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whumptober · 10 months ago

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WHUMPTOBER 2024: PROMPTS LIST

Welcome to Whumptober 2024 — Seventh Time's a Charm!

Please make sure to read the Event Info and FAQ below carefully, as most of your questions will be answered there already. For everything else, you are welcome to come to our ask box or ask questions in our Discord server here.

This year’s AO3 Collection can be found here.

This year's playlist can be found here.

The 'Anatomy of a Whumptober Prompt' post can be found here.

And our 'Resources for Writing Sensitive Topics' post is here.

We’re very excited to see the community come together for another year of Whumptober! Go wild with the prompts, and support your fellow creators - we wish you all the fun!

Best of luck and happy whumping,

Mods Vanne, Yenn, Kitty and Surro

(Text versions of the prompts, as well as event information, rules and FAQ are posted below the cut!)

Whumptober 2024 Prompt List

No. 1: RACE AGAINST THE CLOCK

Search Party | Panic Attack | "If only we could hold on.” (Icysami x Renegaderr, Strangers.)

No. 2: TRUST ISSUES

Amusement Park | Role Reversal | “You got away with the crime while the knife's in my back.” (Charlotte Sands, Rollercoaster)

No. 3: SET UP FOR FAILURE

Fingerprints | Wrongfully Arrested | "I warned you."

No. 4: HALLUCINATIONS

Hypnosis | Sensory Deprivation | “You're still alive in my head.” (Billy Lockett, More)

No. 5: SUNBURN

Healing Salve | Heatstroke | "If my pain will stretch that far." (Lottery Winners, Burning House)

No. 6: NOT REALISING THEY'RE INJURED

Unhealthy Coping Mechanisms | Healed Wrong | "It's not my blood."

No. 7: ONLY FOR EMERGENCIES

Unconventional Weapon | Magic with a Cost | "It's us or them."

No. 8: SLEEP DEPRIVATION

Isolation Chamber | Forced to Stay Awake | "Leave the lights on." (Coldplay, Midnight)

No. 9: OBSESSION

Broken Window | Bruises | “Frame me up on the wall, just to keep me out of trouble.” (Fall Out Boy, Irresistible)

No. 10: BLOW TO THE HEAD

Slurred Words | Passing Out from Pain | "I can't think straight."

No. 11: SEEING DOUBLE

Convenience Store | Loneliness | “Leave no trace behind, like you don't even exist.” (Taylor Swift, Illicit Affairs)

No. 12: STARVATION

Underground Caverns | Cannibalism | "Just a little more."

No. 13: TEAM AS A FAMILY

Familial Curse | Multiple Whumpees | "Death will do us part." (Set It Off, Partner's In Crime)

No. 14: LEFT FOR DEAD

Hunting Gear | Blackmail | “Because I want you to know what it feels like to be haunted” (tiLLie, kooL aiD mAn)

No. 15: CHILDHOOD TRAUMA

Painful Hug | Moment of Clarity | "I did good, right?"

No. 16: NECROSIS

Swamp | Wound Cleaning | "No, I can't feel anything."

No. 17: NOWHERE ELSE TO GO

Ruined Map | Shipwrecked | "We had a good run."

No. 18: REVENGE

Unreliable Narrator | Loss of Identity | “I see what's mine and take it.” (Panic! at the Disco, Emperor's New Clothes)

No. 19: BLOOD TRAIL

Abandoned Cabin | One Way Out | "Is there anybody alive out there?" (Bruce Springsteen, Radio Nowhere)

No. 20: EMOTIONAL ANGST

Shoulder to Cry On | Giving Permission to Die | "It's not your fault."

No. 21: BODY HORROR

Body Horror | Tattoo Gun | Spirit Possession | “Let the bedsheet soak up the tears.” (Apparat feat. Soap & Skin, Goodbye)

No. 22: BLEEDING THROUGH BANDAGES

Tourniquet | Reopening Wounds | "Oh that's not good."

No. 23: FORCED CHOICE

Public Display | Broken Pedestal | "I'm doing this for you."

No. 24: RADIATION POISONING

Collapsed Building | Equipment Failure | “I never knew daylight could be so violent.” (Florence + The Machine, No Light, No Light)

No. 25: SURGERY

Stitches | Being Monitored | "It's for your own good."

No. 26: NIGHTMARES

Breakfast Table | Parting Words of Regret | “I'm haunted by the lies that I have loved, the actions I have hated.” (Poe, Haunted)

No. 27: VOICELESS

Laboratory | Muzzled | “I have no mouth and I must scream.”

No. 28: DENIAL

CCTV | Exposure | "They caught me red handed."

No. 29: FATIGUE

Labyrinth | Burnout | "Who said you could rest?"

No. 30: RECOVERY

Hospital Bed | Holding Back Tears | "What have I done?"

No. 31: ASKING FOR HELP

Therapy | Making Amends | "I'm alive, I'm just not well." (Elliot Lee, Alive, Not Well.)

Alternatives List:

Body Swap

Communication Barrier

Finding Old Messages

Forgotten

Friendly Fire

Motion Sickness

No-Holds-Barred Beatdown

Regret

Secrets Revealed

Shivering

Survivor's Guilt

Time Loop

Used As Bait

Venom

Vermin

Event Info & Rules

WHUMPTOBER is a month-long, prompt-based creation challenge (think: Inktober, but whumpier). There are 31 official themes this year - one for each day of the month - which can be used, skipped, or combined in any way you’d like. They are meant to serve as inspiration without being taken literally (e.g. you don’t have to include the exact wording of prompts into your work). Feel free to run rampant on interpretation. For example, if the prompt is “flame", you could create something with reference to a candle/campfire, your character could have suffered a burn, or the flame could be a reference to an ‘old flame’ - an old relationship. It’s truly down to you!

In total, there are 4 prompts for each day. These are optional suggestions and can be used in conjunction with the theme, or as options/alternatives. We want to give everyone as much creative freedom as possible, as well as increase event accessibility for folks with triggers and squicks. There is also a list of 15 alternative prompts that can be subbed in for any day, again to give participants as much creative freedom as possible.

Creators can PRODUCE work in any media they choose, including but not limited to: writing, visual artwork, photo/video/audio edits, paper crafts and elaborate recommendation lists (not just a list of links). Creators can PARTICIPATE as much or as little as they want (i.e. you don’t have to do ALL the prompts if you don’t want to) and prompts can be used in any order. They are also free to use even after the event ends.

When uploading Whumptober content to your blog, be sure to tag it with:

#whumptober2024 …..(the event tag)

#no.1, #no.2, #no.3, …..(theme number)

#bruises, #stabbing, …..(the theme or specific prompt you chose)

#altprompt …..(if you use an altprompt, tag the post with the number of the prompt you replace)

#fandom or #OC, …..(ironman, original content, oc, etc.)

#medium …..(gifs, fic, podcast, art, etc.)

#teeth, #etc …..(trigger warnings & any additional tags. Keep in mind not to add “tw” in front but only use the word/trigger itself)

#nsfwhump …..(only for nsfw content)

#your own tags go here

PLEASE BE DILIGENT WITH YOUR TAGGING. Only properly tagged posts are considered for archiving on the official @whumptober-archive blog. They must be tagged in the order above. An elaborate post about our tagging system can be found [here]

Unfortunately, due to the sheer number of participants in recent years, we cannot guarantee your work will be archived. A random selection of properly tagged posts from all genres will be reblogged each day.

Whumpers who produce content for 31 total theme days are considered event completionists and will be tagged in a masterpost at the end of the month. A form will be published at the beginning of November asking you to tell us if you completed. This is based on trust and we will not check this.

Frequently Asked Questions

Please read this before you send an ask!

TIMELINE

July: Trope voting form released. Late August: Prompt list is released for at least four weeks of preparation time. Tropes cannot be posted earlier than August 25th because of Moderator obligations in real life. (But, you know, go ahead and start writing/drawing, and add the themes in later, if you want!) September: Do as much or as little on your works as you want. You can prepare everything in advance or let September go by with vibes and start working in October. It’s up to you. October 1st: Challenge begins! A storm of whump breaks upon us all! During this time, some posts will be reblogged to the whumptober archive blog. We open the yearly AO3 collection for posting (optional). November 1st: The challenge is officially over! Completionist form opens for those who want to be included in the hall-of-fame. Early November: We release completionist and participant badges, solicit feedback, and post a hall-of-fame list of completionists by the 10th.

PARTICIPATION AND COMPLETION

Q: What counts as participation? Create or continue at least one work inspired by one of this year’s prompts. Q: What counts as completion? Creating work(s) inspired by at least one prompt from each day (or alts), for a total of 31 unique prompts. Q: Do I need to create 31 works? No. You can, if you want. Or you can create one work that you add to every day with a new prompt. Or several works that combine prompts. You can also update an existing work by adding new material with the current prompts. Q: Do I need to post my works somewhere to be a completionist or a participant? No. Q: How do you know I actually completed the challenge? We’ll take your word for it! Q: Do I have to finish my work(s) to be a completionist? No, you can post WIPs. And you’re not obligated to finish them in October, but if you want it to count towards being a completionist, you must have completed 31 prompts by the end of the month. So for example, if you’re writing a long fic and you fit 31 different prompts into the writing you did in October, it’s okay if that fic isn’t finished by the time October ends, you’ll still be a completionist. Q: Is co-writing/illustrating allowed? Yes, absolutely, and it would count towards being a completionist for both/all of you. Q: Is there a min/max limit on word count for written works? No. Q: Is there a min/max limit of quality for art? No. Q: Do I have to do something each day to be a completionist? No. You can skip days whenever you want, and as long as 31 daily prompts (or alts) are in your works done in October, you can be a completionist. For example, if you wrote a 1000-word ficlet that covers prompts in days 2, 3, and 17, you can check all three days off your list even though it’s only one work. Q: Is this challenge just for fics? No! Artworks, GIFsets, headcannons, rec lists, poetry, moodboards, or any other creative work is encouraged. Q: Can I combine Whumptober with other creation challenges? Absolutely, as long as the other challenges allow it too.

PROMPTS

Q: How do the prompts work? There are FOUR prompts per day: a theme and three ideas. You can use one, two, three, or all four prompts for each day. If you don’t like any of the daily prompts, you can substitute one of the ALT prompts instead. Q: How strictly/literally should we interpret the prompts? As literally or as figuratively as you want. For example, if the theme is WATER, that could mean drowning, waterboarding, raining, swimming, take place underwater, be lost at sea, construct a metaphor about a character’s mood that changes like a flowing river, crying, or whatever else you can think of that fits that theme. Q: Can I combine prompts? Is there a limit on how many? No limit and combine as many as you’d like. If you create a work that checks off multiple prompts, that work will count for a fill of multiple prompts. You need to address 31 different prompts to be an official completionist, but you don’t have to produce 31 separate works.

WORKS

Q: What’s whump? Hurting a character, whether that’s physically, emotionally, intellectually, psychologically, or any other way you can think of. Comfort afterwards is optional. Angst is emotional whump, so it counts. Q: How do I know if it’s whumpy enough? If your character is just mildly inconvenienced, it probably needs more whump. However, no participant has to prove whumpiness to the mods. Whatever you write is up to you. Q: What kind of characters can I create for? Anything. Generic “whumpee,” OC, PC, NPC, major characters, minor characters, or whatever you want. There are no limits. Q: Does it have to take place in a specific fandom? No, you can create works for your own worlds or for fandoms or for both. You can also create more generic or pan-fandom works. You can do cross-overs or use OCs, whatever you want. Q: Can I create AI-created works? We will not reblog or promote any works we know to be generative AI-created. Q: Is there anything we’re not allowed to write? As long as it contains whump and is based on our prompts, it’s fine. Please courtesy tag your works if you post them so people who follow the #whumptober2024 tag can filter according to their preferences. Q: What about sex, minor characters, and potentially disturbing content? You can create whatever works are legal in your country and post them accordingly. Please courtesy tag anything you think might be objectionable if you post to Tumblr so people who follow the #whumptober2024 tag can filter according to their preferences.

POSTING

Q: Where can I post my work? Post where and how you want. You don’t even have to (cross)post it to Tumblr. Just keep in mind if it’s not on Tumblr we will not be able to add it to the blog archive. There is an AO3 archive for Whumptober 2024, as well as the parent collection for works completed outside of the event. Q: Can I start posting early? You can, but this is an October event and wouldn’t it be more fun with everyone doing it at the same time? We won’t be reblogging any work predating October 1st. Q: Can I post late? Yes. For the sake of our hardworking Post Fairies, only a day’s themes will be reblogged to @whumptober-archive each day of October. But you can post whenever. Some of us are still working on and posting Whumptober fics from years ago. Q: Do I have to use your tags? Only on Tumblr and only if you want us to reblog your work on @whumptober-archive. Q: How do I have my works reblogged to the archive? Properly tagged posts will be reblogged to @whumptober-archive. If you want the official archive blog to reblog you, post on Tumblr and tag correctly (see this FAQ link for more info on tagging). Please note not all posts will be reblogged each day. Q: Can we @ you? For questions and comments, of course. We’ll be getting a flood of notifications, so if you really want us to see something send an ask. Q: Can I cross post on other blogs? Yes, multiple platforms and blogs are perfectly acceptable, as long as they allow cross-posting (to us). You can also post different works to different accounts under different names, without posting them everywhere at once. If you post some works under your main and others under an alt blog, that’s fine for completionist purposes. Q: Can I upload/repost my Whumptober content to other social media platforms? Of course! We’ve created an AO3 Collection to archive any fics posted there, which can be found here. The blog is the official archive, so please respect the personal boundaries of any whumpers in your social circle (don’t out anyone as a participant who would prefer not to be outed).

Most importantly, have fun, create, and enjoy all the whump posted this October!

#whumptober #whumptober2024 #writing challenge #prompts list #prompts #writing prompts #whump

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yeagersss · 6 months ago

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Sukuna x f!Reader

In which Sukuna brings home child Uraume — 1

next —>

You rubbed your eyes in disbelief as you stared at the child hiding behind your husband's legs and peaking at you.

Sukuna didn't pay attention to your questioning stare, he simply sauntered in to your shared home and tossed the meat he had hunted on the table. As if it was just an average day for the two of you.

Except it wasn't because there was a child right next to him.

"Um... Love?" You questioned softly.

"What?" He grunted.

"Mind telling me who... that is?"

Sukuna crossed his upper arms while resting his lower on his hips. He shrugged. "Our ice house is no more. This child can create ice so I brought them home."

Of course he did. Leave it to your husband to replace an actual functioning cooler with a literal child.

Speaking of a cooler...

"The icehouse is broken? I swear it was perfectly fine when I went there this morning..." You mused.

But a quick glance outside the window confirmed that it was indeed broken. Crushed by a tree and blood splattered everywhere from the meat stored inside of it.

And just one look at the fallen tree, you can tell what—no, who was responsible for this destruction. There was a large, clean cut right at its base.

