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waitmyturtles · 10 months ago

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Turtles Catches Up With Old GMMTV: Secret Crush On You (SCOY) Edition

[What’s going on here? After joining Tumblr and discovering Thai BLs through KinnPorsche in 2022, I began watching GMMTV’s new offerings -- and realized that I had a lot of history to catch up on, to appreciate the more recent works that I was delving into. From tropes to BL frameworks, what we’re watching now hails from somewhere, and I’m learning about Thai BL's history through what I’m calling the Old GMMTV Challenge (OGMMTVC). Starting with recommendations from @absolutebl on their post regarding how GMMTV is correcting for its mistakes with its shows today, I’ve made an expansive list to get me through a condensed history of essential/classic/significant Thai BLs produced by GMMTV and many other BL studios. My watchlist, pasted below, lists what I’ve watched and what’s upcoming, along with the reviews I’ve written so far. Today, I offer my thoughts on the importance of Saint Suppapong's and Cheewin Thanamin's Secret Crush on You in the annals of Thai BL history.]

I offer a very hearty THANK YOU to my dear friends @lurkingshan and @bengiyo for reviewing this draft before publication!

Well! A VERY belated happy new year from the OGMMTVC shores! I have allowed myself a lengthy onboarding back to the pattern of watching older Thai BLs due to many life circumstances around the 2023 holidays.

But I do still stay on my grind: while I was slowly watching and re-watching SCOY over the last month, I've added two current shows to the list, which I'll explain about later, and I've also taken up reading an incredibly important book to this project, Dr. Thomas Baudinette's ethnographic study, Boys Love Media in Thailand, which is giving me tremendous insight and history into the development of the Thai BL genre from direct reporting in Asia. In other words, the OGMMTVC project is still cooking along -- I'll plan to post about the book when my current watchlist is at a pause, while current shows on the list are airing.

All that being said, I'm here today to report on my watch of 2022's Secret Crush on You. Here's a little outline to keep me organized:

1) A quick reminder of how SCOY got on the OGMMTVC list, 2) A thematic hit list of why SCOY belongs on the list, and why it's so important for the history of Thai BL, and 3) A few personal takes on the show.

SCOY got on the OGMMTVC list way back in May 2023, in the comments of my glowing review of the second season of Make It Right, suggested by @absolutebl Sensei themself. SCOY is directed by Cheewin Thanamin, who had co-directed MIR and MIR2 along with New Siwaj. (He is also, famously AND infamously, the director of the recent shows Playboyy and Middleman's Love, as well as many other shows, including YYY, Why R U, and more.)

At the time of my watch of MIR2, I reveled in the fabulous endings of TeeFuse and FrameBook, the holistically loving and embracing relationships of those two couples, who were fearlessly and openly queer and committed to each other; and I compared those endings to that of another fabulous Cheewin show, 2023's Bed Friend, which also ended glowingly, after a hell of a traumatic journey, for the dear mains, KingUea.

SCOY, from a growth perspective, fits between the high school world of MIR and the working adult world of Bed Friend, showcasing Toh, the stalker-shy university junior outcast; Nuea, the popular, athletic, and gorgeous university senior, and their respective groups of friends, who, to a tee, end up with each other. In the comments of my MIR2 review, @absolutebl wrote,

"...there is a case to be made that Cheewin is having a conversation with us[,] the culmination of which is actually SCOY. It feels like everything in his career was leading to that show[.]"

I believe this is absolutely right. While the public commentary on SCOY was that the first few episodes would be hard to digest -- for me, it took until episode *9* to feel comfortable enough to ride the SCOY train -- the amount of internal and external-to-BL themes that SCOY carries within it marks it as an incredibly important show for the annals of Thai BL history.

I also want to note that, after SCOY, Cheewin's War of Y also airs in 2022, as a macro commentary on the BL industry. Without having seen War of Y yet -- I think it makes sense, and is quite fitting, that there may be similar themes between these two shows as to what SCOY was addressing by way of personal and industry-related psychologies.

I'll get into those themes in a second, but as so many of you know as well: this was also the first production for Saint Suppapong's agency, Idol Factory, featuring (for 2022) a slate of incredible new QL actors and actresses who have already made a fast and deep impact on the genre (...fast and deep impact huh huh ANYWAY).

