#Series being released at that time featuring

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[nsuyeula]

Rundown of the more interesting parts from the Necrits live stream with Christian Linke (Creative Director and Co-Creator of Arcane) :

There was a longer version of the Caitvi sex scene but they got bonked by the ratings people, and because it would have raised Leagues rating to mature, it got brought down to what we got.

The entire Caitvi sex scene was directed and animated by Fortiche with zero input by Riot. Christian says, "That was French people being French."

Riot making Arcane canon didn't change where they were taking characters or the story, it just made them more aware of how it would affect other Riot projects.

Christian refused to confirm exactly when the events of Arcane take place in the existing timeline.

The Arcane doesn't originate from Hextech. It is just one - in universe - interpretation of magic.

Christian doesn't view Viktor and Jayce's love as romantic, and that romance wasn't the intention when writing their relationship. However, by the way he talks, it doesn't seem he's against people shipping them romantically - just as a creative team, they were more interested in exploring a close, complex male friendship / brotherhood.

The 250-million dollar show budget number is not accurate as marketing is included in that fund. Fortiche's goal from the beginning was to bring the level of animation found in feature animated films to serialised content. While the show was very expensive for an animated series, it was way cheaper than an animated feature film because they try and work efficiently. As an example, Christian says how often in Hollywood, it's not uncommon for sometimes 40-50% of what is animated to end up on the cutting room floor while with Fortiche they try and keep it around 5%

Ekko's hair was changed from a mohawk to dreads because the artist who worked on him told them that black hair doesn't work like that (in reference to the mohwak), and here's how it would actually work.

Legends of Runterra affected Arcane in terms of giving the team inspiration for how the everyday street life is for people in the regions.

Caitlyn's LOR Tactical design (2021) and Warwicks VGU Voicelines (2017) were made to reflect what was going to happen in Arcane - production of Arcane just took a long amount of time.

They've said from the beginning that the only person who could ever defeat Viktor at the height of his power was Viktor himself. His story is about the glorious evolution, the pursuit of that, and what it actually means to remove these human elements until there is nothing left.

All projects Riot is working on - whether the MMO, Games, Written or Animated projects - are in talks with one another at all times.

Christian comments on how very few games have remain in service as long as League has, and because of its ever growing and evolving story, it's hard to bring everything together cohesively since everything was made at different times, in different era's, by a multitude of different people. So, while many things may be very cool creatively, it makes it impossible to successfully bring it all together more often than not. So for new projects, they are more focused on making something good and successful with the team and talent they have, even if it retcons or replaces content made in the past.

Christian pitched singing Heimerdinger.

Arcane's scripts for S2 were locked in before S1 was released, so they were not impacted by fandoms or online reactions. Christian thinks maybe some animation choices were influenced by things the animators saw online, but not the story.

When watching the premier of the final arcane episodes in LA - the entire 4000 seat theatre cheered when Maddie died.

The butterfly motif shared between Jayce and Viktor specifically was used to represent transformation.

Christian talked about how they don't think about really whether people will like something or not, but whether it's the right consequence for the story (this is in discussion to Caitlyn losing an eye). What makes a character likeable to an audience in his eyes is their decisions in the story; the choices that they make.

Continuing on from this, he comments on how the choices Caitlyn makes now are so different now compared to the beginning of the show. She is now willing to take risks and sacrifice parts of herself for people, for Piltover and for what is right.

When asked about Caitlyn's signature hat, Christian says that the team saw it as somthing that didn't really fit this version of Caitlyn they were writing and the person she becomes and that's why it was never incorporated into her designs.

Back in the beginning, when they were first working on Arcane, Christian would constantly going back to Jinx and Vi's original design artists & Riot August who was their champion designer to make sure they weren't messing anything up with these characters.

Christian goes on to tell an anecdote of when Paul 'Zeronis' Kwon was drawing the first concepts for Vi. This was back when Christian was in music. She didn't have a name at the time, but when Christian looked over Paul's shoulder at the art, he comments "she kinda looks like a Violet to me." They never spoke about it, but months later, when she became a serious character concept internally, she was gifted the name Vi. To this day, Christian doesn't know if his comment resulted in her name or if it was just a coincidence, but Violet became stuck in Christian's brain as Vi's true name. Riot August (who was in chat) then confirms that her name came from her tattoo, which came from one of her key design elements, being that she had the number 6 on her face. So, just a happy coincidence.

Talking about the tattoo. The tattoo was shrunken in size so, from a distance, it would look more like a beauty mark and the brain can more easily disregard it. One of the many things that they had to think about when translating the designs over as, is animation, you would be looking at a characters face a lot more than you do in league where the camera is situated top down.

As they were wrapping up the stream, Christian talks about how there always needs to be a bit of space between what content creators / content consumers do (pointing at Necrit) and what Riot does. He thinks it's good that there is space for criticism and a critical view of the things Riot does. In order to succeed, he believes they need to listen to their audience but also that they need to have their own vision, take risks, and be bold. It's a delicate balance in his eyes, and projects tend to fail when these two sides are too in cahoots.

He iterates that they are not trying to shove anything down anyone's throats. They are just trying to find what makes these characters cool, tell their stories, and be true to the regions they come from. With taking the characters from League to Arcane, it was important that they translate these stories and characters so they can hold up with the best storytelling in the world.

This circles back to the earlier point about retconning things and replacing past stories and content. He comments on how some characters are very outdated or too archetypal, but they still have an essence that people love about them.

Arcane was something Christian worked on for 9 years, and he was getting clearly emotional near the end. He also adds they're just getting started and he wants to make sure they do a good job with this IP and the characters we really love.

To those who are not happy with certain decisions, he's sorry they didn't hit what you personally wanted, but there is simply no way they can please everybody. While they are trying to make as many of the Riot / Arcane audience happy, they as the creators and artists need to follow their own compass, be the shepherds of this IP; that being creative is hard. They will keep doing that even if they sometimes have to ruffle some feathers.

He closes the stream by confirming that they are investing quite a bit in Noxas, Ionia, and Demacia for the next regions they explore.

[paintingpuff]

So with the terrible Minecraft movie trailer dropping,

I've seen a lot of people bringing up better stories in the world of Minecraft, like Story Mode or the books or the SMPs, but may I add another option that would be a way better use of your time and money than the Minecraft movie (esp cuz its free)?

Animation Vs. Minecraft

(Note: contains out of context spoilers for this series to give you a sneak peek of what's waiting for you)

There's a good chance you've seen the first video, since it's one of the most watched minecraft videos on youtube, made by the same guy who did Animation vs Animator.

But did you know that the stick figures pick the game back up and continue the series?

There are now three completed seasons packed with fun episodic content that naturally blossoms into a larger, engrossing story that amounts to /several hours of animated content/. It's got fun characters, gorgeous fight scenes, and even musical numbers, all told with next to no dialogue!

The whole thing is a love letter to Minecraft, with way more passion and knowledge of the game than WBS.

New episodes would show off the latest updates, like when the main characters explored the ancient cities and lush caves before they were officially released.

There are even homages to the Minecraft animation community, such as the episode featuring Monster School (my favorite part of this is the way they purposefully imitate the old janky animation in Herobrine's movements)

Not a fan of piglins always being villains? While there's certainly some bad piglins in this series (though I'd argue they're under duress), the main cast also befriends some, include this adorable piglin child.

Still not over Reuben's death from MSM? Well they've also got a pig (named Reuben by the community), and it both doesn't die, and occasionally does some badassery himself!

Speaking of the action, this series doesn't just reference minecraft's world and creatures: it expands on the mechanics and worldbuilding, creating avenues for some truly incredible action that can only be achieved within minecraft. It takes full advantage of the medium and world.

My personal favorite example of this is the team's expansion on the Lucky Blocks mod, exploring the idea of a "randomizer" power to its fullest extent.

The action scenes are the kind where you have to watch them five times over because each character is doing something completely unique and fun.

Here is all the episodes of season 1 compiled in one video to get you started, though there are also playlists out there:

All in all, this series is funny, gripping, and adorable, and is worth your attention far better than some corporate schlock.

[nanaslutt]

MINORS AND AGELESS BLOGS DNI

the finale to my mini series of “toji takes it up the ass” featuring the one and only, the lovely, mamaguro!!

“this feels fucking weird.” toji grumbles, knees parted to allow his wife between them.

“don’t curse at me.” mamaguro snaps, pouting while rubbing the lubed tip of the dildo against his hole. “you already stretched your-“

“we don’t have to talk about that right now.” toji cut in, running his hand through his hair while averting his eyes. if he would have known marriage meant letting a woman half his size put on a silicone cock and fuck his ass… well… he probably wouldn’t have changed anything because he’s head over heels for this woman and would unfortunately do anything for her.

but fuck, did she have to have such strange fetishes?

“you know, i like seeing you like this.” she teases, situating herself between his thighs better, trying to get a hang of the strap on.

toji flinches when she presses the head harder against him. “ur just a masochist.” toji grunts, pulling his bottom lip between his teeth when the head of the dildo pops in.

she smiles, a beautiful, irritatingly annoying smile. “don’t like getting a taste of your own medicine, toji?” her eyes fall back to his ass, watching him swallow the toy. “woah, you really did stretch yourself out.” she says in awe when it slides halfway in.

tojis heavy cock bobs against his abdomen, leaking pre-cum like a faucet when she bumps into a special spot inside him. she doesn’t seem to notice him tense, as she keeps pushing it in.

“woah… okay. it’s in, how does it feel?”

when she looks back up, she’s greeted with the sight of her husband biting his fist wish his eyes screwed shut, an iron grip on the base of his cock that won’t stop dripping.

“toji?”

“just- just move.” he grunts breathily.

looking back down at his hole, she places her hands on either side of his body like he does to her, and slowly pulls it out before thrusting back in. it feels a bit weird for her at first, and it seems harder to move at times for some reason.

