#TGG Ancestors

[ungojirasapiente]

something that i find weird about the Funamusea fandom is how i've not seen a single "parents AU" for the TGG ancestors, like them being the main girls parents, it just seems like an obvious decision but for some reason, i've never seen it!

it just seems like a really cute idea, specially with how different some of the ancestors (especially Yosaflame/Yosafire and Sherbert/Froze) are really different personality-wise to their reincarnations, i think it could make for some really interesting parent-child dynamics

[kandyrezi]

Mogeko Castle location + Kurokawa [thesis]

Amongst all the puzzling, mystifying things DSP has about their characters, worlds and relationships to one, something thing that has always stuck out to me, and to a lot of other people, is the fact that apparently, contrary to popular belief, Mogeko Castle is not located in the Pitch Black World/Land of Roots, but somewhere else entirely. Sure begs the question - where is it then?

Well, one of its potential locations could possibly be in More Ordovices’ (aka. Tapir God’s) world.

The very first image that comes to mind is the one where he’s seen pouring from this mug; an alligator and a bunny type of creature + a mogeko.

Nataka Kurokawa & Imika Yuhijma are the only ones who are seen riding on the train with Yonaka at the beginning of the game, and not any of the other characters. We don’t know how it traveled from the human world to Mogeko Castle specifically, possibly by either some magic intervention, or the human world where Yonaka is from (seeing as there is more than one - Victor Flankenstein, for example, lived on an entirely different human world before it was destroyed) is specifically connected to Tapir World.

Another familiar, recognizable character, yet from different places; Why is Kurokawa, the mysterious, largely unknown entity, in Tapir world specifically, and not anywhere else? We can assume Kurokawa & Nataka are connected to one another with their similar appearance & the exact same surname.

I would not put it past for Nataka to eventually have gone through with it and actually have committed suicide at some point, considering how often she’s depicted with suicidal/self-harming imagery.

(The hand reaching out to her could be someone offering her a change at starting over her life?)

If they are one and the same, then why are Nataka & Kurokawa being shown as two separate characters instead of one individual? On the character page of Funa's website, Kurokawa is in the 'unknown' category, while Nataka is in the 'human' one. We’ve already seen reincarnation is possible in DSP’s worlds. (The TGG ancestors as an example; on a fundamental level, their descendants are technically the same persons as they are, while the gray village girls are still their own person and not just a copy of their ancestors.) As such, Kurokawa might be a reincarnation of Nataka, but now that she's More Ordovices' creation, she isn't fully 'human' like she was before.

The creatures in More's world are mostly based off of fairytale characters, so it feels Like an ‘Alice in Wonderland’ type of situation for Nataka, except less child friendly for obvious reasons.

A popular running theory that used to float around in early days of Funa fandom was the idea that Rose Murder and Imika Yuhjima are related to one another, taking into account some of their physical/visual similarities. Similar deadpan expression, similar eyes, similar hair.

If Rose Murder is in Tapir world, then Imika could have received the aid from Rose to resurrect Nataka and bring her over to a different world. Imika has a canonical crush on Nataka, so aside from just being friends, Imika has another reason to go to extreme lengths to want to bring her back.

That being said, Nataka and Imika being on the train together at the beginning of Mogeko Castle could be a subtle hint towards the possibility of them having a connection to Tapir World.

it's possible the world surrounding Mogeko Castle isn't ruled by a God at all, but only by king mogeko. It's not entirely clear how massive the land surrounding Mogeko Castle is, as Yonaka spends majority of time inside the castle, and only goes on a somewhat linear path towards it at the beginning of the game. There is no way to explore anything beyond that, unlike in The Gray Garden.

If it isn't located in any specific world, then that opens up an entire can of worms to try to unravel, but might also explain why the ending sequence after Yonaka exits the castle on floor seven doesn't follow a linear path of time; waking up at the train again and seeing Defect Mogeko's blood on her hand. (unless you believe the theory that she just hallucinated the entire encounter with her brother.)

So, passage of time might work differently in a world not reigned over by a god.

In conclusion, my money is on either:

1) Mogeko Castle is located in the Tapir World.

