#Soundpark Studios

[senorboombastic]

a/s/l: ENOLA 

Remember the days of the old schoolyard? Remember when Myspace was a thing? Remember those time-wasting, laborious quizzes that everyone used to love so much? Birthday Cake For Breakfast is bringing them back!  Every couple of weeks, an unsuspecting band will be subject to the same old questions about dead bodies, Hitler, crying and crushes.   This Week: Off the back of releasing their debut EP…

[talknerdywithus]

Exclusive Interview with Canadiana Band Pretty Archie

Exclusive Interview with Canadiana Band Pretty Archie

Longtime friends Brian Cathcart, Matt McNeil, Colin Gillis, Redmond MacDougall and recently added Scott MacLean make up the band Pretty Archie. This Canadiana (folk, country, rock, bluegrass, blues) band creates fun tunes that are genuine and authentic in every sense.

I got the chance to talk to them about how a busker inspired the…

[thejoyofviolentmovement]

Live Footage: Amyl and The Sniffers on KEXP, from Soundpark Studios, Melbourne, Australia

Live Footage: Amyl and The Sniffers on KEXP, from Soundpark Studios, Melbourne, Australia @amylandsniffers @ATORecords @therightcadence @grandstandhq @kexp @jaclynulman

Acclaimed Melbourne-based punk act and JOVM mainstays Amyl and The Sniffers — Amy Taylor (vocals), Gus Romer (bass), Bryce Wilson (drums) and Declan Martens (guitar) — formed back in 2016, and shortly after their formation, they wrote and self-recorded their debut EP Giddy Up. The following year, saw the release of the Big Attractions EP, which was packaged as a double 12 inch EP with Giddy…

[shemakesmusic-uk]

Ruby Gill shares new song 'you should do this for a living'

Ruby Gill shares a compelling new single ‘you should do this for a living’ - a song about what it takes to navigate male power, pressure and coercion in the music industry. The song was written, recorded and produced in Melbourne/Naarm and features a choir of prominent female-identifying voices, Angie McMahon, Maple Glider, Mimi Gilbert, Hannah Cameron and Hannah Blackburn.

Ruby explains that ‘you should do this for a living’ is about “balancing the freedom of song with the reality of your gender speaking louder than your voice. It’s about learning to take up space in music, and on the strength and grit expected of women and non-binary musicians, while they’re quietly taken advantage of.”

“This song is for anyone who’s had a man change their guitar tone without their permission, had their worries ignored because worries aren’t sexy, or had their body convinced to do things that hurt, all in the name of getting ahead,” says Ruby. “It is a singular story based solely on my own perspective, as all art is. But in it are some bigger things that I hope other people will feel seen by. We write the songs we wish we had heard when we were little."

No men were involved in the making of the song - from photos to engineering, mastering and production to music and management. “That might sound glib, but for many of us, this was the first and only time we’ve been in a studio session without any men. That’s astounding to me. The energy and peace in the room and now in the song was even more astounding. I hear it in the song.”

Making this song with a community of such strong, ridiculous sisters, Angie McMahon, Maple Glider, Mimi Gilbert, Hannah Cameron and Hannah Blackburn, was incredibly moving. "I’m so grateful for their friendship, insight and warmth. Each is my hero in their own small way and I doubt I’ll ever get to work so closely with so many of my favourite voices in one room again. So it’s all downhill from here really.”

The studio time was funded by The Victorian Music Industry Recovery Grant. Laura Hancock established the grant program at Soundpark to help rectify gender imbalances in Australia’s engineering and production industries, with studio time and training for female and nb-identifying musicians and recording professionals to learn and create. The song was produced by Laura Hancock, mastered by Becki Whitton and released with support from management Alyse Newman.

Ruby Gill · You Should Do This for a Living

Photo credit: Taylor Ranston

[erinbowbooks]

Emma Stevens - Blackbird by The Beatles sung in Mi'kmaq

students at Allison Bernard Memorial High School in Eskasoni, Cape Breton recorded Paul McCartney's Blackbird in their native Mi'kmaq language. Songwriter: Paul McCartney Translation: Katani Julian and Albert "Golydada"Julian Music Production: Carter Chiasson  Audio Production: Jamie Foulds (Soundpark Studios) Video Production: Matthew Ingraham and Multimedia 12 students from ABMHSProject Lead/Music Teacher: Carter Chiasson

[solderthumb]

This microphone is a pain in the ass. It's a Rode Tube Classic and when it's working, it sounds really nice. The problem is, it's rarely working. It's from the mic collection at Soundpark Studios and it had been on the cut list for while now. I had sent it away a few years ago when it was exhibiting a whooshing - sea like noise rather regularly. It came back with a NOS GE 6072A which cost more money that I would like to pay for a tube. I get the whole NOS tube thing, but I find it hard to believe that none of the current production companies are not making tubes as good as these NOS jobs. Scoff a little, it's okay. I guess you folks that can afford to pay $100 or $1,000 per NOS item can be the ones to tell us that they sound better. Sure.

Anyway, the thing worked for a a brief period with no audible noise and then before too long back came the whooshing ocean. I ordered a JJ 12AY7 and replace the tube, which wasn't the most intuitive operation. Anyway, worked for a while and the same thing. Bummer.

I have been reading a fair bit about these mics but there doesn't seem to be a definitive solution. I read recently on the Electrical Audio tech journal that sometimes that sound can be caused by a variation or issue with the filament supply. I will check that. A few years ago I made up a BOM for a recap for the power supply. I think if I remember correctly that the PSU was built in 1995 or 1997. Don't quote me on that one. However it could probably benefit from having it recapped and bench tested. I haven't made this one a priority yet but soon enough.

I'll let you know how that turns out. Yes, I am talking to myself. No I won't hang up first. No, You hang up first. No, I love you more.

[collectivemusicnation]

ECMA Awards

New Post has been published on https://collectivemusicnation.com/ecma-awards/

ECMA Awards

Wintersleep Tops List Of ECMA Awards Winners

Jul 13, 2020 by FYI Staff 0

Originally scheduled as a gala event for April 29 at Mile One Centre in St. John’s, NL, the 2020 East Coast Music Awards (ECMAs), was shifted online because of the coronavirus pandemic. The pre-recorded digital gala was held over two nights (Friday, July 10 and 11) over the weekend. Hosted by Mary Walsh, it was aired on CBC Atlantic and CBC Gem.