“toji, is this okay? i don’t know how to use a dick.” she says, slightly giggling.

toji groans and grips her hips, warm hands making her skin burn. “roll your hips up.” he says, pulling her through the motions, helping her fuck him for some god forsaken reason. “aim upwards like you’re trying to touch the-“ he bites his tongue when she hits that spot again.

“was that your prostate, toji?” mamaguro asks, breathing heavily. she’s getting wet just from looking at him, the sight is too erotic.

“how the fuck should i know.” he grunts, removing one of his hands on her hips to grip his cock again.

mamaguro cocks her head and narrows her eyes before doing exactly as he said, rolling her hips in a wavelike motion while aiming upwards. she goes rough on purpose, starting a punishing pace though it’s a bit exhausting already. “i said dont curse at me.” she chastises. “i have a dildo in your ass, i don’t think you want to be mean to me right now.”

toji unwillingly releases a moan, a sound he rarely ever makes. because it’s fucking embarrassing.

he can’t help it when she’s stabbing his fucking prostate with the silicone. an ache forms in his stomach each time she does, it’s hot and heavy and feels like his whole lower half is being stimulated. much different than just touching his cock. and much more intense, by far.

toji clenched his jaw and squeezed his tip, trying to ignore the pleasure, but his eyes unconsciously roll back with each thrust.

“you doin okay?” she teases, smiling before she presses a hand to his chest and trails it down his body. when she stops just under his cock and presses down on his stomach, the strongest wave of pleasure washes over him.

“oh fuck-“ he grunts, his hand gripping her waist tighter.

“toji?” she asks, not slowing her thrusts.

“m-move- fuck- move your fucking h-hand.” words are hard. words are never this hard during sex, but for some reason, he can’t form them each time she puts pressure on his stomach.

“this one?” he wasn’t sure if she knew what she was doing before, but now he knows she’s being a brat on purpose when she presses down hard, and slams the dildo into him.

toji throws his head back and releases his cock to slap a hand over his mouth, covering the pathetic sound that came out.

“fuck, toji.” her abdomen burns from thrusting, and her thighs are sore, but she’s determined to hear that sound again. wrapping a hand around his cock, she jerks it in time with her thrusts and sits back on her heels, humping at his prostate brutally.

“babe-“ tojis words are rushed and he inhales strongly and grips her wrist, stopping her from jerking him off.

“toji let go.”

he shakes his head, so she narrows her eyes and does the only sane thing. putting all of her weight down on his stomach, she fucks the strap into his ass and strokes him off despite his protests.

“fuck- oh my godddd-“ his dick leaks all over her fingers and his head falls back limply, eyes rolled to the back of his head. “you’re- oh shit i’m- you’re in so much trouble f-for-“

“would you just stop talking? jeez. it’s clearly not working very well for you.” she smirks, her hand sloppily jerking his cock. “just take it like a good boy.” when he groans she snickers, loving the feeling of him helpless.

“c-cum- babe. babe it’s too much.” toji’s chin falls back down to stare at her, and there’s a sudden vulnerability in his eyes that makes her stop teasing… only for a moment, though she doesn’t stop her hips nor her hand.

“you’re okay toji, don’t fight it. i know it’s a lot, baby.”

he grits his teeth and keeps his eyes on her. “can’t- god.” his face is so flushed and his head falls back in defeat, obviously embarrassed out of his mind.

“uh huh, yes you can. you’re almost there-“

toji shocks her by grabbing the back of her head and pulling her against his lips. she momentarily stutters in her thrusts but it’s quick to catch up. “kiss me through it.” he pants, a seriousness in his eyes.

with a nod and a verrryyy small, proud smile, she locks her lips with his. his grunts and whines come free now, and she swallows them all down, nodding and whispering encouragement against his lips.

his legs shake around her and his back bows when she pegs his prostate for the final time and he spills between them. she jerks him off through in, breaking their kiss to look between their bodies at his cock that is drenching his torso.

“nggghhh- ugh-“ his moans are so loud, and she’s eating up every last one.

when he comes down and taps her wrist, signaling her to stop, she sits up and stars down at the mess that is now her husband.

when toji opens his eyes, he throws his arm over his forehead and stares at her like she killed his cat, making her smile widen. “sooooo, how did you like it?”

“you’re fucking mean.” he says, borderline pouting.

she laughs, slowly pulling out the strap and making him groan in discomfort. “i was channeling my inner toji.” she teases, wiggling out of the harness.

she plops down on top of him, her large tits squished against his chest as she places her elbows on his pecs and plops her face in her hand, smiling.

“how can such a small thing be so ruthless.” toji grunts, a scowl on his face while he flicks her nose.

“i learned from the best.”

he wraps his arm around her lithe waist, squishing their bodies together. she grimaces when she feels his cum rub all over her.

toji noticed her pull a face and licks her nose, making her pout. “it’s cum, get over it. you made it happen so you suffer the consequences.”

mamaguro heaves a sigh and locks eyes with him. “so…. really… how did u like taking it up the ass?”

toji is quiet for a moment, before he flips her around and pins her body to the sheets. she laughs as he wraps his arms under her back and assaults her neck with kisses and bites. “so fucking mean, you should stay away from me.”

she giggles, caressing his sweaty back. “never.”

[shomatoriashi]

11/10/24; 09:04am

{ 18+ drabbles / headcanons }

[ when you try to break up with them, and they convince you otherwise ]

featuring: sylus, zayne, xavier, rafayel

queued post; published time 02:50pm

[ minors don’t interact; by choosing to interact with this content, you have consented to viewing something n-fw despite the warnings. ]

sylus no longer had the time to be with you, filling his days with various meetings and conferences while you were left to your own devices back at home.

and when your text messages were left unread, coupled along with how your calls would always end up going straight to voicemail-

you decided that enough was enough.

knowing that he had just returned from a business trip last night, you take quick strides towards his office with your suitcase in tow. you had every intention of showing just how tired you were of being neglected by him, and that you were through with being a mere afterthought.

not even bothering to announce your arrival, you grab at the door's handle and fling it open, allowing them to slam against the walls. sylus quirks an eyebrow at you, looking away from the gun he was currently polishing.

"what's this? is my kitten throwing a little tantrum?"

"i'm not your kitten- not anymore." you hiss at him, tossing back your hair while meeting his crimson gaze. "i'm leaving you, and that's the end of it."

a flash of annoyance was seen in his gaze, and he trails his eyes downward, finally noticing the suitcase in your hand.

"is that so?" with a click of his tongue, sylus pushes aside his gun, taking casual strides toward you. when he stands before you, his smirk seems to widen before placing his hand beneath your chin-

yet what you weren't expecting was for sylus to pin you against the wall, tossing aside your skirt while sliding down your panties with his teeth, revealing your soaked entrance to him. as he inserts a finger within your slick heat, thrusting that single digit in and out of you to draw out even more moisture from you, you could no longer resist him-

could no longer ignore just how much you had missed this intimacy with him.

the sensation of it all was enough to make you toss your head back in response, nails gripping at his hair when sylus manages to hold you by the back of your thighs, keeping you upwards using his strength alone before diving into your honeyed sweetness with his tongue. you gasp and unconsciously began moving your hips-

riding his face as your pushed your aching cunt against sylus's eager mouth. using his skilled fingers, he keeps thrusting it in and out of you, drawing out even more of your breathy moans as you felt your abdomen clench in response to your incoming release. within mere seconds, you felt a rush coursing through your veins, climaxing within sylus's awaiting mouth as he groans at there pure taste of you, swallowing all that you had to offer him.

feeling like your legs had effectively turned to jelly, you nearly fell to the ground had it not been for sylus. he keeps you pressed against the wall, using his free hand to unbuckle his belt before pulling his cock out of it. you tremble, seeing the way his lips were still shining from the evidence of your release briefly before crying out to him the moment his cock impales you.

"heh, as if you could ever live without me." sylus speaks to you in harsh tones, fucking you against his wall when his hips harshly met with yours in a series of passionate thrusts. "i won't let you leave me, not when everything i have done was for the sake of your happiness."

even while he was speaking, you couldn't bring yourself to understand him, feeling his cock filling you so well that you gripped him with your walls almost greedily. as if reading your mind, sylus gives you a shit-eating grin, leaning closer to whisper hotly in your ear,

"as if you could live without this cock."

you knew that zayne was a busy man that had big dreams of becoming the best cardiac surgeon in the world-

however, you felt like you were getting in the way of zayne achieving his dreams.

it wasn't like zayne was ignoring your calls, or remained unavailable because he was ignoring you. that was never the case when it came to him. in fact, you understood that he spent most of his days performing surgeries that would save lives-

and he shouldn't have to deal with you when you felt like you were nothing more than a distraction for him.

when evening came, you arrive at akso hospital with a solemn expression on your face. in your hand was a bag filled with various dishes you had prepared for him. this would be your final act of love and kindness for him before you broke it off with him.

arriving at his office, you felt your throat clench up with anxiety, knowing that what you were about to do was by far your hardest feat yet.

taking a moment to gather your thoughts, you breathe in deeply before knocking at his door. a faint 'come in.' was heard coming from the other side when you invited yourself inside his office.

zayne was settled in front of you, remaining seated at his desk all while appearing worn out. his hair was messy, like he had run his hands through them many times throughout the day. once you shut the door, zayne sees your figure approaching and gives you a tiny smile, "hello darling... what brings you here?"

you couldn't bring yourself to meet his gaze, settling the packed meal off to the side before admitting to him, "z-zayne, you deserve better than me."

shock was written all over his face when he stands from his seat, "what do you mean?"

you shake your head while clenching your eyes shut, "i mean- you're someone who surpasses me. you save lives with what you do, a-and i just feel like a distraction to you and your dreams. that's why, i'm break-"

however, your words were cut off when zayne grips at your chin before pressing his lips against yours in a searing kiss. it was enough to make your mind go hazy, forgetting all about what you wanted to say to him when he delves his tongue into your mouth. your respective tongues fought for dominance, and you were losing this battle against him.

