iris' plight as well) and has resolved to do what he can to help him heal, but there's no reason for him to be so insistent that she rectify things with Phoenix when it does nothing but harm his own chances with him. Unless, of course...that's the whole point.

To convince Iris to reveal her secret so he doesn't have to face his own, because he thinks himself undeserving.

And Iris, noticing this because she empathizes with that feeling of unworthiness, calls him out on it in an almost uncharacteristically forward manner when she asks him what he's hiding.

Takes one to know one, indeed.

Iris highly respects Miles for taking on her defense despite the risk to his job as a prosecutor. She's willing to trust him after hearing he's a friend of Phoenix, hearing him out and letting him reason with her. She still keeps her cards close to her chest in some regards, but she's more honest with him than she's been with anyone else in her life apart from her sister. She sees his commitment to the truth and how it starkly contrasts with how she's lived her life to this point, and thinks that this is the type of partner Phoenix deserves—not someone like her, who only knows how to survive using lies and deception. She sees so much strength in him but still recognizes the insecurity lurking beneath his tenacity, which is why when he falters in his logic, she takes a leap of faith and gives him one last chance to examine his reasons for pushing the burden of his unspoken affections onto her, as if to say: "Look in the mirror. Is this really for me? Or is it for you? Do you really seek the truth for its own sake, or do you merely hope to find one truth so you might run from another?"

Her question to Miles is a gamble—a coin flip of self-sacrifice. If she loses and he presses on, she has to face the secret within her heart she's been suppressing for five years. But if she wins and he gives in to the truth in his, she has to live the rest of her life watching it unfold and knowing she threw away her chance to finally stop living in fear of her own love.

Either way, there's no escaping heartache for her anymore.

Miles and Iris both want what's best for Phoenix and prioritize their vision of his feelings over their own. However, they are also both deeply emotionally repressed people who find difficulty in being direct with their feelings, and are predisposed to self-sabotage due to childhood trauma. These tendencies may manifest in different ways for both of them, but the fact remains that such people would likely not compete for a person's affection in the traditional sense, which is exactly what we see with how Iris and Miles deflect their feelings for Phoenix. These selfless, lovestruck idiots toss that man around like a game of hot-potato because their mutual self-hatred for the ways they've harmed him has rendered them terrified of the reality of what he means to them, and desperate to find a way out of admitting to it. It's the most compelling explanation I can think of for why the usually unassuming Iris makes such a bold judgment about what Miles might be keeping locked away, and why Miles goes to such lengths to make sure she talks to Phoenix and tells him the truth—his agreement to defend her was conditional on that exact promise. They go through this whole song-and-dance of playing wingman to ignore their own feelings while still trying to bring Phoenix the happiness they think he deserves—and then they wonder why seeing Phoenix give the other one attention burns them up inside.

Because they’re dumb. And I love them.

TL;DR the Iris Psyche-Lock scene in BttT is so much more than just "haha Miles gay" and I wish people talked about it more. Also Iris and Miles are way more similar than they appear at first glance and if I think about it for too long it makes me physically ill thank you for coming to my TED talk

[stillarobyn]

I understand the intention behind this post and I don't disagree with it. I don't.

If you're writing a period piece or something with a certain dark tone, then yes, you absolutely want to keep to that, give your gruff sailor a mumbled line about not being like most other men, or your scattered workaholic scientist can say she never felt like she was missing out on anything by not having a partner while they save the world.

But do not limit the reach of fanfiction by expecting it to be held to the same standards.

Because we need both. Because the target audience for a lot of works that employ this are young, they're disconnected from community, and they're lost. They think they're broken or they don't fit or they are made wrong.

I, a millennial, didn't know about bisexuality until I read about it in fanfic somewhere around 2003 (I was 13). I didn't know any out gay or queer people growing up. It was still scandalous on tv, and my parents didn't have any problem with it, they just didn't talk about it. I can't imagine how isolating it would have felt if my parents prevented me from watching anything with gay characters or spoke negatively about them.

