#Soko Richardson

[longliverockback]

John Mayall The Latest Edition 1974 Polydor ——————————————————————— Tracks: 01. Gasoline Blues 02. Perfect Peace 03. Going to Take My Time 04. Deepdown Feelings 05. Troubled Times 06. The Pusher Man 07. One of the Few 08. Love Song 09. Little Kitten 10. A Crazy Game ———————————————————————

Hightide Harris

Red Holloway

John Mayall

Randy Resnik

Soko Richardson

Larry Taylor

* Long Live Rock Archive

[weirdtvland]

Tina Turner with some of her band members in December, 1968. 💜

Lejeune & Soko Richardson (ikette & drummer) on the Right. Ester Jones (the long lasting ikette from 1966 to 1976).

[rainingmusic]

Terry Reid - Seed Of Memory

[stainedglassgardens]

Favourite films watched in 2019

I arranged them into broad categories – other than that they’re in no particular order. 

Indie

Skate Kitchen (Crystal Moselle, 2018) 6 Balloons (Marja-Lewis Ryan, 2018) The Party’s Just Beginning (Karen Gillan, 2018) Thirteen (Catherine Hardwicke, 2003) Baise-moi (Virginie Despentes and Coralie Trinh Thi, 2000) Vazante (Daniela Thomas, 2017) Erasing Eden (Beth Dewey, 2016) The Seen and the Unseen (Sekala Niskala, Kamila Andini, 2017) Knock Down Ginger (Cleo Samoles-Little, 2016) The Garden (Sommerhaüser, Sonja Maria Kröner, 2017) Marlina the Murderer in Four Acts (Marlina Si Pembunuh dalam Empat Babak, Mouly Surya, 2017) Fish Tank (Andrea Arnold, 2009) Soldiers. Story From Ferentari (Soldații. Poveste din Ferentari, Ivana Mladenović, 2017)

Comedy

Dick (Andrew Fleming, 1999) The Breaker Upperers (Madeleine Sami and Jackie Van Beek, 2018) It Stains the Sands Red (Colin Minihan, 2016) Satanic Panic (Chelsea Stardust, 2019)

Classics

Wanda (Barbara Loden, 1970) House of Wax (Andre DeToth, 1953) Eve's Bayou (Kasi Lemmons, 1997) Germany Pale Mother (Deutschland bleiche Mutter, Helma Sanders-Brahms, 1980)

Horror

April and the Devil (Jake Hammond, 2018) Blackwood (Andrew Montague, 2019) The Crescent (Seth A Smith, 2017) Us (Jordan Peele, 2019) American Mary (Jen and Sylvia Soska, 2012) Midsommar (Ari Aster, 2019) Black Christmas (Bob Clark, 1974) The Devil's Passenger (Dave Bundtzen, 2018)

Science fiction

Born in Flames (Lizzie Borden, 1983) Evolution (Lucile Hadžihalilović, 2015) In Full Bloom (Maegan Houang, 2019)

Action

Destroyer (Karyn Kusama, 2018) Under the Silver Lake (David Robert Mitchell, 2018) Snatch (Guy Ritchie, 2000) Holiday (Isabella Eklöf, 2018)

Documentary

Our Daily Bread (Unser täglich Brot, Nikolaus Geyrhalter, 2005) Abducted in Plain Sight (Skye Borgman, 2017) Jane Fonda in Five Acts (Susan Lacy, 2018) Stories We Tell (Sarah Polley, 2012) The Decline of Western Civilization series (Penelope Spheeris, 1981, 1988 and 1998)

Full list of 273 films watched in 2018 under the cut!

January

Like Father  (Lauren Miller Rogen, 2018)

Upgrade  (Leigh Whannell, 2018)

Skate Kitchen (Crystal Moselle, 2018)

Never Been Kissed (Raja Gosnell, 1999)

Anomalisa (Charlie Kaufman and Duke Johnson, 2015)

Dick (Andrew Fleming, 1999)

The Black Balloon  (Elissa Down, 2008)

Under the Silver Lake (David Robert Mitchell, 2018)

6 Balloons (Marja-Lewis Ryan, 2018)

Rosy (Jess Bond, 2018)

The Party’s Just Beginning (Karen Gillan, 2018)

The Rider (Chloé Zhao, 2017)

Snowpiercer (Bong Joon-ho, 2013)

Touch of Evil (Orson Welles, 1958)

Thirteen (Catherine Hardwicke, 2003)

Sadie (Megan Griffiths, 2018)

The Miseducation of Cameron Post  (Desiree Akhavan, 2018)

Frida (Julie Taymor, 2002)

Fyre: The Greatest Pary That Never Happened (Chris Smith, 2019)

Time Share (Tiempo Compartido, Sebastián Hofmann, 2018)

The Stranger (Orson Welles, 1946)

Abducted in Plain Sight (Skye Borgman, 2017)

King of Thieves (James Marsh, 2018)

Malevolent (Olaf de Fleur, 2018)

Serena (Susanne Bier, 2014)

Baise-moi (Virginie Despentes and Coralie Trinh Thi, 2000)

And Breathe Normally (Andið Eðlilega, Ísold Uggadóttir, 2018)

Catwalk: Tales from the Cat Show Circuit  (Aaron Hancox and Michael McNamara, 2018)

Santoalla (Andrew Becker and Daniel Mehrer, 2016)

Jane Fonda in Five Acts (Susan Lacy, 2018)

Mademoiselle Paradis (Licht, Barbara Albert, 2017)

The B-Side: Elsa Dorfman’s Portrait Photography (Errol Morris, 2016)

February

Matangi/Maya/M.I.A (Steve Loveridge, 2018)

Pride & Prejudice (Joe Wright, 2005)T

The Brain Hack (Joseph White, 2014)

Vazante (Daniela Thomas, 2017)

Tanglewood (Jordan Prosser, 2016)

Outfall (Suzi Ewing, 2018)

Pigskin (Jake Hammond, 2015)

The Funspot (Jake Hammond, 2015)

April and the Devil (Jake Hammond, 2018)

Smithereens (Susan Seidelman, 1982)

Can You Ever Forgive Me? (Marielle Heller, 2018)

Bus Stop (Joshua Logan, 1956)

Pink Plastic Flamingos (Colin West, 2017)

The Breaker Upperers (Madeleine Sami and Jackie Van Beek, 2018)

Amanda Knox  (Rod Blackhurst and Brian McGinn, 2016)

Holy Hell (Will Allen, 2016)

Shoplifters (Manbiki Kazoku, Hirokazu Kore-eda, 2018)

Skin (Jordana Spiro, 2015)

A Night at the Garden (Marshall Curry, 2017)

Give Up the Ghost (Nathan Sam Long, 2018)

Last One Screaming (Matt Devino, 2017)

The Katy Universe (Patrick Muhlberger, 2018)

Roma (Alfonso Cuarón, 2018)

Did You Hear About the Morgans? (Marc Lawrence, 2009)

End Game (Rob Epstein and Jeffrey Friedman, 2018)

Behind the Curve  (Daniel J. Clark, 2018)

Our Daily Bread (Unser täglich Brot, Nikolaus Geyrhalter, 2005)

92MARS  (Ricardo Bernardini, 2018)

Construct (Kevin Margo, 2018)

Invaders (Daniel Prince, 2018)

March

Three Identical Strangers (Tim Wardle, 2018)

Dirty John: The Dirty Truth (Sara Mast, 2019)

Blackwood (Andrew Montague, 2019)

One (Luke Bradford, 2019)

God's Kingdom (Guy Soulsby, 2018)

Holiday (Isabella Eklöf, 2018)

Frigid (Joe Kicak, 2016)

Girl of the Sky (Ariel Martin, 2017)

Monitor (Matt Black and Ryan Polly, 2018)

Donoma (Evan Spencer Brace, 2018)

Perfect Blue (パーフェクトブル, Pāfekuto Burū, Satoshi Kon, 1997)

The Sermon (Dean Puckett, 2018)

Layer Cake (Matthew Vaughn, 2004)

Easy A (Will Gluck, 2010)

Generation Wealth (Lauren Greenfield, 2018)

