#Standpoint if that’s what it’s all about

[miraculouslbcnreactions]

Is it true that Miraculous often sexualizes its characters? Because I see other people say this and want to know if it’s correct

I have not picked up on anything like that in Miraculous, but I'm ace, so sexualization has to be pretty overt for me to notice it on my own. It's entirely possible that there's something subtle that I'm missing. Until someone gives me specific examples, my stance is that this is incorrect. It's not an element that even crosses my mind when it comes to the reasons why I would discourage adults from introducing this show to kids. I am concerned about the quality of the romance between the leads, but that concern comes from a psychological standpoint about modeling what healthy relationships should look like. The love square is way too teen drama for a family show! However, from a purely physical standpoint, it's appropriate for all ages.

[vidavalor]

<<I would also not accept Crowley hate. I just never see it.>>

Same. Yeah, it doesn't exist. A lot of people's internalized issues at work, if you ask me, as to why there's only hate for Aziraphale when there shouldn't be hate for either of them.

<<I think for that to work, you have to take Crowley as the protagonist of the story and Aziraphale as an -- um, adjunct? romantic interest? Rather than seeing them as 2 equal players in the story.>>

If you want to get really technical about it? From a writing standpoint, Aziraphale is the main character because it's his story arc we're following the most throughout the story. He is the character who will under go the most change from chronological start-to-finish in the story. He and Crowley are two halves of a whole, though, so it's a little tricky and they're closer to being co-main-characters than you might get in other stories. Inside the story, though, the characters are definitely equal partners, and I agree that it's irritating to not always see that reflected in attitudes towards the characters.

The funny thing is, though, that people who think Crowley is the sole main character are showing that they don't really know what one is and are just focused on Crowley. For reasons. I wouldn't presume to know why, exactly, but I suspect that they are likely of 'want to fuck him even though he's fictional and subconsciously hate the main character who gets to' variety. Also shows how little they know the character as Crowley would not. care. for it. if he were to learn that they were disparaging his angel.

<<the Edinburgh minisode, that make it look like Aziraphale is still toeing the Heaven line and he is the only one who still (in 1827!) has learned nothing>>

Yeah, that attitude in people is showing that they're not really putting together the minisode, imho. Aziraphale struggling with conflicts of what he's supposed to be according to Heaven versus who he really is are not the same thing as Aziraphale being on the side of Heaven. He's never been on the side of Heaven. He gave away his sword in Eden. He lied and miracled to save Job's kids. He's been badass since the start.

I think it's also a feature of some people not seeing that Aziraphale is kind of dryly bitching about his job to Crowley in 1827 more than he is actually disagreeing with Crowley and Elspeth. He lives on Earth. He knows how lunacy Heaven's ideas about things are. He's complaining to Crowley about what he's up against and getting some reassurance in Crowley's wtf that's crazy! response that he's not alone in thinking so. The moment that he learns that Dalrymple isn't just a ghoul but someone who wants the bodies for greater good reasons, Aziraphale is happy to throw over whatever Heaven nonsense he's supposed to at least pretend to believe to help. He'll always do what he can to help. It's just all very tiresome that people think Crowley is perfect. He's not always right. There also isn't always a "right" at all.

<<such as the way the f15 was shown (many people do not sense any real threat from the Metatron, don't get the "able to see/hear what's happening in the shop", don't see anything weird about Crowley letting Aziraphale go off with the Metatron, etc.>>

Yeah, this... 😂 My favorite wtf interaction that I've had here on the Tumblr Dot Com is the person who told me that Aziraphale and Crowley weren't worried about being spied on in The Final 15 and when I pointed out things like... Aziraphale, looking out the window at Our Villain, doing the downward hands of "not right now" at Crowley, and trying to get him to stop talking? I was told-- kid you not-- that he just turned his head.

The closet is a theme of the season and there's an entire foreshadowing plot with the Nazi Zombie Flesheaters about Crowley and Aziraphale being spied on through the window and people who cannot make simple connections enough to understand what's happening, so... how's that for irony? There's a whole plot about people being unable to make connections... about which this person couldn't make a connection.

I agree to some extent that it's designed to appear a certain way, with particular emphasis on Crowley acting out of character, but it's not so cloak-and-dagger that we can't see that something is amiss. The number of people who don't seem to see Crowley as acting out of character by letting Aziraphale go alone with The Being Claiming To Be The Metatron amazes me. It should be the primary question to come out of that scene. This is what we were saying above, though-- they are too focused on precious demon got his feelings hurt to notice that there is something really, really wrong with precious demon. He just sat there and let Aziraphale go alone with someone who had tried to kill him and he'd never do that of his own free will and that's somehow not the biggest point of discussion?

But this is also the same problem as most people just believing without question that it's The Metatron at the door. Sure, it might be, but they definitely gave us a laundry list of clues that suggest we should at least be questioning it. Five angels cannot recognize him and he has to get a demon to identify him but that's not Satan? Really? After a whole season of "who are you" in every other scene? And all the minisodes being about Hell? Even if it's not, the point is that it's all very weird and many people are just taking what's happening as if nothing is weird, which I find to be... well, weird.

