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xtrablak674 · 3 months ago

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Running head: INSIDE THE DOMAINS OF CREATIVE MINDS 1

Inside the Domains of Creative Minds And How these Minds Operate

Christopher Malcaus

St. Joseph’s College

Author Note

This paper was assigned by Professor Stacey Temple for Freshman Seminar SJC-100-BAS06.

Inside the Domains of Creative Minds And How these Minds Operate

Robert Cormier based his books off of morbid, sinister-like themes. After the First Death and The Chocolate War are perfect examples of perpetuating brutality, torture, terrorism, explicit language, and murder (Cormier, 1995). Cormier (1995) noted that Kate Forrester in After the First Death was a “very real person” to him. “Sitting at my typewriter, I have lived many lives---I have been Jerry Renault refusing to sell those chocolates and Kate Forrester trying to start that hostaged bus” (Gallo, 1990, p. 57).

In After the First Death, Kate Forrester was very resilient and tried to fulfill her responsibility of protecting children which she had shown through trying to start the bus in order to escape with the children. This book is an example of Cormier’s work being comprised of the “monstrous and inexorable power of evil” (Campbell, 2006, p. 11). It resonates with contemporary events, yet is banned from schools and libraries across the country. Why? Critics argue that children may be too young to fully digest a horrific event such as terrorism. Still, contemporary events should be read and discussed amongst students so they could learn about the real events that are happening in their world rather than being limited to learning about “sugar-coated” history. Cormier’s desire for children to be exposed to contemporary events is paralleled by Trevor Brown (an artist who will be mentioned later on) supporting children’s exposure to art, even to art with nudity (T. Brown, personal communication, October 23, 2014).

The Chocolate War’s genesis has an inspirational foundation. Cormier was inspired to write this book after his son’s school was organizing a chocolate sale. Cormier, reminded of how hard his own parochial school fought its way through the depression era, was perplexed about how his son’s parochial school could have such a sale in good financial times (early 1970’s). Therefore, Cormier decided that his son would not participate in his school’s chocolate sale. So, his emotions about the chocolate sale’s situation directed the writing of this book, especially through the first words of it: “They murdered him.” Similar words were elicited in Cormier’s mind as he watched his son walk into a new school and wondered what was going to happen to him since he was already declining to participate in an event (Cohen & Cormier, 1993).

Besides the basic foundation of his son’s non-participation, Cormier decided to write about “peer pressure” and “faculty pressure” that would be imposed on the main character of the book to sell his chocolates. Also, Cormier intertwined male hormones and “teenage love” into the books, which perpetuates the explicit language. The explicit language offends readers, but Cormier feels that if a book is too controversial, children themselves should protest it without the help of adults or a censoring committee (Cohen & Cormier, 1993). Since Cormier favors his work for young readers to be based off of controversy, his “fighting against creative conformity” is recognized, as mentioned in Creativity, Inc. (Catmull, 2014, p. 97).

How did Cormier come up with his work? “I am an emotional writer in that I do not write emotionally but if something affects me emotionally then that sends me to the typewriter” (Cohen & Cormier, 1993). Could this have been the case after Cormier’s father received bad news of needing surgery? Cormier was angry due to his father’s surgery and began to write about it as a source of “therapy” (Campbell, 2006, p. 24). Subsequently, this work transformed into Now and At the Hour, a title that hints at death.

“I write until I lose perspective. I come back and the problem is solved; the perspective is restored. You get so close to a thing, and then you have to draw away from it” (Campbell, 2006, p. 36). This resonates with one of Csikszentmihalyi’s creative steps: Incubation (Mysterious Time). Incubation is about stepping away from a problem, collecting oneself, and finding the solution once returning back to the work spot (Csikszentmihalyi, 1996, p. 80). The work spot would be a typewriter in Cormier’s instance.