The Rachel Divide (Laura Brownson, 2018)

The Place Beyond the Pines (Derek Cianfrance, 2012)

Burden (Timothy Marrinan and Richard Dewey, 2016)

What Will People Say (Hva vil folk si, Iram Haq, 2017)

Close Encounters of the Third Kind (Steven Spielberg, 1977)

Dear Zachary: A Letter to a Son About His Father (Kurt Kuenne, 2008)

Animal (Fabrice Le Nézet and Jules Janaud, 2017)

Capturing the Friedmans (Andrew Karecki, 2003)

The Fog of War: Eleven Lessons from the Life of Robert S. McNamara (Errol Morris, 2003)

April

Erasing Eden (Beth Dewey, 2016)

Destroyer (Karyn Kusama, 2018)

Unicorn Store (Brie Larson, 2019)

May the Devil Take You (Sebelum iblis menjemput, Timo Tjahjanto, 2018)

People in Cars (Daniel Lundh, 2017)

Presentation (Danielle Kampf, 2017)

Ink (Jamin Winans, 2009)

Hedgehog (Lindsey Copeland, 2016)

Koyaanisqatsi (Godfrey Reggio, 1982)

Wanda (Barbara Loden, 1970)

The Silence (John R. Leonetti, 2019)

24 Davids (Céline Baril, 2017)

The Frame (Jamin Winans, 2014)

The Talented Mr. Ripley (Anthony Minghella, 1999)

Baraka (Ron Fricke, 1992)

Wayne’s World (Penelope Spheeris, 1992)

Stories We Tell (Sarah Polley, 2012)

Born in Flames (Lizzie Borden, 1983)

Jesse’s Girl (M. Keegan Uhl, 2018)

I Walked With a Zombie (Jacques Tourneur, 1943)

Mary Goes Round (Molly McGlynn, 2017)

The Green Fog (Guy Maddin, Evan Johnson, and Galen Johnson, 2017)

Psycho (Alfred Hitchcock, 1960)

Someone Great (Jennifer Kaytin Robinson, 2019)

May

Ekaj (Cati Gonzalez, 2015)

Capernaum (Nadine Labaki, 2018)

Porcupine Lake (Ingrid Veninger, 2017)

The Decline of Western Civilization (Penelope Spheeris, 1981)

The Decline of Western Civilization Part II: The Metal Years (Penelope Spheeris, 1988)

The Decline of Western Civilization III (Penelope Spheeris, 1998)

Revolver (Guy Ritchie, 2005)

Pokémon: Detective Pikachu (Rob Letterman, 2019)

RocknRolla (Guy Ritchie, 2008)

Snatch (Guy Ritchie, 2000)

Lock, Stock and Two Smoking Barrels (Guy Ritchie, 1998)

The Seen and the Unseen (Sekala Niskala, Kamila Andini, 2017)

Nkosi Coiffure (Frederike Migom, 2015)

Speak Your Truth (Kris Erickson, 2018)

Incendies (Denis Villeneuve, 2010)

A.I. Rising (Lazar Bodrosa, 2018)

The Crescent (Seth A Smith, 2017)

Ring (リング, Ringu, Hideo Nakata, 1998)

Absences (Carole Laganière, 2013)

The Uninvited (Lewis Allen, 1944)

In Color (José Andrés Cardona, 2019)

Winners (Dan Bulla, 2018)

Jess (Daniel Hurwitz, 2018)

My First Time (Asaf Livni, 2018)

Murmur (Aurora Fearnley, 2018)

Pulsar (Aurora Fearnley, 2017)

Struck (Aurora Fearnley, 2017)

Samira (Lainey Richardson, 2018)

Despite Everything (A pesar de todo, Gabriela Tagliavini, 2019)

It Stains the Sands Red (Colin Minihan, 2016)

Satain Said Dance (Szatan kazał tańczyć, Katarzyna Rosłaniec, 2016)

Knock Down Ginger (Cleo Samoles-Little, 2016)

Gold (Cleo Samoles-Little, 2015)

Jane's Life (Cleo Samoles-Little, 2012)

4/4 (Kyle Sawyer, 2016)

Sugar Land (Lorenzo Lanzillotti, 2018)

The Idea of North (Albert Choi, 2018)

A Quiet Place (John Krasinski, 2018)

Dark Water (仄暗い水の底から, Honogurai Mizu no soko kara, Hideo Nakata, 2002)

Sound of My Voice (Zal Batmanglij, 2011)

Us (Jordan Peele, 2019)

The Perfection (Richard Shepard, 2018)

House of Wax (Andre DeToth, 1953)

June

We Have Always Lived in the Castle (Stacie Passon, 2018)

Always Be My Maybe (Nahnatchka Khan, 2019)

Gente que viene y bah (Patricia Font, 2019)

Period. End of Sentence. (Rayka Zehtabchi, 2018)

American Mary (Jen and Sylvia Soska, 2012)

The Boss (Ben Falcone, 2016)

Extremis (Dan Krauss, 2016)

E il cibo va (Food on the Go, Mercedes Cordova, 2017)

Last Night (Massy Tadjedin, 2010)

Murder Mystery (Kyle Newacheck, 2019)

Bead Game (Ishu Patel, 1977)

The Ceiling (Katto, Teppo Airaksinen, 2017)

Elisa & Marcela (Elisa y Marcela, Isabel Coixet, 2019)

Marlina the Murderer in Four Acts (Marlina Si Pembunuh dalam Empat Babak, Mouly Surya, 2017)

The Garden (Sommerhaüser, Sonja Maria Kröner, 2017)

Fast Color (Julia Hart, 2018)

The Tale of Iya (Iya Monogatari: Oku no Hito, Tetsuichiro Tsuta, 2013)

Chico and Rita (Chico y Rita, Tono Errando, Fernando Trueba and Javier

Mariscal, 2010)

Rafiki (Wanuri Kahiu, 2018)

Floating! (Das Floß!, Julia C. Kaiser, 2015)

The Quiet American (Phillip Noyce, 2002)

July

Keepers of the Magic (Vic Sarin, 2016)

Evolution (Lucile Hadžihalilović, 2015)

Mr. Holmes (Bill Condon, 2015)

The Long Dumb Road (Hannah Fidell, 2018)

Toni Erdmann (Maren Ade, 2016)

Life Overtakes Me (John Haptas and Kristine Samuelson, 2019)

The Milk System (Andreas Pilcher, 2017)

A Streetcar Named Desire (Elia Kazan, 1951)

The Texture of Falling (Maria Allred, 2019)

Family (Laura Steinel, 2018)

Sudden Fear (David Miller, 1952)

Identity Thief (Seth Gordon, 2013)

August

Point Break (Kathryn Bigelow, 1991)

In Full Bloom (Maegan Houang, 2019)

Blue Steel (Kathryn Bigelow, 1990)

The Eagles are a Country Music Band (Cody Wagner, 2018)

The Fifth Element (Luc Besson, 1997)

Hobbs & Shaw (David Leitch, 2019)

Coco (Lee Unkrich, 2017)

Bubba Ho-Tep (Don Coscarelli, 2002)

John Wick (Chad Stahelski, 2014)

Eve's Bayou (Kasi Lemmons, 1997)

I Don’t Protest, I Just Dance In My Shadow (Jessica Ashman, 2017)

My Cousin Rachel (Henry Koster, 1952)

Lifeline (Harry Jackson, 2018)

FOMI (Fear of Missing In) (Norbert Fodor, 2019)

Body at Brighton Rock (Roxanne Benjamin, 2019)

Koreatown (Grant Hyun, 2018)

A Report of Connected Events (Mischa Rozema, 2018)

Sundays (Mischa Rozema, 2015)

A King's Betrayal (David Bornstein, 2014)

Perception (Ilana Rein, 2018)

Germany Pale Mother (Deutschland bleiche Mutter, Helma Sanders-Brahms, 1980)

Men in Black International (F. Gary Gray, 2019)

Captive State (Rupert Wyatt, 2019)

Little Forest (리틀 포레스트, Liteul Poleseuteu, Yim Soon-rye, 2018)

September

What Keeps You Alive (Colin Minihan, 2018)