2) Mogeko Castle is not located in any world ruled over by a God. It is instead entirely its own land under the reign of King mogeko (or Lord Proscuitto, depending on the ending/timeline).

[imaginegraygardeners]

Imagine how the ancestors got along with their fellow demons/angels

[celecrypt-blog]

I doodled Ciel to pass time and ended up inking her as well. I don’t like the wings very much, maybe I’ll redraw it later.

[blancblack-cosplay-blog]

TUTORIAL - ALAS DE CRANBER

Los materiales que usaremos serán: - 2 pliegos de goma eva rosa. - 2 paquetes de esponjas para maquillaje pequeñas blancas en forma triangular(vienen 10 por paquete, pero se pueden usar seis por ala también). Si no encuentran, lo mejor es buscar esponjas del mismo color y cortarlas en forma triangular con muchísimo cuidado. - 3 metros de alambre (aprox). - Alicate. - Cinta adhesiva aisladora ((popularmente conocida como la huincha'iladora)). - Cola fría. - Tijeras. - Engrapadora ((corchetera)). ((PD: Obviamente tiene que tener corchetes/grapas)). - 2 Horquillas. - Un lápiz que no se note mucho para hacer el diseño en la goma eva, por ejemplo, yo uso un bolígrafo de tinta blanca. OPCIONAL: Pintura roja para "ensangrentar" los dientes. Ahora que tenemos los materiales necesarios, comencemos!

1- Tomamos los pliegos de goma eva y trazamos el diseño de las alas con el lápiz, procurando que el dibujo quede igual en ambos pliegos.

2- Cortamos las figuras con cuidado para que quede liso y bien cortado.

3- Comparamos ambas alas para ver la semejanza y ajustamos uno que otro detalle.

Deberían quedar algo así!

4- Distribuimos la posición de las esponjas en la parte de adentro de las alas para simular los dientes, aquí tenía 20, así que puse 10 dientes por ala. Para ser más prolijos, se puede hacer una pequeña marca en donde irá cada diente con el lápiz, recordando que dicha marca no puede ser más grande que la base de la esponjita.

Quedarían algo así! Aquí uno puede añadir pintura, colorante o maquillaje (como usted prefiera) rojo en la punta de los dientes para que parezcan estar manchados de sangre, pero es enteramente opcional.

5- Con cuidado aplicamos una cantidad suficiente de cola fría y ponemos cada diente en su lugar de manera cuidadosa, luego repetimos el proceso en la otra ala y dejamos secar~

6- Esta es la parte que se perdió, asi que la foto no apoyará mucho el tutorial (es parte del producto final (o lo que queda después de revolcarse en el pasto en una junta del Team)), por lo que tendrán que guiarse por el texto mayoritariamente. Ahora que tenemos las alas listas, necesitamos cortar el alambre en dos partes iguales, (con ayuda del alicate), las cuales moldearemos para que formen el contorno exterior del ala. ((Especificado en la imagen de abajo.))

7- Al tener listo el alambre, tomaremos la cinta adhesiva y pagaremos el alambre al borde ya mencionado del ala. Para que quede más ordenado se puede dejar el alambre al medio de la cinta, ya que así esta quedará igual en ambos lados del ala.

8- Retocamos las uniones y otros detalles para que quede bonito, luego unimos los extremos de las alas y los unimos con corchetes/grapas. Idealmente en posición horizontal. Les recomiendo usar varios para una mejor unión.

9- Enganchamos las horquillas en los corchetes y con mucho cuidado forramos la parte que esta unida a las alas con cinta adhesiva para evitar que se salgan, debería quedar como se ve en la foto de arriba. ¿CÓMO PONERLAS? Fácil! Se enganchan las horquillas en el cuello del traje y se posicionan las alas hacia adentro para que no caigan hacia atrás. Luego, se tapa la zona donde quedan unidas las alas con la parte de atrás de la peluca, o que también da el efecto de que las alas provienen del cabello de el o la cosplayer. No te garantizo que puedas correr, recostarte o moverte muy brusco, ya que se pueden caer o dañar.

