#THAT'S VERY LONG BUT I HOPE THAT HELPED

[bloggingboutburgers]

What are some LDR green flags and some LDR red flags? (bonus points if there's some ace specific ones)

Sorry I took forever to answer that one TwT

I mostly saw a lot of green flags in my own LDR, so it was hard to find red flags at all hehe TwT So I had to talk it over with my partner to get their side too...

In terms of green flags, like I said, I've experienced a lot, but I would say a surefire one is vibing for the same activities to do (either remotely or during the times you can meet in person), and of course, it might sound silly, but just the sheer realization that meeting in person doesn't feel weird, that it just feels either as good or even better than speaking remotely. It speaks volumes. (Ace-wise, personally, I would say few things can beat the feeling of being with that person physically, maybe cuddling and whatnot, and being like "...Ah, wow, I feel really safe with them." It's an ugly reality of at least my own ace experience but I have basic fears of being even the slightest form of physically intimate with most people for a long while; I used not to but then I realized that some people will want that to lead to more, and while that's never put me in danger, it definitely was a cold shower to remember. So... Yeah. Feeling safe is wow.)

Some points that my partner and I would advise to be mindful of, so it doesn't turn into a red flag, would be the following:

Be transparent of when the other person is available/up to talk/etc, and be transparent if YOU're not available or not feeling it today, otherwise it can lead to worries.

Don’t cut the line of communication in the event of an argument. It can be tempting, using a remote speaking service, to just hang up if things escalate, but it won't solve anything. Taking a break is fine, but it's important to basically take the argument to a calmer conclusion, and work out dynamics to calm things down and feel better, not let resentment or stress simmer on forever.

On a similar line, don't bottle up if you feel bad. If the person can't see you, or at least not as often, it might be harder for them to pick up on signals of you don't being as well, so it's important to mention if needed.

Getting your parents and friends to respect your relationship and the time you devote to it. Now that one was tough for my partner and I because we weren't out to our families for quite a while, to preserve ourselves, but that also meant basically that, externally speaking, our families just saw us as texting someone a lot or videochatting a lot, which the less open-minded people will associate with not having a life. It's important to advocate that it's important, even to yourself, if nobody else will do it. And that's definitely a tricky one that you might need to fight for.

Overall basically always communicate and have a genuine want to work on things. LDRs are work, but they're definitely worth it if they make you happy.

[marisatomay]

It's so funny that everyone immediately called Eddie gay for doing the Risky Business dance and he is but he also just beat for beat recreated what Tom Cruise did in Risky Business and. well.

[shalom-iamcominghome]

I've been doing a lot of reflection as of late, especially after this past class.

This past class was about the Torah and Tanakh in general, and the way the rabbi talked about the commandments (specifically the ten commandments) has made me really reflect on how I interpret them, specifically the fifth commandment, or honoring your mother and father.

This is a commandment I have wrestled with for a long time - in fact, it brought me away from g-d at multiple times. I was severely abused when I was incredibly young by my mother, and I used to feel insulted at the implication that I were to honor her while she got to live a better life. It was hypocritical, in my eyes.

But this rabbi surmised that this particular commandment was because parenthood is an act of creation, something that is like the g-d from which we come from. My realization is this: I don't think we're necessarily meant to take even these commandments literally.

I this particular commandment is more of a call to honor creation - creation is a gift, and like any gift, many people simply will not like it and will discard it. The person who abused me created me, but she did not honor creation. She didn't honor me, but I can still honor it.

I have started to honor creation much more. I'm too young, too unstable, not mature enough to be a father (though I fantasize about it), but I create all the time. I create relationships, I create with my hands through crochet. I create memories, I create my world. And I can honor who I am and where I came from that made me who I am. I've been learning one of the mother tongues of my family (Italian, since part of my family originates there) and it was judaism that inspired me to do this.

I don't think g-d wants me to honor my abuser. I think He wants me to remember the Holy action of creation. When I am a father, that act of creation will be Holy, and indeed, I am already joyful about the thought.

I have seen many people struggle with this particular commandment, but I think this perspective helps me personally. I don't think I ever have to forgive my abusers (plural), and I don't think I am commanded to simply because they happened to be family. I am commanded to recognize the holy, to elevate the mundane. In doing so, I will remember g-d. Through creation, I honor g-d and everything he has done for us, for me, and for our collective people.

[stagefoureddiediaz]

The Helena diaz of it all has me fascinated. I’ve said for a long while that Eddie’s real issues are his mommy issues and this episode just cemented for me that we’re gonna explore that and deal with it.

Because it’s Helena who forced Eddie to grow up to fast - because her husband wasn’t around much - so she pushed Eddie into de facto parent and husband role ls - selfishly filling her needs and ignoring the damage it was doing to her son (it is a form of abuse in my book).

Eddie then had the audacity to fall in love with and marry Shannon and get her pregnant. It’s why Helena was always so off with Shannon - she was punishing her. She is also punishing Eddie for all of this and his refusal to return to El Paso only cemented further her bitterness and resentment.