Nova Scotia rock band Wintersleep was the big winner on the night(s), taking home four ECMAs. Former Hey Rosetta! leader Tim Baker won three, with The East Pointers, Dave Sampson, and Florian Hoefner earning two trophies apiece.

Performers on the show included Matt Mays, Damhnait  Doyle, Motherhood, Halifax’s Zamani, Eastern Owl, Tim Baker, Neon Dreams, Shanneyganock, Rose Cousins, Jimmy Rankin, and, to close the show, Wintersleep.

As part of the show, the late Newfoundland songwriting great Ron Hynes was inducted into the Canadian Songwriters Hall of Fame, five years after his death. His nephew, Joel Hynes, accepted the award on his behalf, and also performed with Glenn Simmons, Shaye, Colleen Power and Lennie Gallant in a tribute to Ron Hynes with a backing band that included former Wonderful Grand Band member, Sandy Morris. Sources: CBC, The Telegram

Full list of the winners:

MUSIC AWARDS

Album of the Year: Wintersleep – In The Land Of (Producers: Tony Doogan, Wintersleep)

Blues Recording of the Year: Myles Goodwyn – Myles Goodwyn and Friends of the Blues 2

Bucky Adams Memorial Award: Jon Samuel

Classical Recording of the Year: Marc Djokic – Solo Seven

Contemporary Roots Recording of the Year: The East Pointers – Yours to Break

Country Recording of the Year: Dave Sampson – All Types of Ways

Dance Recording of the Year: Famba – “Swear to God”

Electronic Recording of the Year: Rich Aucoin – Release

Folk Recording of the Year: Tim Baker – Forever Overhead

Francophone Recording of the Year: Jacobus – Caviar

Group Recording of the Year: Wintersleep – In The Land Of

Indigenous Artist of the Year: Eastern Owl

Inspirational Recording of the Year: Ian Foster and Nancy Hynes – A Week in December

Instrumental Recording of the Year: Florian Hoefner – First Spring

Jazz Recording of the Year: Florian Hoefner – First Spring

Loud Recording of the Year: Spirit of the Wildfire – Bittersweet Nothings

Pop Recording of the Year: Neon Dreams – Sweet Dreams Till Sunbeams

R&B/Soul Recording of the Year: Laura Roy – Forte

Rap/Hip-Hop Recording of the Year: Jacobus – Caviar

Rising Star Recording of the Year: Dave Sampson – All Types of Ways

Rock Recording of the Year: Wintersleep – In The Land Of

Roots/Traditional Recording of the Year: Natalie MacMaster – Sketches

Solo Recording of the Year: Tim Baker – Forever Overhead

Song of the Year: Wintersleep – “Beneficiary” (Producers: Tony Doogan, Wintersleep)

Songwriter of the Year: The East Pointers

Fans’ Choice Entertainer of the Year: Jimmy Rankin

Fans’ Choice Video of the Year: Jason Benoit – “Slow Hand” feat. Leah Daniels (Director: Tim Deegan)

INDUSTRY AWARDS

Company of the Year: The Syrup Factory

Event of the Year: Celtic Colours International Festival

Graphic/Media Artist of the Year: Deep Hollow Print

Management/Manager of the Year: Jones & Co.

Media Outlet of the Year: The East

Media Person of the Year: Bill Roach

Producer of the Year: Daniel Ledwell

Studio Engineer of the Year: Thomas Stajcer

Studio of the Year: Soundpark Studios

Venue of the Year: The Ship Pub

Video of the Year: Tim Baker – “All Hands” (Director: Jordan Canning)

HONORARY AWARDS

Canadian Songwriters Hall of Fame Induction: Ron Hynes

Directors’ Special Achievement Award: Measha Brueggergosman

Dr. Helen Creighton Lifetime Achievement Award: Shanneyganock

Industry Builder Award: Tony Murray

Musician’s Achievement Award:

Kelly Russell

Stompin’ Tom Awards:

Kinnon & Betty Beaton (CB)

Chuck Teed (NB)

Wonderful Grand Band (NL)

Brent Williams (NS)

Paul Bernard (PE)

[madeinpop]

Made In PoP > eventi Rock in Veneto > da fine Agosto a metà Settembre 2017 > pre-stagione 15

