#Spessartite beads

[jindalgems]

Spessartite Beads At Wholesale Rates On Jindal Gems

To see and buy spessartite and other beads please visit our website. you can also call and whatsapp me for more info.

On +91 99291 88601

Website: https://www.jindalgemsjaipur.com/spessartite-beads-wholesale

[uniquejewel]

Radiant Spessartite Faceted Heart Beads | Unique Jewellers Jaipur

Spessartite beads are radiant gemstones that are famous for their vibrant colors and mesmerizing beauty. Each bead is finely crafted in the shape of a heart that makes them more affectionate and makes them the best choice for making jewelry. These pearls come in different colors like orange, light orange, orange red, reddish, brown & red-brown.

[bijouxbijouxbyj]

Check out this listing I just added to my Poshmark closet: Tara Mesa Sterling Silver 18” Spessartite Garnet Necklace.

[gemville]

"Blazing Sky" Necklace by Piaget

9.38 Carat Spinel

Additional Spinels

Spessartite Garnets

Pink Sapphires

Paraiba Tourmalines

Diamonds

175.00 CTW White Opal Beads

Source: The Jewellery Editor

[winterhill-aria]

Van Cleef & Arpels Brooch with Diamonds, Red and Pink Coral Beads, Spessartite Garnets, Purple and Pink Sapphires

[handsofspirit]

Happy Friday! A few more yummy gems to share from our time at the Gem Show. These luscious necklaces are from one of our favorite designers. He specializes in cut beads that create these beauties. We will be starting to to share some sneak peeks of new pieces that will be on our Live Sale on the 15th. Plus, we will be announcing the rescue that it will support, so stay tuned this weekend! - - - #gems #gem #aquamarine #tanzanite #cabochon #cabochons #peridot #spessartinegarnet #spessartite #peridot #tourmaline #tourmalines #pinktourmaline #pinktourmalines #rubellite #rubellitetourmaline #necklacelover #gemstone #gemstones #gemporn #jewelryporn #crystalporn #crystalsofig #crystalsofig #gemsofig #gemcrystal #crystalgems #candycolors #handsofspirit #jewelryaddict https://www.instagram.com/p/B8SYmy-hx_b/?igshid=tvj6hqg2y0yl

[dlvjewel]

Gemstone Beads Bracelet : Spessartite and Tsavorite Garnets with Aventurine. 56€ shipped. https://etsy.me/3z2JYtP https://www.instagram.com/p/CTr8k5ho550/?utm_medium=tumblr

[uniquejewel]

Buy Now Beautiful Spessartite Gemstone Beads At Wholesale Rate

Unique Jewellers coming up with this bright looking Spessartite Gemstone Beads in the best quality stone comes from Brazil, China, Kenya, Sri Lanka, Tanzania & the USA. We have a variety of shapes and sizes of this beautiful gemstone.

Buy Link:- https://www.uniquejewellersjaipur.com/category/spessartite-beads Call Us:- +91-9829052478

[bijouxbijouxbyj]

Check out this listing I just added to my Poshmark closet: Tara Mesa Sterling Silver 18” Spessartite Garnet Necklace.

[jewelrynavigator]

Dana’s jewelry often reflects the beauty she captures inspired by her world travels. @danabuschdesigns . Her chandelier style earrings, titled, “Prismatic Light Temple Within the Familia Sagrada”, are centered around bright spessartite garnets, and accented by green and orange sapphire beads, eggplant fresh water pearls, on 18kt yellow gold ear wires. JCK Tucson Booth 319 JW Marriott Start Pass @jckevents #elegantjewelry #ooakjewelry #spessartite — view on Instagram https://ift.tt/38jQNe5

[prismaticgems]

Fanta Garnet Tumbled Gemstone #fanta #semiprecious #tumbles #tumbled #ember #usa #canada #germany #australia #gems #gemstones #gemstone #coloredgemstones #finegems #finejewelry #jewellery #spessartine #instajewelry #jewelrydesigner #jewelrydesign #luxuryjewelry #garnet #yellowgarnet #fantagarnet #gemology #gemporn #stones #spessartite #luxury #beading https://etsy.me/2PrvCOp https://www.instagram.com/prismatic_gems/p/BwqN081Hg85/?utm_source=ig_tumblr_share&igshid=p9gnavnn3at6

[nazaninlankarani]

Exotic Inspirations for Van Cleef & Arpels’s Jewelry Collections

Nicolas Bos, chief executive of Van Cleef & Arpels. Photo by Pedro Neto.

Nicolas Bos, the 48-year-old chief executive of Van Cleef & Arpels, comfortably wears two hats. In running the maison’s day-to-day business and overseeing the design and settings for its jewelry collections, he plays a unique dual role in presenting its craftsmanship to a global audience.