Now she does have Ramon back she doesn’t need Eddie any longer to fill that role so she is still punishing him and part of that is tied into her glee over now getting to parent Christopher - something she has always been intent on doing the doppelgänger just gave her the opportunity- as well as allowing her to further punish her son and his love of Shannon.

Her barbed comments about building a pool were all about showing what she can provide Christopher - how she is parenting him better than Eddie - it’s part of her mind games - making Eddie feel like more of a failure as a parent to his son.

The reality of course is that the reverse is true - Helena’s parenting is all superficial, flash and showy - it isn’t the hard day to day parenting when things get tough and you have to be the bad guy. While Eddie has made mistakes, there is nothing superficial, flash, or showy about his parenting. It’s why bucks comments about Eddie being a great dad are so important.

Eddie feel like a failure right now and that he is entirely to blame for everything. But in reality, while he does bear a bit of the responsibility, the truth of the matter is that he needs to learn and deal with the fact that all of it actually stems from Helena and her abuse of her young son - Shannon never stood a chance just like Eddie never has.

[lyxchen]

Okay so I've heard this said a bunch of times and I'm gonna admit I thought like that too for a while but no, Gi-hun did not win the games because he was lucky. A lot of people think that's how he won because he never killed anybody but that's really not the point. Gi-hun won the games because a) he's smart and is able to look at things from a different angle, b) because he is a good and kind person who also believes in others and c) because of the goodness and care get got back from other people.

In the first game he survived because Ali saved him and that wasn't luck, that was Ali being a good person and helping somebody not get killed. Ali could've not caught him, let him die, he didn't even know Gi-hun at all at that point and he put himself in more danger too by having to hold on to a person while standing completely still but he still saved Gi-hun because Ali is a good person.

In the Dalgona game he quite literally Was Not Lucky. He decided to go with the umbrella which is the worst shape to pick and he probably would have died if he hadn't looked at the game in a different way and decided to change his strategy. Gi-hun is smart. He is also optimistic and so he tried something new and found a different way to beat that game.

In the third game he survived because he was smart and kind enough to listen to Il-nam. The other people in their group dismissed him as just an old man speaking but Gi-hun didn't and that way they had a good strategy to beat the other team. The same goes for him listening to Sang-woo's idea of running three steps and then stopping, which ultimately was what saved them. His group also chose him as their leader (who, as Il-nam said, needs to not seem weak or loose hope because then the whole team is doomed). His team trusted in him and his optimism and they were right to do so.

In the marbles game he won because he was once again kind and decided to team up with Il-nam and also because in the end Il-nam decided to "sacrifice himself" for Gi-hun because he showed him kindness before. Yes Il-nam didn't actually die but he also knew that Gi-hun had cheated and still let him continue on to the next game, probably because Gi-hun had been good and kind and caring towards him before, even though he really didn't have to be. Gi-hun also didn't know this but by teaming up with Il-nam he inadvertently ensured that Il-nam had a lot more fun in the games than he would have had, had everybody just ignored to "old, fragile man". Gi-hun was good to Il-nam throughout all the games and it ended up saving him in the marbles game.

In the fifth game it's only some small moments as Gi-hun isn't really involved in the game because he's the last number but still it wasn't just luck. First of all he was kind enough to give the number 1 to the player that asked him for it. Yes, that number was bad but he didn't know that and had he been selfish enough to say no to that other player he wouldn't have survived. Being the last to play in any game can end up being bad for you, still he decided to give up the number he picked because the other player asked him to. Secondly he also survived that game because Sae-byeok was kind enough to remind him of which glass tile to step on after he had forgotten which one it was. It's only small but she didn't have to tell him and still she did. Sae-byeok btw is also good to him because before that he was good to her and protected her (even though he was angry at her at first) and that way he was able to gain her trust.

Lastly he won the Squid Game because Gi-hun was kind to Sang-woo and because Sang-woo deep down was still a good person. There were probably many reasons as to why Sang-woo decided to kill himself in the end but part of it, I'm sure, was also because Gi-hun was a good friend to him. I mean Gi-hun was even willing to give up all the money and go back home with nothing gained if it meant that Sang-woo didn't have to die and would be able to come home with him. Gi-hun deserved that win and that money and in the end Sang-woo knew that. He also knew that Gi-hun would make sure to take care of Sang-woo's mother and that he wouldn't just take all the money for himself because Sang-woo knew that Gi-hun is a good person. (Gi-hun technically also won the Squid Game because he was good at it which is also him being smart)

