#Sydney Corporate Photography

[capturedbyelly]

Elevate Your Visuals with Professional Photographer Sydney

Experience the pinnacle of photographic artistry with a leading professional photographer in Sydney. Specializing in a wide range of services, these photographers are adept at corporate headshots, event coverage, commercial shoots, and heartfelt family portraits. They utilize the latest in photographic technology and techniques to capture each moment with striking clarity and creative flair. Whether it’s harnessing the vibrant atmosphere of Sydney’s urban environment or its natural scenic beauty for backdrop, they skill fully adapt to any setting to enhance your project’s visual impact. Moreover, professional photographers in Sydney are committed to understanding and fulfilling your specific needs, offering personalized service that ensures your vision is brought to life. Ideal for businesses aiming to strengthen their brand or individuals seeking to preserve precious memories, Sydney's photographers deliver exceptional quality and service.

[corporateshots]

Capture the essence of your brand with our professional corporate photography services in Melbourne

In the city of Melbourne, business acumen, competition, and vibrancy go hand in hand. Presentation of a brand, be it in visual aspects or the message itself, is important for the initial impression it leaves. In this light, enter professional corporate photography: everything from polished corporate shots to striking corporate headshots, reflecting the spirit of your brand to speak to your clients and partners.

Why Corporate Photography Matters

In the age of digital interaction, one cannot underestimate the importance of professional images. Statistics show that 65% of people are visual learners; hence, the images associated with your brand will capture attention and foster deeper connections. Whether you're updating your LinkedIn profile or creating marketing materials, high-quality corporate photography Melbourne sets the tone.

Understanding Corporate Photography

Essentially, corporate photography is about communicating professionalism, credibility, and ethos. It includes a variety of styles and subjects, such as event coverage, team photos, product imagery, and individual headshots. We specialize in creating custom corporate shots that reflect your brand's vision, culture, and values in Melbourne.

Your corporate imagery is a visual narrative that states what your business stands for. As you make a decision for a corporate photography service in Melbourne, you have to decide what you want to say to your audience. Is it going to be the modern and vibrant representation, or perhaps more traditional and trustworthy image?

Corporate Headshots in Melbourne

Everyone would do well to take steps that strengthen their business presence-corporate headshots in Melbourne unlock the gateway to being memorable and powerful both in cyberspace and other non-virtual places, such as the workplace and more. The reason people require a corporate headshot nowadays is that more business activities are conducted digitally-a key example is LinkedIn.com.

A well-composed corporate headshot Melbourne speaks about your professionalism and to a future client or employer who you are as a person. Experienced photographers know the tricks and how to take you on with the best shot that's flattering, poses you'll want to reflect who you are and the ethos behind your brand. Every individual is unique and requires our tailored approach in order to capture the real essence of who you are.

Lift Your LinkedIn Profile Photography

With over 700 million users, LinkedIn is an important professional platform, but your profile photo is much more important than that. It becomes your calling card and dramatically influences the way you're perceived in the professional arena. Corporate photography in Melbourne specializes in LinkedIn profile photography that turns heads.

A well-composed professional photo image will increase the visibility through networking opportunities, partnership requests, or potential employers.

Our team creates an ideal shoot environment, helping you unwind and be as expressive of yourself as you might in a real-life situation. As an outcome, photos appear candid and authentic to evoke and amplify your web visibility.

Corporate-Shoot according to your company

Beside individual headshots, we work towards the creation of bespoke corporate shots Melbourne that can tell the spirit of your organization. Whether you want to show off your team during an event, portray the workspace culture, or document a product launch, our professional photographers are masters in capturing minute details that tell the story of your brand.

High-quality corporate photography will help create a strong visual connection with the brand, thus building trust with potential clients. Presentation matters, and our team is dedicated to ensuring that each shot aligns seamlessly with your branding strategy.

Professional corporate photography investment is not just about taking some snaps; it is also about building the story of your brand. Whether we are talking about memorable corporate shots, compelling corporate headshots, or tailored LinkedIn profile photography, we are committed to helping you capture that essence in Melbourne.

Let us help you communicate your professionalism and creativity with our corporate photography expertise. Take your brand's image up a notch today and start making real connections through power visuals. Reach out now to book your session, and let's celebrate the unique story of your business together!

[lionandcubphotography]

Best corporate headshots

Looking for the best corporate headshots? Lion & Cub Photography excels in capturing professional images that make a lasting impression. Our team specializes in creating polished and engaging headshots that reflect your professional image and brand identity. Whether you need a solo portrait or a full team shoot, we deliver high-quality results that align with your business's standards. With a keen eye for detail and a commitment to excellence, we ensure that every headshot project is handled with care, producing images that truly represent your professionalism and character. Let us help you stand out with top-tier corporate headshots that leave a powerful impact.

[damienfordphotography]

Top Quality Corporate Photography Services in Sydney

Damien Ford Photography excels in corporate photography in Sydney, reflecting your company's ethos and professionalism. Our keen eye for detail and expertise in branding imagery sets your business apart. Engage with Damien Ford Photography for corporate photos that resonate with your brand's identity.

[upload-media-services]

Floor Plan

Are you selling a property in Sydney? Floor plans are a great way to give potential buyers a clear and concise overview of the layout of your property. Upload Media Service can help you create high-quality floor plans that will help you sell your property faster.

Our floor plans are accurate, detailed, and easy to understand. We use state-of-the-art equipment to ensure that your floor plans are of the highest quality. We also offer a variety of customization options, so you can create floor plans that perfectly match your property.

So what are you waiting for?

Contact Upload Media Services today and let us help you create visuals that will wow your clients!

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For more info, contact us at:-

[mybeingthere]

Joshua Yeldham, born 1970, Sydney, Australia

1989-93 Bachelor of Fine Arts, Rhode Island School of Design. USA.