Aquí algunas fotos del producto terminado, espero les haya gustado mi pequeño tutorial (es la primera vez que hago algo así) y ojalá les sea útil, de tener alguna duda díganme que trataré de explicar de la mejor manera posible~ -Umeko~

[theladygazingatemptiness]

re: DSP era but. I’m p sure I drew Cranber (along w the Berry Sisters) the most out of any of the TGG ancestors bc I just loved her design and colorscheme a whole lot

[snicketstrange]

Rereading The Chapter 14 (The End)

I believed that in ASOUE's universe, chapter 14 was apparently written some time after the rest of the book. But I abandoned that idea. Lemony wrote to the editor that chapter 14 could be found at the end of the same manuscript.

We then have the epigraph of Le Voyage. It's an excerpt that portrays the moment of death, and perhaps the acceptance of death. But I don't think this means that Lemony is completely certain of the Baudelaires' death. I think it means he's pretty sure he won't write about the Baudelaires anymore. I think the right question is "why did Lemony decide to stop writing at this point in the story?" "Why did he plan to write more and then stop writing?" I think Lemony didn't promise to write the entire story of the Baudelaires. He promised to write the story of the conflict between the Baudelaires and Olaf. So when he was sure of Olaf's death, and that was only with the additional information he had probably had access to through Beatrice Jr, Lemony realized that the research might be over. The certainty of Olaf's death was the event he determined when the narrative came to an end. So, it makes us wonder what kind of promise Lemony made. Apparently he promised that he would clarify the facts surrounding the charges the Baudelaires went through, as well as the contexts in which these events took place. That's why it was so important to get this information out to the general public. Because it involved the honor of the Baudelaire family. Furthermore, this explains why he could not rely solely on the account given by the Baudelaires themselves: after all, they were being accused of being lying criminals. Lemony needed to clear their name, proving, so to speak, that the facts reported by the Baudelaires were real, and it was not enough just to record what he read in the island book.

I think this is the most sensible explanation, and as a theorist I will defend it. But as a fan willing to come up with slightly bizarre ideas, I feel like imagining Lemony realizing that his own death was close to happening. It would be interesting to imagine that Lemony's research took so long that he was an elderly man when he was publishing The End. And the reason Lemony finished his work at this point would be his physical limitations. That would explain shocking secret #13: "he's finished." And more than that: it would even explain the title of the book: "The End of Lemony Snicket". And furthermore, this would explain Lemony's dedication to Beatrice in chapter 14. After quoting the words of Charles B., in which the poet compares the hour of death with the setting off of a ship, Lemony claims that both he and Beatrice are like boats sailing at night, but especially her. Both were on a dark and lonely journey, but she was already dead. "

Beatrice's last words recorded in the book were really emotional to me when I first read them, and they still are today. Especially after I watched the Netflix series, it's now possible to imagine a very specific face when I picture Beatrice. And it's possible to think of a specific soundtrack when I read this.

About the baby's name, on my Headcanon Violet is the name of Mrs. W, who was presumed dead around the same time as Lemony. And in my Headcanon, just as Lemony didn't really die, she didn't either. I still like to think that she was the mystery woman on TGG, and that's the real reason Quigley used the name Violet in the message he sent to submarine Q.

I think this is the first time I stop to think that the Baudelaires ate crab. This is unclean food for those who practice Judaism as a religion, isn't it? I even thought the roast lamb was a reference to the Passover celebration, but they wouldn't do that by eating crab. Or is it that in a book in which Daniel Handler implicitly criticizes religion, he did so on purpose? I think it's unlikely, but still possible. But, albeit unintentionally, the Baudelaires rejected the religious customs of their ancestors in a book in which religious customs are questioned and this is significant.

"The baby had heard about danger, too, mostly from the register of crimes, follies, and misfortunes of mankind from which the Baudelaires read out loud each evening, although they had not told the infant the whole story. She did not know all of the Baudelaires' secrets, and indeed there were some she would never know."

The above excerpt is important as it reveals that Lemony has information about Beatrice Jr's future as he was writing this chapter. This explains how Lemony knows what happened in this chapter: Beatrice Jr told him. Lemony did meet her, and he realized that the Baudelaires hadn't told her the whole story.