"z-zayne, stop, i-i can't think clearly when you do t-this."

zayne let's out a sound between a grunt and a groan, "then don't think, just feel."

and just feel you did.

all forms of coherency were lost the moment zayne places you on top of his desk, shoving aside all of his paperwork before kneeling before you. with your pants off, zayne spreads your legs all while pocketing your panties, wasting no time when he shoves his face within your slick heat.

his tongue was felt tracing at your pussy lips, making you cry out as your hands automatically delve themselves into his hair. you tried to bite down at your bottom lip, not wishing for anyone to see you in this compromising position with your exboyfriend.

knowing the ins and outs of your body intimately well, zayne was able to curve his fingers and swirl his tongue within the depths of your walls. he expertly draws out your honeyed arousal with a groan, and with a final pinch felt at your bundle of nerves, you released yourself completely into his hot mouth.

the intensity of your orgasm kept you in a daze, making you dimly aware of the sounds of shifting fabric before something hot and velvety was felt pressing against your entrance. a single grunt of your name was all the warning you were given when zayne pushes his cock inside of you, not stopping until he was completely sheathed.

zayne sets a steady pace, gripping at your clothed chest while ramming his cock in and out of you. he was panting, unable to ignore the sensation of your tight walls gripping him so sweetly when he tells you-

"i won't let you leave me... not when you're the only thing that keeps me grounded in this world."

you knew that your boyfriend's life was not only busy, but filled with danger as well.

it wasn't easy, working as a hunter while coming home exhausted nearly every single day. and despite how lonely you felt without him by your side, you figured it was best to end things now before it got too serious.

your heart was still a wreck at the thought of it all, because really, could you break things off with someone sweet like xavier? could you bear the thought of seeing his innocent, blue eyes filling with tears as you broke it off with him?

but at the same time, wouldn't he be better off without you? where he wouldn't need to think about your happiness-

your heart jumps within your chest when you heard the sounds of the door unlocking, revealing xavier as he alerts you of his return. tired, blue eyes met with your panicked gaze, and you felt so anxious that you simply blurted out-

"let's break up."

the sleepy quality of his eyes were gone now, with xavier standing up rigidly, "what?"

you refuse to meet his gaze, afraid that you would turn into a coward and back out. choosing instead to ignore him, you began to ramble all while gathering your belongings together, "it's just, well, you work all the time, and it wears you out. it feels unfair of me to take away all of your time and i just- you deserve less stress in your life, and i'm certainly not helping, being a burden and all, a-and-"

your rants were cut off when xavier stands behind you, wrapping his arms around your front before picking you up. a flustered expression was seen on your face, and you tried to wiggle yourself out of his embrace-

only to feel xavier's arms tighten around you, ignoring your protests when he enters the bedroom before placing you on the bed.

"we are not over." xavier speaks to you in a matter-of-fact tone. "and just to prove that you're wrong..."

he hums, eyes never once looking away from you even as he places his hands down the waistband of your pants, making you gasp when you feel his calloused hands touching at the border of your entrance. "you're not a burden to me... you never were, and you never will be."

you end up gasping while arching your back against the bed, feeling xavier's slender fingers dip inside of you. he thrusts his fingers in and out of your slickness all while pinching at your clit. unable to stop him, you were only able to grip at his biceps, your back arching against the bed as xavier thrusts his fingers in and out of you. the overwhelming sensations of pleasure were almost too much for you to handle-

yet xavier refuses to stop.

he keeps on toying with your aching core, drawing out even more moisture from you when you suddenly released yourself against the palm of his hands just mere seconds later. letting out a hum of your name, xavier extracts his hand from your now soaked panties, admiring the shiny quality of his fingers as evident of your release.

curious blue eyes admire his stained fingers for a moment before putting it in his mouth to lick it clean. "hng... so sweet..." he meets your flustered gaze, blue eyes now eclipsed with darkness as evident of his desire. "i need more..."

filled with desperation and need for you, xavier grips at your clothes, seeming to rip them away from your body before tossing it in a pile on the ground. with both of your bodies left bare, xavier wastes no time when placing his face between your legs, devouring your soaked core a man starved-

and when he manages to thrust his cock within your silken walls, let's just say you both forgot about your talk of breaking up.

"let's forget all this talk about us being over... and have you ride my face instead."

your eyes go wide upon hearing rafayel's bold words, and you found yourself at a standstill now.

knowing rafayel's passion for art, you felt like you had gotten in the way of his work. there were times where you felt like you were a nuisance to him, especially when he had to stop working on a commission each time you came over, or even called him, voicing your desires to be with him.

despite how rafayel never minded sharing his time with you, your anxieties kept telling you otherwise, the scathing voice in your mind filling your heart with doubt.

like how you were simply an unnecessary distraction for him-

that you were someone that got in the way of his work and dreams-

that rafayel never needed you.

deep down, you knew that your boyfriend never viewed you in such a manner because of how much he loved you-

yet in the end, you allowed your deprecation to win, convincing both your heart and mind that rafayel was only with you out of pity.

but when you tried to break things off with him-

rafayel simply met your gaze while demanding that you ride his face instead.

were you missing something?

"rafayel, didn't you hear what i just said? we're ov-"

"oh i heard you loud and clear, alright. i just refuse to do it." the young lemurian purposely cuts off your words all while giving you a come hither movement with his hand, "now, why don't you be a good girl and ride my face instead?" rafayel was practically purring at you, "i know my princess just feels a little stressed, and she didn't mean to say all those mean things to me."

your traitorous body clenches in response to his seductive words, with your heart racing out of his chest the moment rafayel takes off his shirt. seduction was seen in his gaze when he pulls down his pants and boxers, not stopping until he was utterly bare for you. your eyes immediately see the way his cock slowly became erect for you, making your mouth water at the sight.

swallowing thickly, you could do little than to allow rafayel to grip at your hand, leading you back towards the bed. giving you a wink, rafayel grips at your backside before giving it an audible smack, "you know what you want to do, princess."

your boyfriend was smirking at you, letting out one last hum of your name before laying down in bed. your heart begins to skip its beats as you trail your eyes down to his cock once more, your cunt clenching at the sight of how it twitched in anticipation, waiting for you.

with trembling fingers, you shakily unbutton your blouse, allowing the thin fabric to fall to the ground as your shorts and panties follow suit. when you were left in your bra, you sigh and unclasp it, tossing it to the ground before climbing on top of the bed.

rafayel's gaze turns hungry when he sees your figure approaching him. "that's it, that's my girl." he grips at your wrist, pulling your body toward him as he slides you until your soaked entrance was directly over his face.

"fuck, such a pretty little flower..." you nearly fell on top of him when his finger traced at your pussy lips, teasing you as a rich chuckle escapes from his lips. "all wet and ready for me... come on, princess, you know what you want to do."

unable to resist him any longer, you bite down on your bottom lip and land on top of his mouth, rubbing your slick walls over his mouth. you shiver upon feeling his groan vibrating through you, tossing your head back as his tongue manages to travel inside of you, massaging at your slickness.

"hah..." you felt breathless, your thighs already squeezing rafayel's head as you tried to chase your high. no longer thinking about anything that wasn't rafayel's face buried within your sweet cunt, you continued to ride him, tossing your head back each time his tongue tried to reach even deeper inside of you.

your moans and his muffled grunts were all that you could hear, and when you tried to quicken your pace-

you found yourself needing something bigger to help with assuaging the painful ache between your legs. looking behind, your eyes widen upon seeing the way rafayel's hand desperately gripped at his cock, giving it quick and fast strokes while his tongue kept delving into your core.

not even fully comprehending your actions, you lazily got off of his face, purposely rubbing your wet heat down his chest as rafayel struggled to sit up, "princess? why'd you stop?"

but you ignore his question, not stopping your slow descent across his body until your slick walls gripped at the underside of his cock. you bask in the way the veins seemed to pulse against you, making you let out a dreamy sigh when you gently gripped at his shaft.

"b-baby-"

a low hiss was heard coming from rafayel when you slap his cock against your entrance for a few brief moments before holding it in place, allowing yourself to sink down on him. the young artist ends up tossing his head back at the sensation, letting out a string of curses, "fuck yes! that's it princess, that's it... my pretty girl..."

rafayel was left a babbling mess now, praising you in an almost drunk manner the moment you kept bouncing yourself up and down his cock. "that's my good girl, such a good girl f'me...- fuck!"

you loud cries and whiny moans echo throughout the room, and you rode rafayel's cock with a reckless abandon, earning a smirk from him when he manages to tell you,

"this is where you belong, princess, right here, bouncing up and down on my cock."

end notes: my thirst for my fave lads men have returned 🫠 i swear i had this in my drafts since early october, so im happy that i was able to think of a good plot for it just now ;A;

all stories are written by rei; please do not repost, plagiarize, or translate my works!!

[waitingonher]

because i love you — [hoo boys headcanons]

summary: your "thing" with the hoo boys!

author's note: in honor of the pjo series coming out today,,have this rlly rlly short draft from earlier this year! xoxo

percy jackson — doodling on him

“give me your hand.”

“yes ma’am.”

minutes pass as you doodle gods know what onto percy’s hand. you always resort to this whenever the camp head counselor's meeting begins late—which seems to be every meeting—and giving percy "tattoos" certainly kills time. last meeting, you drew a can of beans and the time before that, was a bouquet of tulips. so honestly his guess being a pair of socks this time isn’t too far of a reach.

“okay, done,” you release his hand, a proud smile gracing your features, “cute right?”

he quirks a brow upon seeing the drawing, “is that…” percy turns his head to the side, gaining better perspective, “is that a flying fish?” 