“Nights and weekends my old Royal typewriter clattered and clanged as the words sang and danced on the page” (Gallo, 1990, p. 57). The use of the typewriter correlates to Cormier’s labeling of his writing process: it is not neat. Prior to his work being completed, his typed work was scribbled with many hand-written notes. Cormier commented that his work underwent many note-writings before being handed for feedback. Getting feedback relates to Catmull’s (2014) Creativity, Inc. in which “reels” are mentioned. “Reels” are the abundant amount of rough-drafts written in preparation for arriving at a final product; the “reels” are products of receiving plenty of respectful feedback by experienced directors and producers, the Braintrust (Catmull, 2014, p. 68). Also, “headlining” was mentioned in Creativity, Inc. which is written by a director’s assistant and is comprised of a condensed summary of what the Braintrust proposed to rectify in the work (Catmull, 2014, p. 99). Due to his own written notes, Cormier seemed an assistant to himself in suggesting edits for his work before it landed in the hands of his Braintrust, like his editor.

Using feedback serves as a kind of guidance that helps steer the work. Getting feedback is the result of encountering a problem while constructing the work; in other words, the creator faces an “emergence of problems.” Another one of Csikszentmihalyi’s creative processes is Preparation (Emergence of Problems). In response to encountering a problem, Cormier would say “The beautiful thing about writing is that you don't have to get it right the first time, unlike, say, a brain surgeon” (Morris, 2013, p. 112). Cormier’s notes on his scrap work is evidence of his extensive preparation for getting to a better piece of work and proof of not getting work done correctly the first time. These notes simply serve as an extension of ideas that will support a strong final piece.

In Creativity, Inc., it is mentioned that work emerges once the creator becomes the project (Catmull, 2014, p. 91). It could be inferred that if most of Cormier’s books stem from personal experiences, a good foundation was formed. Cormier said “write about what you know” in Gallo’s Speaking for Ourselves: Autobiographical Sketches by Notable Authors of Books for Young Adults (1990, p. 58). Cormier did exactly this in welcoming personal experiences into his writing which enabled him to become the project. In basing novels on personal life experiences and characters on family members, his novels were made to almost portray the same real-life stories.

Besides writing being a form of art, snapping pictures is also art. Trevor Brown is a Brooklyn artist who snaps whatever catches his eye. Brown is a “one shot kind of guy [which] speaks a technique” and “doesn’t have time for [setting up his camera and taking numerous shots]” (“New York moment,” 2010).

Before he snaps that one shot, Brown sees how the shot will look in his head first and mentally crops it in capturing exactly what he sees and how he wants it. Brown does not document or capture other people’s work, but rather decides exactly what to put into his pictures. Therefore, his artwork shows his vision of the world.

Pictures are his “strongest medium,” but as a child he did not have a camera. Nevertheless, Brown recalls that, when he was a child in his babysitter’s house, he would see a shot and how beautiful the colors were (T. Brown, personal communication, October 23, 2014). He would set the shot up in his mind and mentally crop it. Now, in his adulthood, besides still mentally cropping pictures, Brown uses his DSLR camera as his “tool” (T. Brown, personal communication, October 23, 2014).

Brown started posting his artwork on Flickr and continues to keep his older work posted because he wants to show his “progression” especially since the older work is “rough” and lacks composition (T. Brown, personal communication, October 23, 2014). Brown’s posting of his pre-progression work parallels to Catmull’s concept of originality and encountering mistakes (2014, p. 108). Encountering a rough start of “rough” work led Brown to better his work as he progressed. So, encountering a rough start should be seen as “valuable” (Catmull, 2014, p. 108).

Art is Brown’s “home” in which he feels that he is a “creative being” (T. Brown, personal communication, October 23, 2014). His creative self-being is evident through his eccentric dressing and having people comment that he is as much artwork as the ones on the wall. Since he has a background in performing arts, he knows that people observe how he comports himself and also how he puts his clothes together for his performance, which could be talking at an art exhibit. He “sculpts” his hair for whatever his event is for the day and so he realizes that he resembles the artwork (T. Brown, personal communication, October 23, 2014).

“Photography” and “dance” are two rooms in Brown’s artistic “home” (T. Brown, personal communication, October 23, 2014). He wants to return to dancing because he enjoys performing and expressing himself in that medium. Brown has a difficult time in picking up on

choreography, but likes interpretive, modern, and African dancing. Another room that is being developed is filmmaking which many people call “the natural progression for photographers,” according to Brown (T. Brown, personal communication, October 23, 2014). It was not so much of a “natural progression” for Brown as it was a given opportunity to perform; he is a non-traditional character and would have a difficult time in finding roles out there, so it would be easier to create a role and venue for himself, as opposed to waiting for people to do it for him.

