#Still not the end of the characters though-

[demilypyro]

I'm interested in the gradual development of Miss Pauling.

Originally an almost incidental character in the Team Fortress 2 comics alone, no official model existed for Miss Pauling for the longest time. Her first appearance was in the WAR comic from 2009, two years after the game's release. She is mentioned by name, but you can tell her character isn't nailed down here yet. They probably aren't even sure if they're going to reuse her at this point. The Administrator herself isn't even fully developed yet.

Despite the tangential nature of her character, she made regular appearances in the TF2 comics, always executing the Administrator's will, though not much was really established about her personality or characteristics beyond being hardworking, extremely competent, and very loyal.

Around this time, the fans started making their own models to use her in fanworks, though with not much to go on in regards to her personality, there weren't many people taking an interest in her. The few times she did appear in fanworks, she was often relegated to just being the token girl character.

In 2013, Valve released Ring of Fired, the first of seven full-length Team Fortress 2 comics that would end up being the main source of character development and plot progression for the universe. And Miss Pauling was there as one of the lead characters, although her characterisation was still rather thin in this first issue.

The big moment here is the Love and War update. In 2014, seven years after the game's launch, the short film Expiration Date was released, the 15 minute video supposedly being a pilot for a potential TF2 tv show. That tv show never happened. However, Miss Pauling was one of the lead characters of the video. It finally gave Miss Pauling an official 3D model, which was notably somewhat different looking from her comic appearances up to this point, as well as a canonical voice.

It also established several defining traits to her character: she was extremely neurotic, kind of awkward, a bit silly, and she had a knack for gallows humor. These traits were heightened with the following Gun Mettle and Jungle Inferno updates, which gave her a bunch of voice lines where she talked to the player characters and let her kookier side show.

These traits would make it back into her characterisation in the comics going forward, finally reaching Maximum Pauling. She became the true Main Character of the TF2 comics, usually being the main perspective character, as well as being the character with the heaviest choices to make as the plot reaches its climax.

While Miss Pauling still to this day doesn't physically appear in the Team Fortress 2 videogame, she has become one of the most important characters of its surrounding universe, and you'd be hard pressed to find a fan who doesn't really like her. It's been fun to watch her develop from an incidental lore character to the unofficial tenth member of the main cast. I'm a huge fan of her.

Okay end of post

[solarhysm]

"what’s your name again?" | JEON JUNGKOOK [FOLLOWERS POLL’s CHOICE]

one shot

> summary: jungkook met you at a costume party for the new year eve. you're bold, drunk and horny.

> pairing: jungkook x reader

> genre: small smut, one shot (shorter than i thought tho)

> warnings: smut, protected sex!!, public quickie in the female restroom (i'm not good with warning)

> word count: 2.8k

*french writer, i apologize in advance for my awful english!

Jungkook never likes masked parties. But when Hoseok suggests going to one where everyone is in costumes, he reluctantly agrees. He has nothing better to do for New Year’s Eve anyway, and it seems better than drinking alone in his apartment. He sighs as someone bumps into him—that’s why he avoids crowded places.

Everyone wears costumes as if it’s Halloween. He’s not surprised to see most of the women in tight, short dresses. Jungkook considered dressing as a character from Squid Game but decided against it—there are already too many of them here.

Instead, he throws on his old Spider-Man costume from Halloween three years ago. It’s been gathering dust in his closet, but it saves him time and money. To account for the cold, he adds gray joggers and an old black sweatshirt. Tonight, he’s not Peter Parker but Miles Morales. He doubts anyone will notice the reference, though.

“Damn, I didn’t expect it to be this crowded,” Jimin says, handing beers to his friends.

Jungkook glances around and nods. It’s New Year’s Eve, so of course, people their age are out celebrating.

“It’s been a shitty year,” Taehyung groans, downing his beer in one gulp before heading to the bar for something stronger. His girlfriend dumped him last month, and he’s still obsessively checking her Instagram, where she flaunts her new boyfriend.

Jungkook shakes his head, amused. It was a rough year. His grandfather was diagnosed with pancreatic cancer, none of his romantic flings went anywhere, and the company he worked for went bankrupt. Now, he’s living with his parents –again- and working a terrible job under an abusive boss. He sighs and takes a sip of his beer.

“At least we’re still standing,” Hoseok says, ever the optimist.

As the night goes on, the four friends drink steadily in their corner of the nightclub. Taehyung ends up crying on Hoseok’s shoulder, while Jungkook rolls his eyes.

“I don’t understand,” Taehyung whines. “I’m a good boyfriend! I used to bring her flowers all the time and give her all the attention she wants.”

“She’s a bitch. You’re a good guy,” Jungkook says, leaning closer so Taehyung can hear him over the music. “Stop wasting your tears on someone like her.”

“Maybe I’m bad in bed?”

“Stop it,” Jimin groans, grabbing Taehyung’s shoulder. “With your third leg, it’s definitely not about sex. Some women are just terrible people. Go find someone new tonight.”

“What?” Taehyung sniffles, while Jungkook silently gestures for Jimin to stop talking.

“Yeah, Tae,” Hoseok chimes in. “Find a girl, have some fun, and forget about her.”

Jungkook buries his face in his hands. Taehyung is too drunk for this advice. He’s not a one-night-stand type of guy and will probably end up vomiting on whoever he approaches.

“I need a smoke,” Jungkook mutters, getting up and wiping his hands on his joggers. He weaves through the crowd toward the exit, hating how packed the nightclub is.

“I’m sorry!” a voice gasps as their bodies collide. Jungkook instinctively grabs the stranger’s arm to steady them. Both of them are clearly tipsy, but they look more unsteady than he does.

His gaze falls on the person in front of him—his very own Gwen Stacy. The mask hides all of their face, but the costume piques his interest immediately.

“It’s my fault,” You begin. “I didn’t—” You stop mid-sentence when you look up at him. “Oh, Miles Morales!” You giggle, recognizing his costume. And your laugh makes him smile.

“Hi, Gwen,” Jungkook smirks, the alcohol making him bolder.

“Hi,” you reply as you both step outside into the chilly air. It’s a welcome relief from the stifling crowd inside. Jungkook pulls out a cigarette and lighter.

“I like your costume,” he says, noticing you scanning the crowd inside, probably looking for your friends.

You remove your mask and smile. Jungkook doesn’t expect you to be this attractive—especially the kind of attractive he’s drawn to.

“Thanks. I like yours, even if it’s a little inaccurate,” you tease, making him chuckle.

You pull out your own cigarette, accepting his lighter with a nod of thanks.

“It’s too cold to be Spider-Man.”

“Well, not Tom Holland’s Spider-Man,” you quip, freeing your hair from the costume.

Jungkook’s eyes linger on you briefly before smirking. “Marvel fan?” he asks.

“Hm, you?”

“Hm.”

You’re pretty and a Marvel fan? Jungkook looks up at the dark sky, silently thanking the universe for this coincidence. Before he can come up with something to say, you speak again.

“I almost dressed as Wednesday Addams, but it’s way too cold for that,” you explain, and he nods.

“Wednesday was my first choice, too,” Jungkook jokes, making you laugh.

“I’m Y/N,” you say.

“Jungkook,” he replies.

“Did you come alone, Spiderman?” you ask, and Jungkook shakes his head.

“I came with some friends.”

“Yeah, me too. It was either this or sleeping early. I figured it’d be more fun to get drunk,” you say, tossing the bud of your cigarette. Jungkook licks his lips with a smile. He guesses you’re a yapper, which is a good thing because he’s not drunk enough to talk freely without embarrassment. “Do you drink tequila shots, Spiderman?”

“Are you offering?” he teases, and you nod. “Alright.”

Even though he asks, once you’re at the bar ordering a round of six tequila shots, Jungkook is the one handing over his credit card to the bartender. You scold him, insisting you’ll pay for the next round. He’s just happy that you’re thinking about continuing the night with him, though he’s a little apprehensive about drinking more.

“Alright, on three,” you say with a smile, counting down before you both toss back the first shot and bite into a lemon. “Where are your friends?”

“Somewhere in the club,” Jungkook replies, his head nodding to the rhythm of the music.

You grab his hand and guide him to the dancefloor. Jungkook marvels at how easygoing you are. Most girls he meets play hard to get, but you’re different—just here, vibing with everyone around you. His smile widens as he watches you mimicking the dance steps of a guy dressed as a banana.

You burst into laughter when you mess up the choreography, and the banana-guy spins you back toward Jungkook, probably assuming the two of you came together. You stumble into his arms, your rosy cheeks and bright giggles captivating him even though he can barely hear it over the music.

After the fourth shot, Jungkook has to stop, reaching his limit. He isn’t used to drinking this much, especially tequila. But he chuckles, watching as you confidently take down two more. When you turn to him, he shakes his head in disbelief.

“Already?” you tease, giggling, and he rolls his eyes, amused. You finish the remaining shots by yourself, and he’s genuinely impressed. How can someone as small as you handle so much alcohol?

Jungkook blinks a few times, shaking his head. He’s almost certain you’re going to regret this if you keep bouncing around to the music like that.

“Are you drunk?” you ask, leaning closer, and he nods, patting his chest to settle the burn in his throat.

He grabs a bottle of water he ordered, takes a sip, and offers it to you. But you shake your head, and Jungkook can’t help but feel a strange responsibility to make sure you’re okay. You’ve only just met, but he’s already trying to sober you up a bit—anything to avoid you ending the night sick.

“Do you drink often?” Jungkook asks, grimacing as he takes another sip of water. He’s already done with tequila—probably for life.

“What’s that supposed to mean?” you chuckle, your tone playful as you make him smile and shrug.

“Just that you definitely know how to hold your liquor.”

“I just needed to get drunk and forget this year,” you admit, tossing your hair over your shoulder.

“Do you want me to walk you to your friends?” Jungkook offers, his voice laced with concern.

“Are you tired of me, Spider-Man?” you joke, swaying slightly as you both half-dance to the pulsing music.

“W-What? No!” Jungkook stammers, looking adorably flustered, and you laugh at his reaction.

“I’m kidding,” you say, nudging his shoulder with a grin.

“Can… I have your number? Or maybe your social media?” he asks, leaning closer to your ear to make himself heard over the music. You pull back to meet his gaze, your hands resting lightly on his shoulders for balance. Both of you have hooded eyes, softened by the alcohol and dim lights.

Jungkook feels a rush of admiration for your boldness. You don’t care about the people around you or their opinions. His hand hesitates before resting on the small of your back. You tilt your head, your nose brushing his as your lips hover dangerously close.

“Do you want to have fun?” you murmur, your mouth brushing his ear, the music muffling everything else.

“What kind of fun?” he asks, his breath caressing your cheek. He feels himself leaning into the moment, emboldened by your energy. Why not? There’s nothing wrong with a little flirting with a stranger on New Year’s Eve.

You smirk slowly, your hand slipping into his to guide him off the dancefloor. Jungkook frowns slightly in confusion when you lead him into the women’s restroom. Before he can ask why, you cup his face, pulling him into a kiss that sends his heart racing.

He finds it thrilling—kissing someone he just met, in a place he’d never expect. It’s not the kind of fun he was imagining, but he’s definitely not complaining. You guide him blindly into one of the stalls, closing the door behind you as he presses you against it.

“What if someone catches us?” he whispers, his lips trailing along your jaw.

“We can stop if you want,” you reply, threading your fingers into his hair before pulling him into another heated kiss.

“No,” he says honestly, making you smile. “But we’re drunk.”

“Can’t get hard when you’re drunk?” you tease, your lips brushing the column of his neck. Jungkook chuckles darkly, grabbing your hand and guiding it to his joggers. Your eyes light up as you feel his growing arousal beneath the fabric.

Jungkook’s breath hitches as your hand starts to stroke him above his jogger. His mind races—this is new for him. He’s had his share of casual flings, but never with a stranger and never in public. Surprisingly, the thrill of possibly being caught makes the moment even more exhilarating.

He wonders if you’ve done this before—you seem so at ease. But before he can ask, your hand slides under the waistband of his joggers, palming his growing bulge. His eyes close almost instantly, a soft groan escaping him as your touch sends heat coursing through his body. His own hands find your backside, squeezing gently, grounding himself in the moment.

“Do you want to fuck me?” you whisper, nipping lightly at the sensitive skin of his neck.

“What—I—right now?” he stammers, wide-eyed, and you nod. Pressing your back against the door, you reach behind to unzip the bottom of your costume, your movements deliberate and teasing. Jungkook’s gaze remains locked on you, his mind racing.

His eyes widen further as he begins patting the pockets of his joggers in a frantic search for his wallet. He knows there’s a condom in there—he’s certain he hasn’t used it. A chance like this? No way he’s letting it slip by. He’s just a guy, after all, and if a beautiful woman wants him, Jungkook isn’t about to say no.

“What are you doing?” you ask, laughing as his wallet slips from his fumbling hands. He scrambles to catch it, earning another amused giggle from you.

When he finally retrieves the little plastic wrapper, he holds it up proudly. You smirk, pulling him into a heated kiss while he helps you peel off the bottom half of your costume. The black panties underneath match the dark tights perfectly, a sight that makes Jungkook’s breath hitch. His hands twitch at his sides, trying to maintain control.

“I’ve never done this before,” he admits softly, hiking your leg up to wrap around his waist, pressing you against him.

“Yeah, me neither,” you reply with a playful giggle, one hand gripping his shoulder for balance while the other threads through his messy hair. “New year, new experiences, right?”

“You’re really something else,” he chuckles, his tone equal parts admiration and disbelief. His eyes meet yours, silently asking for permission. You nod, and his hand slides between your thighs, fingertips brushing against you through the thin fabric of your panties.

“Fuck,” you whisper, your head falling back against the door as your hips instinctively press into his touch. Your reaction sends a shiver down his spine; he swears he’s never heard anyone curse so beautifully.

Jungkook frees himself from his boxers, giving his cock a few slow strokes while watching your every reaction. His gaze flickers between your face and the way your body trembles under his hand. When he pushes your panties aside, he hesitates momentarily to open the condom.