You turned to your husband with an accusing frown but he opted to not look at you. He knows that the moment he locked eyes with you, he'll have to face your wrath and.... He'd rather not.

You sighed and shook your head before walking over to the child who stepped away from you the moment you got closer.

You stopped, keeping your distance and smiled kindly. "It's okay. Don't be afraid, little one. I won't hurt you."

Your voice was soft, your eyes were kind so when the child looked up at Sukuna and saw the way he was looking at you, they knew you were trustworthy.

And yet...

"You won't harm me but... I can harm you." Was what the child spoke.

Your heart sank at their words and the way they looked away. Their gaze was an empty and distant void. This poor child...

But the King of Curses scoffed at their words. "Go to her. As long as I am here you cannot harm her."

You were surprised at how this child had came to trust Sukuna that they took his word and slowly stepped over to you. Besides you, no one else in this land would ever dare trust him. Then again, your husband never gave them a reason to.

You went down on your knees to be at the child's level. A small, loving smile graced your features as you reached over to brush your fingers against their cheek.

Ice cold.

But that didn't stop you as you brushed their hair in comfort. "You poor thing... Just what have you been through?" You asked softly.

The child kept quiet, their eyes gathered with unshed tears. They closed it to stop them from flowing down. And then, very very tentatively they leaned into your touch.

"...You're warm." They mumbled.

Your heart warmed at those soft words. You were happy that this child had found comfort in you.

Despite being the King of Curses' wife, you loved children. You always wanted one of your own. You had even managed to convince your husband to have a child together.

But those dreams were far gone when you found out you were infertile.

It took a while but you had gotten over it. Though part of you still wished that you can have that. A small family with your husband.

So when you looked up at Sukuna, that's when you noticed his gaze. A look that was only reserved for you. Tender, soft and... loving. But there was another meaning behind it...

This is my gift to you.

Your heart leaped and you felt tears gathering in your eyes. The smile you gave him was nothing short of radiant that had him looking away from you. But you knew he was flustered just from the red tint on the tip of his ears.

You laughed softly and got on your feet, gently pulling the child close to you. "What's your name, little one?"

"Uraume."

You hummed. "Uraume... What a beautiful name. Are you hungry, Uraume?"

Uraume felt their stomach grumble just then so they softly nodded.

"Very well, then I'll get started on dinner."

Uraume looked up at you, their pinkish eyes staring at you with a curious glint. "Can I help?" They asked.

You smiled, running a gentle hand through their white hair.

"Of course."

next —>

#sukuna #uraume #ryomen sukuna #sukuna x reader #sukuna x you #jjk sukuna #sukuna x y/n #mine #idk why I wrote this sorry if it's weird but epilogue gave me brain rot ahsjskdkd

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acircusfullofdemons · 1 year ago

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got yelled at work today bc I was reading a magazine & apparently it looks "unprofessional". coincidently i also had a boring & miserable shift

#luka.txt #i hate my store manager shes such a bitch #its not like i was ignoring customers! it was just to pass the time between them!#like i get not going on ur phone but a magazine?? girl i would NOT judge a cashier if i saw them reading ik its mind-numbing #SM said i can package online orders sweep/dust put shit away and fix the candy by the registers #1. packaging is usually pretty quick unless its busy (it was not)#2. you can only sweep clean windows etc so many damn times before shit is. yknow. clean.#3. most of the time there isnt anything to put away but when there is (books/candy) its p quick again unless its busy #4. see 2 u can only fix so much until its clean/perfect #i mean i did all that but i felt miserable. probably looked miserable but tbh i didnt feel like masking i was so goddamn bored #i close w my fav manager tomorrow tho so. silver lining #but that actually a Thing?? do people really view it as unprofessional if a cashier is tryna save themselves from boredom?#there is only so much i can do up there muchless so when its calm/quiet which it is now that the holidays are over #job tag

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ichorai · 2 months ago

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xerox ; robert reynolds ; part two.

part one. | part three. | part four.

pairing ; robert (bob) reynolds x reader, thunderbolts & reader

synopsis ; you had one last job before you were free. no more splitting, no more deaths. unfortunately, that job seemed to rope in four other assassins and a... a man in hospital-wear?

words ; 11.8k

themes ; action, angst, slowburn, the beginnings of romance

warnings / includes ; much more intense violence/gore/death than in part one, suicide, self-harm, human experimentation, child abuse, reader has the ability to split into multiple bodies (think dupli-kate from invincible), foul language, mentions of pregnancy, everyone's mental health sucks!

a/n ; the support so far has been so sick guys! thank you so much! i initially wanted to cover all the events of the movie in two parts and move on to avengers tower type of stuff in the next part but i decided this part was already long enough and was itching to post LMAOO regardless, i hope you all enjoy!

main masterlist. read on ao3!

listen to a xerox playlist on spotify / youtube music! xerox's face claim :)

There was rarely a time in your early life when you weren’t being under surveillance. Cameras, everywhere. Nurses making their rounds. Scientists probing you. Surgeons with their hands on you, over you, inside you.

But once, when you were sixteen, there was a black-out in the facility, which you later learned to be a total power outage through the entire city. No cameras to watch you. The nurses who had been drawing your blood scurried out with owlish eyes, spooked. Moving gingerly, you pulled the needle out of your arm, bandaged it with the gauze on the medical cart, and glanced out of your barred window. The past few weeks, the scientists had been trying to use your DNA to perfect biological cloning technology. As revolutionary as it sounded, you really didn’t like the idea of someone having to live your reality, death and pain constantly hovering over your shoulder.

For a few minutes, however, you got to be alone with yourself. Nothing but you and your own thoughts. You began to shake, but you didn’t register it. The only thing you clearly remembered was the scalpel on the medical cart. A pale silver, but reflecting the hazy green of the emergency exit signs from outside your cell. You’d always thought the sign taunted you. Exit here, just in case you have to, even though you can’t.

The blade was cold in your touch, cutting the warmth of your skin.

You watched the blood drip down the first arm, and then sliced through the next. It hurt, of course it did. But then it wouldn’t hurt anymore, and it would all be over.

Your shaking had intensified so much that the bed frame rattled like bones. Then, you began to split. Whether it was subconscious or your body’s natural, instinctive reaction, you weren’t sure. You sobbed, a mangled noise caught in the back of your throat, trying to merge back together. But this had never occurred before—you had never tried to stop yourself from duplicating. Typically when you split, you carried forth the same wounds as the original, but that wasn’t the case this time.

It was as if your body had stored a clean, woundless back-up in case of a singular copy’s dire emergencies. You still felt it—the throbbing, searing pain on your arms—but no signs of the gash on you at all. You were wiped clean from your choice. A fresh restart.

That was the first time you had to watch yourself die by your own hand. You tried to give your copy some sense of comfort during the last few moments, but it felt futile knowing you craved the very same thing. You never tried committing suicide again. Mostly because, well, you were a walking paradox. Unkillable, yet you’ve died a thousand and one deaths.

And so—when you watched Valentina’s cavalry pierce poor, innocent Bob with round after round of bullets, a guilty, nasty part of you thought about how lucky he was to be able to die so quickly. Of course, you felt terrible as soon as the thought entered your mind. You rather liked Bob and his warbly doe eyes, his skittish but considerate demeanor, and his eagerness to help. It was an awful shame you didn��t get to know him better. You were still reeling over seeing him in your nightmare—was that your mind playing cruel tricks on you or was Bob less innocent than he came off to be?

His sacrifice certainly wasn’t going to be in vain. Walker had begun to drive the truck out of the compound down winding, sandy paths.

Except—it seemed Bob was a lot more similar to you than you thought. When someone shot you down, another cropped right back up. Bob, to your relief and utter confusion, did just the same.

The streaking figure across the sky was no star. It was flailing about amongst the grey clouds and bore the pale, baggy silhouette of hospital clothes.

Bob. Your Bob. He was alive!

“Palindrome,” you whispered in awe, face just about pressed up against the warm glass of the truck’s window. It was only a few seconds that he was suspended up in the air, but it felt like ages. Then, he began to plummet back down to the earth. “Oh, no.”

His landing was not a graceful descent—in fact, the impact was so massive that it sent a strong gust of wind billowing across the base, knocking your truck clean off its path. The vehicle tumbled in rotation as it made its way down the sandy slopes. You would’ve likely gotten a concussion from being jostled about had you not split yourself into as many copies as you could fit, which was nearly forty, and stayed nice and tight amongst your own nervous copies.

It landed on its side, and you reabsorbed all the duplicates into one body. Moonlight spilled into the vehicle when John hacked at the truck’s metal with his shield. It caved noisily beneath the initial strikes, then eventually split. You might not have liked the man, but he was impressively strong. Was he super-serumed up just like the previous Captain America? The scientists in Madripoor that had been working on you were sure as hell trying their best to make their own formula of super serum, to no avail.

“Oh,” he said, peering into the dark belly of the truck and seeing your deer-in-headlights expression. “I was worried you’d died in here. Good.”

“Xerox,” Yelena had said, helping you climb out of the truck. You took caution to avoid the sharp edges of the gap Walker carved for you. “Are you okay? Did you see that?”

You nodded. “That was Pal—Bob. Right? I wasn’t just seeing things?”

“Not unless all of us had a collective hallucination,” Ava put in. The group began to walk away from the totaled truck. There was no point in trying to get it up and running now—it was ruined beyond saving from the crash.

“Weirder things have happened,” you said, looking around the great expanse of nighttime desert. “Where did he land? Maybe we can help him.”

“On the other side of the base. We couldn’t possibly get to him in time before Val and her crew,” Yelena said. Then, she handed you a file. “Valentina did this. To test on someone like that… it’s inhuman. She plans to use him.”

Your brows furrowed in confusion, then you looked down. It was designs of superhero suits—a collage of striking gold and blue, all sharp angles and bold flares. Lacking all the soft gentleness you would’ve attributed to Bob. It even had a cape.

“The power of a thousand exploding suns? Golden Guardian of Good?” Ava read over your shoulder, scoffing. “That’s a mouthful.”

“Sentry,” said Walker, taking the case file from you, to your annoyance. He wrinkled his nose in distaste as he took a quick gander. “Very shiny. I didn’t think any of them were still around.”

“Did you know about this?” you asked.

Walker shoved the file back into your awaiting hands. “There was a rumor that O.X.E. had some kind of big breakthrough. I don’t know much, but whatever it was, it was apparently way too extreme. Test subjects were dying. And then when the government looked into it, Val shut it down, and she put me on clean-up duty. I was meant to take care of him.”

“Take care of him,” you scathingly echoed. “Kill him.”

“Well, yeah,” John bit back. “We all were sent to kill each other. Haven’t you gotten over it by now?”

Your eye twitched. “I’m sorry I haven’t warmed up to the idea just yet!”

Ava drew a large, heaving sigh. It seemed she had no energy left to bicker. “Let’s just get home without getting caught.”

John, to your delight, found cactus berries for everyone to eat. You were starving. When you thanked him, quietly, he twisted his mouth to the side and nodded. Not embarrassed, not prideful, but… something more muted, as if he wasn’t sure how to accept gratitude.

The rest of the group ate and walked in relative silence, save for the occasional complaint, grumble, and irritated tongue-click.

The Red Guardian—and Yelena’s adoptive father, which you later came to find out—had come to pick her and everyone else up in the middle of the desert, waving his arms about and screaming like a madman. He was a giant of a man, so large that he had to drive his beat-up limo hunched over the steering wheel, despite putting his seat as far back as it would go. His shoulders were broader than the sticky leather seat itself. He donned a shoddy red suit that looked like it belonged in a museum dedicated to decades-old artifacts. And he was terribly loud, always spouting out something about collaboration, family, and the terrific rag-tag team the lot of you made. He seemed intent on calling the group the Thunderbolts in honor of Yelena’s peewee soccer team.

You found him rather amusing, even if he was obnoxious, overstimulating, and smelled of stale tortilla chips.

Both Yelena and Alexei were arguing about the next course of action—the former wanting to hunker down and hide, while the boisterous latter seemed intent on defeating Valentina with the power of… friendship. You decided to stay silent on the matter. You couldn’t deny that going home sounded like a brilliant idea. But… so did saving Bob.

Before a proper conclusion could be reached, Walker announced a convoy approaching the limo from behind, three chunky vehicles gaining speed. Alexei tried to engage “defensive measures”, but he’d forgotten which of the several buttons to press, and instead engaged a “party mode”, where the lights turned flashy pinks and purples, and a ridiculous EDM song began to blare from the built-in speaker system, nearly shocking you into splitting.

And then the gunshots started firing. Walker made himself useful by deflecting the majority of the bullets with his shield. Ghost tried to climb out one of the windows, only to be met by a piercing blast of concentrated, high-frequency sound waves, instantly disabling her suit’s phasing abilities. Yelena currently had nothing but a gun, and Alexei was busy driving. That left you.

With a determined puff of breath, you multiplied once, then climbed out the car window. Distantly, John barked at you to stay behind the shield but he went largely ignored.

This was going to hurt like hell. But, on the plus side, you never really knew if you had a limit to the number of clones you could produce before you exhausted yourself. Maybe today you could find out. Within the blink of an eye, there were a hundred of you, growing exponentially by the second.

Yelena realized what you were doing before the others. You were forming a human wall.

One of the military vehicles plowed right through the weakest part of the wall, your blood and guts splattering every which way, staining the sand a deep shade of crimson. Another tried to swerve around, but ended up skidding too quickly, tipping over and crashing to the side, tires moving fruitlessly in the air. Your copies, still multiplying, swarmed the vehicle like angry, hell-bent ants, slipping into the open windows and pummeling the few soldiers in there. You could feel the bullets empty into your body, but you swallowed down the pain and kept going. But exactly as you told Yelena before—limited bullets, inifinite of you. And good Lord, did it hurt like—well, like you were being run over a thousand times over because you quite literally were.

The remaining car was taken care of by an explosion so loud that it seemed to reverberate through the very ground. Initially, you wondered if someone from the car had thrown back a grenade, but when you caught sight of the sleek motorbike, you knew it was a newcomer.

You heard Walker distantly yell, “Bucky!”

And true to his word, It was Bucky Barnes, in the flesh. Your eyes widened ever so slightly. You reabsorbed your copies—the few remaining that were still alive—and watched from a distance as he swerved past the last car’s gunfire, pinned a cable to its underbelly, and fell back to hold the wire down with his metal arm. The car flipped in the air as if it were an omelet on an oiled skillet. You blinked, impressed.

Then, to your dismay, Bucky took off his sunglasses, and proceeded to shoot an explosive disk at Alexei’s limo. Similar to the previous car, it did an uneven pirouette before crashing onto the road upside-down. You winced, hoping none of them were killed in the crash. Even if they weren’t your friends, you thought that killing them went a step too far.

Bucky was a little ways ahead of you, but he turned and fixed you with an expectant stare. Was he going to shoot you, too?

