#Sid Hemphill

[carlsample8]

Me in the back, middle w/ Mary Ann Jackson and "The Up All Night Blues Band". R.I.P. the late Martin "Big Boy" Grant.

[piesniarze]

ROSA LEE HILL (1910-1968) was from Como, Mississippi, daughter of the great Sid Hemphill. She recorded a handful of songs, the first being captured by Alan Lomax in 1959, then, by George Mitchell in 1967. Her music was firmly in the trance-inducing North Mississippi Hill Country tradition, with titles such as "Pork and Beans," "Bullying Well," "Rolled and Tumbled," and "Count the Days I'm Gone." Her niece was Jessie Mae Hemphill, whose style strongly reflected Rosa Lee's. Beautiful, lonesome, heartbreaking blues. Serdecznie zapraszamy! Vítejte! welcome! priviet! willkommen! and bienvenue! Fremder, étranger, stranger in - music and poetry club - PIEŚNIARZE Wrocław, ul. Szewska 68... najlepsza jest muzyka na żywo :) *wspierajcie lokalnych artystów! Welcome to the smallest and loneliest and unknown - venue on earth! We are providing a stage for some of the world's best songwriters, poets, jazz and folk musicians, the troubadors of modern city folk... Sometimes words and emojis are not enough. SUPPORT YOUR LOCAL LIVE MUSIC ! www.piesniarze.info https://at.tumblr.com/piesniarze/ https://gab.com/groups/68742 https://www.facebook.com/Piesniarze/ https://www.instagram.com/donatpiesniarze/ https://youtube.com//PiesniarzePoezjaMuzyka Nawet jak będzie tylko jedna osoba ale usłyszy coś, co jej poprawi nastrój, albo poprawi życie, albo co się później odezwie jakimś dobrym wspomnieniem i zrobi coś miłego w sercu - to ma sens! To spotkanie ma sens i jest do czegoś potrzebne, do czegoś zmierza :) Z Tobą u nas będzie zawsze inaczej niż byłoby bez Ciebie... #jazz #jamsession #jazzjamsession #pieśniarze #jazzacoustic #jazznadodrą #poezjaśpiewana #folkmusic  #blues #openmic  #muzyka  #wroclaw #jazz #singerssongwriters  #livemusic #folk #muzykanażywo #gitara #AntoniKępiński #jazznadodrą   #trzeźwość  #samotność #acousticmusic  #wiersze #poezja #wiara #polska #poetrycommunity #monar #przemysławgintrowski #blues Photo by George Mitchell. (w: Pieśniarze) https://www.instagram.com/p/Cm6hm7MKjsn/?igshid=NGJjMDIxMWI=

[tinyshe]

   Alan Lomax and Lewis Jones' complete August 15, 1942 recordings of Sid Hemphill and his band, recorded at (or before) a picnic at the "Funky Fives" (also noted by Lomax as "Po' Whore's Kingdom"), outside of Sledge, Quitman County, Mississippi, made under the auspices of the Library of Congress' Archive of Folk Song and Fisk University. Playlist below. Multi-instrumentalist, band-leader and composer Sid Hemphill (1876-1961) was for decades the musical patriarch of the Mississippi Hill Country. He and his band — comprised of Alec "Turpentine" Askew, Will Head, and Lucius Smith; like Sid, all from Panola County, Miss. — were fixtures at dances, picnics, and frolics throughout the Delta and the Hill Country. Alan Lomax recorded Blind Sid in August 1942, near Sledge, Mississippi, where his band was appearing at a country picnic and banging out their breakdowns, marches, and square-dance tunes, as well as several blues ballads composed by Hemphill himself. By that date hundreds of commercial records had been made of the music of the Delta, and the preponderance of those were of or relating to the blues form, with guitar or piano accompaniment. Lomax's were the first made of the Hill Country's local music, and contributed to a broader perspective of black vernacular instrumentation, with their inclusion of the fiddle and banjo of the string band, the fife and drum ensemble, and the cane panpipes or "quills." Lomax recorded Sid and Lucius again in 1959.

Please visit http://bit.ly/1dB7cwe​ for the complete streaming audio of that session, and for more information about Alan Lomax's collections and the Alan Lomax Archive. (Lomax returned to North Mississippi once more in 1978, when he, Worth Long, and John Bishop filmed a session with Lucius and Sid's granddaughter Jessie Mae Hemphill. Search our channel for some of their performances.)

