#Someone Stop This Woman.

[arkfeather]

DAYS SINCE SOMEONE POURED FOOD DOWN THE BATHROOM SINK: 0

[wewontbesleeping]

the weirdest fucking thing to me is how men will be like "it's so hard being a man. no one cares that i'm sad. the loneliness we experience could NEVER be understood by a woman" and then also be like "btw i never talk to my friends and i don't know their names and i love hanging out with men because they don't talk about their stupid emotions all the time. women could never understand a bond like this." like ???

[timelesslords]

thinking about how the hunger games were designed to prove that without society, order, government, someone to rule, we devolve into little more than animals, and how the games themselves prove over and over again that this is not true. We see it in every single game we witness.

Katniss placing flowers around Rue's body in the arena. Thresh sparing Katniss because she was kind to Rue, even though he was making it that much harder for himself to win.

Haymitch going back for Maysilee after hearing her scream even though their alliance had been broken. Haymitch holding her as she dies the same way Katniss did Rue.

Coral's "I can't have killed them all for nothing" when she realizes she's not going home. Lamina cutting down Marcus at great personal risk. And, my favorite moment in tbosas, Reaper collecting the bodies of his fellow tributes, his peers, even the ones who tried to kill him, into a pile. Taking the weapons from their hands. Closing their eyes and crossing their arms in the best approximation of a proper burial he can manage, covering them with the Capitol flag as a makeshift shroud.

The Games bring out the worst in people, yes. But despite the extreme circumstances, despite the exterior pressure of the Capitol, despite the fact that it could mean pain and heartbreak and death, it also shows that people have an enormous capacity for goodness. That even in a situation purposefully designed to make empathy impossible, people can't help but have it anyway.

Snow looks at the Games and all he can see is what's inside himself-- this pure animalistic drive to conquer and defeat. He kills and it feels good and he thinks that everyone else must feel that way too. He doesn't realize (maybe can't realize) that he is the exception, not the rule. He cannot see outside himself, outside his own warped perspective, to realize that the fact that people do show humanity in the games proves his entire worldview wrong.

[molsquinn]

[p-papiru]

Tsunade: I have not finished yet!!!

(This woman goes all the way 🫣)

[faeriekit]

Health and Hybrids (XXVIII)👽👻💚

[I can't remember the original prompt posters  for the life of me but here's a mashup between a cryptid!Danny, presumed-alien!Danny, dp x dc, and the prompt made the one body horror meat grinder fic.]

🖤Chapter navigation can be found here🖤 Click to browse previous updates.

💚 Ao3 Is here for all parts 💚 (now featuring mediocre mouseover translations, only available on a computer)

Where we last left off... Danny has another hashtag breakdown! Man, we've got a lot of these, huh? It's YJ's fault this time; whoopsie doodles! ¯\_(ツ)_/¯

Trigger warnings for this story:  body horror | gore | post-dissection fic | dehumanization (probably) |  my nonexistent attempts at following DC canon. On with the show.

💚👻👽👻💚

“Danny,” Diana says from the door.

Danny looks up from his place in the book. It’s definitely aimed at younger kids, but it’s a pretty wordy picture book; there are a couple paragraphs he can’t quite parse, but he’s making pretty good progress on the words he can’t recognize.

It’s a story about a cat who misses its mother. Danny tries not to relate to it too much.

“Hm?” he asks, flipping the front flap of the dust cover over his current pages to mark his place. The book goes back onto the nightstand, beside his space shuttle; Danny uses the railing beside his bed to support himself stepping up and out of his wheelchair, leaning on the railing until he can figure out…wait, where’d he leave his old people walker?

“This walk is long. You will want your chair.”

Well, then. Couldn’t she have said that before Danny did all that pulling? Danny falls back into his chair, kinda peeved. “Fine.”