So many people think that The Metatron was legitimately offering Aziraphale a job and everything was on the up-and-up and... why would he ever do that? He'd never offer Crowley to be restored as an angel, either. That'd collapse Heaven and Hell in a day as every demon then would demand their own status as demons reviewed. They think this is The Metatron and they still believe him, even though he just tried to murder Gabriel? I was so surprised to see the number of people who don't think Aziraphale is in any danger here and think he just got promoted when the whole season seems like it's building towards something quite different but we'll see what happens in The Finale.

The gods of the Disc have never bothered much about judging the souls of the dead, and so people only go to hell if that's where they believe, in their deepest heart, that they deserve to go. Which they won't do if they don't know about it. This explains why it is so important to shoot missionaries on sight.

Eric, Terry Prachett

[danielsarmand]

ugh yes you get it it’s not ABOUT ships being endgame i feel like ppl have come to expect that nowadays and it’s really weird. whatever happened to scraping for crumbs of interaction and running 20 miles with whatever we got?? and even if a ship does become ‘canon’ it’ll usually never happen in the way you personally want anyway. they’re NARRATIVE FOILS babe it doesn’t get much better than this i am eating it UP

i swear the new season has been EXASPERATING from a fandom standpoint. i think in retrospect it was like this with season one and the whole mel thing, too, but enough time has passed that my brain conveniently forgot about that.

i don't want to make this about age, but when i was growing up in fandom we used to have maybe a 1% canonization rate when it came to queer ships, which forced me to develop an array of skills i don't see much of anymore. queercoding and queer characters were there still, regardless of how canon or not a ship was, and everyone agreed that canon love interests mattered very little when the dynamic of two characters was the core of said characters.

i genuinely could care less about mel and jayce when they uh. got together i guess??? and i say i guess because we barely know anything about their relationship and dynamic. which is the point! we know way more about him and viktor, so that's where my thoughts go.

people were making a fuss over jayce and mel fucking, meanwhile i was going insane over their sex scene being paralleled to viktor coughing blood, and about how afterwards we see mel waking up in bed alone because viktor wakes up in bed and jayce is beside him. now, people are making a fuss about viktor and sky and i'm over here thinking of what sky is: a symbol, a representation of viktor and jayce's dream, of viktor's humanity and of his remorse. because that isn't even grief—he barely knew sky, didn't even look at her once in season one, he cannot grieve someone he didn't care for; he grieves her POTENTIAL, what she could have been had he let her, he feels guilty for being the cause of her death and he clings to his humanity through her.

arcane is all about visuals. every single frame. none of it is left to chance. and this is unfortunate when its viewers seem adamant on not turning on their brains whilst they watch.

[temis-de-leon]

Please make sure to take care of yourself 🥺 Write whenever you feel like it and when you have the time but don't force yourself to write 😤 - Romance Anon

Crush hugging him because of a horror movie - 500 F.C.

Characters: Diavolo x gn!reader

Main Masterlist

500 followers masterlist

Requested by: Romance anon

A/N: Toni Colette, the woman that you are. And thank you Romance, for your never-ending patience <3

C/W: a bit suggestive there at the beginning, pinning, very vague description of Hereditary's ending

.

He would be lying if he said having you so close to him, practically sitting on his lap, while moaning a myriad of ‘oh my God’, ‘please, God’ and, his personal favourite, ‘Dia, Dia, Dia…!’ wasn’t affecting him in the slightest. It was, and heavily; he just wished it took place under different circumstances.

Mainly because he was low-key freaking out too, although not as much as you.

Having seen a fair number of sinners, he knew some mortal minds weren’t simple or kind, which made the darkness of life and the suffering of others a rather pleasurable affair for them. It was fascinating, apparently, a broadly studied aspect of human society, and not just one of many media genres, that propelled the pharmaceutical and therapeutic intervention businesses; a cause and a consequence, something that should’ve been avoided or couldn’t have been helped.

And yet, out of all horrors, you chose a demonic possession movie? Were you trying to tease him?

Paimon wasn’t even that bad once you got the chance to meet him properly! He was an erudite whose knowledge covered all the arts, philosophy and science. A friend of Lucifer’s, keen on reciprocity foremost and eager to start a conversation with anyone who offered him the same amount of time and interest as he did. Unfortunately, Diavolo had the tiny suspicion you wouldn’t be in the mood to meet the captivating demon, nor his demanding dromedary, after watching the disturbing movie, but you should really give it a try!

He could still understand you, though.

“Oh, dear” he said in a quiet breath as the boy on the screen slowly turned around and miraculously missed his mother crawling on the walls.

Your eyes, which had been previously peeking between your fingers, closed shut. You turned to press your face against his chest again and he deeply hoped your fear kept you from noticing the rapid beating of his heart and the way his hand closed around your waist to bring you closer. His cheeks burned, not bothering to hide an enamoured smile. There was no use in doing so when you were trying so hard to disappear from the world amongst the creases of his uniform.

Still, you had asked him to watch the film together and he would be more than damned if he disappointed you in such a trivial matter, so he forced himself to look at the screen intensely, even when a naked man loomed from the shadows and the boy had to run away for his life, tripping and falling and barely climbing to the attic on time.