Ciao Ciao Made-In-PoPpers, sul finire d'agosto ci stiamo ricaricando per quella che sarà la nuova stagione, la quindicesima, intanto assaporatevi queste, poche e sparse, news. CHECcO & LoRIS «Sostenete la Musica, Andate ai Concerti» ► FESTIVAL prossimi e venturi ◄ ▲ HOME Festival area dogana TREVISO dal 20 Agosto al 3 Settembre torna il grande evento della Marca, tra le molte band segnaliamo The Libertines, The Charlatans, Duran Duran, The Horrors, gli amici Universal Sex Arena, Gli Sportivi, The Brokendolls, LaScimmia e i "nostri" WORA WORA WASHINGTON (Shyrec). info e tickets qui http://www.homefestival.eu/ ▲ BOTANICA Lounge Garden via dei Caduti TOMBOLO (Pd) all'interno della sagra, dal1° al 5 Settembre, ci sarà questo spazio organizzato dall'associazione Eclettica, con la collaborazione della SOVIET Studio Dischi, programma http://www.asseclettica.it/lounge-garden-2017/ ▲ IN VENETO THERE IS NOT LAW presso PARABAE impianti sportivi via dei Fanti SALETTUOL di Maserada sul Piave (Tv) 2 e 3 Settembre, due giorni di musica organizzati dai ragazzi della Treviso Punx, suoneranno tra gli altri CONTROPOTERE, ANTISECT (Uk), CRESS (Uk), NASHGUL (Es), DHK (Per) e SPEEDKOBRA (De), tutte le info https://www.facebook.com/events/1761538480840919/ ▲ RISE Festival via Querini 7 PADOVA festival del quartiere Altichiero di Padova Ovest dal 5 al 10 Settembre, ci sarà un contest per band emergenti ma anche grandi ospiti come Canova, Gazelle, I Botanici, Perturbazione e gli amici SOVIET SOVIET, inoltre spazio espositivo, conferenze, laboratori e altro, programma qui https://www.facebook.com/events/1605627886135807/ ▲ ROCK IN CENTRALE via Codalunga 1 CENTRALE di Zugliano (Vi) 8-10 Settembre il Gruppo Giovani organizza questo evento, tra i concerti Folks, Stay Home + Cranchi + Virtual Time e tanto altro, scopri le info qui https://www.facebook.com/events/1908597262732094/ ▲ SEPTEMBER SOUNDPARK Festival via Molini PASIANO (Pn) un metro fuori del Veneto c'è questa due giorni di concerti organizzata da amici di Made In PoP e che vedrà sabato impegnati i "nostri" KILL YOUR BOYFRIEND (Shyrec) con Diaframma e Covent Garden, tutto il programma qui https://www.facebook.com/events/715128055342402/ ► date sparse ◄ ► GIOVEDÌ 31 AGOSTO 2017 ▲ Osteria N��VA via Cà Mori 61 ESTE (Pd) in collaborazione con In The Bottle Records sarà ospite il terzetto bolognese The JOHNNY CLASH Project blues suonato con attitudine punk. ▲ Palio del MERCATO VECCHIO piazza A.Moro MONTEBELLUNA (Tv) all'interno dei festeggiamenti del palio, ci sarà nell'area giovani il concerto del cantautore folk-pop DAMIEN McFLY e il djset marchiato LAST NITE Party. ► VENERDÌ 1 SETTEMBRE 2017 ▲ AL BUSCAGLIONE piazzale Mazzini PADOVA presso i giardini della Rotonda, nella versione estiva del locale, ospiti due alfieri della Maple Death Records, BLAK SAAGAN aka la versione library di Second H. Sam, più il cantautore cowpunk KRANO, serata da non perdere. ▲ ORANGE Cafè via Bortoloni PIOMBINO Dese (Pd) stasera sarà ospite un'artista combina musica, fotografia e videoart, viene dall'Ucraina ma è un vagabondo, lui è Sergey Onischenko, o meglio MAKE LIKE A TREE indie-folk. ▲ Circolo MESA via L.Da Vinci MONTECCHIO Maggiore (Vi) La raje Project presenta i concerti per DEAD ALL, FOLKS Aniene-hellbilly e TERRORIST BENGALA PARTY Roma atomic surf. ► SABATO 2 SETTEMBRE 2017 ▲ RUSHES Fest presso Casone Azzurro strada San Marco VALLONGA di Arzergrande (Pd) dalle 17:30 vi aspettano gli amici dell'Offcina della Barbietola per il loro annuale festone, tre bei concerti per KLIMT EASTWOOD, HIGH MOUNTAIN BLUEBIRDS e RIVERWEED + djset, cibo, arte, workshop, video e tanto star bene. http://www.officinabarbabietola.it/macro/rushes-fest-by-night/ ▲ CRC via Donati ABANO Terme (Pd) serata di suoni hard rock con le band HI-FI STACY e ITIPIK. ▲ AL FILÒ via Colombano 455 CASTELNOVO Bariano (Ro) Back to the Pizza Party con i concerti dalle 20 per YONIC SOUTH trio dirty garage e DOTS punk/HC + djse(r)t. ▲ VIAROMA17 via Roma 17 DUEVILLE (Vi) tornano i live qui e tornano alla grande con due ottimi rappresentanti dell'altrettanto ottima Maple Death Records ovvero BLAK SAAGAN progetto library di Second H.Sam e STROMBOLI aka Nico Pasquini (Buzza Aldrin/His Clancyness). ► DOMENICA 3 SETTEMBRE 2017 ▲ NOI e JACK Costa Alta PEDEROBBA (Tv) dalle 18 evento in Costa Alta con teatro, danza, storia, contemporaneità con Jack COSTA e la musica del fantastico cantauore KRANO. ▲ Osteria al CASTELLO via A.Rossi 15 CHIUPPANO (Vi) dalle 19 l'etichetta Fat Boy Don't Cry vi invita ai concerti post rock per le formazioni ISTMO (Bari) e DUCT HEARTS (Monaco-De). ► MERCOLEDÌ 6 SETTEMBRE 2017 ▲ SHARESTIVAL viale parco Catullo PESCHIERA del Garda (Vr) presso il Teatro Stabile Estivo evento MUCUTS musica cultura tradizioni e spettacolo, dalle 20 mercatini handmade, libri, dischi, e i live per IPOMANIA e LIGHT WHALES. ► VENERDÌ 8 SETTEMBRE 2017 ▲ GOSSIP Birreria via Roma 46 CITTADELLA (Pd) sul palco esterno l'energia live dei giovani The SLAPS alt-indie-rock e djset vinilico per A-Shepherd. ▲ LATTERIA LORENZAGA via Colmello MOTTA di Livenza (Tv) InDipendenza Sonora presera una serata per LIBERA contro le mafie con l'esibizione del terzetto Ado BETTO, Blake FRANCHETTO e Yousseff AIT BOUAZZA, in apertura la cantautrice CELESTE. ▲ Circolo MESA via L.Da Vinci MONTECCHIO Maggiore (Vi) in occasione della festività vicentina concerti punk con le band CIEMMERS Punk e 33CL, riparte la stagione dei live. ▲ S'CIAVINARO Osteria via Pertini 15 VOLPINO di Zimella (Vr) party per la  presentazione del disco dei RAIN! but DISSIDENT postpunk/noise/stoner, possibilità di cenare con gli artisti. ► SABATO 9 SETTEMBRE 2017 ▲ BENEFIT pro-COSTA CAMAZZOLE di Carmignano di Brenta (Pd) dalle 17:30 evento benefit pro-Costa (ahahah) con i live per PROMESSI SPOLPI, RATBAG, GROG, ZENE e i mitici IxGOTxI + djset. ▲ Centro ARGENTO VIVO via Montale VIGONOVO (Ve) Frequenze Visive presenta la mostra FIX ME indagine sulla malattia dell'Alzheimer, ci sarà anche lo spettacolo musicale con l'attore Vasco MIRANDOLA, la danza si Samuela BARBIERI e l'ottima band MATTATOIO 5. ▲ LIVE in PIAZZA piazzetta Acli BREGANZE (Vi) dalle 20:30 si esibirà la band rock alternative VERONIKA?. ▲ TOTEM Club via Vecchia Ferriera VICENZA serata DAS BUNKER dedicata alle sonorità dark wave goth postpunk organizzata da Night Breeze, ospite live MR.KITTY, synthpop, in data unica italiana, a seguire djset Emy, Lenz, Whipping Boy e altri. ► DOMENICA 10 SETTEMBRE 2017 ▲ LIGHTHOUSE Pub via Noalese Sud NOALE (Ve) aperitivo in levare con il concerto degli ottimi The SKAWORKERS e djset Pelè. ▲ VIVI Festival campo Marzo VICENZA profeti in patria chiuderanno alla grande questo evento i DEROZER. programma completo https://www.facebook.com/events/1847945255420500/   • https://telegram.me/madeinpop/ • https://www.facebook.com/Shyrec/ • https://www.facebook.com/threeblackbirdsfree/ • https://www.facebook.com/NewsletterMadeinpop/ • http://shyrec.bandcamp.com/

