#Stephanie Carlson

[haveyoulistenedtothisalbum-poll]

Tracklist:

Jeremy's Theme • More Than Survive • I Love Play Rehearsal • The Squip Song • Two-Player Game • The Squip Enters • Be More Chill - Pt. 1 • Do You Wanna Ride? • Be More Chill - Pt. 2 • More Than Survive - Reprise • A Guy That I'd Kinda Be Into • The Squip Lurks • Upgrade • Halloween • Do You Wanna Hang? • Michael in the Bathroom • The Smartphone Hour (Rich Set a Fire) • The Pitiful Children • The Pants Song • The Play • Voices in My Head

Spotify ♪ YouTube

[thesquirrelqueer]

specific things I remember from bmc closing

- morgan recognized me from the fan account I used to run for her and got super excited when she saw me

- someone asked me and my mom if we wanted to trade squip zone pins so that’s how I got a brooke squip zone pin

- pretty much every number got an insane amount of applause

- made eye contact with gerard a couple of times during play rehearsal

- will yelled ight in my face when the squip entered and me literally not being able to see jason’s entrance because will was in the way

- “monkel”

- the pit missed a cue during the smartphone hour because people were cheering too loud so lauren and katlyn were standing there awkwardly for a few seconds it was a little funny

- katlyn and other actors (I don’t remember who else but I distinctly remember katlyn) were sobbing as they were dancing during voices in my head, so like there were just tears running down their faces but they had the biggest smiles

- stephanie had trouble getting through her last few lines because she was crying so hard

- katlyn saw me sobbing during the goodbye song and reached out to me to give my hand a squeeze

- joe tracz took a photo of me at stagedoor because he was impressed by my squip cosplay

[burningexeter]

[PITCH]

Escape From Echo Planet

What is it —

A 2D anime-influenced action/sci-fi/adventure animated film that is best described as a cross between The Incredibles and old school Saturday morning 1930s serials in terms of its tone and style.

PREMISE:

At first set in New York City, we follow Susan Gilchrist, a young and absolutely drop-dead gorgeous 25 year old woman, who is an Olympic medalist with ten of them already under her belt and five of them being gold. A single mother who despite her incredible accomplishments is recovering from a rather nasty divorce with her now ex-husband, Susan's only care in the world currently is her 8 year old daughter Gerda who is as shy and frail as can be.

It's one night, however, that is about to forever change her life as the doorbell rings when Susan is busy making cookies for Gerda as it's the day before Christmas Eve and she puts the bowl of dough down to go answer it. But to her shock and then immediate horror, Susan finds three women her age and wearing tight skin, full body catsuits standing there when she opens the door holding a large sack and saying "Susan Elizabeth Gilchrist, you are coming with us!"..... right before they instantly kidnap her in it.

It turns out these are not any ordinary kidnappers as she's taken to their getaway vehicle - an invisible yet extraordinarily advanced spacecraft.

Blasting off to the speed of light straight off Earth and into the cold depths of space, a terrified and bewildered Susan is brought directly to where these women are from and it's none other than the titular Echo Planet, a vast yet utterly dangerous flat jungle-esque planet located right behind the moon itself where all is finally revealed.

An entire army of female super soldiers is being put together by the leader of Echo Planet, an unseen but powerful shadow figure by the name of Mistress, and is comprised of the best of the best highly skilled women of Earth from martial artists, army soldiers, marines, FBI agents and even other medalists among many others in order to take over all of said Earth with the moon playing an important and central role in it.

Susan is about to become the newest addition as Mistress' plot is ready at long last to be put into motion but unfortunately for them, right before she's about to be brainwashed, she manages to escape from their clutches.

Now all by herself and wearing the same type of catsuit the soldiers are with hers being blue with the usual white in front, she must or is forced to use everything she's got in order to not only survive against all the forces out to get her but overcome the odds as it turns out she's the one and only hope to stop the ensuing takeover from happening and while all of this is occurring, Susan comes into contact with a certain high-ranking and seductive female alien captain by the name of Crypta who seems to know more of what's going on with the domination of Earth than any others.

NOTES/TRIVIA/DETAILS:

• The big thing right out of the gate is that yes, the design of Susan Storm/Invisible Woman from the underrated Fantastic Four: World's Greatest Heroes will be reused for the main protagonist's design along with her suit being reused for both HER suit in this and the overall suits for the soldiers and captains, just with different colors on the latters. Top it off, her voice actress from the show, Lara Gilchrist, will voice both Susan and Mistress/Crypta, thus making her character's name a combination of her character and actress playing her.

• The cast (which is all-female) that I have in mind even for supporting roles are all of the following fifteen — Lara Gilchrist (obviously), Elizabeth Maxwell, Stephanie Young, Caitlin Glass, Holly Hunter, Wendee Lee, Rebecca Soler, Karen Strassman, Kelly Stables, Christel Khalil, Collen O'Shaughnessey, Nicole Sullivan, Kerri Kenney Silver, Christy Carlson Romano and Rebecca Shoichet.

• The animation style, while it is definitely influenced by the style in the aforementioned Fantastic Four: World's Greatest Heroes, will have its own distinctive look to it to make it stand out from others. Not only will it be far more fluid and expressive than the show it's also aforementioned style is from but it will have a slick and color contrasting noir aesthetic to it that gives it a rich look especially with its environments.

• As for the director for it, I want someone who is just as weird and distinct as the project and story to helm it since they'll obviously gel with it. The choices that I have in mind are Brad Bird, Gore Verbinski, Michael Dougherty, Kerry Conran, Chris Bailey, John Knoll, David Lowery, Elliot Dear, Lauren Faust, Robert Rodriguez, Shane Acker, David Yarovesky, Emily Dean, Simon Wells and Brenda Chapman.

