#Stewart Wales

[bisexualafbuck]

Not sure why, but this was one of my favourite scenes

[roehenstart]

Henry Frederick Stuart, Prince of Wales. By Isaac Oliver.

[blackswaneuroparedux]

Wherever I wander, wherever I rove; the hills of the highland for ever I love.

Robert Burns

HM King Charles III has a love and respect for tartan. The King regularly can be seen in Scotland wearing his kilt collection, including Hunting Stewart, Balmoral and until recently the Rothesay tartan.

The Rothesay tartan technically belongs to the Duke of Rothesay which is a dynastic title of the heir apparent to the British throne (David Stewart, son of Robert III, became the first Duke of Rothesay in 1398 and was heir apparent to the throne of the Kingdom of Scotland). Between the Union of the Crowns in 1603 and Edward VIII’s time as heir apparent (1910 to 1936), the the style Duke of Rothesay was informally dropped out in favour of Prince of Wales, the premier British title for the eldest son.

Prince William is now the Duke of Rothesay when Charles ascended to the throne.

[justdonotaskmewhy]

long post incoming

Why i think Spencer is the best film about princess Diana

Let’s start from the very beginning. Spencer doesn’t mislead people. They stated it is a fable based on the real tragedy and it really is. It doesn’t promise to show us real events and it’s amazing because we, as an audience, don’t have false expectations.

They depicted Diana’s eating disorder and mental health issues with class and dignity. First of all, you can predict when a triggering scene will follow, and for me as a former bulimic it is awesome. Secondly, Diana is not portrayed as a crazy person but rather as a troubled woman who desperately needed help. And what’s more she overcomes her eating disorder by the end of the film and finds her peace. It gives hope for everyone struggling with all kinds of mental illnesses.

It is beautifully filmed. Each frame is a painting. Each scene is wonderfully staged. The costumes that reference the real life ones are gorgeous.

The film tries to plunge its audience into the mind of a person with mental illness. Even if you have never had any mental health related problems you will feel uneasiness and anxiety. It is highlighted by the staging. Sometimes the frame is very large and empty and Diana seems very little as to indicate her lack of confidence.

The music was great. The choice to make the whole soundtrack have classical music vibe is a good idea. And the final scene has an 80s song for the soundtrack, which is a great switch of tone and a glimpse of hope for Diana.

Overall, I adore Spencer and I encourage you to give it a chance and try to draw your own conclusions. It is fine if you hate Kristen Stewart or the whole idea in general, you have your right to have your opinion, I just want to say that in my opinion Spencer is totally worth it.

[thepastisalreadywritten]

10 best royal exhibitions to continue the Coronation celebrations, from Buckingham Palace to Blenheim

The day of the Coronation is over but these remarkable royal exhibitions across the UK means the excitement doesn’t need to be

By Natasha Leake

18 May 2023

The glow from King Charles III’s Coronation is starting to fade, but there is plenty more pomp and ceremony to be discovered at these extraordinary royal exhibitions currently being staged across the country.

Stately homes and royal palaces have transformed their sumptuous rooms into backdrops for stunning showcases of royal regalia, period costumes and mementos of past Coronations.

From Blair Castle to Castle Howard; Blenheim to Buckingham Palace, book a date at one of these must-see royal exhibitions to keep the celebrations going.

Through a carefully curated selection of more than 200 pieces, the Kensington Palace fashion exhibition draws parallels between the pomp, ceremony and performance of the contemporary red carpet and the pressure to ‘see and be seen’ at Georgian court.

One-of-a-kind creations worn by Lizzo, Katy Perry and Lady Gaga et al. are juxtaposed with outfits worn by 18th century movers and shakers in the State Apartments, which, handily, is where the showcase is staged.

Pictured: A row of magnificent outfits in the King’s Gallery at the Crown to Couture

5 April - 31 October 2023

Blenheim Palace is using the occasion of the Coronation to celebrate its historic connection with the Royal Family.

With a collection of previously unseen artefacts, crowns, coronets, robes, and photo albums, take a trip into the world of royal fashion with an impeccably restored Norman Hartnell silk gown, worn by the then Rosemary Spencer-Churchill to the Queen’s Coronation in 1953.

Also on display are costumes from Bridgerton and The Crown, and a page from a Blenheim visitor’s book, which includes the elegant inked signatures of Wallis Simpson (the future Duchess of Windsor) and her second husband, Ernest A. Simpson.

Pictured: The restored Maid of Honour Coronation dress worn by Rosemary Spencer-Churchill to the Coronation of Queen Elizabeth II in 1953.