A detail that has always pleased me in this book is to notice that after 1 year, Sunny stopped babbling words and has a more conventional and extensive vocabulary. I find this compatible with the fact that 1 year has passed and it's also compatible with her character development arc. One of asoue's themes is "how some children are forced to mature too quickly because of tragedy". Sunny, for example, needed to learn how to cook and convince herself that she loved doing it and that she was good at it in a few days. And all this before she learned to speak English properly. She needed to help with a birth long before she fully understood issues related to human procreation. But in chapter 14, she finally had the opportunity to develop without tragedies forcing her to skip important steps in life.

"Do we take this?" Violet asked, holding up the book from which she had read out loud.

"I don't think so," Klaus said. "Perhaps another castaway will arrive, and continue the history."

"In any case," Sunny said, "they'll have something to read."

Please realize how important this dialogue is. Daniel Handler placed this dialogue here to make sure the reader understood the source of information Lemony had access to: the island book. The children wrote about their own story in that book, including their thoughts, feelings, and private conversations. The children shared some details about ancient events, about when Sunny wasn't even born. In the book, Lemony found details about some events that took place on the island before the arrival of the three Baudelaires.

"I want to make sure these life jackets I've designed will fit properly."

Well... It's good to know that, even though the boat sank, the Baudelaires had lifeboats. Their chances of survival really increased a lot. And knowing that Beatrice Jr managed to survive a shipwreck, it's quite possible that they did too.

The Baudelaires watched her approach, wondering what the next chapter in this infant's life would be, and indeed that is difficult to say. There are some who say that the Baudelaires rejoined V.F.D. and are engaged in brave errands to this day, perhaps under different names to avoid being captured. There are others who say that they perished at sea, although rumors of one's death crop up are often revealed to be untrue. But in any case, as my investigation is over, we have indeed reached the last chapter of the Baudelaires' story, even if the Baudelaires had not.

Lemony just reports here what he heard. Although Daniel Handler intentionally wishes the ending to be left open, and I will respect his decision, I will speak my opinion. They didn't die at sea, though. Note that Lemony directly relates the baby's future to the future of the three Baudelaires. The way Lemony wrote here suggests that the baby's future is as uncertain as the future of her adoptive parents. But we TBL readers know the truth about Beatrice Jr.'s future. Beatrice is alive! So the most likely situation is that her parents are also alive. ( And who knows other characters that we thought had died there on TBB... could it be that at least one of them could also have survived?)

But the question is: if Lemony knows the baby survived, why did he hide this information from the reader? Certainly to protect his niece. Lemony didn't lie, just omitted some details.

The baby paused, and looked at the back of the boat, where the nameplate had been affixed. She had no way of knowing this, of course, but the nameplate had been nailed to the back of the boat by a person standing on the very spot she was standing—at least as far as my research has shown.

Lemony once again dismantled specific knowledge through research, which could only have been done through information provided by others. Beatrice Jr needed to tell Lemony exactly where she was at that moment and Lemony needed to compare that with the information Beatrice Sr and Bertrand wrote in the island book. And then, on visiting the site, Lemony was able to ascertain the most likely position for those descriptions. While Lemony is a bit mistaken, the research process must have been like that.

Finally, she uttered a word. The Baudelaire orphans gasped when they heard it, but they could not say for sure whether she was reading the word out loud or merely stating her own name, and indeed they never learned this. Perhaps this last word was the baby's first secret, joining the secrets the Baudelaires were keeping from the baby, and all the other secrets immersed in the world. Perhaps it is better not to know what was meant by this word, as some things are better left in the great unknown. There are some words, of course, that are better left unsaid—but not, I believe, the word uttered by my niece, a word which here means that the story is over. Beatrice.

Oh... How I love this ending. That's when I felt my head explode for the first time in my life, and I'm still picking up the pieces.

[snickerbuns]

Okay- so- brain went BRRR and I decided to think about how a crossover between Sky: cotl and The Gray Garden would look. I just tried smashing the two games together and came up with something that I actually kinda amazed myself by!

[[Spoiler warning: "Sky: Children of the Light" spoilers and "The Gray Garden" spoilers ahead. Don't continue reading if you don't wish to be spoiled about either of the games!]]

