#Songs Composed by Jatin Pandit

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Lalit Pandit remembers KK, “He was too young and would have done a lot of good work” : Bollywood News

Composer Lalit Pandit feels he did not work enough with the late singer KK. “And now it’s too late. I remember my brother Jatin and I did one song with him for a film called ‘Dhai Akshar Prem Ke’. He undoubtedly was a gifted singer with a very good voice texture, and he had an open throw voice as a singer,” said Lalit. Lalit Pandit remembers KK, “He was too young and would have done a lot of…

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Koi mil gaya song - kuch kuch hota hai

Koi Mil Gaya composer is Jatin Pandit, Lalit Pandit and Koi Mil Gaya lyricist or song writer is Sameer. Koi Mil Gaya singers are Alka Yagnik, Kavita Krishnamurthy, Udit Narayan. Starring Sana Saeed in a supporting role and Salman Khan in an important appearance, the film also had Anupam Kher, Farida Jalal in integral roles. Janu'Koi Mil Gaya' from Kuch Kuch Hota Hai or KKHH is an all time favourite and makes for a nostalgic trip to the good old days. 'Koi Mil Gaya' from Kuch Kuch Hota Hai or KKHH is an all time favourite and makes for a nostalgic trip to the good old days. Koi Mil Gaya is a hindi song from the 1998 movie Kuch Kuch Hota Hai. Coming back to Kuch Kuch Hota Hai, the film is a love triangle set a decade apart as destiny plays an important role in the love story of Rahul and Anjali. Kajol, Shah Rukh Khan, Karan Johar went on to do films like Kabhi Khushi Kabhie Gham, My Name Is Khan amongst others. Koi Mil Gaya song is sung by the Kavita Krishnamurthy, Udit Narayan & Alka Yagnik, wrote by Sameer Anjaan and, music is given by Jatin Lalit. This song is from Kuch Kuch Hota Hai movie. Speaking on her equation with Shah Rukh Khan and Karan Johar, the actress maintained that she does share a comfortable camaraderie with the duo and hence they have chosen films that have gone to become blockbusters. We have brought Koi Mil Gaya lyrics for you. The actress expressed how much she liked Karan Johar’s father and maintained that he is one of the nicest persons she has met in her life. She described it as a fabulous number to him and hence, was more than happy to shoot for it.Īnother fond memory that Kajol has of KKHH is working with Yash Johar. It was sung by T S Jarnail, featuring Hrithik Roshan, Preity Zinta.However, Kajol clearly remembers the time when she heard the song ‘Koi Mil Gaya’ then and immediately rushed to Karan Johar to appreciate the number.

The It's Magic song lyrics is written by Ibrahim Ashq in the year 2003. 128 Koi Mil Gaya (Kuch Kuch Hota Hai).mp3. Artist: Udit Narayan - Alka Yagnik - Kavita Krishnamurthy Year: 1998 Related Files. A D E Fm G Bm F Cm Em C F Fm Chords for Koi Mil Gaya de KUCH KUCH HOTA HAI with song key, BPM, capo transposer, play along with guitar, piano. Kuch bhi hota hai jo kuch bhi sab khel hai freeload 320 Koi Mil Gaya (Kuch Kuch Hota Hai).mp3.

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Lyrics Kuch Kuch Hota Hai-Sad

Lyrics Kuch Kuch Hota Hai-Sad

Lyrics in English | Kuch Kuch Hota Hai-Sad | Kuch Kuch Hota Hai-1998 | Shah Rukh Khan, Kajol, Salman Khan Janewafa Ho Ke Bekaraar (2)Barson Kiya MaineIntzaarPar Kabhi Tune NahinYe Tab KahaJo Ab KahaDil Bebasi MeChupke Se Rota HaiKya Karoon HayeKuchh Kuchh Hota HaiKya Karoon HayeKuchh Kuchh Hota HaiPhoolonKa SehraSaja Ke Dulhe RaajaGori Ke Haathon MeMehndi Lagi Hai Aa JaMaath Ki BindiyaKya Bole…

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Soni Soni Song Lyrics - Mohabbatein | Holi Song

Soni Soni Song Lyrics – Mohabbatein | Holi Song

Soni Soni Song Lyrics – Mohabbatein | Shah Rukh Khan, Aishwarya Rai | Jatin-Lalit, Anand B Soni Soni Song Lyrics in Hindi & English – Soni Soni Akhiyon Wali is a Popular Holi Song from movie Mohabbatein (2000) composed by Jatin-Lalit and sung by Udit Narayan, Jaspinder Narula, Shweta Pandit, Sonali Bhatawdekar, Pritha Mazumdar, Udhbav, Manohar Shetty & Ishaan. Lyrics of the song is penned by…

