#Suzuki bass harmonica

[dysphoria-tips]

An Essential Instrument for Harmonica Enthusiasts

The Suzuki Bass Harmonica is a truly remarkable instrument that holds a special place in the hearts of harmonica enthusiasts. With its deep and resonant sound, it adds a unique and captivating dimension to any musical composition. We will uncover the distinct characteristics that set the Suzuki Bass Harmonica apart from other harmonicas, such as its extended range and rich tonal qualities. From its impressive ability to provide a solid foundation in ensemble playing to its versatility across various genres, we will examine the wide range of musical possibilities it offers. Whether you are a beginner or an experienced player, this blog will serve as your comprehensive guide to the Suzuki Bass Harmonica, providing insights, tips and resources to help you unlock its full potential and enhance your harmonica playing journey. Join us as we embark on a harmonious exploration of this essential instrument and discover the enchanting world of the Suzuki Bass Harmonica.

Unleashing the Power of Low Frequencies: Exploring the Deep Tones of the Suzuki Bass Harmonica

Experience the mesmerizing world of low frequencies with the Suzuki Bass Harmonica. In this section, we'll dive deep into the unique characteristics and capabilities of this instrument, allowing you to explore and unleash the power of its deep tones. From understanding the range of notes and chords available on the bass harmonica to mastering techniques that bring out the richness and resonance of the instrument, you'll discover how to create captivating melodies and harmonies that resonate with listeners. Whether you're drawn to the soulful sounds of blues or the haunting melodies of jazz, the Suzuki Bass Harmonica offers a world of possibilities for expressing yourself and captivating audiences.

The Evolution of the Bass Harmonica: Tracing the History and Development of the Suzuki Model

Take a journey through time as we trace the fascinating history and evolution of the bass harmonica, with a focus on the renowned Suzuki model. From its origins and early prototypes to the innovative design advancements that led to the creation of the Suzuki Bass Harmonica, you'll gain insight into the instrument's development and the minds behind its evolution. We'll explore key milestones and influential players who contributed to shaping the instrument's sound and design, providing a comprehensive understanding of its significance in the world of harmonicas. Delve into the rich history of the Suzuki Bass Harmonica and gain a newfound appreciation for its place in musical heritage.

Mastering the Technique: Essential Skills for Playing the Suzuki Bass Harmonica

Embark on a journey of skill development as we explore the essential techniques required to play the Suzuki Bass Harmonica. From breath control and embouchure to proper hand placement and articulation, we'll guide you through the fundamental skills needed to produce clear and expressive sounds. We'll cover advanced techniques such as bending notes, vibrato, and tongue-blocking, allowing you to add depth and nuance to your playing. With dedicated practice and a focus on technique, you'll unlock the full potential of the Suzuki Bass Harmonica, expanding your musical abilities and captivating audiences with your mastery of the instrument.

From Solo Performances to Ensemble Playing: Harnessing the Versatility of the Suzuki Bass Harmonica

Discover the versatility of the Suzuki Bass Harmonica as we explore its capabilities in various musical settings. Whether you prefer the spotlight of a solo performance or the collaborative energy of ensemble playing, this subtitle will provide insights and tips for maximizing the instrument's potential in different contexts. We'll discuss techniques for playing melodies, chords, and bass lines, allowing you to create a full and rich sound that complements other instruments. Additionally, we'll delve into the dynamics of playing in a band or ensemble, highlighting the importance of listening, communication, and adaptability. With the Suzuki Bass Harmonica as your musical companion, you'll be well-equipped to shine as a soloist or seamlessly blend your sound in a group setting.

Expanding Your Musical Repertoire: Exploring Different Genres with the Suzuki Bass Harmonica

Break free from musical boundaries and explore the vast world of genres with the Suzuki Bass Harmonica. In this section, we'll take you on a musical journey, showcasing the instrument's adaptability across various styles. Whether you're interested in blues, jazz, classical, folk, or even contemporary genres, you'll discover how to incorporate the Suzuki Bass Harmonica into your repertoire. We'll explore genre-specific techniques, improvisation concepts, and iconic basslines that define each style. By expanding your musical horizons and embracing the diverse sounds of different genres, you'll elevate your playing and create unique musical experiences that captivate and inspire.

Amplifying Your Sound: Tips and Techniques for Achieving Optimal Performance on the Suzuki Bass Harmonica

Maximize the impact of your Suzuki Bass Harmonica performances with tips and techniques for achieving optimal sound and projection. In this section, we'll explore topics such as microphone techniques, amplification options, and adjusting your playing style to suit different performance environments. Whether you're performing on stage, in the studio, or in an intimate setting, we'll provide insights on how to achieve the perfect balance between your harmonica and other instruments or sound systems. From selecting the right equipment to understanding how to control dynamics and utilize effects, you'll gain valuable knowledge that will enhance your sound and ensure your performances leave a lasting impression.

Joining the Bass Harmonica Community: Connecting with Fellow Enthusiasts and Resources for Learning and Collaboration

No musical journey is complete without connecting with like-minded individuals and accessing valuable resources. In this section, we'll guide you on how to join the bass harmonica community and tap into a network of fellow enthusiasts. We'll share information about online forums, social media groups, workshops, and harmonica festivals where you can connect with other players, share experiences, and learn from each other. Additionally, we'll provide recommendations for books, tutorials, and instructional materials that can further your knowledge and skills on the Suzuki Bass Harmonica. By becoming part of a community and engaging in collaborative opportunities, you'll enrich your musical journey, expand your horizons, and find endless inspiration for your harmonica playing.

Conclusion 

Throughout this blog, we have explored the instrument's capabilities, techniques, and its significance in the world of harmonicas. From unleashing the power of low frequencies to tracing its evolution and mastering essential skills, we have provided a comprehensive guide for players to delve into the world of the Suzuki Bass Harmonica. We have also emphasized its versatility, whether in solo performances or ensemble playing, and the opportunity to explore various genres. Additionally, we have provided tips for amplifying the sound and connecting with a vibrant bass harmonica community.

[french-official]

Freestyle with the Soulful Sound of the Suzuki Bass Harmonica

The Suzuki Bass Harmonica, often referred to simply as the "Suzuki", is one of the oldest instruments still in use today, and has become integral in the sound of soulful freestyle music. It is an incredibly versatile and soulful instrument, allowing for a unique combination of earthy, jazzy tones and classic, catchy melodies. The bass harmonica has an incredibly wide range, allowing it to be used for solo performances as well as being mixed with other instruments. The flexibility of the Suzuki enables it to be incorporated into just about any kind of style, from swing, funk, blues and rock, to more contemporary freestyle music. The warm, rich sound of the Suzuki bass harmonica complements the pulsing energy and groove of the freestyle beat, producing a soulful and intoxicating sound that is hard to ignore. With its unparalleled versatility and soulful tone, the Suzuki Bass Harmonica provides the perfect accompaniment for freestyle, creating a unique and unforgettable listening experience.

Create a Unique Sound with a Suzuki Bass Harmonica

For those looking to add a unique sound to their music, the Suzuki bass harmonica is the perfect tool. It is a diatonic instrument, meaning it is capable of producing single notes from different harmonic series. It has a deep, dynamic, and resonant sound unlike any other, making it perfect for musicians who want to stand out in any genre. The bass harmonica also works great in combination with the other traditional instruments, such as guitar, piano, and saxophone. With its unique bass sound, it can create a warm, mellow, or, when amplified, a thunderous groove in any song.