• Lastly, a major and subversive aspect of the movie is none other than both the characters of Mistress and Crypta. See, Mistress is a literal shadow whose real appearance is never seen by anyone but is always an imposing figure and force. As for Crypta, she's an entirely chalk white female alien and one of the best captains of Mistress' army who is shown to be deliciously evil and enjoys being vile and sadistic. What adds more to the overall tension and danger of the film is that despite Mistress ordering that Susan must be brought back alive, all of the captains and soldiers (with wicked grins on their faces) have their fingers crossed behind their backs on that part INCLUDING Crypta herself. This culminates in Susan accidentally landing right on her..... and a twisted Crypta proceeds to instantly devour her whole in one big gulp. Later though, Susan ends up using a force field activator that Crypta had swallowed earlier in the film during their first encounter (this is their second) to literally blast her way out of her stomach, exploding her body on the outside in half. It's again another later though that Susan eventually discovers along with the plot to take over Earth that Mistress and Crypta are in fact THE SAME PERSON with the former being a persona she created and the latter being the real leader pulling the strings while hiding amongst her own army as Crypta reveals herself to Susan as alive and well and puts herself back together in one like it was nothing. And yet it's here that Crypta reveals another thing that changes everything and it's that she's been secretly watching Susan throughout her entire adventure through several orbs and that she's managed to do one thing that no one else has ever done including those of her own race - Susan impressed Crypta, so much that the latter offers the former to join her and together, they will lead their army to conquer Earth to which a disgusted Susan refuses. And YET that's still not the end of it as by the climax, Crypta sees for herself the humanity Susan has and why she keeps fighting through her protecting her daughter Gerda (who as it turned out stowed away on the spacecraft her mother was taken in) and soon enough, Crypta has an unexpected change of heart and decides to help Susan in stopping her OWN plan. Against the odds, Susan and Crypta manage to put an end to the latter's robotic creations (turns out she also has giant steampunk-esque indestructible, or so it seemed, robots) and free the whole army of the mind control they're under, all on Christmas Eve. It's afterwards that the two meet together on the balcony of Susan's deluxe apartment and after one final confrontation, Crypta ends up on top of Susan where they meet eyes and they proceed to have sex. The movie ends with a stunned and shocked Susan looking up into the Christmas night sky and asking herself out loud in utter disappointment "Susan Elizabeth Gilchrist..... what have you done?" to which Crypta beside Susan herself responds "I'll tell you what you just did. You've made me the happiest Zyrod (her race) in the entire universe". They both look at each other, kiss again and proceed to have sex a second time as the camera pans out all the way to space to reveal both Earth and the now destroyed remnants of Echo Planet, credits role.

[byneddiedingo]

Karen Carlson in The Student Nurses (Stephanie Rothman, 1970)

Cast: Elaine Giftos, Karen Carlson, Brioni Farrell, Barbara Leigh, Reni Santoni, Richard Rust, Lawrence P. Casey, Darrell Larson, Paul Camen, Richard Stahl, Katherine MacGregor, Pepe Serna, John Pearce, Mario Aniov, Ron Gans. Screenplay: Don Spencer, Stephanie Rothman, Charles S. Swartz. Cinematography: Stevan Larner. Art direction: David Nichols. Film editing: Stephen Judson. Music: Roger Dollarhide, Clancy B. Grass III. 

Yes, the dialogue is clunky, the acting is amateurish, and the nudity is gratuitous, but The Student Nurses has a heart. That heart is Stephanie Rothman's. Working for the great quickie producer Roger Corman, she devised a story that would be exploitative enough for audiences wanting a little sex and yet give her the opportunity to deal with hot-button issues like drugs, abortion, and social protest. So she came up with a quartet of student nurses and devised situations in which they might encounter one or more of those issues, at the same time making a case for female independence and strength. True, they're nubile and somewhat randy women with no hesitation about taking off their tops, and the men they encounter are far from ideal. Phred (Karen Carlson) hooks up with a young OB/GYN named Jim (Lawrence P. Casey), Priscilla meets a drug-selling biker named Les (Richard Rust) at a love-in, Lynn (Brioni Farrell) falls for a Chicano activist, and Sharon (Elaine Giftos) befriends an embittered young man named Greg (Darrell Larson) who is dying of cystic fibrosis. If The Student Nurses had a real budget and some sharper dialogue and the four nurses had been played by actors like Jane Fonda, Natalie Wood, Katharine Ross, and Faye Dunaway, it might be remembered as a minor classic of its day.    

[letterboxd-loggd]

The Student Nurses (1970) Stephanie Rothman

August 4th 2024

[rladpeps]

all the books I read in 2024

 “Atlas Shrugged” by Ayn Rand

“The Do-Over” by Lynn Painter

 “Ash House” by Angharad Walker

“The Prince and the Pauper” by Mark Twain

 “Jane Against the World: Roe V. Wade and the Fight for Reproductive Rights” by Karen Blumenthal - ⭐️

 “The Ghosts of Rose Hill” by R. M. Romeo

“Scattered Showers: Nine Beautiful Short Stories” by Rainbow Rowell - ❤️

 “The Metamorphosis” by Franz Kafka - ❤️

 “Salt to the Sea” by Ruta Sepetys - ⭐️

 “The Address Book: What Street Addresses Reveal About Identity, Race, Wealth, and Power” by Deirdre Mask - ⭐️

 “The Ghost of Midnight Lake” by Lucy Strange

 “Again, But Better: A Novel” by Christine Riccio

 “Emma” by Jane Austen - ❤️

 “The Shame” by Makenna Goodman - ❤️

 “Can We Talk About Israel? A Guide for the Curious, Confused, and Conflicted” by Daniel Sokatch - ❤️

 “The Help” by Kathryn Stockett - ⭐️

 “Far from the Tree” by Robin Benway - ❤️

 “The Lost Property Office” by James R. Hannibal

“A Little Princess” by  Frances Hodgson Burnett - ⭐️

 “Instant Karma” by Marissa Meyer

 “Once Upon a Broken Heart” trilogy by Stephanie Garber - ❤️

 “Rosehead” by Ksenia Anske

 “The Hunchback of Notre-Dame” by Victor Hugo - 7/10 (❤️)

 “Sorcery of Thorns series” by Margaret Rogerson - 5/10

 “The Fountains of Silence" by Ruta Sepetys - 7.8/10 (❤️)

 “Gumiho” series by Kat Cho - 5/10

 “Caraval” trilogy by Stephanie Garber - 2/10

 “Realm Breaker” trilogy by Victoria Aveyard - 7/10 (❤️)

“Anna Karenina” by Leo Tolstoy - 8.5/10 (⭐️)

 “Mansfield Park” by Jane Austen - 6/10 (❤️)

“Tomorrow, and Tomorrow, and Tomorrow” by Gabrielle Zevin - 6.8/10 (❤️)

 “Gilded” duology by Marissa Meyer - 7/10 (❤️)

 “The Midnight Lie” (Forgotten Gods series) by Marie Rutkoski - 7/10 (❤️) 

 “Afterlife” by Julia Alvarez - 6.5/10 

 “When We Had Summer” by Jennifer Castle - 5/10

“Yolk” by Mary H.K. Choi - 9/10 (⭐️)

“How It Feels to Float” by Helena Fox - 7/10 (❤️)

 “Lord of the Flies” by William Golding - 7/10 (❤️)

“Where the Crawdads Sing” by Delia Owens - 7/10 (❤️)

 “14 Ways to Die” by Vincent Ralph - 4/10

“The Brothers Hawthorne” by Jennifer Lynn Barnes - 7/10 (❤️)