Putting ourselves into Saint's shoes -- a man well familiar with the pitfalls of the BL industry, vis à vis his associations with his previous PerthSaint and ZeeSaint ships -- I can make a safe assumption that he approached the production of SCOY with the intent to make a groundbreaking show, and to approach the fan service side of the BL industry with as much consciousness for his actors as possible. While I'm not watching Idol Factory's latest show, The Sign, I am noting that The Sign's two stars, Billy Patchanon (of SCOY) and Babe Tanatat are very good at their fan service offerings. (Heng in this video, omg.) But all that being said, the unfortunate incident last year of the untimely revelation of Seng Wichai's and Freen Sarocha's relationship indicates that Idol Factory is also not immune to the controversies and pitfalls of the BL and shipping industries.

What I particularly loved about SCOY -- and why I agree with @absolutebl and many BL fandom veterans that it belongs on the OGMMTVC list -- is that this show unabashedly insisted that all people are people, all humans are equitably humans, and all humans deserve the same emotional and social respect as anyone else. It punched social expectations of the "winners" and "losers" down to the ground to offer nuanced narratives of most of its characters.

We see Toh (Seng Wichai) and his group of friends repeatedly put down and bullied. We see Toh and Jao kicked to the ground for their looks and presentations. We see popular Nuea (Billy) and Sky (Heng Asavarid) suffering from jealousy, insecurity, unrequited love and desire. We see Nuea and Sky objectified. We see Daisy question themself for their femme identity, and we see Daisy's group of friends become so moved and emotional about this change as to both uplift Daisy's preferences and to support them in whatever changes they want to make.

We also see -- for only the second time on the OGMMTVC list, and surely in the biggest BL up til 2022 -- a prominent femme side character in Daisy, one who is very much pursued by a cis male suitor in Touch. (The first time we see such a prominent femme character on the OGMMTVC syllabus is, again, in Cheewin's Make It Right 2, in the character of Yok, who was very out and very gay throughout that season.)

I'm going to examine this more in just a bit, but I also want to note, in a fabulous conversation I had with @bengiyo about SCOY, that this show also somewhat upends social expectations of who exactly gets bullied in a "typical" school setting. We do very much see Toh and his friend group get attacked. We see that friend group come together in support of each other. But we also see them very much accepted, as they are, by the older, more popular friend group.

There are many more examples of these themes, but in any case:

These were nuanced, layered, and sophisticated depictions of humanity, all for a show within the BL genre that had started its journey, way back in 2014, in demanding clear seme/uke dynamics and male/female characteristic assumptions between main couples. SCOY clearly took great pains to examine and upend these assumptions. In particular, the hot tub conversation in episode 9 had me going wild; a conversation that has become legendary as it was the first time (and not the last!) that a character of Billy Patchanon's stated that he was verse:

By the time we get to 2022, I love what this conversation signifies for Thai BL. From SOTUS's Kongpob saying that he'll make Arthit his wife; to Pat clarifying to BOTH Pran AND Phupha, "I'm not your wife" -- and, now in SCOY, to Nuea being like, "oh, roles? Yeah, whateves, I'm down," is such a refreshing spin to the conversation about the demands that the genre, AND society, place on hulking cis-presenting men like Nuea/Billy.

Of course, the biggest upending to any assumptions that viewers (including myself) may have had about the dynamics between the two main couples of NueaToh and SkyJao was in seeing how deeply insecure both Nuea and Sky were of the stability of their relationships with their boyfriends in Toh and Jao. Nuea and Sky both recognized that it was literally society itself -- and the very deep internal impacts that society could have on the psyches of the nerdy Toh and Jao -- that could threaten the sanctity of Nuea's and Sky's relationships.

Nuea and Sky weren't relying or assuming on their good looks or popularity ranks to win Toh and Jao over. Nuea and Sky were very much in love with these two men, and both wanted to have holistically complete and committed relationships with their boyfriends. And Nuea and Sky WORKED for these relationships, and feared the worst, often, if an internal obstacle (like Jao's insecurity) or external obstacle (like the girls in pursuit of Nuea) got in their way.