“I have to say, MC” he mustered, eyes open wide as the woman (Annie?) violently banged her head against the trap door while Peter cried in desperation from the other side. “I can’t understand the appeal of watching this. When you said you wanted a movie night, I thought you’d choose something… tamer”

More romantic is what he wanted to say. Diavolo had hoped to understand love from a human standpoint and see what you liked in order to do the same. Rose petals and champagne by the fireplace? Or shopping and dining in the most expensive places in the Devildom? Dancing in the rain? Stargazing? As observant as he was, he had no clue whether you reciprocated his infatuation, so, sadly, he preferred having your full attention on him whenever he showed his feelings; and at that moment not even an emergency would’ve made you let go of his embrace. It's not like he would ever complain about that, anyway.

“I didn’t want to watch the movie alone” you finally whimpered, letting go only enough to look up at him. “And I figured if someone could make me feel protected it would be you”

Your glassy eyes vaguely reflected his speechless expression and, suddenly, he was aware of everything. The weight of your body against his, bringing warmth and comfort, the smell of your clothes and the softness of your skin; your scared pouting and embarrassed blushing. Not knowing what to do with it anymore, he let his free hand awkwardly drop over your calves and immediately almost imploded when you instinctively tucked even closer.

There was no noise for a blissful moment, save for the heavy breathing and the buzzing coming from the speakers, and Diavolo briefly asked himself if a horror movie was still a good background for a love confession.

Then, a wet sound; a sawing motion.

You slowly turned to the gigantic TV, impending doom in your expression quickly morphing into heavy distress when the mother appeared once more on the screen. Your appalled scream almost made him cover his ears before you hid your face in his chest one final time.

“OH MY GOD, DIA, OH MY GOD”

Diavolo just hoped Barbatos wouldn’t ask any questions in the morning.

.

.

Taglist: @ilovecandys2010 @ollieoven @kingofspadesdelusion @whimsybloom

[fynnlink]

Arcane doesn't need a THIRD season...

It needed THREE seasons

Arcane discussion / slight critique (obvi SPOILERS)

Alt title: "Arcane's character arcs: Tell not Show"

It's quite long.

I'II preface this by saying:

1) Arcane, especially from a creative standpoint, is a masterpiece and testament to what animation and showcraft can be/achieve. The three year hiatus was more than worth it. Hats off to everyone involved.

2) I thoroughly enjoyed the second season and the finale. It hit all the right emotions and I cried laughed and loved throughout my viewing(s).

But 3) Despite my enjoyment of the entire series, there are a few issues I had with Season 2 and the ending of the series.

Now to the title: In my opinion (and despite my wanting one) Arcane does not need another season after the finale and the story can instead be carried on better/just as well in subsequent spin-offs (like the likely Noxian one). Instead Arcane could've/would've benefited from a runtime of three seasons with the story of Season 2 being split up into two seperate seasons.

Without further ado

Arcane Season 2 started off great, from the season opening with the direct and immediate aftermath of Jinx's attack using Fishbones (the rocket launcher), Cassandra Kirammin's gorgeous HAND-DRAWN funeral, to all the emotional and high intensity scenes with the Zaunites from Silco's funeral and the Jinx-Sevika-Isha found family/team-up, all the way to the first act's incredible conclusion with the Temple of Janna Showdown and the Discovery of the Wild Rune below the Hexgate. It had and was everything I wanted and wno et of all the writing I wanted and more, the animation, the acting, the soundtrack and most of all the writing.

There were certain issues which I'll get to in a second but Season 2 Act 1 was mostly solid writing and followed through on Season 1's excellently written explorations of oppression, police brutality, ableism, class divides and classism, racism and prejudiced bigotry and many other complex and importand real themes/matters. After Act 1 followed Act 2 and my first big issue and the entire premise of this post: another (albeit much shorter compared to S1 A1 to S1 A2) timejump. While this usually doesn't necessarily pose an issue especially since Arcane has successfully handled timejumps/skips in the past without too much "Tell not Show" (an inverse of the "Show don't Tell" trope https://tvtropes.org/pmwiki/pmwiki.php/Main/ShowDontTell#:~:text=This%20is%20a%20writing%20or,book%20doing%20indisputably%20badass%20things.) which can lead to characters and storybeats feeling disconnected or the changes feeling jarring.

The multiple timejumps and montages rush a story that would've benefited from time and patience. I understand why these choices were made and the montages were creative and gorgeous, however there were too many in too few episodes.

The time between Act 1 and Act 2 of Season 2 should have been shown and not summarised into a montage.

Vi's arc and development into her in-game self (i.e an Enforcer) was incredibly rushed and underdeveloped ("Are we still Sisters?"-Jinx "Nothing is ever going to change that" S1 E9 | "My sister is gone. There's only Jinx now."-Vi S2 E3) and in many ways actually devolves/regresses upon her established character ("I grew up knowing I'm less than them. That my place is down there. I want Powder to have more than that and I'm willing to fight for it." S1 A1 "I'm the dirt under your fingernails, Cupcake." S2 E9) compared to season 1 Vi's character is or at least feels very reduced to simply one half of CaitVi, there's also no real follow through / no real consequences to Caitlyn's actions both as a Dictator General of Piltover and especially towards Vi. There was no actual apology from Cait (no, micro-expressions and withdrawing Jinx's guard does not make up for physical abuse) and the entire "Prison Cell - steamy edition" felt out of nowhere/weird (I'M NOT TALKING ABOUT CAITVI'S FEELINGS, THOSE WERE THERE AND ARE VALID AND DESERVE TO BE EXPLORED.) considering Vi and Jinx's interaction just before, Jinx's obvious suicidal ideation and Vi's unexplored trauma from her childhood spent in prison.