“Tell me to stop,” he says suddenly, his voice wavering as he tries to cling to the last shred of his rationality.

“Don’t you dare,” you reply with a grin, tugging at his boxers to free him completely. He groans, any semblance of self-control slipping away as he feels your hand stroke him again, this time skin-on-skin.

The muffled music from the club outside only adds to the surrealness of the moment. Every so often, someone walks into the restroom, and Jungkook tenses, half-expecting a knock on the door. But the thrill of being caught only seems to heighten his excitement. When you grab his face to focus him on you, your lips brushing against his, he realizes he’s long past the point of no return.

“Fuck,” he mutters under his breath as he rolls the condom over his length. His other hand pushes his joggers just low enough to give him room to move. “Are you sure?” he asks one last time, his voice trembling with need.

“Yes,” you answer without hesitation, guiding him to your entrance. His fingers dig into your hips as he presses forward slowly, the stretch eliciting soft gasps from both of you. He stills for a moment, his forehead resting against yours as he adjusts to the overwhelming sensation.

“God, you’re so tight,” he whispers, his voice rough with desire.

“Please, move,” you urge him in a whine, your nails digging into his shoulders. He doesn’t need to be told twice. His hips pull back before snapping forward, setting a steady rhythm that has you biting your lip to keep from moaning too loudly.

Jungkook’s movements grow more erratic as he loses himself in the sensation of you. The cramped space of the stall, the muffled music, and the ever-present risk of being caught only add to the intensity. His hands roam your body, gripping your thighs and waist as he thrusts into you with increasing urgency.

“You feel so good,” he groans, his voice a low rumble in your ear.

“Faster,” you gasp, your hands sliding down to grab his ass and urge him deeper. He obliges, his pace quickening until the sound of your bodies colliding fills the small space. “Fuck –“

You bite down on his shoulder to muffle your moans, and he curses under his breath, the combination of your teeth and the tight grip of your walls pushing him closer to the edge.

“I’m close,” he whispers, his breath hot against your neck. His thrusts grow rougher, the door rattling slightly with each movement.

“Me too,” you manage to reply, your voice shaky as the tension in your body builds. His thumb finds your clit, circling it with just enough pressure to send you spiraling over the edge. Your walls tighten around him as you climax, your muffled cries vibrating against his skin.

“Fuck,” Jungkook groans, his hips stuttering as he follows you, spilling into the condom with a final deep thrust. He collapses against you, his chest heaving as he struggles to catch his breath. The countdown outside ends in cheers and shouts of celebration, but neither of you notices, still lost in the aftershocks of your high.

For a moment, the two of you stay like that, tangled together in the aftermath. Then Jungkook pulls back slightly, pressing a kiss to your forehead. The sounds of celebration seep back in as you both begin to steady your breathing.

“That was…” he trails off, unable to find the right words. “Hot.”

You smirk, cupping his face to leave a lingering kiss on his swollen lips.

“Happy New Year,” you whisper, your voice soft but playful.

“Happy New Year,” he replies, his hand snaking behind your neck to pull you into another kiss, this one just as passionate as the last. Jungkook knows he has to go back to his friends soon.

“What’s your name again?” you laugh, your breath mingling with his as he chuckles.

“Jungkook. Yours?”

“Y/N.”

hiiii!! first of all, happy new year to you all. may 2025 be a better year for you. secondly, i know, I KNOW, i'm a little late with the one shot i promised, i'm sorry! i was too busy those last few days. to be honest, the one shot didn't result as i was hoping for. I had a few ideas about it and it doesn't look like... what i expected. but i promise you a jk one shot for the new year so here it is. i'll do better next time, i swear!! but i do hope that you enjoyed reading it <3 I'll see you around, and on that, i'm going back to write the DOU chapter 6 now that i have free time!! luv y’all — Riza

[power-handmaiden]

Chuck Tingle interview

OK, here is the FINAL 2024 Tingles My Butt post, which I've been pretty hyped for. I still kind of can't believe this. While I was figuring out how I'd move on from 2024, @drchucktingle generously offered to answer some questions of mine to commemorate the end of my tingler project! Here they are!

-Considering that your process for tinglers is just to write it out and not stress about proofreading and editing, was it weird for you to see someone decide to go back, examine, and contemplate every single tingler published in the past decade?

the whole dang project was really wonderful for me, for exactly the reason you have just said. tinglers are very STREAM OF CONSCIOUS and only edited with one quick pass so while i think this adds to their honesty and rawness it also means that my time with them is limited. really watching someone go back through them at this depth was like reading a diary that i have not opened for many years, and it jumps around through time in a very beautiful way. it was very moving

-I love tingler character names. I personally admire how many great ones you come up with. (I never know what to name my ttrpg characters.) You just come up with all these great names that seemingly spring from nowhere, how do you do it?

DANG great question cant believe i have not been asked this before but yes there is a type of name that shows up in the tingleverse that is unusual and has a certain feeling and cadence that is very specific. if i am trotting along with sweet barbara and there is a name of a product or a place or something that has this tone we will say ‘oh thats a tingleverse name.’ the reason i wanted to do this in the books was as a very subtle way of saying these stories exist on a timeline that is RIGHT next to ours, so in some ways it is exactly the same as our world but there are these little cultural differences with things like chocolate milk and spaghetti and then with the names. you will have buckaroos like justin and sarah trotting along next to buckaroos named corb torbins-quill or borto lart.

-So, as a reader, reading from 2014 to now, old tinglers and new tinglers feel different to me. I believe you when you say tinglers have always been sincere, but they feel MORE sincere than they used to be. Like, I feel like there was some self-consciousness and irony in some of the early tinglers that you've since let go of and embraced the Chuck Tingle voice more. I don't know, am I imagining this, or does this square with your tingler writing journey? If it does, what has that process been like for you?

i think you are absolutely correct. the intention with tinglers was always to be a place for me to express myself with complete sincerity, but the practical way of HOW to trot like this took a bit of an evolution to arrive at. in other words i knew the basics, but actually refining the best way to express yourself and perform your art takes time. maybe in the same way goin back and watching season one of a tv show can feel very different from season three, even though they are part of the same expression. 

similar thing happened with in my chuck PRESENTATION as well, where my main focus was to stay anonymous so the metaphors i used to talk about my life were still true but laid on much thicker. even my attire was a large gi so that you would not even be able to see my shape, which has obviously changed now because i wear suits these days. all of this was a process of starting in a place i knew was important to me and then peeling off the parts that were not helping the message or expression over time

-Is there anything you could tell us about the significance of Borson Reems? I feel like he's more than just another Buck Trungle/Chuck Tangle/etc but I'm not sure what exactly...

yes borson reems is god. not that i believe in GOD in the way that most buckaroos talk about god (i am agnostic) but within the tingleverse, borson reems is an avatar for the creator of that world. technically i am borson reems, because i am writing the books. the question is: are we all the gods of our own little worlds that we create? i do not know, but when i look around at my buds and the joy and love they bring to various timelines they sure seem like gods to me

-A lot of no-sex tinglers (especially ones that aren't romance-focused) vary in terms of plot and structure a lot more than erotic tinglers. Is your writing process for these stories any different?

same process actually, but the sex scenes in tinglers are about 1500 to 2000 words long, and total tingler length is 4000 words which means if you are not including that portion you are going to have to come up with some creative way to fill that space in the story and a new axis for story to turn on. so the variety comes from me getting creative and trying out different axis points

-In "Not Pounded By My Book "Pounded In The Butt By My Non-Fungible Tingler That Is Literally This NFT" Because Of The Current Catastrophic Environmental And Ethical Impact" there are references to an earlier draft of the story that was never released because you ended up disagreeing with the message. Are there any other tinglers that never got finished and/or published, if you'd be willing to talk about any of them?

oh this is a VERY good question. the story of the NFT tingler is that when buckaroos were first talkin on nfts online and nobody really knew what they were, my first thoughts were just ‘oh this is interesting what the heck is this?’ this is my way with most CURRENT EVENTS. and i thought ‘this would be an interesting tingler, i suppose maybe i should make the tingler an ACTUAL nft’. this was in VERY early days so i did not really even understand what an nft was (neither did 99 percent of buckaroos yet honestly). so i looked into it just enough to actually MAKE a nft tingler that was a real nft and put it out. lasted for about thirty seconds before buckaroos were messaging saying ‘oh this is bad chuck you should look into what this is’ and i DID look into it and thought’ oh yeah this is terrible nevermind’. i took down the original and thought ‘well THIS is what art is all about. this is where i thrive in a world of moving living art that is in communication with itself’. so i dove into the research and actually started to understand NFTS and then i repurposed the story into a strongly anti-nft tingler and put that on out instead.

as far as OTHER tinglers that kind of move and breathe and live like this, in communication with the audience, GAY T-REX LAW FIRM is another very good example. that one i wrote early on and i think it was kind of in the model of something like fifty shade of grey, where issues of kink and consent and communication are not really handled well. i think at the time it came out the story was okay, but as time went on it always kind of bothered me and finally i thought ‘i love art that exists in the REAL WORLD and changes and evolves, so lets rewrite that story and fix some of these mistakes.’ honestly it is something i wish more artists would be open to. its okay to let something hold strong against a changing timeline, but it is also okay to explore what its like to take the notes that time gives us

-This one is about Chuck Tingle that exists in deeper layers of the Tingleverse that operate on tingler logic: what does the location inside his/your butt look like?

probably a nice mid-century modern home up in laurel canyon neighborhood of los angeles. kind of quiet and small like a cabin but also very cozy, like the kind of place where you would put on a crosby stills nash and young record on vinyl and gaze out into the woods for a while then walk down the hill for dinner at a little cafe where you spot some actor from a 60s tv show also having dinner in the corner booth. this basically sounds like the start of a tingler and in that tingler i will say the actor would be a bigfoot.

-OK this one is very self-indulgent but if you could help settle this frequent point of discussion I have with my wife- where do the following fit in the Tingleverse bigfoot/dinosaur/unicorn/living object(/human/does not apply?) taxonomy?

-a ghost of a regular human

-a regular human vampire

-a human/fish mermaid

-a sentient winged horse

-a sentient centipede large enough to wrap around a mountain several times (she is handsome)

alright lets trot through these. a GHOST is not one of the four tingle types so you can have a ghost racecar or a ghost unicorn or a ghost bigfoot. ghosts are outside of the four types and do not have a classification

a VAMPIRE is also outside of the four types. so you can have a vampire bigfoot or, of course, a vampire night bus. does not strictly fall into any of the four main categories

MERMAIDS are technically a long lost species of unicorn I DONT MAKE THE RULES I JUST EXPLAIN THEM. this makes the MERMOPED tingler a little confusing but i had to pick a category and that one went into living object. now that i mention it possibly the only tingler that is technically a double category of unicorn/living object.

WINGED HORSE is easy, thats a pegasus which is a species of unicorn just like a mermaid

a SENTIENT CENTIPEDE LARGE ENOUGH TO WRAP AROUND A MOUNTAIN is an ancient creature, therefore dinosaur tingler

-My other self-indulgent question: do you have a favorite bug? (Or second-favorite if you count Mothman as a bug)

i love finding spiders in the house and giving them a pet because they are doing a good job livin their lives doin their thing. close second would be a pretty ladybug

-Any thoughts on what tinglers will be like in 2025? Do you expect to be writing a lot of political tinglers again, like post-2016?

honestly i really do not like writing specifically political tinglers anymore, and the amount that i write has gradually dropped over time (i think ALL tinglers are political but in a different way). so honestly i think i will write a few political tinglers but not many. my hypothesis on this is that my HORROR NOVELS are very very political and so maybe i get a lot of these ideas out of my system that way now. when it comes to tinglers i just wanna explore my OWN mind and heart and butt more

THANK YOU for these wonderful questions and thank you for your tingler-a-day project it was so moving and powerful. what a treat it was an honor to be a part of something so beautiful. THIS PROVES LOVE IS REAL

[clockwork-hearted]

This was the first queer movie I watched in high school. I remember finally having good, strong WiFi and exploring YouTube one night. Was using my refurbished MacBook that I begged my dad to get me so I can have something to use for school.

I don’t remember how exactly I came across this movie (honestly was probably going through some YouTube rabbit hole of “movies where guys make out” or the classic “two men kissing” search), but it was the full length movie. And it was free.

I was so excited to watch it and see what kind of guy on guy action I would get to see. But being forced to stay in the closet growing up, I couldn’t just outright watch this movie while my parents were home.

So I bookmarked it. Made sure I even saved the link somewhere. And had to wait until my parents weren’t home.

Thankfully, I ended up realizing that I was a teen that was allowed to stay up late on the weekends. So I stayed up, waited until both my parents were in their rooms, fast asleep, and then I went into my room, closed the door (couldn’t lock it though. Locking bedroom doors was an offense that would cause a scene every time for absolutely no reason), plugged my headphones in, and snuggled up and watched it.

I remember sitting upright to start it then getting tired and deciding to lay down. Ended up laying the laptop on its side just so I could keep watching haha

And I remember going through the rollercoaster of emotions seeing these two characters having a connection but being so twisted up about it. Regardless of everything they went through, I still wanted that. I still wanted someone I could kiss passionately. Someone I could go to bed with and wake up next to in our own little world. Someone I could go to the beach with and spend all day with. Someone who wanted to push me for my abilities (don’t have any but it played into my fantasies lol) and strive to be the best I could be at them.

And then reaching the end of the movie and being so happy with it. I remember crying. Crying so much that I thought I wasn’t going to be able to stop. I remember shoving my face in my pillows to try and muffle my crying.

Oh, I learned to cry silently so very quick in my home. How I learned what it meant to be even more suppressed than I already was. How I had to learn to hold back all the choking sounds my throat would utter and just let the tears flow. Silently blowing my nose into tissues so I wouldn’t wake my parents and cause a scene.

“Why are you crying? What’s happening? What did you watch? What’s going on? Etc. etc. etc.” - yeah, like I was going to come clean about my emotions and be able to talk these things out. Pht. How I wished and how I dreamed that I could. Would’ve made growing up easier. But I didn’t have those kinds of parents.