“Family of Liars” by E. Lockhart - 4/10

“I Am Not Okay With This” by Charles Forsman - 6.5/10 (❤️)

 “The Tatami” series by Tomihiko Morimi - 7.5/10 (❤️)

“Redeeming Love” by Francine Rivers - 6/10

“The Case for Christ: A Journalist's Personal Investigation of the Evidence for Jesus” by Lee Strobel - 8/10 (❤️)

“Mere Christianity” by C. S. Lewis - 6.5/10

 "Crazy Love" by Francis Chan - 7/10

 "The Bell Jar" by Sylvia Plath - 8/10 (⭐️)

 “What Do We Know About Atlantis?” by Emma Carlson Berne - 5/10

 “Blue Period 1-9” by Tsubasa Yamaguchi - 8/10

“What Do We Know About Bigfoot?” by Steve Korté - 5/10

 “The Graveyard Book” by Neil Gaiman - 6.8/10 (❤️)

 “Children of the Whales 1-15” by Abi Umeda - 8/10

“Lolita” by Vladimir Nabokov - 7/10 (❤️)

“Blue Period 10-14” by Tsubasa Yamaguchi - 10/10 (⭐️) 

"More Happy Than Not” by Adam Silvera - 7/10 (❤️)

“The Scandalous Sisterhood of Prickwillow Place” by Julie Berry - 6/10 (❤️)

“Dragonslayer (Wings of Fire: Legends) by Tui T. Sutherland - 6.5/10 (❤️)

 “Monsters of Verity” series by V.E. Schwab - 7.5/10 (❤️)

“The Midnight Library” by Matt Haig - 7.5/10 (❤️)

“The Invisible Life of Addie LaRue” by V. E. Schwab - 8/10 (⭐️)

 “Two Roads from Here” by Teddy Steinkellner - 4.5/10

“History Is All You Left Me” by Adam Silvera - 8/10 (⭐️)

 “Good Omens” by Terry Pratchett & Neil Gaiman - 9/10 (⭐️)

“The Hollow Heart” by Marie Rutkoski - 7/10 (❤️)

“Qualia Under the Snow” by Kanna Kii - 9/10 (⭐️)

“The Setting Sun” by Osamu Dazai - 9/10 (⭐️)

“Vicious” & “Vengeful” (part of Villains series) by V. E. Schwab  - 7/10 (❤)

“Percy Jackson and the Olympians: Chalice of the Gods” by Rick Riordan - 7/10 (❤️)

“American Gods” by Neil Gaiman - 7/10 (❤️)

“Iron Widow” by Xiran Jay Zhao - 7.5/10 (⭐️)

“Our Dreams at Dusk” manga series by Shimanami Tasogare - 8/10 (⭐️)

“When the Angels Left the Old Country” by Sacha Lamb - 7/10 (❤️)

“Aristotle and Dante” series by Benjamin Alire Sáenz - 9.5/10 (⭐️)

“The Gilded Wolves” by Roshani Chokshi - 3/10

“Hearts Overboard” by Becky Dean - 6/10 (❤️)

“The Poppy War” trilogy by R. F. Kuang - 10/10 (⭐️)

“Yellowface” by R. F. Kuang - 10/10 (⭐️)

“Babel” by R. F. Kuang - 10/10 (⭐️)

“If You Could See the Sun” by Ann Liang - 7/10 (❤️)

“Permanent Record” by Mary H. K. Choi - 6.5/10 

“The Book of Tea” duology by Judy I. Lin - 7/10 (❤️)

“Something Wicked This Way Comes” by Ray Bradbury - 6.5/10 (❤️)

“1Q84” by Haruki Murakami - 7/10

“Six Crimson Cranes” duology by Elizabeth Lim - 7/10 (❤️)

“Her Radiant Curse” by Elizabeth Lim - 7/10 (❤️)

“The Folk of the Air” series by Holly Black - 6.5/10 (❤️)

“The Stolen Heir” duology by Holly Black - 6.5/10 (❤️)

“Girl Made of Stars” by Ashley Herring Blake - 7.5/10 (❤️)

“Dry” by Jarrod and Neal Shusterman - 8.5/10 (⭐️)

“Remarkably Ruby” by Terri Libenson - 7/10 (⭐️)

“Surprisingly Sarah” by Terri Libenson - 6.5/10 (⭐️)

“Always Anthony” by Terri Libenson - 7/10 (⭐️)

“Demon in the Wood” by Leigh Bardugo - 6/10

“The Language of Thorns: Midnight Tales and Dangerous Magic” by Leigh Bardugo - 7/10

“Letters of Enchantment” duology by Rebecca Ross - 7.5/10 (❤️)

“Emily Wilde’s Encyclopaedia of Faeries” by Heather Fawcett - 8/10 (⭐️)

“Emily Wilde’s Map of the Otherlands” Heather Fawcett - 8/10 (⭐️)

“Song of the Six Realms” by Judy I. Lin - 6.8/10 (❤️)

“These Violent Delights” duet by Chloe Gong - 7/10 (❤️)

“I Must Betray You” by Ruta Sepetys - 8/10 (⭐️)

“Wrath of the Triple Goddess” by Rick Riordan - 6/10

“When Haru Was Here” by Dustin Thao - 6/10

“Rise of the School for Good and Evil” & “Fall of the School for Good and Evil” by Soman Chainani - 6.5/10

“The School for Good and Evil” #1-3 by Soman Chainani - 6/10

“An Enchantment of Ravens” by Margaret Rogerson - 6/10

[yourstrulylightstar283]

My Voice Fancast for Donkey Kong characters and some Mario characters - Revised version

For disclaimer, I don't own Donkey Kong franchise, Mario franchise and their characters.

