#Social Data

[biggest-gaudiest-patronuses]

the fact that shakespeare was a playwright is sometimes so funny to me. just the concept of the "greatest writer of the English language" being a random 450-year-old entertainer, a 16th cent pop cultural sensation (thanks in large part to puns & dirty jokes & verbiage & a long-running appeal to commoners). and his work was made to be watched not read, but in the classroom teachers just hand us his scripts and say "that's literature"

just...imagine it's 2450 A.D. and English Lit students are regularly going into 100k debt writing postdoc theses on The Simpsons screenplays. the original animation hasn't even been preserved, it's literally just scripts and the occasional SDH subtitles.txt. they've been republished more times than the Bible

[worldstatisticsday]

4th Meeting - 55th Statistical Commission.

The 55th session of the United Nations Statistical Commission is scheduled to be held in New York from 27 February - 1 March 2024.

Watch the 4th Meeting - 55th Statistical Commission.

[secondbeatsongs]

for anyone too young to know this: watching The Truman Show is a vastly different experience now, compared to how it was before youtube and social media influencers became normal

before it was like, "what a horrifying thing to do to a human being! to take away their autonomy and privacy, all for the sake of profits! to create fake scenarios for them to react to, just to retain viewership! to ruin their happiness just so some corporate entity could harvest money from their very humanity! how could anyone do something so evil?"

and now it's like, "ah, yeah. this is still deeply fucked up, but it's pretty much what every influencer has been doing to their kids for a decade now. probably bad that we've normalized this experience"

[probablyasocialecologist]

Fifty per cent of web users are running ad blockers. Zero per cent of app users are running ad blockers, because adding a blocker to an app requires that you first remove its encryption, and that’s a felony. (Jay Freeman, the American businessman and engineer, calls this “felony contempt of business-model”.) So when someone in a boardroom says, “Let’s make our ads 20 per cent more obnoxious and get a 2 per cent revenue increase,” no one objects that this might prompt users to google, “How do I block ads?” After all, the answer is, you can’t. Indeed, it’s more likely that someone in that boardroom will say, “Let’s make our ads 100 per cent more obnoxious and get a 10 per cent revenue increase.” (This is why every company wants you to install an app instead of using its website.) There’s no reason that gig workers who are facing algorithmic wage discrimination couldn’t install a counter-app that co-ordinated among all the Uber drivers to reject all jobs unless they reach a certain pay threshold. No reason except felony contempt of business model, the threat that the toolsmiths who built that counter-app would go broke or land in prison, for violating DMCA 1201, the Computer Fraud and Abuse Act, trademark, copyright, patent, contract, trade secrecy, nondisclosure and noncompete or, in other words, “IP law”. IP isn’t just short for intellectual property. It’s a euphemism for “a law that lets me reach beyond the walls of my company and control the conduct of my critics, competitors and customers”. And “app” is just a euphemism for “a web page wrapped in enough IP to make it a felony to mod it, to protect the labour, consumer and privacy rights of its user”.

[steakout-05]

in love with how Data runs across the screen back to his station like a fucking cryptid in episode 24

[thankstothe]

[catgirl-kaiju]

it's so funny to think abt how the dystopian levels of surveillance and data collection we are subjected to every day without consent, and sometimes without awareness being done primarily for the purpose of advertising goods and services to people. targeted ads that so often get blocked and ignored because everyone hates ads.

just... the hilarity of a vast network of machines dedicated to spying on everyone in the world, straight out of the mind of a deranged conspiracy theorist, which exists to let you know that shoes are 10% off at wal-mart, and which doesn't actually make you want to shop at wal-mart

[destielmemenews]

"In their statement on Friday, NPD warned that the “the information that was suspected of being breached contained name, email address, phone number, social security number, and mailing address(es).” It recommended the public to take a number of steps to safeguard their identities, including freezing their credit and putting fraud alerts on their files at big credit bureaus.

The breach came to public awareness after a class-action lawsuit was filed August 1 in U.S. District Court in Florida, which was first reported by Bloomberg Law.

National Public Data did not share how many people were at risk, but hackers, who have been identified as part of the hacking group USDoD, have been offering, for sale, what they claimed were billions of NPD records since April, though the Washington Post reported that “security researchers who looked at the trove said some of the claims were exaggerated.”"

source 1

source 2

source 3

free database created by Pentester to see if your information has been leaked

[gamer2002]

[yukipri]

Some thoughts on Cara

So some of you may have heard about Cara, the new platform that a lot of artists are trying out. It's been around for a while, but there's been a recent huge surge of new users, myself among them. Thought I'd type up a lil thing on my initial thoughts.

First, what is Cara?

From their About Cara page:

Cara is a social media and portfolio platform for artists. With the widespread use of generative AI, we decided to build a place that filters out generative AI images so that people who want to find authentic creatives and artwork can do so easily. Many platforms currently accept AI art when it’s not ethical, while others have promised “no AI forever” policies without consideration for the scenario where adoption of such technologies may happen at the workplace in the coming years. The future of creative industries requires nuanced understanding and support to help artists and companies connect and work together. We want to bridge the gap and build a platform that we would enjoy using as creatives ourselves. Our stance on AI: ・We do not agree with generative AI tools in their current unethical form, and we won’t host AI-generated portfolios unless the rampant ethical and data privacy issues around datasets are resolved via regulation. ・In the event that legislation is passed to clearly protect artists, we believe that AI-generated content should always be clearly labeled, because the public should always be able to search for human-made art and media easily.

Should note that Cara is independently funded, and is made by a core group of artists and engineers and is even collaborating with the Glaze project. It's very much a platform by artists, for artists!

