#Space Operations Center

[lonestarflight]

Space Station Concepts: Space Operations Center

"The SOC is a self-contained orbital facility built up of several Shuttle-launched modules. With resupply, on-orbit refurbish- ment and orbit maintenance, it is capable of continuous operation for an indefinite period. In the nominal operational mode, the SOC is manned continuously, but unmanned operation is possible.

The present mission management and control process is characterized by a people-intensive ground monitoring and control operation involving large supporting ground information and control facilities and a highly- integrated ground-flight crew operation. In order to reduce dependence on Earth monitoring and control, the SOC would have to provide for increased systems monitoring; fault isolation and failure analysis, and the ability to store and call up extensive sets of data to support the onboard control of the vehicle; and the onboard capability for daily mission and other activity planning."

"Like most other space station studies from the mid/late 1970s its primary mission was the assembly and servicing of large spacecraft in Earth orbit -- not science. NASA/JSC signed a contract with Boeing in 1980 to further develop the design. Like most NASA space station plans, SOC would be assembled in orbit from modules launched on the Space Shuttle. The crew's tour of duty would have been 90 days. NASA originally estimated the total cost to be $2.7 billion, but the estimated cost had increased to $4.7 billion by 1981. SOC would have been operational by 1990.

NASA's Johnson Spaceflight Center extended the Boeing contract in February 1982 to study a cheaper, modular, evolutionary approach to assembling the Space Operations Center. An initial power module would consist of solar arrays and radiators. The next launches would have delivered a space tug 'garage', two pressurized crew modules and a logistics module. The completed Space Operations Center also would have contained a satellite servicing and assembly facility and several laboratory modules. Even with this revised approach, however, the cost of the SOC program had grown to $9 billion. Another problem was Space Operations Center's primary mission: spacecraft assembly and servicing. The likely users (commercial satellite operators and telecommunications companies) were not really interested in the kind of large geostationary space platforms proposed by NASA. By 1983, the only enthusiastic users for NASA's space station plans were scientists working in the fields of microgravity research and life sciences. Their needs would dictate future space station design although NASA's 1984 station plans did incorporate a SOC-type spacecraft servicing facility as well."

Article by Marcus Lindroos, from astronautix.com: link

NASA ID: link, S79-10137

Boeing photo no. R-1859, link, link

[monkeyssalad-blog]

GOES-U Launches to Space by NASA on The Commons Via Flickr: A SpaceX Falcon Heavy rocket carrying the National Oceanic and Atmospheric Administration (NOAA) GOES-U (Geostationary Operational Environmental Satellite U) lifts off from Launch Complex 39A at NASA’s Kennedy Space Center in Florida on Tuesday, June 25, 2024. The GOES-U satellite is the final satellite in the GOES-R series, which serves a critical role in providing continuous coverage of the Western Hemisphere, including monitoring tropical systems in the eastern Pacific and Atlantic oceans. On board GOES-U is a suite of seven instruments for collecting advanced imagery and atmospheric measurements, providing real-time mapping of lightning activity, and detecting approaching space weather hazards. Also onboard for the first time is the compact coronagraph that will observe the Sun’s outermost layer, called the corona, for large explosions of plasma that could produce geomagnetic solar storms. NASA Media Usage Guidelines Credit: NASA/SpaceX Image Number: KSC-20240625-PH-SPX01_0016 Date: June 25, 2024

[anumberofhobbies]

KSC-20240427-PH-ALS01_0004 by NASA Kennedy Via Flickr: The Orion spacecraft crew for NASA’s Artemis II mission is photographed being transferred across the Neil Armstrong Operations and Checkout Building at NASA’s Kennedy Space Center in Florida on Saturday, April 27, 2024 following a series of electromagnetic compatibility and interference testing. Photo credit: NASA/Amanda Stevenson NASA image use policy.

[tatmanblue]

KSC-20240208-PH-KLS01_0039 by NASA Kennedy Via Flickr: NASA’s PACE (Plankton, Aerosol, Cloud, ocean Ecosystem) spacecraft, atop a SpaceX Falcon 9 rocket, successfully lifts off from Space Launch Complex 40 at Cape Canaveral Space Force Station in Florida at 1:33 a.m. EST Thursday, Feb. 8. PACE is NASA’s newest earth-observing satellite that will help increase our understanding of Earth’s oceans, atmosphere, and climate by delivering hyperspectral observations of microscopic marine organisms called phytoplankton, as well new data on clouds and aerosols. Photo Credit: NASA/Kim Shiflett NASA image use policy.

[kaelula-sungwis]

KSC-20230808-PH-KLS02_0047 by NASA Kennedy Via Flickr: Artemis II mission specialist Christina Hammock Koch poses inside the Neil Armstrong Operations and Checkout Building at NASA’s Kennedy Space Center in Florida on Aug. 8, 2023. The Artemis II Orion crew module is undergoing acoustic testing ahead of integration with the European Service Module. Artemis II is the first crewed mission on NASA’s path to establishing a long-term lunar presence for science and exploration under Artemis. Photo credit: NASA/Kim Shiflett NASA image use policy.

[nasa]

A Tour of Cosmic Temperatures

We often think of space as “cold,” but its temperature can vary enormously depending on where you visit. If the difference between summer and winter on Earth feels extreme, imagine the range of temperatures between the coldest and hottest places in the universe — it’s trillions of degrees! So let’s take a tour of cosmic temperatures … from the coldest spots to the hottest temperatures yet achieved.

First, a little vocabulary: Astronomers use the Kelvin temperature scale, which is represented by the symbol K. Going up by 1 K is the same as going up 1°C, but the scale begins at 0 K, or -273°C, which is also called absolute zero. This is the temperature where the atoms in stuff stop moving. We’ll measure our temperatures in this tour in kelvins, but also convert them to make them more familiar!

We’ll start on the chilly end of the scale with our CAL (Cold Atom Lab) on the International Space Station, which can chill atoms to within one ten billionth of a degree above 0 K, just a fraction above absolute zero.

Credit: NASA's Goddard Space Flight Center/Scott Wiessinger

Just slightly warmer is the Resolve sensor inside XRISM, pronounced “crism,” short for the X-ray Imaging and Spectroscopy Mission. This is an international collaboration led by JAXA (Japan Aerospace Exploration Agency) with NASA and ESA (European Space Agency). Resolve operates at one twentieth of a degree above 0 K. Why? To measure the heat from individual X-rays striking its 36 pixels!

Credit: NASA's Goddard Space Flight Center/Scott Wiessinger

Resolve and CAL are both colder than the Boomerang Nebula, the coldest known region in the cosmos at just 1 K! This cloud of dust and gas left over from a Sun-like star is about 5,000 light-years from Earth. Scientists are studying why it’s colder than the natural background temperature of deep space.