Find Your Inner Groove and Unleash New Melodies

One of the best things about the bass harmonica is that it allows musicians to explore and find the groove that feels most natural to them. The instrument's deep, warm sound is perfect for creating a variety of moods, ranging from subtle, ephemeral, and atmospheric to vibrant, groovy, and soulful. Furthermore, its ability to bend notes provides an easy, accessible way for players to create new melodies. It can be used to add a unique sound to a band's existing arrangements, or it can even be used as a centerpiece for completely new compositions. 

Unlock Your Creative Side and Experiment with the Variety of Bass Tones

One of the great things about the Suzuki bass harmonica is that it provides endless creative possibilities for musicians. With its range of tones, it can be used to create a variety of musical textures. This can range from the warm, resonant sounds of the lower registers to the lively, rumbling tones of the higher registers. Furthermore, its ability to bend notes allows you to create undulating, vibratory passages as well as other unique sonic elements. By unlocking its full potential, players can create powerful and distinct musical expressions. 

Add a Soulful Twist to Your Songs with this Easy-to-Play Instrument

Playing the bass harmonica has never been easier. It is relatively low-maintenance and highly portable. Just tune it and start playing! It also does not require any special techniques or advanced skills, as the basic fingering and embouchure are simple enough for beginners. This makes it the perfect instrument for those looking to explore and bring a soulful twist to their songs.

Master the Art of Improvising Through Practice and Patience

Improvisation is an essential skill for all musicians. With enough practice and patience, the bass harmonica can become the perfect tool for expressing yourself. It's a good idea to start by getting comfortable with scales and chords, as well as getting acquainted with the instrument’s nuances. Playing along to backing tracks can also be helpful in these early stages. With time, you can start to explore and develop your own playing style.

Discover New Pathways for Your Expression Using the Unlimited Possibilities of the Bass Harmonica

The bass harmonica can be a powerful tool for expressing yourself. Its deep, dynamic sound can be harnessed to create a variety of emotional and inspiring musical passages. Its ability to easily capture and amplify notes, as well as its capacity for bending notes, provides musicians with an instrument that is seemingly without limits. Mastery of the bass harmonica can open up a new world of musical pathways for creative exploration and expression.

Have Fun With the Classic Bass Harmonica and Create Your Own Unique Musical Expression

Playing the bass harmonica is not only a great way to express yourself musically, but it is also an enjoyable and rewarding experience. With its deep sound and easily-maneuverable shape, the bass harmonica offers a unique and interesting approach to playing. And more importantly, with its capabilities and limitations, it can be used to create instrumentals, accompaniments, or even solos that will be truly unique to you. So whether you're a beginner or an experienced musician, the Suzuki bass harmonica is a great instrument to play around with and create your own music.

Conclusion

The Suzuki Bass Harmonica is an amazing instrument with a unique voice and boundless creative possibilities. Its deep, soulful sound has made it a beloved companion to many musicians and freestyle performance artists. Whether you are an experienced player or a newcomer, the Bass Harmonica is sure to bring joy and music into your life. With its wide array of capabilities, the Bass Harmonica can take you to unexplored musical depths, allowing you to create new and exciting experiences with your own style and expression.

[dantesquitana]

Exploring the Rich Musical Possibilities of the Suzuki Bass Harmonica

The Suzuki bass harmonica has long been a favorite among harmonica enthusiasts for its versatility and impressive range of sounds. The ability to play a wide array of different genres and styles of music makes the bass harmonica a perfect instrument for exploring the rich musical possibilities of the instrument. The bass harmonica's unique tonal qualities allow it to produce a deep sound that can be used to great effect in everything from solos to large ensemble pieces. For those looking to explore the full range of the bass harmonica, it can be used to create lush, complex soundscapes or be played as an accompaniment instrument in dynamic multi-layered pieces. The ability to play multiple notes simultaneously also provides an added level of expressiveness for the musician. With its capacity for producing a range of tones, from soft and mellow to rasping and intense, the Suzuki bass harmonica is a great instrument for pushing boundaries and creating a unique and diverse sound.

Introduction to the Suzuki Bass Harmonica

The Suzuki Bass Harmonica is a revolutionary instrument that combines elements traditional harmonica playing with modern music production technology. This unique instrument offers unprecedented versatility and musical expression. The Suzuki Bass Harmonica is the perfect instrument for harmonica enthusiasts looking for a creative and versatile way to explore their musical expression. From experienced professionals to upcoming musicians, this instrument is sure to provide endless hours of musical exploration and creative joy.

The Instruments Features and Technical Specifications

The Suzuki Bass Harmonica features an ergonomic shape and two sets of reed plates, so you can easily access an entire range of extended notes and diverse musical styles. The reed plates each feature 32 reeds, providing rich and complex tone. The instrument also features a built-in pickup system and a top-mounted tone control knob that allows the user to easily adjust the tone of the harmonica. The instrument is designed to be capable of producing a full range of tones, from gentle finger-picked parts to soaring melodic lines.

Playing Techniques and Creative Uses of the Harmonica

The Suzuki Bass Harmonica’s ergonomic design allows the player to easily access a variety of playing techniques. This includes traditional harmonic techniques such as bending, overblowing, and vibrato, as well as more modern sounds and techniques, such as octave-shifting and rhythmic octaves. Additionally, the instrument’s built-in pickup system allows users to plug the instrument into amplifiers and other audio devices, allowing for creativity with looping and layering sounds. This instrument also works great for accompanying vocals and other instruments, making it a great addition to any musician’s ensemble.

Traditional Styles for the Harmonica

The Suzuki Bass Harmonica can be used to play a variety of traditional styles, including blues, folk, and jazz. This instrument is perfect for traditionalists looking to explore their traditional musical style, as well as for new players looking to bring a new approach to their performance. The instrument's range and capabilities make it easy to expressively play traditional stylings.

Advanced Soloing Techniques for the Harmonica

The Suzuki Bass Harmonica allows the user to easily access advanced soloing techniques. As mentioned earlier, the instrument is capable of octave-shifting, vibrato, tuplet arpeggios, and more. Advanced soloing techniques can open up an entire world of musical expression and exploration for the harmonica player.

Applying Effects and Technology to your Harmonica Playing

The Suzuki Bass Harmonica can easily be plugged into amplifiers and audio devices, opening up an entirely new realm of musical possibilities for the player. Effects such as reverb, delay, and chorus can be used to further expand the instrument’s sonic capabilities. Additionally, the instrument can be plugged into computers so that the player can layer and manipulate pre-recorded sounds.

Expanding Your Instrument's Range through Multiphonics

Multiphonics is a technique that allows the player to manipulate the harmonica’s reeds in order to access extended ranges of notes. This technique allows the player to create complex and unique sounds that would normally be impossible to achieve. By combining traditional playing techniques with multiphonics, the Suzuki Bass Harmonica expands the instrument’s range and possibilities.

Conclusion

The Suzuki Bass Harmonica is a versatile and expressive instrument, capable of producing a rich and powerful sound. From its traditional application as a solo instrument to its expanded use in ensembles and performances, the Suzuki Bass Harmonica is an instrument well suited for a variety of musical styles. With its warm tone and ability to harmonize and create complex chords, the Suzuki Bass Harmonica is an excellent choice for anyone interested in delving into a new musical adventure. With an understanding of the unique tonal possibilities of this instrument, any musician can explore its potential and create music that is deeply satisfying.