Grave Encounters (The Vicious Brothers, 2011)

Terrified (Aterrados, Demián Rugna, 2017)

Blade Runner (Ridley Scott, 1982)

Helen (Sandra Nettelbeck, 2009)

Colossal (Nacho Vigalondo, 2016)

Out of Blue (Carol Morley, 2018)

Taxi (تاکسی‎, Jafar Panahi, 2015)

Dear Ex (誰先愛上他的, Mag Hsu and Hsu Chih-yen, 2018)

Marguerite (Marianne Farley, 2019)

Birders (Otilia Portillo Padua, 2019)

Midsommar (Ari Aster, 2019)

Mansfield Park (Patricia Rozema, 1999)

Long Term Delivery (Jake Honig, 2018)

Game (Joy Webster, 2017)

Fish Tank (Andrea Arnold, 2009)

Foxfire (Annette Haywood-Carter, 1996)

October

Zombieland (Ruben Fleischer, 2009)

Under the Shadow ( زیر سایه, Babak Anvari, 2015)

Ghostbusters (Ivan Reitman, 1984)

Scream (Wes Craven, 1996)

Ghostbusters (Paul Feig, 2016)

Jaws (Steven Spielberg, 1975)

Rabid (David Cronenberg, 1977)

Rabid (The Soska Sisters, 2019)

In the Shadow of the Moon (Jim Mickle, 2019)

Benny Loves Killing (Ben Woodiwiss, 2018)

The Golem (Yoav & Doron Paz, 2018)

Eli (Ciarán Foy, 2019)

The Adversary (L’Adversaire, Nicole Garcia, 2002)

Satanic Panic (Chelsea Stardust, 2019)

The Devil and Father Amorth (William Friedkin, 2017)

Wounds (Babak Anvari, 2019)

Silent Hill (Christophe Gans, 2006)

Sleeping Beauty (Julia Leigh, 2011)

Black Christmas (Bob Clark, 1974)

The Shift (Francesco Calabrese, 2014)

The Baby (Kamran Chahkar, Lei Jim, 2012)

Intrusion (Jack Michel, 2013)

The Devil's Passenger (Dave Bundtzen, 2018)

Halloween (John Carpenter, 1978)

November

A Hijacking (Kapringen, Tobias Lindholm, 2012)

The Kitchen (Andrea Berloff, 2019)

The Hole in the Ground (Lee Cronin, 2019)

Assassination Nation (Sam Levinson, 2018)

Amy (Asif Kapadia, 2015)

Tell Me Who I Am (Ed Perkins, 2019)

Possessed (Curtis Bernhardt, 1947)

Terminally Happy (Adina Istrate, 2015)

The Glass Key (Stuart Heisler, 1942)

LuTo (Katina Medina Mora, 2015)

The Night of the Hunter (Charles Laughton, 1955)

Bikram: Yogi, Guru, Predator (Eva Orner, 2019)

December

Soldiers. Story From Ferentari (Soldații. Poveste din Ferentari, Ivana Mladenović, 2017)

John and Michael (John et Michael, Shira Avni, 2004)

High Tension (Haute Tension, Alexandre Aja, 2003)

Little Joe (Jessica Hausner, 2019)

The Matrix (The Wachowskis, 1999)

Finders Keepers (Bryan Carberry and Clay Tweel, 2015)

To Catch a Thief (Alfred Hitchcock, 1955)

My Buddha is Punk (Andreas Hartmann, 2016)

Little Miss Sumo (Matt Kay, 2018)

[maaarine]

MBTI Typing Index: Names Q-T

Name starts with: A B, C D, E F,  G H, I J K L, M N O P, Q R S T, U V W X Y Z.

Christian QUESADA (ESTJ)

Sara QUIN (ENTP)

Tegan QUIN (ENTP)

Zoë QUINN (INFP)

Daniel RADCLIFFE (ENFP)

Dennis RADER (ISTJ)

Charlotte RAMPLING (INFJ)

Gordon RAMSAY (ESTJ)

Giuliana RANCIC (ESFJ)

Ayn RAND (ISTJ)

Megan RAPINOE (ESTP)

Naval RAVIKANT (INTJ)

Jeremy RENNER (ISTP)

Raphaëlle RICCI (INTJ)

Damien RICE (INFP)

Tim RICE-OXLEY (INFJ)

Keith RICHARDS (ESTP)

Jon RICHARDSON (INTJ)

Alan RICKMAN (INTJ)

Tom RIDGEWELL (ENTP)

Ransom RIGGS (INFP)

Rihanna / Robyn FENTY (ESTP)

Guy RITCHIE (ENTJ)

Joan RIVERS (ESFP)

Robert REDFORD (INFJ)

Vanessa REDGRAVE (INFJ)

Eddie REDMAYNE (INFP)

Norman REEDUS (ISFP)

Keanu REEVES (ISFP)

Ryan REYNOLDS (ENTP)

Trent REZNOR (INFP)

Shonda RHIMES (ENFJ)

Mel ROBBINS (ENTJ)

Michel ROCARD (ENTJ)

Dennis RODMAN (ESTP)

Olivia RODRIGO (ESFJ)

Michelle RODRIGUEZ (ESTP)

Joe ROGAN (ESTP)

Seth ROGEN (ENTP)

Fred ROGERS (INFP)

Maggie ROGERS (INFP)

Cristiano RONALDO (ESTP)

Mark RONSON (ISFP)

Sally ROONEY (INFJ)

Arden ROSE (ENFP)

Tracee Ellis ROSS (ENFP)

Eric ROTH (INFJ)

Philip ROTH (ENTP)

Kristen ROUPENIAN (ENFP)

Mickey ROURKE (ESTP)

Joanne K. ROWLING (INFJ)

Arundhati ROY (INFJ)

Mark RUFFALO (ISFP)

RuPaul / RuPaul CHARLES (ENFP)

Bertrand RUSSELL (ENTP)

Winona RYDER (INFP)

Mark RYLANCE (INFP)

Anna SACCONE JOLY (ISFJ)

Jonathan SACCONE JOLY (ESFP)

Oliver SACKS (INFP)

Sade / Sade ADU (ISFP)

Claire SAFFITZ (ENFJ)

Sebastião SALGADO (INFJ)

Jonas SALK (INTJ)

Sheryl SANDBERG (ENFJ)

Thomas SANDERS (ENFP)

Adam SANDLER (ESTP)

Susan SARANDON (ENFP)

Michel SARDOU (ESTJ)

Anita SARKEESIAN (ENFJ)

Nicolas SARKOZY (ESTJ)

Jean-Paul SARTRE (INTP)

Marjane SATRAPI (ENFP)

Reshma SAUJANI (ENFJ)

Adam SAVAGE (ENTP)

Antonin SCALIA (ESTJ)

Marlène SCHAFF (ENFJ)

Matthias SCHOENAERTS (ISTP)

Amy SCHUMER (ENFP)

Arnold SCHWARZENEGGER (ENTJ)

Andrew SCOTT (INFP)

Ridley SCOTT (ENTJ)

Roy SCRANTON (INTJ)

Roger SCRUTON (INTJ)

John SEARLE (ENTP)

Amy SEDARIS (ENFP)

David SEDARIS (INTP)

Jerry SEINFELD (ENTJ)

Jason SEGEL (ENFP)

Léa SEYDOUX (ISFP)

Elif SHAFAK (INFP)

Faiza SHAHEEN (ENFJ)

Yara SHAHIDI (ENFJ)

Shakira / Shakira RIPOLL (ESFJ)

Tupac SHAKUR (ENFP)

Michael SHANNON (ISTP)

Ben SHAPIRO (ESTJ)

Maria SHARAPOVA (ENTJ)

Robert SHEEHAN (ENFP)

Michael SHEEN (ENFP)

Judith SHEINDLIN (ESTJ)

Dax SHEPARD (ENTP)

Amy SHERMAN-PALLADINO (ENFP)

Kiernan SHIPKA (ESFJ)

David SHRIGLEY (INTP)

SIA / Sia FURLER (ENFP)

Daniel SIEGEL (INFJ)

Jason SILVA (ENFP)

Nate SILVER (INTP)

Sarah SILVERMAN (ENFP)

