#Steve and diana

[tvandfilm]

Crazy, Stupid, Love dir. Glenn Ficarra, John Requa | 2011

[marveldaily]

Captain America: The Winter Soldier dir. Anthony Russo, Joe Russo | 2014

[catharusustulatus]

I just love how Steve Harrington was supposed to be killed off after a couple of episodes but Joe Keery was so charming and so likable they rewrote the whole season and show to keep him alive like he really Darren Criss’d it. He is that bitch. He gave the Duffers the ol razzle dazzle and now he IS the show for most normies. My uncle who has never watched ST and doesn’t even have Netflix loves Steve on vibes alone. The people’s prince.

[dailydccomics]

Diana ✭⋆✫⋆ by Daniel Sampere in Wonder Woman #9

[cyanbeetle]

My Wonder Woman and friends

[danny-doodles]

Pretty princess Steve Harrington

[c00kieknight]

The ideal ship dynamic is a tall, gorgeous, talented brunette with a disregard for social cues, who stands apart even among their own people, and a slightly traumatized Chris Pine

[why-i-love-comics]

Wonder Woman #13 - "Reunion" (2024)

written by Tom King art by Tony S. Daniel & Leonardo Paciarotti

[rokupo]

when they tag your fave ship in a hate post

[letoghanima]

STEVE TREVOR being completely Normal About It™

[wonderwomanart]

Wonder Woman by Steve Rude

[myscalesofjustice]

I do want Batman and Wonder Woman to appear in MAWS, but only in the final season to let viewers know that Supes has found a home for every side of himself. Clark's people are his human friends and family, Kal-El's people are his Kryptonian family, but who are Superman's people? The Justice League or, its glorious beginnings, the Trinity. Plus it will be fun to see Clark (alien who's just a nice dude) bounce off Bruce (human who's five flavours of nuts).

But what really matters is MAWS is the perfect jumping off point for Lois to form an adjacent Trinity with Selina and Steve. DC should have done it years ago but better late than never.

[televisiongifs]

Stranger Things Chapter Eight: Papa | 4.08

[morganbritton132]

Eddie to his Tiktok following: Hey guys, it’s currently eight AM on a Saturday and we just got back from the grocery store because Stevie here needs to make a pie for our neighbor and sworn enemy, Diane.

Steve: You don’t understand because you didn’t grow up in an upper middle class neighborhood, Eddie. This is warfare. She brought us cookies.

Eddie, sarcastically: Wow, thank god I grew up in a trailer park where I never got hate-crimed like this.

Steve: She’s saying that we suck

Eddie: Or, and consider this, she was just being nice? Maybe she was making cookies and wanted to share.

Steve: They’re oatmeal cookies, Eddie

<- Last Post | Next Post ->

[dailydccomics]

"what is the point of Steve Trevor?" to love a woman, a Wonder Woman ♡ Wonder Woman #14 by Tom King and Daniel Sampere

[pinkiemachine]

Diana Prince and Steve Trevor

Okay, okay—yes—I am taking a lot of influence from the 2017 live action film, but I thought they did a pretty good job (minus the moustache. If you know, you know.) Anyway, I did make some changes. First off, Steve is British. There was a very distinct difference between the mindsets of the soldiers depending on which country they were from, and I’d prefer to explore WW1 through the eyes of a British soldier rather than American. I’m also still deciding whether or not to keep him a spy or to make him a pilot because, while at first glance at the movie, the idea of him being a spy sounds all cool, it really only serves one purpose and it’s at the beginning of the film and then him being a spy almost loses all meaning (except for that one scene at the party). I then thought that making him a pilot would be a better option because, hey, he crashes onto Themyscira in a plane, doesn’t he? And come on, you do need to be taught how to fly those things. Anyway, that aside, Steve’s personality: He’s a relatively stand-up bloke who just wants to go home and take care of his mum. It’s 1917, which means it’s been roughly three years since the War’s started. His dad’s already died in the service of his country. His older brother too. He can’t risk dying now, someone’s gotta come home to his mother and take care of her.

When his brother and father enlisted, they were all for serving. Everyone was. They were promised an easy war. A noble war. An opportunity to stand up to tyranny and let righteousness prevail. What they found instead was Hell. WW1 was unlike anything the world had yet seen—some of the things—the weapons—invented and used in this war are downright creative in their ruthlessness and twistedness. Steve’s done. He wants out. He’s not coming back.

Diana, on the other hand, still has not seen active combat. She’s battle ready and gung-ho to jump into the middle of this war… but Steve rebukes her. Their story is one about maturity and the nature of right and wrong. Is it right to fight? What’s the right way to fight? Is WW1 really justified when you look at how many men had to die? Just the nature of war, in general. A big topic, I know. But if you’re gonna write a WW1 story, write a WW1 story. And you know something, after reading about it all, the Wonder Woman movie seems downright PG by comparison.

Diana proves to Steve that there is still good in the world, while Steve teaches Diana to be wary of those who are not so good. Diana helps to bring a little joy back into Steve’s life after everything he’s been through, and Steve teaches Diana about some harsh realities of the 20th century. They balance each other out nicely.