Bos was raised with a love of literature and the visual arts, but ended up attending business school. In 1992, he joined the Fondation Cartier pour l’Art Contemporain in Paris at a time when the Cartier-owned private art foundation was creating a stir with its unorthodox exhibition program. Bos was tasked with balancing budgets by day; by night, he would roll up his sleeves and help to set up exhibitions by hanging artworks. He says the most fascinating part of his job at the Fondation was working with curators and artists.

In 2000, Bos joined Van Cleef & Arpels as marketing director. Appointed chief executive in 2013, he is responsible for the business of the 123-year-old company, and also runs its creative studio.

Art is a part of his daily life, whether he is overseeing design or producing original scenographies for the maison’s high jewelry collections, all of which combines into a vision that has helped the chief executive present the craftsmanship of Van Cleef & Arpels to a wider audience.

We spoke with Bos about the experience of working with artist Robert Wilson on Van Cleef & Arpels’s Brueghel-inspired Noah’s Ark collection and his plans for future collaborations with artists.

Installation in progress for Van Cleef & Arpels’s Noah’s Ark collection, with scenography by Robert Wilson.

Do you think of yourself as chief executive or artistic director of Van Cleef & Arpels?

Many jewelry houses have a chief executive and a creative director. I have a stronger personal involvement with the creative process than most. There is no one in the artistic director role here, so I work directly with the design studio, and I love it.

What are the sources of inspiration for Van Cleef’s jewelry?

We start by identifying a theme as a starting point—something not directly associated with jewelry—from the worlds of poetry, theater, literature, or the visual arts. From there, we develop ideas that are translated into a high jewelry collection. Of course, these inspirations must be consistent with the patrimony, identity, and central themes that are important to the house. The representation of nature, for instance, has been a major theme for Van Cleef & Arpels for over a century, and we constantly look for new ways to treat the theme of nature from new angles, which is what we did with the Noah’s Ark collection. It was a 60-piece collection depicting animals in pairs, inspired by the biblical tale of the patriarch who builds an ark to save his family and two of every creature threatened by an epic flood.

Oies clip from Noah’s Ark collection, in white and pink gold with diamonds, spinels, spessartite garnet, and pink tourmaline beads.

What was that collection’s starting point?

It was a 17th-century Dutch painting by Jan Brueghel the Elder that I had seen at the Getty Center in Los Angeles. It depicted animals entering Noah’s Ark, in a flamboyant, vivid, colorful work that was not just a literal representation of a biblical chapter, but a means for the artist to show his own ability to represent exotic animals with a touch of magic. That struck me as an interesting thing to do with jewelry.

Another source was small wooden toys from the late 19th century that belong to a folk-art tradition that I find very moving and beautiful. We liked the proportion of the toys, which is why we decided to produce only brooches for Noah’s Ark. That allowed us to have a collection in a single, uniform scale with miniature pieces that gave us a greater freedom of interpretation than we would have had, had we added pendants or earrings to the collection.

Gazelles clip from Noah’s Ark collection in yellow and pink gold, with diamonds, yellow sapphires, spessartite garnets, pink and black spinels, and coral.

How did you present the Noah’s Ark collection?

The collection needed an interesting scenography to turn the exhibition of the pieces into a real experience. I had been a fan of Bob Wilson’s for a long time, and was aware of his modern, timeless environments, his work in representing animals, and his precise use of light. He had not worked with jewelry before but was intrigued. When it was completed, his scenography was enjoyed equally by jewelry experts, theater lovers, and by five-year-olds who were mesmerized by the show and the animal-inspired jewelry pieces. Since opening in Paris in 2016, the show has traveled around the world, and it will soon open in China.

Completed installation for Noah’s Ark collection with scenography by Robert Wilson.

Would you define yourself as a curator in the field of jewelry?

High jewelry is really a form of art, and a subcategory of the decorative arts. I am not an art curator but I am familiar with curated art shows, and I understand the importance of a great experience created around a presentation. An art exhibition with a great scenography can transcend the quality of the works. The same works can make for a dull, academic exhibition. The same is true for jewelry. We try to create magical environments and a fantastic experience around a high jewelry show. Knowing your content, whether it is a painting or a piece of jewelry, and creating an exceptional experience around it, allows the audience to grasp the subject better.

Perlée Couleurs “Between the Finger” ring in rose gold with carnelian and diamonds.

Do you use the same vision for daywear collections like Perlée?

