#Shane Davis

[kryptonbabe]

Superman: Earth One (2010) by J. Michael Straczynski & Shane Davis: A Review

Clark Kent is a reserved young adult, he's leaving his familiar Smallville for Metropolis, looking to find himself, build a life. With an anguished demeanor and sad eyes he navigates the big city unscathed, but never satisfied. There's a veneer of trauma to the story, Clark talks more with his dead father, Jonathan, than to anyone alive in the book. While his parents are pumped to have a superhero son, Clark just wants to give his mother a good life, after his father's passing, and to belong somewhere, anywhere.

This had so much potential bringing this different perspective to the Superman mythos, exploring all these heavier feelings we are more used to seeing in the origins of characters like Batman or Hulk. The thing is that while Batman and Hulk earn their angst, Clark's behavior feels unjustified. It's never clear how his otherness can be an obstacle, his abilities are always described as achievements, he's easily accepted everywhere he goes. He could be depressed and that would be interesting (what to expect when the most powerful being on the planet is not evil, but isn't hopeful at all?), but that is never really mentioned.

Clark's feelings are exposed in dialogues and monologues, but his wallowing seems out of place, his father's death is not traumatic, he had a healthy relationship with his parents, he's a genius, he's super strong, he can make a lot of money really fast, but hmm, I guess everybody always asks where is Superman, but no one ever asks HOW is Superman. He's just sad, and we must embrace this.

There's also a kind of mall goth / 2010s emo to this art style and dialogue, the moodiness, the angst, the aversion to primary colors, the Welcome to the Black Parade palette of the underdeveloped villain. As an emo kid myself, I'd probably have a much better time reading this in 2012, when all was new and darkness was inherently exciting. But now, as an elderly decaying millennial emo, I just feel like I need more than aesthetics to make me interested in a story, invested in a character.

The freezing cold take of "Clark Kent is the costume of Superman" was already old in 2010, this view was popularized by the Kill Bill vol. 2 movie, released in 2004, and it's an oversimplified perception of the character, one that considers certain aspects of his history while ignoring several others, lacking the nuance a character as old as Superman deserves. It's jarring to hear this coming from Clark's mother, at this point in the story he is not Superman yet, he doesn't even know if he will someday choose to wear the cape. When Martha says "the mask is what you'll have to wear the rest of the time" she's disregarding Clark's humanity, the life he lived so far, the bonds he might develop when he's not in Smallville anymore. All of this belittled in front of the bigger goal: to turn Clark into a Superman.

In the flashbacks the couple seem slightly manipulative, Jonathan and Martha's only subject with Clark is about him becoming Superman, which might explain why the boy feels so on edge, as if deep down he's trying to run away from this fate of becoming an all achieving force of nature their parents want him to become. It's his parents who give him the Superman name, the costume and the idea to become a superhero. Clark has so little agency in this story, acting resigned, his intentions vague, it's frustrating.

On a positive note, I really liked the fact that Superman destroys a giant spaceship on board his baby ship, (even though, how exactly he stops a world invasion happening in multiple locations with multiple vessels by destroying only one single ship is never explained), overall the baby ship was a nice touch, the science fiction logic of it was very interesting too.

Superman Earth One felt like a very hopeless post-9/11 Superman story, surface level deep, moody and often bleak, without any of the positive emotional impact of the character. The art is nice though and emo Clark is cute. But I need to cheer up now. Thanks for reading this!

[splooosh]

36

Alex Sinclair - Shane Davis

[artverso]

Shane Davis - Aquaman 

[tomoleary]

Shane Davis and Sandra Hope Green Lantern #36 (2009) Source

Colors by Nei Ruffino

[xmencovered]

Age of X-Man: The Amazing Nightcrawler Vol 1 #5 / Published: June 2019 / Artist: Shane Davis

[classicartverso]

Shane Davis - Shadowman

[daily-selina-kyle]

[willjones7087]

Superman and Wonder Woman by Shane Davis

[comicbooksaregood]

First X-Men

Volume: 1

Issue: 3

Variant Cover: Shane Davis, Edgar Delgado

Marvel

[thirst-for-boys]

[bringbackwendellvaughn]

[kryptonbabe]

I guess it's time to get back to my broody sad-eyes Clark Kent from an alternate universe.

His dad died and he's too good at everything so he's always looking like he's about to cry.

Not feeling the story yet, but the art is pretty and sad boy Clark is an original enough take to keep me going.

This version of the character has three graphic novels, so I gotta check it out.

He's so ethereal looking when he's flying, like a sad butterfly from a Lana del Rey song.

From Superman: Earth One (2010) by J. Michael Straczynski & Shane Davis.

[splooosh]

“Home”

Eddy Barrows - Shane Davis - Alex Sinclair

[artverso]

Shane Davis - Deathstroke 

[tomoleary]

Shane Davis and Mark Morales - Batman Annual #25 (2006) two-page spread, Superboy-Prime revives Jason Todd

Source, source

[graphicpolicy]

Jeremy Bastian, Shane Davis, Laura Martin, David Petersen, Tom Raney, and Jim Starlin are coming to Baltimore Comic Con

Jeremy Bastian, Shane Davis, Laura Martin, David Petersen, Tom Raney, and Jim Starlin are coming to Baltimore Comic Con #BaltimoreComicCon #BCC #BCC2024