My first discovery of nonbinary identity was in a bandom fic I read in 2010 (I was 20, for those playing the home game). It was maybe two years after that that I began to talk with nonbinary/genderqueer/genderfluid people online. I knew a couple of binary trans people in college, and one in high school, but this was my first time meeting people who weren't a binary gender. In 2012! It took another two years for me, at this point a full-ass adult, to start describing myself that way.

All of this oversharing to say...my understanding of queer identity was not hand-held by anyone in my life, but boy I learned to accept these foreign ideas I saw in myself because I had a safe fictional environment to explore these concepts and terms.

I think it was 2014-2016 when fanfic spaces had a boom of "everyone is trans" AUs and headcanons, and they were often rose-tinted and a bit twee, but that's the point of them. I saw identities I had to look up, and when I asked in follow-up "okay, but what does a person who feels like that look/act like?" it was all crickets, except in fiction, and specifically fanfic.

"But the world is different now, not knowing is no excuse" NOPE. not with anti-lgbtqia legislation passing in the US, or in other hostile countries around the world (I'm from the US, my argument is US-centric based on my experience and knowledge, but by no means exclusionary of people in other countries), or even family situations or rural upbringing or any other circumstance that isolated young queer folk from other queer folk.

A popular live-service video game introduced a nonbinary character and I saw twitch chats full of people who were just confused and uneducated. Ignoring those who were hostile was easy, but the uninformed, especially the non-English-speakers and people who didn't come from Western cultures, were largely open to learning something they never had framework for. Made all the more frustrating in a game environment where the characters didn't make a habit of having these discussions on screen, but that's a different rant.

I don't know if OP intended this in reference to original media, or toward fic, but I saw a lot of established characters in the reblogs so I just want to address that. I'm a characterization first fic reader, so I get it. "Everyone is trans" fics aren't for me, but there's a space needed for them if someone needs to see Captain Kirk and Spock debating the application of terminology of human gender and sexuality in interplanetary cultural settings...now actually I kind of want that fic so I played myself.

Dragon Age Veilguard came under attack for daring to openly and forwardly use the term "nonbinary" in its fantasy world, as though something about the word is inherently incompatible with the fantasy genre? But the game was pretty clear in its goal to create a safe gaming space for marginalized folks when so often their experiences are erased, ignored, tokenized, or stereotyped. The narrative, therefore, had to be hostile to the unaccepting, educational for the ignorant, and validating to the vulnerable. Getting to play in a world where people are referred to as nonbinary (just like me) and where people use they/them pronouns (just like me) and where no one ridicules or attacks them specifically for this? It felt comfortable and safe and the world was ending in the game, but I felt a personal empowerment in my immersion.

More complex and nuanced discussions by characters about their queer identity add to the picture. It shouldn't be in every work because every author has their own angle and their own philosophy about it, but they have just as much a right to a seat at the table. You can have your fics where Tony Stark's sexuality is a smirk and a wink, and you can have your fics where he explains that he used to call himself bisexual but the world is bigger and weirder so he considers himself omnisexual now. And if you don't like that, scroll past it. The author didn't write it for you, but someone else needs to hear that.

Maybe this is just a personal vent that escaped containment, but I feel the need to remind some folks that some people need the LGBT center brochure version because they didn't get one in the mail. It's a tough time for everyone in this community, no need to make it tougher.

he would not fucking say that but it’s he would not fucking talk about his queer identity like he was reading out of a college campus lgbt center brochure

[deerspherestudios]

🔍 QNA MASTERLIST (LYS VER.👻) 🔎

This masterlist contains all questions and posts relating to Alma from Lift Your Spirits. They might also be referred to as Vida.

General Info about Alma❕

They love junk food. + dev ramble about their design inspiration.

Their favorite food is popcorn and chocolate-dipped churros.

They can form legs if they wish, but prefer to float.

Their birthday is on 20th July! 🎂

Their race is ambiguous as Alma. (If someone asks me about Vida specifically I'd be happy to answer in it's own post and add it here since their appearance in MO.)

Their reaction to discovering someone pushed the vending machine that killed them on purpose.

They can touch things if they concentrate.

Their favorite color is red. + Their height is 6'4 (193cm).