So the first night I watched this movie, it meant a lot in such little time. Movies like this really saved me as a teen.

I started doing a deep dive into any and all other queer movies I could find online for free (but that’s a story for a different time).

Tbh, I had forgotten about this gem of a movie. Made me feel a little guilty for forgetting, mostly because it really helped me continue pretending, and knowing that one day I would find someone to experience beautiful moments with. It allowed me to realize that queer media (that wasn’t porn) was out there, that I didn’t have to feel alone, and that it was only a few key strokes and google searches away.

For anyone who read through this whole thing (I know I blabbed, but I really needed to get this off my chest and my mind), thank you.

And I also hope that even though the world can feel so against you, even in spaces that are supposed to be safe, that there are people out there that know and understand you and can relate to how you feel.

I know it’s always easier said than done, but hang in there. And if it all gets to be too suffocating, please remember there are resources out there to help. But please, please, please, don’t get snuffed out. Let yourself burn as bright as you can. Because at the end of the day, you will always find Shelter- whether it’s with family members, friends, teachers, chosen/adoptive families, online communities, etc. you will find it. And you will be safe. And you will be loved.

I wish you all the very best. May this movie and many others bring you as much joy as it did to me. <3

Shelter (2007) dir. Jonah Markowitz

[flowersforthemachines]

Some facts about Neve (and Tevinter) gathered from the banters

I went through all companion banters on DanaDuchy's channel after playing the game to write down all facts about companions/the world that I haven't seen brought up anywhere in the game as a writing reference (and for funsies).

Note: This list may not be exhaustive. I might have missed some something or didn't write it down because I considered it common knowledge. If you have anything to add, please DM me or send an ask! (do specify what banter the information is coming from, though)

Note 2: Posts from this series (mostly) don't include information from banters specific to quests or between companions and faction members. I plan to do another playthrough to capture more of those and will add any relevant info to the character posts.

Other characters' posts: Bellara, Davrin, Harding, Lucanis, Emmrich, Taash. I'm also planning a post about just the Lighthouse some time later

About Neve:

General:

Neve isn’t rich, and her best coat is a gift from a grateful tailor after she saved his warehouse from an arsonist

Neve’s coat is woven with enchantments to resist fire and lighting 

Neve has never done blood magic. She is against it on principle and judges those who use it 

Neve doesn’t seem to like entertaining extreme hypotheticals since she reacts to Harding’s questions like “What would you take with you to a deserted island?” with asking why she would end up in such situations in the first place 

Neve wouldn’t want gems on her leg, because she thinks they would get stolen within a day of working in Minrathous, and she generally prefers to keep a low profile while on the job

However, she still considers saving up for a new, fancier leg to have more fashion choices. She likes Taash’s idea of getting a ruby inlay for it

Neve never visited Rivain before joining the Veilguard, though she now finds its beaches charming

Ever since she was a baby, Neve was stubborn and asked too many questions (and hated unanswered questions as well)

Neve likes Qunari food but thinks it’s very spicy

Neve likes seafood 

Neve doesn't drink tea

Neve isn’t really close with her family

Neve once tried to use a wisp-repelling artefact the Veil Jumpers found to get rid of the wisps in her room, but it only attracted wisps from the entire Lighthouse

Neve isn’t interested in exploring the mysteries of the Lighthouse because she has enough mysteries on this side of the Veil

(If Rook chooses to save Minrathous) Neve sends civil engineers to assist in Treviso 

On work: 

Neve didn’t want to be a detective when she was a child (not as if in she didn’t like the idea, she just didn’t consider it), though she didn’t have any dream career either 

Neve got into detective work by picking up odd jobs and building a reputation of being good at finding things. Eventually, she was hired to find someone’s brother, a case nobody else wanted to pick up, and her career took off 

Neve agrees that she is cynical and married to her job, but doesn’t consider herself ‘serious’  

Neve allegedly has a system for sorting her papers (Emmrich and Rana are sceptical about its existence) 

(If Neve becomes Dock Town's protector) Elek is implied to visit the Lighthouse again multiple times. Taash mentions seeing him poking around the library. Neve explained that he thought he could grab some fade-touched items to sell, and told him to run the plan by the Caretaker (one would think they did not approve)

On life in Minrathous: 

Neve was born and raised in Minrathous

Neve has never been inside the Archon’s Palace

(If Neve chooses to become Dock Town’s inspiration) Neve doesn’t regret letting Aelia live because she got information on Venatori out of her, and her death wouldn’t change the past

(If Neve chooses to become Dock Town’s inspiration) Neve gets to take a break for once in her life because Rana keeping an eye on the Dock Town actually helps

(If Neve chooses to become Dock Town’s inspiration) People gossip about Neve and Rana after they start their agency :)

Neve describes the rain of Minrathous as "cold fingers down your neck", but she misses it now that she's away from the city. The sound helps her fall asleep 

Neve’s entire apartment could fit inside villa Dellamorte’s dining room 

One of Tevinter papers referred to Neve as "Dock Town dirt-chaser," and to Emmrich as "sinister foreign necromancer”

A Tevinter paper called The Minrathous Herald once wrote that Neve should be exiled. The same paper called Shadow Dragons “traitors to the Empire” 

Neve never runs out of ink because she's on good terms with Minrathous ink sellers 

There is however one banter where she runs out of ink (I think it was with Davrin). Make of that what you will. 

On the Shadow Dragons: 

Neve didn't know Dorian personally until she joined the Shadow Dragons

Neve figured out the Viper's identity even before joining the Dragons. Her not revealing it to the public is one of the reasons he recruited her

Tarquin calls Neve a pain in the ass 

Relationships with companions: 

Neve calls Manfred ‘Fred’ (he seems to like that)

Manfred learns to say Neve's name (likely only happens if you revive him at the Necropolis, though I am not sure)

Neve introduces Lucanis to a spice shop in Dock Town

Harding describes Neve’s tastes in coffee as “made of gutter water filtered through an old sock”

Lucanis once showed Neve’s coffee to Viago. He found it “unsettling” 

Davrin thinks drinking Neve's coffee is worse than the Joining

Neve spoils Assan (but denies that accusation)

Neve is rather quick to consider questioning corpses with Emmrich’s help for her cases 

Neve is very apprehensive about lichdom and the perspective of Emmrich eventually turning evil (just like Emmrich isn't thrilled about her taking over the Threads for similar reasons)

Lucanis is concerned about Neve taking over the Threads. Mainly, about how much they are paying her

Neve has multiple banters with Taash discussing her relationship with Lucanis. Taash initially thinks of it as some sort of predator-prey dynamic, but Neve says she is not into that and explains that they are taking it slow and cautious. They both went through a lot of pain in their lines, which they tend not to show for different reasons

Neve's relationship with Lucanis is also more than she usually looks for with people

Neve takes Taash to Hal’s fish fry stand. Taash loved it :)

Taash offers Neve help on ladders in case she may need it/it gets stuck on steps due to being hook-shaped, mentioning they knew a Lord of Fortune who lost a hand and whose shoulders hurt while climbing because of it. Neve seems to appreciate the gesture, even though she can handle herself

Neve thinks Taash is nice to work with, offering help without being overbearing like some people are

Neve asks Taash to teach her Gold Thief (a Lord of Fortune dice game), so she can play it with the Shadow Dragons, and then subsequently gets beaten by the Viper

On Tevinter: 

Fashion is important in Tevinter because a good outfit lets people know you are under the protection of someone powerful

There aren’t many mages in Docktown, which is one of the reasons the government doesn’t care about it 

The big red cat near Halos’s stand is named Ferdinand

Stains on clothes can be cleaned with magic

You can get pineapples anywhere in Minrathous 

Neve calls the magic used for the lights in Minrathous a party trick, but Emmrich considers it a high-level enchantment because of its quality and duration

Tevinter doesn’t regulate the charms sold in the market (which is why there are a lot of scammers who sell fakes) 

[cheetabites]

☆彡 heavy ˳༄꠶

characters: park gyeong seok (player 246), kang dae ho (player 388), and hwang in ho / 001 / the frontman

˳༄꠶ summary: you’re their younger sister who ends up in the games (alongside them) - platonic headcannons

park gyeong seok (player 246)

★ gyeong seok grew up with only one sibling; and that was you. you’re one of those siblings that has a large age gap. your mom had him first, in her late twenties (around twenty eight) while you were born in her mid thirties (she was thirty five.) after that there was no reason to proceed in having more as she’d already gotten one girl and one boy, and also because she was getting older - she didn’t want to risk the complications that might occur if she did get pregnant again

★ as mentioned before in my other headcannons, gyeong seok is a chivalrous man. despite the age gap, it never stopped him from hanging out with you (even if his friends thought it was embarrassing) - he even considered you as his number one best friend, always picking you as his first choice. there’d be times where on random days of the week he’d just take you to the park just so you could play together; building sandcastles together, picking stray flowers and blowing out all the dandelions you could find - he was one of the main reasons you grew up so happy

★ saying this, when he’d realized that you were in here with him he was so happy - he was in a room filled with strangers, so it was nice to see a familiar face. but after red light green light, he cursed at you for coming to participate in the games; “you shouldn’t be in a place like this,” he said. when you’d told him that you came here to help him pay for na-yeon’s treatment, his heart broke a little bit. of course you would selflessly sacrifice your safety to the unknown just to help, that was so like you. he didn’t blame you after that. instead he just kept you close to him

★ during the six-legged pentathlon you both paired up with eachother (you also stayed together in mingle as well), rejecting all and every suggestion that you would split up; if you were going to die, you wanted to die with him. some part of him though, while he wanted to stay with you, considered splitting up just so that if one of you lost, the other could hopefully make it back to his daughter; he didn’t want her to be left alone and abandoned. you both ended up making it out of there though; but when you were playing your required task and someone would urge and push you to successfully finish it, he’d make sure to shut them up. and when it was his turn and you could see the doubts in his eyes, you would gently take his hand and encourage him

★ when it came to the revolt, you urged him not to fight but he did so anyways. you didn’t let him go that easily though, and went with him - hyun ju made sure you knew how to properly arm a gun - like the baddie she is - before you all went to find the control room. when you were up there with him, you defended him as if your life depended on it. and for my sanity and yours, you both were able to retreat back to dae ho, hyun ju and geum ja

kang dae ho (player 388)

★ you were his only younger sister; and what he liked to believe, his responsibility. he’d been the youngest for quite some time until you came along, and let me tell you that he was so excited to be a big brother. he’d alway touch your mom’s belly just to feel you kick and would sometimes try to talk to you as well

★ you only have three years between you, but he always makes sure to reinforce his ‘oppa’ card. you give it to him though, because whenever you’d call him that he’d light up like a christmas tree. i also feel that when you both were still below double digits, your oldest sister was already in high school. so he was your main playmate who always tried his best to teach you the games they taught him

★ you were only in the games because you accumulated some debt due to being scammed. as for dae ho, you didn’t know he was in debt. so it was a huge surprise when you’d saw each other

★ you stayed together through all the games. it was his duty as your brother to protect you, and he took that serious; he let you hide behind him in red light green light, sacrificed his spot in gi-hun’s group so he could give it to you, and held your hand the whole time you played mingle so you’d never get separated

★ when it came to revolt you thought it was a bad idea for him to go into open battle against the guards. you knew about his ptsd, and you saw how he flinched whenever the sound of the gun rolled off but you couldn’t stop him. when he came back for the magazines though, you could easily spot the tremble in his chin and the frightened eyes that were beginning to tear up. so when he’d dropped it all and cowered back close to the wall, you followed him and held him close to your chest - offering silent comfort as he randomly babbled all the thoughts that were running through his head

hwang in ho / 001 / the frontman

★ the staff obviously knows the names and backgrounds of each of the players that come to these games, but they weren’t aware that you - the frontman’s sister - was recruited. their ignorance wasn’t their fault though, because he’d never revealed his real name to them; so there wouldn’t have been a way for them to know

★ but this man is NOT happy when he sees your photo illuminate on the floor, your number shining down below your shy smile. i’m sure when that moment happened he tilted his head to the black square guard with a ‘what the fuck’ look (although he - the square guard - couldn’t really see the frontman’s expression due to his mask being on.) let’s just say that guard is lucky that he didn’t fire his ass right then and there

★ he’ll order the guards to take you away before the first game can proceed, but he makes sure you’re separated. so you’re basically alone chilling in one of the spare rooms near his quarters until he finally decides to reveal himself to you - which takes a little while since he decides to disguise himself as a player after gi-hun’s stunt

★ he makes strict orders to the guards in regards to keeping you safe and healthy; making sure that you’d stay content while he’s gone. you found the special treatment weird at first, but you only realized how good you had it after you witnessed what happened in the games, provided from the tv that was in your room (oops, he must’ve forgotten to take that out >.<). after that, you cowered from the guards when they came to check on you and offer you food, and remained tense as you thought about your situation; how the hell were you able to get out of this?

★ after mingle ended the tv’s went blank, and you remained bored with nothing but your racing heart and running brain to keep you busy. you were like that for quite some time until the revolt happened - although it was unknown to you. in ho decided that it would be the right time to reveal himself to you once everything was over, and being honest, he was more worried about this more than about the amount of guards he lost.

★ he made his way to your room, heart climbing into his throat. meeting you..seeing you, it reminded him all the more of his last encounter with jun ho. and deep down he just hoped it wouldn’t end the same way. but little did you know, that your fate was already decided; you’d never escape his grasp again

feeling a bit doozy, i might rewrite this later. but i hope you enjoyed! thank you for reading <3!

© cheetabites. don’t translate, claim or repost my works on any platform. jan 5 2025.