“wow, you’re good,” you say, giving him a nod of approval, “although, last time you did say that my can of beans looked like a roll of toilet paper…” 

your boyfriend throws his hands in the air, “in my defense, you used a shitty pen so it was hard to tell.” 

“whatever.” 

jason grace — sewing your initials on his clothes

“hi love,” jason says, plopping down beside you on the couch. you give him a bright smile as he places a gentle kiss on your head, “almost done?” 

nodding proudly, you hold up his pair of jeans to show him your work: your initials sewn onto a corner of his back pocket, “yup, just finished actually! what do you think of the color? i think you bought the thread for me on our second date. but i totally forgot i had it until i went digging in my supply box.” 

a grin plasters itself on jason’s face as he nods his head in realization, “i knew the color seemed familiar. i remember wondering why a tiny spool of thread was so expensive. but it’s perfect, i love it,” he kisses your cheek, “all my friends are gonna be so jealous that they don’t have their girlfriends’ initials sewn onto their clothes.” 

you laugh as you imagine jason vehemently bragging about his jeans to all his friends, “tell them i’m charging $50 if they want me to do theirs,” you wink. 

“we’d make more than the stolls’ and their smuggling business if we did that,” he laughs, admiring your work once more. who knew that having your initials on his pants would have such an affect on him, “also, can you do my sweaters and my other jeans?"

you raise a brow, "i might have to start charging you at this point."

leo valdez — impromptu fashion shows

“wow!” you clap enthusiastically, “your outfit even puts paris fashion week outfits to shame!” yes, because a rainbow checkered crop top with a humongous green tutu and a pink boa paired with insanely skinny stilettos beats any and all high fashion runway outfits, “now, leo valdez, can you give us a few words about your new clothing line? and possibly a bit about what it’s like to be so amazingly talented?” you inquire, raising an invisible microphone to his mouth. 

leo oh-so humbly bows and rises with a proud grin, “thank you, thank you, but i honestly must give all credit towards my beautiful muse, y/n, she’s the inspiration behind my new line. and about being so talented, it really is such hard work to be this naturally gifted.”

“ooh, do tell about this ‘y/n.’ i’ve never heard of her but she does sound absolutely gorgeous!” you exclaim, keeping up with the act. 

your boyfriend nods firmly, “oh yes, she’s very, very, very beautiful,” adding a playful wink, “but i must say, she has the worst morning breath i’ve ever encountered!” 

your smile drops and you squint your eyes, “i’m going to choke you with that stupid ugly boa if you don’t take that back right now.” 

“uh ma’am,” leo backs up nervously, clutching his boa, “i’m going to have to call security if you threaten me again.” 

"i'm seriously going to kill you."

[renthony]

Nimona: a Story of Trans Rights, Queer Solidarity, and the Battle Against Censorship

by Ren Basel renbasel.com

The 2023 film Nimona, released on Netflix after a tumultuous development, is a triumph of queer art. While the basic plot follows a mischievous shapeshifter befriending a knight framed for murder, at its heart Nimona is a tale of queer survival in the face of bigotry and censorship. Though the word “transgender” is never spoken, the film is a deeply political narrative of trans empowerment.

The film is based on a comic of the same name, created by Eisner-winning artist N.D. Stevenson. (1) Originally a webcomic, Nimona stars the disgraced ex-knight Ballister Blackheart and his titular sidekick, teaming up to topple an oppressive regime known as the Institution. The webcomic was compiled into a graphic novel published by Harper Collins on May 12, 2015. (2)

On June 11, 2015, the Hollywood Reporter broke the news Fox Animation had acquired rights to the story. (3) A film adaptation would be directed by Patrick Osborne, written by Marc Haimes, and produced by Adam Stone. Two years later, on February 9, 2017, Osborne confirmed the film was being produced with the Fox-owned studio Blue Sky Animation, and on June 30 of that same year, he claimed the film would be released Valentine’s Day 2020. (4)

Then the Walt Disney Company made a huge mess.

On December 14, 2017, Disney announced the acquisition of Twenty-First Century Fox, Inc. (5) Industry publications began speculating the same day about Blue Sky’s fate, though nothing would be confirmed until after the deal’s completion on March 19, 2019. (6) At first it seemed the studio would continue producing films under Disney’s governance, similar to Disney-owned Pixar Animation. (7)

The fate of the studio—and Nimona’s film adaptation—remained in purgatory for two years. During that time, Patrick Osborne left over reported creative differences, and directorial duties were taken over by Nick Bruno and Troy Quane. (8) Bruno and Quane continued production on the film despite Blue Sky’s uncertain future.

The killing blow came on February 9, 2021. Disney shut down Blue Sky and canceled Nimona, the result of economic hardship caused by COVID-19. (9) Nimona was seventy-five percent completed at the time, set to star Chloë Grace Moretz and Riz Ahmed. (10)

While COVID-19 caused undeniable financial upheaval for the working class, wealthy Americans fared better. (11) Disney itself scraped together enough to pay CEO Bob Iger twenty-one million dollars in 2020 alone. (12) Additionally, demand for animation spiked during the pandemic’s early waves, and Nimona could have been the perfect solution to the studio’s supposed financial woes. (13) Why waste the opportunity to profit from Blue Sky’s hard work?

It didn’t take long for the answer to surface. Speaking anonymously to the press, Blue Sky workers revealed the awful truth: Disney may have killed Nimona for being too queer. The titular character was gender-nonconforming, the leading men were supposed to kiss, and Disney didn’t like it. (14) While Disney may claim COVID-19 as the cause, it is noteworthy that Disney representatives saw footage of two men declaring their love, and not long after, the studio responsible was dead. (15) Further damning evidence came in February of 2024, when the Hollywood Reporter published an article quoting co-director Nick Bruno, who named names: Disney’s chief creative officer at the time, Alan Horn, was adamantly opposed to the film’s “gay stuff.” (16)

Disney didn’t think queer art was worthy of their brand, and it isn’t the first time. “Not fitting the Disney brand” was the justification for canceling Dana Terrace’s 2020 animated series The Owl House, which featured multiple queer characters. (17) Though Terrace was reluctant to assume queerphobia caused the cancellation, Disney’s anti-queer bias has been cited as a hurdle by multiple showrunners, including Terrace herself. (18) The company’s resistance to queer art is a documented phenomenon.

While Nimona’s film cancellation could never take N.D. Stevenson’s comic from the world, it was a sting to lose such a powerful queer narrative on the silver screen. American film has a long history of censoring queerness. The Motion Picture Production Code (commonly called the Hays Code) censored queer stories for decades, including them under the umbrella of “sex perversion.” (19) Though the Code was eventually repealed, systemic bigotry turns even modern queer representation milestones into battles. In 2018, when Rebecca Sugar, creator of the Cartoon Network series Steven Universe, succeeded in portraying the first-ever same-sex marriage proposal in American children’s animation, the network canceled the show in retaliation. (20)

When queer art has to fight so hard just to exist, each loss is a bitter heartbreak. N.D. Stevenson himself expressed sorrow that the world would never see what Nimona’s crew worked so hard to achieve. (21)

Nimona, however, is hard to kill.

While fans mourned, progress continued behind the scenes. Instead of disappearing into the void as a tax write-off, the film was quietly scooped up by Megan Ellison of Annapurna Pictures. (22) Ellison received a call days before Disney’s death blow to Blue Sky, and after looking over storyboard reels, she decided to champion the film. With Ellison’s support, former Blue Sky heads Robert Baird and Andrew Millstein did their damnedest to find Nimona a home. (23)

Good news arrived on April 11, 2022, when N.D. Stevenson made a formal announcement on Twitter (now X): Nimona was gloriously alive, and would release on Netflix in 2023. (24) Netflix confirmed the news in its own press release, where it also provided details about the film’s updated cast and crew, including Eugene Lee Yang as Ambrosius Goldenloin alongside Riz Ahmed’s Ballister Boldheart (changed from the name Blackheart in the comic) and Chloë Grace Moretz as Nimona. (25) The film was no longer in purgatory, and grief over its death became anticipation for its release.

Nimona made her film debut in France, premiering at the Annecy International Animation Film Festival on June 14, 2023 to positive reviews. (26) Netflix released the film to streaming on June 30, finally completing the story’s arduous journey from page to screen. (27)

When the film begins, the audience is introduced to the world through a series of illustrated scrolls, evoking the storybook intros of Disney princess films such as 1959’s Sleeping Beauty. The storybook framing device has been used to parody Disney in the past, perhaps most famously in the 2001 Dreamworks film Shrek. Just as Shrek contains parodies of the Disney brand created by a Disney alumnus, so, too, does Nimona riff on the studio that snubbed it. (28)

Nimona’s storybook intro tells the story of Gloreth, a noble warrior woman clad in gold and white, who defended her people from a terrible monster. After slaying the beast, Gloreth established an order of knights called the Institute (changed from the Institution in the comic) to wall off the city and protect her people.

Right away, the film introduces a Christian dichotomy of good versus evil. Gloreth is presented as a Christlike figure, with the Institute’s knights standing in as her saints. (29) Her name is invoked like the Christian god, with characters uttering phrases such as “oh my Gloreth” and “Gloreth guide you.” The film’s design borrows heavily from Medieval Christian art and architecture, bolstering the metaphor.

Nimona takes place a thousand years after Gloreth’s victory. Following the opening narration, the audience is dropped into a setting combining Medieval aesthetics with futuristic science fiction, creating a sensory delight of neon splashed across knights in shining armor. It’s in this swords-and-cyborgs city that a new knight is set to join the illustrious ranks of Gloreth’s Institute, now under the control of a woman known only as the Director (voiced by Frances Conroy). That new knight is our protagonist, Ballister Boldheart.