0:00​. Lomax introduction (AFS 6670 A1)

0:53​. The Eighth of January (6670A2) Hemphill, Sid (vocal and fiddle); Smith, Lucius (banjo); Askew, Alec (guitar)

3:43​. Interview with Sid Hemphill about his father, repertoire, instruments, and the Carrier Line. (6670A3)

7:51​. The Carrier Line (6670 B1) Hemphill (fiddle and vocal); Smith (banjo); Askew (guitar)

13:37​. The Roguish Man (part 1) (6670 B2) Hemphill (fiddle and vocal); Smith (banjo); Askew (guitar)

18:57​. The Roguish Man (part 2) (6670 A4) [sic] Hemphill (fiddle and vocal); Smith (banjo); Askew (guitar)

19:56​. Interview with Sid Hemphill about his composition "The Roguish Man" and Jack Castle. (6670 A5)

21:22​. Interview with Sid Hemphill about his composition "The Strayhorn Mob." (6671 A1)

22:30​. The Strayhorn Mob (6671 A2) Hemphill (fiddle and vocal); Smith (banjo); Askew (guitar); unidentified (kazoo)

27:25​. Boll Weevil (6671 A3) Hemphill (fiddle and vocal); Smith (banjo); Askew (guitar)

32:46​. Arkansas Traveler (6671 B1) Hemphill (fiddle and vocal); Smith (banjo); Askew (guitar)

38:27​. Tunings and demo (guitar, banjo, kazoo) (6671 B2)

40:08​. Come On, Boys, Let's Go to the Ball (6672 A1) Askew, Alec (vocal and quills); Lucius Smith or Will Head (bass drum)

41:55​. Come On, Boys, Let's Go to the Ball (6672 A2) Askew (vocal and quills) 

43:35​. Emmaline, Take Your Time (6672 A3) Hemphill (vocal and quills)

46:08​. The Devil's Dream (6672 A4) Hemphill (vocal and quills); Smith (bass or snare drum); Head (bass or snare drum)

49:20​. Leather Britches (6672 B1) Hemphill (fiddle and vocal); Smith (banjo); Askew (guitar)

50:30​. Rye Straw (6672 B2) Hemphill (fiddle and vocal); Smith (banjo); Askew (guitar); Head (bass drum) 

52:38​. So Soon I'll Be At Home (6672 B3) Hemphill (fiddle and vocal); Smith (banjo); Askew (guitar)

54:13​. Jesse James (6673 A1) Artists: Hemphill (fife); Smith (bass or snare drum); Head (bass or snare drum)

55:57​. After the Ball Is Over (6673 A2) Hemphill (fife); Smith (bass or snare drum); Head (bass or snare drum)

57:54​. The Sidewalks of New York (6673 A3) Hemphill (fife); Smith (bass or snare drum); Head (bass or snare drum)

1:00:00​. The Death March (6673 A4) Hemphill (fife); Smith (bass or snare drum); Head (bass or snare drum)

1:01:56​.   John Henry (6673 A5) Hemphill (fiddle and vocal); Smith (banjo); Askew (guitar)

1:05:26​. Keep My Skillet Good and Greasy (6673 B1) Hemphill (fiddle and vocal); Smith (banjo); Askew (guitar)

1:09:00​. Hog Hunt (6673 B2) Hemphill (fiddle and vocal); Smith (banjo); Askew (guitar)

1:13:38​. Soon In the Morning (6673 B3) Hemphill (fiddle and vocal); Smith (banjo)

Sid Hemphill and Lucious Smith.

[1264doghouse]

Sid Hemphill & Lucius Smith

[ttexed]

Rosa Lee Hill: Rolled and Tumbled (1959)

Rosa Lee Hill, guitar and vocal. Recorded by Alan Lomax in Como, Mississippi, September 25, 1959. From "Worried Now, Won't Be Worried Long," one of five albums commemorating the 50th anniversary of Lomax's "Southern Journey" field recording trip. Released in 2010 digitally by Global Jukebox (GJ 1002) and on LP by Mississippi Records (MR 058). 