Born in Sidney, Yeldham studied in the United States, where he received his Bachelor of Fine Arts from the Rhode Island School of Design. He has exhibited mostly in Australia and China and his work is a part of international private, public and corporate collections including the Australian Stock Exchange and The University of Wollongong. For one period of his life, Yeldham was a very successful filmmaker. For his film Frailejón (1993), he has won a Student Emmy Award, been nominated for a Student Oscar and been a finalist in the Wynne, Sulman and Archibald prizes. His early childhood influenced and directed the rest of his life. When he was eight, Yeldham was sent to the boarding school, far away from home, where he was confronted with everyday bullying. A small and sensitive boy was not popular among friends and teachers. But vestiges of his childhood helped him to create his own world of art. He started to live in fantasy, painting and drawing products of his imagination.

https://arthousegallery.com.au/.../144-joshua-yeldham-in.../

[fibula-rasa]

(Mostly) Lost, but Not Forgotten: Omar Khayyam (1923) / A Lover’s Oath (1925)

Alternate Titles: The Rubaiyat of Omar Khayyam, The Rubaiyat, Omar Khayyam, Omar

Direction: Ferdinand Pinney Earle; assisted by Walter Mayo

Scenario: Ferdinand P. Earle

Titles: Marion Ainslee, Ferdinand P. Earle (Omar), Louis Weadock (A Lover’s Oath)

Inspired by: The Rubaiyat of Omar Khayyam, as edited & translated by Edward FitzGerald 

Production Manager: Winthrop Kelly

Camera: Georges Benoit

Still Photography: Edward S. Curtis

Special Photographic Effects: Ferdinand P. Earle, Gordon Bishop Pollock

Composer: Charles Wakefield Cadman

Editors: Arthur D. Ripley (The Rubaiyat of Omar Khayyam version), Ethel Davey & Ferdinand P. Earle (Omar / Omar Khayyam, the Director’s cut of 1922), Milton Sills (A Lover’s Oath)

Scenic Artists: Frank E. Berier, Xavier Muchado, Anthony Vecchio, Paul Detlefsen, Flora Smith, Jean Little Cyr, Robert Sterner, Ralph Willis

Character Designer: Louis Hels

Choreography: Ramon Novarro (credited as Ramon Samaniegos)

Technical Advisors: Prince Raphael Emmanuel, Reverend Allan Moore, Captain Dudley S. Corlette, & Captain Montlock or Mortlock

Studio: Ferdinand P. Earle Productions / The Rubaiyat, Inc. (Production) & Eastern Film Corporation (Distribution, Omar), Astor Distribution Corporation [States Rights market] (Distribution, A Lover’s Oath)

Performers: Frederick Warde, Edwin Stevens, Hedwiga Reicher, Mariska Aldrich, Paul Weigel, Robert Anderson, Arthur Carewe, Jesse Weldon, Snitz Edwards, Warren Rogers, Ramon Novarro (originally credited as Ramon Samaniegos), Big Jim Marcus, Kathleen Key, Charles A. Post, Phillippe de Lacy, Ferdinand Pinney Earle

Premiere(s): Omar cut: April 1922 The Ambassador Theatre, New York, NY (Preview Screening), 12 October 1923, Loew’s New York, New York, NY (Preview Screening), 2 February 1923, Hoyt’s Theatre, Sydney, Australia (Initial Release)

Status: Presumed lost, save for one 30 second fragment preserved by the Academy Film Archive, and a 2.5 minute fragment preserved by a private collector (Old Films & Stuff)

Length:  Omar Khayyam: 8 reels , 76 minutes; A Lover’s Oath: 6 reels,  5,845 feet (though once listed with a runtime of 76 minutes, which doesn’t line up with the stated length of this cut)

Synopsis (synthesized from magazine summaries of the plot):

Omar Khayyam:

Set in 12th century Persia, the story begins with a preface in the youth of Omar Khayyam (Warde). Omar and his friends, Nizam (Weigel) and Hassan (Stevens), make a pact that whichever one of them becomes a success in life first will help out the others. In adulthood, Nizam has become a potentate and has given Omar a position so that he may continue his studies in mathematics and astronomy. Hassan, however, has grown into quite the villain. When he is expelled from the kingdom, he plots to kidnap Shireen (Key), the sheik’s daughter. Shireen is in love with Ali (Novarro). In the end it’s Hassan’s wife (Reicher) who slays the villain then kills herself.

A Lover’s Oath:

The daughter of a sheik, Shireen (Key), is in love with Ali (Novarro), the son of the ruler of a neighboring kingdom. Hassan covets Shireen and plots to kidnap her. Hassan is foiled by his wife. [The Sills’ edit places Ali and Shireen as protagonists, but there was little to no re-shooting done (absolutely none with Key or Novarro). So, most critics note how odd it is that all Ali does in the film is pitch woo, and does not save Shireen himself. This obviously wouldn’t have been an issue in the earlier cut, where Ali is a supporting character, often not even named in summaries and news items. Additional note: Post’s credit changes from “Vizier” to “Commander of the Faithful”]

Additional sequence(s) featured in the film (but I’m not sure where they fit in the continuity):

Celestial sequences featuring stars and planets moving through the cosmos

Angels spinning in a cyclone up to the heavens

A Potters’ shop sequence (relevant to a specific section of the poems)

Harem dance sequence choreographed by Novarro

Locations: palace gardens, street and marketplace scenes, ancient ruins

Points of Interest:

“The screen has been described as the last word in realism, but why confine it there? It can also be the last word in imaginative expression.”

Ferdinand P. Earle as quoted in Exhibitors Trade Review, 4 March 1922

The Rubaiyat of Omar Khayyam was a massive best seller. Ferdinand Pinney Earle was a classically trained artist who studied under William-Adolphe Bougueraeu and James McNeill Whistler in his youth. He also had years of experience creating art backgrounds, matte paintings, and art titles for films. Charles Wakefield Cadman was an accomplished composer of songs, operas, and operettas. Georges Benoit and Gordon Pollock were experienced photographic technicians. Edward S. Curtis was a widely renowned still photographer. Ramon Novarro was a name nobody knew yet—but they would soon enough.