The people I cast for this voice fancast (c) Themselves

Travis Willingham(Reminds me of Travis Willingham's vocal performance as Knuckles(Including Sonic Boom animated series).) as Donkey Kong

Eric Bauza(Eric Bauza voiced Diddy Kong in The Super Mario Bros. Movie.) or Greg Cipes as Diddy Kong

Hynden Walch as Dixie Kong

Mark Hamill or Bill Farmer(Aron Tager(The voice talent of Cranky Kong in Donkey Kong Country animated series) passed on in 2019, rest in peace to him. 😢) as Cranky Kong

Tress MacNeille or Kath Soucie as Wrinkly Kong

Keith Ferguson as Funky Kong and Toad

Grey DeLisle(Grey Griffin) as Candy Kong and Kiddy Kong(Dinky Kong)

Cristina Valenzuela(Cristina Vee) or Christine Marie Cabanos as Tiny Kong

Bill Fagerbakke as Chunky Kong

Tom Kenny(Reminds me of Tom Kenny's vocal performance as SpongeBob SquarePants.) as Lanky Kong

Sam Marin as Swanky Kong

Dee Bradley Baker as Squawks, Rambi, Expresso, Enguarde, Winky, Rattly, Squitter, Glimmer, Clapper, Quawks, Ellie, Parry, Lightfish, Hoofer, Flurl, Orco and Helibird - All of Animal Friends

Benedict Campbell(Benedict Campbell voiced King K. Rool in Donkey Kong Country animated series and DKC: Return to Krocodile Isle. Plus, personally, Benedict Campbell is the best voice talent for King K. Rool to me. 🐊😀🙂) as King K. Rool

Adrian Truss(Adrian Truss voiced General Klump in Donkey Kong Country animated series and DKC: Return to Krocodile Isle.) as General Klump

Fred Tatasciore(Len Carlson(The voice talent of Krusha in Donkey Kong Country animated series) passed on in 2006. Rest in peace, Mr. Len Carlson. 😢) as Krusha

Tara Platt as Kalypso

Kari Wahlgren as Kass

Patrick Warburton as K. Lumsy

"Weird Al" Yankovic as Mario Mario and Luigi Mario

Jennifer Hale as Princess Toadstool(Princess Peach)

Kate Higgins(Kate Davis) as Princess Daisy and Pauline - Kate Higgins(Kate Davis) voiced Pauline in Mario series and she sung "Jump Up, Super Star!" in Super Mario Odyssey("Jump Up, Super Star!" was performed by the Super Mario Players and sung by Kate Higgins a.k.a. Kate Davis(The voice talent of Pauline).).

Stephanie Sheh or Andrea Libman or Laura Bailey as Toadette

Jessica DiCicco as Mario & Luigi's mother(Mama Mario) - Jessica DiCicco voiced Mama Mario(Mario and Luigi's mother) in The Super Mario Bros. Movie.

Totaka Kazumi(Kazumi Totaka) as Yoshi - Totaka Kazumi(Kazumi Totaka) is the voice talent of Yoshi.)

Rob Paulsen as Wario, Waluigi and Mario & Luigi's father(Papa Mario)

Scott Burns(One of Bowser's voice talents) as Bowser Koopa

Kevin Michael Richardson(Kevin Michael Richardson voiced Kamek in The Super Mario Bros. Movie.) as Kamek

[jasonstiff]

Thank you to loyal Q2 viewers Janie Carlson, Stephanie Bond-Gosnell, Jim Werth, and Kassandra Dunihoo for sending these beautiful thunderstorm photos on Tuesday!

#Montana #Billings #Q2 #KTVQ #MTN #Wyoming #clouds #thunderstorms #beautiful #photography #photo #Tuesday #weather #wx #mtwx #wywx

[he13na]

hello kind people of tumblr, my partner and i are in need of help. my partner is a tattoo artist, and a highly talented one at that. you can check out his work on instagram here. unfortunately, he was wrongly replaced at the tattoo shop he worked at in favor of nepotism and someone's bestie being given a job there. since then, he's been freelancing and having tattoo appointments at home. however, his printer broke last night and can't be fixed. it will cost more than we can afford to replace it so he is now without one, meaning he cannot do tattoos. a decent quality one will cost about $1000, and on top of rent and bills (i'm on food stamps) and feeding our cats, we're not in a place to purchase one. if he can't do tattoos, we have no money. if anyone has enough kindness to spare and wants to help us, you can send donations to paypal here!

please share this so it gets around, because tattooing is our main source of income and we need it to get by. thank you so much for taking the time to read this and help us out! we will be so grateful for even the littlest donation, it makes a difference!

[artistsbooksandzines]

A pop-up artists' books and zines display organized by Marshall Korshak. End of Century was a chic boutique that heralded the gentrification of the Lower East Side. In this pop-up, zines are absorbed into the fashion-art scene, just like any other product such as dresses and handbags.

Death of Print, Collection I At End of Century 175 Rivington NY, NY 10002 endofcenturynyc.com facebook.com/deathofprint

April 3, 2011 - June 3, 2011.

Information sharing is in the midst of its greatest transformation since the advent of the printing press.

As the core of the media system shifts towards digital, independents and artists are reacting by creating a new wave of works on paper. 

This re- found interest is what motivated Death of Print, a platform for artists to sell their independently published artist books, zines, and other printed media.

Collection I will be Death of Print’s first installation. It will be built at the Lower East Side concept store End of Century, an unconventional platform for creatives that is staged as showroom, store, salon, and exhibition space.

The space and its contents are fluid, where everything is impermanent and available for exchange. Featured artists: Weiyi Li, Tuomas Korpijaakko, Stephanie Dodes, Raquel Nave, Rahel Zoller, Rachel Domm, Pierre Le Hors, Mike Geary, Luca Antonucci, Leslie Kulesh, Le Gros Monsieur, Lay Flat, Laurent Champoussin, Lauren Adolfsen, Kipp Edick, Kimm Whiskie, Josh Slater, Jesse Hlebo, Jenny Kroftova, Hailey Loman, Grant Willing, Fryd Frydendahl, Fairchild Fries, Christa Joo Hyun D'Angelo, Carissa Carlson, Andrea Aimi, Alex Hollander, Alex Barry

[dreaminginthedeepsouth]

I transcribed this entire story for lots of different reasons.  Some of them are expressed in this Ursula K. LeGuin piece.  In light of our withdrawal from Afghanistan [which is reminiscent of our withdrawal from South Vietnam] I wonder that in all these years, our institutions are still laboring under the illusion that America as a military power is the way to present American ‘ideas’ to the world. The lack of understanding of "soft power" still astonishes me.  

I am sad that the small educational experiment that was Eckerd College [Florida Presbyterian College] really no longer exists.  I am proud to have been a very small part of the experiment.  I know that those who are dedicated to peace and to a different way forward for our country will always be present in our world.   This is the struggle of our lifetime, to make sure the vision of a new way forward never dies.

Part of the legacy of Jim Carlson is that he taught his students by his presence and his witness.  He taught that it's never wrong to battle in a 'lost cause.'  I've never forgotten it.  

