#Sivia | Explore Tumblr posts and blogs

pancake404 · 6 days ago

Text

Speed/Lazuli/Silvia: a Romantic Relationship that's not great...(4)

You know the drill...so let's just get to it.

Previously, I mentioned about this:

To get to the point, this is BS and I'll tell you why, Lazuli and Sivia had not really been shown much to act motherly, as a matter of fact Lazuli doesn't interact much with Sunshine and Silvia once gave her advice to try to get Speed's attention. From their few times interacting with one another, they were either aware of each other or Sunshine views them as older sisters which makes more sense as that's what they've shown so far and having sibling-like relationships is shown within the members of the squad. But now we get this and of course Silvia and Lazuli eventually take on that role. Why?

It's most likely for the ship between Speed(her adoptive father), Lazuli, and Silvia and that's kind of it. I can see it being the only reason why Sunshine would ever refer to either of them as her mother figures and that does annoy me a bit because there is already a character that is far more suited for the role.

Pearl.

Pearl is shown as the motherly, mature figure and takes care of Sunshine when Speed's not there, she makes an active priority over Sunshine and later as well Axel, keeping watch and support for them. I like this about her character and it would've paid off more if instead of Lazuli and Silvia to be known as Sunshine's mothers(for the ship) but rather Pearl as she actually acts like one for Sunshine.

Now to divert a little bit, I would like to mention some other things I hadn't been able to get to yet.

There can be the argument about Lazuli having a bit of a troubled background as she and her sister, Leaf, were forced to leave and were abandoned by their father which to some people, explains and justifies her behavior but I disagree.

Speed doesn't do much wrong, he actively tries to help others and tries to be their older brother because it's how he grew up and how he lived. Lazuli keeps targeting and beating him up for the smallest reasons and though Speed is forgiving, it doesn't justify it especially when Lazuli for a while doesn't stop and acts like it for months straight. Not only that, when given the chance, Speed tries to help her, he offers room for privacy as well as try to understand the best of his ability on the experiences Lazuli had gone through(which compared to some of the other members, isn't all that much).

It's mentioned that Lazuli used to be like Leaf but afterward, she grew up to be a lot more harsher and quick to getting violent which may explain why Leaf stills holds Lazuli highly as Lazuli most likely was protective over her. But what if it was the opposite, that Leaf was the one that grew up like that and treated Flare this way? Would that be okay? Would it be okay for the other characters, because I doubt Speed would see it and think it's normal. Speed would protect Flare and fight, similar to how CC knocked back Flare and Speed imminently rushed to attack.

I said this before but why is her behavior always targeted toward Speed? Why does she not act like this to the other members of the squad alongside characters like Spike? If the relationship was the one we were supposed to root for, wouldn't it better and make more sense for the opposite where Lazuli is aggressive toward everyone else but doesn't act this way toward Speed(and of course Leaf but you get my point)? It makes her actions seem just targeted and realistically, Speed would be gradually more hesitant about forgiving her as she continues this until the vacation where she complains that he dodges and later gets "one more punch."

Then there is SIlvia...

Yeah, she has no excuses for the things she had done, the only thing that could be stretched is her lack of a mother but otherwise, she seems to be living fine, doesn't seem too bothered, and nobody calls her out on her crap.

I may have shown this already but in case I didn't, in Special Chapter Two, Sunshine worries that if she becomes a Sylveon, Speed won't love her because they don't ever get along. Just goes to show that Silvia's actions have an impact as it bothers Speed and makes Sunshine hesitant on evolving to the form she wants as she thinks Speed isn't going to be happy with it and won't love her anymore.

Also, "big sis-Sylveon" which somehow turned into Silvia being seen as a mother alongside the other member who hurts Speed the most.

This relationship stems from the fact that Lazuli keeps up with her behavior for most of the comic, nobody calls out Silvia, and nobody defends Speed. Silvia feels justified for majority if not nearly all of her actions and doesn't question Speed's responses or reasoning and sometimes just ignores them. Lazuli needs more harsher punishments and treatment or at least be actively seen negatively by the members given all they've seen of her is punch, argue, body slam, and attack the one she has a crush on as it is just that obvious and for some reason, Speed just can't see the love in the air, I wonder why? Instead, Lazuli talks about the opposite where everyone is so nice to her despite all she had done to everyone else, but like I argued before, she mainly focuses on hurting Speed and not anyone else. By the way, isn't Speed mainly an older brother for the majority of the characters such as Leaf(who mentions viewing him as a brother and rejects him for that), Flare(actual sibling), Kris(actual sibling), Black(reminds him of Frost but is debatable). and Silvia(at one point but for some reason changed to a romantic relationship)? Are they all just okay of the one of the members that helps take care of them and is relatively a nice and good guy(as well as pay for a lot of stuff) being treated like this? Especially months after they all met up for the first time?