So in conclusion and I hope y'all haven't stopped reading yet: Gi-hun didn't win the games because he was lucky. He didn't just sit around doing nothing and won anyways. He won because he was smart but even more importantly he won because of the kindness and goodness that exists in humans and that is especially present in him. He won because he had empathy, because people trusted him, because he got back from them what he gave to them first. He never killed anyone and we can clearly see that he Could Never kill anyone in those games but that's not his weakness. Just because he didn't let himself get corrupted and turned into what the games wanted him to turn into doesn't mean he won because of luck. Him not playing by those subtle, hidden rules that are made to force him to be bad, to not care about others and to give up his kindness actually means he was better than the games. He won because he didn't let them turn him into a monster. They tried really hard and they failed and that's how he won!! But also on top of that he also won because he isn't the only good person in this show. He also won because other people helped him, were kind to him and gave a shit about him. Each and every person that helped Gi-hun didn't have to do that. They all could have not helped him, Ali could have not caught him, Sae-byeok could have not told him which one was the correct glass tile, hell, she could have Lied to him about it and the only difference it would have made for the other players would have been them being one more dead person closer to winning all that money. But that's really not how humans are and act which is why all these people helped Gi-hun, helped each other in small or big ways and in the end his own kindness and the kindness that exists in other people is what lead to Gi-hun winning. That's not luck. That humans being good

[puckpocketed]

12/02/2025 - FLEET @ SIRENS

[ID: Boston Fleet player Hilary Knight during an intermission interview. She wears a backwards cap in place of her helmet. Her chain peeks out at the neck of her jersey. Her face is slightly shiny with sweat. She looks back and forth as she speaks into the mic, at the end smiling and shrugging. /. End ID.]

[zehl0w]

Zenitsu agatsuma has got to be the biggest egg I have ever seen in my entire life

[marshmallowgoop]

My @heishinvalentineexchange2025 gift for the immensely kind and patient @caliowl333, who graciously allowed me to participate with a video instead of fic or art! (And wrote me a 20,000+-word piece in exchange?! Oh my goodness!)

Song is the SadBois & NIO Remix of "Other Side" by ILLENIUM, featuring Vera Blue, which you can listen to in full here. Ramblings under the cut!

When I first began seriously video editing, I didn't think much about composition or how well clips flowed together—lyric sync was arguably my main goal, and anime pieces were thrown onto the timeline pretty much purely based on that.

Now, I put much more care into the very visual elements—the effects, the match cuts, the dazzle. But in the process, I fear that I'm losing what audiences found engaging about my early videos: the actual ideas.

So, for this AMV, I aimed to put the most effort into a strong concept. The titular "other side" is a world without the Black Organization, where Shinichi can freely be himself. Heiji is waiting for that world, where he no longer has to lie and pat Conan's head and pretend that they're not peers, and Shinichi is dreaming of that world because he's always dreamed of working with somebody just like him. The thought of meeting Heiji someday, when he first learns of his existence (Episode 490), fills Shinichi with excitement. He does a lot on his own, but he also loves working on a team—and doing so, being with people, sharing his enthusiasm with others—is what he wants more than anything.

(Heck, there's even a piece of official art called "Conan's Dream Vacation" where he dreams of playing beach volleyball with Heiji and Ran and Kazuha—as himself.)

Sure, you could argue that Shinichi simply enjoys working with Heiji as Conan because Heiji treats him as he truly is. But the times he spends as Shinichi with Heiji point to the fact that no, he just really likes deducting with Heiji. Eagerness, big smiles—in "The Scarlet School Trip" (Episodes 927-928), involving Heiji in the case of the day takes precedence over solving it himself, as he immediately shares what he knows and even jostles Heiji awake when he learns more, before doing anything else, because there's no way he's going to solve it alone. He doesn't want to.

But as things are, being Shinichi is pain. He takes an antidote, but it's poison. Being Conan is what's become "normal" and "comfortable," but Conan can't be what Shinichi is to Heiji. Conan isn't strong enough to catch Heiji when he's falling. Conan can't save him from bullets. Conan can't even talk to him naturally without hiding and secrets. His dreams have become nightmares.

And it can't be easy for Heiji, either. To see someone you care about suffering. To know that Shinichi is in a dangerous situation—and involving himself in it applies that same danger to himself. It'd make sense for Heiji to walk away and wash his hands of it... but Shinichi really wants him to stay. Despite everything, he wants Heiji to stay. For that someday when they can be true partners "on the other side."

I tried to say other things in here, too. Shinichi cementing himself as a precious person to Heiji by countering his insecurities with a one truth prevails and this isn't a competition and you don't have to prove yourself to me. Heiji finding Shinichi even after becoming Conan because he'll always find Shinichi, no matter what, because he's dreaming of being "on the other side," too (even if he didn't know it initially). Shinichi pushing Heiji away with coldness because maybe it's selfish to want him to stay, maybe it's cruelty to involve him, but he can't deny that he cares, that he wants Heiji with him, that he doesn't want to do this on his own.

And while I maybe still went a little ham on the effects, I do hope my ideas are the strongest of all! "No effects" versus effects comparison can be found here!

Thank you again for all your hard work organizing this event, Cali!!

[poorly-drawn-mdzs]

ORV is about enduring the horrors in real time.

