#Susie Myerson is in love with Midge Maisel and Midge is in love with Susie (Delusional) | Explore Tumblr posts and blogs

swedesinstockholm · 1 year ago

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25 juillet

je viens de terminer la dernière saison de the marvelous mrs maisel recroquevillée sur le canapé avec les larmes aux yeux tellement je vivais le triomphe de midge avec elle, sa révélation sur le plateau du gordon ford show, son rêve de gloire, quand elle dit qu’elle fait ça because i love it, when you’re up there and people are listening to you, et puis l’histoire d'amour entre susie et hedy, quand elle raconte à midge que c’est la seule fois qu'elle a aimé quelqu’un, il y a vingt ans, ou je sais pas combien, et que ça s’est mal terminé, et midge lui dit qu’un jour elle aimera à nouveau, et susie la regarde avec les yeux mouillés et suppliants, je me suis dit OUI, la fiction est d’une nécessité absolue dans le monde, la fiction aide à vivre, la fiction sauve des vies, et en écrivant je peux avoir ce pouvoir-là. être là pour les gens comme susie myerson et midge maisel étaient là pour moi ce soir, avec leurs rêves de gloire et leur coeur brisé. oui oui oui oui oui oui. vive les histoires vive les personnages vive la fiction et vive les artistes.

à part ça j’ai regardé the souvenir (bof) et bergman island (mieux). dans une scène de bergman island, mia wasikowska attend l’acteur norvégien qui joue dans les films de joachim trier jusqu’au l’aube dans sa chambre, et quand elle comprend qu’il viendra pas, la voix narratrice de vicky krieps dit: her restlessness gave way to a heavy sadness, ou un truc comme ça, et je l’ai senti jusque dans mes os. ils m'ont rappelé le dimanche de la mort dans l’appartement de m., quand j’ai compris que ça servait à rien d’attendre et que mon corps est devenu lourd comme si je portais une montagne. juste avant qu’elle passe la nuit à l’attendre, elle dansait sur the winner takes it all avec ses amies dans un bar tout en se sachant regardée par lui, ça lui donne confiance en elle, elle commence à se lâcher, elle devient un peu séductrice, et puis à la seconde où elle se rend compte qu’il est plus là, sa joie s’écroule d’un coup et elle sort du bar en courant pour partir à sa recherche, complètement paniquée. et de nouveau, mes os l’ont senti.

27 juillet

ce mois de juillet est une fraude. je suis allée voir barbie au cinéma avec m. et f. j’avais mis une robe bustier rose et mes converses à paillettes alors qu'elles étaient habillées normalement mais j’ai été un peu déçue par le film. j’ai rien raconté à f. de mes histoires, je savais pas comment commencer, alors j’ai rien dit. maintenant elle est repartie et parfois je me dis que j’aimerais lui faire lire mon tumblr, pour qu’elle sache ce qui se passe dans ma vie un peu. mais je peux pas, évidemment, personne que je connais ne peut lire ce journal. elle a mentionné son adhs add adhd je sais jamais lequel c’est ni l’ordre des lettres, j’oublie tout le temps qu’elle a ça maintenant. je me suis dit que ç'avait peut être un lien avec le fait qu’elle me pose jamais aucune question et qu’elle rapporte toujours tout à elle. peut être que c’est juste son dysfonctionnement neurologique, comme moi le mien c’est de plonger dans l’abysse. elle arrive pas à s’intéresser aux autres et moi je me mure dans le silence, comment on est sensées avoir une relation fonctionnelle? j’aurais bien aimé lui raconter mes mésaventures dans le royaume de la bisexualité et mes embrouilles avec r. pour que ça sorte des confins de mon journal un peu. mais c’est tellement plus simple d’en parler à internet. elle me montrait son vernis aux couleurs du drapeau bi et ça aurait été une occasion d’évoquer le sujet, mais après c’est parti sur une discussion sur le vernis et ses avantages et ses inconvénients et je savais plus comment introduire r. là dedans.

en lisant le livre orange fluo d’émilie notéris j’ai appris que même monique wittig avait eu des relations amoureuses avec des hommes. j’ai du relire la page pour vérifier que j’avais bien compris, oui elle est bien sortie avec un homme dont elle était follement amoureuse. ils se sont rencontrés quand elle avait 32 ans et lui 29 et mon incorrigible cerveau a noté: comme moi et r. début janvier. il disait qu’il devait admirer une femme pour pouvoir tomber amoureux d’elle, mais qu’il avait d’abord été séduit par monique en tant que personne, avant de découvrir monique l’écrivaine, et c’est là que nos chemins divergent. r. m’a dit que mon texte sur monique wittig lui avait donné envie de lire donna haraway, il m’a demandé des recommendations de livres pour prendre à sa retraite dans un monastère, je lui ai conseillé vinciane despret, plus facile à lire, et il est parti à la librairie acheter habiter en oiseau dans la seconde.