Their reaction to another ghost in the campus building. (same post as above)

Their favorite character in My Little Pony: Friendship is Magic pre-death would be Rainbow Dash. Post-death would be Zecora. + dev rambles.

Their MBTI is INTJ-J.

They love listening to city pop, math rock and swing jazz.

They would win against Mychael (Mushroom Oasis).

They would visit MC if they lived on campus.

They would disappear if the campus building is torn down/destroyed. + dev ramble about ideas for a sequel.

They have an interest in space and would've majored in astronomy.

Alma’s romantic traits…❔

They identify as panromantic demisexual.

Their love language is performing acts of service for others and receiving quality time.

Their preferred pet names for themselves are ones that're sweet and dessert-like. + They would call their partner "my comet."

Their gifts for MC + favorite Christmas activities + thoughts on hot cocoa (as Alma and Vida.)

About Laika…🐕❔

Their dog's name Laika is based off the Soviet space dog.

Laika is hinted to be an ex-service dog.

Laika is given to a family member after their death.

Extras❕

Some in-game and general loredump!

Alma giving you coins for the vending machine.

Alma accepting sodas from the player.

Silly Alma monster-form edit.

Alma being (not) hit by a snowball.

Their reaction to mistletoe.

[once-in-a-blue-moon-rising]

Seen a few 'maturity is realising that it's not a look of love' videos on Instagram re: 457, and while I do realise it is Not That Deep, I nonetheless have THOUGHTS

The crux of those thoughts is this: has fandom's view of shipping narrowed so far that unless two characters are mashing their faces together on-screen, it's immature to interpret the text contrary to what we assume the creator's intention was?

With this ship specifically, let's start with the obvious: the actors have insane chemistry. This is true whether you see the characters' bond as platonic, romantic, antagonistic, or something else. They are very obviously comfortable and friendly with one another in real life, and this translates into an intense on-screen relationship between Gi-hun and In-ho (and I'm sure this is exactly what the director did want, because, newsflash, this is our protagonist/antagonist duo).

I do think it's valid to ship something based purely off the actors' chemistry, but the comment is obviously referring to the characters themselves in the context of the story, so let's address that too.

There's a clear motivation for the way In-ho stares at Gi-hun, follows him around, and generally tries to insert himself into his life, and this is what these posts are referring to. He's testing his ideology, he's watching how he's affected by the horrific things that are happening around him, and to help him do this, he's ensuring that Gi-hun trusts and likes him. It's important if he wants to prove to him that the world is unchangeable, and humanity irredeemable.

And because of that, it's not the 'look of love'. Case closed?

Well, no.

Because there is so much nuance and depth that you're failing to explore, if a look can only mean one thing.

Because why does In-ho bother? Why is Gi-hun worth his time and interest? In-ho - via the games - has access to resources that far far outweigh the money Gi-hun won. He could prevent him from finding the island forever. He could just have him shot tbh. He's not really a credible threat - at most, he's a minor annoyance, because people need to be paid off every so often to prevent him getting too close.

Just through this detail, we can deduce that In-ho cares, in some way. He is interested enough to want to change Gi-hun's mind, when it would be so much easier to... not. Is it love? It's certainly fascination. And I don't think it can be argued that he brought him back for the VIPs' entertainment and not his own, because Gi-hun was searching for three years before In-ho let himself be found. And even when he's found, it's Gi-hun who suggests going back into the games.

So these stares - yes, he's testing him, but he's doing it because he wants to. They denote genuine interest. How did this guy retain his hope and faith in humanity? How can I prove to him that my view is correct?

And I'm very much not saying that a romantic interpretation is 'correct', because fiction should be interpreted however the audience sees fit, but what is love (in all its forms) if not wanting to know someone and be known by them?

This is even more compelling to me when we take into account In-ho's backstory, which we learn a bit more about in season 2. Because he and Gi-hun are so similar, except in the way they've used their trauma to interpret the world. Which just adds to the evidence that In-ho would be fascinated by this man, be determined to know him and to change his mind.