[solplparty]

[M/V] Rock'N'Roll Radio (로큰롤라디오) - The Mist https://youtu.be/isOk2F-YWeY Artist : Rock'N'Roll Radio Album Title : The Mist Release Date : 2018.11.29 Genre : Rock [Listen here] Melon - https://goo.gl/kCvmib Naver Music - https://goo.gl/1XSgSU Mnet - https://goo.gl/iXzZiA Bugs - https://goo.gl/isSSZs Genie - https://goo.gl/M4Wm9F ■ Mirrorball Music http://mirrorballmusic.co.kr/ https://www.facebook.com/mirrorballmusic https://twitter.com/mirrorballmusic 로큰롤라디오 (Rock’N’Roll Radio) [The Mist] 솔직하지 않아도, 말하지 않아도 오롯이 이해받고 싶은 그런 이기적인 마음, 무엇 하나 보이지 않는 뿌연 안개 속에서 누군가를 끊임없이 갈망하면서도, 나를 드러내는 것이 두려워 부단히 상대에게 상처를 주고 밀어내기만 하는 이중적인 태도. 솔직할 수 없기에 상투적일 수밖에 없는 수많은 관계, 그 안에 철저히 고립되어 버린 이의 짙은 외로움을 노래한다. Music by RNRR Lyric by RNRR Recorded by 박병준, 강은구 @TUNE UP Studio Mixed by 박병준 @Studio-soundpark Mastered by Gus @Skyonion Artwork by 정진수 @Visuals From Music video by @Largo-Frames ■ More about Rock'N'Roll Radio https://www.instagram.com/rocknrollradio_official/ https://www.youtube.com/rnrrpage https://www.facebook.com/rnrrpage https://twitter.com/rnrrpage https://blog.naver.com/rnrradio 미러볼 뮤직 - Mirrorball Music

[27-magazine-blog]

News: BEC SANDRIDGE SHARES NEW SINGLE 'I'LL NEVER WANT A BF' RELEASES VIDEO CLIP AND TOUR DATES

BEC SANDRIDGE SHARES NEW SINGLE 'I'LL NEVER WANT A BF' RELEASES VIDEO CLIP AND TOUR DATES

‘I’ll Never Want A BF’ is Sandridge’s most unapologetic and meatiest work to date. Nodding somewhat to the eighties, Sandridge’s theatrical vocals spill over the top of fuzzed out guitars, a gritty synth bass and hard hitting disco hi-hats. Produced by Burke Reid (Courtney Barnett, The Drones) at Melbourne’s Soundpark studios and mixed by Sandridge’s previous collaborator Tony Buchen (The…

[trastornadosrevista]

DUM en en ROXY

DUM, la banda de new metal se presentará el próximo sábado  23 de septiembre nuevamente en The Roxy Live, Niceto Vega 5542, C.A.B.A. En esta oportunidad serán acompañados por las bandas Transistor, Desister, Bajo la Piel y Larga Distancia.

DUM es una banda argentina de rock alternativo formada en el 2014, con influencias del Grunge, New metal, Punk y Hard-core que combina potencia y solidez de una banda de rock moderno -por su fuerza y musicalidad- con una voz melódica adaptada al estilo. Este cruce le permite a la banda poder expresar su genuina personalidad, marcando una diferencia notoria dentro del circuito.

DUM Está integrado por Juan Balvin (voz), Federico Ghidella (guitarra), Diego Bono (bajo), Lucas Silvestri (batería).

El grupo cuenta con un adelanto de disco de 5 canciones (Ep) producido íntegramente por DUM, estrenado en 2014 con la colaboración de Andrés Giménez (A.N.I.M.A.L) y un disco recientemente lanzado en agosto del 2016 (SER) de  once canciones grabado en Estudios Tónica y masterizado en Puromastering.

“Ser” marca el inicio de la carrera de DUM; en agosto de este año la banda realizó la presentación en The Roxy Live! a sala llena, tocando el disco en vivo y logrando gran aceptación de las nuevas canciones por parte del público seguidor. Para los concurrentes hubo un estreno: su video Ser, primer corte difusión audiovisual de su nueva placa. Acompañaron a DUM en su show invitados de la talla de Cristian “Titi” Lapolla (A.n.i.m.a.l) y Lisardo Alvarez (ex D-mente). Track-List “Ser”: 1- Por qué lastimarme // 2- Ser // 3- Dame // 4- Alma // 5- Irreal // 6- Mugre // 7- Creí en ti // 8- Me entenderán // 9- Ausencia // 10- Adrenalina // 11- Puedes

Ficha Técnica: Producción artística DUM // Grabado en SoundPark, Ag y Tónica // Técnicos: Ariel Castro en Soundpark, Andrés Giménez en Ag y Daniel De Vita en Tónica // Mezclado en Soundpark y Dani DeVita Studio // Masterizado en Puro Mastering por Dr. Warrior.

►Enlace al evento en FB: https://www.facebook.com/events/145919699307753

►Entradas anticipadas disponibles a través de: - Sistema All Access https://www.allaccess.com.ar/event/dum-23-de-septiembre

- Locuras (Once, Flores, Moron) - La Estaka (Quilmes) - Metalmania 

(Microcentro).