Credit: NASA's Goddard Space Flight Center/Scott Wiessinger

Let’s talk about some temperatures closer to home. Icy gas giant Neptune is the coldest major planet. It has an average temperature of 72 K at the height in its atmosphere where the pressure is equivalent to sea level on Earth. Explore how that compares to other objects in our solar system!

Credit: NASA's Goddard Space Flight Center/Scott Wiessinger

How about Earth? According to NOAA, Death Valley set the world’s surface air temperature record on July 10, 1913. This record of 330 K has yet to be broken — but recent heat waves have come close. (If you’re curious about the coldest temperature measured on Earth, that’d be 183.95 K (-128.6°F or -89.2°C) at Vostok Station, Antarctica, on July 21, 1983.)

We monitor Earth's global average temperature to understand how our planet is changing due to human activities. Last year, 2023, was the warmest year on our record, which stretches back to 1880.

Credit: NASA's Goddard Space Flight Center/Scott Wiessinger

The inside of our planet is even hotter. Earth’s inner core is a solid sphere made of iron and nickel that’s about 759 miles (1,221 kilometers) in radius. It reaches temperatures up to 5,600 K.

Credit: NASA's Goddard Space Flight Center/Scott Wiessinger

We might assume stars would be much hotter than our planet, but the surface of Rigel is only about twice the temperature of Earth’s core at 11,000 K. Rigel is a young, blue star in the constellation Orion, and one of the brightest stars in our night sky.

Credit: NASA's Goddard Space Flight Center/Scott Wiessinger 

We study temperatures on large and small scales. The electrons in hydrogen, the most abundant element in the universe, can be stripped away from their atoms in a process called ionization at a temperature around 158,000 K. When these electrons join back up with ionized atoms, light is produced. Ionization is what makes some clouds of gas and dust, like the Orion Nebula, glow.

Credit: NASA's Goddard Space Flight Center/Scott Wiessinger

We already talked about the temperature on a star’s surface, but the material surrounding a star gets much, much hotter! Our Sun’s surface is about 5,800 K (10,000°F or 5,500°C), but the outermost layer of the solar atmosphere, called the corona, can reach millions of kelvins.

Our Parker Solar Probe became the first spacecraft to fly through the corona in 2021, helping us answer questions like why it is so much hotter than the Sun's surface. This is one of the mysteries of the Sun that solar scientists have been trying to figure out for years.

Credit: NASA's Goddard Space Flight Center/Scott Wiessinger

Looking for a hotter spot? Located about 240 million light-years away, the Perseus galaxy cluster contains thousands of galaxies. It’s surrounded by a vast cloud of gas heated up to tens of millions of kelvins that glows in X-ray light. Our telescopes found a giant wave rolling through this cluster’s hot gas, likely due to a smaller cluster grazing it billions of years ago.

Credit: NASA's Goddard Space Flight Center/Scott Wiessinger

Now things are really starting to heat up! When massive stars — ones with eight times the mass of our Sun or more — run out of fuel, they put on a show. On their way to becoming black holes or neutron stars, these stars will shed their outer layers in a supernova explosion. These layers can reach temperatures of 300 million K!

Credit: NASA's Goddard Space Flight Center/Jeremy Schnittman

We couldn’t explore cosmic temperatures without talking about black holes. When stuff gets too close to a black hole, it can become part of a hot, orbiting debris disk with a conical corona swirling above it. As the material churns, it heats up and emits light, making it glow. This hot environment, which can reach temperatures of a billion kelvins, helps us find and study black holes even though they don’t emit light themselves.

JAXA’s XRISM telescope, which we mentioned at the start of our tour, uses its supercool Resolve detector to explore the scorching conditions around these intriguing, extreme objects.

Credit: NASA's Goddard Space Flight Center/CI Lab

Our universe’s origins are even hotter. Just one second after the big bang, our tiny, baby universe consisted of an extremely hot — around 10 billion K — “soup” of light and particles. It had to cool for a few minutes before the first elements could form. The oldest light we can see, the cosmic microwave background, is from about 380,000 years after the big bang, and shows us the heat left over from these earlier moments.

Credit: NASA's Goddard Space Flight Center/Scott Wiessinger

We’ve ventured far in distance and time … but the final spot on our temperature adventure is back on Earth! Scientists use the Large Hadron Collider at CERN to smash teensy particles together at superspeeds to simulate the conditions of the early universe. In 2012, they generated a plasma that was over 5 trillion K, setting a world record for the highest human-made temperature.

Want this tour as a poster? You can download it here in a vertical or horizontal version!

Credit: NASA's Goddard Space Flight Center/Scott Wiessinger

Explore the wonderful and weird cosmos with NASA Universe on X, Facebook, and Instagram. And make sure to follow us on Tumblr for your regular dose of space!

[rodspurethoughts]

NASA Sets Coverage for Axiom Mission 2 Launch: All You Need to Know

Join NASA as they cover the Axiom Mission 2 launch on May 21, featuring private astronauts traveling to ISS aboard SpaceX Dragon! #axiommission2 #spacex #nasa

A SpaceX Falcon 9 rocket carrying the company’s Crew Dragon spacecraft is launched on Axiom Mission 1 (Ax-1) to the International Space Station with Commander Michael López-Alegría of Spain and the United States, Pilot Larry Connor of the United States, and Mission Specialists Eytan Stibbe of Israel, and Mark Pathy of Canada aboard, Friday, April 8, 2022, at NASA’s Kennedy Space Center in…

[celestialxgarden]

What color is your AURA?

𓇬 𓇬 Masterlist with all my previous readings. 𓇬 𓇬

Pile 1

Your aura is green. There are some blue undertones, but I’m mainly seeing green.

You seem to be operating mostly from your heart chakra. A lot of energy is being generated from your heart.

You have a very romantic and harmonious disposition. I feel like you embody a lot of grace quite effortlessly. There are also some soft pink tones coming from your aura. I feel like you are a very beautiful person and you radiate that out.

You have a very open and receptive heart space. I feel like there’s a lot of love that you want to give to people. I get the idea that you believe that every person is deserving of receiving love and adoration. You have a very kind and caring nature. You are very intuned with the energies of others. I feel like you always strive to create a balanced and harmonious atmosphere. I get the idea that you tend to avoid conflict. You don’t like to surround yourself with chaotic energies. I do think that if you find yourself in drama, that you would try to create peace. I feel like you have a lot of understanding and sympathy for others. You come across as a very affectionate and loving person.

A green aura is typically indicative of someone that is able to love unconditionally.

I also saw that your root chakra might be blocked. This usually stems from a place of fear. I feel like there are some issues when it comes to your personal power and security. There is a disconnection with your base needs and the wants of your heart. You could potentially have some sexual blockages as well.

