#Svenonius

[ozu-teapot]

What Is A Group (Short) | Ian F Svenonius | 2016

Michelle Mae

[guerrilla-operator]

NATION OF ULYSSES AT BRATNIAK. POZNAŃ, 1992.

[spilladabalia]

Nation Of Ulysses - P. Power

[slovenlyrecordings]

Ready for the first three gigs on Les Lullies USA tour?

Tonight in El Centro at MEXCA (formerly Strangers Bar)

Tomorrw in Carlsbad / Oceanside at GONZO

Friday night in San Diego at Til Two

Saturday in LA at Zebulon

[aktionpak]

Feels like i watched this interview just the other week. Mark E. Smith and Ian Svenonius having some fun. The purest entertainment..

When Smith referenced Big Youth i nearly fist pumped.

[illesecrita]

Unsurprisingly enough it turns out that the meeting of my two main interests (music and film) is one of my favourite things. Even more specifically, here's three short films that variously tackle the pop star as product and social artifact: My Degeneration (1990, dir. Jon Moritsugu) does it from the perspective of a band starting from nothing and quickly becoming a carefully engineered marketing tool; No Is Yes (1997, dir. Laura Parnes) looks at it through the eyes of two teenage fans who kill and mutilate their favourite rockstar; and lastly, What Is A Group? (2016, dir. Ian Svenonius) is a detached examination of the social and economic role of the music group from the perspective of two aliens whose civilisation has overcome capitalism and reached Consciousness. All of them low budget efforts, with, I think, a few stylistic traits in common. (DM for links.)

[malkments]

video transcript:

Stephen Malkmus: Actually, I was a Washington Wizards fan for the last three years. I have a crush on, uh, Caron Butler, the, um...

Ian Svenonius: Yeah. Caron Butler.

SM: Yeah. I just think he's so cute, and his eyes...

[audience laughs]

IS: He's got a lot of heart.

SM: Almond eyes. He's really cute.

soft focus, noisey, 2012

[ozu-teapot]

What Is A Group (Short) | Ian F Svenonius | 2016

Daniele Yandel, Katie Alice Greer

[guerrilla-operator]

From Maximum Rocknroll #105. February, 1992.

[spilladabalia]

Michelle Mae and Ian Svenonius of The Make-Up during recording at (The Other) Dub Narcotic Studio, Olympia, WA. Photo by & © Tae Won Yu.

[juicemagazine]

Circle Jerks x Descendents Tour

It’s ON!!! The Circle Jerks and Descendents U.S. Tour kicks off tomorrow and the official commercial includes a cameo by legendary skateboarder Steve Olson, Descendents’ Milo Aukerman, Circle Jerks’ Keith Morris, prominent rock photographer Edward Colver, Ian Svenonius and more. Check it here and cop your vinyl & show tix now. NEW EP – OUT TODAY VIA TRUST RECORDS – PURCHASE HERE SHOW TICKETS…

[snakes-and-island-fires]

WHAT IS A GROUP? A film by IAN F SVENONIUS

[presentecronologia]

2016 - Ian Svenonius (ex-vocalista de Nation Of Ulysses y The Make Up) presento su libro Censorship Now! y su documental What Is A Group? en La Caja Fuerte en Pasaje Rodríguez.

[everymanpdf]

pulp with ian svenonius opening for them in chicago. please god

[synsemuca]

Presentation: Friday, November 17 - Sjef Barbiers "Move to Bridge"

Our speaker will be Sjef Barbiers, Professor of Dutch Linguistics at Leiden University.

Abstract: In Barbiers (2000) I argued that the structural base positions in Dutch of factive, propositional, and DP-complements are different. While factive complements are adjuncts in the matrix clause and DP-complements are subjects of internal predication, propositional clauses are the only real complements, i.e., right-hand sisters of the matrix verb. In this talk I will combine the findings of Barbiers (2000) with the ones in Barbiers (2018) and argue that (some) bridge verbs (at least THINK and WANT) originate in a functional head position of the embedded propositional clause and move to the verb position of the matrix clause, thus making the embedded clause transparent. Evidence for this analysis comes from syntax-semantics mismatches in the distribution of adverbs, and from other transparency effects such as Wh-movement and Neg-raising. A consequence of this analysis is that complementizers such as THAT occur in the Spec of a functional projection, not in C.

Readings:

Barbiers, S. 2000. The Right-Periphery in SOV languages: English and Dutch. In P. Svenonius (ed.) The derivation of VO and OV. Linguistik Aktuell 131. 181-218. Barbiers, S. 2018. Adverbs in Strange Places. Nederlandse Taalkunde 23 (1), 57-88.