I am thinking of making a post about Speed's abuse and how he's just had it the worst during his time with the squad. Looking at it, it makes me start to think...

Maybe Speed leaving the group for five years according to the future of what was supposed to happen makes a lot more sense than we originally thought.

Oh, I am never forgetting this by the way:

Yes, Speed, what is in fact wrong with you after you finally after all this time(topped with existential crisis) gave Lazuli the biggest punch of a life time and started acting out violently.

Especially when...

this has happened...

Then they have the audacity to say this:

How dare he, really! (In case you didn't get this reference, it's based off of Madvicate's review on the CW Flash Series).

Now then, this marks the supposing end of my review of why this romance is awful and should not have worked, throughout each post, I gave advice on what could've happened and I hope to whoever reads them, they either agree and got convinced or at the very least, got a new perspective.

I hope you enjoyed this long, overly necessary explanation on my opinion over this relationship happening in the comic.

#eeveelution squad #eevee #espeon #jolteon #speedy #sylveon #glaceon #lazuli #silvia #rant

6 notes · View notes

winxwiki · 27 days ago

Text

Iginio Straffi Interview “With my fairies I challenge Disney” by Silvia Brena, translated from Io Donna (10/09/2005)

originally transcribed by Iku, translated by me

Straffi talks about inspirations, his wife, Rainbow's workflow in 2005, their lack of unions and more!

If Winx doesn't ring a bell, it's because you don't have any female daughters. And if you don't know Iginio Straffi from Macerata, don't miss the seven reasons (and the moral) for the success of this 40-year-old creative. Who by staying in the province and marrying a cosmopolitan manager has gone global. “Mr. Rainbow, how does it feel to be one of Disney's most hated people?” Mr. Rainbow, born Iginio Straffi, age 40, from Macerata, does not answer. “You don't feel anything at all?” “I would rather people didn't think badly.” “Tell the truth.” "All right, I feel a certain pride in having annoyed a titan. It's inspiring."

[...]

Sivia Brena: So, Mr. Straffi, who inspired you? Iginio Straffi: “Chatwin, Simenon, Sergio Leone, Ingmar Bergman, movies like Blade Runner. Do I go on?" No, stop. And let's start again. In search of the real reasons and rules behind a phenomenon. [Reason No. 1-the metabolism of speed.] IS: “The first person to diagnose it was my pediatrician. He told my mother, 'Ma'am, your son is healthy, but he has a problem: he goes at 1,000 rpm and never relaxes.'"

SB: Number of emails received per day? IS: “Approximately 200, all ‘processed.’ I attack in the morning with Japan and stop at night with the US. In between, every day is Germany, Singapore and China." SB: Yes, but many are answering e-mails all day long and have not become cartoon kings.... IS: “You want a reason? then I'll give you three. 1) We control the intellectual property of our products: that is, we own our ideas. 2) In order to defend our product, that is, our ideas, we turned them into licensing, this has granted us the rights to all our assets. 3) People working with us come from all over the world. Yes, we have been fast." [Moral: Don't drop your ideas left and right. Protect them, they are better than privacy."]

[Reason #2 - Joanne. That is, what does a tenacious woman do next to a tenacious man]. SB: Yeah, what does she do with him? IS: “She gets married. We did it at the beginning of June. She is my right hand, my support, even moral support. She was the one who opened the markets of Asia for us, who bet with me on the development of licensing."

SB: Nice statement. IS: “It is the truth. My greatest joy is in the evening, at home, summarizing the day together." SB: But aren't you a bit symbiotic? IS: “On the contrary. It's cathartic to be able to be angry or happy as a couple over a success." SB: Never a disagreement, a difference of views? After all, you dragged a cosmopolitan manager from Singapore, who studied marketing at the prestigious Madison college in Wisconsin, deep into the Italic province. IS: “Diversity of views yes, of course. She has an Eastern approach. And American. For her, hierarchy is sacred. For me it is not. She thinks a well-liked leader is not doing his job well. I love consensus."