I get the idea that you might feel a lack of control over your own life. I feel like you are more focused on the wants and needs of other people that you struggle to meet your own. There is this energy of feeling unsafe and anxious. I feel like you could have issues with standing up for yourself. I also get the idea that you struggle when things happen outside of your control. When there are outside forces influencing your life. I feel like it makes you feel powerless. It would be beneficial for you to try and balance your Muladhara center. You could do this by chanting the seed sound “LANG”.

Repetition of this mantra deepens concentration, gives awareness and inner strength. It helps with taking away insecurities.

It would also be favorable to avoid unpleasant smells.

Pile 2

Right now, your aura has a muted orange color that is barley visible. It’s looks like your aura is being covered or suppressed in some way. There is a heaviness surrounding your energy.

I feel like your aura has the potential to be extremely bright and radiant.

I get the impression that you are a very sensitive and empathetic person. That you often take things to heart. You are very easily influenced by the energies of other people and I think that this has something to do with the state of your aura.

I get the vibe that you’re a deeply caring and compassionate person. Your energy feels very watery, it can therefore easily get polluted or influenced by outside sources. This is because water in itself is a very pure substance.

I feel like there is a lot of negative energy around you at this time. It almost feels like you are energetically in a state of hiding. That you are trying to make yourself unseen in order to protect yourself. I feel like you could also be isolating yourself at this time. I get the impression that you used to be very social and outgoing in the past. That you were very spontaneous and cheerful. It feels as if your losing your confidence and becoming more insecure.

There is so much warmth and radiance buried within you. I feel like you are such a friendly and sweet person. You are someone that can offer a lot of joy and happiness to other people. You have a very encouraging and uplifting essence.

I think that you have the potential to radiate a very bright and inspiring light.

If I look at your aura without all of the heaviness, it has a very bright orange/yellow color. It is very vibrant and uplifting. It has a very stimulating quality to it. It make you feel awake and energized. It gives vitality and optimism.

I think it’s important that you dedicate a lot of time to self care. That you really try to nurture and nourish yourself at this time. I feel like you’ve been neglecting yourself a bit, so I think it’s time to make yourself more of a priority. I also think it’s important to make yourself feel happy. Do something that will make you feel joy, that will give you a sense of hope again.

Pile 3

You have a mainly blue and turquoise aura. Your aura feels very calm and serene. I feel like you are someone that has no problem with staying calm under pressure. I feel like you almost never get stressed. You come across as being a very peaceful and relaxed person.

I get the impression that you’ve totally surrendered to God or the universe. There is a lot of trust there. I feel like you believe that everything happens for a reason, so there’s no need to stress yourself.

I feel like you are more detached when it comes to outcomes. You have a lot of faith in the universe and that it knows what’s best for you. I do believe that this has come over time and this trust was really something that you had to learn.

Some people could perceive you as being more aloof or indifferent.

You seem to be disinterested in a lot of mundane things. You seem to be very much in your own world. Something about you feels a bit distant. I get the feeling that you don’t like letting people inside and that you prefer to be alone.

I also get the impression that it’s easy for you to read other people and to understand what is going on with them internally, but it’s difficult for others to read you. People often wonder about what’s going on in your head. I think they sometimes perceive you as being a bit cold or unemotional, but you’re actually very in touch with your emotions. You seem like someone that is very emotionally stable.

I do feel like you have a lot of compassion for others and that you’re able to feel things very deeply.

Your aura also has a very healing and comforting vibe to it. It feels very soothing. There is a very pure and innocent quality to it.

I get the idea that you’re a very intuitive person. You’re very receptive to divine guidance. I feel like you have a heightened sense of awareness and perception.

There are some shades of this cinnamon, bronze like color. Which give you a very stable and down to earth disposition. It makes you a reliable and dependable person. People who have this color are typically very honest and also have a lot of integrity. I also feel like you have a sense of humbleness and humility about you.

Thank you for reading 🌙

Disclaimer: I do not own any of these images. All credit belongs to their respective owners.

[halemerry]

I’m doing it. I’m breaking down the Scene. You know the one. I've been tearing it apart for a week straight now in discord and figured I should leave my observations here. So, uh, yeah, this one's a big one so buckle up folks!

I want to start with the build up because I can never leave well enough alone and because I think the framing we have coming into this sequence is important. We start with the camera on Mr. Acts of Service himself. Crowley, after banishing Muriel, starts cleaning up the bookshop. The music playing is the soft slow rendition of the opening theme. He is returning this space to the status quo, resetting back to normal, fully intending to do this for Aziraphale before dragging him out to the Ritz, falling back on their typical pattern of going out together for food and drink.

Now in a moment he's going to get interrupted by Nina and Maggie but before we get there I want to take a second to draw attention to the area of the bookshop that Crowley will be operating in for the bulk of this. This space is one we very frequently see Aziraphale in. It's his desk behind the till - a spot linked intrinsically to him, even down to the fact that it's located on the east side of the shop. The windows are throwing beams of light onto Aziraphale's chair and onto the same spot Crowley will stand during The Scene. This lighting choice will not change from now until our last shots in the bookshop and the way the blocking plays around these sunbeams is very aware (as Good Omens nearly always is) of exactly where they will land.

Nina and Maggie enter the scene to have a chat about boundaries and communication. Maggie, his own mirror, tells him flat out that he can't play with their lives like that. Maggie and Nina then both tell him that he and Aziraphale need to talk. And I don’t think they're wrong, exactly, but I do think that Aziraphale and Crowley are actually a lot better at communicating in general than they are in these following high stakes scenes. But that's some meta for later - for now I want to just focus on the particular way Crowley's been primed for the conversation he and Az are about to have. Nina in particular does something really interesting. She does exactly what we as the audience did when we first saw Nina and Maggie: she mistakenly projects herself onto Crowley. She says he has trust issues because she does and in the process accidentally frames the core of their problem as Crowley needing to allow himself to trust Aziraphale, a thing that he actively already does and has done for quite some time and has been shown to us several times throughout the two seasons.

Now the build up we get for Aziraphale going into this conversation is very small. By which I mean practically non-existent. We start at the end of his conversation with the Metatron who tells him to go tell his friend the good news - which notably does not imply that the news is something that would require Crowley to make a choice - and sends Aziraphale on his way. Now the most crucial thing in this sequence, to me, is the expressions Aziraphale makes when he thinks the Metatron isn't looking at him. While polite and smiley when engaged with him, Az's expression falls as soon as he doesn't have eyes on him. Something is wrong and Aziraphale knows it.

Aziraphale enters the shop. The doorway is dark and shadowy and he hasn't composed himself yet - though he does give Nina and Maggie a little smile as they leave. Then, as soon as they're not looking at him, but before he approaches Crowley, the tension is back.

