#Seymour Duncan Custom 14

[guitarbomb]

ESP 2024 LTD Eclipse SingleCuts with Seymour Duncan

New ESP 2024 LTD Eclipse Guitar Range: Exclusively Featuring Seymour Duncan Pickups ESP’s 2024 guitar lineup features a new single-humbucker genre with the introduction of its LTD Eclipse flat-top models.   ESP 2024 LTD Eclipse These guitars are distinct with their single-cutaway design and Seymour Duncan pickups. The lineup includes four exceptional guitars: three x models and one EC-201FT, each…

[guitar-ijiri-house]

【濃密倍音】 Seymour Duncan SH-14 Custom 5 はどんな音？【ダンカンギターピックアップ解析】 _ ギターいじリストのおうち https://guitar-ijiri.com/blog/data/seymour-duncan-sh-14-custom-5/

[howtoescaperealitymusic]

Allow me to introduce you to my partner in crime: my trusty epiphone les paul. Bought it second-hand in China when I was 14 and it’s been my favourite ever since :: for those interested in pickups: I replaced the stock epiphone ones with Seymour Duncan pickups in 2016. ‘59/custom hybrid for the bridge, whole lotta humbucker for the neck

[luthier]

Guitarra Dreamer NewT, feita por mim para o Holy Grail Guitar Show 2018 e registrada no LWC (Local Wood Challenge) da TheEuropean Guitar Builders. À venda em Copenhagen, Dinamarca 🇩🇰. #Repost from @vintageandrare ・・・ Dreamer NewT from Brazilian luthier, @dreamerguitars aka @celsofreire - for sale on VandR.com. Made for @holygrailguitarshow 2018 for the Local Wood Challenge. A great playing and sounding guitar. Brazilian Cedar body with Imbuia (Brazilian Walnut} top. Imbuia neck with Pau Ferro fretboard, 14" radius. Jescar Stainless Steel frets Schaller 3D Bridge Schaller Locking Tunings Seymour Duncan P-Rails pickups 3 position micro switches for each pickup, with the options, RailHumbucker/P90 Graphtech Black Tusq Nut Luminlay side dots Neck joint with metal bushing system Double action truss rod. #vintageandrare #vandr #dreamerguitars #dreamernewt #luthier #forsale #rareguitars #fineguitars #guitarsofinstagram #celsofreire #luthier #holygrailer #custom #guitar #dreamer #dreamerguitars #guitarporn #handmade #handbuilt #handcrafted #madeinbrazil (at Copenhagen Fine Guitars) https://www.instagram.com/p/BtJR7UpHALu/?utm_source=ig_tumblr_share&igshid=1fwvp6sm5aq19

[nikfix]

Cranking Up the Gain with Neverdie’s Tani Cariño and Bren Pasamba

(Photo source: http://www.redhorsebeer.com/index.php/blogs/article/5-local-releases-to-watch-out-for)

NEVERDIE might be over, but hopefully, posting my gear feature about them isn’t too late. I’ve seen these guys around, and I’m really impressed with what they‘ve done as a unit. They brought the house down the moment they played the first set in their second to the last April 14 at Saguijo, Makati. They played their last gig the week after at Mow’s,  Matalino, Quezon City. The energy and power these guys shared onstage is something I strive to have with the gigs I play. In this gig, I made some new friends with guitarists Tani Cariño and Bren Pasamba.

(This interview was done last month, the week after Garage Morning’s gig with them)

Fun Fact: their bassist Lip Dalangin is my trusted luthier, as well as with my band Garage Morning. 

How did you start making music and playing guitar?

Tani: I started in the late 90’s after my older brother taught me how to play “Basket Case” by Green Day. I guess after that it’s never been the same.

Bren: Originally I wanted to play the drums, but a kit was too expensive and our house at the time wasn't big enough to have space for one... or handle the noise. So as a compromise my mom borrowed an old classical guitar for me instead. But my first real guitar was a Rockstar classical guitar where I learned and played Eraserheads songs.

How did your band start out?

Tani: Neverdie started out as a skate crew. After accumulating enough guys in the crew we decided to form a band. I guess after the last show, we’ll go back to being a skate crew.