SB: When don't you see each other? IS: “We write to each other. Emails have been to us what letters used to be. They have kept the relationship alive." [Moral: Find yourself a partner in crime and hard worker. It also helps to save a paycheck."] [Reason #3 - Trust. and shame.] SB: Who believed in you? IS: “The president of Rainbow, Don Lamberto Pigini, an over-80-year-old priest who had a printing business. With him we laid the first brick." SB: Then? IS: “Joanne.” SB: As expected. IS: “And then I work in an atmosphere of trust, it's beneficial. And do you know why? Because I'm not equipped to disappoint. Those who work for me know that." SB: Explain yourself further. Does it have to do with the shame one feels in the face of failure? IS: “It has to do with my mother, who used to repeat to me, ‘Don't shame me, don't make me look bad.’” [Moral: Re-evaluate moms; they're still needed.] [Reason #4 - The team.] SB: How much work is done in your company? IS: “A lot, but hopefully with pleasure.” SB: Is there a union? IS: “No.” SB: No because you don't need it or no because you don't want it? IS: “With us, the key word is passion. No one here is a cog. We are an 'ad personam' company." SB: Boom. IS: “That's how it is. Because everyone sees that their ideas can live. And you work together. Each series, which is developed in six to seven months, has a team of ten designers dedicated to it." SB: Do you yell with your guys? Any mistreating? IS: “I confront. I tend to explain. And I can change my mind after a chat with a collaborator." SB: Do you explain your decisions? IS: “Always. Reason for disagreements with Joanne. She argues that a decision of mine should not be confronted with the opinions of collaborators. But by character I need consensus." [Moral: Aim for the creative philosophy of consensus, helps.] [Reason #5 - Don't give up.] IS: “We went through very hard times. The beginnings, the clash with Disney who accused us of copying their Witch. But then we won, partly because we started thinking about Winx in 2000, with Rai. Witch, the comic book, came out in May 2001." SB: Did you ever feel like quitting? IS: “I didn't mostly because of the guys who work with me.” [Moral: Don't work for yourself alone; be responsible.] [Reason #6 - The creative process.] SB: How does a good idea come about? IS: “I'll tell you how Winx was born. I first got the idea from watching the Japanese Sailor Moon, the story of five little fairies..." SB: You copied! IS: “I was inspired. The creative process comes to life by processing the already seen." SB: I mean, nobody invents anything. IS: “The basic elements of narratives are always the same, the skill is in remixing them. Look at the Japanese: they did Pokémon, then Digimon, then Dragonball." (TRANSLATOR'S NOTE: Iginio probably refers to the italian airing of each show, NOT the japanese airing. We all know Dragon Ball came first, but it aired in 1999-2001 in Italy and then reran every year) SB: A master, a mentor of yours? IS: “Rodolfo Torti and Sergio Bonelli, two greats in the world of comics.” SB: Specifically, what do you do: do you sit down with a pencil in your mouth? IS: “The gestation is very long. It can last even years. I only write when inspiration comes to me." [Moral: Don't get anxious]. [Reason #7 - The Roots.] SB: Let's talk about Loreto. Strange location for a company with a global reach. IS: “We were born here.” SB: Yes, but people migrate. IS: “There's no reason for that. We live better here. We go to the beach on our lunch break. And in the middle of the green you work better." SB: Yes, but you are out of any trade route. IS: “We have e-mails, cell phones, faxes. From a business point of view, yes maybe Milan would be better. But we make it from here as well."

SB: How? IS: “We take young designers from schools like Urbino and train them internally. We hire people from all over the world, there are many foreigners, especially in marketing. They love living and working in the Marche region." SB: But do you feel like a provincial? IS: “Yes, I think so.” SB: Define provincial. IS: “When I can, I like to go to my parents for lunch on Sundays. It's a ritual, it makes me feel good." [Moral: Don't look for Zen and the art of better living in distant philosophies, go back to your own home].