He hesitates, then smiles and approaches Crowley. Crowley, planted dead center in that beam of light from earlier, takes off his glasses and promptly starts nervously rambling. The music cuts off here entirely, giving us nothing to focus on but the noises coming from our lead actors, the background noise from the street, and the ticking of the clock in the background. Aziraphale puts up his hands like he's going to interrupt then lowers them again as Crowley keeps talking, his face shifting into this helpless sort of smitten look.

Now look at the light and how it hits the bookshelves behind Crowley as he tries to get his confession going. It's in the shape of a wing. Keep an eye on that - when the camera chooses to show us this one wing of light is important.

Aziraphale then interrupts and there are two things I want to draw attention to here as Aziraphale fumbles for words. First of all is the fact that he glances in the direction of the door (and the Metatron) at least three times as he's struggling to speak.

Secondly, I want to draw attention to the words Az actually says here. He first echoes the Metatron's earlier statement about good news. He then does not roll into the news itself and instead glances at the door and says the Metatron. He starts rambling about the Metatron to a very confused looking Crowley and evetually talks his way into that the Metatron said something. He then hits a wall again, scrambling to find words and instead of explaining the context of what the Metatron says he lands on Gabriel. His brain latches onto someone obviously on the forefront of both their minds and something vaguely relevant to the news he's about to share. He rambles more about Gabriel's job, glancing once again at the door in the middle of this, still avoiding getting to the actual point or perhaps even synthesizing said point as he goes.

We then cut to what is framed as a flashback. I think it is very notable we only see this as Az is telling it to us. In other words that this is not us witnessing an event happening but us witnessing what Aziraphale is telling Crowley. This sequence is the single scene where the Metatron calls Crowley by name despite actively avoiding it in any real time continuity sequences. He uses it twice here which I think also is the strongest thread in here that tells us that we are seeing what Crowley is being told not necessarily what actually happened.

The instant the idea of restoring Crowley comes up the wing of light behind Crowley loses visibility. Crowley's speechless for a moment so Aziraphale fills the silence, already looking like he wants to cry as he talks about the old days. (I also can't help but to notice that the lights behind Az in this shot look like eyes.) Crowley finally speaks and circles around the beam of light he's been standing in like an object seeking to re-establish a source of gravity. The music cuts back in here with tense drawn out notes.

Crowley talks about how Hell offered him his place back and he turned them down. Aziraphale in turn presses on ideas that we know he doesn't really believe. It's a echo of the bandstand and uses a lot of the same language of that fight - another fight we know features Aziraphale saying things he knows aren't true. By now, we have seen him multiple times this season express he does not want to go back and make it abundantly clear that the side they have made for themselves is important to him. We see him actively calling angels bad and incompetent, contrary to everything he's telling Crowley here. We see him be the one to repetitively remind Crowley that they are on their side and be the one that always draws attention to that first. Yet here he says Heaven is the side of light to Crowley - who by the way is literally framed in light. The frame is telling us outright that Crowley is already Good as he is, while Az's expressions are telling us he knows Heaven isn't.

Aziraphale can't tell him that he did not turn down the job and Crowley does another orbit. The music cuts again. This time, he stops with his back to Az, tilts his head upward and decides to ruin me by invoking God.

Here he is, hearing these awful things that he was sure they had moved on from, hearing these things he has tried for so long and so hard to help them both unlearn. But these sorts of habits and lessons are insidious and he knows that and he himself is even a victim of that himself. I mean, don't get me wrong, he recognizes this is weird, I think, but between his own self worth issues and the stress of the few days they'd had can't work out what exactly is off here. He's confused and lost and just been told, in his mind, that he is not good enough as he is - a thing he has always on some level also believed. Yet he reaches out to the parent that taught him that lesson in the first place for strength and grounds himself with that. He circles back to stand in the beam of light and, with that wing of light finally backlighting him again, he is brave and tries to be enough anyway. He bows his head downward, fully emerging the line of this body in the light and tries again. Because even now, even after that emotional blow, Crowley is an optimist who can't help but to try.

At first Aziraphale can't figure out quite what is going on here. He squints at Crowley and glances at the door again. Crowley meanwhile keeps continually glancing upward, whether at God or to hold back tears or some combination of both. In most of these shots Crowley bisects the room, creating a dark half to his left and a light half to his right.

Crowley says he relies on Aziraphale. Even here, even now when he's just hurt him. Because it is the truth. Because Aziraphale makes him feel less alone. Because Aziraphale proves to him that no matter how fucked the system is that there is still good in the world, even if he doesn't always agree with it.

It is only once there is no doubt what Crowley is doing that Aziraphale starts shaking his head in very small quick shakes. He looks panicked even as they both physically draw closer to each other. It's huge not here, not like this energy to me. Aziraphale asks Crowley to come with to help him run Heaven. This is the point where Crowley starts tearing up.

Crowley then says you can't leave this bookshop, trying to say you can't leave me. Az, nearly in tears himself, says 'oh Crowley. Nothing lasts forever' as a means to convey that the books aren't what is important here. Crowley, naturally, hears 'including us.'

Crowley looks down again, quietly agrees, and puts on his glasses, covering himself up again. He then wishes Aziraphale good luck and the music starts up again, still tense but sorrowful now. He leaves the light and heads to the door. Az can't help but to call after him. Please wait. And Crowley can't help but to listen. It's worth noting here that even as he rotates toward the north door, the light still gently hits his face. The shots in general are darker though. He's moved away from the light but it still can't help but to touch him.

"Come with me," says Aziraphale and then after a pause adds "To Heaven." Aziraphale, looking heartbroken, starts one of two 'I' statements he will struggle around in the next few moments. He lands on I need. Which. I want to pause there a moment because holy shit. That is not something they say out loud either. Az looks at him a moment, visibly struggling before he says his dialogue about Crowley not understanding his offer. Like he's said something he didn't mean to and needs to cover it up or like he can't handle the silence after such an honest statement. And on some level he's not wrong there. Because Crowley doesn't understand what Aziraphale is trying to say. But Aziraphale doesn't understand the way Crowley is reading it to course correct either.

Crowley says that he does understand and that he understands better than Aziraphale does. And he also isn't wrong either, from his perspective. Because he does understand the implications behind the offer theoretically in play here. Because he does know that the position Aziraphale is presenting him is not going to result in the outcome Aziraphale is presenting him with. There are some things you can't undo just like memories slipping through the cracks.

Az says there's nothing more to say, trying to dismiss Crowley despite having been the one to pull him to a stop moments ago. He puts on a fake polite smile for a beat but then his is jaw sets, mouth working as his eyes drop - unable to look Crowley in the eye.