A collection like Perlée is less about storytelling and more about shapes, geometry, the playfulness and humor of the pieces, and the importance of color, all of which give the collection its unique personality. Perlée’s beads can be traced back to the technique of “granulation,” something found in antique Egyptian or Greek jewelry, from the Middle Ages to the 19th century, in the form of tiny beads of gold soldered to create abstract or figurative shapes. Van Cleef & Arpels revived the motif in the early 20th century. Today, we play with the beads’ accumulation and their size. You will also find them framing the quatrefoil shapes in the Alhambra collection.

What artist collaborations do you have in the pipeline?

We will be reconnecting with the world of ballet with a new collaboration with [French dancer and choreographer] Benjamin Millepied, to be unveiled in July in time for our new high jewelry collection. We will also be showing a collaboration with Lorenzo Mattotti, an artist and illustrator with a strong colorful universe.

An exhibition of Van Cleef & Arpels’s patrimonial collection will open at the Palazzo Reale in Milan in November 2019. It is curated by Alba Cappellieri, a prominent specialist from the Jewelry Museum of Vicenza, who will show our pieces with references to Italian poetry and literature. The scenography will feature the lighting work of Johanna Grawunder, an American artist and designer whose work I admire. It will be an interesting confrontation of her vision with our own world of light and color.

[jryanfinejewelry]

Below you will find some incredible information about the gemstone provided by the American Gem Trade Association:

Garnet traces its roots to the Nile Delta in 3100 B.C., where Egyptian artisans would craft the gemstone into beads or inlay them into hand-wrought jewelry. Noah used garnet as a lamp on his bow as he cast about on the ocean. Garnet received its name from the ancient Greeks because the color reminded them of the "granatum," or pomegranate seed.

The versatile garnet comes in a virtual rainbow of colors, from the deep red Bohemian Garnet to the vibrant greens of the Russian demantoid and African tsavorite. The oranges and browns of spessartite and hessonite hail from Namibia and Sri Lanka and the subtle pinks and purples of the rhododendron flower, are also yours to explore.

Garnet is the traditional birthstone for the month of January, however, red need not be your color of choice if you are born in this month. Rich orange and golden hues, striking greens, petal soft colors of violet and lavender, all await your selection.

Most commonly found in round, oval, and cushion cuts. Availability depends on variety: tsavorite is very difficult to find in sizes above a carat or two, while rhodolite garnet is available in larger sizes.

This durable and brilliant gem is easy to care for with mild dish soap: use a toothbrush to scrub behind the gemstone where dust can collect. Your AGTA jeweler can tell you how to best care for your garnet.

[uniquejewelscb]

Rare Spessartine Spessartite Garnet Necklace Beads Ct 49.65 Birthday Gift

http://dlvr.it/RCXsvG

[dlvjewel]

Gemstone beads Bracelet: Spessartite and Tsavorite Garnets, Aventurine with silver. Unique hand-made in France. https://etsy.me/2R55WMN (à Limousin, France) https://www.instagram.com/p/COqnJbKh1UI/?igshid=pv1bdd9rwcd5

[mmfinejewelrygm]

Best Quality Custom Jewelry in Uniondale

Best Quality Custom Jewelry in Uniondale

About Larry Woods - World Famous AGTA Gem Cutter.

With almost 40 years of gem cutting experience, Larry Woods is internationally recognized as a master gem cutter and artist having won many prestigious awards for his original gem cutting, carvings, and gem designs. “My passion and love for colored gems and gem cutting is in revealing the most beautiful, most brilliant gem from each rare piece of gem rough. I am very grateful for the opportunity of expressing creativity and craft in the fashioning and evolution of these rare and precious expressions of nature.” Woods cut the Havey Tourmaline from a terminated crystal taken from one of the 2013 pockets. The original crystal weighed 75 carats (approximately 15 grams). Like most gem-quality tourmaline from Havey Quarry, it was a rich blue-green and featured fine fractures lining its surface. The interior of the crystal, however, was flawless. Woods recognized the potential of the stone the first time he saw it during a visit to the quarry in the fall of 2013:

[Morrison] brought out flat after flat of beautiful blue green tourmaline crystals and gem rough. One piece stood out far and above all the other specimens in his collection, an exceptional 15 gram gem tourmaline crystal termination. The clarity, color, size, and shape of the piece made it a perfect candidate to be cut into a world class gem, and was to that date, one of the largest and finest pieces Jeff had ever found. I realized immediately that this was a very special piece. …My inspiration for cutting the piece followed a fairly traditional formula—a Barion style facet pattern—designed to produce the most brilliant finished gem while maintaining the greatest weight retention from the rough crystal. I especially wanted to bring out the beautiful blue green color of the material. I also decided to add a modern twist to the design: engraved, carved, high-polished grooves in the pavilion of the stone to increase the overall brilliance and light reflection in the finished gem. I am truly grateful to everyone who had a hand in this project, and I am honored to have received the opportunity to work with this incredible gem.Woods and Jeffrey Morrison credit Francis Seay’s generosity for bringing the gem and crystals to the Smithsonian.