Lore

"The world of The Gray Garden has a rich history filled with many tragedies, pain and death. How did this once barren wasteland become a place where there is an unknown amount of peace, you ask? To understand, you have to be prepared to leave behind the light and joyful lies of what you believe is the truth. You have to be prepared to face the darkness and devestating realization that this world is built on sacrifices of a long lost past..."

Lore explaination

The crossover would find place in the setting of Sky, but heavily influenced by the lore of The Gray Garden. The crossover takes you through the realms that all represent different times in the history of The Gray Garden. The Elders will be the TGG ancestors and winged lights will be the lost souls of soldiers who lost their lives in the battle between Kcalb and Etihw. You have to collect the winged lights and bring them back to their "shells" in the Eye of Eden so they can finally move onto their next life.

The realms

Isle of dawn:

Represents the time before the war and before Etihw and Kcalb were born. A place where there were no creations yet, no difference between light and darkness. A pure, unscated world that had just been born, not realizing what it would be experiencing later on. The Elder/Ancestor of he Isle would be Cranber.

Daylight Prairie:

Represents the current state of The Gray World. Happiness, light and peace everywhere. There isn't a care in the world, but still there is a lingering feeling of the past that presses onto the inhabitants. The Elder/Ancestor you can find here is Rigatona.

Hidden Forest:

Represents the time right before the Great War. There still is peace, but not for long anymore. Etihw has sealed Kcalb underground and they know that sometime soon he would break free and chaos would start. For now, Etihw wants to continue feeding the world with their fake peace until the disaster starts. The Elder/Ancestor here would be Sherbet.

Valley of Triumph:

The future of the Gray World. In this place, only happiness exists as demons and angels have lived together and passed the phase of pressure by the memories of the War. Generations have stopped telling about the War and so, the inhabitants of this time don't know there ever existed a time without peace. The Elders/Ancestors here would be Ciel & Lost

Golden Wastelands:

Represents the time right after the Great War ended. The Gray World is shattered in pieces and mourning the countless of souls lost in the terrible War. A time of pain and regret where peace still is fragile. The Elder/Ancestor in this place would be Yosaflame.

Vault of Knowledge:

A place in the present where you start piecing all the events the past realms represent together. You gain more knowledge about the history of the Gray World and who exactly the Elders/Ancestors are, what role they played in the war. The "Elders/Ancestors" that await you here are Kcalb and Etihw together with all the past Ancestors you found. They thank you and give you one last time of support before you head to the Eye of Eden.

Eye of Eden:

Represents the Great War itself. A place full of anger, hate, death and pain where the harsh truth finally gets pushed in your face. You have to bring back the lost souls of the soldiers (winged lights) to their "shells" so they can move onto their next life in peace. Just like them, you are now the sacrifice for a better future.

Orbit:

You did it. You fulfilled your quest and brought the lost ones to their well deserved rest. Besides the souls you saved, you will also meet Kcalb and Etihw again. They will be there among your side to show their gratitude for what you just did, since the task you accomplished, even a God and a Devil didn't have the courage for.

That was all for now peeps, just a bit of thinking I did n figured out it sounded like a pretty neat concept to me! Have a great day ~

[nadango]

Alela Grora: an analysis thingy

Good day to the funamusea fandom that has neglected my beautiful angel (joking. Maybe.) I offer you sea urchins a collection of observations concerning the eccentric lady: Alela Grora.

I'll be breaking down her personality and interpreting every scene and official art she's appeared in, and even include a couple of theories to fill in the gaps, if you find that interesting.

Note: I believe seichiinara did this before when she was active, but I sadly never got to read it. Therefore, everything here is based on my own observations.

First of all...Who is Alela Grora?

Grora is an angel that serves as Etihw's subordinate. She's an archer and a war veteran, and now destroys Wodahs' garden full time.

Based on canon appearances, she is described by Yosafire as "a weird lady looking for her eye"...Perhaps it's because Yosaf isn't too familiar with Grora (which I kinda doubt) or Grora simply doesn't get too close to others, keeping her cool and mysterious appearance.

To the player, I'm sure she seemed like a cool and laid back adult, contrasting Wodahs because opposites attract. She only ever loses her cool when Ater is involved because of the eye incident, which I will talk about later.