Crowley tells him to listen as the music fades out and points upward. Aziraphale humors this, glancing up a few times before looking frustrated, saying he can't hear anything. The light from the window shines down in his direction without actually touching him. Crowley tells him "That's the point. No nightingales." The shot he's on here is a dark one without even any of the book shops pillars visible in it to brighten the shot.

Aziraphale looks frozen a moment here and then as Crowley calls him an idiot and says 'we could have been us' his face completely crumbles. He rapidly glances away to hide his face and Crowley moves and reaches to pull him back. They're both distraught. Az is clearly already holding back tears even before Crowley touches him. The angle of this shot frames Aziraphale in the light of the window. For the first time in this whole sequence Aziraphale is in the light, literally being physically pulled into it by Crowley.

The music swells, playing a similar theme to the one that plays as the Pillars of Creation are formed at the start of the season. They shift back and forth, the camera focusing on Aziraphale's face and hands. His hands move uncertainly, trying to reach out even as he's struggling emotionally. He is visibly shaking but he crucially does not pull away, not even a little.

His hands settle on Crowley's back, right where his wings would be, and for a brief moment gets taller, like he's allowing himself to lean into the kiss. They press together tightly, their mutual gravity sending them crashing together before they break apart. When they do Aziraphale looks devastated and his eyes move pretty much instantly to look out the window where the Metatron would be.

Crowley's glasses make him harder to read here, but he looks at Aziraphale like a man awaiting judgement in a trial he knows he's already lost. He's sad too, but as always, is waiting for Aziraphale's reaction. Because he might push continually at he boundaries of them as a unit but he has always let Aziraphale decide where to set them in stone.

Az fumbles over words here. He gets stuck on "I" here and lets it hang in the air. He then visibly thinks his words over, his expression slowly filling with resolve as he comes to some sort of conclusion. Then, like it's difficult to say, he falls back into old coded language. "I forgive you." A thing he has always said in response to things that he agrees with but cannot or should not allow himself to have.

Crowley sighs and tells him not to bother, refusing to fall into the old pattern that Aziraphale has. He is setting a boundary, for once, and even if it is one born from misunderstanding I am proud of him for being able to. He turns away and leaves. And this is where Az seems most in danger of falling apart. His lips move as Crowley goes, forming the start of a 'no' after him. He draws back from the door and turns his body away from it, physically distancing himself from anything that would feel like following Crowley. Except he can't help himself. With shaking hands he reaches up to touch his lips. He presses in, like he's trying to recreate the pressure and then his jaw works a moment and his expression sets as resolved.

The Metatron enters through the front door, which is framed in dark lighting. Aziraphale looks panicked and immediately turns his whole body away from him to hide his face while he collects himself.

He turns around after a beat and the Metatron asks 'how did he take it?' This is an odd question that only sort of half fits the fact that we are meant to believe at this point - that Aziraphale should be obtaining a yes or no from Crowley. It's not asking Crowley's choice at all. It's like the Metatron assumed a different conversation had happened or perhaps that he already knew the answer.

Aziraphale says he took it badly and the Metatron just takes a moment to direct a few casual digs at Crowley. He references him being stubborn and too curious - all the while avoiding the use of this name. At this point Az's eyes are locked out the window in the direction Crowley vanished to. The Metatron asks if he's ready to start despite originally having promised Az time to think over his answer. Aziraphale keeps glancing out the window.

For a moment he cracks, stepping away from the Metatron and back toward the east side of the bookshop. For the only time in this whole sequence he steps right into the sunbeam Crowley started in. It notably never illuminates his face as he mentions the issue of his bookshop (a statement absolutely not about the bookshop).

The Metatron explains Muriel will take care of it. Aziraphale looks back out the window with the start of an objection.

The Metatron interrupts him asking if there's anything he needs to take with him. Az's mouth takes a moment to try and form words. He steps out of the light again, starts to object, and then cuts off, eyes back to the window. Then his expression shifts again, settling in another state of resolve before he puts on his falsely polite face and follows the Metatron out.

As they leave the shop we cut back to Crowley. Crowley, who could've left to go handle his own emotions, did not leave. Instead he planted himself there, nice and noticeable. Like he wanted Aziraphale to see and know that he still has a choice. Like he needs to see Aziraphale make that choice for himself. Like he can't quite bring himself to be the one to close that last door. He stands there, framed by light, and doesn't move until the doors to the elevator to Heaven close behind Aziraphale. He then glances at Nina and Maggie and then gets in the Bentley, which starts playing the song that we now know he knows is supposed to be theirs. He turns off the music and drives away.

So there's a lot in these sequences and most of it probably won't help us figure out exactly what comes next, but there are definite signs that all is not as it's being presented to us. Whether he's actively lying or not, something is wrong that Aziraphale either can't or won't talk about frankly with Crowley. I suspect, whether it's under stress from a literal threat or because he believes that it is the safest option for them, that Aziraphale is doing all of this to protect Crowley.

There are also all sorts of signals here, especially in the lights, that gesture at the fact their togetherness is a net good. Together they are balanced and stronger for it and likely more in alignment with the Ineffable Plan. And, more importantly than that, that said togetherness is so clearly what they both want. They have loved each other longer than anything alive has ever loved anyone and none of this changes that. They both are saying that in their own ways here, even if those ways are not ones the other is particularly good at picking up and I for one cannot wait to get to see the payoff of them learning how to.

[lonestarflight]

The Apollo 9 Lunar Module (LM-3) Spider during checkout procedures at Manned Spacecraft Operations Building, Kennedy Space Center, Florida. It was originally intended to fly on Apollo 8 but it required too much work to fly before early 1969.

Date: fall 1968

NASA ID: S68-44471

[amazinglyashy]

hellow ash! Dropping here since I got hooked from the last post ehe. If it's okay...idk if its OOC but, can you do some shorts or fic on like mc just wanting a peaceful, quiet life? away from fighting or mental battle. Esp Raf and Sy, they canonly seem to be the ones with most hard-core agenda. What if MC just want peace, yet entangled with them is sureway of NOT having that life? can they make it happen? or will they just shield mc in her dream fantasy life while they battle the real world? as we know even mc herself is already target from many unwanted people...so how?? idk sorry for ramblinggg😫😫😫

(its kinda personal since if I could, I'd just live in a small town with a garden like harvest moon game, away from stress and ambitious grasp of capitalism, buttt yea that's a dream only 🥲🙃)

I'm a firm believer that MC is however me and my readers/requesters make them, so no worries about OOC here :D also don't ever worry about rambling, I always love your comments on my posts and works 😭😭❤️ I did my best, hope you enjoy!!

LaDS men when all you want is to live a quiet life -

Sylus -

He knows his way in and out of the world, and every which way to get what he wants. Still, knowing your wishes-

It's hard.