“Painting is messy” and therefore Brown avoids it at all costs (T. Brown, personal communication, October 23, 2014). Nevertheless, he may reach a point where he could like painting since his “home” is still under renovation and “[his] journey is not over” (T. Brown, personal communication, October 23, 2014). He has a tie to painting since viewers compliment his assumed “paintings,” yet he never corrects them and is “always honored and amused by [their assumptions]” (Brown, n.d.).

Brown wants viewers to interact with the work of the displayed high heel exhibit at the Brooklyn Museum through possibly trying on makeshift wooden high heels. So, a “non-traditional approach” (which artists do not share) which he uses is letting people touch (interact with) his work, unless it is mounted behind plexiglass (T. Brown, personal communication, October 23, 2014). In doing this, the viewers realize that Brown’s pictures are not paintings and so the “mystery” in their minds is cleared (T. Brown, personal communication, October 23, 2014). Also, Brown does not like to distinguish or describe his work at an art exhibit, but prefers for viewers themselves to distinguish and describe his work. So, because Brown’s background is not in Fine Arts, he did not have professors properly instructing him as a young student. Through exhibiting, he learns “the language” and uses that language for describing his artwork in further gallery talks (T. Brown, personal communication, October 23, 2014). Also, he learns more about his own work after listening to viewers’ responses. So, it is evident that an experienced artist could still learn as his artistic journey continues. As Brown repeatedly said, “My journey is not over, your journey is not over” (T. Brown, personal communication, October 23, 2014).

“Iconoclast,” which is a part of Brown’s tagline, is defined by Brown as “a person who goes against tradition.” It is mentioned in Creativity, Inc. that Brad Bird (writer and director of The Iron Giant & The Incredibles) “[fought] against creative conformity” because he stated to Pete Docter, director of Up, “we need something that your audience can get a little more invested in” (Catmull, 2014, p. 97). So, Brown is “fighting against creative conformity” in allowing viewers to touch his artwork, which enables them to be “invested” in it, a part of it. Also, they are becoming a part of his work by telling Brown what they themselves see in it.

Brown likes “rust, oxidation, colors of passing time” in the city streets (“New York moment,” 2010). Since he is a pedestrian before an artist, he “likes to walk” (T. Brown, personal communication, October 23, 2014). So, the colors of walls and streets appeal to Brown, especially since those colors are not original and are changed over time through fading. “Rust and oxidation call out to [him]” and serve as his “crack” (T. Brown, personal communication, October 23, 2014). Textures, metals, and how the weather affects/erodes them, what remains throughout time, and the graffiti interest him (T. Brown, personal communication, October 23, 2014). He likes fences and corrugated metal, and their different textures. He also likes bricks and, during the interview, recalls all of the bricks that have infatuated him from other countries. So, in taking pictures of things that appeal to him, Brown wants people to recognize “the often overlooked” (like metals, fences, and bricks) (Brown, n.d.).

Brown lived in Williamsburg, which is “that regurgitated step child from Manhattan” (T. Brown, personal communication, October 23, 2014). “Grit, grime, art, graffiti,” and the paint all disappeared from the Williamsburg in which Brown lived for five years (T. Brown, personal communication, October 23, 2014). Brown had to search for murals that represented artwork, but the only murals available were the youtube video advertisements. So, the art is gone in his eyes. “Broken down and discarded” is what attracts him, rather than newness (T. Brown, personal communication, October 23, 2014).

Brown feels that people should go wherever their artistic journeys are going. He disagrees when people suggest for an artist to stay in one lane in which that artist has made most of his money and knows one category of work. For example, he mentioned in the interview that people may say that you are a landscape painter and so you should stay there. He disagrees with that and feels to take risks rather than to stay in the safe place (T. Brown, personal communication, October 23, 2014). Prior to the taped interview, Brown stated that not taking risks is dangerous and so to go out of your comfort zone.

So, “my journey is not over, your journey is not over” (T. Brown, personal communication, October 23, 2014). Even though Cormier is deceased, his books take readers on a journey into his mind, and life, as Brown’s artwork takes viewers into his mind in which they can see his view of the world. As long as an artist’s work is within the public’s reach, the public will be on a journey through the way it interacts with and reacts to the work as the artists will be on a journey through the way they may respond to the public, as well as learn from the public.