David SIMON (INFJ)

Paul SIMON (INFP)

Nina SIMONE (INFP)

O.J. SIMPSON (ESTP)

Lily SINGH (ENFP)

Tarsem SINGH (ENFP)

Oscar SISTO (ENFP)

Troye SIVAN (ISFP)

Jojo SIWA (ESFP)

Jenny SLATE (ENFP)

Leïla SLIMANI (INFJ)

Jorja SMITH (ISFP)

Kiki SMITH (INFP)

Patti SMITH (INFP)

Sam SMITH (ESFP)

Will SMITH (ESFP)

Zadie SMITH (INFJ)

Edward SNOWDEN (INTJ)

Timothy SNYDER (INTJ)

Zack SNYDER (ESFP)

Salvador SOBRAL (INFP)

Steven SODERBERGH (ENTJ)

Soko / Stéphanie SOKOLINSKI (ENFP)

Solange / Solange KNOWLES (ISFP)

Rebecca SOLNIT (INFP)

Julien SOLOMITA (ESTP)

Stephen SONDHEIM (INTJ)

Susan SONTAG (INTJ)

Aaron SORKIN (INTP)

Sonia SOTOMAYOR (ENTJ)

Gareth SOUTHGATE (ISTJ)

Kevin SPACEY (ENTJ)

James SPADER (INTP)

Britney SPEARS (ISFJ)

Regina SPEKTOR (INFP)

Tori SPELLING (ISFJ)

Diana SPENCER (ISFP)

Steven SPIELBERG (INFP)

Baruch SPINOZA (INTP)

Bruce SPRINGSTEEN (ISFP)

Cole SPROUSE (ENTP)

St. Vincent / Annie CLARK (INFJ)

Lakeith STANFIELD (ISTP)

Joey STARR (ESTP)

Gwen STEFANI (ESFP)

Gloria STEINEM (ENTJ)

Amandla STENBERG (INFP)

Dan STEVENS (ENFJ)

Michael STEVENS (ENTP)

Sufjan STEVENS (INFJ)

Jon STEWART (ENTP)

Kristen STEWART (ISTP)

Martha STEWART (ENFJ)

Rory STEWART (INTJ)

Michael STIPE (INFP)

Emma STONE (ENFP)

Stormzy / Michael OMARI (ESFP)

Meryl STREEP (ENFJ)

Donna STRICKLAND (ENTJ)

Jeremy STRONG (INFP)

Bjarne STROUSTRUP (INTP)

Michael STUHLBARG (INFP)

Nicola STURGEON (ENTJ)

Tom STURRIDGE (INFP)

Harry STYLES (ESFP)

Zoe SUGG (ESFJ)

Taylor SWIFT (ESFJ)

Tilda SWINTON (INTP)

Kara SWISHER (ENTJ)

Omar SY (ESFP)

Oli SYKES (ISFP)

Wanda SYKES (ESFP)

Amber TAMBLYN (ENFP)

Tamino / Tamino FOUAD (ISFP)

Terence TAO (INTP)

Quentin TARANTINO (ENTP)

Donna TARTT (INFJ)

Elizabeth TAYLOR (ESFP)

Aaron TAYLOR-JOHNSON (ISFP)

Sam TAYLOR-JOHNSON (ISFP)

Tekashi69 / 6ix9ine / Daniel HERNANDEZ (ESTP)

Miles TELLER (ESTP)

David TENNANT (ENFP)

Nikola TESLA (INTP)

Virgil TEXAS (INTP)

Michelle THALLER (ENTP)

Margaret THATCHER (ESTJ)

The Weeknd / Abel TESFAYE (ISFP)

Charlize THERON (ENTJ)

Louis THEROUX (ENTP)

Peter THIEL (INTP)

Clarence THOMAS (ESTJ)

Kristin Scott THOMAS (ENTJ)

Emma THOMPSON (ENTP)

Maura TIERNEY (ISTP)

Meg TILLY (INFP)

Krista TIPPETT (INFJ)

Lily TOMLIN (ENTP)

Louis TOMLINSON (ENFP)

Giulio TONONI (INTJ)

Meghan TRAINOR (ESFP)

Joachim TRIER (ENFJ)

Donald TRUMP (ESTP)

Ivanka TRUMP (ISFJ)

Alan TUDYK (ENTP)

Cenzo TUIHANI (ISFP)

Alex TURNER (INTP)

Sophie TURNER (ESFP)

Tina TURNER (ESFP)

Jeff TWEEDY (INFP)

Liv TYLER (ISFP)

Name starts with: A B, C D, E F,  G H, I J K L, M N O P, Q R S T, U V W X Y Z.

[sophiebecke]

god i hate the fashion industry.  its built entirely off of women hating themselves.  it’s soo elitist and basically thrives off of those less fortunate.  its all just a projected fantasy for those not invited that maybe one day they’ll too be with the elites!  Also its never fucking talked about when a “woke” person in the industry calls out everyone and they mama but stays silent about someone knowingly problematic because it will benefit their career.  its all just one big circle jerk and I'm sickened.  

[tuseriesdetv]

Guía de series: Estrenos y regresos de noviembre 2019

Noviembre es el mes de la llegada de Apple TV+ y Disney+. Veréis que estos nuevos servicios nos traen la mayoría de estrenos, cuyos episodios llegarán semanalmente.

¡Feliz noviembre!

Leyenda:

Verde: series nuevas.

Rojo: series de las que haremos reviews semanales.

Negro: regresos de otras series.

Naranja: miniseries o series documentales.

Amarillo: tv movies, documentales, especiales o pilotos.

Morado: season finales.

Púrpura: midseason finales.

*

Calendario de series

1 de noviembre: 

Jack Ryan (2T completa) en Amazon

See (1T), The Morning Show (1T) For All Mankind (1T), Dickinson (1T) y Ghostwriter (1T) en Apple TV+

Hache (1T completa), Atypical (3T completa), Wir Sind Die Welle (1T completa), Holiday in the Wild, American Son y The King en Netflix

Temple (1T finale) en Sky One

3 de noviembre: 

His Dark Materials (1T) en BBC One

The Affair (series finale) y Power (series finale) en Showtime

5 de noviembre: 

The End of the F***ing World (2T completa) en Netflix

The Little Mermaid Live! en ABC

Mayans (2T finale) en FX

7 de noviembre: Britannia (2T completa) en Sky Atlantic

8 de noviembre: Green Eggs and Ham (1T completa) y Let It Snow en Netflix

10 de noviembre: 

Shameless (10T) en Showtime

Rick and Morty (4T completa) en Adult Swim

11 de noviembre: 

The Young Offenders (2T) en BBC One

Motherland (2T finale) en BBC Two

12 de noviembre: 

Diary of a Female President (1T), The Mandalorian (1T),  High School Musical: The Musical: The Series (1T), Lady and the Tramp y Noelle en Disney+

The Cockfields (1T) en Gold

14 de noviembre: The Cockfields (1T finale) en Gold

15 de noviembre: 

The Man in the High Castle (4T y última) en Amazon

Dollface (1T completa) en Hulu

Earthquake Bird y Klaus en Netflix

La peste (2T) en Movistar+

17 de noviembre: 

The Crown (3T completa) en Netflix

Ray Donovan (7T) en Showtime

The Sleepers (1T) en HBO

20 de noviembre: Mad About You (8T) en Spectrum

21 de noviembre: 

No Activity (3T) en CBS All Access

Hernán en Amazon

The Knight Before Christmas y Mortel en Netflix

22 de noviembre: 

Alta mar (2T completa) en Netflix

Ready For War en Showtime

27 de noviembre: 

The Irishman en Netflix

It's Always Sunny in Philadelphia (14T finale) en FX

28 de noviembre: 

Servant (1T) en Apple TV+

Upright (1T completa) en Sky Atlantic

Holiday Rush en Netflix

29 de noviembre: 

I Lost My Body y Atlantics en Netflix

Harley Quinn (1T) en DC Universe

Room 104 (3T finale) en HBO

*

Estrenos de series

See (Apple TV+)