[p0orbaby]

Request😍: y/n and alessia or leah (you decide! find your tumblr side and aaalll the stories of them. It leads to jealous alessia/leah bc of y/n being with other girls (like getting jealous when your partner cheats in your dream). Reader has to handle the situation and in the end manages to make less/leah focus on all the fluffy/spicy stuff there is about them. If you want to make it smutty (what we all love hehe): they eventually get inspired by tumblr and choose another story (you can decide which of all the good alessia/leah x reader smut on here) to reenact. Thank you!!! (If you dont want to write this feel free to repost for another writer, also you can switch the roles who is jealous, i dont care:)

i amended this a little, pls don’t hate me

it would be harsh to call this a crack fic but i honestly giggled the whole time writing it 🤭

-

You find Alessia on the sofa, her face illuminated by the blue glow of her phone screen. At first, you think she’s watching one of those oddly specific TikToks she loves—something about cats playing table tennis or an American teenager ranking their favourite crisps. But then you notice the furrow in her brow, the way her teeth tug at her bottom lip. Her expression is equal parts confusion, disbelief, and mild offence.

“Everything alright?” you ask, setting your keys on the counter.

She doesn’t answer immediately, which is a bad sign. Alessia always greets you the moment you walk through the door, even if it’s just to ask what you’ve brought for dinner. Instead, she tilts the phone slightly so you can see the screen.

“Do you know about this?” she asks, voice clipped.

You lean over, squinting at the screen. The webpage is clunky, its layout straight out of 2012, and the title reads something absurd like ‘Sunlit Smiles and Shadowed Hearts’. Your name is prominently featured in the summary, alongside a few other recognisable ones.

“It’s fanfiction,” she says, answering the question you haven’t asked yet. “About you”

You blink. “About me?”

“And other people,” she adds, her tone sharp now, like the edge of a too-clean knife.

The penny drops. “Wait—what?”

She sits up straighter, turning the phone to face you fully. “Look. This one has you with… God, Tooney. And this one—oh, this is just brilliant—you’re married to Ona. Married! Like we’re just some passing fling”

You bite the inside of your cheek to keep from laughing, which, given her expression, would be a tactical error. Alessia doesn’t do jealousy often, but when she does, it’s like an overdramatic romcom villain plotting their revenge.

“Well,” you say carefully, “at least they’ve got good taste?”

“Good taste?” she repeats, incredulous. “One of these has you sneaking off with Mary behind my back during a post-match interview!”

“Creative, though,” you offer.

She glares at you, tossing the phone onto the cushion beside her. “This isn’t funny”

“It’s a little funny,” you say, sitting down next to her.

“It’s not,” she insists, crossing her arms. “Do you know how many of these there are? And how many don’t have me in them at all? Like I’m just some side character in your life?”

You try to suppress the grin tugging at your lips, but it’s no use. “Less, you do realise this is all made up, right? None of it’s real”

She huffs, her cheeks pink now. “I know that. But still. It’s insulting”

You reach for her hand, gently uncrossing her arms. “Alright, let’s look at it this way. I’m obviously very popular. Isn’t that a good thing?”

“Not when you’re popular with everyone except me”

“Oh, come on,” you tease, squeezing her hand. “I’m pretty sure there’s stuff about us too. The fluffy, romantic, borderline inappropriate kind”

Alessia hesitates, her gaze flicking to the phone. “You think so?”

“I know so,” you say confidently. “Because we’re the superior couple. Clearly”

That earns a small smile, though she tries to hide it. “You’re an idiot”

“And yet, here I am, fully committed to proving my devotion,” you say, reaching for her phone. You type in a search, scrolling through pages until you find what you’re looking for. “See? Right here. This one’s about us”

She leans over, peering at the screen. Her eyes scan the words, and slowly, her frown starts to fade.

“This is… cute,” she admits reluctantly.

“Exactly,” you say, draping an arm around her shoulders. “So, no more being jealous of fictional versions of me, okay? They don’t get to go home with you. I do”

She turns to look at you, her expression softening further. “Fine. But I’m still not over the Mary thing”

You laugh, pressing a kiss to her temple. “Noted. I’ll make it up to you”

“You better,” she mumbles, but there’s no real bite to her words anymore.

It’s only later, as you’re cooking dinner together, that you catch her sneaking glances at her phone again, her lips twitching with the beginnings of a smile. If she’s reading more of those stories, you don’t mention it. Some battles are better left unpicked.

[captain-kit-adventuress]

I haven't read any cozy fantasy, to be fair, but because these posts are mostly talking about the fundamentals of good writing while the fundamentals of cozy fantasy are taking more of a backseat, I feel comfortable throwing in my pov. I agree with all of the above, but I think we should probably add on discussion of why tension works even when stakes are low.

Given all of the GBBO mentions, let's liken writing a story to baking. So what differentiates a cake from bread from a biscuit from [insert thing here]? Mostly ratios. Cakes and breads and biscuits are all made with the same fundamental ingredients, for the most part, but the ratios of each differ greatly between them, as do some of the techniques used. A more traditional fantasy is mostly plot-driven. That's one ingredient. Of course, you still need character and setting and all the rest, but because a traditional fantasy tends to use a big window into its world, you'll need lots of plot and worldbuilding in the mix. There is The Quest or The Prophecy or The Villain's Downfall or The Hero's Redemption or whatever, and these kinds of story tropes require a lot of moving parts to get to the end. Character is still important in a plot-driven book because it will enrich whatever that plot is, but the big window you're opening will swallow up the characters if you're not careful to get the other ratios just right.

But a cozy fantasy isn't like that. The window is much smaller, and so the ratio of ingredients necessarily has to change. Tension vs stakes is a great way to think about that ingredient mix, but when you're shifting your main base, you also have to shift the ratios of the other ingredients or it's going to turn out wonky. With a smaller window generally comes a smaller (though no less important) story. We don't see as much of the world in a cozy setting, so focusing too much on worldbuilding might crowd out the other elements in the story and overpower them. What tends to fit well in a smaller window is character. But if you want to create tension instead of stakes--and it is incredibly important to know the difference between the two, as the above post illustrates well--you can't rely on plot so much. Tension is all about character.

The reason tension works in GBBO is not just because the characters care about the outcome, it's that we bond with them and care about it also. We want it to go well for them. (Or at least, go well for our favourites lol.) So with bland, uninspiring, nothing characters, even introducing tension isn't going to work well if readers have no reason to root for your characters, and wanting to see good in the world just won't cut it. In the case of the fantasy coffee shop idea, why do we care that this coffee shop survives? What makes the character care? What is the thing (or things) that makes the character get out of bed every day to run this shop? It doesn't have to be a big reason, either. It's not like it has to be to honour the memory of their dead mother whose dying wish was to own a shop like this, it needn't be dramatic. But it does have to feel like a real reason this person would be so motivated.

A different cozy genre that does this well is cozy mysteries, and those are all about characters. We always know there's going to be a murder (or at least the appearance of one). So that part of the plot is taken care of. What the author of a cozy mystery must do, then--besides solving the mystery--is tell us why that murder matters. The only question an author needs to answer before writing a cozy mystery after they've answered whodunit is why they did it. And you can only do that through the people that are still alive. The worldbuilding may contribute to it, but the murder doesn't matter except as it relates to the ones who are left in the aftermath.

Something I've noticed in recent years is that some authors are starting to approach independent stories like they do fanfic. To some extent, that's fine because good writing is good writing is good writing. One of the biggest differences between independent stories and fanfiction, however, is that fanfiction doesn't need a reason to exist. You can write that cute scene with no stakes and no tension and people will read it because it's like a deleted scene from the original, and it has all of the canon to support it. The existing canon is the primary reason fanfiction exists.

Independent stories are not like that. They must have a reason to exist outside of "this is cute and I like it." We readers don't have access to the world in your head in any other way than through the published material, and it's an author's responsibility when writing independent stories to give us that access. You have to show us why we should care, and if you're spending too much time worldbuilding and plotting and dialoguing and not enough time making us care about the people in the story, we're not going to be any wiser at the end, and tension vs stakes vs anything else isn't going to matter.

Cozy Fantasy and Why It Doesn't Work

I think I am among many who feel like they should love cozy fantasy and have found it an incredibly lacking genre.

This newly branded "cozy fantasy" genre that has taken readers by storm since 2020 and while it is new that books are now marketed as cozy, the genre itself isn't new. Howl's Moving Castle by Diana Wynne Jones is a great example of the genre before it was labeled and also how to make it work.

Cozy fantasy is defined by many as fantasy with low stakes. Fantasy aesthetic but less sword fights. On paper, it sounds great. But the execution has been less than stellar for readers like me. The lack of physical stakes has also impacted the emotional stakes of these books, creating forgettable characters with boring problems. As a romance reader, I find this frustrating. Romance is known for being a predictable and formulaic genre, the now defunct Romance Writers of America defined romances as needing happy endings, a term romances have continued to follow. Yet these romance texts manage to have low physical stakes (how to date your neighbor, how to confront your toxic friends, etc) while still maintaining high personal stakes that keep readers invested and begging for more. So I was initially confused why cozy fantasy authors struggle to write texts that connect to readers like me.

I think I have found the answer which is the genre is just here for vibes. It is all about aesthetic, not even worldbuilding that fantasy is known for as most cozy fantasy I read have so many problems as soon as you ask one question. It is hard to acknowledge that a genre that is pitched to work for readers like me doesn't work for many of us. Especially because occasionally there is one that works beautifully to my taste.

I often say my favorite cozy fantasies that are more contemporary are short and visual, which I plays into the idea of the genre being an aesthetic. The Bakery Dragon by Devin Elle Kurtz is a good example because it is a simple story that is given the perfect amount of pages and gorgeous visuals without dragging on when the message is very clear and easy to understand. Books like The Phoenix Keeper and Legends and Lattes have absolutely nothing for me, their very clear message hitting the reader over and over so the readers don't miss it and focusing on the aesthetic of worldbuilding rather than the reality of the fantastic elements within the world.

I guess my point is. . . I realize this genre isn't for me since I have realized it is more of an aesthetic than anything. .. .but I want it to be. Should I let it go and put my efforts elsewhere? Or should I keep exploring this new trend and find the hidden gems?

[celestiamour]

Ever since squid game s1&s2 wi hajoon character😩 I even saw a clip of his back 💀ok im getting side tracked😭so may I please request a smut with junho x fem reader where he’s stressed trying to find his brother but his wife or gf is there for him to keep him calm. It could literally be any plot😭 just need Jun Ho

ft. hwang jun-ho x f! reader — squid game

╰₊✧ eating you out after a long stressful day┊0.7k words

setting: season 1, before the 33rd games contains: smut!! dom jun-ho & sub reader┊oral fixation, receiving oral, overstimulation, mentioned nipple play & marking, established relationship

➤ author's note: i need this so bad, the new year depression is hitting and i’m so lonely

being a police detective is insanely stressful on levels he couldn’t even begin to explain, even more so when it’s a case related to him personally. ever since his brother went missing, he’s been relentless in his pursuit to find him, searching for even the tiniest clues that may help push the dead end he’s been stuck at for so long. he comes back a little bit later each night with less and less energy, crashing out on the couch and fall asleep to stop the raging headache from considering all of the possible things that could have happened. 

he still makes an effort to be there for you though, taking time out of his busy schedule to take you out on at least one date per week, not just to remind you that he loves you even with how busy he is, but for him to relax too. there’s nothing better than being comfortable and able to turn off the gears constantly turning in his brain in the company of someone he adores so much, and returning home to rest in your warm embrace is akin to heaven for his troubled mind. 

sometimes he likes to shut his brain down entirely when having sex with you and just thoughtlessly do his own thing. it’s almost therapeutic for him, even though you’re the victim of his ministrations and find your body suffering from too much pleasure (if it’s even a thing, he draws a thin line that makes you wonder).

like he is right now, hands spreading the inside of your thighs with a tight grip to prevent them from closing and his mouth laser-focused on what’s in between.

“i-it’s too much,” you whined, trying to push him away for a second of relief yet making no real attempt to do so, limbs slacking after a mere second of effort. perspiration had covered your skin in a thin sheen, shining under the light of the ceiling fixture and drawing attention to his previous actions: marks from constant sucking and biting into your soft flesh all over your neck and chest area. 

he simply hummed in response, the vibrations sending pleasure straight to your clit and making your whimper, not really listening to you. there weren’t really any thoughts in his head at the moment, only trying to pull another orgasm from your spent body to taste more of your addicting nectar and listen to your cries that sounded like the song of an angel.

you originally wanted to pay him attention before yourself, taking the edge off the perpetual stress he was going through with his climax, yet this was all he wanted to do, sucking on your clit like it was candy until the neighbors knew his name. there was no real skill or technique behind his movements, just pure unadulterated passion and lust as he pulled you even closer than you thought possible with an increased pace of fucking you with his tongue. 

it felt so suffocatingly hot, taking another breath only to let out another pitched moan in a vicious cycle. you didn’t know where to put your hands, alternating from the bedsheets to your oversized t-shirt stolen from his before finally tangling your fingers in his dark locks and tugging which caused him to groan in response. he finally opened his eyes and met your half-lidded ones, but he did not stop his assault on your engorged pearl. truthfully, the sight of you as such a blissed-out mess was almost enough to make him cum untouched, and he’s not even certain if he didn’t.

the familiar feeling of an orgasm washes over you, the intensity of it being your third tonight making your back arch off the mattress and your toes curl with a pitiful gasp. still, jun-ho’s lips stayed latched onto your abused pussy, lapping up all of your arousal like a damn dog until you were all cleaned up with nothing but his spit slicking your folds. you whimpered when he finally let go only to part your swollen hypersensitive cunt with his finger, admiring how it quivered and clenched around nothing begging for more.

it was going to be a long night, but it’s worth it if he gets the satisfaction of carrying you out of bed the next day due to your shaking legs and he finally wakes up with a clear head for once.