[hammondcast]

2024 NAMM Opener Czechoslovakian Salsa Song

2024 NAMM Opener Czechoslovakian Salsa Song

#WATCHMOVIE HERE: 2024 NAMM Opener Czechoslovakian Salsa Song

Jon's archive https://archive.org/details/2024-namm-opener-czechoslovakian-salsa-song

Youtube https://youtu.be/oVrLZn6tBNo?si=MgU47Zg404GW-B8A

FB https://www.facebook.com/558692101/videos/1536030590518673/

Instagram https://www.instagram.com/p/C3H3FUcu1cE/

2024 NAMM Opener Czechoslovakian Salsa Song

by Jon Hammond

Topics 2024 NAMM, Concert, Salsa, Ensemble, Czechoslovakia, Prague, Hammond organ, Rhythm Section, Harmonica, Saxophone, Guitar, Koei Tanaka, Audio, Avante Audio, Greg Herreman Productions, Mark Magill, ADJ Lighting, Anaheim Convention Center, CompositionLanguage English

2024 NAMM Opener Czechoslovakian Salsa Song Jon Hammond Funk Unit Musicians: Joe Berger guitar Jason Weber tenor saxophone Jason Weber Sax Ronnie Smith drums Koei Tanaka Koei Tanaka / 田中光栄 - fan site Suzuki Harmonicas Chuggy Carter congas & percussion GON BOPS Jon Hammond Hammond organ / bass Audio Tony Mirador San Diego Event Productions- Akroz Professional LLC - Avante Audio Mark Magill "Stage Dad" stage manager Greg Herreman Productions Thursday January 25, 2024 Winter NAMM Show 

ADJ Lighting Arena Plaza Stage NAMM Anaheim Convention Center #namm2024 #nammshow #audio #concerts #prague #composition

#czechoslovakia

2024 NAMM, Concert, Salsa, Ensemble, Czechoslovakia, Prague, Hammond organ, Rhythm Section, Harmonica, Saxophone, Guitar, Koei Tanaka, Audio, Avante Audio, Greg Herreman Productions, Mark Magill, ADJ Lighting, Anaheim Convention Center, Composition

2024 NAMM, Concert, Salsa, Ensemble, Czechoslovakia, Prague, Hammond organ, Rhythm Section, Harmonica, Saxophone, Guitar, Koei Tanaka, Audio, Avante Audio, Greg Herreman Productions, Mark Magill, ADJ Lighting, Anaheim Convention Center, Composition

Posted just now by HAMMONDCAST

Labels: 2024 NAMMAudioAvante AudioConcertCzechoslovakiaEnsembleGreg Herreman ProductionsGuitarHammond OrganHarmonicaKoei TanakaMark MagillPragueRhythm SectionSalsaSaxophone

[natsthinkitythinkthinkthonk]

Seiyuu That Write Music and Play Instruments!

Almost everything in this post is from this Reddit thread. I enlisted the help of the Reddit community, and I was so impressed! They’re very thorough and contributed a lot of what makes this list! I will try to find examples and sources if the information didn’t come with it.

Check out the Reddit Thread HERE!

Thanks to all the people who contributed to this list!

I might be making edits as we find new information! Feel free to contribute to this list too!

Seiyuu That Write Music!

Okamoto Nobuhiko He helps write lyrics for his solo music. There’s a post on Tumblr where he talks about it [here].

Kakihara Tetsuya

Irino Miyu

Miyano Mamoru 

Suzuki Tatsuhisa He often writes for his band Oldcodex.

Toyonaga Toshiyuki

Saito Soma  It’s mentioned in Seiyuu Digest that he does write his own music.

Ito Kento It’s mentioned in Seiyuu Digest that he started writing music in 2009.

Nana Mizuki She writes a lot of her music

Minako Kotobuki She wrote all the new songs on her latest album

Maaya Sakamoto She often collaborates with other composers like Yoko Kanno, but she’s also known for writing lyrics. She talks a lot about her life and involvement with music in an interview. [source]

Saori Hayami  Wrote “Jewelry” which was used for the ending of the new Cardcaptor Sakura which you can listen to [here].

Aoi Shouta Here’s a song he wrote [video].

Hosoya Yoshimasa He wrote the lyrics to few of his character songs for Shiraishi Kuranosuke from TeniPuri. [source]

Midorikawa Hikaru  For E.M.U. (Entertainment Music Unit) [source]

Ishikawa Hideo For E.M.U. (Entertainment Music Unit) [source]

Ryotaro Okiayu For E.M.U. (Entertainment Music Unit) [source] 

Nobutoshi Canna For E.M.U. (Entertainment Music Unit) [source]

Daisuke Sakaguchi For E.M.U. (Entertainment Music Unit) [source]

Seiyuus that play instruments

Yamadera Kouichi - guitar (he played it on Twitter with a weird face filter

Ono Kensho - guitar (he learned it in high school)

Hosoya Yoshimasa - guitar

Saito Soma - guitar They say a lot about his musical abilities in his Seiyuu Digest article.

Terashima Takuma - guitar

Hatano Wataru - guitar

Suzuki Tatsuhisa - guitar + piano

Morikubo Shoutaro - guitar

Suzumura Kenichi - guitar + piano

Umehara Yuichiro - guitar + piano

Miyano Mamoru - guitar + harmonica + harp

Irino Miyu - guitar + piano + drums [thanks @datenshi-luci for your contribution!]

Toyonaga Toshiyuki - guitar + drums

Maeno Tomoaki - flute

Kimura Ryohei - piano + keyboard

Aoi Shouta - flute + piano

Kakihara Tetsuya - piano + keyboard

KENN - piano + keyboard

Kaji Yuki -  Electone/Electric organ [interview source] If you just want to know what an electone sounds like, here’s a video. (Yeah, that’s all one instrument. It’s an OP instrument, to say the least)

Miyuki Sawashiro - piano [source]

Chiharu Sawashiro - guitar [source]

Nana Mizuki - piano + harp She’s friends with the famous harpist Agematsu Mika and they performed together in some of Mizuki's concerts. [source]

Maaya Sakamoto - guitar [source]

Minori Chihara - guitar [source]

Matsui Eriko - trumpet

Atsushi Abe - piano

Tadokoro Azusa - guitar

Uchida Yuuma - piano

Tachibana Rika - piano

Gotou Yuuko - guitar

Komatsu Mikako - guitar

Inoue Marina - piano

Kawasumi Ayako - piano It's also how she got into the seiyuu industry

Serizawa Yuu - piano

Matsuoka Yoshitsugu - guitar + tuba

Aida Rikako - piano She does some songs for Love Live! Sunshine!! live performances

Otsuka Sae - trombone + piano + guitar [source] Takanashi Rie - guitar 

Touyama Nao - piano + electone Here’s a video of her performing while singing and playing the piano [here].

Nishi Asuka - flute + trumpet

Yasumoto Hiroki - tuba (high school)

Nakamura Yuuichi - Euphonium (high school)

Ito Kento - guitar + drums + piano + bass + synths It’s talked about in his Seiyuu Digest article

Tarusuke Shingaki - guitar It’s talked about in his Seiyuu Digest article

According to Midorikawa Hikaru’s Seiyuu Digest article, he was part of the group called E.M.U. (Entertainment Music Unit) which consisted of some veteran seiyuu. They formed in 1995 and disbanded in 2000.