19 March - 30 July 2023

Originally launched in 2022, the award-winning Castle Couture exhibition returns this summer to Blair Castle, the ancestral home of the Atholl family, with an extended edition that showcases statement designs, intricate embroidery, innovative textiles, and style influences from the 18th century through to the 20th century.

Among the highlights are delightfully delicate ostrich feather and Brussels lace fans by the renowned Parisienne craftsman Duvelleroy, the appointed supplier to Queen Victoria.

There are also pieces from the personal collection of the late Katharine Stewart-Murray, Duchess of Atholl, Scotland’s first Scottish female Member of Parliament.

Pictured: This ballgown would have been worn by Lady Glenlyon (later Anne, Duchess of Atholl) during the visit as they dined with the royal couple.

1st April – 28th October 2023

In a homage to the Regency period, visitors are invited to take a step back into the world of the Georgians with an exhibition that looks at how fashion trends reflected the significant trade, travel and technological advances of the period.

A highlight of the exhibition is a rarely displayed, full-length portrait of Queen Charlotte (of Bridgerton fame) by Thomas Gainsborough, dated from around 1781, which usually hangs in the White Drawing Room at Windsor Castle.

The showcase also features one of the earliest surviving British royal wedding dresses: a stunning gown worn by Princess Charlotte of Wales in 1816.

Pictured: A painting of King George III by Allan Ramsay, c.1761–2.

21 April – 8 October 2023

The late Queen Elizabeth II’s beloved corgis captured the hearts of the nation the late monarch’s funeral.

Now they are being celebrated as part of a free exhibition at the Wallace Collection, in central London.

The one-room display features touching imagery of the Queen with her corgis.

It coincides with the museum’s exhibition, ‘Portraits of Dogs: From Gainsborough to Hockney,’ which celebrates human devotion to dogs over the centuries through a carefully curated selection of 50 paintings, sculptures, drawings and taxidermy.

Pictured: Queen Elizabeth II sitting on rocks on the Garbh-allt Burn with two corgis on the Estate at Balmoral Castle, Scotland, September 1971

8 March – 25 June 2023

Situated in a pair of beautifully restored early Georgian townhouses, the exhibition showcases centuries of royal fans from across the globe, including a special, printed, English fan marking the restoration of Charles II and the contemporary fans made by The Fan Museum in honour of the late Queen Elizabeth II’s Diamond Jubilee.

The exhibition promises to be ‘not merely a look back on what has been but a rally of hope for what is to come.’

King Charles III has also taken an avid interest in the Fan Museum’s work.

Pictured: A Belgian folding fan dating from 1881

1 February - 24 June 2023

The Long Gallery at Castle Howard, home to the Howard family for more than 300 years, is hosting an incredible exhibition featuring an exact replica of the Crown Jewels and peers’ robes worn to coronations gone by.

Set in 10,000 glorious acres on the edge of the Yorkshire moors, Castle Howard was commissioned in 1699 by the 3rd Earl of Carlisle from Sir John Vanbrugh, who later conceived Blenheim Palace.

The 1st Earl of Carlisle was descended from Lord William Howard, the youngest son of Thomas Howard, 4th Duke of Norfolk (the current Duke of Norfolk organised the King and Queen’s Coronation).

Pictured: Castle Howard’s replica of the Crown Jewels

From April 1

During the last Coronation, the hotel had to secure extra flagpoles in order to fly banners for the many different royals and dignitaries staying there.

The archive overflows with Coronation material, which is why Claridge’s unveiled a space showcasing the hotel’s status as ‘the Royal Hostelry.’

Mementos on display include pages from Queen Victoria’s diary, fans created for the coronation of King George V and Queen Mary, and Claridge’s menus and cocktail cards created for the coronations of King George VI in 1937 and Queen Elizabeth II in 1953.

Pictured: A collection of royal mementos including featuring a book of 53 photographs of the then Prince of Wales, and an order of service from the Coronation of Queen Elizabeth II

Until May 31

The world watched in awe as the newly crowned King Charles III and Queen Camilla processed from Westminster Abbey back to Buckingham Palace in the Gold State Coach.

This extraordinary regal treasure is available to view at the Royal Mews at Buckingham Palace, alongside the Diamond Jubilee State Coach, which transported Their Majesties to the Abbey ahead of the service.

Also housed in the mews? The famous Windsor Grey horses, which drew the magnificent carriages on the day.