Same with Caitlyn being build up as a representation of someone who grew up privileged turning to generalised hatred and dehumanisation of others/"the other" when experiencing trauma (my phrasing is terrible but I'm referring to Caitlyn's turn towards oppression/fascism in response to her mother's death.) Caitlyn falls back into the exact same way of thinking that she denied/judged for example collectively referring to Zaunites as "Animals" despite rebutting these same words when Ekko said the people of Piltover look down upon those of Zaun, as well as Caitlyn calling Vi's blood dirty/tainted saying Vi has the "same blood in [her] veins" as Jinx after Vi stopped Caitlyn from endangering a Child's life as well as hitting Vi first with a stray bullet and then with the back of her rifle during an exclusively verbal argument. All before ascending to the position of General of Piltover during Martial Law and enacting collective punishment, restriction in movement and expression via military checkpoints and guard patrols, revoking Zaunites' right of assembly and peaceful protest and imprisoning most ("half") of Zaun in Stillwater without trial. Piltover even had to built a railcar system to keep up with prisoner transports to Stillwater opposed to S1's boats.

All this was built up only to have Caitlyn turn back after only one interaction with Vi. Supposedly Caitlyn had begun to doubt/regret the excessive and oppressive Noxian measures but apart from one scene of her disagreeing with Rictus' (Ambessa's second in command) "incitement of violence" at the checkpoint but still supported and expanded upon Stillwater (the exact prison Vi was kept in, even keeping the guard who all but confessed to regularly beating Vi during her seven year imprisonment, he even says he does it so often he "never thought to keep count") and even threatened to use cells and methods she knows and agrees are morally reprehensible.

Caitlyn's deeds as General should have been shown to the audience not just summarised into a short montage only to be glossed over. Instead of a complex and very difficult but incredibly necessary and in the end beneficial look inward for Caitlyn, Caitlyn's time and actions as a semi-dictator were glossed over because Ambessa was simplified into a pure warmonger going so far as to attack her own daughter and even Caitlyn cheating on Maddie with Vi in the cell is portrayed as less morally complex since Maddie completely betrays Caitlyn going so far as to try to shoot her to side with/support Ambessa's war (despite Maddie talking about reestablishing the Council in S2 E4).

If we had been given time with Caitlyn during her "#lowkey-Fascist-Era" especially if we had seen her temper cool and see her kinder side shine in more scenes in which she opposes Ambessa as opposed to one scene expressing disagreement with Rictus and later Caitlyn agreeing to Vi's comments regarding Caitlyn "sidling up with [Ambessa]", then this development and CaitVi becoming a couple again would have felt earned and well-written.

Instead of a comprehensive follow-up to Season 1's themes we got a "But TeAmWOrk GuYs!?" the Oppressed and Oppressors put aside their differences because of the greater / "real enemy all along"ᵀᴹ without Zaun seeing any reparations/improvements apart from one single seat at the same council that has oppressed them for decades/centuries. (Sidenote Sevika was immediately side-eyed and judged and can just get overruled by the remaining Council. États généraux, yes you get a vote but only one)

Yet we end the season with Caitlyn and Vi having sped past their issues and (Vi's) trauma to have a final scene in front of Caitlyn's fireplace with Ekko being shown to grieve Jinx more and Vi proclaim being the "Dirt" under Caitlyn's fingernails (they supposedly worked on that line for 27 hours).

Just to clarify I'm not saying Vi doesn't grieve but it's about what's shown and especially what is given time and here a CaitVi scene was more important than a scene dictated to Vi and Jinx's bond as sisters which was/should be the focus of the series. I'll probably make another post at some point about the Sister's bond taking a backseat compared to the relationships in Season 2.

In the end we were told more than shown why characters acted the way they did. With many interactions and moments of growth only implied.

Arcane would've benefitted from more time, maybe even a seperate Season, spent developing the characters to their final state and to give the series the time to deal with both it's arcane (*wink*) and human themes. And the ideal timeframe for this was in-between S2 A1 and S2 A2.

Many characters feels as if the audience had read the first and third book of a series without the in-between. And entire plot-lines and core themes were dropped/abandoned.

If you're still reading, thank you and sorry I went off on a ramble in the middle there. Again I'm not saying the season was bad and definitely not that you can't enjoy it (I liked it) just that it had a few missed opportunities.

[alexanderwales]

Save the Cat is a snappy read, and only 8 chapters, so I'm just doing a liveblog of them unless I get bored or distracted.

Chapter one is about the pitch, the logline, the title, what you put on a poster and how you sell it. It doesn't necessarily come first, but I get the sense that for Snyder this would be his preferred way of doing it. (A logline is just the one-sentence "what is it about" that you use to sell people on the idea.)

Snyder says that writing loglines is awful, soul-crushing work, and I agree there. I'm awful at it. But Snyder also says that if you don't have a good logline, maybe there's something wrong with your movie, and that I don't agree with.

I think there's a fairly wide set of stories that have good, snappy, easy loglines, and are also good stories. But I think there are other stories that are good stories and don't have a great way to pitch them. The lack of a good pitch can exist for a lot of reasons, and sometimes it's just that it's more complex than can be summed up in a single sentence, or even a handful of sentences. I think in practice writers will often dumb down the story for the logline, lying about what's contained within, just to make sure that it will sell, that people will want to know what's inside.