La raza humana perdió el sentido de la vista por culpa de un virus en muchas ocasiones mortal. Siglos después, dos gemelos nacen con la capacidad de ver y su padre (Jason Momoa; Aquaman, Game of Thrones) tendrá que proteger tanto a los niños como a su tribu de una poderosa reina (Sylvia Hoeks; Blade Runner 2049, Berlin Station) que busca destruirlos. Completan el reparto Alfre Woodard (Luke Cage, Desperate Housewives), Yadira Guevara-Prip (Supernatural), Nesta Cooper (Travelers, Heroes Reborn), Archie Madekwe (Hang Ups, Les Misérables), Christian Camargo (Penny Dreadful, Dexter) y Hera Hilmar (Da Vinci's Demons, Anna Karenina). Escrita por Steven Knight (Peaky Blinders) y dirigida por Francis Lawrence (The Hunger Games). Ocho episodios. Ya está renovada por una segunda temporada. Estreno: 1 de noviembre

The Morning Show (Apple TV+)

Alex Levy (Jennifer Aniston; Friends, Cake) presenta un popular programa matinal con grandes audiencias. Cuando su compañero Mitch Kessler (Steve Carell; The Office, Crazy Stupid Love) es despedido tras un escándalo, Alex lucha por mantener su trabajo, y así nace la rivalidad con Bradley Jackson (Reese Witherspoon; Big Little Lies, Walk the Line), una periodista que busca ocupar su puesto. Con Gugu Mbatha-Raw (Black Mirror, Miss Sloane), Nestor Carbonell (Lost, Bates Motel), Mark Duplass (Togetherness, The Mindy Project), Billy Crudup (Almost Famous, Spotlight), Karen Pittman (Luke Cage, Yellowstone), Jack Davenport (Smash, Why Women Kill), Bel Powley (Informer, Mary Shelley), Victoria Tate y Desean K. Terry. Escrita por Jay Carson (House of Cards, The Front Runner), basada en una idea original de Michael Ellenberg, productor de The Letfovers; y tomando ideas del libro 'Top of the Morning: Inside the Cutthroat World of Morning TV' de Brian Stelter (2013). Diez episodios. Ya está renovada por una segunda temporada.

Estreno: 1 de noviembre

For All Mankind (Apple TV+)

En esta realidad paralela, es la URSS la que llega antes a la Luna y la NASA queda devastada, pero no se rinde y reta a los rusos una segunda vez intentando enviar a la primera mujer. Protagonizada por Joel Kinnaman (Altered Carbon, The Killing), Michael Dorman (Patriot, Wonderland), Sarah Jones (Damnation, The Path), Shantel VanSanten (Shooter, One Tree Hill), Wrenn Schmidt (The Looming Tower, Person of Interest), Jodi Balfour (Rellik, Quarry), Colm Feore (House of Cards, The Umbrella Academy), Nate Corddry (Mom, Mindhunter), Matt Battaglia (True Detective, Queer as Folk), Chris Bauer (The Deuce, True Blood), Chris Agos (Chicago P.D.), Rebecca Wisocky (Devious Maids, Heathers), Eric Ladin (Six, Shooter) y Arturo del Puerto (The Bridge, Fear The Walking Dead). Creada, escrita y producida por Ronald D. Moore (Outlander, Battlestar Galactica), Matt Wolpert (Fargo) y Ben Nedivi (American Crime Story: People v. O.J. Simpson). Diez episodios. Ya está renovada por una segunda temporada. Estreno: 1 de noviembre

Dickinson (Apple TV+)

Comedia sobre Emily Dickinson (Hailee Steinfeld; Pitch Perfect, Ender's Game), la poeta del siglo XIX, que explorará las restricciones de la sociedad, el género y la familia con un tono moderno desde la perspectiva imaginativa de una escritora en ciernes que no encaja en su propio tiempo. Con Jane Krakowski (Unbreakable Kimmy Schmidt, 30 Rock), Toby Huss (Halt and Catch Fire, Carnivàle), Anna Baryshnikov (Good Girls Revolt, Superior Donuts), Adrian Enscoe (Seeds), Ella Hunt (Cold Feet), Matt Lauria (Kingdom, Friday Night Lights), John Mulaney (Mulaney, Saturday Night Live) y Wiz Khalifa. Creada por Alena Smith (The Newsroom, The Affair). Diez episodios. Ya está renovada por una segunda temporada. Estreno: 1 de noviembre

Ghostwriter (Apple TV+)

Reboot de la serie de los años 90 con un nuevo enfoque (un argumento totalmente distinto, concretamente). En esta ocasión, cuatro niños deberán devolver a su lugar a los personajes literarios que se están escapando de los libros de una librería del barrio. Protagonizada por Amadi Chapata, Justin Sanchez, Isaac Arellanes, Hannah Levinson y Jay Santiago. Escrita y dirigida por Luke Matheny (Gortimer Gibbon's Life on Normal Street, The Dangerous Book for Boys). Veintiséis episodios. Estreno: 1 de noviembre

Hache (Netflix)

Thriller ambientado en Barcelona en los años 60 que nos muestra el ascenso de una mujer llamada Helena (Adriana Ugarte; El tiempo entre costuras, La señora) dentro de una organización de narcotraficantes liderada por Malpica (Javier Rey; Fariña, Velvet), a quien conoce en un club nocturno. Les acompañan Eduardo Noriega (Tesis, Abre los ojos), Ingrid Rubio (El pueblo, Pulsaciones), Marina Salas (El barco, La zona), Pep Ambròs (Matadero), Séanín Brennan (The Fall), Àlex Casanovas (El cor de la ciutat), Josep Julien (Sé quién eres, Cuéntame cómo pasó), Marc Martínez (Abuela de verano; Luna, el misterio de Calenda), Tony Zenet, Andrew Tarbet y Tonia Richardson. Creada por Verónica Fernández (Cuéntame cómo pasó, El comisario) e inspirada en hechos reales. Ocho episodios. Estreno: 1 de noviembre

Wir sind die Welle (Netflix)

Inspirada en la película Die Welle (2008), basada en hechos reales, nos muestra cómo un grupo de jóvenes que sueñan con un futuro mejor deciden, liderados por un nuevo compañero, comenzar una revuelta idealista con resultados más que dudosos. Protagonizada por Luise Befort (Club der roten Bänder), Ludwig Simon (Beat), Michelle Barthel (Tatort), Daniel Friedl, Mohamed Issa (Dogs of Berlin), Christian Erdmann, Bianca Hein (SOKO München), Béla Gabor Lenz (Dark), Leon Seidel (Under sandet, Freundinnen) y Milena Tscharntke (Druck). Escrita por Jan Berger (The Physician, Wir sind die Nacht), Ipek Zübert (Ein Atem, Dogs of Berlin) y Thorsten Wettcke (Tatort) y dirigida por Anca Miruna Lazarescu (Hackerville) y Mark Monheim (About a Girl). Seis episodios. Estreno: 1 de noviembre

His Dark Materials (BBC One)

Adaptación de la trilogía de novelas de Philip Pullman ambientada en un mundo alternativo donde los humanos tienen acompañantes con forma animal que representan su alma y su personalidad. Allí, una niña huérfana de once años (Dafne Keen; Logan, The Refugees) busca a un amigo desaparecido y descubre una serie de secuestros y su conexión con un peligroso secreto que envuelve a Lord Asriel (James McAvoy; X-Men, Split) y Marisa Coulter (Ruth Wilson; The Affair, Luther). Con Lin-Manuel Miranda (Mary Poppins Returns), Andrew Scott (Fleabag, Sherlock), Clarke Peters (The Wire, Treme), Ariyon Bakare (Rogue One, Life), Ruta Gedmintas (The Strain, The Tudors), Amir Wilson (The Letter for the King), Ian Peck (Peaky Blinders) y Georgina Campbell (Broadchurch, Krypton) y las voces de Cristela Alonzo (Cristela, The Laundromat), Helen McCrory (Harry Potter, MotherFatherSon), David Suchet (Poirot, Press), Kit Connor (Rocketman, War & Peace) y Joe Tandberg. Escrita por Jack Thorne (This Is England, National Treasure) con la ayuda de Michael y Paul Clarkson (See) y dirigida por Jamie Childs (Doctor Who, Lucky Man) o Tom Hooper (Les Misérables, The King's Speech). Ocho episodios. Ya está renovada por una segunda temporada. Estreno: 12 de noviembre

Diary of a Female President (Disney+)

Comedia sobre las idas y venidas en la vida de Elena (Tess Romero), una niña cubanoamericana que se convertirá en la Presidenta de Estados Unidos (Gina Rodriguez; Jane the Virgin, Annihilation). Con Selenis Leyva (Orange Is the New Black, Maniac), Charlie Bushnell, Michael Weaver (Here and Now, Ouija: Origin of Evil), Carmina Garay, Harmeet K. Pandey, Sanai Victoria (The Paynes, No Good Nick), Avantika Vandanapu, Nathan Arenas, Tiernan Jones y Connor Falk. Creada por Ilana Peña (Crazy Ex-Girlfriend) y escrita por Robin Shorr (The Middle, Galavant). Producida por Gina Rodriguez (Carmen Sandiego). Diez episodios.