[shrimpybbq]

a timeline of rafe cameron and obx actress!reader’s character’s relationship (+ their real life one) pt 2

season 2: the yearning

season 2 is where rafe's obsession with iris really grows

he's constantly wondering about her, and how she feels about him. he's so convinced that she hates him and will never speak to him again, but he has this feeling that she won't report him

after john b and sarah 'died', iris spends more of her free time with the pogues. she comforts jj, and often seems to end up bailing him out of trouble

but they don't know that rafe's managed to get her phone number, and he keeps sending her messages trying to explain what happened on the tarmac - she doesn't respond

he even tries to go to her work, but she's not working that day

as rafe spirals, he genuinely feels she's the only one who would be able to understand him

he messages her before he goes to the bahamas

r: "hey, i'm gonna be gone for a few days, but i still really need to talk to you, ok?"

r: "please, i need to explain"

r: "just give me a chance to explain"

r: "please"

iris has him under his first initial in her phone, just in case any of the pogues happen to see her notifications. finally, she decides to respond, if only to understand more (and to get him to stop texting her)

i: "ok"

rafe literally shouts with joy seeing her response, no matter how dry it is. she's finally acknowledged him

while he's away, iris goes to see barry. her mom has been getting worse, and in a way, barry understands what she's going through. he's surprisingly good to talk to and the pair end up smoking together more than once, venting about their lives

in his deluded state, rafe truly thinks he will be able to win iris over with the gold. he's dreaming about paying for her mom's medical bills, winning her favour and looking after iris, living their happy little lives together forever

iris and rafe finally talk at tannyhill, rafe pleading that he was just trying to protect his dad. surprisingly, she listens intently, and lets out some small 'hmms' and 'mhms'. they get back to neutral ground, though she's still torn between what to do, but inside, she knows rafe shouldn't go to prison for a mistake

side note: ward oversees the pair talking, noting his son's wildly erratic hand gestures and decides to keep an eye on whatever is going on between the two

they're good for a few days, and then the pogues return to kildare with a very much alive sarah and john b, and everything changes once again

iris was so busy working that she hadn't had much to do with the gang, until jj texts her that john b had been arrested, and that rafe had tried to shoot them all - safe to say she's disappointed

oh but she's so mad when she hears of him trying to drown sarah, and she fully ices him out again

rafe kidnapping iris was not his finest idea, but she won’t listen to him after she hears and he’s just so mad. he’s got her in his car on the side of the road, just trying to get her to listen but she keeps telling him she “knows what he did”

rafe doesn't register what he's done until the sound of her sobs cut through his internal monologue, shamefully apologising and dropping her home, not even trying to say anything more

he’s just mean mean mean in this season bc he's hurt, but also he wants iris so bad and when she won’t even look at him, he can't control his actions

iris hears from the pogues that there is a warrant for his arrest and can't help feel concerned for him, only to be both shocked and concerned at the sight of ward cameron blowing himself up, her being the one to console sarah on the pier

everything is awkward between the pogues now, but it only gets worse once they see the texts on iris's phone following rafe's release from jail, him asking to see her...

they completely shut her out, refusing to even speak to her, and it only serves to push her further into rafe's (extremely willing) arms

he wants her to stay with him for the next few days, unknowingly about to bring her into all the drama with the cross

iris and rafe end up kissing for the first time just before he manages to get the cross for himself, and from then on, it's on between them - they're all over each other. think making out against the wall, in bed, on the couch

they both understand each other, able to see through the tough facade they put on and be vulnerable around each other. at their core, they’re just two hurt kids clinging on to each other

rafe literally thinks he will combust if she ever tries to leave him after he got a taste

unfortunately for him, he tries to get her to come along with him to guadeloupe, but she refuses

"Rafe, I can't leave my mom…. she can't survive without me," Iris whispered.

"No, no, c'mon, we can go together and I'll make sure she's got a carer and everything, the best medical treatment, ok? I just - I just need you with me for this," Rafe pleaded, desperation seeping through his tone.

"I'm sorry Rafe, but I can't."

and just like that, the beginnings of their relationship crumble, leaving rafe feeling betrayed, hurt and angry, spiralling as he lost something he barely had, and leaving iris all alone on kildare once the pogues get lost at sea, vulnerable and hurting

season 2: behind the scenes

heheheheehhehe

season 2 is where rafe and iris get closer, and the flow on effects are felt between drew and obx actress!reader

the kisses they share on screen are so steamy it has fans freaking out, especially at the quick glimpses they get of their tongues melding together. even people from outside the fandom start resharing videos of the kiss with hashtags like #wantthis #hot #menext

like i'm talking hands in hair and 'rafe' gripping her waist like he's about to be torn away, pulling away panting, red lips, etc.

drew and obx actress!reader had both spent time looking forward to the kiss, each secretly reminiscing on the kiss at jd's party. neither objected when they had to redo the take multiple times

the lingering touches shared between their characters are also picked up on, with rafe often touching iris and keeping her close by the end of the season

drew and obx actress!reader spent more time together this season working to develop their relationship after the directors told them more of the series plans, growing their bond even more

the attention on season 2 is greater this time around, with more fans and more people interested in the actors personal lives

obx actress!reader posts a few behind the scenes pictures, but nothing that really gets tongues wagging

it's a picture posted by madison bailey that does, with drew and obx actress!reader lying next to each other on a yacht, the pair side by side as they appear deep in conversation. fans go crazy from all angles, from the tiny bikini she was wearing to drew only in his swim trunks

the pics of them getting clingy and touchy later on in the evening don't ever make it out however….

the cast just sigh, having flashbacks to the 'friendly kisses' the pair always seem to share after a few drinks

in interviews, fans learn of obx actress!reader spending christmas at drew's and they just go wild, convinced the pair are in a secret relationship

with rafe and iris becoming more important characters in season 2, interviewers are lining up to film with the two of them alone, and for the few that manage, the views on the clip are sky high

it's literally just drew and obx actress!reader flirting and giggling the whole time with each other

obx actress!reader 100% simps for drew, complimenting his new look to the interviewer and saying he looks so handsome. drew can only blush and look down at his hands, all shy and cute

ok but lets talk about the bloopers!

it's the scene where they're in the car, rafe begging iris to listen to him after trying to drown sarah, and drew is waving his hands around wildly and accidentally hits her in the head. drew is instantly all over her, tenderly brushing her hair away from her head, checking in on her and apologising so much. it's quiet, but the microphones pick up on drew whispering "are you ok, baby? 'm so sorry"

but yet, they're not in a relationship??? and then drew starts filming hellraiser and people become convinced he's dating odessa??? and everyone is just so confused (including drew and obx actress!reader)

but then? there's pictures posted by paparazzi of drew and obx actress!reader together in new york, seeming far too close to be platonic and cuddling up against each other? queue even more confused fans

hehehe

Q: if i were to give obx actress!reader a love interest to spice things up and build some more angst, who would you want to see???

[literaryvein-reblogs]

Could you possibly give some info on the 5 stages of grief? I'm writing a character who's currently going through that

Writing Notes: Stages of Grief

Stages of Grief - (also called grief cycle model) A hypothetical model, originally described in 1969 by Elisabeth Kübler-Ross, depicting psychological states, moods, or coping strategies that occur during the dying process or during periods of bereavement, great loss, or trauma. These begin with:

the denial stage, [It is characterized by a conscious or unconscious inability to acknowledge or accept one’s own or an important other’s impending or actual death or some other great loss or trauma.]

followed by the anger stage, [It is characterized by anger, resentment, or even rage at one’s own (or at an important other’s) impending or actual death, other great loss, or trauma.]

bargaining stage, [It is characterized by an attempt to negotiate a deal with God or fate that would delay one’s own death or that of an important other, or that would mitigate or end other great loss or trauma.]

depression stage, and [It is characterized by feelings of sadness, loss, regret, or uncertainty that typically represent, consciously or nonconsciously, some level of acceptance in facing one’s own or another’s impending or actual death or some other great loss or trauma.]

acceptance stage. [It is characterized by some degree of emotional detachment, objectivity, or resignation on the part of oneself or an important other to the reality of impending or actual death, other great loss, or trauma.]

The model is nonlinear in that the stages do not necessarily occur in the given sequence or for a set period of time; moreover, they can recur and overlap before some degree of psychological and emotional resolution occurs.

Grief Response Model: The 5 Stages of Grief

A popular theoretical approach is to structure grief as a progression through a series of stages that follow a systematic and often linear order.

Kübler-Ross (1969) proposed a 5-stage theory based on the experiences of terminally ill individuals coming to terms with their death.

Here, grief begins with denial, in which the grieving individual is not merely unable to process their loss, but actively unwilling, and they will try in vain to avoid acknowledging what has happened.

This leads to the next stage, in which failure to deny the loss forces the individual to face it, causing acute feelings of frustration and bitterness that manifest as anger and hostility.

When anger does not provide comfort, grief then evolves into attempts to bargain, characterized by the grieving individual seeking means to reverse the loss in return for a sacrifice, often involving appeals to religion or spirituality.

This often does not succeed, and the grieving individual may increasingly ruminate over the loss and experience feelings of guilt or despair as they consider how it could have been avoided.

This leads to depression, as the individual resigns to their fate while still fundamentally existing in a state of conflict with their loss. The silver lining of this otherwise bleak stage is that the individual no longer attempts to avoid accepting their grief (through denial, bargaining, etc.), which eventually leads to true acceptance and letting go of their loss, or at least reaching a state of amnesty.

Examples of denial include:

refusing to accept or acknowledge the death

refusing or avoiding the topic in conversation

stating the loss is not true, or that the source of the news is unreliable.

Anger is a normal part of the grieving process, though it may seem hurtful or offensive to loved ones. Often, anger is just a manifestation of grief, and can present itself in various ways. For example:

blaming a medical doctor for not preventing an illness

blaming family members for a lack of care or support

feeling anger toward God or a higher spiritual power

feeling angry with oneself or blaming oneself for the death

experiencing a short temper or loss of patience.

Bargaining is often irrational. Examples of bargaining include:

"If only I had brought her to the doctor sooner, this would have been cured."

"If only I had been around more, I would have noticed something was wrong."

"God, if you bring him back, I promise I will never lie again."

While the earlier stages of grief help to protect us from the emotional pain experienced with loss, often these feelings are inevitable. Symptoms of depression include:

feelings of sadness

loss of interest in activities you normally enjoy

changes in sleep

significant changes in weight

lack of energy

feeling agitated or restless

feeling worthless or guilty

decreased concentration.

When we have reached the stage of acceptance, we no longer deny or struggle against our grief. During this time:

we work to focus our energy on celebrating the life of our loved one,

cherish the memories that were shared, and

make plans for moving forward.

While many often cite Elisabeth Kübler-Ross’ Five Stages of Grief as one common way to understand the process that happens after losing a loved one, Kübler-Ross was clear that her stages were relevant only to those coming to terms with their own impending death. When we have lost a loved one, another model for understanding the grief process may be more relevant:

The 4 Phases of Grief, proposed by British psychiatrists John Bowlby and Colin Murray Parkes. 

Shock and Numbness: This phase immediately follows a loss to death. In order to emotionally survive the initial shock of the loss, the grieving person feels numb and shut down. 

Yearning and Searching: This phase is characterized by a variety of feelings, including sadness, anger, anxiety, and confusion. The grieving person is experiencing a longing for the deceased person and wanting them to return to fill the emptiness created by their death.

Disorganization and Despair: This phase is marked by initial acceptance of the reality of the loss. The grieving person may experience feelings of apathy, anger, despair, and hopelessness. The person often desires to withdraw and disengage from others and the activities they regularly enjoyed.

Reorganization and Recovery: In the final phase, the grieving person begins to return to a new state of "normal." Intense feelings such as sadness, anger, and despair begin to diminish as more positive memories of the deceased person increase. The person may experience regular energy levels and weight will stabilize (if it fluctuated during other phases). 

Important Things to Remember

Everyone’s grief process is different. You may experience all of the above in this order, in a different order, some phases not at all, etc. You may feel that you’ve reached phase 4 and then circle around to phase 2 again.

There is no right or wrong timeframe to experience grief. For example, you may feel you are in phase 2 for several days, weeks, or months, or not at all.

Grief is a process. Be patient and compassionate with yourself. You’re not alone.

Sources: 1 2 3 4 ⚜ More: Notes & References ⚜ Writing Resources PDFs

Types of Grief ⚜ Bereavement ⚜ Understanding Death

Mourning & Grieving ⚜ Children's Death Comprehension

Hope this helps with your writing!

[incognitopolls]

*Think life sims, open-world RPGs, MMOs, some sandbox games, etc.; games where progression is nonlinear and is tied to long-term goals/improvement/leveling, rather than a hard-coded story or track (though they may still be story-driven), and that likely have an indefinite length/no real end.

For example: Stardew Valley, Minecraft, The Sims

If your answer varies by game, answer based on the behavior that you feel you are most often inclined to do.

–

We ask your questions anonymously so you don’t have to! Submissions are open on the 1st and 15th of the month.

[staryuee]

are you able to make some head canons of scaramouche, kazuha, xiao, (BASICALLY ANEMO BOYS), neuvi, kinich on how they react to reader being nonchalant like lwk i think itd be funny

NONCHALANT S/O

꒰warnings꒱ N/A

⠀꒲ ` characters . . . xiao, kazuha, scaramouche, neuvillette, kinich

⠀꒲ ` notes . . . happy new year ♡ still on hiatus but i didn’t want to leave you guys completely high and dry d(^_^o) + also kinich is most definitely out of character just bc i refuse to play the new update so i know nothing about him

XIAO

ʚ it doesn’t bother him, if anything he likes the fact you’re able to brush things off easily (makes it easier for him to stop crouching on nearby trees to assure you’re safe, but lord do you sometimes hurt his ego)

ʚ xiao isn’t confident in romantic gestures, even something as small as a compliment or pinky holding has him wanting to disappear and recover…so when you so easily act indifferent to it while he’s practically drunk on flush straight up makes him die a little

ʚ aside from the slight jabs to his pride, you aren’t uncaring and dumb enough to let his love go unnoticed (thankfully) so he can fully appreciate that you protect your peace

ʚ haunted by memories of war, death and the stench of metal, it’s nice to find some solace in the cool air you exude

ʚ from the outer perspective, two people who have nonchalant energy wouldn’t seem to work too well (but lord do people drool when you two are duoed for a fight), but you and xiao just click!

ʚ he’s quiet, protective but sweet and ready to take the first step to love you, while you’re chilled, confident and allow him to take comfort in someone who’s stable (and sometimes snarky lol)

KAZUHA

ʚ he takes your nonchalant energy as you being ditzy or levelheaded if anything - in other words - it’s really endearing!