One of the other main points of the chapter is that a good logline has irony to it, a twist inherent in the title, some kind of thematic tension, and I disagree with that too, maybe not from the standpoint of selling a script, but from the standpoint of storytelling.

Why does everything have to have an irony to it? Why does everything have to have a twist? Why can't we have stories that are just well-told explorations of conflict and character? It's like at some point people decided that they only wanted Distinct Pieces of Media, so if you wanted to tell a story that's been told before, something with its own unique texture, you're just shit out of luck.

I find this all the more irritating because often the twist/irony/idea/pitch is good, and then the execution is shit, and then people don't want that idea again. It's not like you can say "like that thing that flopped, but good".

Blake Snyder is trying to tell good stories, but he's also trying to sell stories, and this is a good thing for authors to know how to do. I accept this. I just don't like it.

So as a writing exercise, here are some loglines for things I've written, without the amount of care and polish and revision that a good logline needs:

Worth the Candle - A teenaged dungeonmaster gets thrust into the worlds he's created, where his recently deceased friend is a historical figure. (This is bad, not short and snappy enough.)

This Used to be About Dungeons - Five young adults team up to delve dungeons and bake pies. (I don't know man, I said I was bad at this.)

Thresholder - A man travels through portals to different worlds and genres, gathering powers and skills as he fights other people just like him.

Shadows of the Limelight - In a world where fame gives you power, a fanboy saves the life of the world's greatest hero in full view of the public.

The Dark Wizard of Donkerk - An orphan raised by two dark wizards adventures north with a wayward princess.

Millennial Scarlet - A gig-economy demon hunter grapples with the death of his mother and the plans she set up before she passed.

Alright, I found that less soul-sucking than usual, but I don't think that these are the oiled, muscular, perfectly toned and smiling loglines that are necessary to sell, just to be clear. The marketing unit of written fiction is not really the logline, though that helps, it's the blurb, and I am equally awful at writing those. I just don't agree with Blake Snyder that a blurb or logline coming poorly is a sign that you don't know the story.

[crguang]

I have a question for the Kafka violinist au 🙋‍♀️ does she like reader because of their music or does she only like their music bc of reader?? I hope this makes sense!!!

SOME VIOLINIST AU LORE OK there’s a small summary here but basically kafka and r met each other through music, their instructors knew each other and put them together after realizing their respective potential. they were 8 at the time… so they grew together as their music grew as well, the two are deeply tangled up, they share the same roots. they had ambitions about becoming the best in their field and that’s still what drives kafka in the present time, but r actually mainly just liked playing with her. their synergy is practiced and eventually seamless, and they push each other to be the best. on a musical standpoint, k’s music has always been connected with r, so when they move away at 16 she constantly feels like there’s something missing to her playing. she still becomes great and known in the classical music world, but she goes through a lot of pianist accompaniments looking for that missing key and never finds it. in her mind, she can’t be fully realized as a violinist without r. in r’s mind, kafka has always been great. she spends a decade perfecting her craft and is still unsatisfied, it gnaws at her and irritates her, more so the fact that she can never fully erase r from her mind even after so many years. she exteriorizes those resurfacing feelings through her work and those prowesses are part of what makes her a successful musician, so in a way, r has contributed to every aspect of her life. childhood, teenage years and the weight of their absence that still affects her into adulthood.

to actually answer your question (lol), kafka just likes r. the music is how they met but they were more than student violinist and pianist, they were inseparable for a lot of their formative years. music means different things for the both of them and it took kafka a long time to understand that (which is not really her fault tbf, there were some things r never shared with her). she loves their music because it’s great. r has potential that rivals hers, they just don’t care for the spotlight like she does. she loves their music because it’s them making it too. r makes music that reflects who they are, what they like, how they feel— kafka loves their music because it’s them.

they’re both sickening and i can’t stop thinking about them but i hope that made sense, all i do is yap about them these days

[katboykirby]

Okay 🤷

I'm coming from the standpoint of someone who has both worked in the mobile game industry on the writing/game development side of things, and also as someone who personally knows and regularly speaks to staff at Solmare. All I'm doing is offering the perspective that comes with having that experience.

You personally seeing lots of posts about a particular topic, because it's a popular point of discussion in your circle, does not mean that the topic is popular or widely discussed outside of your circle. I'm not saying that no one is having these discussions, but I absolutely promise you that it's not as many people as you seem to think. And like, that's fine? Not sure why that's even an issue or anything, but okay?

Again, "this is badly written" is completely subjective. Your personal opinion on a piece of media is obviously fine, but it's not in any way universal or objective. To be honest, it's kind of a weird choice to even bring up because (in addition to it's subjectivity) it's simply not all that related to the original point that was being discussed? This specific post is about people being upset over optional monetization in the game, not about story quality. That's absolutely a conversation that can happen, but it's not the point of THIS post?

I don't know where I've been defending Solmare? In my original post I literally outlined multiple points of feedback and criticism, and examples of what I think they could have done differently and what they can still stand to improve. I also link directly to the contact page for their Support Team specifically so people can easily send their own feedback.