The Mandalorian (Disney+)

Formando parte del universo Star Wars, sigue la odisea de un lobo solitario (Pedro Pascal; Game of Thrones, Narcos) proveniente de Mandalore, el planeta de Boba Fett, tras la caída del Imperio y antes de la fundación de la Orden. Completan el reparto Gina Carano (Deadpool), Nick Nolte (Cape Fear, The Thin Red Line), Giancarlo Esposito (Breaking Bad, Once Upon a Time), Emily Swallow (Supernatural, How to Get Away with Murder), Werner Herzog, Carl Weathers (Rocky, Colony), Omid Abtahi (American Gods, Those Who Kill) y Ming-Na Wen (Agents of S.H.I.E.L.D., Street Fighter). Creada, escrita y producida por Jon Favreau (The Avengers, Revolution). Ocho episodios. Ya está renovada por una segunda temporada. Estreno: 12 de noviembre

High School Musical: The Musical: The Series (Disney+)

Veremos a los estudiantes del East High que se presentan al casting del musical High School Musical. Protagonizada por Joshua Bassett (Stuck in the Middle), Olivia Rodrigo (Bizaardvark), Matt Cornett (Life in Pieces), Sofia Wylie (Andi Mack), Kate Reinders (Work It), Frankie Rodriguez (Modern Family), Dara Renee (Black-ish), Julia Lester (Mr. Student Body President), Larry Saperstein y Mark St. Cyr. Creada por Peter Barsocchini (High School Musical) y escrita por Oliver Goldstick (Pretty Little Liars, Popular) y Tim Federle (Ferdinand). Diez episodios. Ya está renovada por una segunda temporada. Estreno: 12 de noviembre

The Cockfields (Gold)

Simon (Joe Wilkinson; After Life, Rovers), en su cuarenta cumpleaños, se lleva a su novia Donna (Diane Morgan; After Life, Rovers) por primera vez a la Isla de Wight a pasar el fin de semana y conocer a su familia y la casa donde creció, pero será difícil llegar al domingo manteniendo la calma y tal vez también a la novia. Con Sue Johnston (Rovers, Hold the Sunset), Sarah Parish (Broadchurch, Trollied), Bobby Ball (Not Going Out, Mount Pleasant), Nigel Havers (Chariots of Fire), Maggie Steed (Chewing Gum, Stella), Ben Rufus Green y Jeff Mirza. Escrita por David Earl (Rovers) y Joe Wilkinson (Rovers) y dirigida por Steve Bendelack (Little Britain, Friday Night Diner). Tres episodios. Estreno: 12 de noviembre

Dollface (Hulu)

Cuando su novio de toda la vida rompe con ella, Jules (Kat Dennings; 2 Broke Girls, Thor) debe lidiar con su propia imaginación para volver literal y metafóricamente al mundo de las mujeres y retomar la relación con las amigas que dejó atrás. Con Brenda Song (The Suite Life of Zach and Cody, Station 19), Shay Mitchell (Pretty Little Liars, You), Esther Povitsky (Alone Together, Crazy Ex-Girlfriend), Beth Grant (The Mindy Project, One Mississippi), Connor Hines y Goran Visnjic (Timeless, ER). Creada por Jordan Weiss, escrita por Ira Ungerleider (Friends, Angie Tribeca) y dirigida por Stephanie Laing (I'm Sorry, Wayne). Producida por Margot Robbie (I, Tonya). Diez episodios. Estreno: 15 de noviembre

The Sleepers (HBO)

En 1989, tras doce años exiliados en Londres, una violinista (Tatiana Pauhofová, Horící ker) y un disidente político (Martin Myšička, Cerní baroni) creen que ha llegado el momento de volver a Checoslovaquia, donde el régimen comunista da los últimos coletazos, y piden la amnistía. Recién llegados, son atropellados por un coche, y cuando ella despierta en el hospital, él ha desaparecido. Con Jan Vlasák (Hostel, První republika), Martin Hoffman (The Zookeeper's Wife), Lenka Vlasáková (Labyrint), Petr Lnenicka (Cesty domú), Kristýna Podzimková (Ohnivý kure), Jevgenij Libeznuk (Hotel), David Nykl (Arrow, Stargate: Atlantis) y Hattie Morahan (The Bletchley Circle, My Mother and Other Strangers). Escrita por Ondrej Gabriel y dirigida por Ivan Zachariáš (Pustina). Seis episodios. Estreno: 17 de noviembre

Servant (Apple TV+)

Thriller psicológico que sigue a Dorothy (Lauren Ambrose; Six Feet Under, The X-Files) y Sean Turner (Toby Kebbell; RocknRolla, A Monster Calls), una pareja de Philadelphia que contrata a una joven (Nell Tiger Free; Game of Thrones, Too Old to Die Young) para que cuide de su bebé recién nacido. Con Rupert Grint (Harry Potter, Snatch). Creada y escrita por Tony Basgallop (Berlin Station, 24: Live Another Day) y producida por M. Night Shyamalan (The Village, Unbreakable). Diez episodios.

Estreno: 28 de noviembre

Upright (Sky Atlantic)

Lucky Flynn (Tim Minchin, Californication) lleva años sin hablarse con su familia. Arruinado y dañado, se entera de que su madre está a punto de morir y, decidido a despedirse, comienza un viaje por carretera desde Sydney hasta Perth acompañado de un viejo piano vertical, su posesión más valiosa. En el camino, conocerá a Meg (Milly Alcock, Pine Gap), una divertida y dura adolescente tan dañada como él. Creada por Minchin y dirigida por Matthew Saville (Please Like Me, The Slap). Ocho episodios. Estreno: 28 de noviembre

[blackrockandrollmusic-blog]

Albert Collins - Lights Are On, But Nobody’s Home (1992)

[stainedglassgardens]

In a surprising turn of events, I have watched more films in the past six months than I ever have before, bringing the total to 171 from the first of January, 2019. Recap:

Like Father (Lauren Miller Rogen, 2018)

Upgrade (Leigh Whannell, 2018)

Skate Kitchen (Crystal Moselle, 2018)

Never Been Kissed (Raja Gosnell, 1999)

Anomalisa (Charlie Kaufman and Duke Johnson, 2015)

Dick (Andrew Fleming, 1999)

The Black Balloon (Elissa Down, 2008)

Under the Silver Lake (David Robert Mitchell, 2018)

6 Balloons  (Marja-Lewis Ryan, 2018)

Rosy (Jess Bond, 2018)

The Party’s Just Beginning (Karen Gillan, 2018)

The Rider (Chloé Zhao, 2017)

Snowpiercer (Bong Joon-ho, 2013)

Touch of Evil (Orson Welles, 1958)

Thirteen (Catherine Hardwicke, 2003)

Sadie (Megan Griffiths, 2018)

The Miseducation of Cameron Post (Desiree Akhavan, 2018)

Frida (Julie Taymor, 2002)

Fyre: The Greatest Pary That Never Happened (Chris Smith, 2019)

Time Share (Tiempo Compartido, Sebastián Hofmann, 2018)

The Stranger (Orson Welles, 1946)

Abducted in Plain Sight (Skye Borgman, 2017)