Midorikawa Hikaru - bass

Ishikawa Hideo - drums

Ryotaro Okiayu - guitar

Nobutoshi Canna - lead guitar

Daisuke Sakaguchi - keys

All the seiyuu of “Hibike Euphonium” were instructed to learn their character’s designated instrument for a seiyuu event. [source]

Tomoyo Kurosawa - Euphonium

Ayaka Asai - Tuba

Moe Toyota - Contrabass

Chika Anzai - Trumpet

All the seiyuu of “K-On” learned their character’s designated instrument. ~This is a video of them learning~

Yoko Hikasa - electric bass [source]

Satomi Sato - drums [source]

Aki Toyosaki - guitar [source]

Minako Kotobuki - keyboard + guitar [source] (Technically she doesn’t play the guitar for K-On but knows it nonetheless)

The members of Poppin' Party and Roselia from BanG Dream! play their respective instruments:

[PoPiPa]

Aimi - guitar

Otsuka Sae - guitar

Nishimoto Rimi - bass

Ohashi Ayaka - drums

Itou Ayasa - keyboard

[Roselia]

Kudou Haruka - guitar

Endou Yurika, Nakashima Yuki - bass

Sakuragawa Megu - drums

Akesaka Satomi - keyboard

A lot of the Your Lie in April cast actually know how to play the piano (this is where Kaji also says that he plays the electone) [video source]

Hanae Natsuki - piano + guitar

Taneda Risa - piano

Sakura Ayane - piano

Hayami Saori - piano

[harmonicatabs]

Silent Night! Holy Night! (Double Bass Accompaniment)

New Post has been published on https://harmonicatabs.net/tabs/silent-night-holy-night-double-bass-accompaniment/

Silent Night! Holy Night! (Double Bass Accompaniment)

Silent Night! Holy Night! (Double Bass Accompaniment) Music By Franz Gruber Words by Joseph Mohr Key of C Major Range C2 to G2 For EITHER a Hohner 265, OR a Suzuki SDB-29 Double Bass Harmonica. The Double Bass Harmonica is a blow only instrument. This accompaniment is played entirely on the lower harp. _____ = hold

1. Si____-lent night! Ho____-ly night! 2. Si____-lent night! Ho____-ly night! 3. Si____-lent night! Ho____-ly night! 4. Si____-lent night! Ho____-ly night! 6_________________ 6_______________

1. All is___ calm, All is bright 2. Shep-herds quake at the sight! 3. Son of___ God, love’s pure light 4. Wond-rous_ star, lend thy light! 10______________ 6________________

1. Round yon Vir__- gin, Moth-er and Child 2. Glor_-ies stream from heav-en a – far; 3. Rad – iant beams from Thy_ ho-ly face, 4. With the an___- gels let_ us sing 9____________________ 6________________

1. Ho___– ly_ In__-fant so Ten-der and mild, 2. Heav’n¬-ly hosts_____ sing Al-le- lu- ia! 3. With the dawn of re – deem – ing grace, 4. Al – le – lu- ia to our_______ King! 9_________________________ 6_________________

1. Sleep in heav –en – ly peace,__ 2. Christ the Sav – iour is born!___ 3. Je__ – sus Lord at thy birth;__ 4. Christ the Sav – iour is here,___ 10_______________________ 9_______

1. Sleep in heav–en- ly peace.__ 2. Christ the Sav-iour is born!__ 3. Je__ – sus Lord at thy birth._ 4. Jesus the Sav-iour is here!__ 10____________________ 6_______

[50cyg]

June 4th, 2002

OTP week 2017

Pairing: Taichi and Yamato Prompt: Freebie Summary: A short story in which Taichi really wants to go to a very special soccer match. It’s pretty ambiguous, so it can take place within 02′s canon. Taiyama, Taito. Author’s Notes at the end.

“I wanna go, I wanna go, I wanna go!”

Yamato heaved a heavy sigh. He was lying on the couch in his living room, bass guitar in hand, plucking away, while admittedly tuning out most of Taichi’s incessant whining.  

“I don’t get it,” Yamato finally addressed the pouting teenager after several minutes of hoping he would just drop it and shut up. “You weren’t this upset about not being able to go a few months ago.”

“I didn’t know then that Blue Impulse would be performing.” Taichi responded from where he was lying on the floor, stomping his foot as he did so.

Yamato paused his playing momentarily as he tried to place the name. He gave up when nothing immediately came to mind. “Who?”

“What do you mean who? Do you ever listen to me when I talk?” Taichi complained, as he turned his head slightly to look at him.

This caused Yamato to huff in annoyance before asking “What type of bass is this?”

Taichi looked taken aback by the question. He lifted himself up on his arms, presumably to get a better look at the instrument. After a few seconds of staring at it with his eyebrows furrowed he responded “A red one?”

“She’s a 1969 Fender Mustang” Yamato replied swiftly before asking “What song was I playing earlier on my harmonica before you went off on your tangent?”

“Wha? I… I don’t know, why are you asking?” Then his eyes widened and he slumped over in embarrassment. “Okay I get it,” he said begrudgingly. “Blue Impulse is the aerobatic demonstration team of the Japan Air Self-Defense Force.”

When Yamato raised his eyebrow Taichi spoke again, “They do tricks with their planes in the air” he made a looping motion above himself with his hand, “for show,” he added as an afterthought. “If you followed the Winter Olympics in Nagano you probably saw them, they performed that year. That was my first time seeing them. They were amazing!”

Yamato didn’t really follow sports, except baseball. He’d rather play the sport than watch someone else play it. He did enjoy sitting in on the occasional Olympic game though. He couldn’t deny it was quite the spectacle, but aerobatic aircrafts weren’t ringing any bells. Still, it was finally starting to click why Taichi wanted to go so badly. “So, they’ll be performing at the opening?” He had forgotten that these types of tournaments often had performances before the match.  

“Yeah, and it’s going to be unforgettable I just know it. The lineup this game is really good too. Suzuki’s style is so unique, I really want to see it in person, and…”

At this point Yamato chose to tune Taichi out once again, and return to his plucking. After letting him go on for what he felt was a sufficient amount of time he said frankly “You know you can’t afford the tickets. Just let it go.” It was true, the starting price was over 22,000 Yen, and Taichi didn’t have a job.

“I can’t believe my two passions are meeting up like this and I’m going to miss it!” he threw his hands over his face in frustration.

“You aren’t going to miss it, you can still watch it on TV.”

“It’s not the same.”

Yamato knew it was true. It was like the difference between being at a concert and seeing it on TV, but he couldn’t handle this amount of pouting from Taichi. It wasn’t even the cute pouting, it was just the annoying kind.

Taichi heaved a very heavy sigh and stilled in defeat.

No further words were spoken for a while as Taichi stared blankly up at the ceiling and Yamato continued to pluck his bass, unsure of what to say. He didn’t like seeing Taichi still upset, but was relieved that he had at least stopped whining. Though now, having nothing to focus on, Yamato’s mind began to wander. He thought of the way Taichi’s face lit up even while watching amateur games, and how euphoric he was when Yamato had gone with him to the Tokorozawa Aviation Museum. Tickets would cost more than all of Yamato’s savings he’d earned from his gigs thus far. He could borrow the remainder from his father, it wouldn’t be the first time, but it still seemed like too much to spend on a soccer match. Yet Yamato knew it would be completely worth it to see the look on Taichi’s face, not just when he gave him his ticket, but the whole way through the opening performance and the match.

“Piano Man” Taichi said suddenly.

“What?”

“The song you were playing earlier, it was ‘Piano Man’… I just remembered.”

“Oh… yeah, it was.”

“Sorry.”

Yamato smiled, “So, you want to fly with Blue Impulse one day? Or would you rather be one of the players on the field?”

“Dunno, I’m still thinking about it.”

“Me too”, Yamato responded, only to clarify a moment later, “about my future that is.”

The boys sat in silence for a few more minutes before Taichi spoke. “I like the one you were playing the other day. It was new… to me at least.”