When Earle chose The Rubaiyat as the source material for his directorial debut and collected such skilled collaborators, it seemed likely that the resulting film would be a landmark in the art of American cinema. Quite a few people who saw Earle’s Rubaiyat truly thought it would be:

William E. Wing writing for Camera, 9 September 1922, wrote:

“Mr. Earle…came from the world of brush and canvass, to spread his art upon the greater screen. He created a new Rubaiyat with such spiritual colors, that they swayed.”  … “It has been my fortune to see some of the most wonderful sets that this Old Earth possesses, but I may truly say that none seized me more suddenly, or broke with greater, sudden inspiration upon the view and the brain, than some of Ferdinand Earle’s backgrounds, in his Rubaiyat. “His vision and inspired art seem to promise something bigger and better for the future screen.”

As quoted in an ad in Film Year Book, 1923:

“Ferdinand Earle has set a new standard of production to live up to.”

Rex Ingram

“Fifty years ahead of the time.” 

Marshall Neilan

The film was also listed among Fritz Lang’s Siegfried, Chaplin’s Gold Rush, Fairbanks’ Don Q, Lon Chaney’s Phantom of the Opera and The Unholy Three, and Erich Von Stroheim’s Merry Widow by the National Board of Review as an exceptional film of 1925.

So why don’t we all know about this film? (Spoiler: it’s not just because it’s lost!)

The short answer is that multiple dubious legal challenges arose that prevented Omar’s general release in the US. The long answer follows BELOW THE JUMP!

Earle began the project in earnest in 1919. Committing The Rubaiyat to film was an ambitious undertaking for a first-time director and Earle was striking out at a time when the American film industry was developing an inferiority complex about the level of artistry in their creative output. Earle was one of a number of artists in the film colony who were going independent of the emergent studio system for greater protections of their creative freedoms.

In their adaptation of The Rubaiyat of Omar Khayyam, Earle and Co. hoped to develop new and perfect existing techniques for incorporating live-action performers with paintings and expand the idea of what could be accomplished with photographic effects in filmmaking. The Rubaiyat was an inspired choice. It’s not a narrative, but a collection of poetry. This gave Earle the opportunity to intersperse fantastical, poetic sequences throughout a story set in the lifetime of Omar Khayyam, the credited writer of the poems. In addition to the fantastic, Earle’s team would recreate 12th century Persia for the screen. 

Earle was convinced that if his methods were perfected, it wouldn’t matter when or where a scene was set, it would not just be possible but practical to put on film. For The Rubaiyat, the majority of shooting was done against black velvet and various matte photography and multiple exposure techniques were employed to bring a setting 800+ years in the past and 1000s of miles removed to life before a camera in a cottage in Los Angeles.

Note: If you’d like to learn a bit more about how these effects were executed at the time, see the first installment of How’d They Do That.

Unfortunately, the few surviving minutes don’t feature much of this special photography, but what does survive looks exquisite:

see all gifs here

Earle, knowing that traditional stills could not be taken while filming, brought in Edward S. Curtis. Curtis developed techniques in still photography to replicate the look of the photographic effects used for the film. So, even though the film hasn’t survived, we have some pretty great looking representations of some of the 1000s of missing feet of the film.

Nearly a year before Curtis joined the crew, Earle began collaboration with composer Charles Wakefield Cadman. In another bold creative move, Cadman and Earle worked closely before principal photography began so that the score could inform the construction and rhythm of the film and vice versa.

By the end of 1921 the film was complete. After roughly 9 months and the creation of over 500 paintings, The Rubaiyat was almost ready to meet its public. However, the investors in The Rubaiyat, Inc., the corporation formed by Earle to produce the film, objected to the ample reference to wine drinking (a comical objection if you’ve read the poems) and wanted the roles of the young lovers (played by as yet unknown Ramon Novarro and Kathleen Key) to be expanded. The dispute with Earle became so heated that the financiers absconded with the bulk of the film to New York. Earle filed suit against them in December to prevent them from screening their butchered and incomplete cut. Cadman supported Earle by withholding the use of his score for the film.

Later, Eastern Film Corp. brokered a settlement between the two parties, where Earle would get final cut of the film and Eastern would handle its release. Earle and Eastern agreed to change the title from The Rubaiyat of Omar Khayyam to simply Omar. Omar had its first official preview in New York City. It was tentatively announced that the film would have a wide release in the autumn.

However, before that autumn, director Norman Dawn launched a dubious patent-infringement suit against Earle and others. Dawn claimed that he owned the sole right to use multiple exposures, glass painting for single exposure, and other techniques that involved combining live action with paintings. All the cited techniques had been widespread in the film industry for a decade already and eventually and expectedly Dawn lost the suit. Despite Earle’s victory, the suit effectively put the kibosh on Omar’s release in the US.

Earle moved on to other projects that didn’t come to fruition, like a Theda Bara film and a frankly amazing sounding collaboration with Cadman to craft a silent-film opera of Faust. Omar did finally get a release, albeit only in Australia. Australian news outlets praised the film as highly as those few lucky attendees of the American preview screenings did. The narrative was described as not especially original, but that it was good enough in view of the film’s artistry and its imaginative “visual phenomena” and the precision of its technical achievement.

One reviewer for The Register, Adelaide, SA, wrote:

“It seems almost an impossibility to make a connected story out of the short verse of the Persian of old, yet the producer of this classic of the screen… has succeeded in providing an entertainment that would scarcely have been considered possible. From first to last the story grips with its very dramatic intensity.”

While Omar’s American release was still in limbo, “Ramon Samaniegos” made a huge impression in Rex Ingram’s Prisoner of Zenda (1922, extant) and Scaramouche (1923, extant) and took on a new name: Ramon Novarro. Excitement was mounting for Novarro’s next big role as the lead in the epic Ben-Hur (1925, extant) and the Omar project was re-vivified. 