29 juillet

au centre commercial ce matin une femme un peu paumée s’est approchée de moi en tendant la main pour me demander si je pensais que c’était mieux qu’elle porte sa bague au pouce ou à l’index. je lui ai dit au pouce c’est bien mais son doute persistait et elle m’a reposé quinze fois la question avant de s’en aller. est-ce que, à force de solitude, je vais me retrouver à hanter les centres commerciaux pour demander des conseils vestimentaires aux gens moi aussi, rongée par le doute?

parfois je me dis que je suis tout près, vraiment tout près d’arriver à me détacher de mes sentiments pour les gens, tout près de voir sous le voile humain qui recouvre les choses, tout près d’être détachée de l’importance donnée aux choses, de l’importance donnée à r., de l’importance donnée à c. qui a passé tout le concert de francis of delirium à embrasser sa copine à côté de moi hier soir. j’ai accompagné m. aux rotondes avec ses ami.es mannequins pour me sortir de la maison et en même temps me sortir de r. et voilà que ma crush numéro deux vient me briser le coeur juste sous mon nez. partout où je vais quelqu’un me brise le coeur, je ne suis à l’abri nulle part. je comprends pas pourquoi l’univers s’acharne sur moi comme ça. j’ai passé la soirée à regarder les filles dans la foule pour me comparer à elles et essayer de déterminer si j’étais vraiment le dernier des laiderons, si c’était vraiment ça le problème. jusqu’à maintenant j’étais toujours partie du principe que j’avais, malgré tout, un charme un peu singulier. que j’étais un peu mignonne. pas super hot, mais charmante. mais depuis r. je commence à me dire que peut être que ça aussi c’était une illusion, j’ai jamais été mignonne, je suis un laideron depuis le début. un laideron difforme, bougonne et sans tenue. molle et repoussante. et pourtant hier soir en regardant les filles autour de moi, y en avait que je trouvais plus moches que moi. je regardais les mecs aussi, pour voir si j’arrivais à attirer leur regard, mais quand ils me regardaient j’arrivais pas à déterminer s'ils me regardaient parce que je les regardais aussi, parce qu’ils étaient intrigués par mon oeil, ou parce qu’ils se disaient que j’étais mal coiffée. j’étais à deux doigts d’aller leur demander s’ils me trouvaient jolie. DO YOU THINK I’M HOT? QUELQU’UN ICI VEUT BIEN SORTIR AVEC MOI? heureusement que francis of delirium est un groupe de rock emo et que donc je pouvais me complaire dans mon chagrin bien accompagnée et de manière esthétiquement satisfaisante. c’était triste et beau.

j’attendais que le concert soit fini pour dire bonjour à c., pour qu’on puisse discuter et qu’elle me présente à sa copine, mais elle a disparu à mi-concert. j’avais oublié qu’elle était la personne la plus occupée du monde. c. le coup de vent. j’ai passé le reste de la soirée à la chercher des yeux mais elle avait disparu, il restait que sa copine, moins hot que ce que je m’étais imaginé. zéro frisson d’action lesbienne se produisant sous mes yeux de nouveau, juste du chagrin ainsi qu'une grosse envie de crever les yeux de tout le monde puis les miens. de colère. colère que tout le monde ait décidé de me briser le coeur au même moment, fille ou garçon, c’est la même chose, je vais arrêter de me casser la tête là-dessus une bonne fois pour toutes, c’est tous et toutes les mêmes, des briseurs et des briseuses de coeur. mon coeur en particulier. c’est comme avec les moustiques, je le attire. je sais pas si c'est mon sang. j’ai raconté mes histoires à m. mais je sais pas si c’est la bonne personne à qui en parler parce qu’elle faisait que me dire ehh je sais pas je relate pas je sais pas quoi te dire, mais je m’en fous que tu relates pas m. je te RACONTE c’est tout. voilà pourquoi je raconte jamais rien à personne, parce que personne n’en a rien à foutre. je suis la seule à trouver mes histoires passionnantes.