References

Brown, T. (n.d.). Artist statement. Retrieved from http://www.trevorbrownonline.com/statement.html

Campbell, P. (2006). Robert Cormier: Daring to disturb the universe. New York: Delacorte P. Catmull, E. (2014). Creativity, Inc.: Overcoming the unseen forces that start in the way of true

inspiration. New York: Random House.

Cohen, J., & Cormier, R. (1993). An interview with Robert Cormier. Reading Time, 37(1), 7-8. Cormier, R. (1999). Waxing Creative. In D. J. Morad (Ed.), Children's Literature Review (Vol. 55). Detroit: Gale Group. (Reprinted from Publishers Weekly, 1995, July 17, 242[29], 140) Retrieved from http://go.galegroup.com/psi.doid=GALE%7CH1420022986&v=2.1&u=patc16025&it=r&p=LitRC&sw=w&asid=b7b937485ad2e48c10a65174428701c4

Csikszentmihalyi, M. (1996). Creativity: Flow and the psychology of discovery and invention. New York: HarperCollins.

Gallo, D. (1990). Speaking for ourselves: Autobiographical sketches by notable authors of books for young adults. Urbana, IL: National Council of Teachers of English.

Morris, L. (2013). RTI meets writer’s workshop: Tiered strategies for all levels of writers and every phase of writing. Thousand Oaks, California: Sage.

New York Public Radio. (2010, March). New York moment: Trevor Brown [Video file]. Retrieved from https://www.youtube.com/watch?v=gXkVVF4pFdk

[Afterwords: Wow this was a lot, I hope Mr. Malcaus got a good grade. This is his freshman year. I can't even begin to fathom writing like this in my freshman year. I still don't know how to cite sources and of course how to find sources to cite. I know this is besides the content of the paper but how does a eighteen or nineteen year old know about where to even look for the sources to write a paper like this? Now he could totally be wrong in what he did here, but it doesn't look like it, it looks like a very academic paper. Even now ten years later I am still blown away by this skill because I didn't learn any of this in school.

There is one thing that different for me reading this now as opposed to reading it then, was I actually understood it better. I think the first time I read this I wasn't quite getting the correlations that Mr. Malcaus was making, I understand them a bit better now and see the broader connections he was making between me and the writer.

What I love most is this was very validating of my own craft equating it to the thoughts and words of an established, published and well-sold author. Curiously it reflects my own feelings about artistic pursuits that no one art is necessarily more important than another, particularly when you look under the hood and the processes of the artist to create said works.

I felt this then and still feel this, that I think we are all creative people and all have creative abilities its just important that we nourish them whatever they are. The fact that your art sells for billions of dollars doesn't make you any more important in my opinion than an unknown artist in some coastal town who creates work for family and friends. Whomever you are you're going through a similar process even if you have different mediums and I like to think of us looking at what unites us as opposed to what separates us.

"My journey is not over, your journey is not over", something that I kept saying to the young Malcaus and I stand by this, he seems to work in some kind of hotel management role post-college, but it doesn't mean his journey is over. I no longer actively exhibit but that doesn't mean I am not still creating. And as I just said even if its an audience of one its important to continue to be creative, its not about the financial benefits but for the value it brings to the soul, if you believe in those things.

[Photos by Brown Estate]

I wanted to make a statement with my artist statement

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jimmaisano · 5 months ago

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Dick "Hoops" Weiss on St. Joe's & Villanova + Top CBB Teams!

WATCH NEW EPISODE of College Hoops Chat Podcast with Dick "Hoops" Weiss on St. Joe's & Villanova + Top CBB Teams! CLICK LINK!