The film changes several things from the original. The comic stars Lord Ballister Blackheart, notorious former knight, long after his fall from grace. He has battled the Institution for years, making a name for himself as a supervillain. The film introduces a younger Ballister Boldheart who is still loyal to the Institute, who believes in his dream of becoming a knight and overcomes great odds to prove himself worthy. In the comic, Blackheart’s greatest rival is Sir Ambrosius Goldenloin, with whom he has a messy past. The film shows more of that past, when Goldenloin and Boldheart were young lovers eager to become knights by each other’s side.

There is another notable change: in the comic, Goldenloin is white, and Blackheart is light-skinned. In the film, both characters are men of color—specifically, Boldheart is of Pakistani descent, and Goldenloin is of Korean descent, matching the ethnicity of their respective voice actors. This change adds new themes of institutional racism, colorism, and the “model minority” stereotype. (30)

The lighter-skinned Goldenloin is, as his name suggests, the Institute’s golden boy. He descends from the noble lineage of Gloreth herself, and his face is emblazoned on posters and news screens across the city. He is referred to as “the most anticipated knight of a generation.” In contrast, the darker-skinned Boldheart experiences prejudice and hazing due to his lower-class background. His social status is openly discussed in the news. He is called a “street kid” and “controversial,” despite being the top student in his class. The newscasters make sure everyone knows he was only given the chance to prove himself in the Institute because the queen, a Black woman with established social influence, gave him her personal patronage. Despite this patronage, when the news interviews citizens on the street, public opinion is firmly against Boldheart.

To preserve the comic’s commentary on white privilege, some of Goldenloin’s traits were written into a new, white character created for the film, Sir Thoddeus Sureblade (voiced by Beck Bennett). Sureblade’s vitriol against both Boldheart and Goldenloin allowed Goldenloin to become a more sympathetic character, trapped in the system just as much as Boldheart. (31) This is emphasized at other points in the film when the audience sees Sureblade interact with Goldenloin without Boldheart present, berating the only person of color left in the absence of the darker-skinned man.

The day Boldheart is to be knighted, everything goes wrong. As Queen Valerin (voiced by Lorraine Toussaint) performs the much-anticipated knighting ceremony, a device embedded in Boldheart’s sword explodes, killing her instantly. Though Boldheart is not to blame, he is dubbed an assassin instead of a knight. In an instant, he becomes the most wanted man in the kingdom, and Queen Valerin’s hopes for progress and social equality seem dead with her. Boldheart is gravely injured in the explosion and forced to flee, unable to clear his name.

Enter Nimona.

The audience meets the titular character in the act of vandalizing a poster of Gloreth, only to get distracted by an urgent broadcast on a nearby screen. As she approaches, a bystander yells that she’s a “freak,” in a manner reminiscent of slurs screamed by passing bigots. Nimona has no time for bigots, spraying this one in the face with paint before tuning in to the news.

“Everyone is scared,” declare the newscasters, because queen-killer Ballister Boldheart is on the run. The media paints him as a monster, a filthy commoner who never deserved the chances he was given, and announce that, “never since Gloreth’s monster has anything been so hated.” This characterization pleases Nimona, and she declares him “perfect” before scampering off to find his hiding place.

It takes the span of a title screen for her to track him down, sequestered in a makeshift junkyard shelter. Just before Nimona bursts into the lair, the audience sees Boldheart’s injuries have resulted in the amputation of his arm, and he is building a homemade prosthetic. This is another way he’s been othered from his peers in an instant, forced to adapt to life-changing circumstances with no support. Where he was so recently an aspiring knight with a partner and a dream, he is now homeless, disabled, and isolated.

A wall in the hideout shows a collection of news clippings, suspects, and sticky notes where Boldheart is trying to solve the murder and clear his name. His own photo looks down from the wall, captioned with a damning headline: “He was never one of us—knights reveal shocking details of killer’s past.” It evokes real-world racial bias in crime reporting, where suspects of color are treated as more violent, unstable, and prone to crime than white suspects. A 2021 report by the Equal Justice Initiative and the Global Strategy Group compiled data on this phenomenon, focusing on the stark disparity between coverage of white and Black suspects. (32)

Nimona is not put off by Boldheart’s sinister media reputation. It’s why she tracked him down in the first place. She’s arrived to present her official application as Boldheart’s villain sidekick and help him take down the Institute. Boldheart brushes her off, insisting he isn’t a villain. He has faith in his innocence and in the system, and leaves Nimona behind to clear his name.

When he is immediately arrested, stripped of his prosthetic, and jailed, Nimona doesn’t abandon him. She springs a prison break, and conveys a piece of bitter wisdom to the fallen knight: “[O]nce everyone sees you as a villain, that’s what you are. They only see you one way, no matter how hard you try.”

Nimona and Boldheart are both outcasts, but they are at different stages of processing the pain. Boldheart is deep in the grief of someone who tried to adhere to the demands of a biased system but finally failed. He is the newly cast-out, who gave his entire life to the system but still couldn’t escape dehumanization. His pain is a fresh, raw wound, where Nimona has old scars. She embodies the deep anger of those who have existed on the margins for years. Where Boldheart wants to prove his innocence so he can be re-accepted into the fold, Nimona’s goal is to tear the entire system apart. She finds instant solidarity with Boldheart based solely on their mutual status as outsiders, but Boldheart resists that solidarity because he still craves the system’s familiar structure.

In the comic, Blackheart’s stance is not one of fresh grief, since, just like Nimona, he has been an outsider for some time. Instead, Blackheart’s position is one of slow reform. He believes the system can be changed and improved, while Nimona urges him to demolish it entirely. In both versions, Ballister thinks the system can be fixed by removing specific corrupt influences, where Nimona believes the government is rotten to its foundations and should be dismantled. Despite their ideological differences, Nimona and Ballister ally to survive the Institute’s hostility.

The allyship is an uneasy truce. During the prison break, Nimona reveals that she’s a shapeshifter, able to change into whatever form she pleases. Boldheart reflexively reaches for his sword, horrified that she isn’t human. She is the exact sort of monster he has been taught to fear by the Institute, and it’s only because he needs her help that he overcomes his reflex and sticks with her.

Nimona’s shapeshifting functions as a transgender allegory. The comic’s author, N.D. Stevenson, is transgender, and Nimona’s story developed alongside his own queer journey. (33) The trans themes from the comic are emphasized in the film, with various pride flags included in backgrounds and showcased in the art book. (34) Directors Bruno and Quane described the film as “a story about acceptance. A movie about being seen for who you truly are and a love letter to all those who’ve ever shared that universal feeling of being misunderstood or like an outsider trying to fit in.” (35)

When Boldheart asks Nimona what she is, she responds with only “Nimona.” When he calls her a girl, she retorts that she’s “a lot of things.” When she transforms into another species, she specifies in that moment that she’s “not a girl, I’m a shark.” Later, when she takes the form of a young boy and Boldheart comments on it, saying “now you’re a boy,” her response is, “I am today.” She defies easy categorization, and she likes it that way.

About her shapeshifting, Nimona says “it feels worse if I don’t do it” and “I shapeshift, then I’m free.” When asked what happens if she doesn’t shapeshift, she responds, “I wouldn’t die-die, I just sure wouldn’t be living.” Every time she discusses her transformations, it carries echoes of transgender experience—and, as it happens, Nimona is not N.D. Stevenson’s only shapeshifting transgender character. During his tenure as showrunner for She-Ra and the Princesses of Power (Netflix/Dreamworks, 2018-2020), Stevenson introduced the character Double Trouble. Double Trouble previously existed at the margins of She-Ra lore, but Stevenson’s version was a nonbinary shapeshifter using they/them pronouns. (36) While Nimona uses she/her pronouns throughout both comic and film, just like Double Trouble her gender presentation is as fluid as her physical form.

Boldheart, like many cisgender people reacting to transgender people, is uncomfortable with Nimona. He declares her way of doing things “too much,” and insists they try to be “inconspicuous” and “discreet.” He worries whether others saw her, and, when she is casually in a nonhuman form, he asks if she can “be normal for a second.” He claims to support her, but says it would be “easier if she was a girl” because “other people aren’t as accepting.” His discomfort evokes fumbled allyship by cisgender people, and Nimona emphasizes the allegory by calling Boldheart out for his “small-minded questions.” While the alliance is uneasy, Boldheart continues working with Nimona to clear his name. They are the only allies each other has, and their individual survival is dependent on them working together.

When the duo gain video proof of Boldheart’s innocence, they learn the bomb that killed Queen Valerin was planted by the Director. Threatened by a Black woman using her influence to elevate a poor, queer man of color, the white Director chose to preserve the status quo through violence.

Nimona is eager to get the video on every screen in the city, but Boldheart wants to deal with the issue internally, out of the public eye. He insists “the Institute isn’t the problem, the Director is.” This belief is what also leads the comic’s Blackheart to reject Nimona’s idea that he should crown himself king. He is focused on reforming the existing power structure, neither removing it entirely nor taking it over himself.

Inside the Institute, the Director has been doing her best to set Goldenloin against his former partner. Despite his internal misgivings and fear of betraying someone he loves, Goldenloin does his best to adhere to his prescribed role. As the Director reminds the knights, they are literally born to defend the kingdom, and it’s their sacred duty to do so—especially Goldenloin, who carries Gloreth’s holy blood. This blood connection is repeated throughout the film, and used by the Director to exploit Goldenloin. He’s the Institute’s token minority, put on a gilded pedestal and treated as a symbol instead of a human being.