Diana smiles. She doesn’t have to wear the mask around him anymore— Danny’s pretty sure that his injuries have been declared as clotted, or sealed, or whatever at this rate. They for sure swabbed his ectoplasm and came to some kind of conclusion, anyway, which means he only looks gross, but isn’t, like…actively leaking fluids.

On the one hand, gross! But, well, you know. Nothing for it but bandaids and time.

And her face looks nice. Danny hadn’t known what she’d looked like, before. She smiles when she sees him. Her light eyes crinkle, and her lips turn up… She’s nice. Danny’s sure that she’s only there to be in charge of him in case he gets scary, but she’s in charge of him and she’s nice. She doesn’t have to be nice; lots of people have been in charge of him and been mean about it. There was that one guy who kept holding him—with the taser—

(Time slips away from him, a little. When he gets back to the world in front of him, Diana is carefully looking at his face, the back of her hand stroking the back of his.)

Danny’s in his chair. He’s not…there. He’s in his chair, on a big space station (????) with a bunch of really colorful fighters on it, and Diana is touching his hand (that’s so much weaker and slower than it used to be) and he’s not hungry and he’s only scared because of memories. He’s safe. He’s not being pinned down by the neck so that they can strap down his wrists and hips to the table—they’re not shocking him—he can move his fingers, he’s not stuck in his core—

His core throbs. Danny bites into his bisected lip, and tries not to cry.

“Are you alright?” Diana asks, voice gentled. The soft touch of her hand doesn’t stop. “We can wait. There is no—“

Danny shakes his head, and takes his hand away so he could wipe at his eyes. It’s fine. Bad memories are everywhere: in the walls, in the floor, in the ceiling, in the hands of people taking care of him. That’s not… There’s nothing Danny can do about that. That just. Takes time.

…He think he might have that time. Now. He thought he would die for good in that five by five box, waiting for something that would finally end him instead of just keeping him in a cycle of injuries he never fully healed from.

But now he’s not. He’s here.

He wants to keep going.

“Alright,” Diana says, slow and careful. “Hold on.”

Danny doesn’t hold on—or, well, you know, he engages his core muscles and all that, but he doesn’t cling to his arm rests or to the frame of his chair because he knows that Diana is really, really strong, but she also really, really doesn’t want to hurt him.

She rolls him out of the medical wing and into the space station proper. Danny feels like he’s been here before, but he doesn’t remember it super well. Maybe it was when he was sick or something? Either way, a lot of different people wave at him as they go by—or just straight up stare, if they’re rude—and Danny generally just watches people rush by, carrying all kinds of equipment, and a potted plant, and a…starfish in a jar…?

Oh, the starfish waves at him???? Danny waves back because?? What??

Danny rolls to a stop at a smooth, cylindrical elevator. It looks like a giant test tube.

…Oh boy. Danny takes a deep breath, and holds it. Reflexively. Sure, this elevator probably isn’t like being dunked into water to see if his body absorbs ambient oxygen from the atmosphere or if his biology is truly not oxygen-based, but the memory is. Bad.

They go upwards. Nothing happens but Diana’s pushed button.

Danny exhales.

They get off at a section of the base Danny’s never been to, and it's essentially just a long, somewhat narrow hallway. The walls are actually painted a creamy off-white here, and there’s…like…decorative panels towards the base of his wheels trailing down the hallway? An orange ceiling, too?

Huh??

The rooms are numbered, but they’re not plain steel like in other areas downstairs; some of them have stickers, or drawings, or marker written straight onto the door itself. They look...cozy...? Danny thinks so, anyway, compared to the rest of the ultra high tech space base.

They roll to a stop in front of a door. It’s got a number on it, same as all the others, but there’s a box cutout taped to the front of it. The—

—The print is of the same style of space shuttle Danny keeps next to his bed, inked onto glorious cardboard medium.

Danny stares.

“Gegrapa,” Diana urges, so gentle. Too bad that, uh, Danny doesn’t know that one. He looks at her. She mimes touching the door— Oh. Got it.