CLICK YOUTUBE LINK BELOW for new episode of College Hoops Chat! https://youtu.be/nJffROfIGHE?si=AzX6g-bxPXILAYNz I interview Dick “Hoops” Weiss! Dick is an award-winning sportswriter who covered college basketball for Philadelphia Daily News & New York Daily News for 40 years. He’s a member of the National Sportswriters Hall of Fame. We discuss the 2 Tops Teams in Dick’s Philadelphia Area, St.…

#College Hoops Chat #Dick "Hoops" Weiss #Jim Maisano #St. Joseph&039;s #Villanova

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ies10 · 7 months ago

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St Joseph College of Law: Top-ranked Legal Education Institutes

St Joseph College of Law, Bangalore, is one of the most reputed legal education institutes in India. The college was founded with a mission to provide quality legal education with an emphasis on ethics and social responsibility. The college quickly gained recognition for its comprehensive curriculum, experienced faculty, and a strong commitment to educating future legal professionals.

History and Vision:

St Joseph College of Law was founded by the Society of Jesus, a renowned educational institution that has been running several renowned educational institutions in India for over a century. The college is founded on the Jesuit principles of service, integrity, and academic excellence. His vision is not only to train legal professionals but also to develop individuals committed to justice, equality, and the common good.

Courses Offered:

This university offers some undergraduate courses aimed at those aspiring to become lawyers. Some of the important courses are:

B.A. LL.B (Hons): A five-year comprehensive program that combines law and social sciences. This course is ideal for students who want an in-depth understanding of legal theory as well as insights into sociology, political science, and history.

B.B.A. LL.B (Hons): Another five-year comprehensive course that combines legal education with business and management studies. It is a great option for students aspiring to have a career in corporate law.

LL.M (Master of Laws): A postgraduate degree that allows students to specialize in areas such as constitutional law, corporate law, and human rights. The course aims to deepen students' understanding of law and develop their analytical and research skills.

Faculty and learning environment:

One of the main strengths of St Joseph College of Law is its experienced and highly qualified faculty. The college has a team of dedicated professors and legal professionals who are not only outstanding in academic fields but also have extensive professional experience. The faculty emphasizes a student-centered approach and encourages critical thinking, discussion, and practical application of legal concepts.

The learning environment at St Joseph College of Law is dynamic and inclusive. Students are encouraged to participate in debates, moot courts, seminars, and workshops. These activities provide hands-on learning experiences that help students hone their legal thinking and advocacy skills. The college also promotes the importance of ethics and social responsibility in line with its mission to produce morally conscious lawyers.

Infrastructure and Facilities:

St Joseph College of Law offers state-of-the-art infrastructure to support the academic and extracurricular needs of students. The university has modern classrooms, well-equipped courtrooms, and a library with a vast collection of legal literature, periodicals, and online databases.

In addition, the college offers access to legal research tools and online legal databases such as Manupatra and SCC Online, which are important resources for students to stay updated with the latest legal cases and trends. It also has facilities such as a legal aid clinic, which allows students to work on real cases under the guidance of lecturers.

Moot Court and Legal Aid:

Moot Court is an integral part of the curriculum at St Joseph College of Law. These moot trials allow students to try fictitious cases before a panel of judges, sharpen their litigation skills, and gain real trial experience. The college regularly organizes moot court competitions within the college and across the country to promote healthy competition and professional development.

The Legal Aid Clinic is another unique feature of the college. Here, students are allowed to provide free legal advice to underserved communities. This initiative not only provides students with practical experience but also highlights the college's focus on social justice and community service.

Internships and Career Opportunities:

St Joseph College of Law places a strong emphasis on internships and work-study placements. The college has developed an extensive network of law firms, corporations, NGOs, and government agencies where students can intern during their studies. These internships provide valuable hands-on experience, helping students make professional connections and gain real-world experience in the legal field.

Saint Joseph's Law students are well-prepared for a variety of career paths after graduation. Whether they want to work as lawyers in a courtroom, join a corporate legal department, engage in legal research, or contribute to public policy, graduates have numerous options. The university's Career Center plays an active role in connecting students with top law firms, multinational corporations, and legal organizations for job placements.

Commitment to Social Justice:

What sets Saint Joseph's Law apart from many other educational institutions is its strong commitment to social justice and community service. The college emphasizes the importance of law as a tool for social change. Through initiatives such as legal aid clinics and various outreach programs, the college encourages students to use their legal knowledge to help marginalized and underserved communities. This emphasis on social responsibility produces not only skilled lawyers but also caring and ethical individuals committed to making a positive impact on society.