[chrisgoesrock]

Scraping out of the grit of Brunswick (Melbourne, Australia), The Ivory Elephant are a 3-piece playing Heavy Blues. Joining the Blues/Rock renaissance of bands such as The Black Keys and The White Stripes, and with a sound often likened to Jimi Hendrix and Led Zeppelin, The Ivory Elephant bring their own thing to the style.

From the depths of Melbourne’s underground, The Ivory Elephant exist in a space of late nights and loud sounds. Music that harks back to the greats of 70s rock n’roll, saturated with heavy psych and down-home delta blues.

Melbourne trio, The Ivory Elephant are releasing their first full-length LP Number 1 Pop Hit on Kozmik Artifactz (Child, Buried Feather, The Heavy Eyes, Ruby the Hatchet). Despite the name, the new album explores the darker side of blues-rock, and delves deep into three-piece psychedelia.

Recorded at Melbourne’s iconic Soundpark Studios (Paul Kelly, Clairy Browne, Dave Graney) Number 1 Pop Hit was tracked over three days on the bands usual shoe-string budget.

Opening with the title track, Number One Pop Hit, is what could best be described as “slackerpsych”, the album then shifts to a rootsy gear for “Ballad of Wild Bill” and “In My Pocket”, whilst experimenting with heavy hypnotic blues in “We’re Gonna Find You” and “Torn Up Chewed Out”, along with the all out psychedelic guitar onslaught of “Psych Jam” and “Let’s Do This Again”.

Having emerged from the depths of Melbourne's underground, The Ivory Elephant revels in late nights and loud sounds. The band's music harks back to the greats of '70s rock'n'roll, saturated with heavy psych and down-home delta blues vibes. Despite the title, this album explores the darker side of blues-rock and delves deep into three-piece psychedelia.

The Band: ♣ Trent Sterling - Guitar ♣ Arthur Witherby - Bass ♣ Don Sargood - Drums

[blogsugarrecords]

👏👏👏에디전(뷰티핸섬) 첫 싱글 '썰렁한 나 (핵노잼)'이 2017.05.04.pm12:00에 발매되었습니다.😀 모든 음원사이트 통해서 들어보실 수 있고요. ���티핸섬 활동과 더불어 에디전의 솔로 활동에도 많은 성원 부탁드립니다. 🎧 멜론 https://goo.gl/ixcz79 지니 https://goo.gl/gfKpNs 엠넷 https://goo.gl/u3j2NC 벅스 https://goo.gl/oa4eXN 네이버뮤직 https://goo.gl/xkY99n 카카오뮤직 http://kko.to/HxHJLrtV6 소리바다 https://goo.gl/mZ2uKt 🎧 #에디전 #뷰티핸섬 #싱글 #썰렁한나 #핵노잼 #슈가레코드 #eddiechun #beautyhandsome #lamestme #sugarrecords #인디음악 #싱어송라이터 #kindie #케이인디 #indiemusic --------------------- '썰렁한 나 (핵노잼)�� 소개 에디전의 솔로 프로젝트 그 첫 곡인 '썰렁한 나 (핵노잼)’은 제목에서 느껴지듯 모두가 바보 같고 루저로 보고 있는 내 곁에 좋아해주는 그녀가 있어 줘서 고맙다는 감사의 마음을 무겁지 않은 사운드로 풀어낸 노래이다. --------------------- Credit👨‍👨‍👧‍👧 <<Staff>> Executive Producer 이은규, 이경규 Producer 박병준, 이은규 Recording Engineer 박병준 Mixing Engineer 박병준 Mastering Engineer 이은규 Recording Studio 레드브릭스튜디오 Mixing Studio SoundPark Mastering Studio 레드브릭스튜디오 A&R Management 이은규, 이경규 Art Director & Coordinator 이은규 Music Video 세울영상 (송우근, 남호형, 정명진) Photos 세울영상 (송우근, 남호형, 정명진) Cover Design 이다람 Make Up 임연주 <<Musicians>>🎸 Vocal - 에디전 Drums - 신석철 Acoustic Guitar - 에디전 Electric Guitar - 에디전 Keyboards & All other instruments 박병준 Bass - 서영도 --------------------- 썰렁한 나 (핵노잼)😉 작사, 작곡: 에디전 편곡: 박병준 Verse1 난 정말 재미없는데 이 나이에 아직도 주변 사람들이 날 바보처럼 보는데 내가 뭘 할 때마다 겉으로 날 보고 루저로 보고 있잖아 난 말을 제대로 못해 아무 주제로 말하든지 결국엔 나 자신이 난처하게 되 그래도 참 신기하게 네가 내 옆에 있는걸 원해 Chorus 나를 받아줘서 고마워 너무나 고마워 너 같은 여자가 나 같은 남자를 좋아한다니 나를 받아줘서 고마워 행복을 찾았어 내 손을 꼭 잡고 절대 놓치지 마 Verse2 난 정말 썰렁한데 유머가 부족해 이런 상태론 난 연애를 망칠 것 같은데 하지만 너의 생각엔 내 뇌 속에 숨긴 특이한 매력을 보나 봐 난 말을 제대로 못 해 친구들에게 문자를 보냈는데 결국엔 모두 다 나를 씹었네 그래도 참 신기하게 답장한 친구가 너밖에 없네 Chorus 나를 받아줘서 고마워 너무나 고마워 너 같은 여자가 나 같은 남자를 좋아한다니 나를 받아줘서 고마워 행복을 찾았어 내 손을 꼭 잡고 나를 받아줘서 고마워 너무나 고마워 너 같은 여자가 나 같은 남자를 좋아한다니 나를 받아줘서 고마워 행복을 찾았어 내 손을 꼭 잡고 절대 놓치지 마

[grannyflat-productions]

Boxin’ Tape

During this trimester my class was able to go to Soundpark Studios in Melbourne, where we were able to record some stuff using a tape machine. This tape machine was massive and very intimidating when we first walked in but it didn’t matter too much because I was so excited to jump in. The band we were recording was a Jazz band called Boxin’ and they were awesome. I actually found it a little difficult to remain professional in the beginning. We were in a studio that none of us had been to before, the band was running late, and the plans the group came up with the day before seemed to fall through so we were all stressing out and arguing from the start. People were doing things and not communicating to the rest of the group and that was screwing around other people in the group and it turned into that sort of cycle all the way through the set up. It wasn’t until the band arrived that we actually pulled it together and started acting like professionals. I think the key to remaining professional in an unfamiliar environment is to stick to the original plan as best you can, adapt quickly if things go wrong, communicate with your team even if it seems like something small, and (try to) remain calm.