(for @everyonesfavoritebastard)

[fantasy-anatomy-analyst]

I hear some stuff about writing that doesn’t have believable or meaningful cultural differences when it comes to fantasy settings/cultures, so i want to ask: what exactly makes a culture meaningfully distinct? what differences in a culture make sense, or lack of differences that don’t? just like where do i start with all that it seems complicated

Disclaimer that I am a white american, so like I don't think im an expert on this lol a lot of other people probably have more to add with actual personal experience in seeing their own cultures crop up as bastardized fantasy cultures, possibly mixed up with a few other cultures as well. I am opening this up to my followers! Please add your opinions!

The first thing to note about fantasy culture is that it can be difficult to create a new culture entirely from scratch without taking ideas from real cultures, because of course the only references we have are real world human cultures! So step number one in writing a new cukture is to give yourself some grace, because you're going to end up with some details that might seem similar to any number of real cultures, and that in itself is not inherently a bad thing. It's not appropriative, for example, to write a fantasy culture that has some important dances involving some form of costume with masks. This concept alone can be found in several real cultures around the world because people like to use music and dance and costuming in order to tell stories, some of which even have religious significance.

But if, say, you find yourself directly referencing more specific real like cultural dances in this category, copying their styles and even taking the stories they tell with those dances, you should probably step back and rethink it.

A personal example: there is a dance in the opening chapters of my current story draft. It is an orcish funeral dance, in which a raven-like bird is shown guiding the spirit of the deceased person to the afterlife. Costumes and masks are used in this dance. But I also know that the real life Native American cultures in my own area have raven dances that tell specific stories about a sacred raven figure. So when I design the dance costumes and try to describe the dance in my story, i do my best to avoid copying real life raven dances. Am I perfect at it? Absolutely not. But I am trying.

And it helps to build up your fantasy cultures as whole interconnected things, not just disconnected pieces of things that seem cool or only support one or two plot points and have no other impact.

But I think maybe am diving in a little too deep too quick here, so let me back up.

I interpreted this ask at first about making fantasy cultures distinct from real world cultures, but the other interpretation is making fantasy cultures distinct from each other within their settings. Which is equally important!

For example, while in fantasy it is useful to kinda lump your people groups up as species (elves have elf culture, orcs have orc culture) it is also a good idea to vary them somewhat (elves from location A have a different culture than elves from location B, even though they share the same cultural ancestry and have more in common than they do with orc cultures)

Making these cultures meaningfully distinct, to me, means they feel organic and alive and not like cardboard cutouts reusing the same stock ideas every time. Which is not to say that you can't use the same ideas that are commonly used with things like elves and orcs, but that you should explore deeper and figure out what you personally enjoy about those fantasy folks and then expand on it.

The thing about culture is that it affects every aspect of people's lives. So your fantasy cultures also need to do that!

One common example I see is worldbuilding that has a surface level attempt to make a fantasy world modern and feminist by just having some female deities and putting female characters in leadership roles. But then immediately under the surface they're still using very patriarchal and sexist details that line up with exactly the real world they've grown up in. It's a lack of deeper thought. What does it actually mean for these fictional people to worship a goddess? Why if they're ruled by a matriarchal figure are they still degrading the role of motherhood and treating women as lesser than men? And why does the female protagonist feel like a #feminist not-like-other-girls girlboss from a Twitter thread? (This one is a major pet peeve of mine, can u tell)

Hmm I feel like i am saying an awful lot but I don't know if I have actually answered the question.

Let's go back to "how do I start?" Because I think that is the most important detail, right? Where do you begin to write distinct fantasy cultures that isn't just a list of "well here is some stuff other people do wrong" or "don't copy real world cultures".

Start with two groups of fantasy people. They don't have to be related.

What are their physical traits? Are they human or something else? What environment do they live in? What resources are available to them?

With those resources, what can they make? What do they eat? How do they gather the resources they have access to?

What do they consider to be important? How does thus affect their social structure? Their form of government? Their spiritual beliefs? Do they value wealth? How does that look for them?

You'll want to explore several different cultural topics and connect them back to these central questions. Some important topics are clothing and accessories, transportation, architecture, cuisine, and entertainment.

If your two people groups live in separate environments and/or are different species, it will be easier to create unique distinctions between their cultures. But if they are the same species in the same environment, they may share some cultural foundations and differ more in things like spiritual practices and social structures (like government). The important thing to keep in mind is that the details of their culture will effect every part of their lives, so you need to create consistent rules for how to write them.

Also, people who interact with each other will end up influencing each other in one way or another. How do these two groups interact? What do they trade? Are they allies or enemies? Does either group oppress the other? What does that look like in this case?

And then of course you can repeat this process as much as you like with more groups in your world. And don't be afraid to research real life cultures! You do actually want to know what's common in particular environments. Like for example, what clothing styles are most common in arid environments? How about cold environments? What animals and plants are available as resources in a temperate forest?

I think a lot of us are tired of seeing desert dwelling fantasy people who wear skimpy outfits that would actually give them serious sunburns and heat stroke, for example. Please stop doing that.