Danny leans forward just enough to touch the door with his fingertips.

The door says something in a robotic voice, but the synthesizer is too mangled for Danny to make out the words. The door slides open horizontally into the wall, instead of the way the other doors open like portals or from below, and it’s kind of cool?

Inside is a bedroom. Danny stares.

…No, it’s actually a bedroom. Not a medical wing, not a cot, not a repurposed conference room or—it’s actually got a bed in it. Like. A real one. There’s a wooden headboard and it’s got a mattress on it that’s thicker than a VCR.

There’s constellation sheets on a bed big enough to curl up on.

There’s a nightstand, a small desk on the far wall—there’s a little lip where the bedroom dips into a tiny sitting room, a small television on a table and a small table and chair. It’s kind of…it’s kind of like a little hotel suite.

Danny’s mouth goes dry.

He doesn’t move, and Diana doesn’t wheel him in. “It’s okay,” Diana says, and—Danny almost flinches when she touches his hair, but it’s only Diana, who’s never hit him, and they’re fine. He’s…safe. It’s safe. He’s safe here. “Do you want to go in?”

Danny doesn’t move. His hands don’t touch the wheels. They’re shaking; he puts his hands in his lap and he tries to breathe. “…What?” he asks hoarsely.

“A rum for my Danny,” Diana murmurs, quietly. Danny’s heart throbs at the possessive. “You are healthier now. You do not need doctors every hour, but only sum hours. You cuðe spenda more time here, all ana.”

Words go by so fast even at Diana's smooth, unhurried pace— and Danny licks dry, split lips. He looks around the room—and the room is small, sure, but they're in space. Space will always be a premium. Even in this small room, though, the furniture is sparse and placed distant from each other…distant enough that Danny can wheel around freely in his chair.

There’s a Moon clock display hung on the wall over the doorway, and Danny can faintly see the outline of what he assumes is the current lunar phase as seen from Earth.

Having the lamp isn’t exactly the same as glow-in-the-dark-stars, and thank goodness for that. If it had been, Danny might have cried.

(Or, he realizes, something burning in his eyes that isn’t ectoplasm, maybe he is crying.)

“...Me?” Danny asks, terrified to know the answer. Is this room for him?? Is he getting a room here? Is he supposed to stay here? On the moon?! Is he supposed to stay with everyone here, in a tiny room, where there’s nowhere to go and nowhere to escape?

…It’s a bedroom. It’s already so much more than the stupid guys in white ever gave him.

“Yes,” Diana says, and lets go of his hair. “Use it, or do not. Sitta here, or sitta in the medical bay, but now you have two choices.”

Okay. So Danny has choices. He swallows his feelings—they taste a lot like snot—and rolls himself inside to inspect the room.

There’s another little fridge inside the sitting area. It’s not right next to the bed like it is beside Danny’s cot, but it is the same style of fridge. When Danny pops the door open, it has the same styles of snacks. Fig Einsteins. Peanut butter squeezies and applesauce squeezies and yogurt squeezies. Protein shakes in bottles. Pedialight. Hummus packs.

Danny might still need someone to open the snack packs for him. That’s kind of a high dexterity food, if he thinks about it.

“If you wish to sitta here, we will visit you all you like. There is a belle at your bed,” Diana says, and walks in with all her purple scrubs and tied-up hair to point to a little button on his nightstand. It’s red. It’s got a little smiley face sticker next to it, and Danny thinks he recognizes the style from one of his nurse’s bestickered name tags. Belle is probably a direct cognate for bell. He’ll be able to get everyone to come up here if he needs help.

…Okay, that’s kind of nice. To have personal space. He hasn’t had that since… Danny’s eyes squint as he thinks; he rubs an eye. Wait, when had he been squatting under a conference table? Was that a real memory??