What I'm saying with all this isn't that 457 is canon, and that anyone who says otherwise is media illiterate. What I'm saying is that the real immature interpretation is one that's surface level, be that interpretation 'uwu he loves him' or 'he's PLOTTING evil things'.

[demilypyro]

so i've never read any of the idw sonic comics but i have known people who have talked about them. i remember hearing about surge and thinking she was cool and a fun idea for a rival character for sonic, but i was confused for awhile cuz i thought when i was first introduced to her that she was a dude? and i couldn't find and reference to it later and i spent so much time wondering if they just changed her gender at some point early on and didn't think about it too hard.

i later found out that i was conflating surge the tenrec with scourge the hedgehog, who is an evil sonic from another dimension who is also green.

i still like to headcanon surge as trans though.

Honestly, it's very likely that Surge was at least partially inspired by/based on Scourge. Both character designs have been stated to be inspired by the "ashura" glitch from Sonic 2, which causes Sonic to turn green.

Both are also rivals to Sonic, and both are very similar to Sonic, while being generally more rude and aggressive. It's pretty likely that, since they couldn't reuse Scourge since he was an original Archie character, Surge was created instead.

Still, Surge's character has a very different origin, she has different powers, and her story deals with very different themes. And even if Surge is partially based on Scourge, she seems to have eclipsed his popularity almost instantly. It's pretty clear who the crowd favorite is.

"Who are you?" "I'm you but better written and more popular"

[paimonthearchivist2]

except for the fact that this "framing" is not mine. read the third (fourth? i cant be fucked checking) reblog and you'll see that this framing was in fact provided to me as the actual explanation behind the "pro-communists" in the original post, sparking my original point. also, im a fucking trans woman myself and "you guys" 1. is not misgendering in any sense, that is not remotely what those words mean in that order and 2. you could've just. said "i dont like being referred to by 'you guys'" and got an apology, but instead you decided to be smug and wrong instead. my apologies for being an asshole during this argument however, i just got told i should die by somebody on this same post making just about the same style of argument so i was understandably pretty salty when people kept taking my words and twisting them. and I don't disagree that orwell was an anti-communist snitch, remotely; this argument only happened because snitching on "pro-communists" while entirely a plausible thing for him to do does not exactly reconcile with his time in Catalonia, and i wanted a source for that and was promptly told it was specifically marxist-leninists (which is completely in character, had the original post been specific i wouldn't have even questioned it. although that is an (unrelated) issue in and of itself) and i made a comment about how the original post probably should have been more specific and said it was marxist-leninists because that is both an extremely important piece of context and also makes it sound completely like orwellian behaviour, in the sense I'd literally be surprised if he didn't do that. but of course the human psyche somehow can't handle mild criticism, so you decided to spend some hour in total making a dumb argument because i said you should have been more specific. still not as bad as the other one who told me they hope i die, of course, so what do i care.

It's called Orwellian because George Orwell wrote a snitch list of people he thought unsuited to working for a propaganda arm of the UK government because he thought they were pro-communist, anti-white, or had homosexual tendencies,

[literaryvein-reblogs]

Writing Notes: Cliché

A cliché is an expression that was once innovative but has lost its novelty due to overuse.

Tips on How to Avoid Clichés in Writing

Clichés play such a big role in how we communicate that it may seem impossible to avoid using them in your writing. However, clichés can often be rephrased to convey the same meaning as the original expression. Here are some steps to take if you find clichés in your work:

Think about the meaning of the cliché. Use a dictionary to identify synonyms that could replace the word or phrase that is cliché.

Decide whether or not you need to include the cliché. Often, clichés are unnecessary placeholders in writing and can be deleted.

Rewrite the sentence with new words in place of the cliché. For example, if you’re describing a musical with the cliché “comes full circle,” the description could be changed to say that the musical “returned to the themes with which it started.”

Common Clichés to Avoid

There are a number of clichés that are so overused that they should be avoided like the plague (including that one). Here is a list of clichés you should avoid.

“The wrong side of the bed.”

“Think outside the box.”

“Loose canon.”

“A perfect storm.”

“Can of worms.”

“What goes around comes around.”

“Dead as a doornail.”