Goldenloin is a pretty face for propaganda posters, and those posters can be seen throughout the film. They proclaim Gloreth’s majesty, the power of the knights, and remind civilians that the Institute is necessary to “protect our way of life.” A subway PSA urges citizens, “if you see something, slay something,” in a direct parody of the real-world “if you see something, say something” campaign by the United States Department of Homeland Security. (37)

The film is not subtle in its political messaging. When Boldheart attempts to prove his innocence to Goldenloin and the assembled knights, he reaches towards his pocket for a phone. The Director cries that Boldheart has a weapon, and Sureblade opens fire. Though the shot hits the phone and not Boldheart, it carries echoes of real-world police brutality against people of color. Specifically, the use of a phone evokes cases such as the 2018 murder of Stephon Clark, a young Black man who was shot and killed by California police claiming Clark’s cell phone was a firearm. (38) The film does not toy with vague, depoliticized themes of coexistence and tolerance; it is a direct and pointed allegory for contemporary oppression in the United States of America.

Forced to choose between love for Boldheart and loyalty to the Institute, Goldenloin chooses the Institute. He calls for Boldheart’s arrest, and this is the moment Boldheart finally agrees to fight back and raise hell alongside Nimona. When Goldenloin calls Nimona a monster during the ensuing battle, Boldheart doesn’t hesitate to refute it. He expresses his trust in her, and it’s clear he means it. He’s been betrayed by someone he cared about and thought he could depend on, and this puts him in true solidarity with Nimona for the first time.

During the fight, Nimona stops a car from crashing into a small child. She shapeshifts into a young girl to appear less threatening, but it doesn’t work. The child picks up a sword, pointing it at Nimona until an adult pulls them away to hide. When Nimona sees this hatred imprinted in the heart of a child, it horrifies her.

After fleeing to their hideout, Nimona makes a confession to Boldheart: she has suicidal ideations. So many people have directed so much hatred toward her that sometimes she wants to give in and let them kill her. In the real world, a month after the film’s release, a study from the Williams Institute at the UCLA School of Law compiled data about suicidality in American transgender adults. (39) Researchers found that eighty-one percent have thought about suicide, compared to just thirty-five percent of cisgender adults. Forty-two percent have attempted suicide, compared to eleven percent of cisgender adults. Fifty-six percent have engaged in self-harm, compared to twelve percent of cisgender adults.

When Boldheart offers to flee with her and find somewhere safe together, Nimona declares they shouldn’t have to run. She makes the decision every trans person living in a hostile place must make: do I leave and save myself, or do I stay to fight for my community? The year the film was released, the Trans Legislation Tracker reported a record-breaking amount of anti-trans legislation in the United States, with six hundred and two bills introduced throughout twenty-four states. (40) In February 2024, the National Center for Transgender Equality published data on their 2022 U.S. Transgender Survey, revealing that forty-seven percent of respondents thought about moving to another area due to discrimination, with ten percent actually doing so. (41)

Despite the danger, Nimona and Boldheart work diligently against the Institute. When they gain fresh footage proving the Director’s guilt, they don’t hesitate to upload it online, where it garners rapid attention across social and news media. Newscasters begin asking who the real villain is, anti-Institute sentiment builds, and citizens protest in the streets, demanding answers. The power that social media adds to social justice activism is true in the real world as it is in the film, seen in campaigns such as the viral #MeToo hashtag and the Black Lives Matter movement. (42) In 2020, polls conducted by the Pew Research Center showed eight in ten Americans viewed social media platforms as either very or somewhat effective in raising awareness about political and social topics. In the same survey, seventy-seven percent of respondents believed social media is at least somewhat effective in organizing social movements. (43)

In reaction to the media firestorm, the Director issues a statement. She outs Nimona as a shapeshifter, and claims the evidence against the Institute is a hoax. Believing the Director, Goldenloin contacts Boldheart for a rendezvous, sans Nimona. From Goldenloin’s perspective, Boldheart is a good man who has been deceived by the real villain, Nimona. He tells Boldheart about a scroll the Director found, with evidence that Nimona is Gloreth’s original monster, still alive and terrorizing the city. Goldenloin wants to bring Boldheart back into the knighthood and resume their relationship, and though that’s what Boldheart wanted before, his solidarity with Nimona causes him to reject the offer.

Though he leaves Goldenloin behind, Boldheart’s suspicion of Nimona returns. Despite their solidarity, he doesn’t really know her, so he returns home to interrogate her. In the ensuing argument, he reverts to calling her a monster, but only through implication—he won’t say the word. Like a slur, he knows he shouldn’t say it anymore, but that doesn’t keep him from believing it.

Boldheart’s actions prove to Nimona that nowhere is safe. There is no haven. Her community will always turn on her. She flees, and in her ensuing breakdown, the audience learns her backstory. She was alone for an unspecified length of time, never able to fit in until meeting Gloreth as a little girl. Nimona presents herself to Gloreth as another little girl, and Gloreth becomes Nimona’s very first friend. Even when Nimona shapeshifts, Gloreth treats her with kindness and love.

Then the adults of Gloreth’s village see Nimona shapeshift, and the word “monster” is hurled. Torches and pitchforks come out. At the adults’ panic, Gloreth takes up a sword against Nimona, and the cycle of bigotry is transferred to the next generation. The friendship shatters, and Nimona must flee before she can be killed.

After losing Boldheart, seemingly Nimona’s only ally since Gloreth’s betrayal, Nimona’s grief becomes insurmountable. She knows in her heart that nothing will ever change. She’s been hurt too much, by too many, cutting too deeply. To Nimona, the world will only ever bring her pain, so she gives in. She transforms into the giant, ferocious monster everyone has always told her she is, and she begins moving through the city as the Institute opens fire.

When Ballister sees Nimona’s giant, shadowy form, he realizes the horrific pain he caused her. He intuits that Nimona isn’t causing destruction for fun, she’s on a suicide march. She’s given up, and her decision is the result of endless, systemic bigotry and betrayal of trust. Her rampage wouldn’t be happening if she’d been treated with love, support, and care.

Nimona’s previous admission of suicidal ideation repeats in voiceover as she prepares to impale herself on a sword pointed by a massive statue of Gloreth. Her suicide is only prevented because Ballister steps in, calling to her, apologizing, saying he sees her and she isn’t alone. She collapses into his arms, once again in human form, sobbing. Boldheart has finally accepted her truth, and she is safe with him.

But she isn’t safe from the Director.

In a genocidal bid she knows will take out countless civilian lives, the Director orders canons fired on Nimona. Goldenloin tries to stop her, finally standing up against the system, but it’s too late. The Director fires the canons, Nimona throws herself at the blast to protect the civilians, and Nimona falls.

When the dust settles, the Director is deposed and the city rebuilds. Boldheart and Goldenloin reconnect and resume their relationship. The walls around the city come down, reforms take hold in the Institute, and a memorial goes up to honor Nimona, the hero who sacrificed her life to reveal the Director’s corruption.

Nimona, however, is hard to kill.

Nimona originally had a tragic ending, born of N.D. Stevenson’s own depression, but that hopelessness didn’t last forever. (44) Though Nimona is defeated, she doesn’t stay dead. Through the outpouring of love and support N.D. Stevenson received while creating the original webcomic, he gained the community and support he needed to create a more hopeful ending for Nimona’s story—and himself.

The comic’s ending is bittersweet. Nimona can’t truly die, and eventually restores herself. She allows Blackheart to glimpse her, so he knows she survived, but she doesn’t stay. She still doesn’t feel safe, and is assumed to move on somewhere new. Blackheart never sees Nimona again.

The film’s ending is more hopeful. There is a shimmer of pink magic as Nimona announces her survival, and the film ends with Boldheart’s elated exclamation. Even death couldn’t keep her down. She survived Gloreth, and she survived the Director. Though this chapter of the story is over, there is hope on the horizon, and she has allies on her side.

In both incarnations, Nimona is a story of queer survival in a cruel world. The original ending was one of despair, that said there was little hope of true solidarity and allyship. The revised ending said there was hope, but still so far to go. The film’s ending says there is hope, there is solidarity, and there are people who will stand with transgender people until the bitter end—but, more importantly, there are people in the world who want trans people to live, to thrive, and to find joy.

In a world that’s so hostile to transgender people, it’s no wonder a radically trans-positive film had to fight so hard to exist. Unfortunately, the battle must continue. As of June 2024, Netflix hasn’t announced any intent to produce physical copies of the film, meaning it exists solely on streaming and is only accessible via a monthly paid subscription. Should Netflix ever take down its original animation, as HBO Max did in 2022 despite massive backlash, the film could easily become lost media. (45) Though it saved Nimona from Disney, Netflix has its own nasty history of under-marketing and canceling queer programs. (46)

The film’s art book is already gone. The multimedia tome was posted online on October 12, 2023, hosted at ArtofNimona.com. (47) Per the Internet Archive’s Wayback Machine, the site became a Netflix redirect at some point between 10:26 PM on March 9, 2024 and 9:35 PM on March 20, 2024. (48) On the archived site, some multimedia elements are non-functional, potentially making them lost media. The art book is not available through any legal source, and though production designer Aidan Sugano desperately wants a physical copy made, there seem to be no such plans. (49)

Perhaps Netflix will eventually release physical copies of both film and art book. Perhaps not. Time will tell. In the meantime, Nimona stands as a triumph of queer media in a queerphobic world. That it exists at all is a miracle, and that its accessibility is so precarious a year after release is a travesty. Contemporary political commentary is woven into every aspect of the film, and it exists thanks to the passion, talent, and bravery of an incredible crew who endured despite blatant corporate queerphobia.

Long live Nimona, and long live the transgender community she represents.

_ This piece was commissioned using the prompt "the Nimona movie."

Updated 6/16/24 to revise an inaccurate statement regarding the original comic.

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Notes:

1. “Past Recipients 2010s.” n.d. Comic-Con International. Accessed June 10, 2024. https://www.comic-con.org/awards/eisner-awards/past-recipients/past-recipenties-2010s/.

2. Stevenson, ND. 2015. Nimona. New York, NY: Harperteen.

3. Kit, Borys. 2015. “Fox Animation Nabs ‘Nimona’ Adaptation with ‘Feast’ Director (Exclusive).” The Hollywood Reporter. June 11, 2015. https://www.hollywoodreporter.com/movies/movie-news/fox-animation-nabs-nimona-adaptation-801920/.