But you should’ve known—Bucky Barnes was smarter than that. He pulled out a different gun—and when he shot, electric ropes shot out as if they were sticky webs. You came crashing to the ground as they wound about your body, spasming with the sharp current frying your skin. To your panic, duplicating was not an option if you were bound.

“If—” you choked out as he drew nearer to you. “If you’re going to kill me, please do it quickly.”

The ex-Winter Soldier looked down at you with a cocked head. “I’m not going to kill you. You’re evidence.”

Bob couldn’t remember the last time he woke up in a nice bed. In fact, this was probably the nicest bed he’s ever been in. His fingers twitched beside him—silk sheets. Just from that, he knew that this wasn’t his home (thank God for that), nor was it a hospital. He sat up.

There was a woman sitting by his bedside, watching him.

“Hi,” she said, voice soft and meticulously tender. “How are you feeling, Robert? Are you comfortable?”

He stared at her for a moment before awkwardly saying, “Yeah.”

She nodded in satisfaction. “Good, good. My name is Valentina Allegra de Fontaine.”

The name immediately had Robert backing up to the headboard, pointing an accusatory finger at her. “No, you—you tried to kill us!”

She began shushing him as if he were a child throwing a fit. On the glass table beside her, she put down what looked and sounded to be a metal plate.

“Let me explain. Would you like that?”

Bob stared at her for a moment, before looking down at his hands fidgeting with the silk. “Yeah,” he whispered.

“You signed up for a medical study, which was, as advertised, at the cutting edge of human improvement. But not everybody could handle the amount of greatness that we had in mind—”

As she spoke, Bob took to looking around. The room was rather empty save for the bed, the glass table, and the chair Valentina was sitting on. Where was he? He hoped he wouldn’t have to stay here long… he didn’t like empty spaces very much. The blankness of the walls always made him worse than usual. When he was younger, he wasn’t even allowed to put up posters because his father would tear them down the minute he saw them. Bob swallowed the lump in his throat, realizing he hadn’t been listening to what Valentina was saying.

“Where—where is everyone?” he asked, interrupting her long-winded explanation. “Xerox? Yelena?”

“Xerox?” she repeated, pulling a distasteful face. Bob frowned. “Yelena… Oh, Bob, those people you were with… they’re not honest people. They’re criminals. Villains, really.”

Bob inched closer to the headboard until his back was flush against the leather. “No, but they… they helped me.”

Well, if they weren’t here, he hoped everyone managed to get to safety. That he was useful for once in his damn life and not just… in the way.

Valentina stood up from the chair and sat down on the bed, inches away from him. Bob stiffened at the sudden movement.

“Let’s just forget about them for a bit. Let’s focus on you,” the woman said, “and how perfect you are.”

Perfect? Him, perfect? Perfect Bob. It sounded like an oxymoron. An embedded contradiction.

“You always thought of yourself as the victim. But you overcame it! You went to Malaysia—you were lost. You were searching for something, someone to help you. And you found me,” she crooned.

Bob could feel his breath hitch in his throat. “How do you know about that?”

It was embarrassing—mortifying, even—that someone found out that he was looking for help because he was a pathetic loser who couldn’t do anything on his own, as if he even deserved help to begin with. And now she was confronting him about it! Bob wanted a hole to open in the ground so he could crawl inside of it and hide away for the rest of his stupid life.

“I know all of it,” Valentina assured, though it wasn’t very reassuring. “I know about your mom’s mental illness, I know about your addiction, your juvenile record, and, you know—I even know about the times your father—”

Bob felt his insides seize at the mention of his father. “Stop!” he said, hands immediately coming up to cup his ears. “No, I didn’t say you could know that.” The lights began to flicker, a dangerous hum filling the room.

Valentina shook her head, scooching even closer. “Robert, I know everything about you—and I still want you to be my guy! All the bad things you’ve done… and I accept it. I accept you. Isn’t that what you want? To be chosen? No one else sees it. But I do. I see you. And I think, Robert, that your past is what makes you so special.”

At this, Bob could feel a small part of him cave. She wanted him. Out of all people, she thought he was capable! Capable of what? Did it even matter? He was picked. Wanted, chosen, special, needed, valuable, a true asset!

That was what he wanted. Yes, a dark voice whispered in the back of his mind. She’s your ticket out. You won’t be a useless fucking loser anymore.

Then, Valentina took his hand. His eyes narrowed a fraction. He dove into her mind and he saw it all—her father, the tears on her chubby nine-year-old cheeks, the bullet in his chest. When he pulled away, he regarded her with a mixture of pity and confusion.

This woman was just as sad as him. Was everyone equally messed up in the head or did he just attract like-minded people?

Valentina cleared her throat, trying her best to give him a warm smile, but it ended up looking more like a grimace than anything. “Would you excuse me for just a moment?” she said, getting up from the bed. She looked a bit frazzled. Bob supposed being forced to live your most traumatic memory again did that to someone.

Before she could leave, she picked up the metal disk. He caught a glimpse of the shiny golden S engraved on the front side.

Your ticket! the dark voice hissed. You fucking idiot.

“No,” he croaked out, scrambling away from the headboard. “No, wait!” He swallowed the bile in his throat. “I can control it.”

She smiled, victorious. “Great,” she said. Then, she turned and left, leaving Bob alone in the empty room.

Bucky Barnes was very good at ignoring you. He only seemed to listen after tying the super soldiers up with bent metal rods, and you, Ava, and Yelena with special power-defusing cuffs. And even then, he dismissed everyone trying to tell him about Bob, Project Sentry, and how Valentina betrayed all of you. He made a scathing remark to John about his wife and kid deciding to leave him—it was clear the two had a tense, troubled history.

Finally, after about half an hour sitting around and wasting time, Bucky got a phone call. Who with, you didn’t know. Someone close to Valentina, maybe. But she mentioned Bob, and suddenly Bucky straightened. His scowl deepened upon realizing that this group of misfits and criminals—were telling him the truth all along.

“So…” he said after hanging up the phone. “Bob.”

“Bob,” the rest of the group echoed in both exasperation and relief.

“We have to help him,” you said, emphatically wriggling your wrists and shoulders to indicate the cuffs. “Valentina is only going to hurt him or use him to hurt others.”

“Or both,” Ava chimed.

Bucky thought on it for a long second, a muscle in his jaw twitching. Finally, he stalked over and uncuffed you, Yelena, then Ava. He unwound the metal pipe around Alexei as if he was snapping a string. He paused behind Walker, clearly unhappy to let him back on his feet, but he also broke him free of his bonds.

“You guys know Valentina,” he said. His eyes met yours. “Like you said—people are going to get hurt. And if your knowledge of this Bob can help… then you’re coming with me.”

“Us?” Yelena said, incredulous. “Bucky, you have the wrong people. Isn’t there anyone else you can call? Thor?”

“Off-world.”

“Captain America?” you asked, venturing a glance at Walker.

“Busy. Out of the country.”

“The Hulk?” Ava asked.

Bucky shook his head, patience wearing thin. “Listen. I’ve been where you are. You can run, but it catches up. It doesn’t go away. I’m giving you guys the opportunity to do something about it now. It’s either you come with me, or it’s a prison cell. Take your pick.”

Alexei needed no convincing. “This is great!” he roared. “All of us will be fighting together, like a team!”

More reluctant, Yelena drew in a breath. “Stop Val. Save Bob.”

You nodded. “I’m in.”

Walker pursed his lips. “Fine,” he gruffed.

Ava nodded, solemn. “Come on, then.”

Alexei looked around with a wide, oafish grin on his face. “YES!” he yelled. “Come on, then, you slowpokes! What are we waiting for?”

The plan to save Bob was really no plan at all—which was to be expected from a group of mercenaries and assassins who were typically used to working alone.

Crash into the Avengers Tower. Beat up the guards. Find Valentina. Take care of her (you still weren’t very sure what this bit meant). Save Bob. Easy, right?

Well, crashing into the tower and beating up the guards certainly were a piece of cake. Finding Valentina, which you suspected to be one of the harder steps, turned out to be handed over to you on a silver platter.

Her voice echoed on the intercom, effectively halting everyone mid-punch or mid-kick. As for Bucky, he dropped the guard he’d been strangling. “Jesus, you guys,” Valentina sighed. “I literally just had a new drywall installed. Should’ve known you lot would mess that up, too. I left the door unlocked for you. Come up.”

Yelena stood beside you, chest heaving. “Think it’s a trap?”

“Probably,” you said. “But do we have a better plan?”

“We didn’t have one to begin with,” Ava retorted. She gestured to the elevator. “Come on.”

The elevator took the group up to one of the very top floors of the tower. You stepped in with wide, scrutinizing eyes. Most of the original Avengers were dead now, weren’t they? Dead or retired. A vague memory of heroism and destruction. You were gone during the Blip—and you thanked God for that—so the Avengers bringing you back was more of a curse than a blessing on your end.

“Crazy, isn’t it?” Valentina greeted everyone from behind an island counter. There was the pop of a champagne bottle as she poured herself a glass. “Think of all the monumental fights that happened exactly where you’re standing. I mean, I don’t really care—the place wasn’t cheap, but it’s got good optics.”

That’s all she ever seemed to care about, wasn’t it? Image. Branding. It was no wonder she always sent you on undercover missions. You weren’t marketable. No little girl or boy would buy your figurine when there was an Iron Man or Black Widow to pick from.

“It’s over, Valentina,” Bucky said, expression stoic. “This ends now.”

“Congressman Barnes,” Valentina greeted, voice snippy. “I never thought you’d have a promising career but—you managed to disappoint even the lowest of expectations. Not even half a term, huh? Yikes.”

“We’re taking you in, Val,” Walker interrupted.

This made her laugh, though it was inauthentic and hollow. “I don’t think so… junior varsity Captain America.”

His hand fell on his gun, and he only paused when Bucky said his name with a warning tone.

“It’s good to see you, Ava. Yelena. You look awful, by the way. You sure you’re really ready for that public-facing role you asked me about?”

“Eat shit, Valentina.”

“Where’s Bob?” you said, feeling the tensions creeping up until it felt near suffocating. “What did you do to him?”

“Xerox. I thought you wanted to leave… And yet here you are. Just makes me wonder why you haven’t left. You had every opportunity to. Are you getting attached already? That was always a weakness of yours, wasn’t it?” She took a long sip from her champagne flute. “You know, he asked about you. Even mentioned the little nickname you gave him. Palindrome, right? It’s a little bit of a mouthful, but that’s just me.”

You didn’t know what to say to that. Why were you still here? You didn’t owe Bob—or anyone else in this group—anything.

Your evident hesitation made Valentina’s eyes light up. “Just look at you guys! So adorable, really. I sent you all down there to kill each other… but you made nice, and you form a team. Who would’ve thought?”

To your relief, Bucky cut through her condescending tirade by asking for Mel, who you assumed to be the person he was on the phone with earlier.

“Oh, Mel,” she said, dismissive. “She’s having loyalty issues. But I’m just so grateful that she stuck around long enough to lure you all in—”

As she spoke, Bucky took the flute of champagne from her hands and placed it onto the island with a resounding tink. His hand then moved to close around Valentina’s throat.

But it never got there.

His hand froze mid-air, vibrating with strain. Bucky stared down at his arm with furrowed brows.

With a sharp, satisfactory grin, Valentina hummed, “I’m not alone. Robert?”

You turned to see a pair of dark boots descend down a flight of stairs. Each step revealed more of him—flashy golden suit, cinched blue belt, a dark, flowing cape. Blonde hair. A confident stance. A set jaw.

“Oh, my God,” Yelena said.

“That’s Bob?” Bucky asked, words laced with disbelief.

“He looks… a little different from when we last saw him,” Ava said.

You stayed silent, watching him with what could only be described as a crestfallen expression. This wasn’t the Palindrome you remembered. What did Valentina do to him?

“It is my great honor to introduce to you… the Sentry,” Valentina beckoned to Bob as if he were a shiny new car she was parading.

Bob nodded at the rest of you. “Hey, guys.” His eyes met yours for a brief second, but he was quick to look away. Your insides felt as if they were curdling.

“All powerful. Invincible. Stronger than all the Avengers combined—and soon to be known as Earth’s mightiest hero,” Valentina announced.

Ava narrowed her eyes at him. “Have you dyed your hair?”

Bob blinked. “Yeah. It was—”

“My idea,” Valentina nodded.

“I preferred the dark hair,” you said, though you weren’t sure if you were saying it to spite Valentina or because it was the genuine truth. Perhaps both. “Brought out your eyes.”

Bob looked at you as if you had slapped him.

“People love a classic hero,” Valentina said. “All the strongest and most beloved were blondes. The original Captain America, blonde. Thor, blonde. Hawkeye, blonde-ish. Black Widow… blonde for some time.”

The mention of her sister made Yelena flinch. Valentina didn’t seem to notice.

“So what’s the plan?” Bucky said. He wasn’t here to discuss frivolities like hair color.

“You haven’t figured it out yet, Bucky? Geez. Did all that time in the freezer slow your brain down? At least you’re kinda cute—you have that going for you.”

“You’re not going to hurt people?” the Guardian intervened, his inflection cautious and mildly confused.

“Oh, no! No. I’m not going to hurt people. I’m going to hurt you—or, well, Robert here will. You see, the press is on their way here now. They’re going to witness the magnificent power of Sentry as he takes down this group of ruthless, rogue agents. Thus beginning a new era where I decide how to keep the American people safe, answering to no one. I’ll be unimpeachable.”

“Cool,” you snarked, lips curling into a snarl. “You got the villain monologue down and everything.” Then, you turned to Bob, trying your best to ignore Valentina’s presence right beside him. Your expression softened considerably. “You told her about Palindrome?”

Bob froze, as if pondering if he’d done something wrong. “Ye–yeah. I thought—at first, I thought it would be a cool hero name. But yeah, uhm… Sentry is… better. Rolls off the tongue.”

You nodded. “Okay. No, you’re right, maybe. But Palindrome—same backwards as it is forwards, remember? Are you the same Bob I met down in the vault? Because I liked that Bob a lot more than what I see in front of me now.”

Initially, Bob’s expression crumpled. Any hope of seeking the team’s approval was immediately crushed under the heel of your foot. Then, to your dismay, Bob—no, Sentry’s—face grew stony.

“Valentina fixed me,” he said. “I’m better now.”

The team’s incredulous, disbelieving faces told Bob all he needed to know. None of you were on his side.

Valentina nodded at the tall, now-blonde super. “Sentry. Your first mission is to take out these criminals.”

Bob swallowed heavily, brows furrowed as he weighed between his options. “I don’t want to hurt you guys,” he finally said. “Why don’t you just turn yourselves in?”

With a scoff, Walker said, “You don’t wanna do this, Bobby.”

A vein jumped on the side of Bob’s neck. “You can call me Sentry.”

“Please, you do not need to listen to her,” Yelena attempted to rationalize.

“See?” Valentina exclaimed. “It’s exactly as I told you—they don’t think you’re good enough.”

