#Svenonius
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What Is A Group (Short) | Ian F Svenonius | 2016
Michelle Mae
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Nation Of Ulysses - P. Power
#nation of ulysses#p power#ian svenonius#steve kroner#tim green#steve gamboa#james canty#post hardcore#punk#punk rock#13 point program to destroy america#1991#Youtube
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Ready for the first three gigs on Les Lullies USA tour?
Tonight in El Centro at MEXCA (formerly Strangers Bar)
Tomorrw in Carlsbad / Oceanside at GONZO
Friday night in San Diego at Til Two
Saturday in LA at Zebulon
#les lullies#leslullies#san diego#zebulonla#escapeism#ian svenonius#elcentro#bandsontour#slovenly recordings
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Feels like i watched this interview just the other week. Mark E. Smith and Ian Svenonius having some fun. The purest entertainment..
When Smith referenced Big Youth i nearly fist pumped.
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(via fuckyeahsassymagazine-blog-blog)
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Unsurprisingly enough it turns out that the meeting of my two main interests (music and film) is one of my favourite things. Even more specifically, here's three short films that variously tackle the pop star as product and social artifact: My Degeneration (1990, dir. Jon Moritsugu) does it from the perspective of a band starting from nothing and quickly becoming a carefully engineered marketing tool; No Is Yes (1997, dir. Laura Parnes) looks at it through the eyes of two teenage fans who kill and mutilate their favourite rockstar; and lastly, What Is A Group? (2016, dir. Ian Svenonius) is a detached examination of the social and economic role of the music group from the perspective of two aliens whose civilisation has overcome capitalism and reached Consciousness. All of them low budget efforts, with, I think, a few stylistic traits in common. (DM for links.)
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video transcript:
Stephen Malkmus: Actually, I was a Washington Wizards fan for the last three years. I have a crush on, uh, Caron Butler, the, um...
Ian Svenonius: Yeah. Caron Butler.
SM: Yeah. I just think he's so cute, and his eyes...
[audience laughs]
IS: He's got a lot of heart.
SM: Almond eyes. He's really cute.
soft focus, noisey, 2012
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Circle Jerks x Descendents Tour
It’s ON!!! The Circle Jerks and Descendents U.S. Tour kicks off tomorrow and the official commercial includes a cameo by legendary skateboarder Steve Olson, Descendents’ Milo Aukerman, Circle Jerks’ Keith Morris, prominent rock photographer Edward Colver, Ian Svenonius and more. Check it here and cop your vinyl & show tix now. NEW EP – OUT TODAY VIA TRUST RECORDS – PURCHASE HERE SHOW TICKETS…
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What Is A Group (Short) | Ian F Svenonius | 2016
Daniele Yandel, Katie Alice Greer
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Michelle Mae and Ian Svenonius of The Make-Up during recording at (The Other) Dub Narcotic Studio, Olympia, WA. Photo by & © Tae Won Yu.
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Dexter Sinister (David Reinfurt and Stuart Bailey). Ecstatic Alphabets/Heaps of Language. 2012. Exhibition catalogue (back cover), 224 pages plus insert, edited with Angie Keefer. With 13 “bulletins” by Andrew Blum, Pierre-André Boutang, Chris Evans, Angie Keefer, Bruno Latour, Louis Lüthi, Graham Meyer, Francis McKee, David Reinfurt, Dexter Sinister, Ian Svenonius, Benjamin Tiven, and Jessica Winter, and an essay by Laura Hoptman. Courtesy The Serving Library
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2016 - Ian Svenonius (ex-vocalista de Nation Of Ulysses y The Make Up) presento su libro Censorship Now! y su documental What Is A Group? en La Caja Fuerte en Pasaje Rodríguez.
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pulp with ian svenonius opening for them in chicago. please god
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Presentation: Friday, November 17 - Sjef Barbiers "Move to Bridge"
Our speaker will be Sjef Barbiers, Professor of Dutch Linguistics at Leiden University.
Abstract: In Barbiers (2000) I argued that the structural base positions in Dutch of factive, propositional, and DP-complements are different. While factive complements are adjuncts in the matrix clause and DP-complements are subjects of internal predication, propositional clauses are the only real complements, i.e., right-hand sisters of the matrix verb. In this talk I will combine the findings of Barbiers (2000) with the ones in Barbiers (2018) and argue that (some) bridge verbs (at least THINK and WANT) originate in a functional head position of the embedded propositional clause and move to the verb position of the matrix clause, thus making the embedded clause transparent. Evidence for this analysis comes from syntax-semantics mismatches in the distribution of adverbs, and from other transparency effects such as Wh-movement and Neg-raising. A consequence of this analysis is that complementizers such as THAT occur in the Spec of a functional projection, not in C.
Readings:
Barbiers, S. 2000. The Right-Periphery in SOV languages: English and Dutch. In P. Svenonius (ed.) The derivation of VO and OV. Linguistik Aktuell 131. 181-218. Barbiers, S. 2018. Adverbs in Strange Places. Nederlandse Taalkunde 23 (1), 57-88.
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De ätstörda får betala för Svenonius korståg
https://www.aftonbladet.se/ledare/a/dwE4z1/svenonius-korstag-for-mandometerkliniken-drabbar-atstorda?utm_source=dlvr.it&utm_medium=tumblr
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