Bren: I wasn't supposed to be part of Neverdie initially, just a seessionist. But since my schedule was more flexible, I got in haha.

Who are your main influences? And how did they inspire you to play better?

Tani: I’m a huge Blink guy so my first primary influence would be Tom DeLonge and Mark Hoppus. I also took a bunch of ideas from Rufio, Mock Orange and Moneen. More recently, I’ve been influenced by bands like Title Fight, Transit, You Blew It! and The Menzingers.

All these bands are quite melodic in the midst of grit which is what I lean more into. I love the melodic stuff and I always try to listen to new bands so I can get new ideas from them. My foundation for riffs are the Tom DeLonge influenced ones then I just expand from there.

Bren: As a kid my main influences were Ely Buendia and Tom DeLonge haha. But as I grew older and started discovering more music (thanks to Myspace and Limewire) it introduced me to those who influence my music and playing now. From the top of my head: Taking Back Sunday's John Nolan, Brand New's Jesse Lacey, George Harrison, Nothing's Brandon Setta, Title Fight's Jamie Rhoden, Mong and Diego from andwich, Steve and Pakoy from Typecast, David Gilmour, and Kevin Shields, the guys from You Blew It!, The Flatliners, Joyce Manor, and lastly Beast Jesus' Francis Maria and Raphael Pulgar are my inspirations to play although I'm aware it doesn't show in my playing haha. Listening to the songs they've made just inspire me to play in general, nothing in the terms of technique or technicality, pero their playing gets me in the mood to play.

Tell us more about your music.

Tani: Aside from Neverdie, I also play in Irrevocable and Lindenwood. Unfortunately, both Neverdie and Lindenwood are currently calling it a day for different reasons. I personally felt that us in Neverdie just overstayed our welcome. We decided to just finish the band off and start a new band with a slightly different sound. It’ll be our last show / 2nd full length release on April 21 at Mow’s.

As for Lindenwood, our vocalist just decided he wanted to try different things outside of music. Maybe at some point we’ll be back but at the moment it’ll be good for us to take a break. We put out a full length last year.

I’m currently active in Irrevocable which is a band my girlfriend is also in. Featuring members of Nyctinasty (now 3/3), Behind Bears, Beast Jesus, Past Forward, The Oemons, Browse in Bridge and Disquiet Apartment. We have a Singapore show and an album release coming up. We’re planning more fly shows after that so I hope we pull through!

Bren: Neverdie has and always has been a pop punk band though we are and have been influenced by math rock, emo, post-hardcore, hardcore, etc. So whatever happens after, it will be in the same spectrum. As for my future plans, hopefully I get a job soon after my masters because I've been eyeing so many guitars and pedals online haha. GAS is too strong.

Tell us about your guitars. Which is your favorite one and why?

Tani: I’ve been a Tele player for the longest time but I’ve recently started using Rickenbackers for many reasons. I like how not a lot of people use them and they sound different. I do have to work harder to make them sound amazing but it’s always a great pay off.  They’re durable as well because of the all maple build. Here’s my current lineup of guitars:

1) 2000 Rickenbacker Fireglo 330 – My first Rick. I was actually supposed to trade a bunch of guitars for a 60’s American Vintage Tele but when I saw this in the room of the guy I was trading with, I asked him I could grab this instead and he agreed. Rickenbacker stopped using Bubinga for their fretboards so I’m stoked I was able to grab one. I also got lucky with this one because it has the Toaster pickups.

2) 2014 Rickenbacker Blue Boy 330 – If you ask me, it looks more like a Seafoam Green 330. This one has the High Gain pickups and the newer Caribbean Rosewood fretboard. I like Bubinga but I actually prefer the color and feel of the Caribbean Rosewood more plus it’s sustainable.3) 2007 Rickenbacker Blue Burst 360 – I actually had to ask around for this guitar because I saw the dude from Oh Flamingo! use it. He borrowed it from a friend and I sent that dude a message. This one has the High Gain pickups and Bubinga fretboard. To me, if my 330s feels like a Gibson 335 then this one feels more like a Les Paul.  

3) 2007 Rickenbacker Blue Burst 360 – I actually had to ask around for this guitar because I saw the dude from Oh Flamingo! use it. He borrowed it from a friend and I sent that dude a message. This one has the High Gain pickups and Bubinga fretboard. To me, if my 330s feels like a Gibson 335 then this one feels more like a Les Paul.