“That’s not true!” Yelena asserted. “You can trust me, Bob! I know you!”

Bob fixed her with what looked to be a disappointed gaze. “I don’t think that you do.”

“But—you saved us. Only a few hours ago, you sacrificed yourself to help us escape. What was any of that for?” You loathed how your voice broke with desperation.

Bob had a hard time swallowing around the rising lump in his throat. His mind darted back to the many times you died just to save him. None of this sat well with him, but… it needed to be done.

“It was a mistake,” he said, simply. He chanced a glance to Valentina, who nodded in approval.

You recoiled like a wounded snake.

“ENOUGH TALKING!” Alexei bellowed. Bob still wasn’t very sure who he was. “No one messes with the West Chesapeake Valley Thunderbolts!”

Just as Val incredulously echoed, “Thunderbolts?” Alexei stormed forward, pulling all his weight into a barrel-slam. It was as if he were hit with a solid, thick wall of dense lead. Bob punched him straight in his round belly, and like a ragdoll, the super soldier went flying backwards, crumpling into a red heap against a nearby pillar. Immediately, the rest of the team dove into action and attacked Bob. Save for Yelena, who was still trying to make peace with him.

Bob was, as Valentina had alluded to earlier, seemingly invincible. Able to fling people away without having to disturb a single dyed hair on his head. Stop special-grade bullets mid-air and send them right back to the assailant at twice the speed. Withstood the sharpest of blades and the strongest of punches.

You split into two copies. One to assist Walker, whose shield was embedded into a sofa, nearly cleaving it in two, and another running after Valentina, who you spotted hurrying to hide behind a corner.

“You lied to us,” you hissed, grabbing the collar of her dress shirt, yanking her close until her nose was inches away from yours. “I came to you for help. I thought you would save me.”

“I did,” she said, and began to howl and laugh like a maniac. “When I found you, you were an empty husk of a person. Now look at you. Fighting with your friends. There’s a spark that wasn’t there before. You know, if I hadn’t only stuck you to do my dirty work, you would’ve made a good hero. A lack of planning on my end, I’m afraid.”

You felt your eyes sting with the promise of tears. “I could’ve been good?”

“Yes,” she said, shrugging. “But you chose this. Sure, I gave you the order… but who, in the end, pulled the trigger?” Without giving you the chance to respond, she lolled her head to the side. “Oh, Sentry!”

Bob, who had been preoccupied smashing Alexei through the windows as if he were playing frisbee, snapped his head to see you holding Valentina. Immediately, his eyes started glowing, and you were ripped away.

There was no hope in fighting against a man more powerful than all the Avengers rolled into one. You braced yourself for pain, squeezing your eyes shut. But there came none. Instead, when you cracked an eye open you were suspended midair outside of the penthouse.

“How far?” he asked you, striding to the window, its frames lined with shattered bullet-proof glass.

“What?” you choked out, trying to struggle, though you knew that if he dropped you, you would be met with a terrible fall that was likely worse than the fall you had in the vault.

“How far until you lose control and get a seizure?” He turned and bent Walker’s shield until it caved around his arm, now shaped like a curved taco shell. “I don’t want to send you too far. I’d prefer not to hurt you.”

“Fuck you!” you snarled. A second too late, you realized that was probably a terrible thing to say to him when he had you floating mid-air, completely at his mercy. “Wait, Bob—please just stop this—!” The rest of your plea was lost to the wind as he sent you streaking further away from the tower, going so fast that the civilians down below must have thought you were some sort of high-tech drone.

Your duplicate watched in horror, knowing there was nothing you could do for your other-you. You were taken farther and farther until you grew limp, convulsing hundreds of feet above the ground. The copy in the tower crumpled to the ground with not a sound. Ava, battered and bruised, dragged your convulsing body away from the action so you were less likely to be struck while down.

And when the rest of the team gave up and turned to retreat, Bucky was the one to pick you up by the scruff of your dark suit, dragging you into the elevator. He was missing his metal arm, which Sentry had torn off like it had been attached with paperclips, hot glue, and a dream. Ava picked it up on her way into the lift.

Sentry advanced on them with glowing eyes. “Forgetting someone?”

He reached out behind him, fingers curled into a beckoning motion. Your copy came flying back into the tower, crashing into the rest of the team as if you were a bowling ball, and the rest of the team the pins. Your skull rattled as it knocked into Alexei’s, and you gasped for air, dizzy and disoriented. If you had been more lucid, you would have apologized to Walker for your boot crashing into his eye. That was likely going to leave a terrible bruise. Yelena took your arm and wound it around her to help you stay upright.

“I’m so glad you were able to catch a glimpse before your… retirement,” Valentina called out, slinking out from the shadows she was hiding in. “Camera crews are assembling. Finish the job, Robert.”

Bob waited until the elevator doors slid to a close, hiding all the fearful faces from his observant gaze, and he could hear the lift move downwards.

“Finish the job?” he echoed. “No. They’re not a threat to me, so… why do I need to kill them?”

Valentina gave him a tight-lipped smile. “You need to do what I say, Robert.”

Confusion washed over his polished, golden features. “Why?”

“Why?” Valentina parroted, almost mocking. Bob could feel anger bubble behind his chest.

“I just…” He exhaled in frustration. “I feel like there’s an… unwarranted power imbalance here.” He motioned between himself and her. “There needs to be more of a collaboration between us if this is going to work. Like, the hair—I don’t know. Maybe I should have more of a say.”

She rolled her eyes to the broken ceiling from when Yelena was flung upwards. “Don’t let those idiots get to your head. The blonde is great.”

“You sure?” said Bob, now pacing back and forth, wringing his hands. “I thought I liked it, but now I’m not so sure. Xerox said—”

“Forget Xerox!” Valentina exclaimed. “That’s enough about the hair, Sentry.”

“It’s not just about the hair, though—”

“Well, you keep bringing it up, so—”

“No, but it’s everything!” Bob asserted. “It’s all of it. My suit, my name, my missions. I didn’t even want to be Sentry. I thought Palindrome was good. It… it is good.”

As if she were consoling a child, Valentina relented. “Fine. If you want to change it so bad, be my guest. We’ll just have to re-do all the paperwork all over again and—”

Bob shook his head. “Why would a god… take orders from anyone at all?”

Brow cocked, Valentina slowly said, “I think you’re throwing the word god a bit loosely there.”

“No,” Bob said. “No, but you said… I was all-powerful and stronger than the entire team of Avengers, which includes at least one God. I’m starting to think that maybe you don’t actually know what I am, nor what I’m capable of. I’m the only survivor from the medical trials, aren’t I? I’m the only one left.”

Val drew in a sharp breath, folding her hands behind her back. “Oh, God.”

“Yeah,” said Bob. “Yes, that’s more like it.”

Before she could draw out the emergency killswitch, Bob took her by the throat and sent her flying across the room, pinning her against a metal support frame. She struggled against his hold fruitlessly.

“You were going to turn on me,” said Bob, narrowing his eyes. “Just like the rest of them.”

“I’m not afraid of you, Robert,” she croaked before he began to apply more pressure against her esophagus.

“It’s not Robert you have to be afraid of,” he said, voice as cold as the steel behind her. His eyes began to glow a terrifying golden hue and—

There was a click and a zap, and Bob’s hold on her loosened. Sentry crumpled to the ground in a heap of golds and blues. Mel was standing behind the pair, holding the killswitch, legs shaking.

“I want a raise,” she demanded.

“Fine. Order cleanup and it’s yours,” said Val, gripping the support beam with shaking hands. “And help me up, damn it!”

The two eventually stumbled into the elevator, leaving Bob’s body alone in the Avengers tower. A minute after Val abandoned his corpse, however, the floors darkened to an inky blank around him. His suit and face was now pitch-dark, absent of any sort of color. His finger twitched. First his pinky, then his thumb, then his whole hand. By the second minute, he began levitating, floating a meter above the cracked floors.

Bob, Palindrome, Robert, Sentry, the Golden Guardian of Who Gives a Flying Fuck—what he used to be… was gone now. And what was left of him?

Nothing. Nothing at all.

Just a void.

Once outside the Avengers Tower, you reabsorbed into one body, stumbling away from Yelena to sit on the curb. Behind you, they were bickering, as always. Alexei wanted to go somewhere to regroup and try again. As if being completely beaten to a pulp wasn’t enough.

Yelena was done. She was fed up with his bullshit.

“Stop. Just stop! There is no us. There is no we. Bob is gone. He changed into that thing—and there is nothing that any of you could do about it,” she hissed.

“Right,” Ava said, rolling her eyes. “And what did you do, exactly? Because I seem to remember you getting your ass beat way worse than mine. Xerox didn’t even try to stop Bob.”

“Because we didn’t stand a chance. There was no point,” you gritted out, getting back up to your feet. “Sorry I prioritized getting Valentina over him.”

“Fat load of good that did!” Ava exclaimed, throwing her hands up in defeat.

“Yeah, I get it! I suck! We suck! We’re all terrible!” Yelena screamed. The pedestrians going about their day eyed the rag-tag team of bloodied, bruised, suited individuals. “Ava, you’re not a hero. You’re not even a good person.”

Ava pretended that didn’t sting. “Bitch,” she muttered under her breath.

When Alexei tried to step in, Yelena exploded at him, too. “I am not your little girl! I haven’t heard from you or seen you in a year! It’s like you didn’t even care about Natasha. You’re a fucking fake and a coward and I wish you never pretended to be my father!”

Walker stepped in, saying, “Come on, go easy on him.”

“Oh, so you’re nice now?” Yelena said, rounding on him.

“What, is it my turn?” he said, tone flat and unimpressed.

“No, you know you’re a piece of trash,” Yelena spat. “And so does your family.”

“Jesus,” said Walker, grimacing at how much that stung.

“Yelena,” you said, weary of her biting your head off for even speaking. “We tried. We failed. We move on. Can we do that?”

“No, but you didn’t try, did you? I saw you talking to Valentina. You could’ve done it. You had the chance to kill her, but you didn’t. You were too caught up in your selfish fantasies of self-fulfillment that you’ve doomed the rest of us!”

You nodded, withdrawing, clearly wounded. “Mhm. Okay.”

Maybe she was right. Maybe it was your fault. You had Valentina. You did. Was your need for closure selfish? Did it cost everyone a potential victory?

“We lost,” Yelena said with a tone of finality. She turned around and began to stalk away. “This fucking team was built on delusions. We were never anything, not ever.”

Alexei went after her. The rest of the group slowly started to retreat into different directions. You looked to Bucky with sad eyes he thought resembled a kicked animal.

“Does it get better?” you asked. Your gesture to your head was vague and hard to interpret, but Bucky seemed to understand you almost instantly.

“I wish I had an easy answer for you, kid.” The soldier pursed his lips, regarding you with furrowed brows. “But not like this, it won’t. Not like this.”

“What are you going to do now?” you whispered.

Bucky clenched his jaw. It was clear that he had no idea what the protocol was for a situation like this. “As of now, Valentina’s intentions with Sentry are unclear. She could be planning out acts of terrorism as we speak. I think the smartest course of action is evacuating the premises.” He eyed you warily. “You can go home. You’ve done enough.”

“I want…” The words lodged in your throat. “Bucky, I know I’m a fuck-up. I’ve done bad, terrible things. I know there’s no coming back from that. But I want to help. I want to be better.”

Something flickered in the blue of his eyes, as if he was recalling something. Someone. “Okay, kid,” he said after a brief pause. “Come on.”

The two of you began to usher the crowd away. You multiplied a few dozen times, scattering to hoard as many people you could off the streets. You heard many shocked whispers amongst the passerby. Is that Congressman Barnes? No fucking way—that’s the Winter Soldier. Is Captain America around? Why are there four of you? That’s freaky as shit.

“I’m Xerox,” you hurriedly told a family loitering by the entrance to the subway station, trying your best to seem friendly but you likely came off as a raving lunatic instead. “You need to evacuate the premises now. Someone dangerous could be—”

“Are you a hero?” a little girl asked you in wonder, taking a gander at your suit, which was battered and covered with dust and soot. It definitely had seen better days. “You don’t really look like one.”

The mother flinched with shock, and began to frantically apologize for her daughter’s lack of a filter.

“It’s okay,” you reassured. “I’m no hero. I just want to help.”

The mother nodded, looking worried. “That’s good enough for me.” It was clear she was no stranger to bizarre happenings in New York. “Come on, Adeline. Let’s go.” They hurried off, and you returned to Bucky, who was urging a gaggle of laughing teenagers not to go into a theater.

“Good. You cleared the street,” said Bucky. “We should set up some sort of blockade to—”

Abruptly, Bucky stopped mid-sentence. His eyes were trained up to the sky, and you turned to follow his gaze. You felt your heart painfully skip a beat in your chest.

A dark figure floated above the city. Caped, with a suspiciously similar silhouette to Sentry. You squinted, straining your vision, barely making out his arm extending out as if he was mimicking grabbing something.

“That’s—” Bucky started.

“Bob,” you breathed out.

You watched in horror as helicopters came flying towards him. At first, you thought they were press, just as Valentina promised—until they started shooting at him. The bullets seemed to disappear through him. And after a second, the helicopters came crashing down, as if they were completely void of pilots. The vehicles spun into construction scaffolding, pieces of unfinished building breaking apart and falling to the world below.

You and Bucky were quick to move then, yanking civilians out from under falling rubble. You multiplied more in an effort to help, even if it meant getting hit by falling concrete once in a while. You caught sight of Alexei using a metal sign he had torn off a shawarma restaurant to protect citizens as they escaped down the subway tunnels, and Yelena saving an elderly woman from getting run over by a news van. Another helicopter was tumbling down from further down the street, and Ghost phased through rapidly-rotating blades to shove people out of the way. Walker was stopping a large slab of concrete from crushing a civilian. Your clones being as scattered as they possibly could meant you had eyes in all directions. A dozen of you hurried over to help him push it upwards, gritting your teeth with the solid weight.

Another one of you dragged the woman out from underneath. She was sobbing profusely, praying in a language you couldn’t understand. But she signed something—the tips of her fingers touching her lips, then beckoning out to you. Thank you.

It felt like something finally clicked into place. Was it inherently selfish of you to want to help people because it made you feel good? Or did it cancel out?

Yelena joined, then Alexei. Ghost phased through and began pushing beside Walker. Bucky put all his weight in with his metal arm, and the slab finally tipped over, crashing onto the street with such a weighty thud that the asphalt beneath fractured.

And then the crowd around you started clapping. Quietly at first, but rising up to a deafening applause.

“Mom?” called a small child across the street. There was a shadow falling over her, growing larger. Alexei was there before anyone else, shielding the little girl from the falling debris that would certainly have crushed her to death if he hadn’t been there.

“You’re safe, little one,” said Alexei, kneeling down to her height.

The dry tear tracks on her chubby cheeks bent as she smiled at the red giant before her.