A new company, Astor Distribution Corp., was formed and purchased the distribution rights to Omar. Astor hired actor (note, not an editor) Milton Sills to re-cut the film to make Novarro and Key more prominent. The company also re-wrote the intertitles, reduced the films runtime by more than ten minutes, and renamed the film A Lover’s Oath. Earle had moved on by this point, vowing to never direct again. In fact, Earle was indirectly working with Novarro and Key again at the time, as an art director on Ben-Hur!

Despite Omar’s seemingly auspicious start in 1920, it was only released in the US on the states rights market as a cash-in on the success of one of its actors in a re-cut form five years later.

That said, A Lover’s Oath still received some good reviews from those who did manage to see it. Most of the negative criticism went to the story, intertitles, and Sills’ editing.

What kind of legacy could/should Omar have had? I’m obviously limited in my speculation by the fact that the film is lost, but there are a few key facts about the film’s production, release, and timing to consider. 

The production budget was stated to be $174,735. That is equivalent to $3,246,994.83 in 2024 dollars. That is a lot of money, but since the production was years long and Omar was a period film set in a remote locale and features fantastical special effects sequences, it’s a modest budget. For contemporary perspective, Robin Hood (1922, extant) cost just under a million dollars to produce and Thief of Bagdad (1924, extant) cost over a million. For a film similarly steeped in spectacle to have nearly 1/10th of the budget is really very noteworthy. And, perhaps if the film had ever had a proper release in the US—in Earle’s intended form (that is to say, not the Sills cut)—Omar may have made as big of a splash as other epics.

It’s worth noting here however that there are a number of instances in contemporary trade and fan magazines where journalists off-handedly make this filmmaking experiment about undermining union workers. Essentially implying that that value of Earle’s method would be to continue production when unionized workers were striking. I’m sure that that would absolutely be a primary thought for studio heads, but it certainly wasn’t Earle’s motivation. Often when Earle talks about the method, he focuses on being able to film things that were previously impossible or impracticable to film. Driving down filming costs from Earle’s perspective was more about highlighting the artistry of his own specialty in lieu of other, more demanding and time-consuming approaches, like location shooting.

This divide between artists and studio decision makers is still at issue in the American film and television industry. Studio heads with billion dollar salaries constantly try to subvert unions of skilled professionals by pursuing (as yet) non-unionized labor. The technical developments of the past century have made Earle’s approach easier to implement. However, just because you don’t have to do quite as much math, or time an actor’s movements to a metronome, does not mean that filming a combination of painted/animated and live-action elements does not involve skilled labor.

VFX artists and animators are underappreciated and underpaid. In every new movie or TV show you watch there’s scads of VFX work done even in films/shows that have mundane, realistic settings. So, if you love a film or TV show, take the effort to appreciate the work of the humans who made it, even if their work was so good you didn’t notice it was done. And, if you’ve somehow read this far, and are so out of the loop about modern filmmaking, Disney’s “live-action” remakes are animated films, but they’ve just finagled ways to circumvent unions and low-key delegitimize the skilled labor of VFX artists and animators in the eyes of the viewing public. Don’t fall for it.

VFX workers in North America have a union under IATSE, but it’s still developing as a union and Marvel & Disney workers only voted to unionize in the autumn of 2023. The Animation Guild (TAG), also under the IATSE umbrella,  has a longer history, but it’s been growing rapidly in the past year. A strike might be upcoming this year for TAG, so keep an eye out and remember to support striking workers and don’t cross picket lines, be they physical or digital!

Speaking of artistry over cost-cutting, I began this post with a mention that in the early 1920s, the American film industry was developing an inferiority complex in regard to its own artistry. This was in comparison to the European industries, Germany’s being the largest at the time. It’s frustrating to look back at this period and see acceptance of the opinion that American filmmakers weren’t bringing art to film. While yes, the emergent studio system was highly capitalistic and commercial, that does not mean the American industry was devoid of home-grown artists. 

United Artists was formed in 1919 by Douglas Fairbanks, Charlie Chaplin, Mary Pickford, and D.W. Griffith precisely because studios were holding them back from investing in their art—within the same year that Earle began his Omar project. While salaries and unforgiving production schedules were also paramount concerns in the filmmakers going independent, a primary impetus was that production/distribution heads exhibited too much control over what the artists were trying to create.

Fairbanks was quickly expanding his repertoire in a more classical and fantastic direction. Cecil B. DeMille made his first in a long and very successful string of ancient epics. And the foreign-born children of the American film industry, Charlie Chaplin, Rex Ingram, and Nazimova, were poppin’ off! Chaplin was redefining comedic filmmaking. Ingram was redefining epics. Nazimova independently produced what is often regarded as America’s first art film, Salome (1923, extant), a film designed by Natacha Rambova, who was *gasp* American. Earle and his brother, William, had ambitious artistic visions of what could be done in the American industry and they also had to self-produce to get their work done. 

Meanwhile, studio heads, instead of investing in the artists they already had contracts with, tried to poach talent from Europe with mixed success (in this period, see: Ernst Lubitsch, F.W. Murnau, Benjamin Christensen, Mauritz Stiller, Victor Sjöström, and so on). I’m in no way saying it was the wrong call to sign these artists, but all of these filmmakers, even if they found success in America, had stories of being hired to inject the style and artistry that they developed in Europe into American cinema, and then had their plans shot down or cut down to a shadow of their creative vision. Even Stiller, who tragically died before he had the opportunity to establish himself in the US, faced this on his first American film, The Temptress (1926, extant), on which he was replaced. Essentially, the studio heads’ actions were all hot air and spite for the filmmakers who’d gone independent.

Finally I would like to highlight Ferdinand Earle’s statement to the industry, which he penned for from Camera in 14 January 1922, when his financial backers kidnapped his film to re-edit it on their terms:

MAGNA CHARTA

Until screen authors and producers obtain a charter specifying and guaranteeing their privileges and rights, the great slaughter of unprotected motion picture dramas will go merrily on.

Some of us who are half artists and half fighters and who are ready to expend ninety per cent of our energy in order to win the freedom to devote the remaining ten per cent to creative work on the screen, manage to bring to birth a piteous, half-starved art progeny.