#winx club #iginio straffi #interviews #translations #long post #sorry iku it won't fucking let me post it with the link tumblr is stupid

5 notes · View notes

buttersrikayabyr · 1 year ago

Text

Currently playing on my spotify

#Spotify

2 notes · View notes

fortunetellersdilettante · 2 months ago

Text

19unme

danndshay 19unme

Hanapin ko ang mapa at gumuhit ng isang tuwid na linya Sa ibabaw ng mga ilog, bukid at linya ng estado Ang layo ng A sa kung saan ka B Haba lang ng daliri ang nakikita ko Hinahawakan ko ang lugar Saan ko hahanapin ang mukha mo Ang aking mga daliri sa mga creases Ng malalayong madilim na lugar I hang ang aking amerikana up sa unang bar Walang kapayapaan na hanggang ngayon ay natagpuan ko Ang tawa ay tumatagos sa aking katahimikan Habang ang mga lasing na lalaki ay nakakahanap ng mga kapintasan sa agham Ang mga salita nila karamihan ay mga ingay Mga multo na may boses lang Ang mga salita mo sa aking alaala Ay parang musika sa akin At milya ang layo mula sa kinaroroonan mo Humiga ako sa malamig na lupa at ako Ipagdasal ko na may pumili sa akin At inilalagay ako sa iyong mainit na bisig Matapos kong maglakbay nang napakalayo Gusto naming itakda ang apoy sa ikatlong bar Gusto naming ibahagi ang bawat isa tulad ng isang isla Hanggang sa maubos isara ang aming mga talukap ng mata At pangangarap pick up mula sa Ang huling lugar na iniwan namin Ang malambot mong balat ay umiiyak Isang kagalakang hindi mo maitatago At milya ang layo mula sa kinaroroonan mo Humiga ako sa malamig na lupa at ako Ipagdasal ko na may pumili sa akin At inilalagay ako sa iyong mainit na bisig At milya ang layo mula sa

Au kunea na mape ka droinitaka e dua na laini dodonu Sivia na uciwai, iteitei kei na laini ni yasana Na yawa mai na A ki na vanua o na B kina E dau balavu walega na iqaqalo ni liga au raica Au tara na vanua Na vanua me'u na kunea kina na matamu Noqu iqaqalo ni ligaqu ena iqaqalo Mai na veivanua butobuto yawa Au vakaliligi noqu kote ena imatai ni itikotiko E sega na vakacegu au sa kunea rawa E curuma na noqu galu na dredre Nira kune cala na tamata mateni ena vakadidike E vakavuqa na rorogo ni nodra vosa Yalo ena domo walega Nomu vosa ena noqu vakanananu E vaka na ivakatagi vei au Kei na maile mai na vanua o tiko kina Au davo sobu ena qele batabata kau Au masuta me dua na ka e kauti au cake Ka biuti au sobu ena ligamuni katakata Ni'u sa lako oti vakayawa Keitou na vakadavora na buka ki na ikatolu ni itikotiko Keirau na veiwasei vakai keirau me vaka e dua na yanuyanu Me yacova ni sa oca na luve ni matada Ka tadra mai na Na iotioti ni vanua keirau biuta laivi E tagi na kulimu malumu Na reki o sega ni rawa ni tomana tiko Kei na maile mai na vanua o tiko kina Au davo sobu ena qele batabata kau Au masuta me dua na ka e kauti au cake Ka biuti au sobu ena ligamuni katakata Kei na maile mai na

Eg finni kortið og tekni eina beina linju Yvir áir, bóndagarðar og ríkismarkir Frástøðan frá A til har tú hevði B Tað er bara fingralongdir, eg síggi Eg nerti við staðið Hvar eg hevði funnið títt andlit Fingrar mínir í rukkum Av fjarum myrkum støðum Eg heingi frakkan upp í fyrstu barr. Tað er eingin friður, sum eg havi funnið higartil Láturin gjøgnum mína tøgn Sum fullir menn finna lýti í vísindi Orð teirra ljóða fyri tað mesta ljóð Spøkilsi við bara røddum Tíni orð í mínum minni Eru sum tónleikur fyri meg Og míl frá har tú ert Eg legði meg á kalda jørðina og eg Eg biði fyri, at okkurt tekur meg upp Og setir meg niður í tínar heitu armar Aftaná at eg havi ferðast so langt Vit høvdu sett eld á triðju stongina Vit høvdu verið saman sum ein oyggj Til vit eru útlúgvaðir, lat eygnalokini aftur Og droymir taka upp frá Síðsta staðið, vit steðgaðu Tín bleyta húð grætur Ein gleði, tú ikki kanst halda inni Og míl frá har tú ert Eg legði meg á kalda jørðina og eg Eg biði fyri, at okkurt tekur meg upp Og setir meg niður í tínar heitu armar Og míl frá