Conclusion:

St Joseph College of Law is a leading institution of legal education in India. With a commitment to academic excellence, professional development, and social justice, it offers a comprehensive legal education that prepares students for successful careers. The university's emphasis on ethics, practical training, and community service ensures that its graduates are equipped with legal knowledge and can use that knowledge to benefit society.

#SJCL Bangalore #St Joseph College of Law

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edudunia1 · 11 months ago

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St. Josephs College of Law Fees| Edudunia

St. Joseph College of Law, Bangalore offers B.A. LLB, BBA LLB, B.Com LLB, LLB and LLM programs. Get information on management quota fees structures and seat allotment for various courses.

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balaji-education-services · 1 year ago

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Direct Admission in St Joseph

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theadmissionkaro · 1 year ago

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intheupside · 1 month ago

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Survey Says: Guilty pleasure TV?

A lot of people aren't too proud of some of the TV shows they may watch, whether it's some bad reality show or a teen drama.

I wanted to know what Penguins players' guilty pleasure TV shows were for this Survey Says, and it turns out there's a lot of reality TV fans in the locker room (or now formerly of the locker room, in the case of some of the recently-traded). Here's what they all said.

Owen Pickering: I love "Gossip Girl." I'm so into it right now. I started two weeks ago and I'm two seasons in. It's so good.

Matt Grzelcyk: "Love Island," but the U.K. version. My girlfriend started watching it, and it's one of those where you don't want to admit, in the background, but then you start asking questions a little bit. Then I just watched the whole season. That's one I hate to admit.

P.O Joseph: "Gossip Girl" is great. "90210," "Californication," "Entourage," those are just some.

Marcus Pettersson: You know, I do watch "Love Island." My wife has probably watched "One Tree Hill" 100 times, I have watched that with her. So maybe "One Tree Hill" or "Love Island." We also watch "Paradise Hotel," a show in Sweden.

Sidney Crosby: I don't watch any reality TV at all, I barely watch shows. I don't have any guilty pleasure ones.

Drew O'Connor: I don't like the reality ones as much, I'll watch once in awhile. Probably "New Girl." If I need something to watch, I'll throw "New Girl" on for a couple episodes.

Sam Poulin: I'm watching "One Tree Hill" right now. I'm not obsessed with it yet, but it might become like that.

Vincent Desharnais: I really like the comfort shows like "The Office," "Friends," all those shows I can binge watch over and over again. I know all the seasons.

Ryan Graves: I used to like "The Bachelor," but I haven't watched that in years. I actually like "Big Brother", too. But the ones now are trash, like "Love Island" and those ones. No good. I liked "One Tree Hill."

Bryan Rust: "Friends." It's on Nick at Night still, for like three hours a night. It's played on repeat basically every night.

Phil Tomasino: I'm not into that stuff, reality TV, you know? Honestly, I don't have one. I'm a very serious TV show critic. I don't have a stupid one. I watched "Too Hot to Handle," the first season. Didn't watch it after, so I wouldn't even consider that a guilty pleasure.

Matt Nieto: I'm watching "Love Is Blind" right now, that's it right now.

Boko Imama: "South Park." Just a nice little background show that I like to have on.

Joel Blomqvist: One of those "Love Island" shows back home, or something. I've watched a season.

Jesse Puljujarvi: (Equipment manager Jon Taglianetti chimes in, 'He watches the Mormon wives show.') NO! I don't have any.

Kris Letang: Does it have to be tacky? "Lucifer."

Tristan Jarry: Probably "Yellowstone," or any murder mystery show. I watch a lot of those on the plane.

Blake Lizotte: It's not really guilty pleasure, but I'd say "Friday Night Lights."

Alex Nedeljkovic: I used to watch "The Bachelor." Maybe "How I Met Your Mother." My wife's into that Vanderpump show.

Jack St. Ivany: Oh, "Gossip Girl." We watched it in college, like all our roommates did. We acted like we hated it but I loved it. It was a great show.

Kevin Hayes: I don't watch it anymore, but my favorite show growing up was "One Tree Hill."

Noel Acciari: "Below Deck," all the charter ships and sailing.

Valtteri Puustinen: I watch so many Finnish TV shows, not much from the U.S. or Canada. One Finnish TV show, I've been watching all my life. It stared in 1999, and I've been watching it maybe 20-something years -- It's "Salatut elämät" (a Finnish soap opera that translates as "Secret Lives")

Anthony Beauvillier: "How I Met Your Mother," and "One Tree Hill."