King of Thieves (James Marsh, 2018)

Malevolent (Olaf de Fleur, 2018)

Serena (Susanne Bier, 2014)

Baise-moi (Virginie Despentes and Coralie Trinh Thi, 2000)

And Breathe Normally (Andið Eðlilega, Ísold Uggadóttir, 2018)

Catwalk: Tales from the Cat Show Circuit (Aaron Hancox and Michael McNamara, 2018)

Santoalla (Andrew Becker and Daniel Mehrer, 2016)

Jane Fonda in Five Acts (Susan Lacy, 2018)

Mademoiselle Paradis (Licht, Barbara Albert, 2017)

The B-Side: Elsa Dorfman’s Portrait Photography (Errol Morris, 2016)

Matangi/Maya/M.I.A (Steve Loveridge, 2018)

Pride & Prejudice (Joe Wright, 2005)

The Brain Hack (Joseph White, 2014)

Vazante (Daniela Thomas, 2017)

Tanglewood (Jordan Prosser, 2016)

Outfall (Suzi Ewing, 2018)

Pigskin (Jake Hammond, 2015)

The Funspot (Jake Hammond, 2015)

April and the Devil (Jake Hammond, 2018)

Smithereens (Susan Seidelman, 1982)

Can You Ever Forgive Me? (Marielle Heller, 2018)

Bus Stop (Joshua Logan, 1956)

Pink Plastic Flamingos (Colin West, 2017)

The Breaker Upperers (Madeleine Sami and Jackie Van Beek, 2018)

Amanda Knox (Rod Blackhurst and Brian McGinn, 2016)

Holy Hell (Will Allen, 2016)

Shoplifters (Manbiki Kazoku, Hirokazu Kore-eda, 2018)

Skin (Jordana Spiro, 2015)

A Night at the Garden (Marshall Curry, 2017)

Give Up the Ghost (Nathan Sam Long, 2018)

Last One Screaming (Matt Devino, 2017)

The Katy Universe (Patrick Muhlberger, 2018)

Roma (Alfonso Cuarón, 2018)

Did You Hear About the Morgans? (Marc Lawrence, 2009)

End Game (Rob Epstein and Jeffrey Friedman, 2018)

Behind the Curve (Daniel J. Clark, 2018)

Our Daily Bread (Unser täglich Brot, Nikolaus Geyrhalter, 2005)

92MARS (Ricardo Bernardini, 2018)

Construct (Kevin Margo, 2018)

Invaders (Daniel Prince, 2018)

Three Identical Strangers (Tim Wardle, 2018)

Dirty John: The Dirty Truth (Sara Mast, 2019)

Blackwood (Andrew Montague, 2019)

One (Luke Bradford, 2019)

God's Kingdom (Guy Soulsby, 2018)

Holiday (Isabella Eklöf, 2018)

Frigid (Joe Kicak, 2016)

Girl of the Sky (Ariel Martin, 2017)

Monitor (Matt Black and Ryan Polly, 2018)

Donoma (Evan Spencer Brace, 2018)

Perfect Blue (パーフェクトブル, Pāfekuto Burū, Satoshi Kon, 1997)

The Sermon (Dean Puckett, 2018)

Layer Cake (Matthew Vaughn, 2004)

Easy A (Will Gluck, 2010)

Generation Wealth (Lauren Greenfield, 2018)

The Rachel Divide (Laura Brownson, 2018)

The Place Beyond the Pines (Derek Cianfrance, 2012)

Burden (Timothy Marrinan and Richard Dewey, 2016)

What Will People Say (Hva vil folk si, Iram Haq, 2017)

Close Encounters of the Third Kind (Steven Spielberg, 1977)

Dear Zachary: A Letter to a Son About His Father (Kurt Kuenne, 2008)

Animal (Fabrice Le Nézet and Jules Janaud, 2017)

Capturing the Friedmans (Andrew Karecki, 2003)

The Fog of War: Eleven Lessons from the Life of Robert S. McNamara (Errol Morris, 2003)

Erasing Eden (Beth Dewey, 2016)

Destroyer (Karyn Kusama, 2018)

Unicorn Store (Brie Larson, 2019)

May the Devil Take You (Sebelum iblis menjemput, Timo Tjahjanto, 2018)

People in Cars (Daniel Lundh, 2017)

Presentation (Danielle Kampf, 2017)

Ink (Jamin Winans, 2009)

Hedgehog (Lindsey Copeland, 2016)

Koyaanisqatsi (Godfrey Reggio, 1982)

Wanda (Barbara Loden, 1970)

The Silence (John R. Leonetti, 2019)

24 Davids (Céline Baril, 2017)

The Frame (Jamin Winans, 2014)

The Talented Mr. Ripley (Anthony Minghella, 1999)

Baraka (Ron Fricke, 1992)

Wayne’s World (Penelope Spheeris, 1992)

Stories We Tell (Sarah Polley, 2012)

Born in Flames (Lizzie Borden, 1983)

Jesse’s Girl (M. Keegan Uhl, 2018)

I Walked With a Zombie (Jacques Tourneur, 1943)

Mary Goes Round (Molly McGlynn, 2017)

The Green Fog (Guy Maddin, Evan Johnson, and Galen Johnson, 2017)

Psycho (Alfred Hitchcock, 1960)

Someone Great (Jennifer Kaytin Robinson, 2019)

Ekaj (Cati Gonzalez, 2015)

Capernaum (Nadine Labaki, 2018)

Porcupine Lake (Ingrid Veninger, 2017)

The Decline of Western Civilization (Penelope Spheeris, 1981)

The Decline of Western Civilization Part II: The Metal Years (Penelope Spheeris, 1988)

The Decline of Western Civilization III (Penelope Spheeris, 1998)

Revolver (Guy Ritchie, 2005)

Pokémon: Detective Pikachu (Rob Letterman, 2019)

RocknRolla (Guy Ritchie, 2008)

Snatch (Guy Ritchie, 2000)

Lock, Stock and Two Smoking Barrels (Guy Ritchie, 1998)

The Seen and the Unseen (Sekala Niskala, Kamila Andini, 2017)

Nkosi Coiffure (Frederike Migom, 2015)

Speak Your Truth (Kris Erickson, 2018)

Incendies (Denis Villeneuve, 2010)

A.I. Rising (Lazar Bodrosa, 2018)

The Crescent (Seth A Smith, 2017)

Ring (リング, Ringu, Hideo Nakata, 1998)

Absences (Carole Laganière, 2013)

The Uninvited (Lewis Allen, 1944)

In Color (José Andrés Cardona, 2019)

Winners (Dan Bulla, 2018)

Jess (Daniel Hurwitz, 2018)

My First Time (Asaf Livni, 2018)

Murmur (Aurora Fearnley, 2018)

Pulsar (Aurora Fearnley, 2017)

Struck (Aurora Fearnley, 2017)

Samira (Lainey Richardson, 2018)

Despite Everything (A pesar de todo, Gabriela Tagliavini, 2019)

It Stains the Sands Red (Colin Minihan, 2016)

Satain Said Dance (Szatan kazał tańczyć, Katarzyna Rosłaniec, 2016)

Knock Down Ginger (Cleo Samoles-Little, 2016)

Gold (Cleo Samoles-Little, 2015)

Jane's Life (Cleo Samoles-Little, 2012)

4/4 (Kyle Sawyer, 2016)

Sugar Land (Lorenzo Lanzillotti, 2018)

The Idea of North (Albert Choi, 2018)

A Quiet Place (John Krasinski, 2018)

Dark Water (仄暗い水の底から, Honogurai Mizu no soko kara, Hideo Nakata, 2002)

Sound of My Voice (Zal Batmanglij, 2011)

Us (Jordan Peele, 2019)

The Perfection (Richard Shepard, 2018)

House of Wax (Andre DeToth, 1953)

We Have Always Lived in the Castle (Stacie Passon, 2018)

Always Be My Maybe (Nahnatchka Khan, 2019)

Gente que viene y bah (Patricia Font, 2019)

Period. End of Sentence. (Rayka Zehtabchi, 2018)

American Mary (Jen and Sylvia Soska, 2012)