Pictured: The Gold State Coach

2 March - 30 October 2023

At the epicentre of the Coronation was Westminster Abbey. So where better to delve into the gilded history of the captivating service?

A new exhibition in the Chapter House reveals the key elements of the royal ceremony, which has taken place at the Abbey for nearly a thousand years.

Featuring historic illustrations and archive photography, it promises to unpack and explain the Coronation’s magnificent ceremonial regalia and objects.

8 April - 30 September 2023

[pricelesscinemas]

[r-e-c-o-g-n-i-z-e-r]

Spencer (2021)

[starfleetwitch]

Right lads... whose gonna be the one to share the photos of the costume Jemma wore to the ‘costume party’ wrap party? Cause shes confirmed she was there and witnessed Janet fielding in a beard.  Please share with the group, we’re all friends here. 

[matyas-ss]

Spencer (2021)

Directed by Pablo Larraín

Cinematography by Claire Mathon

[dilettantefish]

[atdawn]

what book are you reading currently?

i'm sort of reading two but also keep being too busy to read :o) the crystal cave by mary stewart and sharpe's havoc by bernard cornwell!

send me questions!

[roehenstart]

James Francis Edward, Prince of Wales (1688-1766). Possibly by Pierre Mignard..

[literarysiren]

If somehow you do not yet know who Avalon Fast is, I urge you to run to the nearest film festival you have or dig holes into the universe to find her work. When it lands its wide release, Honeycomb is bound for cult classic status, from indie feel to story core.

[justdonotaskmewhy]

i made a mate from university watch Spencer and she showed me this lovely screenshot

it is so nice when people take my interests seriously

[legendarytragedynacho]

Royalty Rock

Charles & Diana (Prince and Princess of Wales At The Time - 1986-) cutting a cake. Watching them (Or so) - L-R: Mark Knopfler of Dire Straits, Bryan Adams, Eric Clapton, Rick Parfitt (Status Quo), Tina Turner and Rod Stewart.

10th Anniversary of The Prince's trust

[pers-books]

INTERVIEW

Jemma Redgrave: ‘Doctor Who will keep me young’

The actress would be happy to be remembered for the sci-fi series, she tells Dominic Maxwell

Jemma Redgrave: “My character wanted to make her way on merit. That wasn’t difficult to play”

Dominic Maxwell

Saturday November 25 2023, 12.01am, The Times

Jemma Redgrave has a problem. “Every time I get a new office,” she says, “it blows up.” Granted, she admits, the first time we saw her office — in the 50th anniversary Doctor Who special of 2013 that featured Matt Smith and David Tennant — it was in the Tower of London, and that one has stayed standing. Otherwise, though, in her role as Kate Stewart, the head of the Doctor’s paramilitary allies UNIT, her workplaces seem to routinely explode. That they seem to get swankier and swankier each time only seems to make them more vulnerable to the zap gun.

She won’t give anything away, and the BBC is keeping under wraps each of the three 60th anniversary specials, which start tonight. Yet you have to fear for the giant floating Marvel-style Unit HQ that features in the trailer. Redgrave doesn’t appear until the final part, which pits David Tennant’s returning Doctor against Neil Patrick Harris’s Toymaker, a villain not seen since 1966. She will, however, be the one other holdover from the 50th anniversary specials. “Yes,” she says with a disbelieving smile over morning coffee in a north London café, “I think it’s just me and David.”

She and her sons, now aged 29 and 23, had watched the series ever since it returned, after 16 years off our screens (a one-off comeback starring Paul McGann aside), in 2005. She wondered for a while why seemingly every other actor she knew got a role in it. Hers, though, has proved to be the longest-running.

She first played Kate Stewart opposite Smith in an episode in 2012. She didn’t realise the significance of the surname at the time: Stewart is the daughter of Brigadier Lethbridge-Stewart, the head of Unit from 1968 to 1975, during the eras of Patrick Troughton, Jon Pertwee and Tom Baker. All of which is catnip to the fans, some of whom, as emissaries from Doctor Who magazine, were on set doing a story on her first day. They helped her to join the dots.

As Kate Stewart in the Doctor Who 60th Anniversary Specials (BBC)

Stewart, after all, didn’t use her full name. “She didn’t want to take advantage of her connections and wanted to make her way on merit,” Redgrave says. As the daughter of an actor (Corin Redgrave), the niece of two actresses (Vanessa Redgrave and Lynn Redgrave), the granddaughter of actors (Michael Redgrave, Rachel Kempson) and the cousin of actresses (Joely Richardson and Natasha Richardson), she knew where Stewart was coming from. It can be tedious spending your time fending questions about how you’ve got where you are today, after all.