Leian kaardi ja joonistan sirgjoone Üle jõgede, talude ja riigiliinide Kaugus punktist A sinna, kus te oleksite B Ma näen ainult sõrmepikkusi Ma puudutan seda kohta Kust ma su näo leiaksin Mu sõrmed kortsudes Kaugetest pimedatest kohtadest Riputan oma mantli esimesse baari üles Siiani pole ma rahu leidnud Naer tungib mu vaikusesse Nagu purjus mehed leiavad teaduses vigu Nende sõnad enamasti müravad Kummitused õiglaste häältega Sinu sõnad minu mälus On minu jaoks nagu muusika Ja miilid sellest, kus sa oled Ma heidan külmale maapinnale pikali ja ma Ma palvetan, et miski mind üles korjaks Ja paneb mind oma soojadesse kätesse pikali Pärast seda, kui olen nii kaugele reisinud Panime tule kolmandale latile Me jagaksime üksteist nagu saart Kuni ammendumiseni sulgege meie silmalaud Ja unistamine kiireneb Viimane koht, kus pooleli jäime Teie pehme nahk nutab Rõõm, mida ei saa hoida Ja miilid sellest, kus sa oled Ma heidan külmale maapinnale pikali ja ma Ma palvetan, et miski mind üles korjaks Ja paneb mind oma soojadesse kätesse pikali Ja miilid

Ik vind de kaart en trek een rechte lijn Over rivieren, boerderijen en staatsgrenzen De afstand van A tot waar je B zou zijn Het zijn alleen vingerlengtes die ik zie Ik raak de plek aan Waar ik je gezicht zou vinden Mijn vingers in de plooien Van verre donkere oorden Ik hang mijn jas op in de eerste bar Er is geen rust die ik tot nu toe heb gevonden Het gelach doorbreekt mijn stilte Zoals dronken mannen gebreken in de wetenschap vinden Hun woorden zijn meestal geluiden Geesten met alleen maar stemmen Jouw woorden in mijn geheugen Zijn als muziek voor mij En mijlen van waar je bent Ik ging op de koude grond liggen en ik Ik bid dat iets me oppakt En zet me neer in je warme armen Nadat ik zo ver heb gereisd We zouden het vuur aansteken bij de derde maat We zouden elkaar delen als een eiland Tot we uitgeput zijn, sluiten we onze oogleden En dromen oppikken van De laatste plek waar we gebleven waren Je zachte huid huilt Een vreugde die je niet kunt binnenhouden En mijlen van waar je bent Ik ging op de koude grond liggen en ik Ik bid dat iets me oppakt En zet me neer in je warme armen En mijlenver van

मिगी नक्शा मिलदा ऐ ते इक सिद्धी लकीर खिच्चदी ऐ नदियें , खेतरें ते राज्य लाइनें पर ए कोला उस थाह् रै तक्कर दी दूरी जित्थै तुंʼदे कोल बी होग एह् छड़ी उंगली दी लंबाई ऐ जिस्सी में दिक्खना आं में थाह् र छूह् न्नां मिगी तुंʼदा चेह् रा कुʼत्थै मिलग मेरियां औंगलियां क्रीज च दूर दे न्हेरे थाह् रें दा में पैह् ली बार च अपना कोट लटकाई दित्ता कोई शान्ति नेईं ऐ जेह् ड़ी मिगी हुनै तक्कर मिली ऐ हास्सी मेरी चुप्पी च घुसी जंदी ऐ जिʼयां के शराबी पुरशें गी विज्ञान च खामियां मिलदियां न उंʼदे शब्द जैदातर शोर सिर्फ अवाजें कन्नै भूत मेरे चेते च तुंʼदे शब्द क्या मेरे लेई संगीत आंह् गर ऐ ते तुस जित्थै ओ उत्थुआं मीलें दी दूरी पर में ठंडी जमीन पर लेटी गेआ ते में में प्रार्थना करनां जे किश मिगी चुक्की लैऐ ते मिगी अपनी गर्म बाह् में च सैट्ट करी दिंदा ऐ में हुनै तक्कर दी जातरा करने दे परैंत्त अस त्रिये बार च अग्ग लाई दित्ती ही अस इक टापू आंह् गर इक दुए गी सांझा करगे जिसलै तक्कर थक नेईं जंदा उसलै तक्कर साढ़ी पलकां बंद करी देओ ते सुखने दिक्खने आह् ले लैओ खीरली थाह् र जेह् ड़ी असें छोड़ी ही तुंʼदी नरम चमड़ी रोआ दी ऐ इक नेही खुशी जेह् दे च तुस नेईं रेही सकदे ते तुस जित्थै ओ उत्थुआं मीलें दी दूरी पर में ठंडी जमीन पर लेटी गेआ ते में में प्रार्थना करनां जे किश मिगी चुक्की लैऐ ते मिगी अपनी गर्म बाह् में च सैट्ट करी दिंदा ऐ ते मील दूर