Rickard Rakell: I watch "Paradise Hotel" right now. It's a Swedish reality show kind of like "Love Island."

Ryan Shea: I have seen "Love Island" a couple of times, it's so catchy. At first I watched it because I thought it was kind of crazy, the whole concept of it. But it's actually catchy.

Cody Glass: "Gossip Girl" is a big one. I've been grinding "How I Met Your Mother." And "Ted Lasso" is always a feel-good one.

Michael Bunting: I was actually huge into "Love Island" in Toronto, a lot of us would watch that. I'm kind of off of it now. But you know what? The last one I watched was "Love is Blind."

Erik Karlsson: I watch all of them. "Love Island," "The Challenge" is really good. I stopped watching "The Bachelor" and "Bachelorette," I'm over it.

tanger watching lucifer and erik watching ALL the reality tv shows is so on brand

#pittsburgh penguins #sidney crosby #kris letang #erik karlsson #bryan rust #michael bunting #tristan jarry #alex nedeljkovic

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admissionkarobangalore · 2 months ago

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reasonsforhope · 9 months ago

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"In a highly-anticipated world-first, the Texas Heart Institute has successfully implanted an artificial titanium heart that uses the same technology as bullet trains to pump blood mechanically throughout the body.

Called the Total Artificial Heart (TAH), the feat is seen as a major step in keeping people alive for longer and longer periods while they wait for heart transplants.

Texas Heart partnered with the medical tech company BiVACOR to create the TAH. It’s a titanium-constructed biventricular rotary blood pump with a single moving part that utilizes a magnetically levitated rotor that pumps the blood and replaces both ventricles of a failing heart.

The benefit of using magnetic levitation is that none of the moving parts ever scrape or slide against each other, reducing friction, and dramatically increasing the longevity of the device. But what’s really cool is the TAH can pump blood at a rate of 12 liters per minute, enough to allow an adult male to engage in exercise.

The first-in-human clinical study, overseen closely by the FDA, aims to evaluate the safety and performance of the BiVACOR TAH as a bridge-to-transplant solution for patients with severe bi or univentricular heart failure. Following this first implantation completed at Baylor St. Luke’s Medical Center in the Texas Medical Center, four additional patients are to be enrolled in the study.

“The Texas Heart Institute is enthused about the groundbreaking first implantation of BiVACOR’s TAH. With heart failure remaining a leading cause of mortality globally, the BiVACOR TAH offers a beacon of hope for countless patients awaiting a heart transplant,” said Dr. Joseph Rogers, President and Chief Executive Officer of The Texas Heart Institute and National Principal Investigator on the research.

“We are proud to be at the forefront of this medical breakthrough, working alongside the dedicated teams at BiVACOR, Baylor College of Medicine, and Baylor St. Luke’s Medical Center to transform the future of heart failure therapy for this vulnerable population.”

Heart failure is a global epidemic affecting at least 26 million people worldwide, 6.2 million adults in the US, and is increasing in prevalence. Heart transplantations are reserved for those with severe heart failure and are limited to fewer than 6,000 procedures per year globally. Consequently, the US National Institutes of Health estimated that up to 100,000 patients could immediately benefit from mechanical alternatives.

The successful implantation of BiVACOR’s TAH highlights the potential of innovative technologies to address critical challenges in cardiac care, such as long transplantation waitlists.

“This achievement would not have been possible without the courage of our first patient and their family, the dedication of our team, and our expert collaborators at The Texas Heart Institute,” said Daniel Timms, founder and CTO of BiVACOR."

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-Article via Good News Network, August 1, 2024. Video via 7News Australia, July 26, 2024.