AWARDS

Pictured at Top above: A 9.15ct Zultanite Medicine Wheel Cut fancy cut.

Pictured Below a sample of Larry's Work on Citrine, Aquamarine, Yellow Beryl Gemstones.

 1991

1st place AGTA Cutting Edge Awards

Combination Cuts- Malaya Garnet Medicine Wheel™

19983rd place AGTA Cutting Edge AwardsCarving- Deco Blue Chalcedony Carving

20042nd Place AGTA Cutting Edge AwardsSuites & Pairs- 11 piece, 32.25ct. TW, Spessartite Garnet suiteMedicine Cross™

2nd Place AGTA Cutting Edge AwardsCombination Cuts- 31.37ct. Spessartite GarnetMedicine Wheel™

20052nd Place Lapidary Journal Gemmys AwardsSpecialty Cuts- 103ct Bolivian Amethyst,Abstract Organic carving

20061st Place AGTA Cutting Edge AwardsCombination Cuts- 26.19ct. Golden BerylFour Directions Oval™

1st Place AGTA Cutting Edge AwardsCarving- 49.72ct. Green TourmalineAbstract Organic carving

20073rd Place AGTA Cutting Edge AwardsCarving- 61.11ct. Rubellite TourmalineAbstract Organic carved bead

20082nd Place AGTA Cutting Edge AwardsCombination Cuts- 52.12ct Nigerian AquamarineFour Directions Radiant™

20091st Place AGTA Cutting Edge AwardsCarving – 40.47ct Lightning Ridge Crystal OpalAbstract Organic CarvingFour Directions Radiant™

80ct Heart Shaped Swiss Blue Topaz Pendant Stone!

80ct Heart Shaped Swiss Blue Topaz Pendant Stone!

8ctw Madeira Citrines Trillions Concave Starburst cut by Mark Gronlund.

8ctw Madeira Citrines Trillions Concave Starburst cut by Mark Gronlund.

Regular price

$1,100.00

Amethyst 11.52ct Shark bite Custom Cut by Mark Gronlund

Amethyst 11.52ct Shark bite Custom Cut by Mark Gronlund

Regular price

$1,300.00

Amethyst 25.15ct Fancy Cut By Mark Gronlund

Amethyst 25.15ct Fancy Cut By Mark Gronlund

Regular price

$2,700.00

Mark Gronlund recently won the 2018 AGTA (American Gem Trade Association) 1st place award for Innovative Faceting a 96ct Blue Topaz with a Round Spiral Brilliant Cut.

See Link to this below:

https://agta.org/spectrum/enter-spectrum/2018-winners/

Mark started in the jewelry industry as a self-taught goldsmith. His early work consisted of fabrication, model making, centrifuge casting, stone setting and finishing. Mark began his work as a professional lapidary in 1995. Self-taught in the discipline, Mark quickly earned him mark in the industry by winning the "Cutting Edge" portion of the 1996 AGTA Spectrum Awards, winning a total of three awards his first year. The following two years yielded five more AGTA Cutting Edge Awards. 

Once people acquire a Mark Gronlund creation, they never see gems the same way again. That’s the passionate assessment of many retailers who carry Gronlund’s work.  Gronlund’s signature concave-faceted gems have delighted consumers since he ventured into the field in the early 1990s.   

Mark also won the  AGTA's Annual Cutting Edge faceting competition which Gronlund entered  with his 1997 and 1998 submissions.  This placed Gronlund squarely in the realm of America’s most talented lapidary artists.

His gems have a depth you don’t normally see.  Mark has indicated he always cuts his gemstones for brilliance rather than to save weight. People who have bought a Gronlund gem become immediate collectors.   A Gronlund gem typically has uniform, pure color and uncharacteristic brilliance. His concave faceting, particularly in the gem’s pavilion, increases reflection and refraction because light waves reflect off of convex surfaces internally.  He also places curved facets along the crown and table of some gems for even stronger brilliance and color.  When you see the intricate patterns and precisely interlocking facets, you will think Gronlund must be a “math whiz".

Uniondale, NY Custom Jewelry DealerJewelry And Gems Inc.405 RXR Plaza, Suite 405 Uniondale, NY 11556 (646) 645-2453https://mm-fine.comhttps://mmfinejewelryandgemsinc.blogspot.comCustom Jewelry Uniondale from https://mmfinejewelryandgemsinc.blogspot.com/2019/03/best-quality-custom-jewelry-in-uniondale.html