Not because it's not conducive in your relationship, no- he'd give you the world if you so much as asked him. But it is a bit... difficult, to say the least, trying to figure out how to acquire you the life you seem desperate for.

He does understand your reasoning, though.

He would do his best to first make some of his more rural safe houses even more habitable- style choices that fit your tastes, a nook for you to relax in or do work, and anything you could think of that would help with your hobbies. Those houses become your little retreat, and they always have anything you could ever want stocked to the brim.

Luke and Kieran visit you often, or will occasionally take you elsewhere for a day out in town or further in the city. Unbeknownst to you, it's usually when someone has been targeting you and Sylus is... taking care of it behind your back.

Even if he can't stop his work after being so deep after all these years- even if he can't stop the people who are constantly targeting you for simply existed- he's going to do absolutely everything within his power to ensure you get to live the life you have chosen.

Especially with him.

Zayne -

All he wants in life is to help you find your peace.

That's all.

If living a quiet life is what helps you achieve that, then he's all for it.

He may sheepishly admit to you just how worried your Hunter's Association job would make him, wondering if the next gurney wheeled into his operating room would be you after a particularly grueling battle, or after running into the wrong person who had been after you for what nestled within your heart.

So this is definitely a plus to him.

By extension, he's also perfectly fine if you want to be stay-at-home. He makes more than enough as a surgeon to support the both of you extremely comfortably, and he knows that life really... hasn't been the kindest to you.

He's used to a bit of a commute, just trying to fight out of his driveway in the city center, so if you want to live somewhere further out in order to have space to garden, he'll figure out how to make it a reality for you.

Sometimes, he'll come home with something new for you- a type of seed for the coming season, a new book, some fresh supply for a craft you've been working on- anything, and he takes a lot of pleasure in seeing the smile break across your face whenever he does.

Rafayel -

Oh that's easy. Four words-

Beach house + Sea God.

Easy.

Hearing your wish surprises him a little, but it's nothing if not relieving to him.

He's spent forever, and then again, just trying to find you and also ensure your safety- from both up close, and from afar. It's difficult with how much trouble you get yourself into, and with the trouble you don't get yourself into that just seems to find you.

Honestly, this just makes his life so much easier.

Rafayel is so used to soloing against people looking to do you harm or bring trouble to you, so this isn't too much different than what he used to do before you two met again. And if you come to live with him along the seaside, it's that much easier for him.

He's in his element, so discovering anything insidious lurking near is easy, and he can usually take care of the issue long before it could ever reach you, much less get to you and you finally getting to have a breather in life.

One of his favorite things is a quiet day at home with you, sitting high on a ladder as he works on another giant painting, working towards the top just so that he can peer out the window- he loves watching you work on the garden boxes he bought for you, even if you don't notice him yourself.

Xavier -

He's bared witness to everything you've been through- at least the worst of it. Anything he hasn't, you've definitely brought him up to speed with nervous laughs and late night conversation when the two of you were awake past when you should be.

So he knows.

He knows you mean it when you tell him your wish.

He also knows you more than deserve it.

Xavier will smile it off easily, asking you if that isn't already what you've been doing with him- snuggling during the colder months on the couch in his apartment, waiting for him to finish his assignments and come home to a half-finished movie and a stale bowl of popcorn you fell asleep eating. The butter was tacky now like the tips of your fingers against the blanket he'll need to wash tomorrow as he picks you up to take you to bed.

Living somewhere out of the city is doable to him, and he'll let you pick the place. Occasional visits into the city are a necessity, though- how else is he going to supply Jerimiah with the harvests from your gorgeous garden if not? It's a nice little living, in addition to whatever Xavier brings in.

It also helps him really appreciate the smaller things in life. He never really knew how much he would love dancing in the kitchen as the sun sets through the window, until now.

[shapeshiftersvt]

Well!

This sucks.

In 2016, Shapeshifters was two and a half years old when the country we operate in seemed to elect one particular asshole. Today, this company is ten and a half years old, and the same damn asshole is back again.

Under that first term Shapeshifters went from a two-person, back-of-the-dining-room operation to a production floor in a converted warehouse to the beautiful studio we're in now. We sent chest binders in anonymized packaging all over the country and the world for those four years. We hired trans people in our town and purchased services from queer folks in our network. We left behind the landlord who objected to our Black Lives Matter banner and hired models for photoshoots who knew what we were about and were excited to join the work.

Then we took a damn breath. We found stability in our little studio, over the last four years. We experimented with prints and patterns and fashion lines. We worked on new projects with new people.

It sucks that we're back here again.

And: our job now, as always, is to connect you with what you need and connect each other with what we all do.

There's a lot of good advice out there about keeping yourself as safe and healthy and stable as possible, from a lot of activists and poets and people much better at it than me. I speak from my position as a business owner from a family of economists, who's been trained to watch the money. Buy queer when you can, buy local when you can. Keep the money close, trade the same $20 back and forth with your friends for services, re-use and repair what you have.

Buy a binder, or a sew-your-own-binder kit, ora sports bra, or a binding dress, or some cryptid art from us here:

Find a queer-owned business for what you need at Everywhere is Queer:

And also from Hey Famm:

If you are located in or near Western Massachusetts, find some queer folks to support via Bloom Local:

and if you have a few bucks a month to spare, maybe support a trans person on Patreon. I suggest friend of the shop @neolithicsheep :

and Mercury Stardust, the Trans Handy Ma'am, who is a great resource when you need to fix something yourself:

Spend your money for good whenever you have the chance. It matters.

And you matter, too.

Keep talking to us, keep talking to each other, keep in touch with your people. Keep building these systems and these structures and these networks. We're going to need all of them.

And, hey: if you're trans and starting a business, reach out. I'd love to help folks in the early stages, connect you to resources, pull you over some of the hurdles we faced. There's a lot more room for queer business owners now than there was eight years ago. Let's take up that space.

Keep building, fam. It matters and it's worth doing. Every time.