“Plenty of fish in the sea.”

“Ignorance is bliss.”

“Like a kid in a candy store.”

“You can’t judge a book by its cover.”

“Take the tiger by the tail.”

“Every rose has its thorn.”

“Good things come to those who wait.”

“In the nick of time.”

“If only walls could talk.”

“The apple doesn’t fall far from the tree.”

“The pot calling the kettle black.”

“The grass is always greener on the other side.”

“Beating a dead horse.”

Example: “As red as a rose” —a universal descriptor for the color red that is now commonplace and unoriginal.

Other examples of clichés include demarcations of time, such as “in the nick of time” and “at the speed of light.”

Clichés also include expressions about emotions, such as “head over heels” to describe love, and the phrase “every cloud has a silver lining” to express hope in difficult situations.

The word “cliché” comes from French.

It was first used to describe a stereotype: a metal plate used for printing an image.

Both the words “cliché” and “stereotype” derive from printing jargon but now have negative connotations.

Why You Should Avoid Clichés in Writing

Overused clichés can show a lack of original thought, and can make a writer appear unimaginative and lazy.

Clichés are often specific to language and cultures and may be a communication barrier to international readers.

Some old clichés have been repeated for so many years that the original reference is archaic and irrelevant.

When it’s OK to Use Clichés in Writing

There are a few instances in which the use of a cliché as a literary device is acceptable, but clichés should always be chosen wisely. Here are some examples of admissible usage:

To sync with a readership. Clichés of idiomatic phrases and slang words can work for specific audiences. If you’re writing for a baby boomer audience, the cliché “back in the day” would make sense. By contrast, millennial readers would be familiar with the cliché “the struggle is real.”

To simplify. Clichés can be used to explain beginning level concepts. For example, a how-to guide for expectant mothers might use the phrase “Remember, you’re eating for two!”

For characterization. Writers might have a character use clichés to demonstrate that they are not an original thinker.

A thought-terminating cliché is a phrase that offers a reductive answer to a complex idea.

The term was popularized in the 1961 book Thought Reform and the Psychology of Totalism: A Study of ‘Brainwashing’ in China by physiatrist Robert Jay Lifton.

They are also known as semantic stop signs or thought-stoppers.

Here are some examples of thought-terminating clichés:

“To each his own.”

“You win some, you lose some.”

“I’ll cross the bridge when I get there.”

“Take it or leave it.”

Source ⚜ More: References ⚜ Writing Resources PDFs

[anim-ttrpgs]

Announcing a Eureka: Investigative Urban Fantasy Game Jam!

We're hosting a game jam over on itch.io! Submissions open in March, 2025 and will remain open until April, 2025!

Eureka: Investigative Urban Fantasy is a groundbreaking TTRPG that revolutionizes mystery investigation of all kinds! The rulebook is available at this link for free! This community event gives long-time fans and newcomers alike a chance to flex their mystery-writing muscles. 

Leave behind the days of "We walk into the room and roll Investigate." Eureka: Investigative Urban Fantasy is a TTRPG all about investigation, and its purpose-driven mechanics let players take initiative, use their characters' unique strengths to find clues, and deduce conclusions themselves. This game jam will bring the community together to write more mysteries for their characters to solve, put together in adventure module form. You can find a helpful guide to writing Eureka mystery modules in Chapter 7 of the Eureka: Investigative Urban Fantasy rulebook linked above.

This game jam is non-competitive, but the developers' favorites will be linked on the Eureka: Investigative Urban Fantasy store page so everyone can play through your creation! You can work alone or in a team, as long as you follow these basic rules.

While you're working, and especially if you have questions, join us on the A.N.I.M. TTRPG Book Club Discord Server. It's a club for discussing and playing all kinds of RPGs, not just Eureka, run by the creators of Eureka. You can also join our "Top Secret" Patreon Discord server and further support the A.N.I.M. team by subscribing for any amount to our patreon. We'll be happy to answer your questions about this game jam or Eureka: Investigative Urban Fantasy either way.