The creative artist today labors without the stimulus of a public eager for his product, labors without the artistic momentum that fires the artist’s imagination and spurs his efforts as in any great art era.

Nowadays the taint of commercialism infects the seven arts, and the art pioneer meets with constant petty worries and handicaps.

Only once in a blue moon, in this matter-of-fact, dollar-wise age can the believer in better pictures hope to participate in a truely [sic] artistic treat.

In the seven years I have devoted to the screen, I have witnessed many splendid photodramas ruined by intruding upstarts and stubborn imbeciles. And I determined not to launch the production of my Opus No. 1 until I had adequately protected myself against all the usual evils of the way, especially as I was to make an entirely new type of picture.

In order that my film verison [sic] of the Rubaiyat of Omar Khayyam might be produced under ideal conditions and safeguarded from intolerable interferences and outside worries, I entered into a contract with the Rubaiyat, Inc., that made me not only president of the corporation and on the board of directors, but which set forth that I was to be author, production manager, director, cutter and film editor as well as art director, and that no charge could be made against the production without my written consent, and that my word was to be final on all matters of production. The late George Loane Tucker helped my attorney word the contract, which read like a splendid document.

Alas, I am now told that only by keeping title to a production until it is declared by yourself to be completed is it safe for a scenario writer, an actor or a director, who is supposedly making his own productions, to contract with a corporation; otherwise he is merely the servant of that corporation, subject at any moment to discharge, with the dubious redress of a suit for damages that can with difficulty be estimated and proven.

Can there be any hope of better pictures as long as contracts and copyrights are no protection against financial brigands and bullies?

We have scarcely emerged from barbarism, for contracts, solemnly drawn up between human beings, in which the purposes are set forth in the King’s plainest English, serve only as hurdles over which justice-mocking financiers and their nimble attorneys travel with impunity, riding rough shod over the author or artist who cannot support a legal army to defend his rights. The phrase is passed about that no contract is invioliable [sic]—and yet we think we have reached a state of civilization!

The suit begun by my attorneys in the federal courts to prevent the present hashed and incomplete version of my story from being released and exhibited, may be of interest to screen writers. For the whole struggle revolves not in the slightest degree around the sanctity of the contract, but centers around the federal copyright of my story which I never transferred in writing otherwise, and which is being brazenly ignored.

Imagine my production without pictorial titles: and imagine “The Rubaiyat” with a spoken title as follows, “That bird is getting to talk too much!”—beside some of the immortal quatrains of Fitzgerald!

One weapon, fortunately, remains for the militant art creator, when all is gone save his dignity and his sense of humor; and that is the rapier blade of ridicule, that can send lumbering to his retreat the most brutal and elephant-hided lord of finance.

How edifying—the tableau of the man of millions playing legal pranks upon men such as Charles Wakefield Cadman, Edward S. Curtis and myself and others who were associated in the bloody venture of picturizing the Rubaiyat! It has been gratifying to find the press of the whole country ready to champion the artist’s cause.

When the artist forges his plowshare into a sword, so to speak, he does not always put up a mean fight. 

What publisher would dare to rewrite a sonnet of John Keats or alter one chord of a Chopin ballade?

Creative art of a high order will become possible on the screen only when the rights of established, independent screen producers, such as Rex Ingram and Maurice Tourneur, are no longer interferred with and their work no longer mutilated or changed or added to by vandal hands. And art dramas, conceived and executed by masters of screen craft, cannot be turned out like sausages made by factory hands. A flavor of individuality and distinction of style cannot be preserved in machine-made melodramas—a drama that is passed from hand to hand and concocted by patchworkers and tinkerers.

A thousand times no! For it will always be cousin to the sausage, and be like all other—sausages.

The scenes of a master’s drama may have a subtle pictorial continuity and a power of suggestion quite like a melody that is lost when just one note is changed. And the public is the only test of what is eternally true or false. What right have two or three people to deprive millions of art lovers of enjoying an artist’s creation as it emerged from his workshop?

“The Rubaiyat” was my first picture and produced in spite of continual and infernal interferences. It has taught me several sad lessons, which I have endeavored in the above paragraphs to pass on to some of my fellow sufferers. It is the hope that I am fighting, to a certain extent, their battle that has given me the courage to continue, and that has prompted me to write this article. May such hubbubs eventually teach or inforce a decent regard for the rights of authors and directors and tend to make the existence of screen artisans more secure and soothing to the nerves.

FERDINAND EARLE.

---

☕Appreciate my work? Buy me a coffee! ☕

Transcribed Sources & Annotations over on the WMM Blog!

See the Timeline for Ferdinand P. Earle's Rubaiyat Adaptation

[ronycore]

recipes/photography via RecipeTin Eats

I’m Nagi, and I’m the voice, cook, photographer and videographer behind RecipeTin Eats, and I live in the beautiful northern beaches area of Sydney, Australia.

In a previous life, I worked in corporate finance. Though I thoroughly enjoyed my “first” career, I wanted to pursue a future where my passion really lies – food. The recipes on my blog draws on influences from my travels, my ever evolving fascination with how just a few simple ingredients can transform into something that tastes so amazing, and learning genius tricks from the masters of the world.

[lionessphotography]

Capturing all the special moments at events in Sydney, bringing memories to life through photography

Sydney is a pulsating metropolis filled with amazing landscapes, iconic landmarks, and a rich cultural tapestry, making it a breathtaking backdrop for any event. Whether it is a wedding, an engagement party, or a corporate gathering, capturing these fleeting moments through event photography Sydney allows us to relive the joy, emotion, and memories created on that special day.

The Art of Event Photography

Event portraits photography is not just about taking pictures but telling the story of the day. Professional photographers come with their unique vision and expertise, making sure every key moment is documented creatively and precisely. From candid shots capturing the laughter shared among friends to the heartfelt ceremonies, event photography gives a beautifully curated collection of memories that maintain the essence of the occasions long after they've passed.