4) 2008 Fender Custom Shop Custom Classic Telecaster – My first Custom Shop. I fitted a Miles Anodized Gold pickguard in it. It has the premium ash 1 pc body and the flamed maple neck. Serial number says it’s made in 2005 but the paperwork says it’s 2008. Easily the best Telecaster I’ve ever owned.

5) 2015 Fender Mexico Classic Series 72’ Telecaster Custom – A birthday gift from my folks. I got this in Tom Lee HK. It’s heavily modified at this point. I added Graphtech string trees, Graphtech 3 barrrel saddles, 1 meg pots on the neck, a Bareknuckle flat ’52 on the bridge. I might get a Wide Range neck pickup that’s spec’d more like the vintage ones down the road.

6) 2011 Fender Mexico Blacktop Telecaster – Another birthday gift from my folks. I got this in Tom Lee HK as well. Also, heavily modified at this point. I added Graphtech string trees, Graphtech 6 saddles, Graphtech Nut, Tesla PAF on the neck, Seymour Duncan Prails on the bridge, anodized black Miles pickguard, Ernie Ball knobs. I have a Bareknuckle humbucker sized P90 on the way and I’ll be fitting it on here. I’m also thinking of swapping out the tuners for the locking ones.

7) 2014 Miles Interloper – I have a guitar business called Miles (currently in hiatus) and this is the first prototype. It’s a Jazzmaster body with a telecaster neck. Fitted with a roller bridge, tune-o-matic stoptail, one volume knob and, Seymour Duncan Jazzmaster Antiquities. Pine body and a maple neck with a kamagong fretboard. I used this on the road so much. It’s pretty beat up so it’s retired at this point.  

As for favorites, at the moment it’s both 330s and the Custom Shop Tele. All guitars are fitted with DiMarzio Cliplocks and Elixir Nanoweb strings.

Bren: Initially I was a Les Paul guy until Tani forced everyone in Neverdie to get Telecasters. Prior to that I always dreamt of getting a Les Paul though my first guitar was a Strat copy (which I think is the most common starting point for beginners?). But I discovered and fell in love with Offset guitars, particularly Jazzmasters. I love how they look and feel being a bigger guy. I have a White and tort Squier VM Jaguar, a Red and Tort Squier VM Jazzmaster, a Black and tort Riverhead Jazzmaster, a Miles Guitars Interloper (Telemaster), a Black on Black MICSIS Custom Jazzblaster, and a Black and Gold Fender Blacktop Jazzmaster, my "Number 1", on my rotation. But my current favorites are my Stratocasters. I fell back into them a year ago thanks to Nothing. Whenever I feel like switching things up I use either my Black on Black MIM Fender Squier series Stratocaster or a Cream on tort MIJ Fender Stratocaster. I bought a white on mint SX Stratocaster on a whim because I loved the color haha though I've never used it. Still on the hunt for a Telecustom haha.

Let’s take a look at your pedalboard. What effects do you use live?

I used to run with a bigger pedalboard but after doing one fly show wherein I had to pay for my overweight baggage, I decided it wasn’t worth it anymore especially since I always bring my amps to non-fly shows anyway. Nowadays, I just run with a boost, a small reverb that’s maxed out to act both like a delay and a normal reverb depending on the situation, an amp based OD (or parametric EQ), a tuner and a wireless rig.

For this year, the mainstays on my board are the following:

Shure PGX14 Wireless Unit – My dad gave this to me as a birthday gift back in 2006 if I’m not mistaken. It’s the piece of gear that I’ve had the longest and still use to this day.

Korg Mini Tuner – I’ve been using regular sized Korg Pitchblacks for awhile now so going with the mini tuner just made sense especially since I downsized. I absolutely hate clip on tuners for live use so I just prefer pedal tuners as they react faster.

Vitoos ISO8 – I only got this last week. It’s my first time using an Isolated PSU since I recently got a pedal that requires it. Most PSU’s are made in China so I had no issue with getting a relatively unknown brand. It’s my second Vitoos PSU and I’ve always had a great experience with them. Also helpful when you need to play shows in other countries that don’t use the same power voltage you normally do since it’s rated internationally. Get one at Guitar Pusher. Highly recommended!