#heart transplant #organ transplant #medical news #public health #organ donation #heart disease #titanium #texas #australia #cyborg #mechanical #transhumanism #the future is now #like for real apparently #good news #hope #Youtube

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portraitsofsaints · 5 months ago

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Happy Feast Day

Saint Stanislaus Kostka

1550-1568

Feast Day: November 13

Patronage: Poland, Jesuit novices, students, broken bones, heart palpitations, Strake Jesuit College Preparatory, aspirants to the Oblates of St. Joseph, last sacraments

Saint Stanislaus Kostka was born in Poland into a large noble family. At 14, Stanislaus attended a Jesuit prep school, where he exemplified an iron will to live a life of holiness. Once when ill, angels brought him Holy Communion, which prompted his desire to enter the Jesuits. He walked over 350 miles to Rome, where St. Francis Borgia welcomed him into the novitiate. After 10 months, he predicted his own death and died 2 days later on the Feast of the Assumption of a fever.

Prints, plaques & holy cards available for purchase. (website)

#Saint Stanislaus Kostka Jesuit saint #catholic art #artist on tumblr #catholic faith

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mochinomnoms · 4 months ago

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How do you think explaining Christmas would go down with the boys? I'm specifically looking at Krampus, cause the holiday is all about joy and hope and lights and and giving, and then there's just this half goat demon man that will stuff you in a sack and torture you for Your Sins.

The story of Krampus is actually really metal tbh. There was this evil butcher that killed, chopped, and salted these three kids that were hanging outside his shop, and then St. Nicholas came along and uses the Power Of God to commit actual fucking necromancy to bring the kids back to life. God then cursed this butcher to follow around St. Nich as a punisher that comes around every December 5. The French call him "the whipping father" it's fucking insane actually.

Some of the holiday is also a little weird when you put it into perspective, like: oh yeah, there's this red guy that you write letters to and then he breaks into your house and you leave an offering of milk and cookies for him in exchange for candy and gifts :D! He also has flying reindeer with very cute names btw! But we're not going to talk about that actually cause now we have to decorate this whole ass pine tree that I brought into ramshackle :D it's gonna be great! :D

Bro imagine giving them advent calendars! Those little ones with the small toys or chocolates- give one to Riddle he needs one. Lots of sugar intake to catch up on

🦩

To be real, I was raised very Catholic (ew) and traditionally Mexican so my Christmas stuff is very different from what you see on TV and like in Hallmark movies.

So like, we celebrated it as a religious holiday, so the Santa stuff is kinnda foreign to me, I only heard about it from school. We still got presents and stuff, but I remember doing Posadas, which is children reenacting the Mary and Joseph seeking shelter by going to houses and singing and asking for shelter. At the end we go to one of the parents' houses or to the church and have a little party! We also didn't really decorate like I've seen in American homes, we had like a cute tree usually, but mostly decorated the altars to La Virgen and the Nativity scene.

The biggest difference I've found is that we celebrated Christmas on Christmas Eve instead; we had Nochebuena, so we'd go to midnight mass, have dinner, and at midnight we open presents. Technically, kids didn't get presents because of Santa or anything like that, we got it cause kids get gifts like how the three kings gave baby Jesus presents. Though that also is a different winter holiday in January or February, not sure. When I got older my family started getting more Americanized, and my brothers got the whole Santa deal, but we still did a lot of the church stuff.

Considering that there is no mention of any sort of religious institution in Twisted Wonderland, I imagine my explanation of Christmas would be very foreign. Though Noble Bell College basically being Notre Dame in the Masquerade event and Rollo practically inventing Catholic guilt in a world without Catholics has some implications? I actually don't think there is any mention of any deities that the cast or world in general worship, though perhaps it's implied with Hades? He's not referred to as God of the Underworld though, he's King so maybe??

This got off-topic, but I like to think any explanation of traditions from back home is fascinating to the boys! And there's a lot of winter holidays besides Christmas and Las Posadas, I mean Hanukkah is big and Yule is reemerging as people learn more about where traditions from Christmas comes from.

If you're like me and have a religious aspect to your winter holidays, I think they're curious about it and asking all sorts of questions! If you had the more traditional American Christmas, then they're super curious about the whole Santa deal! Like, they thought you said your world didn't have magic, so what's with this magically man in a red suit and white beard?

(Also, I don't know what advent calendars are, they have candy I'm guessing? If it's a calendar, then I'm safe to assume it's like a count-down to Christmas day?)

#mochi asks #🦩 anon #twst #twisted wonderland #to be fr i thought christmas like on tv was make believe #like it was all disney show or hallmark and that real christmases was way more toned down #you can also imagine my confusion when i first watched the grinch as a kid

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