#Sidibé

[bsidibe]

L’État au pilori lors de la 1ère journée des États Généraux des Centres et Complexes Culturels au Mali [Photos]

[malibuzz]

Assemblée générale élective du seizième (16ème) Conseil de l'Ordre des Architectes du Mali (OAM).

[itswadestore]

By Malick Sidibé.

[ortodelmondo]

Portrait of a family 1960s © Malick Sidibé - Courtesy Leica Gallery Madrid

[toiich]

Bamako, Mali (1960s), by Malick Sidibé

[arinewman7]

Christmas Eve

Photography by Malick Sidibé

Gelatin silver print, 1963

[ethan---ng]

Malick Sidibé

[fashionbooksmilano]

Malik Sidibé Photographs

interview by André Magnin, essay from Manthia Diawara

Hasselblad Center / Steidl Gottingen 2003, 113 pages, 30,5x30,5cm, ISBN 3-88243-973-4

euro 140,00

email if you want to buy booksinprogressmiilano@yahoo.it

 Published to commemorate Malick Sidibé's reception of the 2003 Hasselblad Foundation International Photography Award; the first time the honor was conferred upon an African photographer. Featuring 65 full-page black-and-white plates, reproducing Sidibé's photography; mostly portraits and party photos, from the late '60s through the early '80s. Accompanied by an interview of Sidibé by André Magnin, and essay from Manthia Diawara on the influence of both Black Power and James Brown on the culture of Sidibé's hometown of Bamako, Mali. 

"Malick Sidibé documented an important period of West African history with great commitment, enthusiasm, and insight, focusing on Malian youth in the 1950s and 60s. His portraits and documentary photography captured the unique atmosphere and vitality of an African capital in a period of great euphoria. From the earliest days of the postcolonial period, Sidibé was a privileged witness to a period of tremendous, euphoric cultural change. As a young but well thought-of photographer, he captured a time of paradigm shift and youthful insouciance with a healthy curiosity about the rest of the world, and a valiant sense of pride and confidence in the future. Sidibé learned the basic skills of studio photography as an apprentice before he began making reportage photographs. Since then, he has been devoted to photography. His portraits and documentary photographs, from the late 1950s to the mid-1970s, now bear witness to the cultural and social development of post-colonial Mali. We see joy, hope, beauty, and power in these psychologically captivating images. Sidibé's work, originally intended for an African audience, is a unique memoir and testimony for a world audience."

25/10/24

[acardinalisred]

Malick Sidibe

[imperfectfragilediary]

Malick Sidibé Du thé à la plage 1976

[mauddeep]

[eleonoramilner]

La delicatezza delle forme di Malick Sidibé e il genio trasgressivo di Samuel Fosso al Magazzino delle idee, Trieste 👏

[yvynyl]

Namian Sidibé - Souna

[malibuzz]

Alexis Kalembry Défend une Presse de Vérité et d’Éthique pour la Transition Malienne et l’Alliance des États du Sahel

Lors de la Journée de Réflexion sur les “Humains et les Communs”, tenue le 28 octobre 2024 au Mémorial Modibo Keita à Bamako, Alexis Kalembry, directeur de publication de Mali Tribune, a marqué l’audience par une prise de position forte sur le rôle des journalistes en période de transition au Mali et au sein de l’Alliance des États du Sahel (AES). Face à un auditoire favorable aux nouvelles…

[redgriffun]

Maria of Mars, 2022, digital print

Atong Atem

b South Sudan 1994

Lives works in Australia 2000-current

Display in exhibition Melbourne Now 2022

Atem uses photography to explore migrant culture identity in the African diaspora in Melbourne Australia. Her portraits draw and build on the history of studio photography in Africa, in particular Mali an photographers Malick Sidibé and Seydou Keïta.