mais pour en revenir à cette histoire de détachement, ce que je voulais dire c’est que, dans un élan de lucidité, je les ai vus tous les deux, r. et c., comme arbitraires, ou plutôt, j’ai vu l’arbitraire de mes sentiments pour eux. c’est tombé sur eux, mais ça peut tomber sur n’importe qui. r. peut bien faire la grasse matinée au lit avec une fille fine et longue aux longs cheveux bruns et bien coiffés qui n'existe que dans ma tête et c. peut bien embrasser à pleine bouche sa copine prof d’allemand critique musicale motarde et dj ultra sportive avec un collier de lesbienne en chaîne autour du cou, who cares! who cares! quelqu’un d’autre de tout aussi arbitraire va très probablement bientôt me tomber dessus de nouveau, et peut être bien qu’il ou elle me brisera le coeur à son tour, mais, peut être pas! au diable la destinée et les âmes soeurs et le coup de foudre et toutes ces absurdités. a., c., r., aucune importance. arbitraire arbitraire arbitraire.

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cyarskaren52 · 1 year ago

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They performed as if the rent was due and the home was about to face foreclosure

Murray Bartlett and Nick Offerman, The Last of Us

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Guest stars Offerman and Bartlett took center stage — and broke our hearts — as they chronicled Bill and Frank’s romantic relationship from gruff start to heartbreaking finish. Offerman’s performance as the secretly sensitive Bill was a revelation that proved the comedic actor’s got some serious dramatic chops. And Bartlett’s easy earnestness as Frank made for a loving counterpoint that perfectly complemented Bill’s defensive cynicism. Together, what a dynamic, moving and eminently watchable pair! — Kimberly Roots

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In the Amazon comedy’s fifth and final season, Borstein — who has already picked up two Emmys for her role as Midge’s indefatigable manager Susie Myerson — was tasked with playing her gruff, potty-mouthed alter ego through multiple decades amid some extreme emotional highs (Susie breaks Midge!) and lows (Susie breaks up with Midge!). And there was nary a false note in her work. In fact, the Susie-centric, Friars Club roast-themed sixth episode ranks among Maisel’s finest hours, in large part due to Borstein’s remarkably restrained comedic and, ultimately, heartbreaking performance. — Michael Ausiello

Photo : Courtesy of Apple TV+

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Dominique Fishback, Swarm

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Ford’s natural charm and charisma were on full display throughout Shrinking‘s debut season. Even the quietest of quips and Paul’s mildest of irritations were transformed by the actor into big laughs and major moments. And despite the oodles of comedy the screen vet delivered, he also flexed serious dramatic muscle. When his character’s Parkinson’s disease raised concerns with his daughter, lingering resentment came to a boil, giving the actor plenty of meaty material to chew on. The living legend’s performance sizzled, frequently catching us off-guard, and elevating everyone and everything around him. — Nick Caruso

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Devery Jacobs, Reservation Dogs

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Jacobs proved herself to be one of the Hulu series’ most versatile performers. When her character Elora wasn’t grappling with grief or trauma, the actress spent the show’s swan song going toe-to-toe with uproarious guest stars and exploring what it meant to be young and directionless. She aptly juggled complex emotions when Elora met her dad for the first time and made the difficult decision to leave the reservation for college. With her exceptional comedic timing and on-screen vulnerability, Jacobs will forever be remembered as the Rez Dogs’ beating heart. — N.C.

Natasha Lyonne, Poker Face

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We loved Lyonne’s raspy-voiced sarcasm on Orange Is the New Black and Russian Doll, but she may have found the role of a lifetime in Peacock’s charmingly retro mystery. Lyonne channeled classic TV detectives like Columbo and Jim Rockford as amateur sleuth Charlie Cale, who has a supernatural sense of when someone is lying. But she put a modern spin on it, too, with an endless supply of smart-ass one-liners, and she also let us glimpse the wounded soul that Charlie hides underneath all the punchlines. Here’s hoping she sticks around as long as some of those classic TV detectives did. — Dave Nemetz

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You might say that this was hardly a performance, since Marsden essentially played himself in an elaborate prank that convinced one unsuspecting dude he was a juror on a totally fictional court case. You’d be wrong, though. Marsden’s very presence on the jury helped sell the prank — who would make that up? — and he gleefully poked fun at his movie-star persona with plenty of shameless name-dropping and diva-esque demands from the jury box. He even formed a touching bond with the unsuspecting juror Ronald, cementing this as one of the very best performances of Marsden’s career… since Sex Drive, at least. — D.N.