The Boss (Ben Falcone, 2016)

Extremis (Dan Krauss, 2016)

E il cibo va (Food on the Go, Mercedes Cordova, 2017)

Last Night (Massy Tadjedin, 2010)

Murder Mystery (Kyle Newacheck, 2019)

Bead Game (Ishu Patel, 1977)

The Ceiling (Katto, Teppo Airaksinen, 2017)

Elisa & Marcela (Elisa y Marcela, Isabel Coixet, 2019)

Marlina the Murderer in Four Acts (Marlina Si Pembunuh dalam Empat Babak, Mouly Surya, 2017)

The Garden (Sommerhaüser, Sonja Maria Kröner, 2017)

Fast Color (Julia Hart, 2018)

The Tale of Iya (Iya Monogatari: Oku no Hito, Tetsuichiro Tsuta, 2013)

Chico and Rita (Chico y Rita, Tono Errando, Fernando Trueba and Javier Mariscal, 2010)

Rafiki (Wanuri Kahiu, 2018)

Floating! (Das Floß!, Julia C. Kaiser, 2015)

The Quiet American (Phillip Noyce, 2002)

[stainedglassgardens]

Watched in May

Ekaj Capernaum (کفرناحوم) Porcupine Lake The Decline of Western Civilization The Decline of Western Civilization Part II: The Metal Years The Decline of Western Civilization III Pokémon: Detective Pikachu Revolver RocknRolla Snatch Lock, Stock and Two Smoking Barrels The Seen and the Unseen (Sekala Niskala) Nkosi Coiffure Speak Your Truth Incendies A.I. Rising The Crescent Ring (リング, Ringu) Dark Water (仄暗い水の底から, Honogurai Mizu no soko kara) Absences The Uninvited In Color Winners Jess My First Time Murmur Pulsar Struck Samira Despite Everything (A pesar de todo) It Stains the Sand Red Satan Said Dance (Szatan kazał tańczyć) Knock Down Ginger Gold Jane's Life 4/4 Sugar Land The Idea of North A Quiet Place Sound of My Voice Us The Perfection House of Wax

Did not finish

The Man from U.N.C.L.E. (Guy Ritchie, 2015) Little Boxes (Rob Meyer, 2016) Wine Country (Amy Poehler, 2019)

Did not like

A.I. Rising (Lazar Bodrosa, 2018): What... the fuck...

Acceptable shorts

Nkosi Coiffure (Frederike Migom, 2015) In Color (José Andrés Cardona, 2019) Winners (Dan Bulla, 2018) Jess (Daniel Hurwitz, 2018) Murmur (Aurora Fearnley, 2018) Pulsar (Aurora Fearnley, 2017) Sugar Land (Lorenzo Lanzillotti, 2018)

Acceptable feature films

Porcupine Lake (Ingrid Veninger, 2017): This is actually a very good indie film, I just did not particularly remember anything from it

The Decline of Western Civilization Part II: The Metal Years (Penelope Spheeris, 1988): I found this boring and vapid as hell, especially compared to parts one and three, which were both amazing

Pokémon: Detective Pikachu (Rob Letterman, 2019): It’s very silly fan service and I loved it, but like...  I also do recognise it wasn’t great cinema

Revolver and RocknRolla (Guy Ritchie, 2005 and 2008): Really enjoyed these, although not half as much as Ritchie’s earlier efforts

Satain Said Dance (Szatan kazał tańczyć, Katarzyna Rosłaniec, 2016): I’m too old for this

Sound of My Voice (Zal Batmanglij, 2011): I did watch this mainly because Brit Marling is in it and I felt that it had great potential but... yeah

The Perfection (Richard Shepard, 2018): Another wtf film -- fun to watch tho

Shorts I really enjoyed

My First Time (Asaf Livni, 2018): This was weird but I felt somehow as if the final scene made an honest try at exploring the connection between horror and pornography

Struck (Aurora Fearnley, 2017): Very intense film about sexual assault, gender and privilege. Probably the best I’ve ever seen on those subjects

Samira (Lainey Richardson, 2018): Super short documentary film about a badass woman living her best life... what’s not to love

Jane's Life, Gold and Knock Down Ginger (Cleo Samoles-Little, 2012, 2015 and 2016): So glad I discovered this filmmaker, I do hope she directs a feature film soon. All three of these films centre on girls or women, all three are intense, poetic, realistic, and end up punching you in the gut

4/4 (Kyle Sawyer, 2016): Wonderful short about music and inspiration

The Idea of North (Albert Choi, 2018): Surrealist, creepy film that reminded me of Under the Skin

Feature films I really enjoyed

Ekaj (Cati Gonzalez, 2015): Raw, moving indie film about a homeless gay Puerto Rican in New York

Capernaum (کفرناحوم, Nadine Labaki, 2018): One of those films with scope and ambition that really deserve the widest audience -- although I didn’t love it, I recognise it is masterful

Lock, Stock and Two Smoking Barrels (Guy Ritchie, 1998): Finally saw this classic (and then it turned out I’d already seen it and forgotten about it) and it was great fun

Speak Your Truth (Kris Erickson, 2018): Important documentary about women who realised late in life that they were gay or bi

Incendies (Denis Villeneuve, 2010): Great French-language VIlleneuve about secrets and trauma that will rip your heart in two. Although I do have an issue with the fact that he chose white actors to play two of the major roles

Ring (リング, Ringu, Hideo Nakata, 1998): I do regret that I saw the American remake before this, but of course this was a hundred times better

Dark Water (仄暗い水の底から, Honogurai Mizu no soko kara, Hideo Nakata, 2002): Another horror masterpiece

Absences (Carole Laganière, 2013): Another one of those woman-directed films I stumbled upon on Amazon Prime and decided to watch because why the fuck not. This one’s a French-language Canadian documentary about missing people, and those they have left behind

The Uninvited (Lewis Allen, 1944): Atmospheric ghost story that reminded me of Daphne Du Maurier

Despite Everything (A pesar de todo, Gabriela Tagliavini, 2019): Good woman-led, woman-directed Spanish comedy film about four sisters who reunite in Madrid for their mother’s funeral

A Quiet Place (John Krasinski, 2018): Fantastic post-apocalyptic film centred on one family in a world where any sound can be lethal... like The Silence, but much, much better in terms of everything, especially message

Us (Jordan Peele, 2019): This was great, it even gave me nightmares (which horror films never usually do and testifies to its power to affect the imagination). Some will argue that it is nonsense, to which I’ll say: it’s true, but unlike much in the horror genre, it is self-aware nonsense

Favourites of the month

The Decline of Western Civilization and The Decline of Western Civilization III (Penelope Spheeris, 1981 and 1998): Two important documentaries about the punk rock scene in Los Angeles. I’d recommend watching them back to back and dispensing with part II entirely

Snatch (Guy Ritchie, 2000): Fave guy Ritchie by far. Plot, dialogue, performances, everything

The Seen and the Unseen (Sekala Niskala, Kamila Andini, 2017): Incredible Indonesian film laced with magical realism about a young girl who is losing her twin brother

The Crescent (Seth A Smith, 2017): This month’s film-that-fucked-me-up! I loved it, experimental, creepy -- The Midnight Swim and Berberian Sound Studio’s love child

It Stains the Sands Red (Colin Minihan, 2016): This month’s third and final wtf film -- this time in all the good ways... A resourceful, smart, no-bullshit woman gets chased by a relentless zombie whom she eventually... befriends... at least as much as you can befriend a creature with no brain who wants to eat you alive

House of Wax (Andre DeToth, 1953): Classic horror, truly the best, holds up wonderfully, plus Vincent Price is in it, so.

*

This month I also watched all of Fleabag, all of Tuca & Bertie, and started Chernobyl! I would recommend all three. Chernobyl also holds the distinction of being the first and only television show to make me physically nauseous, which is certainly... something.

And yeah I did watch forty-two films (but I had one week’s holidays and a handful of days off on top of that, which should make it less impressive). So glad I finally saw the Decline of Western Civilization trilogy, as well as all of Guy Ritchie’s crime films. Gonna try and watch more classic and Japanese horror in future, definitely under-explored for me.