[magician-kitty]

Tales of the Monkey Princess Season 1: Cast

Christy Carlson Romano: Qí Xiaotiān / “MK”

Stephanie Sheh: Mei Dragon

Dave B. Mitchell: Pigsy

David Chen: Tang

Patrick Seitz: Sandy

Sean Schemmel: Sun Wukong / The Monkey King

Billy Kametz (RIP): Liu Ér Mihou / Six eared Macaque

Steve Blum: DBK, Mayor

Gwendoline Yeo: Princess Iron Fan

Kimberly Brooks: Spider Queen

Kyle McCarley: Red Son

Victoria Grace: Bai-He, The Lady Bone Demon

E.G. Daily: Savage

Hyden Walch: Rumble

Grey Delisle: Jade-Face Princess

Next: Here

[cometomecosette]

Video Review: Les Misérables, 3rd National Tour, 2000, Act II (long)

Here’s the second half of my review of this complete Les Mis performance, which I wrote some time ago but I'm sharing again in honor of Barricade Day.

Main Cast

Jean Valjean: Ivan Rutherford

Javert: Stephen Bishop

Fantine: Joan Almedilla

Thénardier: J.P. Dougherty

Mme. Thénardier: Aymee Garcia

Marius: Tim Howar

Enjolras: Kevin Earley

Éponine: Sutton Foster

Cosette: Regan Thiel

Grantaire/Bamatabois: Trent Blanton

Young Cosette: Stephanie Mieko Cohen

Gavroche: Christopher Carlson

“Upon These Stones,” “On My Own,” “The Barricade,” “Javert at the Barricade,” “Little People”

Sometimes the smallest details can change our impressions of a character. For example, Sutton’s Éponine purposefully gets Marius’s attention by touching his back as she walks past him. Éponines who do this create a different sense of their desires and motives than Éponines who don’t. There’s also a big difference between Éponines who sing “Little you know! Little you care!” alone after Marius leaves and those who, like Sutton here, sing it as an outburst directly to Marius’s face, angrily snatching the letter from his hand. Every Éponine I ever saw in both the 3rd National Tour and the 2006 Broadway revival did the latter. Personally, I think it’s a bit petulant compared to singing the line alone. But if we assume she’s come to the barricade hoping Marius will finally love her for joining the battle – which her purposefully letting him know she’s there might imply – and yet he still doesn’t get it, I suppose an outburst to his face is understandable.

I like that neither Tim’s Marius nor Ivan’s Valjean are too harsh with Éponine. Tim strikes a good balance between stern and caring, while Ivan is nicely gentle instead of automatically treating her like a spy for Javert. His letter-reading is good too, though I wish the camera showed his face instead of focusing on Éponine as she eavesdrops.

I’ve written about Sutton’s “On My Own” before, but I’ll restate my feelings here. I honestly don’t think anyone has ever sung the song more beautifully; her voice is like flame and crystal combined in sound form. And her journey from happy dreams to raw anger and despair is vivid and deeply felt without a trace of sentimentality. I can’t fault it, even though I personally don’t care much for angry renditions of this song.

The barricade boys’ pledge to hold the barricade and defiance of the officer’s warning are gripping as they should be, especially the magnificent high A sung by Ben Davis’s Feuilly on “We’ll be there!” It’s no wonder that he went on to sing operatic roles as well as musical theatre.

Christopher’s Gavroche comes into his own in “Little People.” His Act I might have been slightly bland, but here I can fully believe in his spunk and cheek.

Kevin’s commanding presence as Enjolras and the rich-voiced stolidness of Stephen’s Javert are still outstanding.

The tone of the “Little People” scene definitely changes when the now usually-cut lines before and after “Shoot me now or shoot me later…” are included. Instead of just a few boys clamoring ineffectually in the background to shoot Javert, the barricade erupts into chaos after Javert is outed as a spy, with Courfeyrac, Feuilly and others forming an impromptu firing squad to shoot him in blatant defiance of Enjolras’s orders, and with Enjolras and Combeferre’s cooler heads just barely prevailing in the end. I still wonder why the scene was written this way, when it has no basis in the novel. I can only assume the musical’s authors thought it would be more moving to see the barricade boys come close to falling into bloodlust and anarchy under the stress of adversity, only to ultimately choose idealism, courage and unity, than if they were always disciplined and unified. Maybe on the stage, this is true.

At any rate, I like the detail of Gavroche grabbing a gun to join the impromptu firing squad and a woman trying to wrest the gun from him. It’s a welcome, subtle touch of comic relief and fully in character for the boy.

“A Little Fall of Rain,” Night of Anguish,” “First Attack, “Drink With Me”

Kudos to Sutton for remembering to act wounded even before she collapses, climbing very slowly down the barricade, having to stop and rest midway down, and then clutching Marius for support. Not all other Éponines do that. During the song she never cries out or writhes in pain, but I think it works. The motionless tension of her body makes me assume that her Éponine is hiding her pain from Marius, which fits with the lyrics, and of course lets us focus on the moment’s tender emotions. In the last verse, I like the way she gently fades away, loosening her grip on Marius’s arm and lying completely still except to move her lips as she sings, but then, at the very end, finding the strength to pull herself up and kiss him. It evokes the way Hugo’s Éponine lies so motionless that Marius thinks she’s already dead, only to open her eyes and utter her love confession.

Tim’s concern and tenderness compliment Sutton’s performance perfectly, and though his grief is quiet and understated, it’s still poignant.

The moment when Enjolras comforts Marius is understated yet touching too. Kevin’s Enjolras is clearly pained by Éponine’s death but seems at a loss for what to say or do for Marius. In the end, a silent shared arm-clasp is all that’s needed.

When Valjean arrives, the Amis take a fairly calm, wary yet respectful approach to interrogating him, lowering their guns as soon as they realize he’s not a real National Guardsman. I’m tempted to like this better than versions like the 2012 movie where they’re aggressive and almost ready to shoot him on sight, although the latter is valid too.

During the battle, I see another detail I remember reading about in reviews. When Kevin’s Enjolras kneels down to assist the student who’s been wounded by the sniper, only to be narrowly missed by another bullet from said sniper, he falls backward and sits paralyzed in shock, looking like “a frightened little blond boy” (as I remember one fan writing) until Valjean helps him up. I know that some fans can be touchy about Enjolras showing any weakness, but I personally don’t mind this detail. It’s only a brief moment, and like the above-mentioned moment with Marius, it’s a humanizing image that makes Enjolras believable not only as a staunch leader, but as a young man facing the threat of death for the first time. (Yes, I know Hugo’s Enjolras also fought in 1830, but the musical never mentions this.)

Besides, I love the way Grantaire snaps out of his motionless stupor to reach out to Enjolras when that brush with death occurs.

Stephen and Ivan are both excellent in the releasing scene. Stephen moves believably from rage and disgust at having Valjean as his executioner, to confusion when he’s freed, to smug disdain when he thinks he’s figured out Valjean’s motive, to a slow, speechless, dumbfounded exit, while by contrast Ivan’s Valjean remains staunchly calm, not losing his temper at Javert’s insults, but firmly committed to doing the right thing.