And then she was gone. The only thing left in her place was a shadow in a blobby, vague shape of the girl, spilling darkness across the street.

You flinched. Three civilians across from you disappeared in the same way. Then two to your left. Another pair behind you. Your eyes flew upwards to see Bob—Sentry—whoever that was descend down to hover only a few feet above the totaled street.

“You will all know the truth,” his voice echoed. “You can’t outrun the emptiness.”

Screams erupted around you as people fled every which way. You reabsorbed your copies closest to the growing darkness.

“Come on,” Walker said, yanking your arm. “We need to get people off the streets!”

You nodded, rushing ahead to direct people into the subway tunnels.

“Yelena!” you heard Alexei bellow. “Yelena, what are you doing?”

You turned to see her calmly striding towards the darkness.

“No,” you whispered. Your closest copy ran towards her, only a few feet away.

“It’s like you said,” the dark figure murmured, his voice somehow loud enough to reverberate in your ears like a piercing drum. “We’re all alone. All of us.”

“Yelena,” you said, taking her forearm. “Yelena, we have to go.”

“Aren’t you tired of fighting?” Bob asked. Instinctively, you knew he was speaking to you. “I can fix it. Let me fix it.”

“No, Pal,” you said, edging away from the darkness, which was eating at the streets. “I don’t need you to fix me, thank you. I haven’t even tried a licensed therapist yet. Come, Yelena, please.”

Your words fell on deaf ears. The assassin shut her eyes and let out a sigh. She stepped forward, and then she was gone. You heard Alexei’s anguished screams somewhere behind you.

The Void reached out and turned a few more panicked civilians into shadows. Before you knew it, the entire street was blackened, leaving only a circle around you.

“I promise it won’t hurt,” The Void said. He floated down to the ground to stand in front of you, just inches away. If you reached out, you would be able to touch him. You could feel the cold emanating off his body, tempting you to just—fall into him. “The darkness will keep you company.”

“And that’s you?” you whispered, trying your best to look for an expression in such a blank canvas of darkness. “Where’s Bob?”

“He doesn’t matter anymore,” the Void said.

“He does,” you insisted. “He did to me.”

“You died for him,” he said, tilting his head.

You nodded. “And I would again.”

“Why?”

The question, though it was just one word, weighed heavy on your mind.

“I’m not the bad guy I thought I was,” you finally told him. You stared at the darkness closing in around you with a heavy heart. “If I went in—would I find Bob in there?”

“Your Palindrome is hiding. He isn’t looking to be saved.” The Void motioned around him. “Look at this mess. This is no place to be. Step in with me. I’ll take care of it. You wouldn’t need to worry anymore… it’ll be just us.”

“Can I try to help him in there?” Your voice broke, betraying your own fear.

The black figure’s shoulders trembled as if he were smothering a laugh. “You can try. I’d advise giving up, though. It’s never worth it. Now… come.”

His arms spread wide open, inviting you in. Distantly, you could hear Bucky and Ava call out your name. You swallowed heavily.

Then you fell forward, willingly embracing someone for the first time since you were a child. He was solid for a split moment. All frigid edges and hard muscle—then you collapsed into the soft darkness, and sat back up in a hospital room.

It was the same vision as before. Two of you. One whole and one cut. Without hesitating, you kicked at the surgeon, grabbing a scalpel from the table and slitting his throat. You watched the blood gush out of his wound, dark and bubbling. Too dark to be real blood.

You turned to free yourself with the missing leg from the operating table, slicing at the leather straps. And then, to your shock, young-you began attacking yourself.

It was disorienting to see your younger self snarl like a rabid animal, leaping from the table to claw at you, sinking sharp little teeth into your exposed throat. You made a garbled noise of pain, and threw the kid off. Your throat stung, but it was a hollow pain that was quick to fade back into nothingness.

“I’m you!” you screamed before the kid could leap at you again. “I’m you!”

“I don’t know you,” little Xerox said. “You’re not real. You can’t be real.”

“I’m you,” you whispered. You put the scalpel down and approached like one would a nervous horse. “Honey, I’m you. I’m okay, see? You’ll be okay.”

Little-you swayed. You began to cry in the silent way you always did, smaller frame wracking.

“It’s okay,” you said with an aching chest, gathering yourself up in your arms, stroking the back of your head. “Let it out. There you go.”

The child began to bawl into your chest. You reached over for the scalpel again, slicing through the bonds of the young, whole copy. “Here. Take care of each other, okay?”

“Okay,” the whole copy said. Both of the younger Xeroxes held onto one another. You stepped away with a heavy heart.

“Palindrome?” you called out. “I’m here to help. Come talk to me.”

Nothing.

With a huff, you turned out of the hospital room, shoving your way through the doors, though not before bidding a respectful goodbye to your younger copies.

You found yourself in a different room now. You had escaped the hospital at this point, now living off of the meager cash you earned by doing the dirty work for Madripoorean crime lords. Your gun was trained on a woman as she sobbed for mercy.

“I didn’t mean to—” she said, wiping away the snot that dribbled from her nose. “I didn’t mean to, please tell him that for me!”

“I don’t speak to my bosses,” your copy said. Current-you rounded about to look at Xerox’s face here. Gaunt, with glassy, empty eyes. “He wants you gone.”

“I can be gone!” she said, nodding. “Please. You can pretend you shot me. I can disappear without a trace.” When you said nothing, she doubled over, wailing out a pitiful noise. “I’m pregnant. Please. Please don’t kill me.”

Past-Xerox’s eyes thinned into disbelieving slits. “Lie.”

“I’m not lying. Please. It’s his child, but I can—”

“Don’t tell me that.”

“Just listen to me—”

Your younger self began to panic. “Why would you tell me that?”

“If you could—”

“Shut up. Shut up, shut up, shut up.”

“Is—do you need money? Is it money you want?”

“No.” Yes. “I don’t need your charity.”

The woman shakily pulled out crumpled bills from her bag, offering them to you. You gritted your jaw and pulled the trigger. She fell to the ground with her mouth frozen mid-plea. Before you left, you took the bills and stuffed them into the holey pockets of your ratty trousers. You took the silver necklace the woman was wearing for good measure, too.

Your past-self looked up at you. “Do we ever find out?”

“What?”

“Was she really pregnant?”

You stared down at the dead woman with horror. “I don’t know.”

Young Xerox straightened, shoulders rolling back. “We don’t deserve to be forgiven. Not for this.”

“Maybe not,” you agreed. “You’re also only eighteen.”

“So?”

“You were just a kid. You had no money. No food. No home. No family. Just you and your copies and your missions,” you whispered.

“Tch. Sounds like a bunch of excuses to me.”

You nodded. “It is. It’s an excuse.” You looked down the alleyway. “Valentina will be coming soon for you. She’ll be too good to be true at first. A house. A clean bed. Food in the fridge. But it’ll be the same thing again. Just… repackaged.”

Your younger self’s face twisted with a rotten, disappointed look. “Do we ever get better?”

“We try to. I try to.”

“Good.” Young Xerox pointed up a rusty metal fire escape. “He’s up there. Your Pal.”

“Thank you,” you said, about to make your way up the creaky stairs.

“He wants to be found,” said young you, nodding. “He made the rooms easy for you. There’s a lot worse that he could’ve chosen from.”

“That’s true,” you whispered, though saying that made you feel all the more terrible for the dead woman on the ground. “What about you? Did you want to be found?” you asked, unsure if you wanted to hear the answer.

“You tell me,” retorted the younger you with a wolfish grin. “I’m all me, remember?”

Your final room was when you lived in America. It was dark in your apartment. You were twenty-five, looking a bit healthier than you had been at eighteen, but still just as miserable.

You stood in front of the stove, which held a pot that was almost halfway full to the brim with boiling water. “Come on,” younger you said, jumping up and down on the spot, psyching yourself up. Your palm raised to slap yourself across the face. There was a belt tied about your mouth so as to not alert your civilian neighbors. “Come on, you pussy,” you hissed at yourself from behind the belt.

Inhaling sharply, you held in your breath as you dove your left palm into the boiling water. Your scream went muffled behind the belt. After a moment, you quietened to an occasional whimper. It was strange being able to watch yourself and not feel the same pain. Only the memory of it.

It wasn’t self-harm. At least, you didn’t consider it to be so back then. It was endurance training. Upping your pain tolerance for the job. Valentina had told you that you were useless if you couldn’t handle dying.

Younger you pulled your raw hand out of the pot after about thirty seconds, then flipped the tap on to its coldest setting, sticking it beneath the running water with a hiss. The next day, you would repeat the process until you lost all feeling in your left hand, frying your nerve endings to shit.

As the room began to repeat itself, you stopped your younger self from plunging a hand into the pot by grabbing your wrist. “You don’t have to do that,” you said. “There are other ways of being strong.”

“If I don’t do this, I’m not worth anything,” young Xerox said. “I’d be nothing.”

“Hurting yourself doesn’t make you stronger,” you deadpanned. “You’re wasting your time.”

“I know,” the younger you sighed. “I know that. It’s just nice to be in control of my own pain for once.”

“You can be in control by consciously trying to keep yourself from the pain,” came your soft whisper. “Hurting yourself doesn’t fix anything. It doesn’t solve anything. It only leaves scars that take way too long to heal. Trust me. I still can’t wear short sleeves.”

Younger you barked out a laugh. “Oh, I know. Summers are hell.”

“I know, right?” you said, smiling for the first time in what felt like weeks. “You know what helped me?”

“What?”

“Crosswords,” you said. “The newspaper stand across the store sells entire books. Every time I had the urge, I would solve a puzzle or two.”

“Oh, God,” said the younger you, bending over into what sounded like a cry, but it was actually an incredulous laugh. “I’m such a nerd. Seriously?”

“Yes, seriously,” you said, rolling your eyes. “Just try it. It helps.”

“Okay, okay. Fuckin’ geek.”

“We memorized every single element of the periodic table in order by age eleven. I think the nerd has been with us all along.” As you spoke, you took the pot of boiling water and carefully maneuvered to dump the steaming water into the sink. You turned off the stove, and past-you didn’t try to stop you.

Your younger self smiled, and it was clear that it’s been a while since that happened, too. Then, it faded just as quickly as it appeared. “What happens if we run out of crosswords?”

The question didn’t seem to be just about crosswords.

“We can always try something new,” you ventured. “I think crocheting is all the rage now.”

“Is it?”

“Probably not, no. I’m not really sure what the youths are into these days. It changes every other day.”

“We can try crocheting anyway,” past-you laughed. Then, you pointed into the living room. “Look in the TV. He should be there.”

“Alright. Thanks.” You gave mid-twenties Xerox a two-fingered salute, then turned to sit down in front of your TV.

And, as promised, you caught a glimpse of Bob in the reflection. When you looked behind you, it was still your regular, dim living room. You looked back at the dark screen.

“Found you,” you murmured, a relieved smile playing at the corner of your lips. “Hey, Bob? It’s good to see you.”

Despite the warped reflection, you could see him look up with a creased, almost guilty expression. “You found me,” he said, surprise evident in his tone.

“I did. Will you let me in?”

“... I don’t know.”

“Please let me in. I want to help.”

Bob drew his knees up to his chest, cradling himself. The darkness surrounded you, and in the blink of an eye, you were in a different room. One you didn’t recognize. Your gaze flickered about. This must’ve been one of Bob’s rooms. An attic, by the looks of it—cluttered with junk.

You sat down in front of him. He was fiddling with a Rubix cube. “I used to love solving those,” you told him.

“I’m—” He handed the cube over to you. “I’m pretty bad at it. I don’t know.”

“I was, too,” you said, turning the squares about. Bob watched you gradually align the colors together—orange with orange, green with green, blue with blue. You struggled with one side, but after moving back a few paces, you managed to get it right. “I was terrible at it. I kept giving up and reshuffling. But I got better with time and practice.”

You handed the cube back to him, neatly solved. Bob took it with soft fingers, inspecting your handiwork. “I don’t know how.”

“I can help you,” you said. “And there’s people out there that can help you, too.”

“They can’t help me. I’m… broken.”

There was screaming coming from downstairs. The noise made Bob flinch, his hands instinctively going up to his ears. As you listened, you could hear a man yelling, the sound of skin smacking skin, and the sound of a woman crying. A little boy intervened. More thuds, smacks, a shattering glass. The woman began berating the little boy for making things worse. It made your heart sink low to the pits of your stomach.

“Just ignore that, please,” he said once the noise died down, as if afraid you would leave now. “Don’t mind them.”

You drew in a breath. Tentative, you asked, “Can I touch you, Bob?”

“Yeah,” he said, voice croaky. “Yeah, you can. What are you doing?”

“I’m going to give you a hug. Is that okay?”

Bob nodded again. His mom used to give him hugs, but that was a long time ago. Before she…

“Yeah,” he said, and he felt shame wash over him when tears pricked the corner of his eyes. You wrapped your arms around his neck and held him. He patted at your back awkwardly, but eventually took to mimicking your embrace when you sank into him, holding you close.

“This is the first time I’ve hugged someone else in a very long time, you know. I’ve mostly just hugged my clones, as sad as that sounds,” you mumbled into his shoulder.

“I don’t think that’s sad. I like to hold myself, too.”

“I like your hair like this, by the way,” you said as you tried to pull away, but he was holding onto you rather tightly. “Bob.”

“Oh!” He cleared his throat shyly, forcing himself to relinquish his grasp on you. “Sorry. Thanks. That was nice.”

“It was,” you agreed. There was some more silence. Bob put a fist up to his mouth and began to weep, utterly overwhelmed but nearly silent. You placed a hand on his shoulder, rubbing circles over his back. “I’m sorry this happened to you.”

“No, I’m—” Bob let out a quaky breath and began to cry all over again. You scooched closer to him and let your hand lay over his. He enjoyed feeling your fingers trace shapeless patterns over his skin.

“Bob,” you murmured after he began to calm down. “I don’t want to stay here forever. Do you?”

He swallowed around nothing, and avoided the question. “It’s quiet here. Quieter than the other places. The rest are… worse than this.”

“Hm.”

“It’s not me, you know. I wish I could fix it, but I just can’t. I can’t stop it,” he muttered. “It’s—it’s the Void.”

You nodded. “Could you let Yelena in here, at least? I saw the Void take her. We can help you together.”

Bob blinked back his tears. He nodded. The room slowly rotated ninety degrees, and you could hear creaking footsteps outside. Yelena busted the door open with a sharp kick to the doorknob, which you found amusing, considering the door didn’t look to have a lock on it. The team had a troubling tendency not to check if doors could just open on their own without breaking them down first.

“Bob!” she exclaimed. Then, her brows rose upon seeing you. “Xerox.”

“Hi,” you greeted. Bob waved at her besides you.

“What’s going on?” she asked, surveilling her surroundings in typical assassin-fashion.

“Therapy session,” you said, only half-joking, patting the spot beside you.

There was screaming downstairs again. Yelena wandered over to look down the attic’s opening, where she could see a man with a glass bottle in his hands. She looked up at you and Bob, then sat down where you gestured.