4. Riley, Jenelle. 2017. “Oscar Winner Patrick Osborne Returns with First-Ever vr Nominee ‘Pearl.’” Variety. February 9, 2017. https://variety.com/2017/film/in-contention/patrick-osborne-returns-to-race-with-first-vr-nominee-pearl-1201983466/; Osborne, Patrick (@PatrickTOsborne). 2017. "Hey world, the NIMONA feature film has a release date! @Gingerhazing February 14th 2020 !!" Twitter/X, June 30, 2017, 3:16 PM. https://x.com/PatrickTOsborne/status/880867591094272000. ‌

5. “The Walt Disney Company to Acquire Twenty-First Century Fox, Inc., after Spinoff of Certain Businesses, for $52.4 Billion in Stock.” 2017. The Walt Disney Company. December 14, 2017. https://thewaltdisneycompany.com/walt-disney-company-acquire-twenty-first-century-fox-inc-spinoff-certain-businesses-52-4-billion-stock-2/.

6. Amidi, Amid. 2017. “Disney Buys Fox for $52.4 Billion: Here Are the Key Points of the Deal.” Cartoon Brew. December 14, 2017. https://www.cartoonbrew.com/business/disney-buys-fox-key-points-deal-155390.html; Giardina, Carolyn. 2017. “Disney Deal Could Redraw Fox’s Animation Business.” The Hollywood Reporter. December 14, 2017. https://www.hollywoodreporter.com/news/general-news/disney-deal-could-redraw-foxs-animation-business-1068040/; Szalai, Georg, and Paul Bond. 2019. “Disney Closes $71.3 Billion Fox Deal, Creating Global Content Powerhouse.” The Hollywood Reporter. March 19, 2019. https://www.hollywoodreporter.com/news/general-news/disney-closes-fox-deal-creating-global-content-powerhouse-1174498/.

7. Hipes, Patrick. 2019. “After Trying Day, Disney Sets Film Leadership Lineup.” Deadline. March 22, 2019. https://deadline.com/2019/03/disney-film-executives-post-merger-team-set-1202580586/.

8. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

9. D’Alessandro, Anthony. 2021. “Disney Closing Blue Sky Studios, Fox’s Once-Dominant Animation House behind ‘Ice Age’ Franchise.” Deadline. February 9, 2021. https://deadline.com/2021/02/blue-sky-studios-closing-disney-ice-age-franchise-animation-1234690310/.

10. “Disney’s Blue Sky Shut down Leaves Nimona Film 75% Completed.” 2021. CBR. February 10, 2021. https://www.cbr.com/nimona-film-abandoned-disney-blue-sky-shut-down/; Sneider, Jeff. 2021. “Exclusive: Disney’s LGBTQ-Themed ‘Nimona’ Would’ve Featured the Voices of Chloë Grace Moretz, Riz Ahmed.” Collider. March 4, 2021. https://collider.com/nimona-movie-cast-cancelled-disney-blue-sky/.

11. Horowitz, Juliana Menasce, Anna Brown, and Rachel Minkin. 2021. “The COVID-19 Pandemic’s Long-Term Financial Impact.” Pew Research Center’s Social & Demographic Trends Project. March 5, 2021. https://www.pewresearch.org/social-trends/2021/03/05/a-year-into-the-pandemic-long-term-financial-impact-weighs-heavily-on-many-americans/.

12. Lang, Brent. 2022. “Disney CEO Bob Iger’s Rich Compensation Package Revealed, Company Says Bob Chapek Fired ‘without Cause.’” Variety. November 21, 2022. https://variety.com/2022/film/finance/bob-iger-compensation-package-salary-bob-chapek-fired-1235439151/.

13. Romano, Nick. 2020. “The Pandemic Animation Boom: How Cartoons Became King in the Time of COVID.” EW.com. November 2, 2020. https://ew.com/movies/animation-boom-coronavirus-pandemic/.

14. Strapagiel, Lauren. 2021. “The Future of Disney’s First Animated Feature Film with Queer Leads, ‘Nimona,’ Is in Doubt.” BuzzFeed News. February 24, 2021. https://www.buzzfeednews.com/article/laurenstrapagiel/disney-nimona-movie-lgbtq-characters.

15. Clark, Travis. 2022. “Disney Raised Concerns about a Same-Sex Kiss in the Unreleased Animated Movie ‘Nimona,’ Former Blue Sky Staffers Say.” Business Insider. https://www.businessinsider.com/disney-disapproved-same-sex-kiss-nimona-movie-former-staffers-say-2022-3.

16. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

17. St. James, Emily. 2023. “Mourning the Loss of the Owl House, TV’s Best Queer Kids Show.” Vanity Fair. April 6, 2023. https://www.vanityfair.com/hollywood/2023/04/loss-of-the-owl-house-tvs-best-queer-kids-show.

18. AntagonistDana. 2021. “AMA (except by ‘Anything’ I Mean These Questions Only).” Reddit. October 5, 2021. https://www.reddit.com/r/TheOwlHouse/comments/q1x1uh/ama_except_by_anything_i_mean_these_questions_only/; de Wit, Alex Dudok. 2020. “Disney Executive Tried to Block Queer Characters in ‘the Owl House,’ Says Creator.” 2020. Cartoon Brew. August 14, 2020. https://www.cartoonbrew.com/disney/disney-executives-tried-to-block-queer-characters-in-the-owl-house-says-creator-195413.html.

19. Doherty, Thomas. 1999. Pre-Code Hollywood : Sex, Immorality, and Insurrection in American Cinema, 1930-1934. New York: Columbia University Press. 363.

20. Henderson, Taylor. 2018. “‘Steven Universe’s’ Latest Episode Just Made LGBTQ History.” Pride. July 5, 2018. https://www.pride.com/stevenuniverse/2018/7/05/steven-universes-latest-episode-just-made-lgbtq-history; McDonnell, Chris. 2020. Steven Universe: End of an Era. New York: Abrams. 102.

21. Stevenson, ND. (@Gingerhazing). 2021. "Sad day. Thanks for the well wishes, and sending so much love to everyone at Blue Sky. Forever grateful for all the care and joy you poured into Nimona." Twitter/X, February 9, 2021, 3:32 PM. https://x.com/Gingerhazing/status/1359238823935283200

22. Jones, Rendy. 2023. “‘Nimona’: Netflix’s Remarkable Trans-Rights Animated Movie Is Here.” Rolling Stone. July 3, 2023. https://www.rollingstone.com/tv-movies/tv-movie-features/nimona-netflix-trans-rights-animated-movie-lgbtq-riz-ahmed-chloe-grace-moretz-1234782583/.

23. Keegan, Rebecca. 2024. “Why Megan Ellison Saved ‘Nimona’: ‘I Needed This Movie.’” The Hollywood Reporter. February 22, 2024. https://www.hollywoodreporter.com/movies/movie-news/megan-ellison-saved-nimona-1235832043/.

24. Stevenson, ND. (@Gingerhazing). 2022. "Nimona’s always been a spunky little story that just wouldn’t stop. She’s a fighter...but she’s also got some really awesome people fighting for her. I am excited out of my mind to announce that THE NIMONA MOVIE IS ALIVE...coming at you in 2023 from Annapurna and Netflix." Twitter/X, April 11, 2022, 10:00 AM. https://x.com/Gingerhazing/status/1513517319841935363.

25. “‘Nimona’ Starring Chloë Grace Moretz, Riz Ahmed & Eugene Lee Yang Coming to Netflix in 2023.” About Netflix. April 11, 2022. https://about.netflix.com/en/news/nimona-starring-chloe-grace-moretz-riz-ahmed-and-eugene-lee-yang-coming-to-netflix.

26. “’Nimona’ Rates 100% on Rotten Tomatoes after Annecy Premiere.” Animation Magazine. June 15, 2023. https://www.animationmagazine.net/2023/06/nimona-rates-100-on-rotten-tomatoes-after-annecy-premiere/

27. Dilillo, John. 2023. “’Nimona’: Everything You Need to Know About the New Animated Adventure.” Tudum by Netflix. June 30, 2023. https://www.netflix.com/tudum/articles/nimona-release-date-news-photos

28. Reese, Lori. 2001. “Is ‘“Shrek”’ the Anti- Disney Fairy Tale?” Entertainment Weekly. May 29, 2001. https://ew.com/article/2001/05/29/shrek-anti-disney-fairy-tale/.

29. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 255. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

30. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

31. White, Abbey. 2023. “How ‘Nimona’ Explores the Model Minority Stereotype through Its Queer API Love Story.” The Hollywood Reporter. July 1, 2023. https://www.hollywoodreporter.com/movies/movie-features/nimona-eugene-lee-yang-directors-race-love-story-netflix-1235526714/.

32. Equal Justice Initiative. 2021. “Report Documents Racial Bias in Coverage of Crime by Media.” Equal Justice Initiative. December 16, 2021. https://eji.org/news/report-documents-racial-bias-in-coverage-of-crime-by-media/.

33. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

34. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 259-260. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

35. Sugano, Aidan. 2023. Nimona: the Digital Art Book. Netflix. 7. https://web.archive.org/web/20240309222607/https://artofnimona.com/.

36. Brown, Tracy. 2019. “In Netflix’s ‘She-Ra,’ Even Villains Respect Nonbinary Pronouns.” Los Angeles Times. November 6, 2019. https://www.latimes.com/entertainment-arts/tv/story/2019-11-05/netflix-she-ra-princesses-power-nonbinary-double-trouble.

37. Department of Homeland Security. 2019. “If You See Something, Say Something®.” Department of Homeland Security. May 10, 2019. https://www.dhs.gov/see-something-say-something.

38. University of Stanford. n.d. “Stephon Clark.” Say Their Names - Spotlight at Stanford. https://exhibits.stanford.edu/saytheirnames/feature/stephon-clark.