“The other day?” Yamato had to think for a moment before he remembered. “Oh, right,” he said as a blush slowly formed on his cheeks.

“What’s that one called?”

“I don’t remember,” he lied.

“Huh? No way.” Taichi looked skeptical but didn’t pressure him further. “Can you play it again?”

Yamato didn’t respond with words but leaned his bass gently up against the side of the couch before picking up his harmonica and raising it to his lips. He blew into it and the cheerful tune of “Head Over Feet” filled the room.

Author’s Notes:

The title is a reference to the date of the match Taichi wants to go to. The match is Japan vs Belgium in the 2002 Fifa World Cup.

Takayuki Suzuki really was on the field that day. He is well known for his defensive pressure on other defenders to force them to make mistakes, that is what makes his style different from others. I actually looked up all the players that were on the field that day and chose him because I thought Taichi might single him out due to this trait.

Shout out to my friend (DeAlice)’s awesome bass playing boyfriend who tipped us off on the fact that Yamato has a 1969 Fender Mustang in 02. Due to how expensive this bass would be to purchase nowadays (and also in the early 2000s) we HC that the bass is a hand me down from his father. Unfortunately, in Tri he often has a Sting Signature bass instead of the 1969 Fender Mustang. Since the outer designs of the two are very similar, we think it’s likely an animation error on the part of the Tri animators, so we are sticking with the 1969 Fender Mustang. Plus, this fic does not take place in the Tri timeline so the 02 bass is the important one.

Also, DeAlice was the one who inspired me to make Yamato refer to his bass with female pronouns.

Blue Impulse performed at the Winter Olympics in 1998, which were held in Nagano.

Based on my research, I believe the pricing of the tickets is accurate, but don’t quote me.

I know it is never directly stated in the Adventure Universe that Taichi loves airplanes but he loves them in V-Tamer, and I choose to believe he loves them in Adventure as well. You can pry this HC from my cold dead hands! It is honestly one of my favourite things about Taichi. While we are on the subject, I also HC that Taichi’s goggles have the same backstory in Adventure as they do in V-tamer, and this is another HC you can pry from my cold dead hands.

[usg281274-blog]

安全地帯 V

Tracklist

Disc 1

遠くへ

Miss Miss Kiss

パーティー

���たりで踊ろう

シルエット

Friend

Friend (Reprise)

チギルナイト

こわれるしかない

不思議な夜

約束

想い出につつまれて

記憶の森

どーだい

パレードがやってくる

海と少年

月の雫

乱反射

ほゝえみ

Disc 2

今夜はYes

あのとき……

まちかど

好きさ

声にならない

夕��れ (Instrumental) Music By, Arranged By – 武沢豊*

銀色のピストル

涙をとめたまま

今夜ふたりで

いますぐに恋

あのMusicから

Jのブルース

夏の終りのハーモニー Lyrics By – 井上陽水*

天使のあくび

燃えつきるまで

夢になれ

To Me

Companies, etc.

Recorded At – Kitty Izu Studio

Recorded At – KRS Studio

Recorded At – Ocean Way Recording

Phonographic Copyright (p) – Kitty Records, Inc.

Credits

A&R [L.a. Recordings Organized By] – Kazuo Munakata, Suzan Brill

Alto Saxophone – 土岐英史*

Alto Saxophone [L.a. Recording] – Marc Russo

Arranged By – 安全地帯* (tracks: A1 to B3, B5 to D5, E1 to F5), Banana (6) (tracks: A1 to D5, E1 to F5), 星勝* (tracks: A1 to B3, B5 to D5, E1 to F5)

Art Direction – Katsumi Komagata

Bass – 松原秀樹*, 荻原基文*, 岡沢茂*, 真鍋信一*

Bass, Keyboards – 六土開正*

Chorus – 森の木児童合唱団

Coordinator [Drum] – 黒沢“Porno„昇*

Coordinator [Location Coordination] – Masahiro Suzuki (3)

Crew [Transportation] – 成岡章雄*, 田崎雅啓*, 本田昌生*, 松山晋*

Design – Keisuke Unosawa

Directed By – 近藤由紀夫*

Drums – ミルトン富田*, 長谷部徹*, 田中裕二*

Engineer [Assisted By (Mix)] – 田中是行*, 中鉢正綱*

Engineer [Assisted By] – 森卓也*

Engineer [Midi System Operater] – 最上三樹生*

Engineer [Recording] – 井川彰夫*

Executive-Producer – 多賀英典*

Flugelhorn – 松崎ひろし*

Guitar – 石間秀樹*, 松下誠*, 直井隆雄*, 矢萩渉*, 武沢豊*

Harmonica [L.a. Recording] – Lee Oskar

Harp – 入江文沙子*

Keyboards – 西本明*, Banana (6), 上芝はじめ*, 野力奏一*, 中西康晴*

Lyrics By – 松井五郎* (tracks: A1 ti E6, F2 to F5)

Management [Artist] – 酒井祐司*

Management [Personal] – 越井巧*

Music By – 玉置浩二* (tracks: A1 to D5, E1 to F5)

Oboe – 坂宏之*

Percussion – 中島御*, 帆足哲昭*

Photography By – Mamoru Sugiyama

Producer – 安全地帯*, 金子章平*

Producer, Arranged By [Strings, Horn] – 星勝*

Recorded By [L.a. Recording Assisted By] – Bob Loftus

Recorded By [L.a. Recording] – Allen Sides

Recorded By, Mixed By – 諸鍜治辰也*

Strings – 加藤Joe-group*

Tenor Saxophone – 包国充*

Tenor Saxophone [L.a. Recording] – Larry Williams

Trombone – 新井英治*

Trombone [L.a. Recording] – Bill Reichenbach (2), Charlie Loper*

Trumpet – 数原晋*

Trumpet [L.a. Recording], Flugelhorn [L.a. Recording] – Gary Grant

Trumpet [L.a. Recording], Flugelhorn [L.a. Recording], Arranged By [Horn] – Jerry Heye*

Vocals – 玉置浩二*

Notes Recorded at Kitty Izu Studio & KRS Studio, August to November 1986. L.A. Recordings: Recorded at Ocean Way Recording.

[budaallmusic]

Isao Suzuki, Tsuyoshi Yamamoto ‎– Samba Club #PaddleWheel 1981 🇯🇵 Japan ass, Bass [Piccolo Bass] – #IsaoSuzuki Directed By [Director] – #ShigeyukiKawashima Drums, Harmonica – #DonaldBailey Electric Guitar, Acoustic Guitar – #TakayukiKato Electric Piano, Vocoder – #IchiroDoi Engineer [Assistant] – Takao Suga Engineer [Recording & Mixing Engineer] – Hatsuro Takanami Mastered By – Shogo Sakamaki Percussion, Vocals – #Francis Photography By [Front Cover] – #PeteTurner Piano, Spinet – #TsuyoshiYamamoto Producer – Isao Suzuki, Motohiko Takawa https://www.instagram.com/p/BxaqYDbgLzZ/?utm_source=ig_tumblr_share&igshid=1b9lbbxdn5yhm

[jazzworldquest-blog]

USA: Roger Burn-Roger Burn Trilogy (Blue Canoe Records 2019)

We remember the late great Roger Burn with the release of “Trilogy (A Tribute To Roger Burn & Shapes)”. Roger was a multi-talented musician; a master vibraphonist, pianist/keyboard player, drummer, percussionist, singer, composer, arranger, meticulous music copyist, band leader & music publisher. All of these things are on display with this contemporary jazz release - “Trilogy”. We hope to honor Roger and his beautiful music with this three CD set featuring Roger and his band Shapes. Produced by Jimmy Haslip “May The Spirit Of Roger Burn Live On In This Music" - Elaine Burn