But, other than that, we don't know much about her. Being chill isn't an entire personality, especially when we're talking about a literal soldier who lived through the dark war era. Yet, what makes Tgg and dsp's storytelling magnificent is the way they make their stories more than what they seem. During the game, you have a group of cute main characters who are facing danger, but slowly you start to feel something darker creep in the background, not the angry flame demons, but the guardians of their peaceful world hide a lot more than you think.

Therefore, important characters such as Grora, Kcalb, Etihw, the cats and Wodahs-- who is this big question mark-- aren't going to reveal themselves just like that. No, a good writer will drop subtle hints in their mere actions.

Grora literally lost an arm and nearly blew to death for --ah, a certain group of girls. Reincarnations of Etihw's past subordinates. Grora's previous colleagues she had witnessed their deaths and their burial.

She encourages Macarona and is close to Froze for a reason (she hasn't interacted with Chelan as of now, probably didn't have a chance to) ...because of the guilt and the pain she has felt as she saw her previous world fall apart, she wants the descendants of her colleagues to enjoy this new world a d have a wonderful and peaceful life, a life their ancestors would've wanted. And this would make sense, since she's the only character to not explicitly talk about the past, but also the only one to directly compare Froze to Sherbet.

To sum this up, Grora is a very chill individual who is loved by all, a bit odd sometimes, but still friendly. She is selfless and will fight for what is right, probably due to her past experiences during the war, which she is trying to forget and move on, unlike the rest of the crew. Alas, she can't, for everything reminds her of the terrible old world.

Character Design

Hands down, dsp did the Blancblack crew's designs justice. When it comes to Grora, we could note a few things:

Her current outfit resembles Sherbet/Froze's a bit too much. This may indicate that Sherbet might've had a certain impact on her. I can't say for sure that they were close or not, but he did do something that'll make Grora act the way she does towards Froze.

Missing halo: She is close to Etihw and works under them, no? So why doesn't she wear it? We know it's an accessory, but someone in Grora's position would wear it. For example, Taffy, who is the Head Angel of his world, doesn't wear one because he's not fond of Fumus to begin with, and that includes Olive. All the other Angels don't mind their gods, so they keep the halo. Dsp doesn't need to tell us that, it's logical. Something might've happened between Grora and Etihw, but it's not necessary huge. It could've just altered her point of view or something.

Now, for the war outfit. It is, simply, inspired by Etihw's diamond themed robes. Another thing to note is the tired expression she wore is VERY similar to Etihw's. This might mean that Etihw had a large influence on Grora, and we'll get to their relationship later on.

Grora's color palette is exactly the opposite of Wodahs', which is a good choice considering that they drastically contradict each other. But it's important to note that Etihw and Kcalb also have opposite color palettes, black and white, dark and light, two past enemies who's mentalities are totally different. It's quite curious of Dsp to design Wod and Grora this way too, no?

Ater and Grora's eye

Grora's grudge against Ater isn't simply a grudge. If she is truly trying to heal and let go of the past, why couldn't she just forgive Ater and heal her eye like Wodahs suggested?

Grora was most likely a fierce warrior, an archer, and having her eye taken out must've been humiliating. A strong and pure being torn down to pieces. That incident was proof of her cowardice. Therefore, the lost eye resembles her lost pride. Finding it again means redeeming herself, but of course, the eye has nothing to do with pride. It's just a distraction.

I may be looking way into this, but it DOES make more sense that way. Same thing goes for Wodahs' eye, but I'll talk about that some other time.

Speaking of Wodahs...

Eyepatch Angels

Whether you ship them platonically or romantically, they're still the best duo and work perfectly together either way.

Based on the events of the game, Wodahs and Grora are close colleagues who always bicker and fight over the most mundane things (Grora is usually the one who starts) yet they make a great team. Grora has a bit of a crush on him because who doesn't but these feelings don't seem reciprocated (Small note: That doesn't mean he doesn't care for her at all, and we barely know what Wodahs is thinking most of the time, so we're not really sure. He's also very dense sometimes)

There isn't much to say about their current relationship for now. What's more interesting is their relationship during the war, and boy oh boy, do I have some news.