ʚ you sort of match his personality to the T, except he’s just the slightest bit more reciprocal with other people’s energy meanwhile you just stand back with your hands either tucked in your pockets or fiddling with the edge of his scarf

ʚ he actually kinda just enjoys teasing you if anything to see if anything can make you crack, most attempts end in failure but it is a rather cute bonding exercise to whoosh you with anemo energy out of the blue to then help you reorganise your hair and straighten your clothes

ʚ he does worry for you on the occasion when you seem to show a lack of interest in him, he’s a pure romantic at heart! he thrives off the attention from his beloved partner! but once in a while you do show him just how much you love him

ʚ did he immediately brighten when you once placed your head on his lap really quietly when he was humming a melody to you? yes, and he has no shame about that

SCARAMOUCHE

ʚ oh you PISS him off

ʚ if ignorance and arrogance were ever personified it would be you and him respectfully

ʚ obviously you both love each other on deeper levels than just: “even though i’m above you i’ll still let you hold my hand, — “okay.” - but your relationship is just…humorous at best from an outsider’s view

ʚ the akademiya’s student body is currently conflicted between the idea that your relationship is either ideal or highly toxic

ʚ on one hand, it’s really adorable to see the mysterious, snarky student of vahumana that rarely ever comes to class be so oddly…chatty in your presence, as you so lovingly listened to every word (if the people close enough to actually hear can be bothered to ignore the fact he’s badmouthing the entire school while you shrugged at every word)

ʚ aside from the yapper x listener duo, he’d also…a little more physically affectionate? he rests his head on your lap quite frequently because you say nothing and therefore don’t bother teasing him

ʚ that’s also the main thing he hates: how nonchalant you are about everything makes his indifference seem futile and oddly more vulnerable. you don’t care about anything, and it’s incredibly infuriating! the first time he said “i love you” you replied with “huh?” and that was the first time he’s ever felt so scornful

ʚ he loves you most days, so he will deal with your frustrating silence - it’s nice to see him become the person he wanted to be with someone who rarely intervenes

NEUVILLETTE

ʚ he’s worried, intrigued and a little jealous all at once.

ʚ worried because he fears that your indifference is a direct consequence of his own inadequacy. are you perhaps not satisfied?? do you not like it when he cups the side of your face when he kisses you? or do you hate the purring noises he makes when you curl your hands in his hair? …it’s raining in fontaine again

ʚ he’s intrigued mostly because you don’t seem to care or even be fazed by the fact you’re not only dating a dragon - but a primordial, godly being that precedes the creation of the modern teyvat. he didn’t think the information would be useful to you in the first place, but when you asked so nicely about the two blue steaks in his hair, he felt obliged to tell you - and yet you replied with “oh, cool.”

ʚ a little jealous just because this attitude is rather perfect in court. you can’t show bias and any emotion whether for defence or prosecution can skew your perspective on a trial - it’s difficult. he’s grown to love the little beings that run around fontaine carelessly, passing judgement has become something so much more colourful than black and white. but with you? it’s like you either have no opinion, or just to not engage - slightly admirable, if a little scary

ʚ at the end of the day, it doesn’t worry him too badly. nonchalance doesn’t necessarily mean emotionally unavailable - and believe me he spends enough time next to you to love the little quirks and habits you do when no one is looking at that façade of yours

KINICH

ʚ you 🤝 kinich - two peas in a pod

ʚ you don’t give a shit about anything? neither does he! do you wanna kiss?

ʚ ajaw lowkey hates you both (said with affection) and does NOT hesitate to let his opinion be known, though kinich is of course quick to shut him down

ʚ he kind of enjoys peering his head at you during conversations to see what you’re like - if your face scrunches when people say something weird, if your brows pitifully furrow at the mention of loss, or even if you smile at laughter — and he sees quite literally nothing, which was honestly like looking in a mirror

ʚ no one actually knows how two people with nearly the exact same level of charisma (none) got together, but you two are happy with each other, so really - who else needs to comprehend your relationship?

ʚ you have a really similar approach to life: do what you must to get what you want. but to him that means dangerous commissions that no one would probably want, and to you that means lounge around graffitiing a wall with some symbols you thought of on the spot

ʚ it’s genuinely infuriating to have a conversation with either of you though when the person speaking isn’t looking for particular help (or is speaking too slowly for either of your likings), you either brush the person off and walk away, or kinich talks back rather abruptly

ʚ mualani made it a non negotiable rule to have someone, hopefully the traveler, around either one of you like some sort of support dog to ensure you guys actually socialise and don’t sit there like owls waiting to bite

©STARYUEE do not copy, steal or repost ♡ ᴜsᴇᴅ ᴛᴏ ʙᴇ ɪʜᴇᴀʀᴛɢᴀɴʏᴜ

[kirammanswifey]

Hii, I read your pt 1 n 2 of arcane characters breaking up with their s/o

Would you be able to hurt us(me) even more? Like they took too long to get us back that R already move on with someone better

Pretty pretty please🥺?

what if you never reconciled with arcane's characters after the breakup x fem reader

characters: viktor, jinx, vi, caitlyn, jayce, ekko, silco, mel and sevika.

writer's note: i loved the person who asked me to do this because i had thought about doing it but i didn't know if you guys wanted to read more of this but i guess we'll are masochist. so i ended up depressed after writing this, and that's saying a lot for a psychology student, the one i found the saddest and the hardest to write was jinx's, i love writing sad things but it's already too much suffering, later I'll come up with something lighter and nicer. as you guys know, requests are open ;)

break up link:

reconciliation link:

Viktor

The auditorium filled with applause as you finished your presentation. The project you had worked tirelessly on was finally being recognized. You felt proud, but also empty, as if something important was missing. As you looked up, you saw him. Viktor, at the back of the room, trying to go unnoticed, almost ready to leave.

Your heart skipped a beat as you recognized him. It had been two months since the breakup, two months of complete silence. Without thinking, you called his name. "Viktor."

He stopped, turning slowly toward you. The auditorium's light accentuated the paleness of his face, his sunken eyes, and his thin body seemed even more fragile. Concern washed over you instantly, but you held back the urge to approach and ask what was happening to him.

"How are you? How have things been going?" you managed to say, though your voice trembled slightly, betraying the calm you were trying to project.

"Fine." His response was cold, distant, almost mechanical. "The lab is progressing. The projects are going as expected."

Each word of his was a dagger, his formality making you feel like a stranger, as if you had never been part of his life. The lump in your throat grew, but you forced yourself to continue. You couldn't leave things like this.

"Why didn’t you reach out, Viktor? Do you still feel the same?" you asked, your voice barely a whisper, fearing the answer but needing to hear it.

Viktor closed his eyes for a moment, taking a deep breath before responding. "Yes, I still feel the same. What I’m doing is bigger than us. I can't afford distractions."

His voice was firm, but you could sense the slight hesitation, the pain he was trying to hide. Despite that, it hurt more than you expected. You nodded slowly, accepting the inevitable, though it broke your heart.

"Thank you for coming," you said coldly, matching the distance he had put between you. "I appreciate you taking the time to listen to me."

You turned around, ready to leave before the tears betrayed your façade. But as you walked away, you felt his eyes on you, almost as if he was waiting for something more, something you weren’t willing to give.

Viktor stood there, motionless, internally conflicted. In his mind, every memory with you fought against his convictions. He wanted to approach, to risk a second chance, to ask you to come back. The thought of losing you forever was suffocating him, but he also feared that his illness, his obsession with science, was too much for you to bear.

Finally, he decided to take that step, to approach you, to break the barrier he had built himself. But by the time he gathered the courage, it was too late. You had been intercepted by a colleague, a man who radiated health and vitality, someone who made you smile in a way Viktor couldn’t remember seeing for a long time.

From afar, Viktor watched, his heart breaking as he saw how the man made you laugh, how he looked at you with admiration. In that moment, he understood something he had always feared: you deserved someone better than him, someone who could be completely with you without the chains of science and illness.

He decided to leave, convinced that intervening would only cause you more pain. He didn’t know that as he walked away, you were watching him from afar, with a broken heart, wishing he had fought for you, even just a little more.

Jinx

Days passed after that heartbreaking farewell. The memories piled up in your mind, like broken pieces of a puzzle you could never put back together. Jinx's absence was a crushing weight, leaving you breathless, powerless. Her laughter, her mischief, her uncontrollable chaos... all had disappeared, and in their place, only an unbearable void remained.

One afternoon, as the rain furiously pounded against the windows and the sky was draped in gray, you couldn’t take it anymore. You knew exactly where to find her. On somber days, Jinx always sought refuge at the cliff, a place where the world seemed to end and the abyss opened before her like an invitation.

You ran through the rain, feeling each drop like needles on your skin, every step filled with a desperation that was suffocating you. When you reached the cliff, your heart stopped. Jinx wasn’t sitting, as she usually did, lost in her thoughts. She was standing, at the edge of the abyss, her slender figure barely visible in the mist.

But before you could take another step, she jumped.

The scream that tore from your throat was heart-wrenching, an echo lost in the wind. You ran to the edge, but what you saw below froze your blood. Jinx lay on the rocks, her body shattered by the fall, motionless, lifeless. The sight left you petrified, unable to move, unable to breathe.

The days that followed were torment. Guilt consumed you. What if you had arrived earlier? What if you had said something different? What if you had hugged her tighter? The questions haunted you, whispering in your ear that it was all your fault, that you hadn’t done enough to save her.

You didn’t eat, you didn’t sleep. You just returned to that cliff over and over again, hoping to find answers in the void Jinx had left. But all you found was more silence, more loneliness.

One night, when the moon barely peeked through the clouds, the weight became unbearable. You couldn’t go on without her. You decided it was time to join Jinx, to follow her steps into the abyss. You walked to the edge, feeling the cold wind on your skin, and looked down at the place where your love had met its end.

Then, a vision stopped you. Jinx appeared before you, but not like the last time. She was smiling, her gaze sweet and mischievous, like when she used to laugh at your jokes or drag you into her chaotic adventures. "Don't be sad, sugar," she whispered. "I'm here. I'll always be here."

Her words, though you knew they were just a hallucination, filled you with a strange comfort. You smiled, tears rolling down your cheeks. "I'm going to be with you," you promised her. And without thinking further, you leapt into the abyss, letting the darkness take you, driven by the desire to be with Jinx once more.

Upon impact, everything became silence. But in that silence, there was something more. A whisper, an echo of eternal love.

In every universe, in every possible existence, you two would always be together. Even in death, even in the void. Because your love was that strong, that eternal.

Vi

Vi had spent two years engulfed in a darkness she couldn’t escape. After you left her, everything became a whirlwind of underground fights and empty bottles. Each punch she took, each night spent alone in the darkest corners of Zaun, made her think of you, of what she had lost. In her mind, she was always sure you would come back for her, that your love for her would be strong enough to forgive her. But days turned into weeks, then into months, and eventually, years. And you never came back.

One day, a job brought her to Piltover. A corrupt politician had paid her to "teach a lesson" to someone who owed him money. The money was enough for Vi to accept without asking questions. She was walking through the gleaming streets of the city when her body collided with someone else's.

“Sorry,” she said automatically, but when she looked up, she was left breathless. It was you. More radiant than ever, with a presence that seemed to light up even the cold stone of Piltover. Vi couldn’t help herself, she hugged you tightly as if her life depended on it. “I missed you so much,” she whispered into your hair. But her world stopped when she didn’t feel your arms returning the embrace. Instead, your body was stiff, distant.

You gently pulled away, but your gaze was like a dagger. “What’s wrong?” Vi asked, her voice trembling with confusion and the pain now flooding her. “Why are you treating me like this?”

Your expression hardened, and your words were cold, sharp as steel. “Do you really expect me to welcome you with open arms after what you did? After what you said?” Your eyes burned with a fire Vi didn’t recognize, a fire from someone who had suffered and changed. “You left me, Violet. You said things that broke me. And now, after two years, you expect me to greet you like nothing happened?”

Vi tried to respond, but the words died in her throat. There weren’t enough excuses to explain what she had done.

You continued, not giving her a moment to breathe. “Things changed when you left, Violet.” You raised your hand, showing a ring that gleamed under the sunlight. “My parents married me off to someone from the Council. At first, I thought it would be the end of the world, that I’d never get over it. But now… now I’m happy.” You paused, letting your words sink into Vi like a slow-acting poison. “I have a family. I have stability. And I’m happy. With you, Violet, I would never have had that.”

Vi looked at you, unsure of what to do, what to say. In her mind, you were still the person who loved her, but now, standing before her, you had transformed into someone completely different.

At that moment, a man approached. Tall, in his thirties, with a well-groomed beard, and in his arms, a small child with a smile Vi instantly recognized as yours. The man kissed you on the cheek and then handed you the child. Your face lit up with love as you held him.

“Sweetheart, did you find what you were looking for?” the man asked, glancing at Vi with curiosity. “Is she a friend of yours?”

Vi felt like the ground crumbled beneath her feet. You looked back at her, but now, your eyes were just cold reflections of the past. “No,” you said with a tone that cut Vi to the core. “Just someone I used to know.”

Without another word, you turned away, the man beside you, the child in your arms, and the three of you walked off, a perfect picture of the happiness Vi had always dreamed of but could never achieve.

Vi stood there, motionless, in the middle of the street, as tears streamed uncontrollably down her face. Her entire world crumbled in that instant. Everything she had believed, everything she had hoped for, was gone. And now she knew she would live with regret for the rest of her life.

Caitlyn

The trial was a brutal display of coldness. You stood there, in the center, surrounded by the faces of Piltover who had once respected you. But now, you were nothing more than a traitor to them. Your hands were cuffed behind your back, your gaze fixed on Caitlyn, waiting... begging for her to say something, to defend you, to plead on your behalf. But she remained silent, rigid, her expression unyielding. The façade of the perfect enforcer intact, as you crumbled.

As you left the court, the cold air hit you harder than the judges' words. Caitlyn approached the guards, requesting to personally escort you to the edge of exile. Your eyes met hers, seeking answers, some sign that there was still something between you.

"Why?" you whispered, your voice breaking.

Caitlyn looked at you, her face colder than ever. "I did what I had to do," she said with a hardness that made you shiver. "If you had done the same, you wouldn't be in this situation."