“I’m sorry, you had to live through this, Bob. And listen,” she said, lips pursed, meeting his watery gaze. “What I said to you before was wrong. You can’t stuff it down. You can’t hold it in all alone. No one can. Nobody should. We have to let it out. We have to spend time together. Even if it doesn’t make the emptiness go away, I promise you… it’ll make you feel lighter.”

Bob sniffed. “How do you know?” he whispered.

“Because it already has for me,” Yelena told him. “I found a team of people I could trust.”

At this, she looked to you, expression apologetic. “I’m sorry for what I said to you out there, too. You are not selfish. In fact, you’re probably the most selfless person I know. Not a lot of people are willing to die all the time for others.”

“Thanks, Yelena,” you said, simultaneously warm with sincerity and stiff because you weren’t at all used to receiving compliments. “So what do you say, Bob? Will you help us get out of here?”

To your delight, Bob nodded. You smiled, taking his hand. Yelena’s eyes bounced between the two of you—absent-mindedly wondering what the two of you were talking about before she arrived. She didn’t have much time to dwell on it, however, because the walls and furniture began to hum with a low-tone frequency.

“Look out!” Bob exclaimed, pulling Yelena down as a lamp flew across the room, nearly hitting her square in the head. A plastic kiddie chair whizzed into his back, striking him painfully. There were papers—monstrous childhood drawings—flying every which way. The curtains broke free of their hooks on the railing, wrapping around you and Yelena. Bob hurried over to try to claw the fabric off you, to no avail. It wouldn’t let go.

“Just try to get used to it, okay?” he called out over the whizzing and smashing of objects. “If you try to resist—the pain only gets worse!”

You could feel your vision swim with black dots as you gasped for breath—and all of a sudden, there was a slicing noise, and you were falling to your knees, filling your lungs with air. It was Ava, holding a sharp blade in one hand.

She nodded at you, helping you up to your feet. “I should start keeping track of how many times I’ve saved you.”

Before you could respond, Walker and Alexei burst in through the walls, followed by Bucky through one of the windows. You only narrowly managed to dodge his metal arm cuffing you across the head with his dramatic entrance.

“You came for us,” Yelena said, looking at her father with a touched frown. “What did you see? Are you all okay?”

Bucky only shrugged. “Oh, I’m fine. I have a great past, so I’m totally fine.”

“We’re probably going to need another one group therapy session once we’re out of here,” you said, which made both Bob and Yelena smile to themselves, nodding.

“Thank you guys,” said Bob. “Really.” He was about to say something about how he didn’t deserve this—but when you put a hand on his arm, he bobbed his head again and kept his mouth shut.

“How do we get out of here?” asked Walker, glancing back at the ruined walls. “I’d prefer not to have to go through my rooms again.”

Bob scratched at the back of his head. “As far as I know, it’s just… endless rooms.”

“You said that this was the quietest room, right? That all the others are worse?” you asked, and Bob nodded hesitantly.

The Thunderbolts team all exchanged determined looks. Alexei cracked his neck, John rolled his shoulders, and Ava flexed her fists.

You gave Bob a gentle push towards the broken doorway. “Okay, Palindrome. Show us the worst of ‘em. We’ll take on whatever comes our way together.”

#thunderbolts x reader #robert reynolds x reader #bob reynolds x reader #thunderbolts bob x reader #thunderbolts bob #robert reynolds fanfiction #robert reynolds x you #robert reynolds fanfic #thunderbolts fanfiction #robert reynolds #bob reynolds fanfiction #thunderbolts

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whoevenisjavier · 2 months ago

Text

EROTICA

part 1 | part 2

pairing: no outbreak!joel x reader

The plan was to finish your thesis. You didn’t actually want to meet a neighbor with a past you can google and a history caught on tape. Or did you?

a/n: the adult content t-shit gave me ideas. btw, my first story here and I swear this is not a TED talk about morality. critical thinking? yes, bc the story needs it. moral lectures? absolutely not. porn? you'll see. this is just for fun — enjoy, i guess. the storys finished already, so I'll post the next chapter soon.

additional tags/warnings: 18+, mdni. reader is 26, joel is 50ish. no outbreak. joel is a dad. conversations about porn. inaccuracies about joel miller (I know his parents aren't chilean but bear with me). javier peña is there too. do I have to add anything else here? I don't know how to do these things.

wc: 9k

This time, your parents aren’t waiting for you at the bus terminal like they’ve done every year for the past three. It’s a good thing, a sign you’re standing on your own now, with your own car, but you still miss seeing their smiles through the fogged-up bus windows.

That moment always made you feel like you belonged somewhere.

Driving through the streets of Lake Placid on your way home feels like walking through your childhood memories. The stores look almost the same, sometimes with a fresh coat of paint, and the people, though not exactly familiar, are the daughters and grandsons of the adults you grew up around before moving to New York. Their faces carry just enough resemblance to make you do a double take.

When you park in your parents’ driveway and pick up your phone for the first time in two hours, there’s a message from your mother.

“We’re in the backyard having a welcome barbecue for the new neighbor! You can go up to your room and rest if you want some time alone or come eat. Can’t wait to see you. X.”

You smile as you step out of the Jeep, the door creaking behind you, and breathe in the cold, clean air rolling down from the mountains and the lake that wraps around the village where you were born. Your parents’ house sits above Mirror Lake Drive, right at the edge of the hill on the northeast side of the village, and from your bedroom window on the second floor, you can see the lake and the distant peaks of the High Peaks.

A far cry from the view outside your New York apartment: nothing but gray swallowed up by buildings. It’s the perfect setting to finally finish your thesis.

As you grab your two suitcases from the back seat, your eyes wander to the house next door, which had been empty for the past three years, mostly because the previous owners were asking too much for it.

Buying real estate in Lake Placid takes careful thought, since turning a profit is unlikely even with upgrades and expansions – the village is just too isolated. So if you’re buying here, it’s not for the money. It’s because you want a life far away from the city.

The house in question is a larger and more luxurious version of your parents’, made of gray stone, with cute white-framed windows, and for the first time in months, you see the lawn freshly trimmed and a new pickup truck parked in the driveway.

Probably the new family your mom mentioned.

The house is empty when you walk in, but you can hear laughter and voices drifting up from the backyard. You head the opposite way, climb the stairs to your room, drop your bags, take a shower, and spend a good while debating whether to sink into sheets that smell like home for the first time in ten months or go downstairs and find something to eat.

Hunger wins.

You throw on a warm sweater and go down. When you open the back doors, six pairs of eyes turn toward you, but it’s your mother’s squeal that makes you smile, followed by the tight hug she and your father give you.

“There’s our girl,” your father says to the others, wrapping an arm around your shoulders as he says your name. You give a small wave. “She always comes home for the holidays.”

The couple sitting together you recognize. They’ve been friends with your parents for years.

But you don’t know the woman who smiles sweetly at you, and you definitely don’t recognize the man, at least twenty-five years older than you, who keeps a neutral expression as he sips from a beer can. He doesn’t seem particularly friendly, but maybe that’s just the impression left by the slightly graying mustache and broad shoulders.

Two minutes later, you’re settled into a lounge chair with everyone in the backyard, a warm burger on your plate and a cold beer in your hand.

“I told Joel he’d have trouble with the house,” says the sweet-smiling woman to your parents, continuing the conversation they were having. “But he really wanted a place here, so I just supported him.”

“What kind of trouble are you having with the house?” your mom asks Joel — the mustached man, now officially identified.

“Nothing major,” Joel replies in a deep, firm, polite voice. “Had to redo the plumbing in two of the bathrooms and fix the heating in the kitchen sink, but it’s all fine now.”

“And are you liking it here?” you venture. You glance at the woman. “You and... your wife?”

Joel gives a faint smile.

“Tess isn’t my wife. And yeah, I’m liking it. It’s peaceful. Not too many teenagers. Feels like paradise.”

“What’s with the teenage hate?” you ask, half-joking, half-serious, silently filing away the Tess isn’t his wife detail.

“Fewer teenagers means fewer cell phones.”

Your response is a light laugh that earns a slight eyebrow raise from Joel, but you go back to your burger and let him be.

The conversation between the adults shifts to Fleetwood Mac, Lake Placid families, suggestions for places Joel should check out, and gossip about someone’s daughter who apparently got knocked up by the neighbor’s grandson, or something like that. You listen in, partly because you’re curious about the latest news (true or not) in the town you grew up in.

Your parents mention that you’re staying longer this time to get a change of scenery and finally work on your thesis, and that’s when the dreaded question comes. From Tess.

“And what’s your thesis about?”

Your mother holds back a laugh, because despite the seriousness of the topic, the initial reactions are always the same.

“I study anthropology,” you say. “My thesis is about the influence of pornography on male behavior over the years.”

That’s because the way men acted around you had always bothered you. When you were ten, wearing a cute chiffon skirt to the grocery store, they stared. When you were fifteen, walking home from school in your uniform, you heard disgusting things shouted at you on the street.

It wasn’t until you got older and realized that behavior like that isn’t natural (and why would it be, if women don’t do it?) that all your anger turned into the foundation for your research.

Tess raises her eyebrows and smiles slightly while the older couple gasps in surprise. Joel doesn’t react at all, except for rubbing the condensation on his beer can with his thumb.

“That’s a very interesting topic,” Tess comments, glancing at Joel, who briefly looks at her, then back at you. “Do you have any conclusions yet?”

“A few,” you say, though you already know the core of your research is the objectification of women’s bodies for the industry’s gain. “But I don’t want to bore you—”

“What’s your research method?” Joel cuts in before you can finish.

“Sorry?”

“Your research method. The system you’re using for the thesis.”

“Mixed methods,” you say, but you sense something more behind the question. Something slightly aggressive that you can’t fully pin down. “I did some fieldwork in New York.”

“Did you interview anyone from the industry?”

You shake your head.

“No one agreed. At least not the newer actors and actresses. The more established ones charged absurd fees just to answer ten questions.”

Joel says nothing, and the silence is broken when your father makes a joke about the topic. Everyone laughs—including you.

The barbecue lasts another hour at most before people start saying their goodbyes. Your mom wraps up two burgers for Joel, and he thanks her sincerely.

Then he turns to you and says:

“Good luck with the thesis, sweetheart.”

You nod, and you could swear you catch a faint smirk at the corner of his lips before he waves goodbye and walks off.

You run into Joel again at the market three blocks from home, standing in front of the fruit display, looking stuck between red grapes, green grapes, and oranges.

Joel’s voice comes suddenly from your left.

“What deep philosophical truth are you hoping those grapes will reveal to you?”

You startle, turning toward him with your hand over your heart as if that could slow it down. Joel raises one eyebrow as he begins placing seedless green grapes into a plastic bag.

He’s wearing worn jeans and a plaid flannel shirt over a white T-shirt. Thin-rimmed glasses rest on the strong bridge of his nose.

He smells like pine and something expensive that you guess it’s aftershave.

“Hi,” you say first, then quickly add, “I was trying to decide between grapes and oranges.”

“Grapes are sweeter this time of year.”

“But I like sour fruit.”

“Then go for the oranges.”

“But grapes are easier to eat. More practical.”

Joel gives you an impatient look, and you answer with a laugh. You grab a plastic bag and start selecting oranges.

After a short silence, while Joel ties off his grape bag and begins picking oranges too, you ask:

“Are you liking it here?”

Joel murmurs:

“There are some interesting things. Sarah likes it.”

“Your wife?” you ask quickly. Too quickly.

“My daughter. Just turned fifteen.”

Oh. Great. He’s a dad. You glance at his hand but see no ring. Joel notices.

“What’s with the marriage obsession?” he asks, although not rudely.

You shrug.

“I’m just curious. And you’d better brace yourself. The older ladies in Lake Placid are going to eat you alive with questions about your relationship status.”

“Really? Why do you think that?”

You freeze with your fingers wrapped around a particularly juicy orange. Without meaning to, you basically confessed that you think he’s a catch: attractive, polite, middle-aged, apparently wealthy, and tall. What other reason would the ladies have to shift their attention from their knitting?

You avoid his eyes.

“You bought the house that had been on the market for years. They’ll want to know who the buyer is,” you say, a half-truth.

He grunts, as if to say he doesn’t care about any of that, ties his orange bag, and places it in the cart. He glances at your basket, scanning the hygiene items (specifically the pads) and the chocolate bars.

“Did you drive here?” he asks.

You shake your head. He does too.

“Then let’s go. I’ll give you a ride home. It’s raining.”

His tone doesn’t invite objection and you don’t want to argue. Silently, and after grabbing a bag of green grapes too, you follow him through the market. He picks up a box of chocolate cereal, milk, kale, and oats, and then you both head to the checkout line.

You pay for your items first, so you end up waiting under the automatic doors, arms crossed beneath the blasting air conditioner.

People come in shaking umbrellas, mumbling about how unexpected the rain is or how cold the drops feel.

Older women walk in, spot Joel, and start whispering to each other with that smile every woman — no matter her age — immediately recognizes. The universal woman-smile.

He, seemingly unaware to all of it, pays with his card, grabs the bags with one hand, and walks over to you.

“Need help?” he asks, motioning toward your three bags.

You shake your head. He nods once and tilts his head toward the door, signaling for you to follow him across the crowded parking lot.

His pickup truck is parked near the exit, looking big and sturdy. You both get in at the same time. The inside smells good but feels stuffy from the rain, so he turns on the A/C and runs his hand through his graying hair to shake off the water.

“It rains a lot here,” he mutters as he starts the engine and buckles his seatbelt. You do the same. “Not sure I like this humidity.”

“Where were you living before?”

“Los Angeles.”

Your eyebrows rise. You can’t picture him with the stereotypical California vibe. It doesn’t fit.

So you ask the million-dollar question:

“What did you do there?”

The sound of the windshield wipers is your only response for a few seconds. Long enough for you to wonder if you crossed a line.

“A bit of everything,” he finally says, and you understand that he doesn’t want to talk about it. Yeah. You were being nosy.

Weird. Joel is weird, and everything about him makes you feel like you should think he’s an assassin, or a retired California mobster, anything that would kick your survival instincts into gear. You probably shouldn’t be sitting in a closed space with him like you’ve known him for years.

“Nothing illegal,” Joel adds when your silence starts to stretch.

That makes you laugh.

“Very reassuring.”

He smirks. At a red light, his fingers tap lightly on the leather steering wheel.

“How’s the thesis going?” he asks.

“Honestly? I haven’t opened the file since I got here.”

“Procrastinating?”

You hum in agreement, resting your head against the seat.

“I think I’m stuck.”

“Yeah? Why?”

“I need to watch some films to move forward.”

He freezes. Then he lets out a low chuckle. You defend yourself:

“I’m serious. I need to understand which narratives work best and why, and connect that to how they influence real-life behavior.”

“Makes sense,” Joel says.