 Hill was a daughter of the Mississippi Hill Country's composer, multi-instrumentalist, band leader, and musical patriarch Sid Hemphill. Sid taught Rosalie to play the guitar when she was six; by the time she was ten she was playing dances with him. The only two songs she recorded for Alan were marked by a desolate, keening intensity, although by all accounts she was a jolly woman. Her father died in 1961, after which, as blues researcher George Mitchell noted, most of the very musical Hemphills "just didn't feel like playing no more." Rosie hung up her guitar for a time, but by the time Mitchell visited in 1967 she was playing again, and recorded for him a barely less spry version of "Rolled and Tumbled." She died a year later.

[prehistoricsounds]

Jessie Mae Hemphill was born in Senatobia, Mississippi in 1923. Her grandfather was Sid Hemphill and some of her neighbours were Othar Turner, Fred McDowell and R.L. Burnside! She was destined to play the #blues Her albums “She-Wolf” and Feelin’ Good are classics! “Run Get My Shotgun” is a field recording from New Years Eve 1989. Anton Cleary is playing out the front today from around 11am. We’re here until 2pm! #prehistoricsounds #jessiemaehemphill #rungetmyshotgun #biglegalmessrecords https://instagr.am/p/CXmlH5xhQlP/

[fractured-systems]

Drug prices, what goes up must come down.

Breaking down of the cost to develop, manufacture and distrubute pharmaceuticals is a mystifying process. You would think that this would be something that’s transparent. It’s not.  “public outcry ensued after a new, blockbuster drug was marketed at a seemingly exorbitant price”  “ In the summer of 2015, Turing announced that the drug's price would rise from $13.50 to $750 per tablet-a 5,500% increase.” This is concerning for multiple reasons. 

The drug is called Daraprim, it treats protozoal infections in AIDS and cancer patients. These medicines can be an important part of a patients care.  Charging this much is similar to price gouging. Which is illegal in cases of emergency. What I want to know is why is it acceptable in the pharmacutical world? The way we have allowed these drug companies to run unchecked is unacceptable. Legislation should be put in place to stop these corporations from taking advantage of consumers. “The reality is that we have pharmaceutical   companies raising prices on lifesaving  drugs 5,000%. When asked about   those outrageous increases, CEOs are literally laughing in front of Congress.  That needs to change.” 

“As part of their reports, the manufacturers would have had to provide a justification for each price increase, manufacturing and research and development costs for the qualifying drug, net profits attributable to the drug, marketing and advertising spending on the qualifying drug, and other information as deemed appropriate.” Allowing the public to be in the loop about what the  increase allows consumers to be informed on what they are paying for. If the public doesn’t agree with the reasoning I believe that they have the right to use legislation to decrease the price. The cost of important drugs shouldn’t be something that we have 0 input on. 

Hemphill, Thomas A. "Legislating drug price transparency." Regulation, vol. 40, no. 2, 2017, p. 4+. Gale College Collection, link.gale.com/apps/doc/A499653988/GCCO?u=tihsho_b&sid=bookmark-GCCO&xid=6424f62b. Accessed 10 July 2021.

[ptpittman]

Full track listing: 