Diana is very tall, even in the little space, but when she ducks her head, the gesture makes her a little smaller, a little more manageable for Danny’s lower-than-usual-gaze. Now that he can see her expression, she looks soft, and even uncertain, even though she looks stone and strong on the television when she goes out to fight. “Do you like it?” she asks.

Danny fidgets.

He—does. He likes it a lot. The room doesn’t have any windows, but if Danny moved all his things in here, got used to being able to come and go, and people coming in and out…this space could be just another space. It’s quieter than the medical ward. More peaceful.

…The room is utterly devoid of other people.

(Danny thinks of The Box. Danny thinks of being in The Box.)

(Danny doesn’t like remembering The Box.)

“I am scared,” Danny admits to his twitching thumbs, his fingers itching for a fidget toy or one of his physical therapy tools. Diana’s face immediately drops.

“Why are you scared?”

I’ll be alone Danny wants to say, but he doesn’t know the word for alone and he struggled with phrasing. “No…people here.”

“That is triewe. You would have more dīegolnes here,” Diana agrees, and straightens out of her crouch. “Is that good, or bad?”

It isn’t good and it isn’t bad…? Danny isn’t sure how to phrase it. It’s neither. Being alone is just scary.

“You not hurt me,” Danny tries, knowing he’s missing some connecting word in the middle. He ignores how Diana comes back to kneel beside him, because if he looks at her, he won’t say anything. “Do not.”

“No,” Diana says, from beside and below him, gentle, careful. “We do not.”

No. They don’t. Danny swallows. “Bad…hurt me.” He doesn’t know the word for Earth or planet or even downstairs, so he just meekly points downwards.

Diana stills. It’s like watching Vlad’s Maddie cat spot a bird to hunt down. Danny tries not to feel pinned. “On eorþegearde?” she asks, still light, still gentle. Danny can hear a shadow of steel, though, and he counts himself lucky that she’s never treated him like an enemy. Danny quickly nods. His eyes squeeze shut.

“Who?” Diana asks feather-light.

Danny doesn’t want to tell them what he is. Admitting the name of the agency hunting him itself would be given in.

…But maybe if he doesn’t say the name…and they...and they promised they'd help hide him...

He wants to be right. Danny wants to be right that they're nice, and that they want to help him. Danny wants to be right that they want to protect him. As long as he never, nevernotevernever tells them he's a ghost...

Maybe someone will help him. This time.

“Bad,” Danny repeats, because he genuinely has no idea how to translate?? “Wants…hurts me? For…” WHAT WORDS DOES HE KNOW? Danny gives up and just draws a y-shaped autopsy incision on his chest. It goes down from his collarbones to his belly button.

Diana watches. Her eyes are sharp.

“Do you feel safe with the staff dunstæger in medical?” Diana is quick on the ball with the question and Danny nods quickly—he’s never alone there, and no one’s ever hurt him, and people whose job it is to help people are always coming in and out, and Medical helps them too.

“Good,” Danny whispers. “Talk…talks to me.”

“Ealne weg,” Diana affirms firmly. Whatever that means. “We will cepa you safe.”

You safe and we is all Danny needs to hear. He could probably cry by himself, but Danny wants the comfort anyway; Diana lets Danny take her hands into his, and he lets tears fall into someone else’s grip instead of his own.

*

Bruce is halfway to the monitor room before he feels himself be picked up from underneath the armpits.

Usually finding himself at inappropriate heights involves horseplay from Clark. No one else would be so bold as to actually put their hands on him within the professional setting of the Watchtower—and Bruce has worked very, very hard on maintaining a reputation that keeps the handsier of his fellows at bay.

The culprit is not Clark this time. Bruce finds himself looking downward at Diana’s tearstained face, fury and resignation warring in her expression.

Bruce is careful not to sigh. “Wonder Woman. What is the matter?”

“Someone,” Diana grits out, voice carefully modulated to cut out her own pain, “Hurt my charge.”

On the one hand, the situation with their patient is exactly as Bruce had expected. The circumstance is tragic. The circumstance was predictable.