[ryescapades]

mine all mine | kaiju no. 8

characters: narumi gen x gn!reader cw: a bit ooc maybe but overall just fluff a/n: from this req! lowkey reminds me of darling dearest lol 1k wc

it's been almost an hour, and narumi is peeved. extremely, remarkably and astronomically peeved.

the kaiju attacks this year have been increasing exponentially, and so is the number of officers being dispatched everyday for the subjugation.

as a former operations leader, the amount of knowledge you have about the monsters is close to an infinitesimal amount, as studying kaiju has always been a significant part in your life. though it was only a matter of time before you discovered that you also possess an affinity in field-work as well.

able to bring out an astoundingly high combat power from the suit without prior training, you were immediately sent to be recruited as a soldier in the first division. not to mention a lot of people considered you as someone who is quite easy on the eyes.

an eye candy... so to speak. in short, you have it all; beauty, brains and brawn.

narumi has never had his ego swell this much but with you? he's so fucking proud he almost went up the tokyo tower just to shout out how incredible you are to the entirety of japan.

much to his dismay though, even the general public could attest to the same thing, seeing as how lately they've been making every effort to separate the two of you by catching you post-mission, regardless of the destruction and gore around them. he knows that the country knows you're with him, but that still doesn't make it any less irritating (it's even worse that these fans of yours are not among his own).

and today is no different.

there is a rowdy group of reporters and fans alike crowding around you, asking this and that while you're trying your best to adhere to each one of their requests. narumi is sure none of those extras is aware of it, but there's that hint of discomfort tinging in your eyes. he can see it as clear as day. but then again, narumi always notices all the little things about you.

why wouldn't he? you're the apple of his eye, his lover, his muse. it's only right that he paints the absolute perfection that is you on the canvas of his mind.

sauntering over with light footsteps, narumi relishes the way the small horde of people parts for him as he approaches you at the center of the commotion. his lips curl upwards into a smirk then, eyeing the people who are still hungrily vying for your attention, though some of them are starting to look at him with wariness.

one or two microphones are being shoved in your face, enthusiastic voices filling the space around you as you let out a bashful chuckle. "thanks for coming to see me here, really but—" your breath catches in your throat when an arm sneaks around your waist from behind before it settles on the side of your hips.

snapping your head around, your heart picks up its pace when your eyes connected with a pair of rosy, blooming irises. "oh - gen, hi! what are you doing here?" you ask inquisitively, assuming he had already gone back to base to report.

his teeth catch on his bottom lip, slightly in a trance as he continues to gaze at you. your blinding smile oozes so much of that familiar adoration and narumi almost kissed you right then and there in front of these... NPCs.

your boyfriend tucks you close to his front, letting you lean your body against his chest. his heart steadily beats against your back, and he really hopes that you can hear it. he needs you to hear it, in fact.

call him sappy, but narumi wants you to know his heart beats for you. it is a euphony that he makes sure only you can decipher the meaning of, and one he knows can never be attuned to anybody else.

"waiting for you, duh— wha - hey! turn that flash off!" he complains at one of the closest in particular, blinking his eyes from the temporary blinding light before sending them a scowl.

deciding to let him interact with your 'admirers' too, you continue to entertain them with small talks, selfies, receiving gifts and the likes when suddenly the girl in front of you gasps in surprise and mild irritation, the phone she once held nearly tumbling out of her hands as her eyes are glued to something behind you.

confused, you turn to see what her deal is but all that meets your eyes is narumi raising his eyebrows in question, a goofy smile plastered on his handsome face. if you didn't know any better, you would've thought there was a tail wagging curiously behind him. you giggle, forehead creasing slightly. "why are you smiling like that?"

"nothing. why can't i just smile for no reason?" he pouts as his fingers gently rub at your waist, his expression exuding only that of complete innocence before you shake your head fondly and turn back to the crowd. unbeknownst to you, narumi doesn't bother taking down the middle finger he was holding up behind his back, directed towards the guys especially and hidden from most cameras.

additionally, he couldn't find it in himself to feel any shame or guilt for sticking his tongue out at every flashing lens there is. the glaring competition he's currently having with that random girl still proceeds, both not wanting to back down in order to win the biggest prize of all; your attention and recognition.

regardless, it is the compelling truth that your affection only belongs to him, and there is no way he, your very much amazing boyfriend, is going to lose to some nobodies.

narumi gen is no artist, nor is he any poet. but one thing he knows is that he is yours, just as much as you are his, and his alone.

taglist: @maruflix @pixelcafe-network @iamjellyfish @ouiouimochi @yueliie @justwinginglife @lumiambrose @minasfwoopyponytail @17020 @bgyuus @moon-cakiie

©🅁🅈🄴🅂🄲🄰🄿🄰🄳🄴🅂. do not steal, translate or repost my work anywhere else !

[historicity-was-already-taken]

I am posting and responding to this ask anonymously as I don't want anyone harassing its sender. This has already been communicated with the person who sent the ask.

I just want to thank you for being a light in the darkness of anti-semitism, especially on this website. I have found I am on this site a lot less ever since it was made clear that other leftists here are more anti-semitic than we ever knew possible, using very specific wording of our own trauma against us (i.e. saying stuff like "colonialism", "genocide/ethnic cleansing", and calling JEWISH PEOPLE Nazis). It feels like, at best, they know Hamas ≠ All or even most Palestinians, but think that they think all JEWS = Bibi; and at worst, agree with Hamas and think of him as some sort of "freedom fighter". So, thank you from one leftist Jew to another, just trying to keep afloat here. ❤️

You are very welcome; it's certainly been overwhelming, and I'm glad this can be a safe space for you.

I do want to push back on some of this ask, though. Specifically in regard to terms such as "colonialism," "apartheid," "genocide," and "ethnic cleansing."

The use of these terms is not inherently anti-Semitic. For a lot of people, these terms are the best ones they have access to describe what they are seeing. I do think such terms as “colonialism” and “apartheid” are overly simple in regard to the last ~3000 years of Jewish history, and that they cast the situation into an alien historical context which dilutes and uncomplicates the all the historical realities at stake, but I truly do not think that all who use these terms do so to cause Jewish people pain.

Further complicating the picture is that terms like "colonialism" aren’t completely wrong. Modern Zionism arose in the context of mid-nineteenth century European large-scale movements towards nationalism (ie, the creation of nation-states) and away from the multi-national empire. Jews—a subject of anti-Semitism and fifth columnist suspicions within those emergent European nations—reacted to all this by joining the nationalism game.

What’s ironic, is that those European Jews who founded contemporary Zionism were reacting to the exclusion and racial hatred with which Gentile Europeans treated them, and then once they had some settlements in Palestine, they deployed similar variants of racial hatred at both the Palestinian Arab population, and Middle Eastern Jewry.

The existence of a distinct people and ethnic group in Palestine before the aliyot were not something the first generation of Zionists were concerned with. Because they were part of the same shitty, white supremacist, pro-imperialistic intellectual European tradition to which they were responding as victimized parties. As time went on and Zionist thought spread across Ashkenazic communities, we can see some variants. Some forms of far-left Zionism in twentieth century Poland, for example, actively built the presence and rights of Palestinian Arabs into their ideology, some of them actively stating that Zionism could not be a success if it necessitated transforming Palestinian Arabs into a group of secondhand citizens and a cheap source of labor in their own home.

Those leftist strands of Zionism tended to be Socialist/Communist in nature, and centered around the idea of life in Eretz Yisrael as one of a series of self-sufficient communes. Thus when the 1930s hit and things start to go bad, the Zionists we see fleeing to Palestine tended to be of the more centrist and far right variants. The left wing, socialist movements, already operating as a collective, had a membership uncomfortable with fleeing to safety while the rest remained behind.