Moving on to “Drink With Me,” Trent’s Grantaire puts an interesting spin on his solo by addressing specific lines to specific individuals, to whom (if we know the Ami’s individual personalities in the novel) each line has the most meaning. “Can it be you fear to die?” he directs to Joly, the hypochondriac. “Will the world remember you when you fall?” is aimed at Feuilly, the orphan who has no family to remember him. And of course “Will your death be one more lie?” he addresses to Enjolras.

Then we have a beautiful Enjolras/Grantaire reconciliation, which unfortunately the cameraperson only shows us in part. Enjolras first stares at Grantaire, then angrily grabs his shoulder, with poor Grantaire shielding his face as if he expects to be hit. But then they gaze at each other, for a long time, and then finally, warmly clasp hands. It’s too bad that the cameraperson chooses to pan around the stage during their long shared gaze instead of showing us their expressions leading up to the hand-clasp. But I suppose the E/R relationship wasn’t quite at the fandom’s forefront in 2000 the way it is now (it was already a popular ship, if I remember correctly from my middle and high school days, but slightly less so than Éponine/Marius or Enjolras/female OCs).

Tim’s soft, sad delivery of Marius’s verse at the end is very touching and I like the consoling pat on the knee Trent’s Grantaire gives him before walking away

The ensemble work is excellent, as always.

“Bring Him Home,” “Dawn of Anguish,” “Second Attack (Death of Gavroche),” “The Final Battle,” “Dog Eats Dog”

Ivan’s “Bring Him Home” is beautiful.

I hope that someday, somehow I see a production of Les Mis that includes the “Drink With Me” reprise. It add so much more emotional weight than there is when the women simply hurry off and the battle commences. By the way, here’s a question for people who were fans before the cuts were made. Did the “Drink With Me” reprise always end with Enjolras and Marius clasping arms at the top of the barricade? Was this a universal part of Nunn and Caird’s staging? It’s a beautiful reinforcement of Enjolras and Marius’s friendship and Marius’s now-unwavering loyalty to his friends, but still, if I were to direct a new production, I’d be tempted to have Grantaire share that moment with Enjolras instead. I think it might be a better moment for their reconciliation than “Drink With Me.”

Christopher’s Gavroche is still less vivid than others I’ve seen, and the moment of his death looks slightly unconvincing (he breaks the fall with his hands a bit too obviously), but he still gives a solid performance overall.

To the very end, Kevin’s Enjolras is fully believable as the staunch, dignified, heroic leader, yet still a human being. His slow descent from the barricade after Gavroche’s death – the only movement onstage while everyone else is frozen in shock and grief – and seeming obliviousness to the offstage officer’s voice as he stands and ponders what’s happened and what’s to come is both poignant and true to the spirit of Hugo’s Enjolras. We can sense his pain, yet he faces it with stoic dignity and undying courage. His “Let others rise…” is powerful, even though he neither shouts nor goes for the high note on “…is free!”

And then there’s the heartbreaking moment after Marius falls, when Enjolras hurries to him, throws poor Grantaire aside, and tries vainly and irrationally to revive his seemingly dead friend before rushing off to his own death. Some might argue that this is out of character for Hugo’s Enjolras, and it’s definitely not realistic for the middle of a battle when, as Hugo repeatedly writes, you can’t stop for anything. But it’s moving, although I would have liked a more meaningful last interaction with Grantaire than just a quick glance.

The fall of the barricade and the tableau of Enjolras’s body on the barricade are epic and heartbreaking, as always. No other staging can surpass the original.

J.P.’s Thénardier definitely feels more alive in his sinister scenes than in the comedy scenes. I’m not quite sure why I always remembered him as being mainly a comic Thénardier. It was probably his looks, I’m sorry to say – it was too easy to mentally pigeonhole him as “the funny fat guy.” At any rate, his “Dog Eats Dog” is deliciously dark and mocking.

“The Sewers,” “Javert’s Suicide,” “Turning,” “Empty Chairs at Empty Tables,” “Every Day”

I remember one thing J.P.’s Thénardier used to do that annoyed fans back in the day was to silently break the fourth wall by visibly waiting for the audience to applaud after “Dog Eats Dog,” then shrug his shoulders when they didn’t. He did this the first time I saw the show. But thankfully he doesn’t do it here.

Kudos to Ivan for actually carrying Marius throughout the sewer sequence. We get none of the standard “Marius tries his best to look unconscious and disguise the fact that he’s actually walking while Valjean supports him” business seen in so many other performances.

Stephen gives a powerful rendition of “Javert’s Suicide,” both in his sumptuous voice and in his vivid rage and torment.

“Turning” is poignant, as it should be. The fact that the pregnant woman is played by a black actress instantly makes me think of the fandom’s widely-accepted headcanon of Musichetta as a woman of color – as far a my imagination is concerned, it’s her, and the unborn baby’s father was either Joly or Bossuet. I’ll also imagine that she’ll eventually meet Marius and Cosette and they’ll help to support her and provide for the baby.

Tim’s “Empty Chairs at Empty Tables” is beautiful and moving. His warm, darkly-shaded voice is wonderfully suited to the music, and while his grief is subtly conveyed, it can still be deeply felt. This is a trend throughout this particular performance, I think: the story is told with as little sentimentality as the material allows, and the male characters in particular are all played with a stoicism not seen in other portrayals, but their emotions can still be felt no matter how quiet they are.

The uncut “Every Day” is gently and sweetly performed by Regan, Tim, and Ivan when he joins them. The ending is adorable, with Marius and Cosette holding hands and almost face-to-face when they notice Valjean watching them, and being the modest 19th century pair they are, quickly draw apart and try to look “seemly,” only for Valjean to lovingly rejoin their hands. Unfortunately, Regan goes a bit off-pitch on her final note, but that note tends to be a hit-or-miss one for most Cosettes.

“Valjean’s Confession,” “Wedding Chorale/Beggars at the Feast”

Ivan and Tim are both spot-on in “Valjean’s Confession.” Ivan is more stoic than Hugo’s Valjean is in this scene, but this is true of his Valjean throughout, and as always, in his subtle way he still conveys his struggle and pain. I’ve heard other Valjeans be more forceful and demanding on “Promise me, M’sieur, Cosette will never know!” but the way Ivan’s voice becomes so soft and pleading instead is probably even more disarming to Marius.