“That you’re some sort of nepo baby? It can be, can’t it? Sometimes those questions go on and on and on, many, many, many, many years down the line.” Redgrave, a gifted under-player of a scene, gives a surprisingly full-hearted chuckle. “So that wasn’t a difficult scene to play.”

Redgrave appears only sporadically, but has rubbed shoulders with six doctors: Smith, Tennant, Peter Capaldi, John Hurt (in the 50th special), Jodie Whittaker and, coming soon, Ncuti Gatwa, who will take the lead once Tennant’s celebratory trilogy is done.

There have been rumours that Stewart and UNIT are getting their own show, but Redgrave insists that this is news to her. Then again, it’s rare for her to be permitted to admit even that she is in the first Gatwa series. She has to sign an NDA each time she shoots the show so that nobody, with the exception of her partner, who may be staying with her in Wales during shooting anyway, knows what she is working on.

She understands the rationale for this, although it can become absurd. During lockdown, because travel was restricted, the BBC sent a car to her north London home to pick her up for filming. On the way to the car she bumped into Smith, who lives in the area, walking his dog. He asked where she was heading. Cardiff, she told him. He asked what she was working on. “I said, ‘I can’t possibly tell you. I’ve signed an NDA.’ And he said, ‘Oh well, send them all my love.’”

Redgrave is a young-looking 58. Her extensive stage work includes appearing in a London production of Chekhov’s The Three Sisters with her aunts. Her TV work includes starring in the series Bramwell as well as recurring roles in Holby City, Grantchester, Silent Witness and Cold Blood. How would she feel if the world remembered her most for her sporadic role as the head of UNIT?

“I think that’s OK,” she says. “I grew up watching Jon Pertwee. And Jon Pertwee doesn’t change in my imagination. The people I grew up watching don’t get older in my imagination and I will remain in the imagination of the children who watch this 60th-year episode. And that is a kind of lovely thing. So I’m very happy to be remembered as Kate Stewart. Also, she’s a formidable woman. She has humour and heart and courage. And she’s vulnerable and aware of her limitations. So she’s kind of human in every possible way, even though she exists in a world of aliens and tech.”

On the subject of “the sci-fi stuff”, she admits that jargon and technobabble can be hard to play: the plot may need it, but it’s hard to bring much of yourself to. So she tries to find some emotional resonance of her own. “Either that or you just play it fast. It’s one or the other.”

She has found, too, that the fans will support her in other roles. Recently she appeared in a play, Octopolis, at the Hampstead Theatre in London. “And a lot of Who fans came to see that, which is a lovely thing. She’s a great character, but partly the reason that UNIT has continued through this series is because fans have been very vocal in their love of those storylines.”

When she was growing up, it took her a while to admit that she wanted to be an actress. “My parents split when I was young. My mum [Deirdre Hamilton-Hill] supported me and my brother. There wasn’t a lot of money around, but we did get taken to the theatre. And I think growing up in the theatre, and particularly not having a fear of Shakespeare because I encountered him on the stage and not in the classroom for the first time, was a great privilege.”

It was a trip to see the Wars of the Roses Shakespeare history plays at the RSC in Stratford when she was 13 that convinced her she wanted to act. “Before that I’d played my cards close to my chest. I didn’t have much confidence. I was quiet about it because there were a lot of people in my family who acted.” When she told her father, he gave her a complete Arden set of Shakespeare plays, and wrote “to commemorate your decision to become an actress” on the front page.

She went to the London Academy of Music and Dramatic Arts, after which she began to work regularly. She appeared in a TV film, The Relief of Belsen, with her father, and in Howards End with Vanessa, but beyond that has ploughed her own furrow. So is the family connection one she can celebrate at this point?

What’s lovely, she says, is going to a set and having crew members come up to her and tell her they worked with her father, or her aunt, or her cousin or her brother Luke, a successful cameraman. “And usually anybody who says ‘I’ve worked with somebody in your family’ says it because they loved working with them. So it’s suddenly not quite such an intimidating environment.”

Family fame is dwarfed by sci-fi fame anyway. “I’m ‘her from Doctor Who’. And if you’ve got a body of work behind you, people don’t talk about the name. I just feel lucky that I come from the family that I come from because I grew up with books and theatre, which is a proper privilege. There wasn’t a lot of money, but there was that, and that’s worth everything.”

Doctor Who is on BBC1 and iPlayer from November 25. Jemma Redgrave’s episode is on December 9

(Source)