Featuring: Vibraphonist, Piano, Keys: Roger Burn David Derge - drums, percussion Roy McCurdy - drums Arito Moreira - drums Jimmy Branly - percussion Scott Breadman - percussion Walfredo Reyes, Jr. - percussion Billy Hultin - bells, wind chimes Michael Barsimanto - drums, cymbal swells Mike Higgins - elec. guitar, acoustic guitars Ken Lasaine - elec. guitar, acoustic guitars Matthew Von Doran - elec. guitar Rafael Moreria - acoustic guitar, vocal translation Doug Livingson - pedal steel guitar Edwin Livingston - bass Larry Steen - bass Dean Taba - bass Dennis Hamm - keyboards Wayne Cook - B3, sound design Patric Caird - keyboards Andy Suzuki - saxophones, flute, clarinets Matt Catingub - alto saxophone Bill Bergman - tenor saxophone Bob Hardt - piccolo Rick Rossi - flutes Les Lovitt - trumpets Mike Fahn - valve trombone Mick Lane - tenor and bass trombone Steve Baxter - tenor trombone Tollak Ollestad - harmonica Joe Turano - accordion George McMullen - digeridoo, tenor trombone Wally Wino - vocals Mark Campbell - vocals Deborah Parson - vocals Carol Eckstein - vocals Rachel Jiyoung Yoon - orchestration, tech. advice Brian Bogle ​sound design Guest Soloists: Jimmy Haslip - bass & producer Robbern Ford - guitar Mike Stern - guitar (appears courtesy of Concord Records) Bela Fleck - electric banjo Russ Ferrante - keys, B3, synths, strings Flora Purim - vocals Pauline Wilson - vocals https://www.bluecanoerecords.com/rbtrilogy.html via Blogger https://ift.tt/2sk6UbJ

[dysphoria-tips]

Unleashing the Bass: A Guide to the Suzuki Bass Harmonica

A guide to the suzuki bass harmonica.the suzuki bass harmonica is a captivating musical instrument that brings a deep and resonant sound to the world of harmonicas. In this guide, we will delve into the fascinating features, techniques, and possibilities that the Suzuki Bass Harmonica offers. Whether you are a harmonica enthusiast looking to expand your musical horizons or a curious beginner ready to explore the world of bass harmonicas, this guide will provide you with valuable insights and resources to unlock the full potential of this unique instrument.

Understanding the Suzuki Bass Harmonica

The Suzuki Bass Harmonica stands out with its distinct design tailored specifically for producing deep, resonant bass tones. It features an extended range of reeds and a larger body compared to traditional harmonicas, allowing it to generate rich, low-frequency sounds. The instrument's precision-crafted reeds and air channels work harmoniously to deliver an unparalleled bass experience. By understanding the intricacies of its design, players can appreciate the careful craftsmanship that enables the Suzuki Bass Harmonica to produce its signature deep and powerful tones.

Essential Techniques for Suzuki Bass Harmonica Players

To fully harness the potential of the Suzuki Bass Harmonica, it's crucial to explore and master essential techniques. From breath control and embouchure to tongue-blocking and bending, understanding and practicing these techniques will help players unlock a world of expressive possibilities. Whether you're aiming for soulful melodies, dynamic bass lines, or impressive solos, developing proficiency in these techniques will allow you to achieve the desired tone, dynamics, and musicality on the Suzuki Bass Harmonica.

Expanding Musical Horizons with the Suzuki Bass Harmonica

The Suzuki Bass Harmonica is not limited to a specific genre. It lends itself to various musical styles, including blues, jazz, folk, and even classical music. Exploring different genres and expanding your repertoire on the Suzuki Bass Harmonica opens doors to endless creative opportunities. By studying and adapting basslines, melodies, and techniques from various musical traditions, players can develop a unique voice and create captivating performances that showcase the versatility and expressive range of the instrument.

Creating Soulful Melodies on the Suzuki Bass Harmonica

The blues and the Suzuki Bass Harmonica go hand in hand, with the instrument's deep tones perfectly suited for soulful and emotive blues melodies. Learning blues scales, bends, vibrato, and expressive phrasing on the Suzuki Bass Harmonica allows players to infuse their music with the raw emotion and character that defines this genre. Exploring blues techniques and immersing yourself in the rich history of blues harmonica will enable you to captivate audiences with your heartfelt and evocative performances.

Integrating the Suzuki Bass Harmonica in Group Performances

The Suzuki Bass Harmonica adds a unique sonic texture and depth to ensemble performances. Whether playing alongside a band, orchestra, or other harmonica players, understanding how to effectively integrate the instrument is crucial. From providing solid bass lines and rhythmic support to adding melodic embellishments, the Suzuki Bass Harmonica can contribute harmonically and dynamically to group arrangements. Learning to listen, adapt, and collaborate with other musicians will enhance your ability to seamlessly blend in and create a cohesive musical experience.

Improvisation and Composition on the Suzuki Bass Harmonica

Improvisation and composition are integral to expressing oneself on any instrument, and the Suzuki Bass Harmonica is no exception. Exploring scales, chord progressions, and melodic patterns on the instrument allows for spontaneous creativity and the ability to compose original music. Whether in a solo setting or collaborating with other musicians, developing improvisational skills on the Suzuki Bass Harmonica empowers players to explore new musical territories, tell stories through music, and truly unleash their artistic vision.

Keeping Your Suzuki Bass Harmonica in Pristine Condition

Proper maintenance and care are essential for preserving the longevity and performance of the Suzuki Bass Harmonica. Regular cleaning, storage, and reed maintenance ensure optimal sound quality and prevent issues such as sticking reeds or air leaks. Understanding how to disassemble and reassemble the instrument, replace reeds if needed,and store it safely will ensure that your Suzuki Bass Harmonica remains in pristine condition, ready to produce its beautiful bass tones whenever you pick it up to play.

Conclusion

A guide to the suzuki bass harmonica has shed light on the remarkable qualities and possibilities that this instrument holds. We have explored its distinctive features, discussed various playing techniques, and offered insights into incorporating the Suzuki Bass Harmonica into different musical genres. From its deep and powerful tones to its versatility and expressive capabilities, the Suzuki Bass Harmonica opens up a new realm of musical exploration. Whether you aspire to become a skilled bass harmonica player or simply want to enhance your musical repertoire, the Suzuki Bass Harmonica is a remarkable instrument that allows you to unleash the full potential of the bass range on a harmonica. So, grab your Suzuki Bass Harmonica and embark on an exciting musical journey that will truly unleash the bass within you.

[french-official]

Getting Started with Suzuki Bass Harmonica: A Beginner's Guide

We will take you through the essential steps to get started with the Suzuki Bass Harmonica. Whether you are a complete novice or an experienced musician looking to explore a new instrument, this guide will provide you with the knowledge and techniques to unlock your musical potential. We will begin by introducing you to the fundamentals of the Bass Harmonica, from its construction and different models available, to understanding the musical notation and playing techniques specific to this instrument. You will learn how to create rich and expressive melodies, harmonies, and even delve into the world of chords and improvisation. With clear explanations, helpful tips, and engaging exercises, this guide will accompany you on your journey of mastering the Suzuki Bass Harmonica. So, get ready to embark on an exciting musical adventure and let the harmonica's soulful sounds resonate within you. Let's dive in and start exploring the beautiful world of Suzuki Bass Harmonica. The Suzuki bass harmonica is a unique and specialized instrument designed to produce deep and resonant bass tones.