Moving on to the wedding, it’s so nice to hear Marius’s exchange with the Thénardiers uncut. Éponine is remembered, her parents earn more hate with their cold, selfish response, and they build up their revelation about Valjean with just the right preamble to entice Marius – even if they do have to chase him around the ballroom to do it. I notice that Tim’s Marius tries to walk away before Thénardier brings up the “murder” (presumably he thinks they’re just going to reveal that Valjean is a convict, which he already knows), but a soon as Thénardier makes the murder claim, he becomes concerned and listens. This is different from Niklas Andersson’s London Marius in the same year (so far the only other video I’ve watched of the uncut scene), who stalked away in disgust after Thénardier made the murder claim, refusing to believe that Valjean could be a killer as well as a thief.

Regan’s Cosette looks appropriately startled and confused after Thénardier drags her into a wild spinning dance and then Marius punches him. I wonder if she recognized him in that moment?

J.P. and Aymee do a fine job with the Thénardiers’ final flourish. Just enough slapstick to get laughs (e.g. Aymee’s pantalette-flashing fall when she tries to curtsy, the business with the dropped silver later), but not enough to turn them into caricatures. “Beggars at the Feast” is just the right exuberant uplift (however cynical the lyrics) that we need before the finale.

Epilogue

As is characteristic of this cast, Valjean’s death and heavenward ascent are depicted calmly and gently, with tears and sentimentality kept to a minimum, but with genuine love and warmth in abundance. Ivan’s Valjean infuses his last moments with quiet dignity and tenderness, as well as beautiful soft singing, while Joan’s Fantine is appropriately angelic, and Regan’s Cosette, Tim’s Marius and Sutton’s Éponine beautifully round out the scene. The moment when Fantine kneels before Valjean and he reaches out to take her hand, only for Cosette to take her mother’s place for their last reunion, is very touching. So is the way Regan’s Cosette lingers over her father’s lifeless body, staring into his face in utter disbelief until finally Marius gently draws her away. The little hug she gives Marius near the end of the final chorus is also as sweet as can be (as I’ve mentioned before, they were a couple in real life at the time).

The final chorus is magnificent, as it always should be. An excellent end to an excellent performance.

[intonightcity]

total: 61 | female: 32 | male: 27 | tbd: 2 | private: 4 ( list under the cut )

Stephanie Acker. 24. homosexual not yet out. mikey madison fc. Make Up Specialist. Cosmetology assistant. Affiliate of Boutique Fresh Products. best friend of Angelica Ramirez ( @itsagraywcrld )

Veronica Allen. 33. bisexual. teyonah parris fc. Model. Glam Shell Modelling Agency. ex of Landon Wynter in Hollywood verse.

Veer Alvi. 31. bisexual. dev patel fc. Nightly News Network CEO. Media Millionaire.

Theo Anton. 50. heterosexual. andrew lincoln fc. Grace's Auction Authority President. Authenticator. uncle of Landon Wynter

Daniel Baker. 32. homosexual. david anders fc. Adult Star For Starduxxxe Studios: face of horror themed adult fare

Dawn Black. 29. homosexual. kristen stewart fc. Former Model. Adult Star for Starduxxxe Studios: where stylized adult entertainment brings more bang for the buck. Ex of Esmeralda Domingo.

Kurt Burrows. 33. bisexual. andrew west fc. Historian & Genealogist for NCHS (Night City Historical Society). half brother of Landon Wynter unknown at this time

Claudia Chen. 32. heterosexual. gemma chan fc. Actress. NYU Film friend of Landon Wynter in Hollywood verse.

Lavinia Cortez. 27. bisexual. sofia carson fc. Horror Host. Producer for Toxic Talk on the Frightful Follies Network.

Duncan 'The Scots Terror' Cloud. 45. tom hardy fc. Underground Fighter. Warrior Octagon.

Lucian Craven. 34. heterosexual. abel tesfaye fc. Owner of Diamond Casino. Severin Founder.

Lee Alonto Danger. 32. bisexual. manny jacinto fc. Adult Star for Starduxxxe Studios: the male face of the company

Esmeralda Domingo. 33. bisexual. shay mitchell fc. Executive & Acolyte. Diamond Casino. Severin. girlfriend of Landon Wynter (only in a default verse where he or she has no ship present).

Emeline Entwistle. 31. heterosexual. blake lively fc. Actress. canon ex of Landon Wynter

Tobias Fairchild. 38. bisexual. ed speleers fc. Producer. Head of Majestic Studios. Rival of Landon Wynter & Cosmic Vault Productions.

Holland Frost. 46. bisexual w/female pref. sarah paulson fc. Doctor of Technical Sciences & Gene Theory. Frost Synthetics. Outer District.

Jaime Garza. 35. bisexual. peter gadiot. Bar Owner. Neptune's Folly. Formerly Associated with Alejandro Silva's organization. selective muse

Munro Gordon. 38. bisexual. matt smith fc. Defense Attorney. Night City DA candidate. private muse ( @txnnesseehoney )

Natalie Hill. 31. bisexual. zoe kravitz fc. Tabloid Queen. Media brand Lipstick Gossip: where sex sells, lies are truth & celebrities get trashed. Former best friend of Jade Winthrope.

Susan Horowitz. 31. heterosexual. carlson young fc. Golden Girl of wealth. Owner of Ruby Casino. Rival to Lucian Craven. Obsessed w/ Landon Wynter since high school.

Jackson Hunter. 37. heterosexual. andrew garfield fc. Night City PD. Dabbler in Cat's Eye deals. PD partner of Dal Kang.

Charlene Jones. 44. bisexual. zoe saldana fc. Former Adult Star. Current Executive Producer at Starduxxxe Studios.

Dal Kang. 40. bicurious. gong yoo fc. Night City PD. Head of Corruption Crackdown Unit. PD partner of Jackson Hunter.

Alara Kaya. 28. bisexual. hande ercel fc. Dancer. The Pink Room: Erotic Dance Club. private muse ( @txnnesseehoney )

Ophelia Keal. 26. heterosexual. tilly keeper fc. Aspiring Actress. Socialite. friend of Frankie Hughes ( @stvrlyte )

Mark Lansing. 31. heterosexual. chace crawford fc. News Anchor for Nightly News Network. Film Agent (Hollwood verse only).

Camilla Luna. 28. lindsey morgan fc. Oceanographer. Ocean Ways Institute. fiancee of Lance Wynter in twin au. request muse ( all interactions take place prior to her accidental drowning )

Crystal Maddox. 25. bicurious. grace van patten fc. Venus Escort. Cousin of Jade Winthrope.

Gloria Mancini. 30. heterosexual. dakota johnson fc. Media Guru. Assistant Executive for Lipstick Gossip.