Orange Two Stroke – Another pedal I just got this year. I’ve been eyeing this one for awhile now but I couldn’t pull the trigger just yet because It was so confusing to use then one day I just decided to go for it and I’ve been using it ever since. It’s a great Parametric EQ / Clean Boost pedal which dials my tone better and makes use of my amp more. Orange amps are typically dark amps so I use this to raise a bit of the high mids. Probably the most versatile pedal I have because it can do so much it’s insane. You can place it anywhere on the board, you can use it for acoustic or bass, you can turn your single coil guitar into a humbucker or vice versa, you can use it as a regular OD or boost pedal, etc etc. Highly recommended!

For my boost, I switch between a bunch of Wamplers (Euphoria, Pinnacle, Plexi Drive), a 65 Pedals Colour Boost and, a JHS Superbolt. For future fly shows, I might use two Wamplers instead of the Two Stroke. One for boost and the other to act as my preamp since I can’t bring my amps with me. I also have an Orange Amp Detonator which is an ABY pedal. I haven’t used it live but I will if I’m suddenly lacking one guitar player in any band I am. I also use Lava cables.

I also have a separate board at home. I just plug in my live board beside it. For my home board I have a NUX JTC Looper on that for practicing and writing songs. I also have one of the ODs above on it as well so I can play with different tones at home.

Bren: From the guitar I go into my Devi Ever Hyperion to my Snark Tuner then to a Diamond J-Drive MK3, to a TC Electronic Flashback X4, to a TC Electronic Hall of Fame Reverb. This is where my board really ends, but I have 2 loopers at the end: a TC Electronic Ditto and a Boss RC-3. The Ditto I use at home when just playing around, and the RC-3 I use live as a sampler, for comic relief haha.

I’ve seen Tani bring this amazing Orange TH30 Head with a 4x12 cab. What amps do you use at home and live?

Tani: It’s actually a 4x10 cab and I love how it looks like a 4x12. I only started using 10”s last December 2017. I find that the 10” speakers have more detail compared to a 12” so that’s what I’ve been using recently.

I still use my TH30 head and 4x10 cab at home as well as an Orange CR120 head, Orange Dual Terror and an Orange 2x12 open back cabinet. My tube driven Orange heads are setup to have more head room. I placed a 12AT7 tube in the first gain stage rather than a 12AX7 to give the amps a bit more breathing room. All the Orange gear I have sound great both on stage and at low volumes. Tough as nails too.

Bren: I currently have an Ibanez TSA15H paired with a Miles 1x12 Cabinet with Eminence Red White and Blues and an Orange Tiny Terror with an Orange 1x12 Cabinet. I primarily use the Oranges, and mix it up with an Orange Micro Terror as a back-up when I'm feeling lazy. I also have an old Kustom 2x12 Cabinet but it is too bulky to bring to shows.

What are you listening to right now?

Tani: A new record by a band called Fiddlehead released last week called “Springtime and Blind” featuring members of Have Heart and Basement. Scott Sellers of Rufio also put out something new called “The Judge”.

Bren: I've been listening to The Wonder Years’ new album since it came out. Then on rotation I have Daniel Caesar, Citizen, Basement, Modern Baseball, Code Orange and Knuckle Puck when driving. Also Hop Along's new album is good too. I also discovered this new band yesterday called Any Name's Okay, they're good haha. Yeah so far they're who I listen to on a daily basis nowadays.

What advice can you give to your fellow guitar players and musicians who want to play like you do?

Bren: My advice for other players and myself is stop comparing your playing to other people. It'll help you find your own "voice", but it'll help you relax as well as a person and as a musician. Just relax and be comfortable in your own skin... or fingers haha. Learn from those you watch and who's around you, don't compete because it really isn't a competition haha.

Tani: Never skimp out on tuners. Get a high quality pedal tuner because the cheaper ones just don’t react as fast. The more time you tune on stage, the less time you have to play so make sure to get one that tracks well. I’ve had a good experience with the Snark Tuner pedal. I think that’s the cheapest tuner pedal that can track almost as well as a Pitchblack.