Introduction to the Suzuki Bass Harmonica: Unlocking the Depths of Musical Expression

In this introductory section, we delve into the fascinating world of the Suzuki Bass Harmonica. Discover the instrument's unique characteristics, construction, and how it fits into the larger harmonica family. Gain insights into the history and development of the Bass Harmonica, and learn about its role in various musical genres. Whether you're a complete beginner or an experienced musician exploring a new instrument, this chapter will provide a solid foundation for your journey into the enchanting realm of the Suzuki Bass Harmonica.

Assembling and Maintaining Your Suzuki Bass Harmonica: A Step-by-Step Guide

In this comprehensive guide, we walk you through the process of assembling and maintaining your Suzuki Bass Harmonica. Learn how to properly handle the instrument, attach the reed plates, and fine-tune the harmonica to achieve optimal sound quality. Discover essential maintenance techniques to keep your harmonica in top-notch condition, including cleaning, lubrication, and storage practices. By following these step-by-step instructions, you'll ensure that your Suzuki Bass Harmonica remains a reliable companion on your musical journey.

Mastering the Basics: Playing Techniques for the Suzuki Bass Harmonica

Explore the fundamental playing techniques specific to the Suzuki Bass Harmonica in this chapter. From breath control and embouchure to note bending and vibrato, you'll gain a comprehensive understanding of how to produce beautiful and expressive sounds on this instrument. Discover various playing positions, learn to navigate the instrument's range, and familiarize yourself with the unique characteristics of each hole. With practice and dedication, you'll soon unlock the potential to create captivating melodies and harmonies on your Suzuki Bass Harmonica.

Expanding Your Repertoire: Exploring Music Styles on the Suzuki Bass Harmonica

In this section, we embark on an exciting musical journey, exploring a wide range of music styles suitable for the Suzuki Bass Harmonica. From blues and jazz to classical and folk, discover the versatility of this instrument and how it can adapt to different genres. Learn to interpret melodies, improvise, and accompany other instruments or vocalists. With an open mind and willingness to explore, you'll uncover a world of musical possibilities and develop your unique voice on the Suzuki Bass Harmonica.

Advanced Techniques and Artistry: Elevating Your Playing on the Suzuki Bass Harmonica

Building upon the foundational techniques, this chapter delves into more advanced playing techniques and artistic approaches on the Suzuki Bass Harmonica. Explore techniques such as overblowing, trilling, and glissando, and learn to incorporate expressive elements such as dynamics and phrasing into your playing. Discover tips and strategies to enhance your improvisation skills and develop your own musical style. As you delve into these advanced techniques, you'll witness your playing soar to new heights and captivate audiences with your Suzuki Bass Harmonica skills.

Expanding Your Horizons: Collaborations, Performance, and Recording with the Suzuki Bass Harmonica

Take your Suzuki Bass Harmonica playing to the next level as we explore opportunities for collaboration, performance, and recording. Discover the joys and challenges of playing with other musicians, learn how to adapt to different musical contexts, and develop your skills as a supportive ensemble member. Gain insights into the intricacies of performing live and recording in a studio setting, and learn how to capture the true essence of your Suzuki Bass Harmonica's sound. With these valuable tips, you'll confidently step into the world of collaboration, performance, and recording with your beloved instrument.

Troubleshooting and FAQs: Overcoming Challenges on Your Suzuki Bass Harmonica Journey

In this final section, we address common challenges and concerns that may arise on your Suzuki Bass Harmonica journey. From troubleshooting issues with sound production to addressing maintenance problems, we provide practical solutions to keep you on track. Additionally, we answer frequently asked questions to provide clarity on various aspects of playing and owning a Suzuki Bass Harmonica. Armed with this knowledge, you'll be equipped to overcome obstacles and continue progressing on your musical path with confidence.

Conclusion

Overall, the Suzuki Bass Harmonica: A Beginner's Guide is a well-crafted and accessible resource that equips aspiring harmonica players with the necessary knowledge and skills to start their musical journey. Whether you are a complete novice or have some musical background, this guide offers a comprehensive introduction to the Suzuki Bass Harmonica, laying the foundation for a rewarding and fulfilling musical experience.

[dantesquitana]

Using the Suzuki Bass Harmonica to Create Unique Musical Expressions

The Suzuki Bass Harmonica is an instrument that offers musicians a unique way to express themselves musically. This harmonica features a low-pitched, deep sound that is perfect for adding a special character to any song. It is an incredibly versatile instrument, capable of producing both melodic and rhythmic sounds, making it an ideal choice for creating a rich and unique musical expression. With its wide range of tones, from bass notes to high-pitched harmonics, this harmonica allows for a variety of creative soundscapes. Additionally, the Suzuki Bass Harmonica is relatively easy to learn, allowing even beginner musicians to create beautiful harmonies. With its expansive range of sounds, the Suzuki Bass Harmonica allows musicians to explore and create unique musical expressions that are sure to captivate any audience.

An Overview of the Suzuki Bass Harmonica

The Suzuki Bass Harmonica is a unique and versatile instrument that provides musicians with a new sound to explore. It is a single-reed, chromatic harmonica, which has a larger, deeper sound than other harmonicas. It has a range of two octaves and its bass range is two octaves lower than that of a standard harmonica. The Suzuki Bass Harmonica is capable of producing a wide range of tones and notes, which makes it perfect for different styles of music. It is also great for solo work, as it can be used to create basslines and melodic lines. The instrument is lightweight and easy to carry around, making it a great choice for musicians on the go.

Tuning and Maintenance for the Suzuki Bass Harmonica

Tuning and maintenance of the Suzuki Bass Harmonica is an important part of ensuring that it produces the best sound quality possible. It is important to regularly tune the instrument to ensure that all of the reeds are in tune with each other. To keep the instrument in good condition, it is important to clean and oil the reeds and clean the mouthpiece after each use. Additionally, the instrument should be stored in a temperature-controlled environment to ensure that it does not experience any extreme temperature fluctuations.

Enhancing Your Tone with the Suzuki Bass Harmonica

The Suzuki Bass Harmonica can be used to add a unique and powerful sound to your music. It is great for creating a low-end foundation for your songs and can be used to create melodic lines as well. It is also great for soloing and can be used to create a variety of textures and tones. Experimenting with different techniques such as bending, vibrato and overblowing can help you to create unique and expressive sounds. Additionally, experimenting with different types of amplification can help you to find the perfect sound for your music.

Exploring the Possibilities of the Suzuki Bass Harmonica

The Suzuki Bass Harmonica is a great instrument for exploring new musical possibilities. It is a great tool for creating basslines, melodic lines and even solos. It is also great for creating textural soundscapes and atmospheres. Experimenting with different techniques and sounds can help you to create unique musical ideas and push your music in new directions. Additionally, experimenting with different types of amplification can help you to create an even bigger and more powerful sound.

Combining the Suzuki Bass Harmonica with Other Instruments

The Suzuki Bass Harmonica can be combined with other instruments to create a unique sound. It is great for creating a solid low-end foundation for your music, as it can be used to create basslines and melodic lines. Additionally, it can be used to create atmospheres and textures. Experimenting with different combinations of instruments can help you to create new musical ideas and find the perfect sound for your music.

Developing Musical Ideas with the Suzuki Bass Harmonica

The Suzuki Bass Harmonica can be used to create a variety of musical ideas. It can be used to create basslines, melodic lines and even solos. It is also great for creating soundscapes and atmospheres. Experimenting with different techniques and sounds can help you to create unique musical ideas and push your music in new directions. Additionally, experimenting with different types of amplification can help you to create an even bigger and more powerful sound.