Ultimately, my main point was this: the new feature isn't perfect and Solmare could have done several things differently that would have improved the rollout and made people happier. BUT, it's also not the atrocious garbage fire that people are treating it as. There's harassment and abuse being sent to the official OM accounts, multiple people are saying that "everyone should boycott Solmare" and just overreacting in general. Which is a lot of drama over what is, essentially, a pretty standard and inoffensive item bundle being added to the shop.

The new feature is very normal for live service mobage (especially gacha) and "optional paid bonus content" is EXTREMELY common in this genre of games. In-app purchases for goodies and extra fluff exist in basically every gacha game ever, and OM isn't doing anything different. Obviously it's totally okay to not like it! And if you don't like it, you can just totally ignore it. It doesn't impact the game either way.

You're paying $30 and getting a long Devilgram story, a character phone call, exclusive premium artwork, and a stack of 300 DP on top. That's all. It's not mandatory, it doesn't lock any actual game progression or Main Story behind a paywall. It's just a totally optional goodie bag in the shop that you can completely ignore if you don't want to buy it. It's more than fair to criticise the pricing scheme, but some players are acting like the gave devs personally hacked into their bank accounts and stole their life savings.

Anyway, I'm probably not gonna keep replying like this because this post has gotten ridiculously long, lol. You're more than welcome to DM me if you wanna keep discussing stuff, but I might just disable reblogs because I wasn't expecting this post to get so much attention.

Going to play Devil's Advocate (ha) here for a moment, as someone who has experience working in the industry & game development:

Remember, every single time that any new feature is added to the game (even if that new feature is "just a new artwork and phone call") it means that Solmare is -

Paying artists for the new artwork

Paying writers for the new scripts

Paying the voice actors to record the new voice lines

Paying the game devs, coders, debuggers, etc, to actually implement the new feature into the game without breaking anything

Paying for QA

Paying the translators for all the different language versions (Obey Me is currently available in 4 different languages)

Paying the localisers for all different language versions

Etc, etc

This is all on top of the monthly costs of keeping a live service mobage like OM running smoothly. Anything that isn't paid for by the players is being operated at a loss. This isn't a flaw with OM itself, this is a fact that exists on an industry-wide level.

Secondly, while any concerns about the price are entirely valid, I think that a lot of people are glossing over an important point - Solmare is not charging you $30 for a Date Ticket. Solmare is charging $30 for a BUNDLE, which includes the Date Ticket as well as 300 DP. So this is similar to all the other sales bundles that have been rolled out in the past.

And the price is consistent with the standard price for DP in Akuzon. It has always been about $30 for 300 DP, so the price has not actually changed or been increased. This is an optional, $30 bundle for 300 DP that essentially includes the Date Ticket as a bonus for free.

You're totally justified if you don't want to spend $30 on this. I'm definitely not arguing that. While I think that this feature isn't as bad as some people are saying (I never would have expected any new features to be totally free) I do think that Solmare could have rolled this out in a better way than they did.

I think that most, if not all, of the complaints would disappear if they simply offered different bundles for different price tiers. This is something they've already done in the past, even! Just give people alternatives, like...

$1.39 for the Date Ticket by itself

$10 for 100 DP + Date Ticket

$20 for 200 DP + Date Ticket

$30 for 300 DP + Date Ticket

And so on. I think this probably would have alleviated many people's concerns, and would have made the new feature more accessible for more players.

Now, I don't think that harassing the official Twitter account is the way to go about communicating your thoughts. There's a difference between genuine constructive criticism/feedback given in good faith, and needlessly rude hate comments. "Fuck you, hope your game goes broke" doesn't help anybody, and will only make Solmare less likely to listen to the EN fandom. They've dealt with a lot of harassment from Western fans before, including death threats, and you aren't communicating anything useful or constructive by sending hate to the EN social media account.

Solmare has a Support team that you can email, if you have feedback and you actually want to reach the JP game devs. If you want to let them know that you want other/more affordable options for the new Date Ticket feature, this is the best way to do that. Just remember to be civil, since harassment and hate mail are extremely likely to simply be thrown out before it reaches the hands of anyone in charge.

[jekinabox]

some rambles on my takes on Curly from Mouthwashing

I understand that a lot of people see Curly’s reaction to Anya telling him about her SA and what he did after as him ignoring it for Jimmy’s sake- and maybe that’s true, the point could very well be that people (especially those close to the abuser, especially men) will just set that kind of thing aside because the abuser “wouldn’t do that” or “will be better” or whatever, especially because Swansea ends up doing the same thing when Anya tells him, as well as the consistent theming of responsibility and trying to fix things.

But I think that maybe there’s more to it? If you don’t, feel free to look away, this is just my thoughts and take. But I think If the story is about SA and the consequences of not rooting the people out, I don’t understand what Diasuke’s role in it could be, so that just isn’t the moral of the story that I see. Of course, if this is how you see the story, that’s ok! People can have different views on media, and art is as much about people’s different responses to it as it is about what the creators meant.

Onto my little ramblings about the guy!