من نقشه را پیدا کردم و یک خط مستقیم رسم کردم بیش از رودخانه ها، مزارع و خطوط دولتی فاصله از A تا جایی که شما می خواهم ب این تنها طول انگشت است که من می بینم من به اونجا دست ميزنم جايي که صورتت رو پيدا مي کردم انگشتان من در چین از مکان های تاریک دور من کت خود را در بار اول آویزان می کنم هیچ صلحی نیست که من تا حالا پیدا کرده ام خنده نفوذ سکوت من همانطور که مردان مست پیدا کردن نقص در علم کلمات آنها بیشتر سر و صدا ارواح فقط با صدا کلمات شما در حافظه من آیا مانند موسیقی به من و مايل ها از جايي که هستي فاصله داره من روی زمین سرد دراز کردم و دعا می کنم که چیزی مرا بردارد و مرا در آغوش گرم خود قرار می دهد بعد از اینکه تا حالا سفر کردم ما آتش رو به بار سوم شليک مي کرديم ما مثل یه جزیره با هم در میان می گذاریم تا زمانی که خسته بستن ممیز ما و خواب برداشتن از آخرین جایی که رفتیم پوست نرم شما گریه شادی شما نمی توانید در نگه دارید و مايل ها از جايي که هستي فاصله داره من روی زمین سرد دراز کردم و دعا می کنم که چیزی مرا بردارد و مرا در آغوش گرم خود قرار می دهد و مايل ها از

Jeg finder kortet og tegner en lige linje Over floder, gårde og statsgrænser Afstanden fra A til hvor du ville B Det er kun fingerlængder, jeg ser Jeg rører ved stedet Hvor jeg ville finde dit ansigt Mine fingre i folder Af fjerne mørke steder Jeg hænger min frakke op i den første bar Der er ingen fred, som jeg har fundet indtil videre Latteren trænger ind i min tavshed Som fulde mænd finder fejl i videnskaben Deres ord lyder mest Spøgelser med bare stemmer Dine ord i min hukommelse Er som musik for mig Og milevidt fra, hvor du er Jeg lagde mig ned på den kolde jord og jeg Jeg beder til, at noget samler mig op Og lægger mig ned i dine varme arme Efter at jeg har rejst så langt Vi havde sat ild til den tredje takt Vi ville dele hinanden som en ø Indtil udmattede lukker vores øjenlåg Og drømmer at hente fra Det sidste sted, vi slap Din bløde hud græder En glæde, du ikke kan holde inde Og milevidt fra, hvor du er Jeg lagde mig ned på den kolde jord og jeg Jeg beder til, at noget samler mig op Og lægger mig ned i dine varme arme Og milevidt fra

Najdu mapu a nakreslím rovnou čáru Přes řeky, farmy a státní hranice Vzdálenost z bodu A do místa, kde byste byli B Vidím jen délky prstů Dotýkám se toho místa Kde bych našla tvou tvář Moje prsty v záhybech O vzdálených temných místech Pověsím kabát v prvním baru Není tu žádný klid, který jsem dosud našel Smích proniká mým tichem Tak jako opilí lidé nacházejí chyby ve vědě Jejich slova jsou většinou zvuky Duchové jen s hlasy Tvá slova v mé paměti Jsou pro mě jako hudba A míle daleko od místa, kde jsi Lehnu si na studenou zem a já Modlím se, aby mě něco zvedlo A posadí mě do tvé teplé náruče Poté, co jsem cestoval tak daleko Zapálili jsme oheň ve třetím taktu Sdíleli bychom se navzájem jako ostrov Až do vyčerpání zavřeme víčka A snění o vyzvednutí z Poslední místo, kde jsme skončili Vaše hebká kůže pláče Radost, kterou v sobě nemůžeš udržet A míle daleko od místa, kde jsi Lehnu si na studenou zem a já Modlím se, aby mě něco zvedlo A posadí mě do tvé teplé náruče A míle daleko od

0 notes