Avoid displaying guitars in your room. Keep them in a case when not being used. Always check everything in your gear if it works before the show. Bring a back-up of a back-up because you never know if something will go wrong. Study your gear well to a point that you know if it’s making noise, you can instantly pinpoint the problem. Buy a can of contact cleaner. If it’s making noise, it’s most likely dirty. A quick spray of contact cleaner will usually do the trick.

Practicing regularly with the band is important but it’s also important to practice how to setup and tear down your rig the fastest way possible. I absolutely hate it when bands take so long to setup and tear down.

If you’re going to try and play like someone, don’t just pick one and try to keep an open mind so that you can find your own style in playing.

Most importantly, have fun. If you’re in a band that writes original songs, don’t focus on profit or even if people will like it. Write songs that YOU will like.

[andreetheguitarist]

Aggiornamenti sul Gear

Salve blog-non-seguito!

Tra lavoro, studio e pandemia da Covid-19 non ho un minuto di tempo ma è da troppo che non aggiorno Tumblr!

Partiamo subito con gli aggiornamenti sulla strumentazione, dall’ampli per studio alla pedaliera per le prove.

Alla fine ho scelto di prendere lo Spider V della Line 6: perfetto, bellissimi suoni, tantissimi effetti e simulazioni, looper, metronomo e aux in. Ha dei volumi esagerati e va benissimo per studio.. bisognerebbe prendere un footswitch anche per lui.. 

Dato che per le prove portarmi ogni volta la Helix + la Palmer80 + il FreqOut + la JamMan XT + pedale espressione EHX era troppo (per peso e soprattutto per valore economico) ho optato per prendere una pedaliera e la scelta è tornata “al passato”, la Boss GT-100 e anche la custodia! La uso come uso la Helix, a singoli pedalini e devo dire che ha un suono niente male! Ha tutto quello che mi serve, dalle distorsioni ai delay, al Whammy e Feedbacker e tutti gli effetti che uso nelle nuove canzoni (stay tuned, Dioniso!). Mi piace che abbia pure il looper e il metronomo, inoltre i due display con le icone sono davvero fighi!

Aggiornamento delle chitarre:

La chitarra per le prove

Ho venduto la Telecaster e... ho preso una Schecter Diamon 6 Extreme FR. Ero titubante.. la Schecter mi è sempre piaciuta (marchio usato anche da Synyster) e stavo cercando una chitarra che avesse un marchio differente da quella di sempre (oltre la Jackson) e una forma particolare: bella, blu, con binding, Floyd, H/H. I pickup non erano dei migliori, allora ho modificato quelli della Jackson (davvero bel suono), ho rimosso il logo, li ho smontati, tramutati in pickup splittabili, ricerati e via. PERFETTI! Il manico mi spaventava, è grassotto ma ha un radius da 14″ che lo rende scorrevole.. certo non è la Jackson o l’Ibanez ma davvero comodo! Questa chitarra è quella che “sacrifico” per le prove.

La chitarra metallara!

Eccola qui, ho optato per una Jackson SLX, finalmente una chitarra “tutta nera” (con venature trasparenti, elegantissima) e configurazione H/H. Dato che ha molto spazio nel vano dell’elettronica ho cercato due pickup EMG (85 e 81) e l’ho resa “attiva”, suono davvero molto metal, ma anche nei puliti non mi dispiace! La bellezza di questa Jackson è che ha il compound radius che va da 12″ a 16″, veramente spettacolare. Il floyd è morbidissimo e perfetto, non si scorda mai! Molto metallara e cattiva!

Sound rock, migliorato ampiamente!

Ho cambiato i pickup all’Epiphone Les Paul Custom con due artigianali, beh, che dire? Tutto un altro mondo! Peccato non siano splittabili (ho evitato di smontarli e togliere la cover), altrimenti sarebbe fantastica!

H/H in formato H/S/H? Petrucci Style!