I have also seen some newly popular fantasy books that give absolutely zero consideration to what the people in their worlds would actually have access to and know about. Like a woman living in a fantasy desert surrounded by sand and suffering through a near constant drought, with no mention of any other countries with more fertile land, should not be able to easily access any grain based alcohol while complaining of a lack of water rations. She also should not just casually make reference to a "feast day turkey". Girl what turkey. What whiskey. You don't have those things. You live in a place that resembles Tattooine. (Sorry, more pet peeves)

Just put some actual thought into your fictional cultures and be genuinely curious about it! If you're having fun with it, exploring all the options and making it consistently cohesive, it will read fine. Also just have the chutzpah to pull it off. A fantasy world that unapologetically and enthusiastically puts a lamp post in the middle of a forest is better written than one that seems to just copy every common vaguely-old-fashioned-western-europe fantasy setting that has ever been written and never does anything new or fun with it.

Your elves can still be nigh immortal forest people who do archery, your orcs can still be big buff warrior types, but you gotta find a way to make them your own and have some fun with it.

[whor-pheus]

WILDLIFE FINALE SPOILERS!

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I like that creature

[shouyuus]

hi not a request but I want to know how you got to be such a good writer. Practice? Or maybe writing exercises? Did you fall inlove with writing? If so, when and how? Has it always been, i don’t know, a thing you like to do ever since you were a lil kid? Or were you inspired by other pieces and authors. (mind-boggling curiosity is driving me rn)

ASDLFKJSD thank you ?!?!?! so. this is a question that i sometimes got on my old blog as well, and i've always dithered on how to answer bc there's no like... magic potion, right. there's no secret sauce.

unfortunately (and super boringly), how you get "good" at writing is just... practice. just hours and hours and weeks and months and years of practice.

i've been writing almost every single day since i was about 10 years old. i'm 30 now so that's twenty years of practice -- neigh on SEVEN THOUSAND DAYS of practice. i also majored in comparative literature, so i paid like insane amounts of money to an higher education institution, for people who are objectively considered experts in this field, to teach me and help me and coach me. i can't discount at all how important that was in like getting my writing to the next level (i can name the specific professor and course in my freshman year that changed me as a writer like that's how deep of an impression it left on me)

that being said, you don't need to do all that to become a "good" writer. and i think that's the best thing about this craft is that anyone can decide to pick up a pen one day and #Nike Just Do It. (also, good is subjective and like blah blah blah all that stuff)

but if you want actual tangible things you can do to improve your writing, here's some things that have helped me:

read. read alot. read everything. think of your body like a car. you need to put oil in to run. you need energy in to put energy out. in the same way, you need to intake good writing to output good writing. ive always been a voracious reader, and for the longest time, even when i was actively writing fanfiction (both online and just for myself), i wouldn't read any other fanfics, i would only read published books, and published books either from authors that i know i like, OR published books that i've vetted (ie read the first few pages of and said okay, this is a style i like and a story that's interesting to me)

it's impossible not to be "inspired" when you take in a lot of good writing. so read. but don't limit yourself to just fiction or whatever. read narrative nonfiction -- some of the most moving stories and well-written things i've ever read are actually essays, or longform journalism stories -- try a bit of everything and see what you like, and make note of the things you like to read

then, dig a bit deeper. if there's a sentence you find particularly moving, take it apart, try to figure out why you like it. i rmbr in elementary school we did "sentence diagrams" and it seems strange but getting really technical with writing is a good thing! and i'm the kind of nerd that loves stuff like this so u__u. BUT BUT the point of this is -- once you figure out how a "good" sentence is structured, you can take that structure and plug your own words in! and voila! it's another good sentence!!!! kind of like a super nerdy advanced version of mad-libs LOL

i went thru a phase of my life where i thought it was super cool to memorize famous first sentences of novels LMFAO (yes. again. my parents should've KNOWN i had adhd as a child holy fuck) but i did that for a while and i think that also just... ingrained in me specific sentence structures and turns of phrase that have stuck with me to this day.

if you read a thing and you don't like it, try to pause and ask yourself why -- was it the pacing? the structure? the characterization? what about it was offputting? try to be a more active/critical reader.

COPYWRITING. okay OKAY so this is a thing that i discovered only.... a few years ago? i think? but its a writing exercise wherein writers will literally copy out word for word writing that they like from another author -- not to publish, mind you, but just for the FEEL of writing it themselves -- NOW. i know what ur thinking "what the fuck why" but think about it this way -- classical musicians spend their entire lives playing pieces written by other musicians. dancers learn dances from other choreographers -- even choreographers start by learning dances by other people right like. why should writing be any different?

this does a few things -- it makes you an "active" participant in the writing. don't knock it till you've tried it -- reading a sentence (even deeply) and having to write/type it out yourself are two totally and completely different things. the way you pay attention to pacing, cadence, punctuation, line breaks, shit that you don't even think about when you're reading, suddenly, you're paying attention to it bc you're the one typing each and every letter, every comma, every exclamation mark.

i have a whole separate folder in my notion just for copywork. for the days that i don't feel like actually writing anything, i'll pick one of my favorite books from my favorite authors, and pull it up on kindle, and just copy out a few paragraphs, sometimes an entire chapter. and you'd be surprised at how different you feel after!