On the other, Diana's new upset means that Bruce now has more information to work with than ever before.

Bruce can work with this.

“Tell me everything.” Bruce’s voice is just as firm—even held midair like a cat. “I will help you in every way I can.”

[francy-sketches]

rhaenyra could say 'I wish I was a man with dick and balls' and hotd twitter would still be like 'umm she just means she wants freedom and respect but otherwise she is a FEMININE WOMAN stop making her into a man you weirdos'

[rayroseu]

never let meleanor cook again 🔥

she def wont bcs shes on the other side now :(

still makes me ill that briarland used to be a open country like they permitted the humans to live in their land but the humans just abused that decision and now almost all faes have hesitance in getting along with humans bcs of how significantly traumatic her death was 😭💔 also maybe im reaching but maybe the time where Maleanor had to fight Knight of Dawn/Silver Owls was the only time she was alone (since its implied she was always with Levan and Lilia or staying at her castle with the other royal guards 😭✨)

also ik maleanor fought alone bcs she was really out of soldiers and having lilia escape alone while she stops the Silver Owls is beneficial for Briar Valley (bcs remember that silver owls also ravage the land they trespass so if she escapes with Lilia then the damage Briarland couldve suffered would stretch to Maleficia's castle instead of just in Wildrose castle) but STILL i do want to see her being calculating because her position in Briarland military is that she's the commander yk, maybe she knew this was a bad decision (bcs of her scene when she was being sentimental ("im a mother thats why i must conquer) to lilia when he reasoned with her) i just feel like the story couldve portrayed it a bit nuanced and not just come off as "meleanor died bcs she was too prideful" i think thats just too easy/simple for the writer to write as her cause of death lol

anyways excited for book 7 updates 😭✨✨ i know next update is about silvers dream im just too excited for maleanor's screentime akxjkskd

i knowww im so late to the trend 💀💀 my sense of time is literally the same as malleus' sldkflkd

[mrshargreeves]

Im not a vigilante, the vigilante is a random man... or woman

[iwasbored777]

I don't understand people who say that Gwen and Miles don't have to end up together just because they're a girl and a boy and how a girl and a boy can be just friends but at the same time those people claim that Gwen and Hobie most likely slept together when she stayed over just because they're...you know...a girl and boy, and that a girl and a boy can't be just friends...

[bi-chimneyy]

not to bring this back up again but you lot know being queer doesn't excuse you of homophobia right?

[chappellrroan]

listen i am not a bad person and i don't usually wish bad upon anyone either but if jk rowling died today you'd catch me throwing a party tomorrow

[squidthusiast]

In case you didn't know, I'm pretty sure the force reboots are based off of ripley's boots from aliens :3

ANON THIS IS THE COOLEST THING I’VE BEEN TOLD HOLY FUCK

[daisy-mooon]

Bo Katan's vibes are so rancid (affectionate)

[fromtheseventhhell]

"Sansa = Ned 2.0 and Arya = Catelyn 2.0" is one of those takes where you can just tell people are more attached to the aesthetic than anything. "The Stark girls are most like the parent they look least like" sounds good on paper and people run with the idea, regardless of how it actually fits into the story. A majority of the justification relies on misinterpreting all of their characters + a healthy dose of fanon. What gets me is that this is the same fandom that insists that Lyanna, only compared to Arya in the text, is equal parts Arya and Sansa but Ned and Catelyn, two fully fleshed-out and complex characters, have to be more like one girl or the other? There's just nothing in the story to justify being so adamant about these comparisons. Arya and Sansa have parallels with both of their parents but at the end of the day, they are unique characters with their own stories. I'll never understand why people want to flatten these complex characters down to their most basic tropes and fit them into restrictive boxes just for a "poetical~" comparison.

[littl3sp4rkly4ngel]

IMMEDIATELY THOUGHT OF YOU (help me)

@smelliewilliams