Although we had the studio for the entire day (10-5) we still had to work to time constraints. The band began arriving at 12 and continued to arrive until about 1pm. By the time they set up it was about 1:30 - 2pm so we only had 3 hours left to record 3 songs to tape. It doesn’t seem too bad when you look at it that way, an hour per song should be fine, but these were jazz songs which went for about 7-10 minutes each and because of the tape we had to process into Protools in real time. So we’d do a take, then have to rewind the tape, and re record it onto the computer in real time, so realistically we only got to do 3 takes of each song and they had to make it all the way through the song with only very minor mistakes each time. Luckily the musicians were really good at what they were doing and completely understood that we were under a bit of pressure to get the tracks down and nailed it in only a couple of takes.

Recording to tape was an interesting experience. Finding out how tape works, the characteristics of recording to tape, and even how much data you can fit on a single reel all came into how we went about the process. The tape recorder we used had 2 speed settings. Basically the slower you run tape, the more audio you can put onto it, but there is more hiss to deal with later. My group decided to go for the faster speed so we could reduce the natural tape hiss but we compromised on how much audio we could fit onto a reel. I think we could fit about 20 minutes of audio running at the faster speed which meant we had enough tape for 2 takes before we had to tape over it. I actually forgot that taping over a previous take was an option, but considering how expensive a single reel of tape is ($200-$300) I’m glad it was an option. I’m glad we didn’t have to physically edit the tape in any way. Having to be so precise and then physically cut the tape using a razor blade probably would have given me a heart attack. Luckily that wasn’t the case, and the band didn’t actually have to pay for the reel of tape which was a massive bonus.

Mixing the session was again interesting in itself. I mentioned in a previous blog about the mastering process of this session and just Jazz in general, but I found the mixing a lot more interesting than the mastering in this case. Firstly, the piano was recorded beautifully. I’m so glad that my group was able to come together after arguing about the setup because I literally didn’t touch the piano while I was mixing. I put an EQ on in the session but never even turned it on. The double bass was a different story. Unfortunately the bass player made a few noticeable errors here and there which I was not really able to correct by mixing on my laptop at home. Although I have Protools and a few decent plugins, It was nowhere near the quality that I could have achieved by mixing the bass at SAE. I particularly regret not getting the chance to use the Melodyne plugin as that would have fixed some of the pitching issues when it came to the double bass. Mixing Jazz isn’t really my forte. I’ve had so much experience mixing Indie, Rock, and Pop, but I have only ever done Jazz a few times. In the end I decided to keep things very simple and try not to go too far from what the original performance was. I used light EQ and Compression on the drums, and used the snare to experiment with a plugin that I had never used before, The Flux BitterSweet. I used EQ and compression on the double bass, and mixed the levels from there. In the end I wasn’t 100% happy with the result but I think I’ve progressed much further than the last time I tried to mix Jazz. I’m not sure if I’ll get the chance to record with tape again any time soon but I’d like to again at some point. It was a fantastic experience and I hope Boxin’ are pleased with the results my group put forward.

Till next time

Thomas

[ben-media-n-stuff]

Recording to Tape Project

Introduction

During week 5 of this Trimester in AUS230, we had a chance to get together in groups and spend an entire day at Soundpark Studios in Northcote. The goal was to finish recording a track with a band called Palmerslum on tape within 7 hours on the day.

Palmerslum

The band consisted of a guitarist/vocalist, another guitarist, a bassist along with a drummer. They’ve sent over a demo with a song called, Grey Street for us to listen to and analyze the sound they were going for.

The track can be found by clicking here.

Difference between Soundpark & SAE Recordings

Before I continue this blog, I would say the signal flow did throw me off a little bit compared to the usual signal flow at the studios in SAE. There was a huge amount of outboard gear which is candy land for any gear head out there, along with that we also didn’t use the console as we normally do at SAE. Instead we only used the console’s preamps, along with some Neve preamps and the API preamps. The workflow was definitely a change of scenery, as not all of the microphones were connected to the desk allowing gain/pad/phase changes in one place. The Neve and API preamps were located underneath the desk, so at least we didn’t have to run across the room whenever the gain needed to be lowered. Along with that, the patchbay also went full on spaghetti town since signal was going everywhere.

Although the work flow was different, after a little bit of guidance and understanding, things did work the same as any other studio sessions I’ve had. There definitely were a bunch of changes compared to the studio at SAE, but the signal flow did make sense after understanding how things were done there. As someone that mixes primarily in the box, it was a little difficult to follow with signal outputting everywhere on the patchbay, and it did take me a while to get used to it.

Adding on to that, Soundpark Studios also had multiple acoustically treated recording rooms built into one studio, while the studios at SAE had one recording space for one console/studio. It allows flexibility and recording different sources of instruments at once without bleeding. The different recording rooms also provided different sounds, so instead of completely switching studio rooms, the studio room remained the same while different recording rooms could be used simultaneously. 

It was definitely a good change of scenery, I feel that having the chance to record at Soundpark Studios definitely did teach us that not all studios are the same and as straight forward. 

The Tape Machine

The tape machine was the main part of this recording (as seen on the title of this blog), it was definitely bigger than I expected it to be. It also looked rather old, even though it was in pristine condition, it didn’t look like something you’ll see lying around in a music store these days, there were also lots of moving parts on the machine which I’d say given time they’d slowly wear themselves out. 

To my knowledge, no big manufacturer has built new machines for years, which is fair considering most studio setups consist of audio interfaces which allows you to record straight to Pro Tools. Along with that, there are also multiple tape machine emulator plug-ins out there for that analogue warm tape sound.

It had big bulky fast forward, rewind, play, stop and record buttons on the top of the machine. Along with around 15 VU metres (if I remember correctly), to show signal coming into the tape machine for recording. The tape itself was also rather heavy weighing around 2.5~5kg at least, which loads onto the machine.