read/listen to poetry. this is more of a personal thing for me but i love the cadence of poetry -- i love internal rhymes and spoken word, i love limerence and sibilance and alliteration. i love IAMBIC PENTAMETER GODDAMNIT. lmfao but like. alot of times, prose is more "forgiving" in a way -- you have more space, more words to do the thing. poetry is (i think) the essence -- especially metered poetry, or specific forms of poetry where you have to write within a super rigid set of rules -- and sometimes, i think that creativity flourishes the best under "stress" aka under a strict set of rules. the shit that people come up with in very strict poetry is INSANE and sometimes i copy those out too, over and over again, just to feel the words and the rhythm

read your favorites over and over again. i used to never re-read books, but as i got older and my tastes became pickier, i find myself going back to reread my favorite books over and over again -- and it's fascinating because every time i go back, i find something new to marvel at, a new aspect. and i think that's the lovely thing about media after it's been put out in the world -- you can consume it over and over and over again, and each time, because of the way your brain is wired, of your physical setting, your mindset, you'll notice sometime different.

if you want a list of my fav books/authors, i can def make one! or i'll just reblog the list i made on my prev blog but yeah! lemme know if that's of interest to you! and i think you'll find that if you read any of my fav authors, you'll see immediately how they've inspired me LOL

and FINALLY be kind to yourself! you do not have to be good at every hobby you choose. if writing is something that just gives you joy and you don't want to become 'better' at it??? then that's perfectly okay! also, there are TONS of different styles of writing -- and not all of them is for everyone! you might like super dialogue-heavy writing, some other ppl might prefer really rich prose! it varies by person, and you'll never please everyone. so the best you can do is just write the stuff that makes you happy and that makes you giggle (lord knows thats what i've been doing on this blog) and if you want to put it out into the world, then do! but if you wanna keep it just for yourself, then that's good too!

just because you don't put it out into the world, doesn't make you any less of a writer!

[xxplastic-cubexx]

Charles representation enjoyed here again! I’ve not read much of the comics bc I can’t afford them but I just rewatched FC and I was wondering if Charles being paralyzed is the same in the comics (Erik doing it)? Do they often include that part of his story?

hello my inquisitive friend :] !!!! im more than happy to give some more info bout the origins charles' disability in the comics- to the best of my abilities that is !

while they don't include an origin for his paralysis in EVERY story/run, as far as i know there are three major ways charles loses his mobility (though like yourself, i havent read many of the comics so far, so i could be missing a few. this is the part where i invite readers to submit additional info if im leaving any out)

the very first manner of charles losing his legs was relayed to us in the original X-Men run of the 60's in issue #20

(X-Men #20: "I, Lucifer!")

before magneto was regarded as charles' main adversary there was the extraterrestrial lucifer (who sported the same color scheme, ironically. it wasnt as though lucifer came before magneto so it was definitely A Choice..) who charles would have a semi-reoccurring feud with for a bit early on in the series. during their first encounter, charles would corner lucifer in his lair only to have a stone slab dropped on him, disabling his legs indefinitely

the second manner in which charles loses his mobility- and the time where erik is the most involved and is most deliberate- comes from. Our Favorite Universe in 2001: The Ultimate Universe

(Ultimate X-Men #1: "The Tomorrow People")

as is typically how charles x magneto team-up arcs go, while charles and erik worked together for some time it wasn't very long before erik wanted to pursue more Dramatic Measures for mutantkind. and As This Story Goes, amidst trying to escape the savage lands sanctuary he and erik built, erik drove a metal spike through charles' spine, leading to his disability in this verse

lastly, we have the House of M- or more specifically its prequel miniseries, Civil War: House of M- verse in 2008:

(Civil War: House of M #2: "Revolution")

(Civil War: House of M #3: "Reign")

similar to Ultimate and the movies, this is another timeline where charles and erik team up. this time however, charles is more willing to follow erik's ideas after seeing the horrors of genosha upon reading the mind of a mutant who escaped the island, and the two seek to liberate the other mutants left behind. unfortunately, during their mission, a sentinel collapses the building charles and co. are infiltrating, leading to the loss of his legs

hope you had fun reading- i had fun typing up everything and looking back at these issues :] !

[mothiepixie]

Hi Mothie, Uh sorry to bother you. I really love your art, it's such an inspiration. I want to get better at drawing the skeletons (and even try my own self inserts) but I often find myself struggling so was wondering if you had any tips? Like how did you practice drawing them at first? Sorry if you've had this question a million times, I couldn't find anything on your blog.

Also your colour placement, shading and BG's in all your comics are incredible! Thank you for sharing your amazing art with us <3

Hey there, thanks so much!

I never really answered anything like it, because what I'm going to say is going to be annoying

but PRACTICE.

I am so serious, you have to take these characters (be it skeletons or your own creations) and become so obsessed with them that you draw them over and over.