There were no more words. No goodbyes. Just a chasm that opened between you, killing everything that had ever existed.

A year later, Piltover was burning in chaos. Zaun's gangsters had unleashed a revolt, and Caitlyn, always the leader, was on the front lines. The battle roared around her, but she didn't see the attacker coming until it was too late. The blade of a knife gleamed in the air, aimed at her, until a precise shot stopped the assailant.

Caitlyn turned, her rifle pointed at her supposed savior. "Back off," she ordered firmly, though her heart was racing.

The figure in front of her removed the owl mask, revealing a face that took her breath away.

"You're still an exceptional shooter, Cait," you said with a sad smile, your voice laden with painful nostalgia.

The chaos had ceased, the silence weighed between you. Caitlyn didn't understand how everything had ended so quickly, how her men had been immobilized. Her eyes filled with questions, and you, with a flash of understanding, gave her the answer before she could formulate it.

"It was us."

Caitlyn raised an eyebrow. "Us?"

You laughed, a sound that carried both sadness and resignation. "I'm part of the Firelights. We heard about the revolt and came to the rescue. We don't want more trouble between Piltover and Zaun, so we stopped it to avoid reprisals."

Caitlyn's eyes widened, recognizing the rebel group that had caused so many headaches for the Enforcers.

"They took me in when I was exiled to Zaun," you continued with a touch of sadness. "They're my family now."

Caitlyn stepped forward, regret etching her face. "I... I missed you," she whispered, her voice breaking. "I regret not defending you."

But before she could say more, a figure riding a hoverboard approached. Wearing a mask similar to yours, his dark skin and white hair gave him away: Ekko, the leader of the Firelights.

"All clear. Let's go, babe," he said, extending a hand to you. Then, he cast a sarcastic glance at Caitlyn. "Looks like the Enforcers don't know how to do their job anymore."

Caitlyn opened her mouth to protest, but you playfully smacked Ekko on the head. "Don't be cheeky," you chided, but the boy just smiled and kissed you tenderly.

Caitlyn froze, watching the scene with disbelief and pain. Seeing the love of her life with someone else was an agony she wasn't prepared to face.

You climbed onto the board with Ekko, but before leaving, you turned to Caitlyn. "I hope you can find happiness someday, Cait," you said softly, your words a reminder that sometimes justice isn't enough to fill the void in the soul.

And with that, you vanished into the air, laughing with Ekko, leaving Caitlyn alone, shattered. She stood there, staring at the spot where you'd disappeared, the regret devouring her inside. But she didn't allow herself to feel more. She had a mess to clean up and a report to deliver. There was no room for pain now, and that would always be her greatest flaw.

Jayce

It had been five months since the last time you saw Jayce, five months since that painful goodbye that had left your heart in pieces. But you didn't allow yourself to stay in that state. You channeled your pain into ambition, into a fierce determination to prove your worth beyond being "Jayce Talis' partner." You joined the world of politics, and against all odds, you managed to gain acceptance into the Council of Piltover.

The news of your rise had spread to every corner of the city, but Jayce, absorbed in his work with Hextech technology and his duties as a Council member, hadn't noticed your progress until that day.

The first Council meeting with your presence was a revelation. All the members praised you, impressed by your intellect and the innovative plans you had proposed for the city. But Jayce heard none of that. His attention was completely captured by you.

You looked different. Your hair, which you used to wear long and dark, was now short and dyed a vibrant coral red. The clothes you wore were more revealing, showing a confidence in yourself he had never seen before. It was as if you were a completely new person, someone who no longer depended on anyone's shadow.

When the meeting ended, Jayce approached you with his characteristic smile, the one that used to melt your heart. "I didn’t expect to see you here," he said with a mix of surprise and admiration. "It seems a lot has changed."

You returned his smile, but there was a touch of disdain in your eyes. "Yes, many things changed in my life when you left, Jayce. Everything got better," you said firmly. "I focused on my career and made a name for myself in Piltover for my skills and intelligence. I'm no longer recognized as Jayce Talis' partner. I'm no longer the pretty doll you used to take to those fancy parties."

Jayce frowned, his expression turning serious. "I never treated you like an object," he replied defensively. "That was always a misunderstanding. I just took care of you and gave you everything you wanted."

You shook your head slowly, your gaze steady on his. "No, Jayce. You clipped my wings. You didn’t let me be who I really am. And I'm so happy you left me because now I’m enjoying life, and I love who I am."

Jayce opened his mouth to say something, but you interrupted him. "There's talk that you have a relationship with Mel Medarda."

The surprise on his face was evident, but he quickly denied it, his tone defensive. "Of course not. We're just partners."

A bitter laugh escaped your lips. "More like master and slave. It’s pathetic to see how you let yourself be influenced and manipulated by someone else. The Jayce I knew, the one I once loved, would never have allowed that."

Jayce barely heard the reproach. His attention was caught by your words. "You don't love me anymore?" he asked, his voice hurt and low.

You took a deep breath, your eyes meeting his with brutal sincerity. "No, Jayce. I don’t. I’ve moved on from you."

Jayce was left speechless, the emotional blow visible on his face. He hadn’t expected it to be so easy for you to forget him, especially when he hadn’t forgotten you.

Before you left, you stepped a little closer, your voice soft but firm. "And you know what the best part is, Jayce? I didn’t need to hook up with anyone else to do it. I got over you when I learned to focus on myself and my needs. You should do the same."

Without waiting for a response, you turned around and walked away, leaving Jayce there, paralyzed by the weight of your words. It was as if you had slapped him, leaving him breathless, not knowing how to recover from that loss. Because you would be a loss that would hurt him for the rest of his life.

Ekko

Months have passed since that last conversation that ended your relationship. Since then, Zaun has changed, and so have you. You've learned to live without Ekko, though the void he left still hurts. Fate, however, seems determined to cross your paths again. And it is on a rainy night, in an alley you used to walk together, that you meet once more.

Ekko is there, under the dim light of a streetlamp, his silhouette wet from the rain but heavier with guilt. He sees you approach, and something inside him breaks. Time hasn't healed his wounds, only made them deeper.

"I didn’t think I’d see you here again," he murmurs, his voice almost inaudible beneath the sound of the rain.

Your heart races at the sight of him, but you stay firm. "I didn’t think I’d see you again either."

Ekko's eyes scan you, searching for something to give him strength to speak. "How have you been?" he asks, knowing that any answer will be insufficient for the pain he caused.

"I managed," you reply coldly. "And you? Doesn’t Zaun need you anymore?"

Ekko lowers his gaze, ashamed. "Zaun will always need me, but... I've been thinking a lot about us. About what I did, about what I said."

"And have you reached any conclusions?" you ask, keeping your tone distant.

"That I was wrong," he admits, his voice breaking. "That each day without you weighs more on me. That I let you go out of fear, out of responsibility... but I never stopped loving you."

His confession hits you, but it’s not enough to erase the pain. "Ekko, you made your choice. You chose Zaun over us."

"I know," he says, taking a step closer but not daring to move further. "And I regret it. If I could go back, I would. But I can’t. I just wanted to say I’m sorry, that I miss you... that every day I regret more what I lost."

Silence takes over the moment. The rain continues to fall, cold and relentless, like the fate you both share. You look at Ekko, and for a moment, the love you still feel battles against the resentment.

"Ekko, love isn’t enough when it becomes a burden. I can’t go back to that, I can’t be your second place again," you say, trying to maintain your composure.

"I know," he replies, his voice barely a whisper. "But I wanted you to know that I’ll always love you. Even if I can’t fix it, even if I can’t win you back, you’ll always be a part of me."

"And you of me," you admit, finally letting the tears you’ve held back fall. "But it’s too late, Ekko. Too late for us."

Reality sets in, and both of you know it. Without words, you look at each other one last time, each trying to engrave that moment in memory. Finally, you turn away, leaving Ekko alone, with the rain as his only company.

As you walk away, something inside you stops you, as if there are still words left to say. You turn slowly, facing Ekko once more, with the rain falling between you like a curtain of memories and pain.

"Do you remember what you told me the last time we talked?" you ask, your voice trembling but firm. "You said that sometimes there are battles not worth fighting because you know you’ll never win them."

Ekko nods, the weight of his own words reflected in his tired eyes. "Yes, I remember. And I regret saying it."

"Don’t regret it," you say, a bitter smile forming on your lips. "Because you were right. This... us... we were one of those battles. I fought for you, for us, but in the end, we couldn’t win. We couldn’t be what we needed for each other."

Ekko closes his eyes, the pain in his chest intensifying. "I never wanted it to be like this. I never wanted you to lose faith in us."

"Faith wasn’t enough," you reply, your words cutting like a knife. "Not when the battle was lost from the start."

Silence takes over once more, each word a reminder of what was and will never be. Finally, you step back, moving away from Ekko and everything he represents.

"Goodbye, Ekko," you whisper, letting the rain wash away the last tears falling down your cheeks.

Ekko watches you leave, knowing those words will be the last you share. And as you disappear into the distance, his own regret consumes him, leaving him alone with the weight of a battle he should never have abandoned.

Silco

The lights flickered weakly in the brothel of the Undercity, as voices mingled with the clamor of incessant activity. Silco moved through the shadows, his presence as imposing as ever, closing a deal with one of his associates. Everything was going according to plan until his gaze stopped in a dark corner, and he saw you.

You were there, your makeup smeared, and your provocative clothing accentuating the marks of injuries that covered your skin. Silco felt a dry blow in his chest, a combination of anger and suffocating guilt. He couldn’t help but approach you, his hand gripping your arm firmly.

"What are you doing here?" he asked with a harsh voice, each word laden with tension he couldn’t hide.

You looked up, your eyes reflecting a mix of sadness and latent hatred, but a bitter smile formed on your lips. "I'm exactly where I should be, Silco. I should never have left this place in the first place."

Silco narrowed his eyes, his expression hardening even more. "Don’t give me evasions. I want the truth."

You sighed deeply, letting the facade fall. Your eyes locked onto his, this time without a trace of the smile. "You want the truth? Very well." Your voice was a whisper laced with pain. "When you decided to abandon me, many started hunting me. I survived some attacks, others I didn’t." Slowly, you brushed your hair aside, revealing the patch over your left eye. "They tore it out. And, like everything in this damn place, they sold it to the highest bidder. Some found it exciting to have the eye of Silco's former 'bitch.'"

The rawness of your words left him immobile. The trauma soaked every syllable, and the guilt Silco felt grew like an oppressive shadow. "I had no one to protect me, no place to go. This brothel was my last refuge. So here I am, back in the only place I should never have left. And surprisingly, I'm doing well. You’d be surprised at what they're willing to pay for an encounter with what once belonged to you."

Silco couldn’t bear the self-degradation in your voice. "I’m going to get you out of here," he said firmly. "I’ll pay whatever it takes and bring you back home."

He leaned in to hug you, but you pushed him away with a scornful gesture. "What’s the matter, Silco? Tired of your new acquisition already? Miss having me under your control, like your personal trophy?" Your voice was lethal poison. "Keep your promises. I’m not going back with you. You taught me that love is an illusion, a mirage that only serves to mask hatred and danger. And sadly, I’m surrounded by both."

Silco swallowed, his facade beginning to crack. "Please," he insisted, his voice tinged with an unusual tremor. "Let me fix this. Let me help you."

But you had already walked away, heading toward an exotic-looking man waiting for you in a corner. "If you’ll excuse me, I have to work."

Without giving him another glance, you left, leaving Silco alone, trapped in a whirlwind of regret and pain. In his attempt to protect you, it was he who had condemned you to this life, and now the weight of his decisions crushed him, plunging him into a darkness even he could not master.

Mel

It was an ordinary day when, upon opening your front door, you found Mel standing there, her eyes red from crying, her face filled with a despair so profound it moved you. Her posture, hunched and fragile, spoke more than any words could. Before you could say anything, she threw herself at you, seeking comfort as if her entire world had collapsed in an instant.

Words tumbled from her mouth in a rush, like a torrent of repressed emotions finally finding an outlet. "I’ve done it... I’ve done everything wrong... I don’t want to lose you. I can’t... please, don’t leave me. I need us to be together again. I can’t live with this lie. I love you, I love you, I’m begging you."

You held her in your arms, feeling her trembling body against yours, a refuge against the internal storm consuming her. You clung to her, hoping that all that had been broken between you could be repaired, but then, an unfamiliar voice interrupted the stillness of that moment.

"Sorry to interrupt," said a familiar female voice, with a tone that shook you. Caitlyn Kiramman appeared in the doorway, her hair disheveled, wearing a white shirt, almost translucent, that Mel recognized instantly. A shiver ran through her as she saw that the shirt belonged to you. Caitlyn smiled, somewhat awkwardly, but serene. "I’ll wait for you in the room," she said calmly before retreating into the house.

Mel, paralyzed, looked at you in disbelief, her anger beginning to awaken. "Seriously?" Her voice broke with disdain, but there was a contained fury in her eyes that you couldn’t ignore. "Caitlyn Kiramman? You couldn’t find a better replacement for me? Seriously?"

You stared at her for a moment before responding with a calmness that only masked the truth behind your words. "No, Mel, I’m not looking for replacements. Caitlyn isn’t here to fill any voids; she’s here for a good time. And let me tell you, she’s done an excellent job at that."

Mel clenched her fists, her face turning red with rage, frustration taking over her. "How could you? Did you cheat on me? With her? After everything we’ve been through?" Her words were sharp, like knives, and her pain became more evident with each passing second.

You remained serene, though something inside you was breaking. "What did you want me to do, Mel? Sit in a corner, crying in a bubble of self-pity, like you probably did all this time? No, Mel, I couldn’t just sit and wait for something to change. Life is too short to keep waiting for the impossible."

Mel’s words came out as a sigh of disappointment. "I’m so disappointed in you," she said, her voice trembling from the impact of your words.

You sighed, the weight of the situation pressing down on your chest. "What we were living wasn’t real, Mel. It wasn’t enough for you, and it wasn’t enough for me either. You’ve been living in your mother’s shadow this whole time, looking for something you’ll never find. I can’t keep waiting for you to understand that. You got stuck in your world, and in the meantime, I moved on. I’m not going to apologize for that."