Surprisingly it didn’t look out of place at all at the studio, but it did look like something you’ll find as an easter egg onboard the millennium falcon in the Star Wars franchise. 

During the session, we routed signal from our preamps to the tape machine and then send it back to Pro Tools for digital recording.

The Session 

To begin with, the band arrived an entire hour early to setup which threw us off schedule for a bit. Considering it was our first time at Soundpark Studios, we didn’t exactly have much time to go over signal flow and outboard gear so it was a bit hectic at the beginning. 

That being said, we were all quite professional about it and stuck to our roles, setting up anything that we knew how to setup. The teamwork that day was amazing, even though we were all under time pressure and didn’t want the band to dawdle around waiting for too long. We did what we could and made sure the band was comfortable and getting ready to record as soon as possible. Surprisingly, the breaks taken were very minimal as well to ensure the session ran as smoothly as possible.

Keeping a calm and cool head also did help with the session, asking for assistance when needed instead of guessing and slowing everything down. 

As said earlier, there were very minimal breaks taken. Everyone in the group contributed on the day, taking turns on setting up microphones, working the patchbay, and taking turns at the desk operating Pro Tools. 

Needless to say, the session went quite smoothly aside from a few bumps in the first hour.

Conclusion

It was a rather fun experience being able to work with tape, although it was only our first time and I’m not completely masterful at it, it’s nice to say at least I know the basics of it and how it works. It was also great being able to record at a different studio, learning how the signal flow works there, and recording at the massive recording space that Soundpark Studios have.

It also gave a bit of a real life feel to it, challenging us to work under time pressure, making sure the band feels welcome and being professional in a studio environment.

[madeinpop]