@bengiyo, in reference to my conversation with him earlier, mentioned a social shade to all of this that I found fascinating. He noted that this show did NOT interrogate the "weirdness" of Toh and his friend group. I'm actually going to criticize that just a touch in a bit, because I would have liked more background context into Toh, myself. However, Ben makes an important point about this, because he noted to me that majority society WOULD interrogate the origins of Toh's "weirdness" -- and would NOT interrogate the popularity, good looks, and success of Nuea and his group, because majority society would well assume that Nuea and his group are... "normal."

I find these instinctual inclinations to be FASCINATING to ponder, and I really think SCOY did a wonderful job in allowing us as viewers an "in" to a loving alternate reality that those who are considered "weird" in this world deserve a fair and equitable shot at love and acceptance from all corners. Ben noted for me that MUCH more often in majority society, that being queer makes someone vastly unpopular. (Ben also noted for me that what SCOY posits for Nuea and Sky by way of their queer presentations against their popular standings would likely have led to them being ostracized in real life.)

I want to note that this loving alternate reality for the unpopular is almost exactly similar to another fictional environment created by Cheewin in Make It Right -- which prompted an early and memorable conversation between Ben and me early in this project. (Thank you so much to @bengiyo for giving me time and space to read and comment on this SCOY piece.)

I want to posit -- again, without having seen War of Y -- that all of this is fascinating territory for Idol Factory, in its first show, to tread by way of humanizing IF's gloriously good-looking talent in Billy, Heng, and others. I'll know more by way of comparison when I actually watch War of Y -- but I think SCOY does a FABULOUS job in slowly leading viewers to contemplate our assumptions about how "easy" it might be to be a good-looking and/or athletic person in society. Insecurity and instability are common characteristics among all of us. SCOY very decidedly skewers any assumptions that viewers, and society, may have about the "transcendent" nature of the show's fictional "celebrities" to bring all of its characters down to a more common and equitable human level.

By a long shot, these themes are the ones that I loved absolutely the most about SCOY. I have a few personal takes on the show that I'll share in just a moment, but one more shout of celebration that I'd like to offer to SCOY is the following:

Of all the excellent acting in this show -- from Billy, to Heng, to the utterly DELIGHTFUL Looknam Orntara as Som, to the fabulous Surprise Pittikorn as a conflicted and insecure Jao -- let me offer all the flowers to

Seng Wichai, who had me CRINGING, OMG, *CRINGING*, throughout most of SCOY.

I hope this man won AWARDS for this role. All of my feelings towards the character of Toh aside -- Seng Wichai absolutely BODIED this role. I was SQUIRMING during the first three quarters of this series. God, he NAILED every last characteristic that would make a person like Toh so interpretively painful and pitiful. That Seng left Idol Factory last year, before his relationship with Freen was exposed, is, I think, a huge loss for IF. I know War of Y is chaotic, but I actually can't wait to watch it simply to see another side of Seng's acting.

For Seng's Toh to be pursued so intensely by Nuea -- and for Toh to be so Toh throughout that pursuit -- I truly can't think of a past BL actor from the past OGMMTVC dramas that could have done a better and more nuanced job than Seng Wichai to just remain so COMMITTED to Toh's modus operandi of stalking and collecting, especially so DEEP into the 14-episode run.

I will admire Seng's performance endlessly. My very own personal take on SCOY -- which I do not want to detract from its importance in the BL genre annals -- was that I think some of Cheewin's typical chaotic flourishes did not quite comport with the complicated emotionality that SCOY otherwise served.

At the end of the series, we meet Toh's parents in rural Suphanburi -- but we don't get a sense throughout the series of why Toh decides to pursue Nuea only from afar, in stalker-like actions, for so very long. Again, this stalker behavior is only presented as an MO -- and as @bengiyo noted to me, that was likely on purpose, as a means of showing that Toh's friend group would be accepting of each other NO MATTER their unique characteristics.

We also have to wait a VERY long time in the series for Toh to be held accountable for his stalking actions, as he even continues to collect items well into his relationship with Nuea. The flip side of this is an empathic one -- he's collecting the items out of an assumption, on his end, that his relationship with Nuea WILL end. However, it's made clear that Toh had no intention to ever tell Nuea of this side of Toh's behavior.