1- I think it’s very probable that Curly’s been manipulated by Jimmy, and for a long time. They’re “best friends,” and Curly believes Jimmy “won’t try that bullshit with me” even though he clearly does. Even at the birthday party, Jimmy is uncaring to his “best friend,” and during the confrontation near the cockpit, Jimmy outright twists what Curly’s said in the past. (Not to mention what he does to Curly afterward, but that doesn’t exactly count since it’s afterward.) I also wouldn’t be surprised if Jimmy helped Curly out of some situation in the past due to his savior complex and Curly now feels like he owes Jimmy something. It’d be easy for him to overlook Jimmy’s smaller problems if he feels he owes Jimmy something, especially if it’s something bigger, and he seems more of the “deal with it” kind of person anyways, so he’d obviously toss any grievances aside since he thinks everyone needs multiple chances. At first, Jimmy probably unsettled him. But he got used to it, just like his job. He deals with it for the last day, then another, then another.

2- Curly seems legitimately concerned when Anya tells him about everything, at least when he gets confirmation. We don’t see much after the she asks him about the locks on the doors, and we don’t see how much he actually learns, and thus no clue as to how bad he believes the situation may be (Harassment is nothing to scoff at, but if he just believes someone’s being a creep or annoying her, he’s obviously going to try to learn more and deescalate before anything else.) We also never see how much or what they say when she asks for the gun, but what we know is that Curly is freaking out when he thinks she has it, and actually believes it at first to be that she wants to kill herself due to the recent termination of their jobs. He’s first confused, then after her few words of explanation says he’ll talk to Jimmy. We never see an actual talk, but he learns definitively of what happened only “1 day before the crash,” and it takes time to sort through emotions, plans, and decisions, let alone when someone you thought was good did something like that and if you realize that they were a shitty person all along. Curly also then needs to decide what they’re going to do with Jimmy (they can’t lock him in the cockpit or medical because they need those, nor the hold because he would obviously mess up whatever they’re shipping as a hissy fit against them, and considering you get pay docked for complaining, using the cryopod or the gun would probably make this whole deal worthless for practically everyone.) Even if he did decide to just get rid of Jimmy, he’s not going to tell anyone that in case Jimmy finds out, and especially not Anya, since she seems forgiving enough and in a bad enough spot he has no clue what she may try to do if he tells her “I’m going to go kill Jimmy.”

3- Inaction and not taking responsibility doesn’t feel like Curly’s issue. Curly has the responsibility of everything on the ship, even baking a cake, and even when told not to tell his crew about the loss of their jobs, he still does. He even takes roles that aren’t his, like doing Jimmy’s psych evaluation when he sees Anya’s uncomfortable. This is why he and Jimmy are the two characters we play as, and are seen as opposites and each other’s foils. Jimmy’s whole thing is unreliable narration. By the end of the game, he’s convinced himself Curly crashed the ship and he’s the better man for leaving Curly alive after what he “did.” Jimmy’s an aggressive man who uses people for just what they can give him, and he causes problems for the express purpose of trying to fix him so people worship him, but messes up even with all the time in the world to “fix” things. Curly’s the one blamed, but he’s a genuine guy who tried his best and gave people the benefit of the doubt until he couldn’t anymore, but didn’t have the time to fix anything because Jimmy broke that chance.

4- My main bit is over, but another piece of his psychology- Curly probably hates himself, considering how Jimmy talks about him seeming like he’s at the edge of a bridge with cinderblocks on his feet, and if he hates himself, a way he may try to cope is by insisting everyone isn’t tied to their worst moments! Just like how he talks about how pain is a symbol one’s alive, which sounds like another coping mechanism. Jimmy isn’t the only one who hopes it hurts.

5- And Curly was right, most of the time, about how bad things don’t define people. Swansea’s rude and abrasive at times, but a pretty good man in a bad life. Diasuke was unplanned for the journey, but he’s a good intern who’s trying his best. Anya may have only completed the Pony Express medical course, but she keeps Curly alive for four months, even despite his quadruple amputations and missing skin and the complete lack of a lot of medical equipment that she could’ve used. The unfortunate thing is- his kind nature let bad things in, and it was so slow and manipulative he didn’t even necessarily know, consciously, how bad it was, until Jimmy crashed the ship, got everyone killed, and fed him his own leg. 99.9% indeed.

[mikakuna]

are we ready to face the truth that is bruce did not love jason as much as jason loved bruce?

[people-can-be-tamed]

"I'm not stupid. I know not to fall into the same trap twice."

"If I don't say anything about the past, you'll have nothing to work with. All I have to do is avoid saying anything that can be used against me, and your little jabs are basically useless."

"Besides! How about we change our roles, huh? Give them a nice switcharoo?

Yeah, I described Knightley like that. So what, though? I'm just talking from an unbiased standpoint. If he weren't so jealous and egotistical, he'd basically be the perfect guy, right? Loyal, considerate, not afraid to jump into action..."

"And even if he did have feelings for me, so what? That doesn't mean I reciprocate them! Poor old Knightley isn't even in love with me- he's still clinging onto his childhood best friend.

He's basically in love with someone that doesn't exist! How tragic, keh heh heh!"

What would you say your favorite thing, genuinely no lies Simon, about knightley was and what was your least favorite thing about him

And just so there’s no cheating: his ‘betrayal’ in the past isn’t a valid option for this question

"Urgh... well, that's unfair."

"Favourite thing about him? ...Probably his loyalty. He'd be ready at my beck and call all because I was his innocent best friend."

"Honestly, it was kind of cute! He was so desperate to get my approval for every little thing.

'Hey, Si, check it out! This tie has a chess pattern on it'."

"All animals are the same at heart. Desperate to be loved, needed, praised..."

"...And as for my least favourite? Urgh, I can't even choose.