Zahn McClarnon, Dark Winds

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AMC’s Dark Winds with Season 2 amassed more of the acclaim it richly deserves — much of which is born of what McClarnon brings to the role of Joe Leaphorn. As the tribal police lieutenant, McClarnon with the nuance of an artisan brings forth many facets, including dead-serious intensity, understandable fear, camaraderie (and even the occasional dollop of biting wit), and the warmth of a family man navigating all manner of drama. We care about the cases because McClarnon’s performance makes us invested in everything that Joe cares about. — Matt Webb Mitovich

Ebon Moss-Bachrach, The Bear

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Elizabeth Olsen, Love & Death

Photo : Courtesy of Max

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Bel Powley, A Small Light

Photo : Courtesy of National Geographic

The Morning Show alum was immediately lovable as Miep Gies, one of the people who risked everything to help Anne Frank and her family hide from the Nazis. Watching her take Miep from floundering young woman to steely member of the resistance was riveting, thanks to Powley’s choice of making Miep utterly unable to hide any of her emotions. Her turn in the finale, particularly when she blended devastating loss with a determined hopefulness as Miep comforted Otto Frank, was nothing short of a masterclass. — K.R.

Ramón Rodríguez, Will Trent

Photo : Courtesy of ABC

You don’t deliver a freshman season that earns a rare average grade of “A+” from TVLine readers without having something really special going on. For ABC’s Will Trent, that added oomph came from a stellar cast led by Rodríguez. Readers of the Will Trent novels by Karin Slaughter may have needed a minute to process the TV series’ casting, but Rodríguez from go brilliantly encapsulated both the investigator’s insightful strengths and his haunted, personal weaknesses. The season finale, in which Rodríguez cycled Will through an array of intense feelings, cemented his perfection in the role. — M.W.M.

Photo : Courtesy of HBO

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Patrick Stewart, Star Trek: Picard

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Meryl Streep, Only Murders in the Building

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Photo : Courtesy of FX

We know her as Ted Lasso’s perky publicist Keeley Jones, so it took some getting used to when Temple went Minnesota Nice as meek housewife Dot. Within minutes, though, Temple sold us on Dot’s Midwestern roots — and showed us she’s not as meek as she seems, either. Temple is perfectly chipper as the happy homemaker and also holds her own packing heat in Season 5’s high-adrenaline action scenes. Plus, she hints at the many skeletons still hanging in Dot’s closet, making her a fascinating mystery we’re still working to unravel. — D.N.

Ali Wong and Steven Yeun, BEEF

Photo : Courtesy of Netflix

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TVLINE'S YEAR IN REVIEW!

Performer of the Year: The 20 Finalists

By Team TVLine

December 13, 2023 7:00 am

Not even a months-long actors strike could stop the steady stream of phenomenal TV performances we were gifted in 2023.

All year long, Team TVLine has recognized the small screen’s most compelling work via our Performer of the Week column, honoring actors from broadcast, cable and streaming series as they brought their characters to dazzling, devastating life. But now, we’re tasked with naming a Performer of the Year â€” a decision that seems almost impossible, given the abundance of talent in the last 12 months.

To make the choice a bit easier, we’ve narrowed down the field to the 20 finalists below (named alphabetically), a list of nominees that doubles as a “ballot” of sorts. (Note: As is TVLine tradition, any contenders comprised of multiple co-stars â€” for example, BEEF‘s Ali Wong and Steven Yeun â€” compete as and will be considered one finalist.)

On Wednesday, Dec. 20, we will crown one of the nominees (and only one!) our 2023 Performer of the Year, dethroning the 2022 victor, Better Call Saul‘s Rhea Seehorn. And while our esteemed panel of judges wonâ€™t necessarily be swayed by the Comments section, weâ€™re itching to see if our 20 finalists line up with your favorite performances of the year.

Keep scrolling to see whoâ€™s in the running from this yearâ€™s shows, then drop a comment with your thoughts on who might be named Performer of the Year 2023.

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bruhgender · 2 years ago

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I finished marvelous mrs maisel last week and I still have thoughts about it (all involving Susie Myerson obviously) so here they are

I will start by saying I think Susie’s arc during the time the main chunk of he show is set (from her meeting midge until midge performs on the Gordon Ford show) is great. I wish we could have seen a little more of her inner world, but it makes complete sense for her character that she doesn’t have time for an inner world because she’s putting everything she has into midge’s career. I also wish we got more than one scene of her at the tailor (and developing a begrudging friendship with him because she’s there so often since everything she buys needs to be adjusted) or her making those adjustments herself. I’m glad we didn’t have to see susie face any discrimination but it would have been a nice detail to highlight the fact that she has to put in effort to present the way she does and it’s work that she wants to do.