Sydney's varied venues, from the beautiful beaches to the lush gardens and stunning rooftop bars, offer a lot of opportunities for creative photography. Every location can help highlight the theme and atmosphere of the event, creating a spectacular visual narrative. Photographers in Sydney have mastered the art of using natural light, elegant compositions, and spontaneous moments to create breathtaking images that speak to the heart.

Portrait Photography: A Snapshot of Emotion

Event couples boudoir photography captures the moments in the flow of events, while portrait photography takes it a step deeper into the stories of individual persons. It is through capturing family gatherings, corporate headshots, or personal milestones that portrait photography in Sydney portrays the personality and emotion of the subject.

A good photographer is able to make one comfortable or, in other words, your subjects feel uninhibited to pose. As soon as people do relax in front of the lens, what you end up having are real photographs that can look stunning on film. Event photography becomes fantastic add-on to the portrait photography itself because you can really get closer to people once you show how they associate with each other and how that feeling gives that assemblage meaning.

Couple Boudoir Photography: Celebrate the Relationship

Recently, boudoir photography for couples has been at the forefront, particularly in cities as romantic as Sydney. Boudoir photography of the couple genre represents the new way to capture a sense of love and relationship for couples. Planning to offer a special gift for a partner or recording the tale of your love life will be an interesting opportunity provided by boudoir photography for couples.

These are the photographers of Sydney, which make the session perfect and develop the most intimate confidence that can occur between a couple in the session. It's amazing how they can bring out such emotions through just photography. Raw emotions always tend to come up in the image where love is pure and relationships are real.

Bridal Boudoir photography is a special gift in the pre-wedding seasons.

Bridal boudoir photography has become the latest trend in gifting brides-to-be an opportunity to gift their partners something unique on the wedding day. This delicate way of photography beautifully captures the bride's beauty, elegance, and allure through creative, tasteful imagery often highlighted.

The scenic views of Sydney really can be a perfect setting for bridal boudoir photography. Imagine capturing the romance essence with Sydney's lovely scenery as a radiant backdrop. It not only brings out the beauty of the bride but also preserves a beautiful memory to look back upon years later.

Bringing Memories to Life

Whether it's an event shoot, personal portraits, or a specialty genre such as couple and bridal boudoir photography, professional photographers can give life to your unique story. He works with great fervor, capturing every look and every feeling as vividly as possible in every single moment.

Each photo taken in the city as vibrant and attractive as Sydney is not a photo but a memory that should be treasured. Investing in quality photography means investing in the legacy of your moments. These photographs will remind you and your loved ones of the love, laughter, and joy that you shared during life's special events.

So, when you plan an event in Sydney, think of how photography freezes time to make magic in those moments live again and again with each glance. Experience the artistry of event photography in Sydney and let your memories shine!

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Illuminate Your Event with Professional Lighting Hire in Sydney

If you're planning an event in Sydney, high-quality lighting can make all the difference in setting the right ambiance. With lighting hire in Sydney, you can access a wide range of lighting options that cater to various event types—whether it’s a wedding, corporate function, or a casual gathering. Event Hire Sydney offers everything from ambient LED lights to dramatic spotlights, helping transform your space into a vibrant and engaging environment.

Custom lighting solutions allow you to match the theme of your event effortlessly. LED uplighting, for instance, can be tailored to suit a color scheme, creating an immersive experience for guests. For more dynamic lighting effects, such as moving lights or gobos, professional setup ensures that your vision is flawlessly executed without any technical glitches.

Moreover, renting your lighting saves on costs while providing flexibility. When you opt for a lighting hire service rather than purchasing, you get access to premium equipment without the hassle of long-term storage or maintenance. Event Hire Sydney’s team of experts handles setup and takedown, ensuring that your lighting elements are safely and efficiently managed, so you can focus on enjoying the occasion.

In addition to practical benefits, lighting can enhance photography and videography by creating an ideal setting for capturing memories. Proper illumination not only highlights the key areas of your venue but also ensures that every photo looks professional and vibrant.

For all your event needs, lighting hire in Sydney is a valuable service to consider, offering flexibility, customization, and a touch of elegance to make your event truly unforgettable.

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Photography Services Sydney Professional Photographers for Every Occasion

Discover top-tier photography services in Sydney for all your special occasions. Our professional photographers specialize in capturing stunning images for events, portraits, family photos, and more. Whether you're looking for a personal or corporate photo shoot, we tailor each session to meet your unique needs. With a focus on high-quality imagery, natural light, and candid moments, we ensure your memories are preserved in the best way possible. Book your photography services Sydney today and let us bring your vision to life through beautiful, lasting photos.

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[lionandcubphotography]

Capture your most authentic self with Sydney's premier portrait photographer. Create timeless portraits that you will cherish forever.

In a world where trends come and go, capturing our most authentic selves in a photograph can be a challenge. However, with Sydney's premier portrait photographer, you can create timeless portraits that stand out. Their unique blend of expertise, experience, and creativity sets them apart, allowing them to bring your vision to life, whether it's for stunning business portraits, professional headshots, or capturing a special moment in your life.

When capturing your most authentic self, there is no substitute for working with a Sydney portrait photographer. They have the expertise, experience, and creativity to translate your unique personality and style into a stunning image that reflects your identity. With their eye for detail and understanding of lighting, composition, and posing a talented portrait photographer Sydney can create beautiful portraits that look authentic and genuine.

One of the standout benefits of working with a portrait photographer in Sydney is the personalized experience they provide. From the initial consultation to the final delivery of your images, they will work closely with you to understand your vision, preferences, and goals for the session. They take the time to get to know you, making you feel comfortable in front of the camera and ensuring you can relax and be yourself during the shoot.

Whether you need professional Business portraits Sydney, corporate headshots, or personal branding images, a portrait photographer in Sydney can tailor their services to meet your needs. They will work with you to choose the right location, wardrobe, and styling to create a cohesive look that represents your brand and personality. Whether you prefer a classic nd timeless look or something more creative and artistic, a skilled portrait photographer can bring your vision to life in stunning detail.