Cristobal Mardones. 48. heterosexual. pedro pascal fc. Gold & Gloss Loan CEO. selective muse

Natalya 'Talya' Mardones. 52. bisexual. salma hayek fc. Fashion Consultant & Design. Wife of Cristobal Mardones

Trent Miller. 43. heterosexual. anthony mackie fc. Glam Shell Modelling Agency CEO.

Talia Morgan. 40. bisexual. michelle rodriquez fc. Underground Fighter. Warrior Octagon.

Nadine Moore. 42. bisexual. freema agyeman fc. Doctor of Pathology. Dawn's Light Hospital.

Tabitha Nunes. 27. daniela nieves fc. Gold & Gloss Loan. Former Friend & Rival of Angelica Ramirez ( @itsagraywcrld )

Bijou Otieno. 36. lupita nyong'o fc. bisexual. Cat's Eye Black Market Madame. Voodoo Matron.

Karla Patterson. 52. bisexual. hallee berry fc. Madame of Venus. Sophisticated Escort Services. on again/off again with Ethan Wynter.

Selene Patterson. 27. heterosexual. tati gabrielle fc. NCHS (Night City Historical Society) Historian. best friend of Camilla Luna.

Miguel Perez. 26. bisexual. aron piper fc. Muertos Gang Leader. Enemy of Angelica Ramirez ( @itsagraywcrld )

Cassandra Porter. 36. bisexual. zazie beetz fc. Boutique Fresh Cosmetics. Youtube Beauty Guru. Infleuncer.

Angelo 'Bonecrusher' Reyes. 50. dave bautista fc. Warrior Octagon. Undefeated Underground Fighter.

Miranda Royce. 29. bisexual. nicola peltz fc. Fashion Designer. Glam Shell. Daughter of Holland Frost.

Elyse Saetan. 32. bisexual. prang kannarun fc. Owner of Fusion Implosion & Chef.

Yuri Sage. 25. bicurious. jennie kim fc. Escort for Venus.

Marigold Sinclaire. 34. bicurious. amanda seyfried fc. Failed Starlet. Telemarketer.

Alejandro Silva. 40. bicurious. diego luna fc. Owner of The Coast Car Dealership. Car Meet Street Racing Promoter. family friend of the Mendoza's ( @ixonmaiden @deathlycombinations )

Giselle Steele. 30. bisexual. ana de armas fc. Model. Glam Shell Modelling Agency. wife of Alejandro Silva (verse&plot dependant)

Calvin Sterling. 42. heterosexual. ben mckenzie fc. Cat's Eye Black Market. Bijou Otieno's Hired Gun.

Feng Tao. 59. homosexual. tony leung fc. Owner of The Pink Room: Erotic Dance Club. Head of the Viper Syndicate.

Yue Tao. 34. bisexual. meng'er zhang fc. Manager of The Pink Room: Erotic Dance Club. Daughter of Feng Tao.

Derek Thorton. 33. heterosexual. dylan o'brien fc. Cat's Eye Black Market. Illicit Trades In Protection & Killer services. private muse ( @txnnesseehoney )

Maya Tran. 40. bisexual. maggie q fc. Cosmic Vault Productions Affiliate. Celebrity assistant & publicist. Assistant to Landon Wynter in Hollywood verse.

Archibald Tumblety. 54. bisexual. daniel craig fc. Producer. Starduxxxe Studios Owner.

Vivienne Wilcox Violet. 26. heterosexual. zaria simone fc. Adult Star for Starduxxxe Studios: female face of the company.

Jade Winthrope. 30. heterosexual. shailene woodley fc. Night City PD Forensic Analyst.

Marius Wright. 48. heterosexual. omari hardwick fc. Former Underground Fighter. Owner of Warrior Octagon.

Aiden Wynter. 22. heterosexual. felix mallard fc. Photography Major. Son of Landon Wynter & Eloise Gray. exclusive muse ( @itsagraywcrld )

Benjamin Wynter. 21. homosexual. christopher briny fc. Street Artist. Son of Landon Wynter & Eloise Gray. exclusive muse ( @itsagraywcrld )

Ethan Wynter. 54. heterosexual. keanu reeves fc. Hitman. Business Partner of The Pink Room: Erotic Dance Club. Adopted brother of Julian Wynter. Uncle of Landon Wynter.

Florence Anton Wynter. 56. bisexual. michelle gomez fc. Author. Freelance Web Writer. Mother of Landon Wynter.

Julian Wynter. 58. heterosexual. greg kinnear fc. Executive Producer. Majestic Studios. Father of Landon Wynter.

exclusive muses ::: created solely for extended family or connections in specific ship verses private muses ::: reserved for plots, connections, ships with a specific mun only selective muses ::: highly selective in who they will interact against face claims ::: I do not adhere to banned lists for starter calls posted on this blog. So pls specify to avoid using a muse with a face that is on your banned as I will not use alts. DNI ::: Young child muses. Personal blogs. Non mutuals.

[capemayhq]

could i get some more mwf?

Sure thing!

Kennedy McMann, Zendaya, Madison Iseman, Kathryn Newton, Penelope Cruz, Cemre Baysel, Morgan Holmstrom, Madison Bailey, Willow Allen, Cindy Kimberly, Mishti Rahman, Simone Ashley, Banita Sandhu, Rachel Sennott, Renee Rapp, Cari Fletcher, Dua Lipa, Tinashe, Abigial Cowen, Alexis Ren, Olivia Rodrigo, Jenna Ortega, Anne Hathaway, Sofia Vergara, Rachel Weisz, Bri Larson, Daisy Edgar-Jones, Sabrina Carpenter, Angela Bassett, Jessica Alba, Michelle Yeoh, Stephanie Hsu, Gemma Chan, Pat Chayanit, Davika Hoorne, Maitreyi Ramakrishnan, Megan Suri, Poorna Jagannathan, Richa Moorjani, Geraldine Viswanathan, Olivia Cooke, Emma Stone, Hayley Atwell, Carlson Young, Madelyn Cline, Tyla, Halle Berry, Adria Arjona, Gabrielle Union, Rachel McAdams

[dispatchdcu]

Red Before Black #2 Review

Red Before Black #2 Review #RedBeforeBlack #BoomStudios #BoomComics #reviews #previews #NCBD #comics #comicbooks #art #news #comicreviews

Writer: Stephanie Phillips Artist: Goran Sudžuka Colorist: Ive Svorcina Letterer: Tom Napolitano Cover Artists: Goran Sudžuka & Ive Svorcina; Dave Johnson; Eduardo Risso Design: Becca Carey & Grace Park Editors: Maya Bollinger, Eric Harburn, Bryce Carlson & Matt Gagnon Publisher: Boom! Price: $4.99 Release Date: September 11, 2024 Charles Lamb got Val out of prison. The FBI agent wants her to…