I also really liked the reveal that Susie had dated Gordon ford’s wife. I had always viewed Susie as someone who had never had any kind of romantic experience (partly due to a line from an interview with Alex borstein where she says this is her interpretation of the character) but having suffered heartbreak like that - especially involving being dumped in maybe the worst way possible by someone you were constantly fighting with - fits Susie’s character perfectly. And the fact that Susie had been so upset over it that she dropped out of college, then moved to New York and tried to completely bury that chapter of her life, and ended up building something completely different for herself, but then finds out that the key to her and her partner’s success is in confronting the person who set her on this path in the first place. Gooood good heartbreak. 100% no notes.

….BUT. All of this good stuff that was going on in season 5 during the 60s timeline was kind of undercut for me by the flash forwards to like the 80s and 90s where we see that Susie is presenting less butch. And of course for individuals it is completely up to them how they want to present and it’s totally valid for someone to decide for themself that they want to present in a more gender conforming way, but susie isn’t a real person. She’s a character with producers who made the decision to dress and style her a certain way in the flash forwards. Susie is just such a revolutionary character, in my opinion - how often do you see butch women in media? On tv or in commercials or anywhere??? And then we finally get one and get to see her as she gets older (something gnc people struggle to do is imagine themselves age because they have no role models for it so it would be like! Nice!) but suddenly her hair is down and the menswear is gone. I have a feeling it’s because of the makeup they put on Alex to age her up, but that’s just my opinion. Anyway it was just sad to me. Susie is always so authentically herself and she didn’t feel that way in the flash forwards. What I will say is that I’m happy that her presenting more feminine wasn’t paired with her dating someone and conflated with it, like “I’m so glad I grew up and stopped dressing like a man and now I’m settled down with someone who appreciates the femininity I used to hide away” or some bullshit. Which leads me to…..

The fact that Susie confronted Hedy to get midge on the show, and had a breakdown about it, and told midge about her dating history and told her she thinks she’ll never be with anyone ever again, AND the scene where midge asks Susie to tell her fiancé she’s calling off her wedding and Susie does it because she loves her…. And then Susie is never shown with a partner or wife or date or anything. In the literary world we might call that an unresolved arc. I’m not saying Susie needs to be with someone because that’s the only way she can have a happy ending. I’m saying she was WRITTEN with emotional trauma around love and the natural conclusion to that is for her to find love or for her to like self actualization and realize that she could have a romantic partner but it’s not what she wants. She does the kickass manager thing for decades and then meets someone who makes her rethink everything and take time off work. Or she meets someone who understands that her business is the most important thing in her life and being with her is going to mean they won’t be able to take vacations together but this new person is willing to deal with that if it means getting to be with Susie. But nope. Susie is just alone for the rest of her life, seemingly because she’s decided that it’s just never going to happen and even though she would like it, she’s not open to it. She had one terrible relationship in college and decided she would never love again and then she made a best friend and ruined their friendship and was completely alone at the top but now they’re friends again. Which I guess is an interesting story except for the fact that we don’t have any insight into what Susie’s inner world is like after the Gordon Ford show performance. Is she happy as a manager? Is she fulfilled? Does she wish she had personal friends that have nothing to do with her business, or a partner?

I will say it makes it a little better that midges story is also about love but we don’t know what happened between her and Joel after she called off her wedding because she thought she was still in love with him, and that was 30 years before we see her in her giant penthouse apartment apparently unmarried. They weren’t just sloppy with Susie, they were sloppy with midge too. Unless the point of the show is that the romantic relationships of these women aren’t important, the only important relationship in their lives is each other, which is a nice idea but if so it’s sloppily executed.

Anyway, if it were me I would have not included any of the flash forward stuff - if you’re not going to do it right, don’t bother at all. Or just a little bit in the last episode that alludes to them not speaking for years and then making up. The way I would have done it is by showing their reunion at a restaurant, awkward at first but soon they’re laughing like they never separated. And then we fade to the two of them in the 60s at a diner, midge still wearing the dress she performed in on Gordon Ford, and they’re laughing and having the time of their lives because this is the moment they’ve been waiting for. And imagining that sequence made me feel like tearing up a little, something I didn’t really feel at all during he last season because everything was undercut by non-butch susie unfortunately.

(Also I don’t understand why Joel went to jail but Susie didn’t. Susie had so many clients that the mob was taking a cut from, she must have given way more money to the mob than Joel did)

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