There were other moments in the show that tonally confused me, particularly in episode 5, the first time that the group goes to the beach, where Toh is in the hotel room with Nuea for the first time, and is both overtly confident that he might get it on with Nuea, but also seems reluctant to actually pursue it once Nuea starts offering hints. I worked this out with @lurkingshan (thank you, friend!) that Toh was demonstrating a brave face and fantasy to start, but was surprised when Nuea actually reciprocated the consideration. This happened a couple of times throughout the show, and Shan's assessment makes absolute sense -- I think I could have used some language clarity around those scenes myself, particularly when Toh was talking postgame with his friends after those moments, that he was surprised by Nuea's acceptance. But, @lurkingshan -- your assessment of the pattern holds, and I understand it.

Once I finished the series, I read @absolutebl's 2022 review of SCOY, and ABL -- I totally understand your perspective. I get the pull between adoration and cringe for this show. A stalker premise is HEAVY. It didn't help, in that heaviness, to have no past context to Toh's behavior, coupled with Seng's incredible cringy performance.

If another director without as many chaotic tendencies could have directed this show -- I think we would have gotten a more complete and contextual emotionality to the show that would have helped Toh's and Nuea's relationship be portrayed as fully full-circle.

I think this is enough of a quibble that'll keep me from easily rewatching SCOY. But, towards the end of the series (@twig-tea, YOU WERE RIGHT!) -- especially from episode 9 onwards -- I felt that I finally and truly understood where this show was going, and what it was about, and I felt endeared to it.

I think many in the fandom will agree that SkyJao was actually the couple that interpreted, much more clearly, the impact of social pressures and insecurities on a relationship, and for that, I will forever shout

SKYJAO! SKYJAO! SKYJAO!

as one of my absolute favorite side pairings of all time.

SCOY was a hard watch for me because of the interruptions of the holidays, of life, and because I've gotten a little less patient with Cheewin's chaos (...I dropped Playboyy, omg, I have to admit), despite my utter admiration for his work on Make It Right and Bed Friend.

But the difficulties I had in watching it should not take away from honoring this show as a hell of an important one. It makes me admire Saint Suppapong to no end for spending his own damn money towards the pursuit of better BLs. And the acting in SCOY was truly FANTASTIC. Despite my own personal reservations, I cannot recommend SCOY highly enough -- because watching it, and enjoying it, is truly a perfect demarcation to understand how far Thai BLs had gotten to its airing moment in 2022.

[OKAY! As I mentioned above, this project has gotten even richer with the addition of my current reading of Dr. Thomas Baudinette's Boys Love Media in Thailand -- I look forward to offering my thoughts on that book after my watch project is over.

I have added a few shows to the watchlist! The recently-aired Last Twilight makes it on as a show that centered disability vis à vis BL for the first time, and Cherry Magic Thailand makes it on as Thailand's first major adaptation of a Japanese manga and dorama. I've also added 23.5, GMMTV's first GL, to the list, although the premiere date continues to be up in the air for that show.

AS WELL! An actual Japanese BL makes it on the list, ha ha! I'm obsessed with this because I'm learning from Baudinette about the Japanese roots of Thai BL. I am in LOVE with Ossan's Love Returns, and it happily features a cameo by none other than Loong Jim and Wen, who hilariously (AND SMARTLY, go get yer money, guys) franchised Moonlight Chicken to Japan. Earth Pirapat and Mix Sahaphap make the most adorable cameo, and they will be inhabiting Haruta's and Maki's roles when the Thai version of Ossan's Love starts filming later this year.

FINALLY! My own personally long-awaited KinnPorsche (OOOO-WEEEEE!) rewatch is up next, but I'm taking a beat to catch up on Cooking Crush. I can't wait for my late-night liveblogs on KP, though -- they're coming soon!

Here's the status of the list -- as always, Tumblr's web editor is NOT nice to this list, so please mosey over to this link for your very latest updates on the project!