A professional Sydney corporate headshots photographer has access to top-notch equipment, editing software, technical expertise, and artistic vision, so you can be confident your photographs are of the highest caliber. They will use their expertise to capture you in the best possible light, both literally and figuratively, to create images that are not only visually striking but also emotionally resonant.

When it comes to creating portraits that you will cherish forever, the key is authenticity. A skilled portrait photographer in Sydney understands this, valuing the importance of capturing their subjects' true essence and creating genuine and heartfelt images. By working with a photographer who shares this value, you can be confident that your portraits will truly reflect who you are now.

In conclusion, capturing your most authentic self with Sydney's premier portrait photographer is an exceptional experience. Whether you want to create professional business portraits, corporate headshots, or personal branding images, a skilled photographer can help you create timeless photographs you will cherish forever. By working closely with a professional who values authenticity and emotional connection, you can create beautiful and feel genuine, as well as heartfelt images. So, to capture your most authentic self in a photograph, consider reaching out to a portrait photographer in Sydney and start creating portraits that will stand the test of time.

[scottsurplicephotography]

Discovering the Best Sydney Photographers

When it comes to capturing the essence of life's most significant moments, choosing the right photographer is crucial. Sydney, known for its stunning landscapes, vibrant culture, and diverse settings, is home to some of the best Sydney photographers. Whether you’re planning a wedding, a family portrait session, or a corporate event, finding a photographer who understands your vision and can deliver high-quality images is essential. In this blog, we’ll explore what makes the best Sydney photographers stand out, the different photography styles they offer, and tips for choosing the right one for your needs.

What Defines the Best Sydney Photographers?

The best Sydney photographers share several key qualities that set them apart:

1. Creativity and Artistic Vision

Photography is an art form, and the best photographers have a unique perspective that shines through in their work. They possess the ability to see potential in every setting and situation, transforming ordinary moments into extraordinary images. Their creativity allows them to capture emotions, tell stories, and highlight the beauty of their subjects.

2. Technical Proficiency

While creativity is essential, technical skills are equally important. The best photographers are proficient in using their equipment, including cameras, lenses, and lighting. They understand composition, exposure, and how to manipulate settings to achieve the desired effect. This technical expertise ensures that the final images are not only beautiful but also professionally executed.

3. Experience and Professionalism

Experience matters in photography. The best Sydney photographers have a portfolio that reflects their skills and expertise in various types of photography, from weddings to commercial shoots. Their professionalism extends beyond technical skills; they are reliable, punctual, and able to manage different scenarios, ensuring a smooth experience for their clients.

4. Strong Communication Skills

A great photographer is also an excellent communicator. They take the time to understand their clients' needs, preferences, and vision for the shoot. By fostering open communication, the best photographers can create a comfortable atmosphere, making it easier for clients to express themselves and be captured authentically.

Different Photography Styles Offered by the Best Sydney Photographers

The best Sydney photographers offer a wide range of photography styles, each catering to different needs and preferences. Here are some popular styles you might consider:

1. Wedding Photography

Wedding photography is one of the most sought-after services in Sydney. The best wedding photographers capture the joy, love, and emotional moments of your special day. They excel at candid shots as well as posed portraits, ensuring that every important detail is documented beautifully.

2. Portrait Photography

Whether for personal branding, family portraits, or headshots, portrait photography requires a skillful approach to capture personality and emotion. The best Sydney photographers know how to make their subjects feel comfortable and confident, resulting in stunning, authentic images.

3. Event Photography

From corporate events to parties and concerts, event photography is all about capturing the energy and atmosphere of the occasion. The best photographers have a keen eye for detail, capturing key moments while also documenting the overall experience.

4. Commercial Photography

For businesses looking to enhance their brand, commercial photography is vital. This includes product photography, food photography, and lifestyle shoots. The best Sydney photographers understand how to showcase products effectively, helping businesses attract customers and enhance their marketing efforts.

5. Landscape and Travel Photography

Sydney’s breathtaking landscapes make it a paradise for landscape and travel photographers. The best photographers use their skills to capture the beauty of the city and its surroundings, whether it’s the iconic Sydney Opera House, stunning beaches, or picturesque parks.

Tips for Choosing the Best Sydney Photographer

Finding the right photographer can be a daunting task, but these tips can help simplify the process:

1. Review Their Portfolio

Start by reviewing the photographer’s portfolio. This will give you an idea of their style, creativity, and expertise. Look for consistency in quality and ensure their work aligns with your vision.

2. Check Reviews and Testimonials

Reading reviews from past clients can provide insight into the photographer’s professionalism, work ethic, and ability to deliver results. Look for testimonials that highlight positive experiences and satisfaction with the final images.

3. Discuss Your Vision

When you find a photographer you like, schedule a consultation to discuss your vision and ideas. A good photographer will be receptive to your suggestions and work collaboratively to achieve your desired outcome.

4. Ask About Their Process

Understanding the photographer’s process can help you feel more comfortable. Ask about their approach to shoots, how they handle different lighting conditions, and what equipment they use. This will give you confidence in their abilities.

5. Consider Your Budget

Photography is an investment, and it’s essential to find a photographer whose pricing aligns with your budget. Keep in mind that while cost is a factor, quality should be your top priority. Sometimes, investing a little more in a skilled photographer can yield better results.

Conclusion

Choosing from the best Sydney photographers is crucial for capturing life’s memorable moments. With their creativity, technical skills, and professionalism, these photographers can help you preserve your special occasions through stunning images. Whether you’re planning a wedding, a family portrait, or a business event, take the time to research and find a photographer who understands your vision and can deliver exceptional results. By following the tips outlined in this blog, you’ll be well on your way to finding the perfect photographer to capture your moments beautifully.

In Sydney, the options are plentiful, and the talent is abundant. With the right Sydney photographer, you can create lasting memories that you and your loved ones will cherish for years to come.