“It does,” you reply, a little proud. You glance at him. The shape of his nose, the mustache, the gray-streaked beard. Then you add, “But it feels weird watching porn in my parents’ house, even if it’s for educational purposes.”

“Porn isn’t always for educational purposes?”

You gasp in horror.

“No!” you exclaim. “Porn is not educational. People don’t have sex like that in real life.”

“Hm…”

“You disagree?”

“I do,” he says plainly. “People do have sex like that.”

“I didn’t mean physically, Joel. Sex is easy: a good position, one thing inside the other, and done.” You catch yourself, because not all sex involves penetration, and something about Joel makes you think he wouldn’t mind sitting through a lecture on inclusivity if it came to that, but you add: “What I meant is that sex doesn’t happen like that. It’s not normal to open the door for the pizza guy and two seconds later be bent over the couch.”

“Says who?”

The frustrated growl that escapes you seems to amuse him. You know he’s teasing, and his grin proves it, but you can’t resist continuing.

“Not to mention the incest plots or the underage fantasies. Do you really think sex happens like that?”

His smile disappears instantly.

“You’re changing the subject.”

“No, I’m not. You can’t separate porn genres like some are less harmful than others, because even the ones that seem ‘harmless’ fuel the same industry that writes those sick scripts.”

“We’re here.”

He cuts you off with that simple phrase, and when you look out the window, you realize he’s right. You’re in front of your house. You turn your gaze back to him, and he meets it firmly, returning all the intensity you just threw his way.

You swallow and reach for your bags.

As if you hadn’t just delivered a monologue on the ethics of pornography, you simply say:

“Thanks for the ride.”

He doesn’t respond. You step out of the truck and walk to the door of your house, feeling like a kid who just got scolded, which is ridiculous. But even more ridiculous is the fact that Joel only drives away after he sees you walk safely inside, even though he literally lives next door.

You meet Sarah — Joel’s fifteen-year-old daughter — the next day.

After running along Mirror Lake Drive, you get home with your lungs burning and your body drenched in sweat, the elastic band of your pink sports bra stuck to your back. As you’re kicking off your sneakers at the door, you spot a pair of pink Converse, way smaller than anything anyone in your family would wear.

In the kitchen, there’s a skinny, unfamiliar girl sitting at the counter, two open books spread across the marble, her curly hair pulled up into two puffs.

She lifts her head, and her brown eyes hit you with a soft echo of familiarity.

“Hi,” you say, as if it’s totally normal to have a stranger in your house.

She waves back. Before you can ask “who are you?”, your mom walks into the kitchen and calls your name.

“This is Sarah, Joel’s daughter. Sarah, this is my daughter I was telling you about.”

Sarah gives you a shy little smile, and you smile back, a bit frozen by the fact that you’re standing face-to-face with Joel’s daughter. You’re not even sure why it freezes you.

“Joel had to spend the night out because he needed to go to New York, and he asked if Sarah could stay with us,” your mom explains.

“I’m old enough to stay alone, but my dad’s crazy,” Sarah chimes in, and you laugh.

You don’t think she’s old enough to stay alone, especially in a new town, but you don’t say that.

What you do say is:

“So, Sarah... what are you studying?”

Sarah needs help with her social studies homework, so after you shower and change into something comfortable, you sit down next to her and go over the assignments together. That’s when you realize she’s ridiculously smart and funny, slipping little jokes into the conversation, blending internet memes with historical facts, and talking to her turns out to be genuinely easy and fun.

Your mom serves dinner, you both eat, and then you settle onto the couch with your Kindles, each of you leaning against an end and your feet meeting in the middle of the cushions.

You’re in the third chapter of Ghost Radio when she calls you.

You peek over the top of your Kindle to let her know you’re listening.

“How old are you?” she asks.

“Twenty-six.”

She looks up at the ceiling as if doing mental math. Then, reaching some conclusion, she raises her eyebrows.

“Why?” you ask.

“No reason,” she shrugs, turning back to the book she was reading. Another question follows, this time without looking at you. “Are you dating anyone?”

“No. I ended my last relationship six months ago.”

“Was he older?”

“No,” you say with a laugh. “I mean, yes, but only by about three years. Why do you ask?”

Sarah wiggles her feet like she’s a little too excited about something.

“Just scientific curiosity,” she says, but her tone sounds more like a villain plotting something mischievous.

The next morning, Joel comes to pick her up at eight o’clock. You’re the one who opens the door since your parents left early to go to the farmers’ market to buy honey and vegetables.

He’s standing on the porch, wearing a thick leather jacket, jeans, and heavy boots. He looks exhausted, and the two-day beard growth makes him even more intimidating.

“Good morning,” you say.

Joel looks you up and down in your pajamas: heart-printed pants and a tank top. You realize too late that you’re not wearing a bra.

“Good morning,” he replies, lifting his eyes back to your face. “I’m here to get Sarah.”

“She’s finishing breakfast. Come in.”

Before he can protest, you turn on your heel and walk away, leaving him no choice but to step inside and follow you to the kitchen. You hear his slow, hesitant footsteps as he returns to the room filled with the smell of butter and coffee.

Sarah is sitting at the counter, devouring pancakes. Joel walks over, presses a kiss to the top of her head, and they exchange a few quiet words before he says something that makes her nod and hop down from the stool, leaving the kitchen.

You hear her going upstairs, probably to grab her things.

“How was the trip?” you ask, filling a mug with coffee and placing it in front of him on the marble.

Joel stares at the pink mug like it’s a threat but eventually wraps his big hands around it. You take a sip from your own cup and look at him over the rim, just the counter between you two.

“Good,” he says simply. He gestures toward the coffee. “Thanks. I needed that. Drove back and forth without stopping to rest.”

“Just thinking about it makes my back hurt.”

“I want my bed.”

You watch him over your cup, blowing on the surface of the coffee. You imagine him in the silence of his own house, in his bedroom, in his own bed. You wonder what color the walls are, what the sheets look like, and whether he sleeps clothed or not.

“Sarah’s really smart,” you say, pushing away the mental images.

That earns a small smile from him.

“She’s fantastic, my girl. But she’s cocky, so don’t tell her that.”

“She takes after someone.”

“I’m not cocky.”

“I’m joking,” you say lightly, offering peace because you don’t want to relive the animosity from the last time you saw him. “Is the coffee good?”

“Very.”

“Want to take some pancakes? Bet you’re hungry. I’ve eaten, Sarah’s eaten, and my parents always grab breakfast out when they leave early.”

Joel drums his fingers against the ceramic, looking like he’s fighting an internal battle, as if accepting food from you would be a terrible crime. Still, you take his silence as a yes and start stacking the remaining pancakes into a thermal container.

When you’re done, you walk around the counter and hand him the container with both hands.

“Here.”

Joel takes it with his left hand. With his right, he reaches out and gently pinches your chin between his thumb and forefinger.

“Thanks, sweetheart,” he says quietly, and you freeze.

He walks past you, saying something to Sarah, who apparently has come back downstairs. Feeling a warm flutter deep in your belly, you turn and follow them to the living room. You hug Sarah goodbye, promise to send her books for her Kindle, and then walk them to the door.

You smile when Joel thanks you for looking after Sarah and asks you to pass his thanks to your parents as well.

You watch them cross the lawn between your gardens, and just before Joel enters his house, he turns to look back at you.

You could swear he deliberately and slowly sweeps his gaze over your body, from your feet to your head.

And then he goes inside.

And you have to mechanically force yourself to close the door.

That same night, you start watching the films.

As you work through your research, you put together a report listing the names of the ten most famous stars from each decade between 1970 and 2020, five male, five female.

You already have a pretty clear idea of what defined the main point of pornography in the ’70s: the start of structured scripts and absurd, fantastical narratives that, one way or another, tied a woman’s pleasure directly to a man’s. Like in Deep Throat, where they came up with a story about a woman whose clitoris is located at the back of her throat. You can already guess what the most "effective" method of stimulation would be.

Porno chic was created to make adult content more palatable to the general public, especially as debates about the legality and morality of filming started to gain traction during that decade.

Sitting on your bed with your laptop open in front of you and your tablet resting on your lap for notes, you watch the films at 1.5x speed while eating green grapes.

You knew you might get aroused watching them, because dopamine responses are inevitable, but apparently there's nothing about '70s pornography that even remotely stirs your body. It feels like you're watching a National Geographic documentary.

You can't push away what Linda Lovelace wrote in her autobiography about the most famous film of that time, the one that made millions of dollars: There was a gun pointed at my head the entire time, she said.

You swallow hard and return to your notes.

By the end of the first week of this stage of your thesis, you finish watching the films from the '90s. You note the radical shift in the female body ideal — all the actresses with breast implants — and the peculiar aesthetic of VHS tapes, since this was the era when films started being widely distributed in that format.

What stands out most, though, is the shift in perspective. Gonzo-style pornography centers the camera exclusively on the man, making him the sole focus, and by extension, reducing women to mere tools for male pleasure. The camera's focus on women's bodies is restricted almost entirely to their genitals, which explains a lot about the birth of violent pornography during that time.

If women exist solely for male pleasure, then it’s no problem if they’re violated, right?

And just like that, the normalization of male domination in pornography begins, which, of course, spills over into social behavior.

You shut the laptop in front of you and lie down on the bed, closing your eyes. You doubt even a sixteen-year-old boy has seen as much porn as you have in the past few days, and there’s still so much left to do.

You reach for your tablet and pull up the list of male stars from the 2000s.

Tyler Cross, Javier Peña, Max Thunder, Ryder Grey, and Clint Fury.

Is there someone in the industry whose only job is coming up with these ridiculous pseudonyms?

You get up, leaving everything behind, and head toward the kitchen to find something to eat. It's already past eleven at night, your parents are asleep, and the only light in the living room comes from the lamp. On tiptoe, you’re halfway to the kitchen when the doorbell rings.

You freeze like you're in the middle of a crime scene.

A doorbell ringing at eleven at night in Lake Placid? Something must be on fire.

When you open the door, it’s Joel standing there on your parents' porch, looking anxious.

“Hi,” he says. Another meeting where you're in pajamas and he's fully dressed. “It's dangerous to open the door in the middle of the night like that.”

“Great way to start a conversation. I'm calculating how many seconds it'll take me to get to the kitchen and grab a knife.”

You get a somewhat tense smile.

“I’m still not used to these small-town habits.”

“I get it. I would never open the door for anyone after eight p.m. in New York, but here it’s normal.”

He nods, then asks,

“Were you sleeping?”

You wrap your arms around yourself as a cold breeze sweeps by.

“No, I was studying. Is everything okay?”

“I need a favor,” he says bluntly. “Sarah’s asleep, and I have to head back to New York. Can you stay at the house tonight?”

“Is everything okay?” you repeat.

“My brother’s wife just went into labor. He asked me to be there. I should be back tomorrow night.”

Your eyes widen, and Joel nods as if to say, “Exactly, got it?” You hold up a finger to ask for a minute, then run upstairs to grab your slippers, your robe, and your phone. When you come back, Joel is still on a call but waits patiently until you close the door before leading you to his house.

He lets you step inside first, and even with the urgency of the situation, it feels a little like you’re a twenty-year-old girl walking into a guy’s house for the first time, especially when Joel shuts the door behind you, finishing up his call.

The house is warm, clearly lived in by a family. There’s a big rug in the living room, a brown leather couch, and pictures of Sarah hanging in the hallway: lifting a soccer trophy, carrying a skateboard, the two of them at the beach. A line of photos shows her growing up, from a baby all the way to now.

The last photo is of her at Jewtraw Park, right here in Lake Placid.

“You can sleep in my room if you want. If that’s too weird, the couch is really good too. I left some blankets and a pillow right there,” he says, pointing to the armchair. Then he adds, “Everything’s clean. The guest rooms aren’t ready yet.”

You roll your eyes.

“I know, Miller. Relax. I’ll manage.”

“Okay. Give me your number. I’ll text you so you have mine. And if you need anything, call me.”

You say your number, and he types it into his old, barely-hanging-on iPhone.

“Thanks,” Joel says, genuine. “Really.”

You smile and give his arm a quick rub without even thinking about it.

“No problem. Just let me know if you need anything.”

After showing you where Sarah’s room is, where the extra blankets are, and telling you about ten times you can eat whatever you want, he leaves. You quickly text your mom, explaining the situation and letting her know you’re staying at Joel’s, then settle down on the couch.

Little signs of Joel are scattered around the house. The reading glasses forgotten on the coffee table, the suede jacket hanging by the door, the boots by the entryway, the faint smell of the same lotion you caught on him at the store.

You feel a little like a criminal as you get up and start quietly wandering through the rooms.

The kitchen is beautiful and organized, but there are a few dishes left in the sink. Since you’re still awake, you start washing them.

You move on to the dining room, all wood furniture and a classic chandelier, and then to a small office off to the side. It feels almost too empty except for the bookshelves. Just a desk with a laptop sitting on it, making you think it doesn’t get much use.

You head upstairs.

Sarah’s door is closed, but you walk softly down the carpeted hallway to the room at the end.

You push the door open, heart pounding like you’re about to find a monster or worse: Joel sitting on the bed saying, “Snooping where you shouldn’t be?”

Instead, you find a huge bed neatly made with gray sheets, dark curtains, and matching desks on either side. There’s a closet and a door leading, you assume, to a bathroom.

It’s empty in the way you’d expect a fifty-year-old man’s bedroom to be.

You almost give in and crawl into his bed but force yourself back downstairs, turn off the main lights, and curl up on the couch, which really is pretty comfortable.

It takes a while to fall asleep in a strange house, but when you finally do, your dreams are filled with gray beards and gray sheets.

You wake in the middle of the night to the ping of your phone. You rub your eyes, still dazed from sleep, and grab the phone from the pillow beside you.

4:47 a.m.

It’s a text from an unknown number:

“Hi. Joel here. Sorry for the hour, I hope you’re sleeping. I just got to New York. Please let me know when Sarah wakes up. I’ll need to call her.”

A sleepy smile tugs at your lips at how formally he writes, no abbreviations at all. You save his contact as Miller.

You type back:

“hey. don’t worry. I’ll let you know. everything ok over there?”

“Why are you awake?”

You don’t tell him it was his text that woke you.

“New place… light sleeper.”

“I see.”

An “I see” with a period and everything. Then another message:

“Yes, everything’s fine. I’m in the waiting room, and Tommy’s with his wife. She’s been in labor for seven hours.”

You type: “ouch. hoping all goes well. lmk if u need sth”

“What kind of vocabulary is that?”

“don’t you have bigger things to worry about, grumpy?”

The impossible happens: Joel Miller sends you a smiling emoji.

You reply with one sticking its tongue out.

His next message comes in text again:

“Tell me about your thesis.

“you’re really curious about it.”

“It’s an interesting topic.”

“sure… men and their obsession with porn.”

“I’m not obsessed with porn. I don’t even remember the last time I watched it.”

Your fingers freeze over the keyboard. This sounds way too intimate.