Should also mention that in being a platform for artists, it's more a gallery first, with social media functionalities on the side. The info below will hopefully explain how that works.

Next, my actual initial thoughts using it, and things that set it apart from other platforms I've used:

1) When you post, you can choose to check the portfolio option, or to NOT check it. This is fantastic because it means I can have just my art organized in my gallery, but I can still post random stuff like photos of my cats and it won't clutter things. You can also just ramble/text post and it won't affect the gallery view!

2) You can adjust your crop preview for your images. Such a simple thing, yet so darn nice.

3) When you check that "Add to portfolio," you get a bunch of additional optional fields: Title, Field/Medium, Project Type, Category Tags, and Software Used. It's nice that you can put all this info into organized fields that don't take up text space.

4) Speaking of text, 5000 character limit is niiiiice. If you want to talk, you can.

5) Two separate feeds, a "For You" algorithmic one, and "Following." The "Following" actually appears to be full chronological timeline of just folks you follow (like Tumblr). Amazing.

6) Now usually, "For You" being set to home/default kinda pisses me off because generally I like curating my own experience, but not here, for this handy reason: if you tap the gear symbol, you can ADJUST your algorithm feed!

So you can choose what you see still!!! AMAZING. And, again, you still have your Following timeline too.

7) To repeat the stuff at the top of this post, its creation and intent as a place by artists, for artists. Hopefully you can also see from the points above that it's been designed with artists in mind.

8) No GenAI images!!!! There's a pop up that says it's not allowed, and apparently there's some sort of detector thing too. Not sure how reliable the latter is, but so far, it's just been a breath of fresh air, being able to scroll and see human art art and art!

To be clear, Cara's not perfect and is currently pretty laggy, and you can get errors while posting (so far, I've had more success on desktop than the mobile app), but that's understandable, given the small team. They'll need time to scale. For me though, it's a fair tradeoff for a platform that actually cares about artists.

Currently it also doesn't allow NSFW, not sure if that'll change given app store rules.

As mentioned above, they're independently funded, which means the team is currently paying for Cara itself. They have a kofi set up for folks who want to chip in, but it's optional. Here's the link to the tweet from one of the founders:

And a reminder that no matter that the platform itself isn't selling our data to GenAI, it can still be scraped by third parties. Protect your work with Glaze and Nightshade!

Anyway, I'm still figuring stuff out and have only been on Cara a few days, but I feel hopeful, and I think they're off to a good start.

I hope this post has been informative!

Lastly, here's my own Cara if you want to come say hi! Not sure at all if I'll be active on there, but if you're an artist like me who is keeping an eye out for hopefully nice communities, check it out!

[liquidatorbruntfca]

the one and only thing i am thinking about this morning is data going “lululu lulu. luu. lulu.” tryna feed that alien dog thing

[worldstatisticsday]

3rd Meeting - 55th Statistical Commission.

Watch the 3rd Meeting - 55th Statistical Commission.

The 55th session of the United Nations Statistical Commission is scheduled to be held in New York from 27 February - 1 March 2024.

[whereserpentswalk]

[probablyasocialecologist]

Adopting rightwing policies on issues such as immigration and the economy does not help centre-left parties win votes, according to new analysis of European electoral and polling data. Faced with a 20-year decline in their vote share, accompanied by rising support for the right, far right and sometimes the far left, social democratic parties across Europe have increasingly sought salvation by moving towards the political centre. However the analysis, published on Wednesday, shows that centre-left parties promising, for example, to be tough on immigration or unrelenting on public spending are both unlikely to attract potential voters on the right, and risk alienating existing progressive supporters.

[...]

One of the key lessons was that “trying to imitate rightwing positions is just not a successful strategy for the left”, he said. Two studies in particular, looking at so-called welfare chauvinism and fiscal policy, illustrated the point, the researchers said. Björn Bremer of the Central European University in Vienna said a survey in Spain, Italy, the UK and Germany and larger datasets from 12 EU countries showed that since the financial crisis of 2008, “fiscal orthodoxy” had been a vote loser for the centre left. “Social democratic parties that have backed austerity fail to win the support of voters worried about public debt, and lose the backing of those who oppose austerity,” Bremer said. “Centre-left parties that actually impose austerity lose votes.”

[...]

The data strongly suggests centre-left parties can build a coalition of voters who believe a strong welfare state, effective public services and real investment, for example in the green transition, are essential,” Bremer said. “But doing the opposite – offering a contradictory programme that promotes austerity but promises to protect public services and the welfare state, and hoping voters will swallow such fairytales – failed in the 2010s, and is likely to fail again.” Similarly, said Matthias Enggist of the University of Lausanne, analysis of data from eight European countries showed no evidence that welfare chauvinism – broadly, restricting immigrants’ access to welfare – was a successful strategy for the left.

[thatgirlonstage]

The thing about tumblr is that there’s a panic about how the site is dying and falling apart literally every other week so eventually if you’ve been here long enough you just get zen about it. Like if anything specific is your breaking point do whatever you want but personally they’re gonna have to pry me out of the vents like a feral raccoon before I leave. Anyway if you’re new here and you see people talk about how something is the end of tumblr and you’re afraid they’re correct I just want you to know I’ve been here through probably like 300 ends of tumblr. I’m not saying it will never happen for real but statistically I remain skeptical.

[manichewitz]

we gotta bring back livejournal and wordpress and forums and weird little blogsites that aren't connected to any social media presence at all its just people online doing online things. the internet is so small now bc we're all squished into the same sites. we used to be so spread out. we used to be a proper decentralised digital culture