Maybe his ego, or that stick up his ass he always has. Or his extreme love for chess, considering it was all he talked about with a stupid about of passion. Or his big, dumb eyes that went soft whenever he saw me, or..."

[myrkulitescourge]

imo karlach’s soul coin usage seems like it should have been a little more significant than it was.

she only ever really stops to consider the magnitude of burning through a person’s soul for power during an origin playthrough—otherwise she rationalizes to the player that they’re doomed anyway, and if using them gives her an edge in combat, why not use them for good instead of leaving them to be used by evil? the dialogue with lann tarv in act 2, where he tells the story of each soul he's handing over to her, tries to humanize each soul coin, and still she doesn’t really budge and disapproves pretty heavily if she's told no in regards to using them.

it just seems like something that could have caused some kind of conflict between her and wyll, given he sold his soul to a devil in dire circumstances and takes issue with the player for sleeping with mizora, because she 1) is mizora, and 2) similarly expends tormented souls during her romance scene, even if for a different purpose. but it just... never really comes up?

i love karlach. but that seems like it should have gone Somewhere, from a writing standpoint? karlach values wyll as a person but is willing to use currency forged from souls like his for the sake of a temporary power up. she knows the soul is consumed when she uses them. that whole exchange with lann tarv is there to emphasize that every soul coin she destroys was a person once. but it all kind of loses narrative purpose if this combination of factors doesn't mean anything? karlach doesn't change at all in her willingness to use soul coins, no matter what the player says or how much she cares for wyll.

idk. missed opportunity that wyll doesn't have any dialogue about this, of all things.

[nerdy-hyperfixations]

LET ME EXPLAIN! I started the playlist because I noticed a lot of songs used cannibalism in regards to love and relationships, and I wanted to collect the songs so I could analyze why!!! Its not weird guys I SWEAR ITS FOR RESEARCH

[undead-moth]

So The Bear ends season 2 with Carmy fucking up his pretty serious relationship with Claire. They spent an entire season developing this relationship between Carmy and Claire, and now it's over, and not just over, but abruptly and painfully over. Throughout this same season, they continue to develop Carmy and Syd's relationship, incorporating undeniable nods toward an eventual romance.

Then in season 3, they have Carmy dealing with the fallout of his painful fuckup, that ended a relationship that was, as I said, pretty serious, and was developed over the course of an entire season. They do this while continuing to develop Carmy and Syd's relationship, and while their interactions are mostly tense this season, they continue to incorporate blatant nods toward an eventual romance.

This is happening at the same time they have opened a restaurant, and Carmy is under enormous pressure, pressure that has been made worse by his breakup. Pressure to make the place a success, to live up to his potential, but also to make sure that Tina has an income, that he gives Marcus's mom what she wanted for Marcus, that Ebra, elderly and at the point where he really needs to be retiring, continues to have a job, that he doesn't endlessly waste his uncle's money, and crucially, so that the restaurant can earn that star Sydney is dreaming of, and that Carmy didn't even want.

And yet there are people genuinely criticizing The Bear for not canonizing SydCarmy this season, when...?

The man just went through a devastating breakup -

At the same time he opened a goddamn restaurant -

And is clearly going through the crisis of a lifetime -

And on top of that, he's just quit smoking.

Do you think, in real life, that it's realistic someone in that situation would immediately turn around and start seeing someone else? Do you think the writers would have spent a whole season developing Carmy's relationship with Claire, just for Carmy to shrug it off like it was nothing when it ends?

I'm even more baffled by the idea that SydCarmy not becoming canon this season is because the writers this whole time, have just been, what? Fucking with you? Straight-baiting you? Or do you think that just because they didn't canonize SydCarmy this season that this is indicative that they didn't intentionally allude to a future romance between Syd and Carmy?

I will tell you right now that The Bear is one of the most purposefully written shows I've ever seen. And while I will say that this season might be the weakest so far and wasn't what I was hoping for either - Nothing on that show is an accident. Nothing means nothing.

The writers of The Bear are too good to have accidentally implied SydCarmy was a thing. They are also far too dedicated to their vision for The Bear for them to be throwing things in just to fuck with you.

Have some patience maybe? When was the last time you watched a show that didn't hand you something the moment it was hinted at? Aren't you tired of watching shows that skip to the good part? Which is, as a result, not as good as it would have been?

[lgbtlunaverse]

My baby sister has heard of bnha and apparently watched some clips but only some tidbits from the 6th season (mainly the fight with Nagant, who is her favorite) And she very confidently told me that she knows all about keigo, who is hawks. I asked if he knew who dabi has, and she rolled her eyes and told me that yes, she knows he's touya, and that he used to be friends with keigo as kids!

She was very confused when I told her that... no, they weren't. They didn't know each other until adulthood. She insisted that she'd seen a video of them as kids together. I told her it was probably a fan animation, because a lot of people thought Dabi and Hawks knew each other as kids, since Dabi was the only one who knew hawks' real name. But it turned out he just tracked his mom down in secret. She insists that this is stupid, once again confirming that the "dabihawks secret childhood friends/rivals" theory is the only time fanon has ever been better than canon.

[holmsister]

Kinda gets me when people age them down in AUs and stuff because to me those characters wouldn't be half as interesting if Chilchuck, Senshi and Mithrun were the tallman equivalent of in their twenties