Mastering Unique Musical Expressions with the Suzuki Bass Harmonica

The Suzuki Bass Harmonica is a great tool for creating unique musical expressions. It is great for creating basslines, melodic lines and even solos. It is also great for creating soundscapes and atmospheres. Experimenting with different techniques and sounds can help you to create unique musical ideas and push your music in new directions. Additionally, experimenting with different types of amplification can help you to create an even bigger and more powerful sound. With the right techniques, the Suzuki Bass Harmonica can be used to create a wide range of musical expressions and sounds.

Conclusion

The Suzuki Bass Harmonica is a great instrument for creating unique musical expressions. It has a wide range of sounds, from deep and mellow to bright and lively. Its versatility allows it to be used in a variety of musical styles, and it can be used to create complex harmonies and melodies. With practice, it can be used to create some truly unique and interesting musical expressions.

[hammondcast]

Jon Hammond Show 0216

#WATCHMOVIE HERE: Jon Hammond Show 0216 Jon's archive https://archive.org/details/JonHammondShow0216 Youtube https://youtu.be/fQ9g3iryj-0

Jon Hammond Show 0216 broadcast on MNN TV Channel 1 just back from Anaheim Namm Show and all the way to Hamburg Germany and back to Manhattan, 35th year on

cable access TV - First episode by Jon Hammond 

Sunday Morning Hammond Stand Session Ham-Berger Friends Part 1 early birds 

- Jon Hammond at the A3 Hammond organ, Joe Berger guitar TV Jones modelSuzuki Musical Instruments(our neighbor / bass player Frank Gravis walks by, doesn't say hi! Good walking though Frank!)later joined by Ryan Saranich and Leslie J. Chuggy Carter- with announcement by Scott May - Hammond Suzuki USA stand #8206 Winter NAMM Show Anaheim, California

Second episode:

Markbass Marco and Jon Hammond Basso Profundo Interview in NAMM Show Mark World Mark World Mark WorldJon Hammond HammondCast Marco de Virgiliis#Markbass#MarkWorld#RichardBona#FrankGambale#BassoProfundo#NammShowGrazie Sandra Mosca & Markbass Team!

 — at NAMM Show 

Third episode:

The Dance Floor is Open at Little Snack's and More Hamburg Ladies und Gentlemen!! - Jon Hammond Band Joe Berger guitar, Heinz Lichius schlagzeug/drums, Jon Hammondorgan/orgel In HH Eimsbüttel Rotherbaum  Grindelallee 18020144 HamburgGermanyRotherbaum 

Fourth episode:

NAMM Hammond Stand Sunday Morning Head Phone Funk SessionLeslie J. Chuggy Carter percussionJoe Berger guitarRyan Saranich tenor saxophoneWill Galison chromatic harmonicaJon Hammond A3 Hammond organ + bassNAMM Show booth 8206Thanks Suzuki Musical Instruments, Pmauriat Albest saxophones, TV Jonesguitars / pickups Hammond Organ USA#NammShow #HammondOrgans #FunkBand 

Usage Attribution-NonCommercial-NoDerivs 4.0 International

Topics MNN TV, Cable Access TV, Jon Hammond Show, Funk, Jazz, Blues, Hammond Organ, Namm Show, Manhattan, Hamburg, Anaheim, Dance Floor

Language English 

by Jon Hammond 

MNN TV, Cable Access TV, Jon Hammond Show, Funk, Jazz, Blues, Hammond Organ, Namm Show, Manhattan, Hamburg, Anaheim, Dance Floor

[cloutshoes]

Suzuki Harmonica

#Suzuki #Harmonica#

39 hole, range E C2

Special voicing or tuning gives the double bass A beautiful, rich, projecting sound quality

The upper low notes are tuned to a C# scale and the lower low notes are tuned to a C scale

You can cover a full 2 chromatic octaves

Comes in a beautiful velvet lined wooden case with carrying pouch

To compliment the chord harmonica, Suzuki offers the double bass harmonica for ensemble…

[harmonicatabs]

Silent Night! Holy Night! (Diatonic Quintet)

New Post has been published on https://harmonicatabs.net/tabs/silent-night-holy-night-diatonic-quintet/

Silent Night! Holy Night! (Diatonic Quintet)

Silent Night! Holy Night! (Diatonic Quintet) Music By Franz Gruber Words by Joseph Mohr Key of C Major Tabbed for four Key of Low C Richter Tuned diatonics. Tabbed also for either the Hohner 265, or Suzuki SDB-29, Double Bass Harmonica. The Double Bass harmonica is a blow only instrument. This Double Bass’ part is played entirely on the lower harp.

1st harp is in red. 2nd harp is in green. 3rd harp is in orange. 4th harp is in purple. Double Bass is in blue.

Tab notations: none = blow – = draw ___ = hold ” = full step bend

6__-6 6 5______ 6__-6 6 5_______ 5__-5 5 4______ 5__-5 5 4_______ 1. Si____-lent night!_ Ho____-ly night!_ 2. Si____-lent night!_ Ho____-ly night!_ 3. Si____-lent night!_ Ho____-ly night!_ 4. Si____-lent night!_ Ho____-ly night!_ 4__________________ 4________________ 2___________3______ 1________ 3______ L6_________________ L6_______________

-8__ -8_-7 -7___ 7__ 7_6 6________ -5__ -5___ -4___ 5__ 5__ 5________ 1. All is___ calm, All is bright___ 2. Shep-herds quake at the sight!___ 3. Son of___ God, love’s pure light____ 4. Wond-rous_ star, lend thy light!___ -3________ -4___ 3________ -4_______ -2”_____________ 2___________________ L10_____________ L6__________________

-6__ -6 7____-7 -6 6___-6 6 5______ -5__ -5 -6____6 -5 5___-5 5 4______ 1. Round yon Vir____- gin, Moth-er and Child__ 2. Glor_-ies stream_ from heav-en a – far;___ 3. Rad – iant beams_ from Thy_ ho-ly face,__ 4. With the an_____- gels let____ us sing___ 4________ -3”__-3 -3” 4__________________ -2”______ -3”__-3 4 2____________3_____ L9____________________ L6_________________

-6__ -6 7____-7 -6 6__-6 6 5______ -5__ -5 -6____6 -5 5__-5 5 4______ 1. Ho___– ly_ In__-fant so Ten-der and mild,__ 2. Heav’n-ly hosts_____ sing Al-le- lu- ia!____ 3. With the dawn of re – deem – ing grace,_ 4. Al – le – lu- ia to our_______ King!__ 4_________ -3”__-3 4 4__________________ -2”_______ -3”__-3 4 2___________3______ L9_______________________ L6_________________

-8__ -8 -9__ -8 -7 7______8_______ -5__ -5 -4__ -5 -4 5______4_______ 1. Sleep in heav –en – ly peace,_________ 2. Christ the Sav – iour is born!__________ 3. Je__ – sus Lord at thy birth;_________ 4. Christ the Sav – iour is here,__________ -3_______________________ 3______(34)____ -2”______________________ 2______________ L10______________________ L9_____________

7___6 5 6___ -5 -4 4________ 5____ 4 5___ -4 -3 4________ 1. Sleep in heav–en- ly peace.__ 2. Christ the Sav-iour is born!___ 3. Je__ – sus Lord at thy birth.__ 4. Jesus the Sav-iour is here!___ 4_________ -3_________ 3_______ 2_________ -2”________ 2_______ L10___________________ L6______