(Full submission rules below the Read More)

Rules

Submissions Must Be Adventure Modules and Be Compatible with Eureka: This game jam is for mystery adventure modules to be run with Eureka: Investigative Urban Fantasy. If you're unfamiliar, an adventure module is a guide for game masters to running a specific scenario for their gaming group. You can find an example of one made for Eureka alongside the rulebook linked above.

Follow the Theme: The theme/prompt picked out by our patreon subscribers is "The Call." By design, this prompt is flexible and leaves room for interpretation - are the characters beset by mysterious phone calls? answering a mysterious call for help in the forest? or something far stranger? (Just remember not to make it about mind-control - Eureka doesn't have that.) Your submission can be about any sort of mystery, as long as it is obviously inspired by this prompt in some way, however you interpret it. Just also make sure to follow the rest of the rules below.

Third-person Verbiage: Avoid saying "you" when referring to player-characters.

Separation of Player and Character: Ensure that your module says "investigators" when it is referring to the player-characters, and "players" when it is referring to the real people sitting around the table, and don't get them mixed up.

Characters Can Be Bigoted, but We'd Rather You Weren't: NPCs in your module may express hateful attitudes, but we do not approve of hateful attitudes from submitters themselves. 

Stay Grounded in Eureka's Lore: Please keep your module roughly within the bounds of what the world of Eureka offers. You can read more about this within the first half of Chapter 8 in the rulebook linked above. (And remember, your submission doesn't have to be a paranormal mystery!)

Submissions Must be 5,000 Words Minimum: There is no upper limit, so be careful not to overdo it, as long as your submission has at least 5,000 words. This is the bare minimum size. Most good Eureka: Investigative Urban Fantasy adventure modules are about 50-100 pages, as Eureka really stresses providing detailed information to the GM and players alike.

No Generative AI: Do not submit anything that has been created in whole or in part through the use of generative "AI."

We Don't Own Your Submission: Your submission is still your property. You can even sell it after the game jam is concluded if you want. Though if you do, we recommend you keep working on it a bit to polish it up, since one month is plenty of time to get a first draft out, but even the best submissions will benefit from some critique and further refinement and editing!

[akajustmerry]

Do you have any personal advice on writing good romance? People have vast tastes on the matter but I wonder what your personal takes are

hello!

honestly, I've been studying writing romance for a while because i want to maybe write a rom com novel and while I grew up writing fanfiction I don't think it's the same as actually crafting romance from scratch. I don't have a tonne of experience with it yet, but these are some strong feelings I have on writing good romance that i've gathered in my journey so far;

when you find a romance you really love, take it apart piece by piece like a clockmaker would a clock until you understand why it compels you. if you find a romance you hate, do the same thing. you'll learn a lot about your tastes from this and you'll also learn what "good romance" is to you because it's different for everyone.

I firmly believe all good romance is a portrait of 2 characters (or however many characters are involved). Again, this is just my opinion, but I hate reading or watching romance where I don't know the characters that well because then I'm just sitting there asking why they're even interested in one another. Focus on characters more than tropes. i think there's way too much focus on tropes in recent years.

this is VERY just my opinion but I think when writing a romance it's good to think about how and why the characters would interact if they couldn't be physically intimate. What do they share (values, goals, opinions, conflicts) with each other besides having the hots for one another? And look, for some audiences, having the hots is enough, but for me i don't like when a relationship feels so flimsy that a week of social distancing would break it.

i used to feel really self-conscious about writing romantic scenarios i hadn't experienced, and apparently this is very common for romance writers. it's very important to remember that most authors in fiction genres are not writing about things they've personally experienced either. do your research, write with confidence and compassion and you should be fine <3

MY BIGGEST BIT OF ADVICE IF YOU FORGET EVERYTHING ELSE IS sincerity. just sincerity. so many current or modern romances are so irony-poisoned and self-referential. it takes the immersion and joy out of it. unless you're doing something intentionally meta like lovers being trapped in a movie or something, there's no need for them to reference tropes or hating tropes or whatever. have your characters be sincere and write sincerely.

anyway, i hope this helps! i know you sent this a while ago but i really wanted to think about the answer. hope that's okay 💖