Advertising record / Len Spencer / Edison Gold Moulded Record: Advertising Record The Dusk Pines / High Plains / Cinderland Dolphins Climb onto Shore for the First Time / Mica Levi & Oliver Coates / Remain Calm Daffodils / Jacaszek / KWIATY Ee Chê / Anna Homler & Steve Moshier / Breadwoman & Other Tales As Much as Possible / Bing & Ruth / No Home of the Mind II / Clara Engel / Your Halo is a Swarm of Bees Ask for the Omega Man / The Fun Years / Ask for the Omega Man / Single Manna / King Woman / Created in the Image of Suffering Th Next Band / Music: Brother Soul Pt. 1 (LP Version) / Eddie Harris / The Reason Why I'm Talking S**t Laurent and Bernadette / Mary Lattimore & Jeff Zeigler / Music Inspired by Philippe Garrel’s Le Révélateur For Piano / Sarah Davachi / All My Circles Run Wood / Cameron Webb & Tayylor Deupree / Wood, Winter, Hollow Exuberant Burning / Earthen Sea / An Act of Love '02: Be True to Your Bar / The Magnetic Fields / 50 Song Memoir Shades of Silence / Nordic Affect / Aerial Requiem for a Reaper / Pillar of Cloud (feat. Thor Harris, Heinz Riegler & Norman Westberg) / Lawrence English / Cruel Optimism Going Away, Won't Be Long / Sid Hemphill and Lucius Smith / Taken by Ascent / Six Organs of Admittance / Burning the Threshold Restore & Slip / Mind Over Mirrors / Undying Color Silent Treatment / Blanck Mass / World Eater AS Truth / Amnesia Scanner / AS Truth - Single BUFFERS=1770 / MASTER BOOT RECORD / C:\>EDIT CONFIG.SYS Classic NU S**t / No UFO's / NU LP For RS Aunchron / Marcus Fjellström / Skelektikon Flist / Oto Hiax / S/T Part 2 / Julius Hemphill / Roi Boyé & the Gotham Minstrels Erie Changys (feat. Radik Tyulyush & Michael Red) / Tanya Tagaq / Erie Changys (feat. Radik Tyulyush & Michael Red) / Single The Gathering / Wrekmeister Harmonies / Light Falls Modern chorusmusic: Lux aeterna / Helmut Franz & Chor des Norddeutschen Rundfunks / Ligeti: Atmosphères The Listener / Jana Winderen / The Listener

(Signal interrupts sourced from the Conet Project)

[tomperanteau]

New article has been published on The Daily Digest

New article has been published on http://www.thedailydigest.org/2017/04/15/shaquille-oneal-will-pay-for-funeral-of-teen-who-shot-himself-on-instagram-live/

Shaquille O'Neal will pay for funeral of teen who shot himself on Instagram Live

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Malachi Hemphill of Forest Park, Georgia accidentally shot and killed himself while streaming on Instagram Live to an audience of friends in a tragic but avoidable mishap that his family hopes no other parents will have to endure. Read Full Article at RT.com [READ MORE HERE]

[abachumangrowth5]

Kirstin Rogers and Kelsey Steller 

Claes, L., Luyckx, K., Baetens, I., Ven, M., & Whittmen, C. (2015). Bullying and Victimization, Depressive Mood, and Non-Suicidal Self-Injury in Adolescents: The Moderating Role of Parental Suppor. Bullying and Victimization, Depressive Mood, and Non-Suicidal Self-Injury in Adolescents: The Moderating Role of Parental Support, 1-10. Retrieved January 31, 2015, from file:///C:/Users/User/Documents/Article%203%20Bullying.pdf

Golmaryami, F., Frick, P., Hemphill, S., Kahn, R., Crapanzano, A., & Terranova, A. (2015). The Social Behavior, and Emotional Correlates of Bullying and Victimization in a School-Based Sample. The Social Behavior, and Emotional Correlates of Bullying and Victimization in a School-Based Sample, 1-12. Retrieved March 22, 2015, from http://eds.a.ebscohost.com/eds/pdfviewer/pdfviewer?vid=2&sid=a4460c40-fc60-4faf-853f-4c49bd098b2b%40sessionmgr4010

[thedeltareview]

New historic marker for Sid Hemphill in Senatobia (at Gabbert Park B)

[normals]

Looking for something to put some spring in your step to help you deal with the inordinate amount of goosesteppers these days? #JessieMaeHemphill did the rate thing - record great electric blues in the coke-soaked 80s! Granddaughter of Sid Hemphill, $17.

[thatsungonnashine-blog]

I found a recording of this song on another banjo compilation as well. This is Lucious Smith, who spent half a century playing with Sid Hemphill, picking "New Railroad". His style of playing is so archaic that it almost sounds avant garde to my dainty modern eardrums, but I love it. Meandering, rhythmic, and hypnotic.

[ozkar-krapo]

Sid HEMPHILL & Lucius SMITH "Old Devil's Dream" (1959)

A remarkable blind musician who could play fiddle, banjo, guitar, jaw harp, piano, organ, quills, and cane fife, Sid Hemphill was born in Como, Panola County, MS, in 1876. He recorded 22 tracks (plus an interview) for Alan Lomax in Sledge, MS, in 1942, followed by two more tracks recorded 17 years later in Senatobia, MS, when Lomax revisited Hemphill in 1959.

[hellhoundmusic]

Global Jukebox Releases 1942 Recordings of Sid Hemphill by Alan Lomax