You type back:

“last time I watched was this afternoon.”

You get a single question mark in response: “?”

You clarify:

“for my thesis. I’m at the stage where I have to watch films.”

“Oh. How are you doing that?”

“picking stars from each decade and watching two movies for each. starting with the 2000s tomorrow.”

Joel reads your message but doesn’t reply right away, which is odd. He had been responding immediately. You wonder if something’s happened at the hospital, if everything’s okay with his sister-in-law.

You stare at the screen until it goes black. Three minutes later, his reply pops up:

“Who are the stars from the 2000s?”

“looking for suggestions?”

“No.”

You open your report from iCloud and copy the list of male and female stars from the 2000s. You send it over.

He reads it. Another little pause.

“I see.”

Then another question:

“And how are you watching? Like a documentary?”

“yeah, pretty much. I put on the films, watch them critically, and take notes.”

“And they don’t affect you?”

“in what way?”

He reads the message but doesn’t answer. After ten minutes of staring at the ceiling, you take a deep breath and type courageously:

“are you asking if I get turned on?”

Again, no response.

Still, you type back:

“i do. it’s inevitable and natural. but only starting with the '90s films. the ones from the '70s and '80s were way too gross for that.”

This time, a reply comes.

“Gross?”

“yeah. the men were really disgusting. it’s obvious they had no idea how to have sex to actually please a woman.”

“I see.”

You picture Joel Miller, tall and broad-shouldered, sitting in a sterile hospital hallway, texting you about porn while waiting for his nephew to be born.

The thought makes you smile to yourself. You burrow deeper under the blanket and decide to be a little bolder.

“do you have a favorite genre of those movies?”

“To watch?”

You frown. What else would it be for?

“yeah”

“I don’t watch them.”

“okay, but if you were going to watch one today, what type would you choose? one with a storyline, straight to the point… what? help me out for the research.”

You almost chew on your lower lip as you watch the little “typing” bubble appear and disappear three times. Finally, he sends a simple response:

“No storyline, not a lot of talking. Something filmed in the morning, in bed, right after waking up.”

“morning sex?”

“Yes.”

Before you can stop yourself, your mind fills with images of Joel’s bed, the same gray sheets now rumpled and tossed aside. The cold morning light pouring through the window, the scent of him still on the fabric, the warmth of sleepy skin, the scratch of his beard against the sensitive part of your neck.

A big hand adjusting and lifting your leg into the right position, low, sleepy moans filling the space.

You snap your eyes open wide.

“got it,” you type back, heart racing.

“Do you have a favorite genre?”

“i hate porn,” you reply.

“Okay. But if you were going to watch one today, what would you pick?”

He’s throwing your own question back at you, meaning you can’t dodge it.

You type the whole answer at once but hesitate a dozen times before finally pressing send, knowing Joel will understand exactly what you mean and exactly what you like. It’s probably not right to tell your parents’ neighbor, who’s at least twenty years older, but you don’t take it back.

“in the car. an age gap where he looks a little older than her, slightly graying, and he’s desperate for her, desperate to do things to her in the backseat.”

“Things?”

“you know what I mean.”

“Say it clearly.”

“desperate to go down on her.”

And again, he responds:

“I see.”

Your cheeks burning, you turn off your phone screen.

But another message buzzes through:

“Good choice.”

You cross your legs and lock your phone again.

The next time you wake up, it’s to Sarah poking your cheek with an insistent little finger. She’s standing over you by the couch, looking at you like you’re a science experiment.

The sunlight pouring through the living room windows makes you wonder if it’s already past ten.

“What are you doing here?” she asks, still poking your cheek.

Yawning, you answer,

“You’re about to have a baby cousin.”

Sarah squeals.

Joel calls her twenty minutes later, right after you text him—carefully avoiding rereading the messages you sent each other during the night—that she’s awake.

Afterward, you eat breakfast together, and Sarah gets ready for school, where she’ll stay until six in the evening. You wait until the bus picks her up before going back to your house, crawling into bed, and sleeping a little more.

When you wake up again, it’s time to log onto a video call with your boss, even though you’re technically on vacation.

You help your mom with some work in the garden, bake muffins, and by late afternoon, you lock the door to your bedroom, find a cozy spot in bed and open your laptop again.

2000s.

Now all the actresses definitely have implants, bleached hair, heavy makeup, thin eyebrows, and elaborate hairstyles: exactly the fantasy for any guy with a DVD player and one hand free.

But it’s also the beginning of the internet era, meaning access to all of it is even easier than it ever was with VHS tapes.

Roleplay everywhere. Boss and secretary, student and teacher, best friend's mom, best friend's dad. A fantasy world that definitely fried a lot of men’s brain circuits.

You start with the male stars.

First up is Tyler Cross. He's a tall actor with spiky, gelled hair, a tribal tattoo on his left bicep, and a defined six-pack.

You watch a POV movie, new at the time, and another where he plays the older brother’s best friend. It’s set in a girl’s pink-walled bedroom, teddy bears thrown to the side, and it’s all absolutely disgusting.

You glance at the clock after finishing Tyler Cross’s films. 5:55 p.m. You figure you’ve got about fifteen minutes before Sarah gets home, so you decide to at least start Javier Peña’s movies.

You type his name into the search bar.

The results flood in. One of the first titles you see: No Overtime for the Babysitter: Daddy Comes Home Early!

You roll your eyes. Great, now they’re coming for babysitters’ labor rights too.

You click the movie. It takes a moment to load.

The cover stares back at you while the loading icon spins.

The actress is gorgeous, with breasts you immediately envy and long black hair. Her lips, glossy and slightly open, look like she’s mid-moan. She’s one of the first actresses you’ve seen who isn’t drowning under a pound of makeup.

The scene starts with her dusting some furniture in the living room.

She’s wearing a mini-skirt and a light blue crop top made of thin fabric that shows her stomach. Definitely very appropriate attire for her job.

The sound of a door unlocking fills the room, and then it swings open.

The actress sighs:

“Oh! Mr. Peña! You’re home early!”

The camera pans to Mr. Peña. You blink at the screen.

Javier Peña has that classic '80s kind of handsomeness. He’s tall, lean but broad-shouldered, his dark hair messy in a way that somehow suits him. The thick mustache above his tight lips and the long sideburns give him the look of an old-school movie star, and you have to double-check the release date of the film. 2002.

He’s wearing a button-down shirt and a loose tie, his gray blazer slung over his left shoulder. But it’s his brown eyes that catch you, because they’re familiar. It feels like you know them.

“The meeting was canceled,” Peña says, tossing the blazer onto the couch. “My daughter’s asleep? You can go now.”

The gasp that escapes your mouth is quickly muffled by your hand when Javier Peña’s voice fills your ears through the headphones, because you immediately realize where you know it from.

The voice is a little softer, younger, with more of an accent, but it’s the same voice.

Joel Miller’s voice.

“She is,” the actress says sweetly, crossing the room. Javier looks her up and down, from her bubblegum-pink painted toes to the way her chest strains against her top. “Are you sure, Mr. Peña? You seem really stressed out. Can’t I help you with something?”

You freeze where you are, heart hammering against your ribs. Holy shit.

“Help how?” Javier asks, raising an eyebrow, pretending to be disinterested.

She smiles, grabs his hand, and leads him to the couch, urging him to sit.

You’re almost ready for her to drop to her knees in front of him, because that would be the obvious next step, but that’s not what happens. The actress — Mila, her name — circles behind the couch, leaning over him to start unbuttoning his shirt.

“You’re so tense, Mr. Peña,” she says, pouting as she undoes each button. “Taking care of the house by yourself, your daughter…”

The shirt falls open, revealing a firm, broad chest.

“So responsible… No one to help you out…” She leans in and whispers against his ear: “No one to suck your cock.”

The shocked laugh that bursts out of you is immediately covered by your hand again.

Javier’s shirt falls completely open, and he takes Mila’s hand, guiding it straight to his pants, her long red nails vivid against the gray fabric.

“I’ve got you for that.”

“Mmm…” the actress moans, massaging him through the fabric. She runs her hands back up his shoulders. “That’s right. You do.”

She moves to kneel in front of him, but Javier clicks his tongue and says:

“Take off your clothes.”

You feel a pulse low in your stomach. The actress smiles and obeys.

Once she’s fully naked, she starts to kneel again, and Javier spreads his legs wider, tossing his shirt aside.

She massages him through his pants for a few more seconds before tugging the zipper down and pulling his pants down with both hands. He’s not wearing underwear, of course he isn’t, and suddenly, you’re staring straight at Joel Miller’s cock.

Large, hard, slightly veiny, every inch of it.

Javier shifts on the couch, gathers all of Mila’s soft hair into one hand, and with the other, guides himself to her mouth, and—

Someone knocks on your bedroom door and you nearly slap the laptop closed.

“Honey, I think Sarah’s getting home from school. Aren’t you going to greet her?” your mom asks.

“I am,” you say, but your voice comes out too soft. You clear your throat and try again: “I’m going, Mom. Just a second.”

“Okay!”

Your mom leaves you sitting there, staring at the wall with wide eyes and a racing heart, so much slick between your legs you have to stand up, clean yourself, and change panties before going downstairs to greet Sarah.

She gets home, you both go into Joel’s house, you make her a sandwich, and she heads upstairs to shower. You stay on autopilot, your head still completely full of Javier Peña... and Joel Miller.

Holy shit.

The man was a porn actor.

And apparently, a very successful one, because you distinctly remember seeing that his films topped the charts for years. Is he still doing it?

You rub your eyes and fight the urge to shove your fist in your mouth and scream.

The irony is almost too much. Fate is throwing a former porn star into your lap when it knows all too well the thesis you’re writing, and all your hatred for the industry.

You order pizza for you and Sarah. You eat while watching a cheesy teenage romance movie that keeps her glued to the TV. When she’s yawning hard, you ask if she has any homework (she doesn’t) and send her off to brush her teeth and get into bed.

She hugs you goodnight and heads upstairs. You hear her brushing her teeth, then the door to her room closing.

You take a deep breath. Pull your phone out of your pocket. You type in the search bar: Javier Peña. The image results flood the screen.

Joel Miller in a thousand different styles. At industry parties in clothes that scream early 2000s, at photoshoots with other actresses, even holding up a trophy that reads—

You lean in closer to make sure you’re not misreading it.

Longest Cumshot of 2006.

Wow. Congratulations.

The Google summary confirms it: Joel Miller, born in 1981 in Arlington, Texas, to Chilean parents. Porn actor, best known as Javier Peña. Joel Miller became an advocate for porn actresses’ rights, one of the main reasons he left the industry in 2010.

One of his last public appearances as Javier Peña was in 2016, co-hosting an adult film awards show alongside Tess Servopoulos, his former career agent. Since then, very little is known about Joel Miller, though several producers have tried to lure him back with massive paychecks, even for solo work.

You hear the key turning in the lock.

You lock your phone at record speed and sit up straight on the couch, eyes wide open. Joel will probably think that you’ve been doing cocaine on his coffee table.

He walks in, shrugging out of his coat, and looks at you.

“Hey,” he says, kicking off his boots. “Everything okay?”

You nod, then try to use words:

“Hey. Yeah.”

Joel gives you a strange look, glancing up the stairs.

“Sarah’s asleep?”

You nod again.

Oh, Mr. Peña. You must be so tired. Can I help you? My God. You’re the babysitter working overtime.

“Are you really okay? You look like you’ve seen a ghost.”

“Um… I…” you rub your hands over your thighs. “I’m just tired. That’s all. Is everything okay with your sister-in-law?”

“She’s fine. I’ve got a nephew now,” Joel murmurs, collapsing onto the couch across from you, legs spread, hands over his eyes. “And he’s so small. I almost didn’t have the nerve to hold him. I don’t even remember Sarah being that tiny.”

“Ha ha.”

At your awkward laugh, Joel drops his hands and studies you carefully, narrowing his eyes. He watches you for a moment, like he’s seeing right through you.

Joel says,

“You found out who Javier Peña is.”

You freeze, hands clenched in your lap. Joel rubs his temple with a heavy sigh and sits up straighter.

“Which one did you watch?”

You swallow hard.

“The babysitter one.”

“You’re gonna have to be a little more specific than that, sweetheart.”

“The film’s from 2002. I think the actress’s name was Mila? She was trying to comfort you about being a single dad.”

Joel raises both eyebrows.

“I know the one,” he says with a dry, humorless laugh. “Right. Here it is. I was Javier Peña for ten years. I guess I still am, when the paycheck’s good enough. I made porn movies. They’re out there.”

“Still are?”

“Not for films. Just for appearances or special gigs at awards shows.”

“Oh.”

He says your name firmly.

“That industry is your thesis. You know those actors and actresses are real people. I’m one of them. Are you going to stop treating me like a normal person now?”

“It’s weird,” you say softly. “Sorry, Joel, but it’s weird seeing you like… that… and then coming here and seeing you being Sarah’s dad, being… Joel Miller.”

“Okay.”

“Don’t be mad at me.”

“I’m not,” he sighs, collapsing back onto the couch. “I’m way too tired to be mad, honestly. We can talk more about it later if you want. I’ll even help you with your thesis if you need. But not tonight.”

“Okay.”

“Thanks for staying with Sarah, seriously,” he says, shifting back into Dad mode. “Let me pay you.”

“No way,” you say quickly.

He opens his mouth to argue, but you cut him off:

“You said you’d help me with my thesis, right?”

He just looks at you. You explain,

“I’ll take that as payment.”

Slowly, he nods. And just like that, you have a deal.

That night, you head upstairs again and lock the door.

You open your laptop, type Javier Peña into the search bar, and scroll through the films. One title catches your eye: Neighbors: The Lust Lives Next Door.

The irony.

The title is ridiculous, sure, but the movie isn’t. He’s the married woman’s neighbor, and when her husband goes out of town, Javier shows up at the door asking if everything’s alright because he heard a noise and got worried.

He’s wearing tight jeans and a short-sleeve, light pink button-down shirt.

They head upstairs to check the bedroom.

She sits at the edge of the bed while Javier kneels down to look under it, but when he straightens up again, he sees the actress isn’t wearing any panties. Of course.

Two minutes later, Javier spreads her legs and goes down on her for a good while, his dark eyes locked on hers. And you could swear the moans are real. Either that, or she’s a damn good actress.

It’s when Javier starts whispering in her ear, loud enough to be picked up by the mic, but low enough to sound private, that your own fingers hover at the waistband of your pajama shorts.

He grips her thigh firmly, legs wide open, about to sink into her, both of them watching where they meet.

“Like this?” Javier asks.

She nods.

He licks his fingers and touches her clit. Her left leg trembles slightly.

“Sensitive? You’re not gonna come again for me?”

You swallow your shame and remind yourself that no one will ever know about this.

You slip your hand into your panties.

You close your eyes, listen to Javier whispering filthy things into the actress’s ear, and feel your pulse thudding in your ears and the slickness between your fingers.

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