Ho venduto i Seymour Duncan (tutti e 3) per sostituirli nell’Ibanez RG Premium con “un ritorno al passato”: DiMarzio Crunch Lab e Liquifire + il centrale “escluso”: ho acquistato dalla Korea uno speciale (anzi due!) switch a 5 vie, sull’orma di Petrucci, che mi permette di avere le seguenti combinazioni:

Bellissimo poter avere in posizione 5 il neck in parallelo, suono da single coil ma non basso di volume. Ho inoltre modificato la circuiteria per fare in modo di avere un push/pull e splittare sia il bridge che il neck quando voglio. Stesso lavoro l’ho fatto sulla Prestige (escludendo il mid Air Norton) ma lasciandola esteticamente H/S/H. Non escludo di acquistare un battipenna H/H per la Prestige, mi piacerebbe in alluminio spazzolato ma non si trova... quindi opterò per quello nero (vedremo).

Il ritorno a casa

Dulcis in fundo son riuscito a riportare a casa la Fender Showmaster. Era amore, è tornato amore! Un po’ “disastrata” ma niente che non si possa risolvere. Avevo deciso di metterci il Seymour Duncan JB nel ponte ma l’ho venduto, quindi ha un Seymour Duncan SSL-1 nel neck, un Fender vintage coil nel mid e un Fender Einforcer Humbucker al bridge (che ho reso splittabile). Comodissima e bellissima, bentornata a casa!

Unite the Seven!

Eccole qui, tutte e 7, ho comprato uno stand dove averle a portata di mano, già con leva e tracolla! Bellissime anche agli occhi!

Acquisti futuri:

Oltre corde, plettri e forse qualche cavo ho una mezza idea di riportarmi la Fender Stratocaster alla gloria di un tempo. Credo di ricomprare le sellette (ormai arrugginite) e, forse, un set di pickup Wilkinson (un tempo ero fissato col ponte di questa marca) di cui ho letto recensioni davvero fighe. Ma non escludo di lasciare i pickup originali Fender (tutti U.S.A.)!

Vorrei ricomprare un Seymour Duncan SH-5 Custom come ai bei tempi, per la Showmaster e magari anche un altro single coil sempre Seymour Duncan per il mid. L’ontano + i Seymour Duncan sono stratosferici.

Vorrei prendere due pickup “seri” anche per la Schecter e sono orientato verso i Seymour Duncan Distortion ma il neck non si trova facilmente. Dicono siano perfetti per il genere che piace a me... vedremo un attimo! Mi piacerebbero!

Devo prendere un footswitch per lo Spider V e credo sarà uno di questi, dipende dal prezzo:

Utili per cambiare preset e usare il looper da pedale quando studio o, chissà, magari pure in live in piccoli luoghi (Covid-19 permettendo)

Vi ringrazio per l’attenzione, credo che sia tutto! A presto!

Rock on!

Andree

[rendra23]

FS Ibanez J Custom RG 8420 RS (Red Spinnel) 2013. Japan. . . . ➡️African mahogany w/ 4mm AAA flamed maple top & binding. ➡️ Fingerboard material: 2008–2019: Rosewood w/ flamed maple binding 2020: Macassar ebony w/ flamed maple binding. ➡️ Bridge pickup: Seymour Duncan Custom 5 TB-14 (H) Neck pickup: Seymour Duncan Jazz SH-2 (H) . . ☑️ Call or WA Eleven Guitars now for product info, advice and the Best Price: . ☑️📱08174952013 . Please Check Our Web Site click link bio . www.elevenguitarsshop.com #elevenguitarcompany #sebelasbitingcompany #elevenguitars #elevenguitarshop (at Eleven Guitar shop) https://www.instagram.com/p/B_2fA9DFDRm/?igshid=1xivao31obog8

[thethesellingspotworld-blog]

Seymour Duncan TB-14 Custom 5 Trembucker WHITE Guitar Pickup New with Warranty

http://dlvr.it/Qg2dkm

[fenderelectricguitar]

Fender Esquire GT Custom Telecaster Electric Guitar Set Neck w/ Seymour Duncan

$465.00 End Date: Monday Feb-20-2017 4:22:14 PST Buy It Now for only: $465.00 Buy It Now | Add to watch list

[rendra23]