And that same socialist/communal attitude, is why those variants of Zionist thought never made it into the Israeli political mainstream; most of their members and proponents were murdered in the Holocaust in part because they refused to leave their comrades behind. The General Zionists and Zionist Revisionists who rode out the years of the Holocaust in Palestine therefore already had access to the avenues of power which would become important in 1948, when the British Empire shrugged off its responsibilities towards the regions it colonized and destabilized.

Now, as for ethnic cleansing. I can’t sugar-coat this: that’s what the Naqba was. It was ethnic cleansing of Palestinian Arabs from their homes to make way for the Jewish State. The manipulative shit (but still somehow extremely prestigious) youth group I was in taught us that Arabs call it Naqba because they hate Jews and therefore existence of Jews in the Southern Levant was a tragedy, as was the fact that Hitler didn't finish the job.

That’s garbage: it’s called the Naqba because it was ethnic cleansing. And that's not the fault of the Holocaust survivors who made their way to Mandatory Palestine/Israel in the late 1940s--they lacked political power, and were often looked down upon by those who did; the Holocaust as part of Israeli National Mythology wasn't an immediate Thing.

If you spent your formative years around older Jewish folks of A Certain Generation, whose trauma has pretty much placed a permanent block on their ability to see some of what went down in 1948 for what it was, I can’t blame you for having that gut/cognitive dissonance reaction to the use of “ethnic cleansing” in the context of Israel and Palestine. I know those older folks. I loved them. They’re mostly gone now, and I miss them terribly. But their trauma-induced view of everything lives on in the ability of some younger Jews to properly name and understand what it is that happened in 1948.

It was ethnic cleansing.

Further, not only were Palestinian Arabs ethnically cleansed, but the Middle Eastern and North African (MENA) Jews who were forced by their governments to flee their homes of thousands of years and seek refuge in Israel throughout the second half of the twentieth century…the Western and Central European Jews in control of Israel and its institutions treated them like shit too. Hadassah actively stole the babies of Yemeni Jews, told the parents that their children were dead, and rehomed them to Ashkenazic couples. There were death certificates. Members of the Ethiopian Jewish community were forcibly sterilized, and their ongoing treatment by the State is racist and generally atrocious. And this analysis of the relationship between the Israel State, MENA Jewish populations, and different Ashkenazic groups in Israel is horribly short and overly simple.

As for genocide. I honestly don’t know. I do know many people, who are very much not Anti-Semites, who are calling what’s happening in Gaza right now genocide; many of these people are also Jewish. I know many others who refer to the experiences of Palestinians between 1948 and now as a slow genocide. Many of these people are also actively not anti-Semites, and many of them are Jewish.

So these terms, as uncomfortable as they may feel for people within the very specific Jewish generational background I believe we share, are not deployed as anti-Semitic weapons. Nazi comparisons? Yes. Swastikas superimposed over the Star of David? Yes. Very specific hook-nosed Jewish caricatures in relation to Israelis? Yes. Blood libel shit? Yes. These are all anti-Semitic, and are deployed to hurt and retraumatize Jewish people. But the rest are not nearly that simple.

And I didn’t learn this from like, Bad Evil Post-Modern Academics at Columbia University Who Hate Jews; I learned this from doing graduate-level work in the field of Modern Jewish History, and working in Jewish archives; this did not come from outside the building.

Now, as for Hamas as freedom fighters…that’s ignorant at best. Hamas’ charter clearly calls for the global destruction of the Jewish people [ETA: they edited this part out in 2017 for PR purposes], and their actions as rulers are horrifically, violently, homophobic, and seem to be more abut provoking Israel than they are about governing and protecting their people. But as you said, Hamas isn’t all Palestinians, and it’s also not all Palestinians who consider themselves freedom fighters. (A second reader of mine had the following commentary on this paragraph: "Might need a bit more complication around Hamas? I know that's not your area of expertise but it's worth mentioning that they were basically set up to undermine the PLO and what would become the Palestinian Authority in the West Bank. You're right that they aren't representative of all Palestinian thought and resistance, and that they are on some fuck shit.")

So while I’m so glad that blog is a comfort to you, I encourage you to also take a step into some of your discomfort, and ask yourself where it comes from.

No one reading this post has my consent to use it to silence other Jewish people who are in different stages of their journey towards understanding how generational trauma has impacted their ability to grasp all of this. Further, if you choose to attack me for gently calling my people in, you're a piece of shit and I will be mean to you.

[apas-95]

How workers utilising Marxism-Leninism organise medicine production: the workers, organised into a national-scale federation of unions, elect local representatives, who themselves elect further representatives up to the highest levels of governance, where a people's congress deliberates on the results of investigation into issues submitted by a consultative body composed directly of workers, and eventually comes to a consensus, towards which all the nation's resources and work can be directed in unison; a state council directing state-owned assets administers the operations of a pharmaceutical industrial group, in concert with national laboratories and a state regulatory inspector, which directly manages its own logistics, covering 7 logistics hubs, 43 provincial-level logistics centers, and 500 municipal-level logistics centers, with more than 3 million square meters of warehouse space, supplying 8 tertiary hospitals, 21 secondary and specialized hospitals and 141 medical institutions, totalling over 16,000 hospital beds it directly administers, alongside the 700,000 institutions it supplies but does not directly administer, while under direct control of the workers' representatives and capable of both conforming to national-scale economic planning, as well as mobilising medical materiel in the case of emergencies and disasters.

How workers utilising anarchism organise medicine production: they'll figure it out, I don't know. Honestly it's both presumptuous of you to think that knowing how political-economy works means you should know how to organise a logistics chain, and also very insulting towards the individual workers to think they couldn't just organise the logistics chain on their own

[nasa]

Guy Bluford Changed the Course of Space History

On Aug. 30, 1983, Guion Bluford, better known as Guy, became the first African American to fly to space. An accomplished jet pilot and aerospace engineer, Bluford became part of NASA’s 1978 astronaut class that included the first African American, the first Asian American, and the first women astronauts.

He and the other crew members of mission STS-8 were aboard the orbiter Challenger as it lifted off from Kennedy Space Center in Florida; it was the first nighttime launch and landing of the Space Shuttle program. While aboard, he and the other crew members deployed the Indian National Satellite (INSAT-1B), operated a Canadian-built robot arm, conducted experiments with live cell samples, and participated in studies measuring the effects of spaceflight on humans.

Guy Bluford chased his childhood dream of becoming an aerospace engineer, and in doing so, changed history and encouraged other Black astronauts to follow in his footsteps.

Make sure to follow us on Tumblr for your regular dose of space—and for milestones like this!