You will not see your growth and it will be frustrating. I feel people get trapped at seeing the finished product in their mind rather than focus on the steps to get there.

My art was definitely a rough start. I didn't know how I wanted to draw them and I just kept drawing them. I eliminated elements that didn't work or appeal to me over time and then did what would be easier for my wrist.

Examples

2022 vs 2023 Red looked SUPER ROUGH.

And Swap! 2022 vs 2024!

It took me a few years to draw them even close to how I wanted and I'm still figuring things out.

If you're looking for a distinct style, then you have to play with your style. And you have to embrace inconsistency.

But if you want to get better at drawing more realistic skeletons, I highly reccomend using Sketchfab and look up skeleton anatomy. (You can look up about just anything there and get it in 3d for all sorts of angles)

I also say definitely just practice gesture drawing and figure drawing. You can apply this tools to your OCs. And if you want to get better at expression then I recommend studying Tracy J. Bulter's expression tutorial. I still stand by this tutorial today.

I hope this helped some 🙇‍♂️

[ganondoodle]

Kinda in regards to the Empress & BodyGuard 2-

Is Zaphira (sorry if I spelled her name wrong) an elf or do humans have pointed ears in your universe? If no elves, how do the pointed ears happen? Are there different length of ears and if so do they mean somethin?

Love your art & use of colours!

Thank you! and thank you for asking! (this sketch took me way too long .. and the colors still look washed out on my desktop screen but im not editing a third time ..)

Zaphira is human, there are no elves, as such, in this world, though humans tend to live longer than IRL and have differently shaped ears-

the shapes are rather diverse (example above) and culturally (so far) they have no significance, they are merely a trait just like different nose shapes or fantasy hair colors

the worldbuilding reason is that these are extremely diluted demonic influences- in the past demons were frequently in the human world, though largely in secret/disguised, and long time exposure to demonic presences can have varying effects, the most immediate and common being a longer life or wounds healing faster than normal; there might have been other long time effects but the only trait that stayed even after their disappearance is the ear shapes

(there was a mass extinction event of demons that wiped out all above a certain age, since demons generally dont die of natural causes their life neither depends nor revolves around reproduction so there were extremely few left and those were too young to keep most of their knowledge and culture alive, as they rarely wrote anything down; Shargon is of the current oldest generation and witnessed it happen, just like most now adult demons, Thor and Eadrya are both a bit older than him and thus the oldest living demons, which doesnt mean much considering the technically endless lifespans of them)

and to explain me including Shargon in a human appearance- hes the only demon that spends as much time in the human world as at home, largely to escape the others since they are not interested in going there and would otherwise attack him any chance they get (the human world is rather uncomfortable for demons to be in and they have better things to do than to chase him that far), while hes generally very weak compared to them, something he is very good at is shape shifting, mainly the speed of which, being able to shift between full demon and the smaller more humanoid form extremely quickly, or even mid forms that are a mix of both - even in motion! while for the others it takes them quite a bit and forces them to stop which is the main reason he keeps escaping them not able to keep up with his rapid shape shifting (though it does take its toll .. also a reason hes so skinny)

he is the first (only?) one that at some point will learn how to shift into a much more human looking one (depicted in the sketch) too, but its rather dangerous since it involves supressing and compressing his demon heart and system... which is what keeps demons alive (its somewhat like holding your breath for way too long) so the only time he would make use of it is in extreme situations, like avoiding detection by maschines that can pick up demonic energy or escaping shackles made of celestial silver (which drains their energy and can scar/hurt them permanently, like silver to vampires(?werewolfs?) in a way)

....the point is that if he shifts into a human form he has very long ears, meaning that is basically the extreme form that doesnt occur in humans and hints at the origins for those ear shapes being demonic exposure in the past

[marclef]

(warning, incoming Walls of Text up ahead! you have been warned!!)

today's lesson starts us off many months prior, in a tower built by a crazed, pizza-headed freak with a love for the "mad scientist" sort of thing. and so, let's ask ourselves the same question he did: "what are the perfect ingredients for making a clone of Peppino Spaghetti?"

well, for starters, you're gonna need some of that Peppino DNA, that's essential! some old, thrown-out pizza from the dumpsters behind his pizzeria couldn't hurt either, helps make a gooey and strong body for the new creation! (plus, who knows how much Peppino is on that thing... can't hurt to add it!)

but, there's something missing, gotta be a bit more to add to this thing to help keep it stable. well, what did they use in that one movie with all the cool dinosaurs and parks and stuff?

jackpot!!! an unlabeled container of Frog DNA (that DEFINITELY was not carelessly swiped from a nearby research facility 👀) this'll do perfectly, and surely there's no way that the type of frog this DNA is from will have unfathomably-large consequences in the future! .... right?

.... oh dear.

but... let's go forward a good couple years or so! the Pizza Tower's been crumbled to dust for months now, things are going well. in that time Fake Peppino, Peppino's noticeably-froggy clone has "moved in" with Peppino (aka, Peppino couldn't get him to leave and gave up trying), and Noise/Noisette have gotten children of their own! Poppy and Mustard, two little babies that Noisette allows Fake Peppino to babysit often! he does a good job, he knows to be careful with them since they're his friend's tiny creations after all!