Mel, in tears, tried to get closer, a desperate attempt to capture what was already gone. She tried to kiss you, but you stopped her with unyielding firmness. "Mel," you said with a clear, firm voice. "Don’t do this. Don’t do this to yourself."

She fell to her knees, her face overflowing with pain. "I beg you... please, come back to me. You’re the only real thing I’ve had in my life. I need you, I can’t live without you." Her sobs were heart-wrenching, like a child lost in a cruel world.

You looked at her for a long moment, your heart heavy, but the words that came from your lips were inevitable. "And why didn’t you take care of me, Mel? Why did you let me go so easily? If you really loved me, why did you abandon me? Why did you let me face all of this alone?"

Mel didn’t know what to say. She stayed there, her mouth open, unable to offer any justification. She only murmured one last "I love you" in an almost inaudible whisper.

You sighed deeply, the weight of reality crushing you, and you gently lifted her from the ground, guiding her to the door. "Goodbye, Mel. I hope you can sort things out with your mother. I can’t keep being part of this battle."

The door closed with a dull thud, and it wasn’t just the door to your house that was closing, but also the door to your heart. There was nothing more to do. It was time to let go.

Sevika

The night was shrouded in a dense mist, and the bar buzzed with a mix of laughter, muffled conversations, and the clinking of glasses filled with liquid oblivion. The air was thick, saturated with the smell of tobacco, spilled alcohol, and sweat—a temporary refuge for broken souls. Sevika pushed the bar door open, stumbling slightly, her unsteady steps reflecting the state of her soul. Her dark, glassy eyes scanned the place with a mix of desperation and anxiety, seeking to drown the loneliness that pursued her like a relentless shadow.

When her eyes landed on the bar, her heart stopped for a moment that seemed eternal. There you were, behind the counter, moving with the professional grace of someone who had learned to hide pain behind a mask of indifference. Sevika felt the ground beneath her feet grow unstable, as if the earth itself was rebelling against her presence. She approached slowly, as if each step brought her closer to an abyss she wasn’t sure she wanted to cross.

When she reached the bar, she leaned on the counter with both hands, leaning toward you. Your gaze was a mix of surprise and something colder, something that made her shiver more than any strong drink.

"What do you want to drink?" you asked in a professional, restrained voice, your eyes barely shifting in her direction.

Sevika looked at you, desperately searching for any trace of the warmth you used to have. "I’ve missed you," she murmured, her voice barely a whisper before a knot in her throat broke it. "I’m sorry... God, I’m so sorry for how things ended between us."

She took your hands with unusual clumsiness, kissing them repeatedly as her words fell like broken laments. "I’ve been alone, so alone that I looked for others to forget you, but it didn’t work. No one can make me forget you. Please, give me another chance."

You sighed, and with a calculated gesture, called another colleague to replace you, leading her outside to the back alley. You lit a cigarette calmly, offering her one that she accepted in silence. Both of you smoked, the smoke forming an almost tangible barrier between you.

The silence was finally broken by a question that escaped as a rough whisper from her lips: "Why aren’t you saying anything?"

You finished smoking, dropping the cigarette and crushing it underfoot before facing her directly. "What do you want me to say, Sevika?" Your voice was low, but each word was a dart piercing Sevika's chest.

She frowned, surprised by the coldness in your tone. "I don’t know, something. Something that doesn’t make me feel like a fool."

"Why do you feel like a fool?" you asked, crossing your arms, one eyebrow slightly raised.

Sevika gritted her teeth, her fury beginning to bubble just beneath the surface. "Because I confessed my feelings to you, told you everything I went through, and it seems like you don’t give a damn."

You nodded, as if slowly processing her words before responding with icy calm. "And did you care when you left me? Did you think about how your decision would affect me? Did you think about anyone other than yourself?"

Her words caught in her throat, and for the first time, Sevika didn’t know what to say. Your smile was bitter, triumphant. "Of course not. You’re a selfish person, Sevika. You walked in here by chance, and upon seeing me, suddenly you miss me and want everything back. Well, I’m not buying that crap."

"It’s not like that," she denied desperately. "I miss you, really. I care about you."

Your frown deepened, and you shook your head. "It doesn’t matter if it’s true or not. You made your decision, and you have no right to ask me for anything after what you did to me."

Sevika tried to interrupt, but you cut her off sharply. "My break is over. Don’t drink anymore tonight. You’re talking nonsense." And with that, you went back inside, leaving her there, alone in the darkness.

Sevika stayed in the alley, staring at the door that closed behind you, while rage and sadness fused into a silent scream. She punched the wall hard, letting the physical pain try to drown out the torment she felt inside. But deep down, she knew that punch wasn’t enough to erase what she had lost, nor to heal what she had destroyed.

[perplexingly]

I want to talk about Enderal some more.........

[charmac]

I wrote about Charlie and Dennis' paralleled childhood sexual abuse, and how their opposing trauma responses keep them from seeing themselves while they stay stuck in their own cycles of abuse.

// The content under the read more is an in-depth script analysis highlighting and discussing childhood sexual abuse and trauma response. Please read with caution or scroll past this post if these topics are known to affect and/or trigger you. //

Because Sunny walks an extremely fine line between sensitive, if not traumatic, character work and dark comedy, I've found that, in reading the scripts, the trauma being written is always much more blatant. You have to work a little harder to pick up on the underlying intent when watching the episodes (though the more and more we learn about the characters, the more the intent becomes clear), but the scripted versions of these scenes are solid evidence that the clear intent of these storylines is to reveal that these characters have extremely repressed childhood trauma, in-turn explaining to the audience why they have such fucked-up ideas of (and relationships with) love and sex. To put it more blatantly: the purpose of giving and revealing the childhood trauma these characters have is purposeful (if not needed), explaining why they are the predators that they are, and allows us to at least understand where their often psychopathic actions and rationales come from.

The fact that Charlie and Dennis were both sexually abused as children is all but obvious to the audience (and every other member of the Gang), but the extent to which these plots are intended to act as character work as opposed cheap-shot rape jokes is often lost on the casual viewer. In my opinion, the disconnect is not for lack of clear intention in the writing, but by the nature of the show being what it is.

It’s very clearly still there, easy enough to catch if you’re standing more than ankle-deep in the waters, but because Sunny is a dark comedy, it’s unfortunately easy to uncomfortably laugh past a rape joke if you don’t care to look deeper than the surface. Taking a look at the scripts helps paint a clearer picture, making it easier to point out, walk through and explore the CSA lore developed for both Charlie and Dennis, how they parallel and oppose each other, and how this trauma relates to their own predatory behaviours. 

An obvious starting point is Charlie Got Molested, which is, on the surface, an episode in which we learn that Charlie wasn't molested. What is changed from the script to the episode is this first line from Charlie, right at the very end of the episode, on his family’s response to his alleged molestation:

(Charlie's aired line is instead "Now everybody thinks that I've been molested. So, in a way, my life is ruined.")

Whether written with a specific intent at the time or not, this episode sets the stage (literally, lol) for a later building 'reveal' that (1) Charlie was molested as a child, and (2) his Uncle Jack is very much a pedophile, not just a perv (which is hinted at in the actual episode, both in dialogue and visuals), because the next time the show features a plot with Charlie and molestation (Sweet Dee's Dating notwithstanding, though important to mention, as it’s further evidence of the idea that there was clearly a thread being woven early on), it’s via the form of a play.

Charlie wrote The Nightman Cometh as a play about love, which was turned into a 'legible' play by Artemis, in which the Gang all "misinterpreted" his original intent and believed it to be about a child being raped. Charlie gets mad, because he doesn't see it, doesn't believe it, and instead believes everyone is destroying his artistic vision by refusing to let this idea go.

The script for The Nightman Cometh (which, I’d like to point out, RCG chose to make publicly available to everyone) has an alternate ending to the rehearsal of the bed scene between The Boy and The Nightman:

(The aired version shows Charlie more-comedically angry at Mac and Dennis by raising his level of frustration, physically with his hands. The mention of the Nightman taking The Boy face-to-face is never addressed in the aired episode, yet it does take place that way in the actual play scene following the rehearsal featuring doggy-style humping.)

What's heavily implied in the episode (and basically explicitly stated in the script), is that the Gang are not misinterpreting Charlie's art; the play is quite literally built around the idea that a child is attempting to communicate his rape, and Dennis is telling him that’s what it is. Charlie can't accept that, because this is a play about his life, he believes he’s created a play about love, and he is the boy and he was not raped so it can't be rape.

(And, following this, the audience can put the two and two together: Charlie’s clearly repressed CSA and the fact that his Uncle is a pedophile. In every.single.physical.interaction Charlie and Uncle Jack have, in every appearance he makes following Season 4, the fact that Uncle Jack is the Nightman is clear.)

Rolling back a little, it’s interesting that Dennis is the one to be audibly confused by (and frustrated with) the fact that Charlie can't understand his play is a rape play, because it's so very obvious to Dennis. Yet, 7 years later, he's in Charlie's exact shoes.

Because in Dee Makes a Smut Film, Dennis' plot almost directly parallels Charlie’s from The Nightman Cometh:

Dennis wrote his Erotic Memoirs as a tale of his sexual conquests, the first of his encounters turned into a 'film' by Dee, in which Dee "misinterpreted" what happened between Dennis and the Librarian as him being raped as a teen. Dennis gets mad, because he doesn't see how it could possibly be rape, doesn't believe a guy can be raped, and instead believes Dee and Grieco are destroying his artistic vision by refusing to let the idea go.

(In the aired episode, Dennis does not avoid using the word rape, and instead insists you cannot rape a guy, and that he was willing.)

Just like Charlie, Dennis refuses to accept that the people who are acting out his writing at face-value are telling him straight up that it looks like, and most-likey is, rape. Dennis can't accept that, because this is a film about his life, it's about his first sexual conquest, and he is the boy and he was not raped so it can't be rape.

This goes one-step further when Dee airs the 'film' for the rest of the Gang:

(The aired version of the video does not show anything from filming, and only shows a slideshow of photos from when Dennis was a teen, overlay text claiming he was raped, and a photo of Klinsky repeating 'hoser' over and over.)

Dennis goes on a spiel and reiterates that he was not raped. The rest of the Gang are not convinced.

And at this point, Charlie and Dennis probably should relate to each other, or at the very least intentionally give each other a pass/miss whenever the topic of childhood sexual abuse emerges, but instead they continue to have no issue believing and pointing out that the other was raped while continuing to deny their own trauma. 

In PTSDee, this paralleled-refusal is made clear. Very clear. In the script, it's even clearer:

(In the aired scene, Dennis' line is clearly cut after he mentions Charlie's mom, and it picks up with Charlie's line at "the father thing")

They see it so clearly in each other, but don't see themselves mirrored—and there's no doubt that's intentional. Because while they were both sexually abused as children, their current relationships with love and sex (as portrayed from basically episode one) are opposing, and the circumstances of their individual rape and immediate repression are extremely illustrative as to why they behave the way they do:

Charlie's trauma response is typical of pre-pubescent, forced rape. Not mature enough to even recognise what happened to him (as Uncle Jack's abuse was likely his first exposure to sexual acts), he regresses and represses, subsequently developing a repulsion toward sex into his adult life (in Season 5, Mac and Charlie Write a Movie, there's a deleted scene that makes it evident that he's disgusted by and avoidant of sex decades later), and, clearly by the depictions in The Nightman Cometh play and the lyrics of Nightman in Sweet Dee’s Dating, believing that the harassment he faced was love. 

For the run of the show, Charlie’s interest in love and sex is almost exclusively highlighted by his relentless pursuit of the Waitress. In so far as the idea that every member of the Gang is a sexual predator, Charlie is depicted as a sexual harasser, unable to recognize that disinterest, avoidance, the word "no," and stalking that leads to legal action to restrain him from the person he's pursuing is inappropriate and predatory.

While his CSA results in a repulsion toward sex (in most instances), Charlie clearly associates the concept of love with the early harassment he faced, brought on him in his own home by a "loved one," he truly believes that his own relentless pursuit will end up buying him love. Charlie is stuck in an abstinent cycle (at least, until Dennis’ Double Life) of his own abuse.

Dennis' trauma response is typical of coercive rape and grooming. He was old enough to believe that sex is something that should be seen as cool, and therefore obsesses and brags about his experience(s), resulting in his hypersexuality. In Season 5, The D.E.N.N.I.S. System, it's firmly established that Dennis' pursuit of women is something outside of genuine attraction; in fact, it's almost devoid of it. Clearly by the plot of PTSDee, he sees a woman’s sexuality as a weapon he needs to fight against. 

For the run of the show, Dennis' interest in sex is deeply entwined with the fact that he gets off on having power over his "sexual conquests". In so far as the idea that every member of the Gang is a sexual predator, Dennis is depicted as a date rapist, having an aversion to recognising (if not an inability to understand) consent, he pursues sex exclusively for his own physical pleasure, with little care for the other party, getting off on the knowledge that he’s orchestrated the situation he’s in.

While his CSA results in an obsession with sex, Dennis clearly does not associate the concept of love with the act, truly believing that sex is used to overpower someone, most enjoyable when obtained via coercion, exactly as his virginity was taken from him. Dennis is stuck in a loveless cycle of his own abuse.

Charlie and Dennis meet after their own traumas; their clearly disordered relationships with love and sex is how they've always known the other to be. When there are hints of the other's abuse, they're able to easy recognise what it is, for they sense the paralleled familiarity of their own CSA—yet their polar opposite trauma responses result in an inability to reflect:

To Dennis, Charlie was clearly raped, and Charlie fears sex and Dennis loves sex, so he can't have been raped; To Charlie, Dennis was clearly raped, and Dennis doesn't pursue love and Charlie loves the Waitress, so he can't have been raped.

Their reflections being mirrored causes them to harp on the other's trauma and keeps them from being able to truly recognise their own abuse. Call the other out and deny what’s shot back, stuff it down and continue spiralling in their own cycle of abuse.