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Exclusive interview! Jatin Pandit: There is a lot of difference between making music for films and creating independent music - Times of India

Exclusive interview! Jatin Pandit: There is a lot of difference between making music for films and creating independent music – Times of India

Music director Jatin Pandit, of composer duo Jatin-Lalit, who is known for timeless chartbusters like ‘Dilwale Dulhania Le Jayenge, ‘Kuch Kuch Hota Hai’, ‘Kabhi Khushi Kabhie Gham’ amongst others, has ventured into independent music with his first non-film single titled ‘Dhadakte Rehna’. In an exclusive interview with ETimes, Jatin opens up about the story behind the song, venturing into music…

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Exclusive interview! Jatin Pandit: There is a lot of difference between making music for films and creating independent music - Times of India

Exclusive interview! Jatin Pandit: There is a lot of difference between making music for films and creating independent music – Times of India

Music director Jatin Pandit, of composer duo Jatin-Lalit, who is known for timeless chartbusters like ‘Dilwale Dulhania Le Jayenge, ‘Kuch Kuch Hota Hai’, ‘Kabhi Khushi Kabhie Gham’ amongst others, has ventured into independent music with his first non-film single titled ‘Dhadakte Rehna’. In an exclusive interview with ETimes, Jatin opens up about the story behind the song, venturing into music…

[timespakistan]

Remembering Pundit Jasraj of the Mewati gharana | Art & Culture | thenews.com.pk

Twenty-five years ago, Pandit Jasraj performed live in Lahore. The Indian High Commission used to arrange classical music concerts in those days to mark special occasions. That year, Pundit Jasraj was in Pakistan. Taking advantage of his visit, a concert was held in Lahore in collaboration with Sanjan Nagar.

Speaking briefly at the start, he paid a rich tribute to the city of Lahore and its audiences. He disclosed that his first public concert had been in the city just before 1947.

Lahore holds special attraction for many Indians, especially artistes, because it used to be a major centre of the arts in pre-independence India. For many people and most artistes in India, that image of the city has been frozen in time after Partition. Most migrants from West Punjab carried with them the tales of the place of their birth, mystifying its significance and exaggerating its importance. Nearly all leading Indian artistes that one talks to express their desire to perform in the mythical city of Lahore.

In the nearly three and a half hour performance, the Pundit sang the ragas Mian ki Malhar and Jaijaiwanti, several bhajans. He rounded off his performance by a singing a bandish in a morning raga with bols of hamd and sanaa, meant to go down well with the audience.

From among the two raga performances, the first, Mian ki Malhar, was meant for connoisseurs. It dwelt upon the mandir asthan (lower octave) as should be done by exploring the lower tetra-chord, the touch of a master, the application of the two nikhads, and the correct intonation of the gandhar brought out the true appeal of this modal pattern which is attributed to the legendary Tansen. His Jaijaiwanti performance, was of a shorter duration. It was a lyrical rendition, more pleasing and less haunting, meant to meet the more acceptable criteria of a song.

As one listened to Jasraj, a spontaneity which has been the distinguishing features of the Khan Sahibs could be heard side by side, probably attributable to the pundit’s own multi-religious background. One of his greatest influences was Begum Akhter. When he heard her perform, he was mesmerized and decided to sing in her style. He was awestruck by her ability to evoke appeal with effortless application of the notes and he decided to follow her, but she advised him to persist with the classical forms. He did, but at the same time married it with the charm and sensuousness of the lighter forms like the thumri.

It was generally accepted that Pundit Jasraj was the leading exponent of the Mewati gharana. He received his musical education from his father, Pundit Motiramji, and elder brother and guru, Pundit Maniramji

Born in 1930 in Pili Mandori, in Haryana district, Jasraj was from a family of musicians. His elder brother, Pandit Paratap Narayan, was also an accomplished musician. He was the father of music composer duo Jatin-Lalit, singer-actress Sulakshana Pandit and actress Vijeta Pandit. His eldest brother was vocalist Pandit Maniram.

Jasraj spent his youth in Hyderabad Deccan, and performed for Maharaj Jaywant Singh Awaghela, the Takur Sahib of Sanand, who was deeply dedicated to classical music, and received training from him. In 1946, Jasraj moved to Calcutta, where he began singing classical music for radio.