1) The Love of Siam (2007) (movie) (review here) 2) My Bromance (2014) (movie) (review here) 3) Love Sick and Love Sick 2 (2014 and 2015) (review here) 4) Gay OK Bangkok Season 1 (2016) (a non-BL queer series directed by Jojo Tichakorn and written by Aof Noppharnach) (review here) 5) Make It Right (2016) (review here) 6) SOTUS (2016-2017) (review here) 7) Gay OK Bangkok Season 2 (2017) (a non-BL queer series directed by Jojo Tichakorn and written by Aof Noppharnach) (review here) 8) Make It Right 2 (2017) (review here) 9) Together With Me (2017) (review here) 10) SOTUS S/Our Skyy x SOTUS (2017-2018) (review here) 11) Love By Chance (2018) (review here) 12) Kiss Me Again: PeteKao cuts (2018) (no review) 13) He’s Coming To Me (2019) (review here) 14) Dark Blue Kiss (2019) and Our Skyy x Kiss Me Again (2018) (review here) 15) TharnType (2019-2020) (review here) 16) Senior Secret Love: Puppy Honey (OffGun BL cuts) (2016 and 2017) (no review) 17) Theory of Love (2019) (review here) 18) 3 Will Be Free (2019) (a non-BL and an important harbinger of things to come in 2019 and beyond re: Jojo Tichakorn pushing queer content in non-BLs) (review here) 19) Dew the Movie (2019) (review here) 20) Until We Meet Again (2019-2020) (review here) (and notes on my UWMA rewatch here) 21) 2gether (2020) and Still 2gether (2020) (review here) 22) I Told Sunset About You (2020) (review here) 23) YYY (2020, out of chronological order) (review here) 24) Manner of Death (2020-2021) (not a true BL, but a MaxTul queer/gay romance set within a genre-based show that likely influenced Not Me and KinnPorsche) (review here) 25) A Tale of Thousand Stars (2021) (review here) 26) A Tale of Thousand Stars (2021) OGMMTVC Fastest Rewatch Known To Humankind For The Sake Of Rewatching Our Skyy 2 x BBS x ATOTS (re-review here) 27) Lovely Writer (2021) (review here) 28) Last Twilight in Phuket (2021) (the mini-special before IPYTM) (review here) 29) I Promised You the Moon (2021) (review here) 30) Not Me (2021-2022) (review here) 31) Bad Buddy (2021-2022) (thesis here) 32) 55:15 Never Too Late (2021-2022) (not a BL, but a GMMTV drama that features a macro BL storyline about shipper culture and the BL industry) (review here) 33) Bad Buddy (2021-2022) and Our Skyy 2 x BBS x ATOTS (2023) OGMMTVC Rewatch (Links to the BBS OGMMTVC Meta Series are here: preamble here, part 1, part 2, part 3a, part 3b, and part 4) 34) Secret Crush On You (2022) 35) KinnPorsche (2022) (tag here) 36) KinnPorsche (2022) OGMMTVC Fastest Rewatch Known To Humankind For the Sake of Re-Analyzing the KP Cultural Zeitgeist (watching)

...interrupting the OGMMTVC list here to watch War of Y (2022) in chronology and to decide if it gets listed...

37) The Eclipse (2022) (tag here) 38) The Eclipse OGMMTVC Rewatch to Reexamine the Start of “Genre BLs” and Internalized/Externalized Homophobia in GMMTV Shows 39) GAP (2022-2023) (Thailand’s first GL) 40) My School President (2022-2023) and Our Skyy 2 x My School President (2023) 41) Moonlight Chicken (2023) (tag here) 42) Bed Friend (2023) (tag here) 43 La Pluie (2023) (review coming) 44) Be My Favorite (2023) (tag here) (I’m including this for BMF’s sophisticated commentary on Krist’s career past as a BL icon) 45) Wedding Plan (2023) (Recommended as an important trajectory in the course of MAME’s work and influence from TharnType) 46) Only Friends (2023) (tag here) (not technically a BL, but it certainly became one in the end) 47) Last Twilight (2023-24) (tag here) (on the list as Thailand’s first major BL to center disability, successfully or otherwise) 48) Cherry Magic Thailand (2023-24) (tag here) (on the list as the first major Japanese-to-Thai drama adaptation, featuring the comeback of TayNew) 49) Ossan’s Love Returns (2024) (adding for the EarthMix cameo and the eventual Thai remake) 50) 23.5 (2024)]

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