Made In PoP™ ǁ eventi Rock in Veneto dall’11 al 17 Aprile 2019 ǁ stagione 16 ǁ

Ciao Made-In-PoPpers, settimana dalle segnalazioni ridotte, purtroppo siamo oberati di impegni sul fronte lavorativo, che concede poco spazio alle passioni. CHECcO & LoRIS «Sostenete la Musica, Andate ai Concerti» ► Made In PoP segnala ◄ VENERDì 19 APRILE >>> VINILE Club via Capitano Alessio 92 ROSÀ (Vi) evento organizzato da quei grandi del LAST NITE Party, scenderanno le scalette del rinomato club vicentino i mitici ART BRUT. https://www.facebook.com/events/2033962273358195/ ► SETTIMANA ◄ ► GIOVEDÌ 11 Aprile Ϫ ACROSS the UNIVERSITY parco delle Mura PADOVA all'interno del festival ci saranno i concerti per il local hero JESSE the FACCIO e la brava ANY OTHER. Ϫ CA'SANA Cibo Arte Cultura via SS. Fabiano Sebastiano 13 PADOVA wold music colorata e multiculturale per il NOMAD Trio. Ϫ COCKNEY London Pub via Garibaldi 9 CORREZZOLA (Pd) dall'Inghilterra TOM ATTAH uno dei maggiori compositori, chitarrista e cantante della scena blues contemporanea. 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Ϫ ALTROQUANDO Osteria Musicale via Corniani 32 SANT'ALBERTO di Zero Branco (Tv) i Fuochi di Amon Din ospita SOLOTHUS dalla Finlandia death-doom-metal, band in apertura da annunciare. Ϫ HOCH HOLLE via S.Andrea PADERNO del Grappa (Tv) sguaiato garage-rock'n'roll con l'esplosività de I GILET. Ϫ La STAZIONETTA via Borgo Pieve 109 CASTELFRANCO (Tv) Sweet Noise ospita nuovamente il bravo cantautore SIM MARTIN australiano ma italiano d'adozione. Ϫ MORION Laboratorio Occupato salizada S.Francesco de la Vigna VENEZIA stasera qui il celeberrimo combo dei ONE DIMENSIONAL MAN (LaTempesta/indie/alternative) capitanati da PierPaolo Capovilla, in apertura i ferraresi NIET noise/punk. Ϫ ARGO16 via delle Industrie 27 parco tecnologico VEGA MARGHERA (Ve) evento ViolentaVenezia con le band locali SAVING SERAFINO electro-indie-punk BIDONVILLE BAZAR duo street QUEEN of SABA electronic duo. Ϫ MUSEI CIVICI piazza Garibaldi 34 BASSANO del Grappa (Vi) dalle 19 aperitivo in mostra "Valentina - una vita con Crepax", LYNFA organizza il live Daniele BOGON ex The White Mega Giant. Ϫ Osteria AL CASTELLO via Rossi A. 15 CHIUPPANO (Vi) gli amici di NON PIANGERE Dischi ospitano la band francese SISTER IODINE noise d'avanguardia, in apertura il progetto solista MOLESTIA AURICULARUM ovvero Federico già Storm{O}. Ϫ GROOVE via Martiri Libertà 8 LUGO di Vicenza (Vi) infuocato live per i venexiani DESTROY ALL GONDOLAS black surf punk, che festeggiano la ristampa del disco per MACINA Dischi. Ϫ CENTRO STABILE di CULTURA via Leogra 4 S.VITO di Leguzzano (Vi) serata balkan e gipsy con il live dei XYLOURIS WHITE (Creta/Austrlia) con Jim White deu Dirty Three, in giro a presentare il loro terzo disco prodotto da Guy Picciotto (Fugazi) + AL TAJARA djset. Ϫ Bar the BROTHERS via Olimpia GREZZANA (Vr) dalle Marche ritmi reggae ska per i RADIO BABYLON. ► SABATO 13 Aprile Ϫ ALTROQUANDO Osteria Musicale via Corniani 32 SANT'ALBERTO di Zero Branco (Tv) Serata di selezioni per l'AREZZO WAVE Contest 2019, si contenderanno un posto in finale LA NOTTE delle STREGHE, Alberto NEMO, LUNAR DUMP, BRIGHT LIGHTS APART e LES MANOVELLES. Ϫ CASA dei BENI COMUNI via Vecellio 82L BELLUNO concerti rock alternative con le band triestine HARAM e TSO e i vittoriensi MIR. Ϫ La STANZA associazione culturale via Leopardi 25 San MARTINO di Lupari (Pd) serata in collaborazione con WAV Women Against Violence colletivo di cantautrici contro la violenza sulel donne, si esibiranno le bravissime Chiara VIDONIS (Ts) e Irene GHIOTTO (Vi). Ϫ ACROSS the UNIVERSITY parco delle Mura PADOVA stasera saliranno sul palco RAYAN e SORROWLAND a seguire SOUNDPARK djset. Ϫ RUVIDO Barber shop viale Arcella 3e PADOVA live in barberia dalle 20:30 con gli STORMWOLF da Genova potente heavy metal con voce femmile. Ϫ CRC anima & musica via Donati ABANO Terme (Pd) serata stoner psychedelica con le band SHADES of GAIN, RUDHEN e i LITTLE BOY LOST freschi di pubblicazione Ep. Ϫ BRITANNIA Pub via Crico 29 FOSSALUNGA di Vedelago (Tv) rock'n'roll a rotta di collo con le band CUOREMATTO blues/punk e The FLAMINGZ garage'a'billy. Ϫ NASTY BOYS via Pellicciao 4 TREVISO tornati a portare in giro il loro cockabilly folkpunk saranno al saloon i mitici The LEGENDARY KID COMBO. Ϫ RADIO GOLDEN Bar piazza San Martino 13 CONEGLIANO (Tv) rock non convenzionale per i PNGazers. Ϫ LIGHTHOUSE Pub via Noalese Sud 2 NOALE (Ve) qui ci sarà un trio folk di ispirazione patchankera La MALALECHE (Bg/Mi) tra rumba e rock'n'roll. Ϫ Circolo MESA via L.Da Vinci 50 ALTE di Montecchio Maggiore (Vi) sonorita oscure stasera per DEMIKHOV fuzz-core e METIDE post-metal. Ϫ IL BRUCO circolo operaio via Cristoforo 69 MAGRÈ di Schio (Vi) party retrò con i live per MUTTLEY & the Lost Wheels (country rock) e per KETTY & the MiddleTones (rockabilly) burlesque show per Miss PURPLE e djset SOMBRAS. Ϫ BOCCIODROMO via A.Rossi 198 VICENZA serata thrash death per le band BARBAROSSA (Pd) NECROFILIA (San Marino) e LAST CENTURY (Vi). Ϫ CIVICO SETTE via dell'Olmo 47 SANTORSO (Vi) l'energia del rock seventies di ARIANNA ANTINORI e la sua band. ► DOMENICA 14 Aprile Ϫ ACROSS the UNIVERSITY parco delle Mura PADOVA festa di fine festival dal mattino, ci saranno anche i live per SOFAR SOUNDS e MILLE PUNTI. Ϫ LIGHTHOUSE Pub via Noalese Sud 2 NOALE (Ve) in occasione della storica Festa dei Fiori ci saranno Fish, Beer e Live, alle 14:30 rock & soul per il duo PSYCHOOSTERIA, dalle 18 rockabilly con I RIMORCHIATORI + djset. Ϫ ROYAL SOUND Cafè via Roma 297 SCARDOVARI (Ro) rigorosamente alle 12 si terrà il brunch e a seguire i live punk/hc a mille all'ora per i CONFINE e i potenti Mr. WOLAND. Ϫ PUNKY REGGAE Pub via Barbarigo 15 LIEDOLO di S.Zenone degli Ezzelini (Tv) dalle 17:00 aperitivo organizzato da Scaglie di Rumore, suoneranno CULTO DEL CARGO (Tv) e METHEDRINE (Ud) + djset Pippo City Rockers. Ϫ ART SHELTER Sunday Sala Polivalente via veneto 2 VIGONOVO (Ve) dalle 17:30 i ragazzi di Frequenze Visive e Mattatoio5 organizzano Officina dei Sogni con mostra di memorabilia cinematografica e le esibizioni per i progetti I LOVE MY DENTIST (In The Bottle Records) e PLENUS music & visual. Ϫ Circolo MESA via L.Da Vinci 50 ALTE di Montecchio Maggiore (Vi) ore 18:30 aperitivo punk con i concerti degli UNITED and STRONG (Berlino) RESPIRO NOVICO e KILL the MAYOR local heroes a chiudere dalla Svizzera i SLIMBOY. Ϫ RADIO GOLDEN Bar piazza San Martino 13 CONEGLIANO (Tv) concerto al tramonto con i RADIOFIERA che presenteranno nuove canzoni dall'album in lavorazione. Ϫ Osteria AL CASTELLO via Rossi A. 15 CHIUPPANO (Vi) dalle 19 troverete live CRISTA cantautrice romagnola che torna da queste parti con il suo "Femmina" tour. Ϫ CA'SANA Cibo Arte Cultura via SS. Fabiano Sebastiano 13 PADOVA folk tropicalista per i DELEF tra Brasile e provincia ferrarese. Ϫ GREENWICH Pub via Sant'Andrea 48 CURTAROLO (Pd) concerto e presentazione videoclip per la band ROLLING CARPETS all'interno della rassegna Rock Targato Italia. ► LUNEDÌ 15 Aprile Ϫ MANOLO's HOLE via Coronelli 6a PADOVA tornano i concerti della casa dalle lanterne rosse, suoneranno LOVA-TARAXXX cold dark wave dalla Francia e SO BEAST electronic/tribal postpunk. ► MARTEDÌ 16 Aprile Ϫ libro e relax. ► MERCOLEDÌ 17 Aprile Ϫ Centro Culturale CANDIANI piazzale Candiani MESTRE (Ve) nuova stagione della rassegna INDIE VOICES con il duo sperimentale OooPoPoIOoO duo sperimentale con protagonista il theremin. Ϫ Circolo MESA via L.Da Vinci 50 ALTE di Montecchio Maggiore (Vi) live infrasettimanale con ospiti gli cileni CURASBUN punk/OI! in apertura gli ORSETTI. • https://telegram.me/madeinpop/ • https://www.facebook.com/Shyrec/ • https://www.facebook.com/threeblackbirdsfree/ • https://www.facebook.com/NewsletterMadeinpop/ • http://shyrec.bandcamp.com/