As said earlier, Jasraj belonged to the Mewati gharana, a school of music known for its traditional performance of khayal. Jasraj presented khayal with some flexibility, adding elements of lighter styles, including the thumri. During the initial stages of his career, he was criticized for incorporating elements from other gharanas into his singing. This borrowing of elements across gharanas has now become more accepted.

Gharanas exclusively related to khayal gaiki can be traced back about two hundred and fifty years when this emerging form of gaiki gradually started replacing the major genre of dharupad.

One of the earliest exponents of this emerging form was Sultan Hussain Sharqi Jaunpuri It was popularized by Niamat Khan Sadarung in the durbar of Muhammad Shah Rangeela, in the middle of the eighteenth century.

Subsequently, the two major gharanas that evolved were Gwalior and Delhi. Barre Muhammad Khan of Reva’s contributions were creatively worked upon by Haddu Khan and Hassu. In Delhi, Mian Achpalji was responsible for tutoring the legendary Taan Rus Khan.

Mewati, a young gharana was made famous by Jasraj as he incorporated bhajans and other quasi-religious forms and evolved a genre which came to be called Haveli Sangeet.

His legacy includes memorable performances of classical and semi-classical vocal music, classical and devotional music, albums and film soundtracks, innovations in various genres including Haveli Sangeet and popularizing the Mewati Gharana. Pandit Jasraj taught music to amateurs as well as professionals in India, Europe, Canada and the United States. Some of his disciples, such as violinist Kala Ramnath and vocalist Sanjeev Abhyankar, are highly successful accomplished musicians in their own right.

He was a heavily decorated vocalist, winning Padma Shri, Padma Bhushan, Padma Vibhushan and Sangeet Natak Akademi, Sangeet Kalaratnam, Rajiv Gandhi Award for Professional Excellence and the Giants International Award.

He passed away on August 17.

The writer is a culture critic based in Lahore.

from Times Pakistan https://ift.tt/2ItxLd8 via Daily News

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Lyrics Tujhe Yaad Na Meri Aayi

Lyrics Tujhe Yaad Na Meri Aayi

Lyrics in English | Tujhe Yaad Na Meri Aayi | Kuch Kuch Hota Hai-1998 | Shah Rukh Khan, Kajol Rabba MereIshq Kisi KoAiseNa Tadpaaye HayeDil Ki BaatRahe Is Dil MeHoton TakNa Aaye (2)Tujhe Yaad Na Meri AayiKisi Se Ab Kya KehnaTujhe Yaad Na Meri AayiKisi Se Ab Kya KehnaDil Roya Ki Ankh Bhar Aayi (2)Kisi Se Ab Kya KehnaTujhe Yaad Na Meri AayiKisi Se Ab Kya KehnaTujhe Yaad Na Meri AayiKisi Se Ab Kya…

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Exclusive! 'Mohabbatein' singer Shweta Pandit gets candid: "Today, many actresses don't know who has sung for them" | Hindi Movie News

New Post has been published on https://jordarnews.in/exclusive-mohabbatein-singer-shweta-pandit-gets-candid-today-many-actresses-dont-know-who-has-sung-for-them-hindi-movie-news/

Exclusive! 'Mohabbatein' singer Shweta Pandit gets candid: "Today, many actresses don't know who has sung for them" | Hindi Movie News

Shweta Pandit started her career at the age of 13 when Aditya Chopra chose her to be Shamita Shetty‘s voice in his second directorial ‘Mohabbatein‘. Aditya’s first ‘Dilwale Dulhania Le Jayenge’ was a biggie but yet he was gambling with six new voices in his ‘Mohabbatein’ track; Yash Chopra’s son was sure that he didn’t want to go with established voices for Jugal Hansraj, Kim Sharma, Jimmy Shergill, Preeti Jhangiani, Uday Chopra and Shamita Shetty.

Shweta, of course, cannot forget the day when she learned that she had been chosen. Her uncles Jatin and Lalit had been assigned to set the film’s music, but Shweta says that she found herself in the prestigious company of team ‘Mohabbatein’ purely on merit. “Else, Aditya Chopra wouldn’t have given me the job. Nobody can convince Adi sir to do anything that he doesn’t want to do,” she says rather assertively, adding, “Adi sir had everything in his mind and he was ready to share everything- ‘hero yahan se aayega, heroine wahan se aayegi’, it was like we were given to the see the film before it was made. Today, many actresses don’t know who’s sung for them even after their movie has been released. ‘Unko batana padhta hai ki humne aapke liye ye gaana gaya hai and they say ‘Achcha?’. In those days, actresses used to interact with us. Even if I was Shamita’s voice, I became equally friendly with Preeti Jhangiani and Kim Sharma both.”