I'm sure we all know this infamous art, the only art featuring them so badass and, so far apart too. They're also facing each others backs, and considering their close relationship, this is bad news. Only enemies are positioned like this, and the high gap resembles how distant they are from each other. That being said, Wodahs and Grora have quite the history. If only dsp could reveal more about them.

Oh, a wild theory has appeared!

Using these observations (specifically Grora's relations to Etihw and Wodahs, and the missing halo) we could come up with some context.

Grora respected and looked up to Etihw, remaining true and loyal to them. At some point, Grora became/was going to be head angel, only for her position next to Etihw was taken by Wodahs, and it angered her.

Etihw most likely paid more attention to him, and ignored Grora. Perhaps they've hurt her in some way, which resulted into a shattered relationship. Sure, everything was fine after Kacalb nuked the world, but memories and past experiences stay.

Well...this speculation is farfetched, but I wanted to share an abridged version of it with you

And that, ladies and gentlemen, includes the analysis thingy. If you've made it here, thank you so much for reading!! And I hope this helped you in some way!

Also, looking at how hard I tried to summarize this, I'm kinda anxious about the Wodahs analysis, since there's a LOT to cover...Haha.

[thegraygardencrackfacts]

Okay, I know this isn’t a fact and I apologize for it. but am I the only one who STILL wants to know more about the ancestors? Like come on, they all look so cool. I thought by now we would get some info. Also love the blog, it makes me laugh. it’s nice to know that the Funamusea fandom hasn’t completely died off.

Thank you lmao don’t worry we’ll be here until the bitter end. As for the ancestors, I’d REALLY love to know more about them and each of their roles in the war, along with any key events they were involved in. Unfortunately, I don’t think that dsp is really focusing on TGG, aside from Ivlis-centric content, for the time being, so it will likely be a VERY long time until we get that content if at all;;;;

[proud-anime-freak]

...𝔱𝔞𝑘𝔢 𝔪𝔢 𝔱𝔬 𝔠𝔥𝔲𝔯𝔠𝔥... ...𝓘'𝔩𝔩 𝔴𝔬𝔯𝔰𝔥𝔦𝔭 𝔩𝔦𝑘𝔢 𝔞 𝔡𝔬𝔤 𝔞𝔱 𝔱𝔥𝔢 𝔰𝔥𝔯𝔦𝔫𝔢 𝔬𝔣 𝑦𝔬𝔲𝔯 𝔩𝔦𝔢𝔰... ...𝓘'𝔩𝔩 𝔱𝔢𝔩𝔩 𝑦𝔬𝔲 𝔪𝑦 𝔰𝔦𝔫𝔰 𝔞𝔫𝔡 𝑦𝔬𝔲 𝔠𝔞𝔫 𝔰𝔥𝔞𝔯𝔭𝔢𝔫 𝑦𝔬𝔲𝔯 𝑘𝔫𝔦𝔣𝔢...  ...𝔬𝔣𝔣𝔢𝔯 𝔪𝔢 𝔱𝔥𝔞𝔱 𝔡𝔢𝔞𝔱𝔥𝔩𝔢𝔰𝔰 𝔡𝔢𝔞𝔱𝔥...  ...𝔊𝔬𝔬𝔡 𝔊𝔬𝔡, 𝔩𝔢𝔱 𝔪𝔢 𝔤𝔦𝔳𝔢 𝑦𝔬𝔲 𝔪𝑦 𝔩𝔦𝔣𝔢...

[totsusa-against-mogeko]

draw the tgg ancestors again, coward

[imaginegraygardeners]

Imagine what the gender bents of the ancestors would look like

[homriette]

Hi! I just wanted to say I really love your art! Especially of Funamuseas ancestors from tgg? Have you ever drawn Yosaflame before?

thank you!

I only have drawn Rigatona, Cranber and Sherbet….

[kinhope]

Cranber Moodboard

?, X, ?, ?, X, X, X, ?, ?

I’m decided I’ll do all the ancestors from tgg!

~Mod Yosafire

[celecrypt-blog]

Well, I might as well do all of the them now. Two more angels to go!