(reusing an old drawing, ah well, ignore how big Eyhm is here 👁👁💧)

Fake Peppino is good at caring for the two babies, as well as Eyhm, who he treats similarly and knows to protect. it's like something in his mind is wired that way, to protect and care for things much smaller than him... (besides rats. rats are delicious.)

it's strange though.... caring for the young ones like that, it makes Fake Peppino feel very different, as if he was always MEANT to be a caring parent like that. maybe, in his mind, he's gotten the feeling that, maybe having little babies to care for wouldn't be so bad...

until one day... he starts feeling strange. much hungrier than usual, it gets to the point that Peppino has to kick Fake Peppino out after eating nearly every edible thing within the pizzeria. but once he wanders over to Noisette's Cafe and eats his fill, he's alright, and finds his way back to Peppino's to pass out all full.

the next few days, though, he's not hungry at all. sure, after the first day he'd be full for a while, but even after that there's no more urge to eat. he's confused, and Peppino even more so. and yet, even though he's not eating, he still feels full regardless...

one night, Fake Peppino struggles to fall asleep, feeling uncomfortable, like his stomach is turning. and then, in the middle of the night, the strangest thing... little croak-like sounds, and a lurching feeling...

and, hearing a commotion outside, Peppino wakes up and goes out, only to see:

The Fakelings 🐸

5 little wads of frog-like goop, all croaking and squeaking away. if only Pizzahead had watched the entire dinosaur movie... he'd known that adding Frog DNA to his clone was a bad idea! so now here we are: a Fake Peppino that, simply by wishing for children, has gotten his body to unintentionally made them. but, let's take a look at these little things.

small, barely bigger than a football. they look like miniature little Fakes, with stubby little limbs and no back legs yet, just a simple black tail. they've got no teeth yet either, just a tiny mouth with a big tongue. the instant Fake sees them though, he falls in love; it's like instinct awakens, and his mind instantly shifts to caring for them as best he can.

now... that Frog DNA is kicking in full force though... and Fake has very interesting ways of keeping them safe, at least the first few days of life. the babies cannot move well on their own, and so Fake Peppino tends to carry them around, in a matter similar to his Froggy origins. when they're tired, or simply want to be comfy, he will carefully swallow them and keep them in his stomach, which is non-functioning and "safe" for the next couple weeks. Peppino and the others think it's weird... but Fake couldn't be happier, and he only wants to keep his babies safe.

that parental instinct hits him very strong though.... very strong. so much so, he might end up seeing those that he's already caring about similarly to one of his own...

(... oh dear..... well, at least she'll be safe.)

the babies grow fast though, just as Fake Peppino did. it's only a matter of time until they've gotten bigger, and formed into a much more "solid" body!

at over 1 week of age, they've doubled in size, already much bigger than Eyhm... who has become an honorary big sister, regardless whether she wants to be 👀💧 but they are gentle, and care about Eyhm very much, just as their father does! their limbs are more pronounced now, and they have true hind legs! they're noticeably frog-shaped... a side effect of Fake's DNA, they are growing up to be more "froggy" in appearance than he is!

they've grown up being fed by Fake, but at this age, they will start scavenging around the pizzeria for food of their own. unfortunately for Peppino, what qualifies as "food" tends to vary wildly... many things around the pizzeria will be snatched up, from scraps on the floor to non-edibles like plates and cutlery. at least Fake Peppino will try to stop them if he catches them eating something they can't properly absorb.

after this point, they will grow even quicker than before, and slowly become more independent. they'll spend less time resting with Fake Peppino, which is probably a good thing.... they're getting a bit too large for that.

poor Fake. but it's nicer to comfort them and relax with hugs and the sort, anyways.

but with their rapid growth, and a much quicker aging than standard humans, they will grow up very quickly!

at one month, and they're starting to look much more like tiny little Fakes! they can stand on their hind legs now, though they still crawl much more often. and most importantly, their mouths have grown little teeth, not as strong as Fake Peppino's are, but still very capable of a powerful bite! but with that, a whole new world is opened up to them... now that they can chew, and they have a strong urge to bite anything they see fit!

nothing in the pizzeria is safe. legs, faces, tables, chairs, everything is going to be chomped on to test its strength. usually after a test bite, they'll have determined whether or not what they've bitten is for eating. tables and chairs are not tasty, but legs taste interesting and usually result in a funny scream. Fake Peppino does scold them if they go to far though, and will generally not allow them to hurt anybody (unless your name is Theodore.) though biting and chewing things is fun play, Real Peppinos and Big Sisters are not for eating!!

so... where do they go from here? the Fakeling babies will continue to grow, and after a few months, are independent enough to go out on their own. a story for another time.... but don't worry, that time won't be long! but for now, it's time to rest, and let Fake Peppino have a nice long nap for the hard work he's done.

until next time! 😉