Talking about Yash Chopra’s contribution in ‘Mohabbatein’, Shweta says, “Immense. He was there at the time of my auditions too.”

Disgruntled at the fact that remixes have become the order of the day and most films of today have more than one composer, Shweta recalls, “Does Raj Kapoor’s music need any introduction? Did he have more than one composer in his movies? You can’t have 10 people using the brush on a painting. Add this to the remixes, which were spoilt versions of the original even when they broke out on the scene in the 90s.”

Shweta, who has toured with AR Rahman for shows worldwide and even dabbled at acting (Bejoy Nambiar’s ‘David’ and Anil Kapoor’s TV series ’24’), is also not happy that her uncles Jatin and Lalit parted ways (in 2006) and feels a lot of time has rolled by since then. “The shelf life of a singer has become short, even for other professionals in the glamour world for that matter. And today, where are the kind of films that my uncles gave music in? And sadly, the current scenario is digital and not melody.” Hasn’t the family tried to patch Jatin-Lalit? “It was a very unfortunate decision that they took. They should have kept their personal differences aside and made music their priority. Any collaboration is like a marriage. It breaks, if it breaks. Of course, we tried ‘lekin nahi hua’,” discloses Shweta, stating further that she connects with Lalit more than she does with Jatin “Both of us are the youngest members in our respective generations.”

What next? “I am looking at independent music. I think it has a lot of future. So, I am going to pursue that,” concludes Shweta, but not before sharing that her favourite song from ‘Mohabbatein’ is ‘Pairon mein bandhan hai’.

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Legendary Composer Jatin Pandit and his talented son, Raahul Jatin team up on a spiritual song, ‘Prabhu Hum Ko Shama Kar’, in the wake of the coronavirus pandemic

https://graceentertainment.blogspot.com/2020/05/legendary-composer-jatin-pandit-and-his.html

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KUCH KUCH HOTA HAI LYRICS - UDIT NARAYAN

KUCH KUCH HOTA HAI LYRICS is the popular Bollywood song from the movie Kuch Kuch Hota Hai. This song was sung by Udit Narayan and Alka Yagnik. The lyrics of this song are written by Sameer. While the music was composed by Jatin Pandit and Lalit Pandit.

KUCH KUCH HOTA HAI LYRICS -

Tum paas aaye, yun muskuraaye Tum paas aaye, yun muskuraaye Tumne na jane kya, sapne dikaaye Tum paas aaye, yun muskuraaye Tumne na jane kya sapne dikaaye Ab to mera dil, jage na sota hai Kya karun hai, kuch kuch hota hai Kya karun hai, kuch kuch hota hai

Tum paas aaye, yun muskuraaye Tumne na jane kya sapne dikaaye Ab to mera dil, jage na sota hai Kya karun hai, kuch kuch hota hai Kya karun hai, kuch kuch hota hai

Na jane kaisa ehsaas hai Bujhti nahin hai, kya pyaas hai Kya nasha is pyaar ka, Mujhpe sanam, chhaane laga Koi na jane, kyun chain khota hai Kya karun hai, kuch kuch hota hai Kya karun hai, kuch kuch hota hai…

For full Tum Paas Aaye Yun Muskuraye Lyrics visit TheLyricsWala.com

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Lalit Pandit rekindles old flames with timeless melodies

Lalit Pandit brings back golden melodies of the unforgettable era, albeit, with new songs, set to vocals by Kumar Sanu, Abhijeet Bhattacharya, Alka Yagnik and Lalit Pandit himself. The romantic numbers are an integral part of the story narrative of the second season of Flames on TVF and MX Player. Incidentally, the first part saw the use of the original evergreen melodies of Jatin-Lalit like Pehla Nasha, Yeh Vaada Raha among others. “The producers are youngsters who love the Jatin-Lalit music. This season they wanted me to create songs which are fresh yet retain the immortality of the music of the 90’s. They wanted the haunting voices of Kumar Sanu, Alka Yagnik and Abhijeet Bhattacharya, all legends in their own right. The singers were as excited and when you the see the episodes, you will see the freshness and the youthful energy of the trio matching those of the actors. Also, I could not resist lending my vocals to a song; it was piano-based and very close to my heart.”