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Capture the Moment: Fun Photo Booth Hire in Bondi for Every Occasion

In the vibrant heart of Bondi, celebrations are always around the corner. Whether it’s a wedding, birthday party, corporate event, or family gathering, capturing those special moments is essential. One of the most entertaining ways to do this is through Photo Booth Hire in Bondi. These booths not only add a fun element to any event but also provide guests with tangible memories to take home. Let’s explore why hiring a photo booth is a fantastic idea and how it can enhance your next celebration.

Why Choose a Photo Booth?

Unique Experience

A photo booth provides a unique experience that guests will remember long after the event. Unlike traditional photography, where guests may feel pressured to pose, photo booths offer a casual, fun environment. Guests can let loose, be silly, and enjoy themselves, leading to candid and joyful photos that truly capture the essence of the moment.

Instant Memories

With Photobooth Hire in Sydney, you can provide instant memories for your guests. Most photo booths come equipped with printers that allow guests to print their photos on the spot. This instant gratification adds a tangible element to your event, as guests can take home a memento of the day. Whether it’s a silly strip of photos or a single print, these keepsakes are perfect for reminiscing.

Customizable Options

Photo booths are incredibly versatile. You can customize them to fit the theme of your event. From backdrops and props to print designs, you can create a unique experience that aligns with your celebration’s vibe. Whether you’re hosting a beach-themed wedding or a corporate gala, there’s a photo booth option to suit your needs.

Popular Occasions for Photo Booth Hire

Weddings

Guest Book Option

Many couples opt for a guest book option, where guests can stick their photo strips and write messages alongside them. This creates a beautiful keepsake for the couple to cherish long after the wedding day.

Birthday Parties

Corporate Events

For corporate events, photo booths can be an excellent way to break the ice and encourage networking. They provide a relaxed atmosphere where attendees can mingle and enjoy themselves. Additionally, branded photo booth prints can serve as marketing tools, allowing guests to leave with a memorable keepsake that reminds them of your brand.

How to Choose the Right Photo Booth

Research Local Providers

Consider Your Needs

Think about the specific needs of your event. How many guests do you expect? What type of photo booth would work best (open-air, enclosed, etc.)? What customization options are you interested in? Answering these questions will help narrow down your choices.

Pricing and Packages

Different providers offer varying packages and pricing structures. Compare what each company includes in their package — some may offer props, backdrops, or digital sharing options, while others may charge extra for these services. Ensure you understand what you’re getting for your money.

Additional Features

Look for photo booths that offer additional features, such as GIF creation, video messaging, or social media sharing. These features can enhance the experience and provide more variety for your guests.

Making the Most of Your Photo Booth Experience

Props and Backdrops

Props can elevate the fun factor of your photo booth. Consider the theme of your event when selecting props — funny hats, glasses, and signs can all add to the atmosphere. Many providers offer a range of props, but you can also bring your own to make it even more personalized.

Encourage Guest Participation

To get the most out of your photo booth, encourage guests to use it throughout the event. You can even create a designated time for guests to visit the booth, such as during the cocktail hour or between dinner courses. Remind guests to have fun and be creative with their poses!

Share the Moments

Most modern photo booths allow for digital sharing. Encourage guests to share their photos on social media using a specific hashtag for your event. This not only amplifies the fun but also helps you see all the moments captured from different perspectives.

Conclusion

Incorporating a photo booth into your next event is a surefire way to enhance the experience for your guests and capture unforgettable moments. With options like Photo Booth Hire in Bondi, Photobooth Hire in Sydney, and specialized Wedding Photo Booth Hire Sydney, there’s something for every occasion.

By choosing the right photo booth provider, personalizing the experience, and encouraging participation, you’ll create lasting memories that everyone will cherish. So why not capture the moment and make your next celebration one for the books?

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Potion Creative: Your Sydney Partner for Innovative Design.

Potion Creative is a leading Graphic Design Companies in Sydney, offering a comprehensive range of services to help businesses thrive in today's competitive landscape. With a passion for creativity and a commitment to delivering exceptional results, we are your go-to partner for all your design needs.

Our Services

Brand Strategy: We work closely with clients to develop strong brand identities that resonate with their target audience. From brand positioning and messaging to brand architecture, we provide strategic guidance to help your business stand out.

Brand Identity: Our talented designers create visually stunning brand identities that capture the essence of your brand. From logos and color palettes to typography and imagery, we ensure a cohesive and memorable brand experience.

Graphic Design: Our team of skilled graphic designers offers a wide range of graphic design services, including:

Logo design

Brochure design

Website design

Packaging design

Infographics

Social media graphics

Marketing Collateral: We create compelling marketing materials that effectively communicate your brand message and drive customer engagement. From business cards and flyers to catalogs and brochures, our designs are visually appealing and informative.

Photography & Videography: Our in-house photographers and videographers capture stunning visuals that bring your brand to life. From product photography to corporate videos, we provide high-quality content that tells your story.

Copywriting: Our skilled copywriters craft compelling and persuasive copy that engages your audience and drives conversions. From website content to marketing materials, we ensure your messaging is clear, concise, and effective.

Art Direction: Our art directors oversee the creative process and ensure that all elements of your design project align with your brand identity and objectives.

Campaign Concepts & Development: We develop innovative campaign concepts and bring them to life through creative execution. From advertising campaigns to social media strategies, we help you reach your target audience and achieve your marketing goals.

Why Choose Potion Creative?

Creativity and innovation: We are passionate about pushing the boundaries of design and creating unique and memorable experiences.

Expertise and experience: Our team has years of experience in the design industry and is equipped with the latest tools and techniques.

Client-focused approach: We prioritize our clients' needs and work closely with them to understand their goals and objectives.

Attention to detail: We pay meticulous attention to detail and strive for perfection in every project.

Results-driven: We are committed to delivering results that exceed our clients' expectations.

If you're looking for a graphic design agency that can help you achieve your business goals, look no further than Potion Creative. Contact us today to discuss your project and learn how we can help you succeed.