FS Ibanez J Custom RG 8420 RS (Red Spinnel) 2013. Japan. IDR. 20.000.000,- . . ➡️African mahogany w/ 4mm AAA flamed maple top & binding. ➡️ Fingerboard material: 2008–2019: Rosewood w/ flamed maple binding 2020: Macassar ebony w/ flamed maple binding. ➡️ Bridge pickup: Seymour Duncan Custom 5 TB-14 (H) Neck pickup: Seymour Duncan Jazz SH-2 (H) . . ☑️ Call or WA Eleven Guitars now for product info, advice and the Best Price: . ☑️📱08174952013 . Please Check Our Web Site click link bio . www.elevenguitarsshop.com #elevenguitarcompany #sebelasbitingcompany #elevenguitars #elevenguitarshop #ele (at Eleven Guitar shop) https://www.instagram.com/p/B9fi8r9F1_O/?igshid=27mduhejjfoi

[rendra23]

FS Ibanez J Custom RG 8420 RS (Red Spinnel) 2013. Japan. IDR. 20.000.000,- . . ➡️African mahogany w/ 4mm AAA flamed maple top & binding. ➡️ Fingerboard material: 2008–2019: Rosewood w/ flamed maple binding 2020: Macassar ebony w/ flamed maple binding. ➡️ Bridge pickup: Seymour Duncan Custom 5 TB-14 (H) Neck pickup: Seymour Duncan Jazz SH-2 (H) . . . . ☑️ Call or WA Eleven Guitars now for product info, advice and the Best Price: . ☑️📱08174952013 . Please Check Our Web Site click link bio . (at Eleven Guitar shop) https://www.instagram.com/p/B8qrmVPlt0m/?igshid=1s3hzqf0rvwxp

[rendra23]

FS Ibanez J Custom RG 8420 RS (Red Spinnel) 2013. Japan. IDR. 20.000.000,- . . ➡️African mahogany w/ 4mm AAA flamed maple top & binding. ➡️ Fingerboard material: 2008–2019: Rosewood w/ flamed maple binding 2020: Macassar ebony w/ flamed maple binding. ➡️ Bridge pickup: Seymour Duncan Custom 5 TB-14 (H) Neck pickup: Seymour Duncan Jazz SH-2 (H) . . ☑️ Call or WA Eleven Guitars now for product info, advice and the Best Price: . ☑️📱08174952013 . Please Check Our Web Site click link bio . www.elevenguitarsshop.com #elevenguitarcompany #sebelasbitingcompany #elevenguitars #elevenguitarshop #elevenguitar #elevenguitarsjuara #cinangkarockcity #therombengan #fender #ibanezguitars #tomandersonguitarworks #cinangkaguitarheaven #gibsonguitar #dimarzio #gibson #suhr #ibanezprestige #friedmanamp #mesaboogie #taylorguitars #martinguitars #fendercustomshop #suhrguitars #paulreedsmithguitars #recomendedguitarseller #singaporeguitar #elevenguitarjuara (at Eleven Guitar shop) https://www.instagram.com/p/B8K1Hz9lk80/?igshid=dbf5v97f8k7j

[rendra23]

FS Ibanez J Custom RG 8420 RS (Red Spinnel) 2013. Japan. IDR. 20.000.000,- . . ➡️African mahogany w/ 4mm AAA flamed maple top & binding. ➡️ Fingerboard material: 2008–2019: Rosewood w/ flamed maple binding 2020: Macassar ebony w/ flamed maple binding. ➡️ Bridge pickup: Seymour Duncan Custom 5 TB-14 (H) Neck pickup: Seymour Duncan Jazz SH-2 (H) . . ☑️ Call or WA Eleven Guitars now for product info, advice and the Best Price: . ☑️📱08174952013 . Please Check Our Web Site click link bio . www.elevenguitarsshop.com #elevenguitarcompany #sebelasbitingcompany #elevenguitars #elevenguitarshop #elevenguitar #elevenguitarsjuara #cinangkarockcity #therombengan #fender #ibanezguitars #tomandersonguitarworks #cinangkaguitarheaven #gibsonguitar #dimarzio #gibson #suhr #ibanezprestige #friedmanamp #mesaboogie #taylorguitars #martinguitars #fendercustomshop #suhrguitars #paulreedsmithguitars #recomendedguitarseller #singaporeguitar #elevenguitarjuara (at Eleven Guitar shop) https://www.instagram.com/p/B8GDxQtFpa2/?igshid=1pyygodtw910h