Since the budgets were shoestring, Lalit not only composed the music and lent his vocals to a song but did the programming himself as well. “The compositions have retained my core strengths but in in terms of interludes and synthesized music, the treatment is current. The tracks very clean with emphasis on vocals.  I would like people to hear the vocals rather than the sound. The raw energy and contagious enthusiasm of Kumar Sanu, Abhijeet Bhattacharya and Alka Yagnik has infused fresh blood into the compositions,” concludes Lalit.

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Why S-J doctoral thesis are written on who composed what despite the composers express wishes ?

by

Sunilkumar Madhavan

I am really intrigued why people spend so much energy to split the SJ repertoire as Shankerji,s and Jaikishenji,s when the duo all through their lives have presented their works as combined efforts and not individual.There are experts, connoisseurs,pandits who claim to discern which song is whose by the style, lyricist, banner , time of recording (absence or death of one of the duo) etc conveniently forgetting that the tune could have been discussed and finalised by both at any time and filed for future use by either in their division of work. It intrigues me why nobody is interested in knowing which tune was composed by whom in Laxmikant-Pyarelal, Kalyanji-Anandji, Sonik-Omi, Sapan-Jagmohan and other duos. Dilip sen- Samir sen as well as Jatin-Lalit were known to work separately before they eventually split but nobody is interested in their individual contributions in their body of work. Why is body of work of SJ not being respected? Shankar, Ehsan, Loy when they started out clearly stated that they used commas,not hyphens in their names as their work would be individual work assembled to a whole and not joint efforts as in case of S-J, L-P,K-A etc.Yet nobody is bothered who composed which tune, the song is popular as SEJ work. In todays age there are several individual composers in a film, but I remember as a recent awards function for a movie where both individual composers were given best music trophies, one of the composers was shouting hoarse that the best song award winner from the same movie was his solo work as in public mind the song belonged to both the composers. In case of Nadeem-Shravan, Nadeem, corroborated by lyricist Sameer has gone on record that all the N-S songs were composed by him, yet nobody is interested in referring to all those N-S songs as anything but N-S song. But here in case of S-J doctoral thesis are written on who composed what despite the composers express wishes.

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Iss Deewane Ladke Ko Lyrics – Sarfarosh – Aamir & Sonali – Alka Yagnik

Iss Deewane Ladke Ko Lyrics – Sarfarosh – Aamir & Sonali – Alka Yagnik

Iss Deewane Ladke Ko Lyrics: The amazing romantic love song lyrics from the movie Sarfarosh. This song is sung by Alka Yagnik and Aamir Khan. The lyrics of this song are written by Sameer and the music is composed by Jatin Pandit & Lalit Pandit. Song starring by Aamir Khan & Sonal Bendre.

Iss Deewane Ladke Ko Lyrics

Arz Hai, Dawa Bhi Kaam Na Aaye, Koi Dua Na Lage Dawa Bhi Kaam Na Aaye, Koi Dua Na…

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Main Koi Aisa Geet Gaun Chords Yes Boss

Main Koi Aisa Geet Gaun Chords Yes Boss

Main Koi Aisa Geet Gaun Chords Yes Boss – Abhijeet

Me Koi Esa Geet Gaoon Song Lyrics from Yes Boss is sung by Alka Yagnik and Abhijeet. Main Koi Aisa Geet Gaon song lyrics are written by Javed Akhtar. Main Koi Aisa Geet Gaon is a Hindi song from the 1997 movie Yes Boss and composer is Jatin Pandit, Lalit Pandit, and lyricist or songwriter is Javed Akhtar and Main Koi Aisa Geet Gaun Chords Yes…

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Lyrics Kuch Kuch Hota Hai-Title Song

Lyrics Kuch Kuch Hota Hai-Title Song

Lyrics in English | Kuchh Kuchh Hota Hai-Title Song (Tum Paas Aaye) | Shah Rukh Khan, Kajol Aa…Tum Paas AayeYoon MuskuraayeTum Paas AayeYoon MuskuraayeTum Ne Na Jaane KyaSapne DikhaayeTum Paas AayeYoon MuskuraayeTum Ne Na Jaane KyaSapne DikhaayeAb To Mera DilJaage Na Sota HaiKya Karoon HayeKuchh Kuchh Hota HaiKya Karoon HayeKuchh Kuchh Hota HaiTum Paas AayeYoon MuskuraayeTum Ne Na Jaane KyaSapne…