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40. “2023 Anti-Trans Bills: Trans Legislation Tracker.” n.d. Trans Legislation Tracker. https://translegislation.com/bills/2023.

41. James, S.E., Herman, J.L., Durso, L.E., & Heng-Lehtinen, R. 2024. “Early Insights: A Report of the 2022 U.S. Transgender Survey.” National Center for Transgender Equality, Washington, DC.

42. Myers, Catherine. 2023. “Protests in the Age of Social Media.” The Nonviolence Project. February 11, 2023. https://thenonviolenceproject.wisc.edu/2023/02/11/protests-in-the-age-of-social-media/.

43. Auxier, Brooke, and Colleen McClain. 2020. “Americans Think Social Media Can Help Build Movements, but Can Also Be a Distraction.” Pew Research Center. Pew Research Center. September 9, 2020. https://www.pewresearch.org/short-reads/2020/09/09/americans-think-social-media-can-help-build-movements-but-can-also-be-a-distraction/.

44. Stevenson, N. D. 2023. “Nimona (the Comic): A Deep Dive.” I’m Fine I’m Fine Just Understand. July 13, 2023. https://www.imfineimfine.com/p/nimona-the-comic-a-deep-dive.

45. Chapman, Wilson. 2022. “HBO Max to Remove 36 Titles, Including 20 Originals, from Streaming.” Variety. August 18, 2022. https://variety.com/2022/tv/news/hbo-max-originals-removed-1235344286/.

46. Iftikhar, Asyia. 2023. “Netflix CEO Slammed by LGBTQ+ Fans over Cancellation Comments: ‘They Are NOT Allies.’” PinkNews. January 24, 2023. https://www.thepinknews.com/2023/01/24/netflix-ceo-ted-sarandos-cancelled-shows-lgbtq-fans-reactions/.

47. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

48. “Wayback Machine.” n.d. The Internet Archive. Accessed June 10, 2024. https://wayback-api.archive.org/web/20240000000000.

49. Lang, Jamie. 2023. “Netflix Has Released a 358-Page Multimedia Art of Book for ‘Nimona’ - Exclusive.” Cartoon Brew. October 12, 2023. https://www.cartoonbrew.com/books/nimona-art-of-book-aidan-sugano-netflix-233636.html.

[cevansbrat0007]

The Anatomy of an Orgasm

Summary: You make the mistake of faking an orgasm while in bed with Ari...

Warnings: Light Angst, Mature Themes, Ari Being A Menace, Smut, Oral Sex (fem rec), Fake Orgasms, Stubborn Reader, Hurt Feelings, Cursing, Minors DNI

A/N: Prompt courtesy of @writer84. Takes place early in Ari and Bird's relationship. Part of my Sweet Renegade Series. Semi-proofread, not beta'd. All mistakes are my own. Likes, comments, and reblogs are always appreciated. Thanks for reading!

When you think back to the early days of your relationship, one thing that always surprises you is just how perceptive this man could be sometimes – especially when it came to you. Even now, that man continues to watch you like a hawk, taking in your every movement. 

And listening to your every word.

You know it’s because he’s trying to anticipate your needs. Every day he wakes up, Ari Levinson strives to be the man you need him to be. Your safety and security are of paramount importance to him. He’s the type of man to take on your worries as his own. The type of man to help you master your fears. Over time he’s become more than just your champion. He’s also your biggest cheerleader. 

Which is why there’s this expectation that now exists between the two of you – one forged by trust, as well as honest and open communication. And while this is something that seems to come easy to your bounty hunter, sometimes it proves to be a little more challenging for you. 

It’s hard not to bottle everything up. It’s natural for you to simply stuff things down and wait until everything exploded later.

Because up until this point, you’d never had someone with whom you could share the weight of your world – even though Ari continues to show you that nothing is too much for his broad shoulders to carry. 

Tonight you’re lying in bed on your back, your legs draped over Ari’s muscled shoulders. His handsome face is currently buried between your thighs while he makes a meal out of your pussy. Your spine arches when you feel him suck your swollen clit between his lips, applying just pressure to have your eyes rolling back in your head. 

Or at least it would…if you could get yourself to relax enough to actually enjoy it.

“Taste so good, baby.” Your man rasps once he releases you, taking a moment to press a hot, open-mouthed kiss along the curve of your inner thigh.

“Uh huh.” You mumble, throwing your arm over your eyes as he gets back to his dessert. 

Ari nuzzles your dripping cunt with the tip of his nose, growling when he’s rewarded with a soft whine from you. And you can’t stop your hips from bucking when he slowly spears two thick fingers inside you, pumping them in and out in time with his wicked tongue. 

Any other time you would’ve been well on your way to your second orgasm, if not coasting along to your third. But every time you try to give over the pleasure, your traitorous mind keeps deciding to wander...

Sales at the bookstore were down this month. And the latest series, featuring a brand new, up-and-coming author, hadn’t performed anywhere near as well as you’d initially thought it would. Which was surprising to say the least – especially since the woman had spent the last month being featured on virtually every single morning daytime talk show that promised her an audience. 

And then there was all the shit you had on backorder. Items that were effectively stuck in limbo until the day they finally arrived on your doorstep. Hopefully sometime before next year.

You remind yourself to moan when Ari picks up his pace, your hips writhing beneath him as you try to hide the fact you’re becoming increasingly distracted. But try as you might, the disconnect between your mind and your body only continues to grow. 

A sharp cry escapes your throat when you feel his fingers curl, delicately stroking that special place inside you that normally made sparks dance behind your eyes. 

“That’s it, little Bird.” Ari grunts, his eager tongue lashing against your clit. “Be a good girl and cum for me. Wanna taste it.”

Yeah, there was no way you were gonna get there tonight. Not like this. 

“Give it to me, baby.” He orders again. “Right fuckin’ now.” 

At a loss for what else to do, you bear down, desperately clenching around him in what you hope is a believable performance. “Oh god, Beast!” You repeat the action again and again, making sure to accompany it with several breathy little sighs.

“Wow.” You breathe once Ari finally releases his grip on your hips. Now that you’re free, you quickly scoot away and begin searching for your discarded panties, which wasn’t typical behavior for you. You were more the type that preferred to bask in bliss.

But not tonight. Because you’d just faked an orgasm with this gorgeous man.

Right now you felt sweaty and awkward, and you needed space to breathe. You refuse to even look in Ari’s direction as you hastily begin to redress, lest he see right through you. 

"That was great." You mumble lamely.

“What are you–where are you goin’?” A pang of guilt hits you when you note the confusion in his tone. 

“Huh?” You slip his t-shirt over your head. He wouldn’t mind that you were leaving him half-naked, since he was wearing his boxer briefs. “I’m just gonna…go clean up. Maybe work off some of this excess energy.”

That last sentence has you inwardly face palming. What a stupid thing to say to a man like Ari Levinson. 

“Hey, come back here a second…” You watch out of the corner of your eye as he sits up in bed. At times like this you were reminded that the man in your bed was also a detective, which meant he came equipped with a sixth sense for bullshit. 

Mainly yours.

“Stay here and relax.” You tell him, making your way towards the door. “I just…know I won’t be able to sleep knowing I left behind a sink full of dirty dishes.” 

“C’mere first.”

Shaking your head, you head for the stairs. At that moment, even the underlying authority in his voice wasn’t enough to make you obey. You always seemed to find a sense of calm when you cleaned. Fingers crossed that it worked tonight.

You’re gifted with a whopping ten minutes to yourself before you hear your man lumbering down the stairs. Rinsing a plate under hot water, you hope that he’s only stopping in for a glass of water and not because he wants to talk. 

Grimacing, you move on to the next soiled piece of dishware, scrubbing vigorously. Your back remains turned, just as it had upstairs. Perhaps if you avoided eye contact he would simply grab his beverage and go on his merry way. 

“Bird.” 

Your beloved pet name rumbles from somewhere deep in his chest. However, you refuse to look at him, seemingly content to focus on the task at hand. 

“Clean glasses are in the cupboard.” 

“Hey.“ You startle when you feel two large, warm hands settle on your hips, followed by the soft skim of lips along the curve of your ear. “Stop.” 

“But I’m not done.” You mumble, blinking back tears for some stupid reason you can’t quite name. “Everything needs to be dried and put away. I haven’t swept or wiped anything down. And it’s been a couple days since I mopped.”

��Baby, your kitchen is always spotless. Now I’m askin’ you to dry your hands and come talk to me.”

“I’m not sure we have anything to talk about.” You hedge, wishing he’d just leave you be – even as you dutifully move to do as he requests.

“Yeah?” Ari gives you a comforting squeeze, willing you to relax against his bare chest. “Well, you could start by explainin’ just what what the hell happened back in bed.”

“Nothing happened.”

“My entire goddamned point.” Comes his gruff response. “That wasn’t you back there, baby.”

“Not sure I know what you’re talking about.” Squirming out of his embrace, you attempt to put some distance between you and him using your kitchen island as a buffer.

Ari sighs, tipping back his head to briefly stare at the ceiling. His big body remains tense as he struggles to get you to open up and tell him the truth. “Was I too rough with you? Are you…are you sore?”

That familiar pang of guilt returns full-force now, because of course your sweet Beast would be the kind of man to blame himself for the issues you’d experienced in the bedroom. It was just who he was. 

“No.” You swiftly respond before wrapping your arms around your middle. “I’m sorry I left so abruptly. I–I was focused on the kitchen. But I swear I’ll make it up to you.” And now you feel even worse for having abandoned him with a hard-on.

“Why are you fuckin’ lying to me?”

“I-I’m not.”

Your teeth begin to worry your bottom lip as you watch his demeanor change. His clouded blue eyes narrow as his nostrils flare, followed by that signature tick in his jaw. 

“Tell me you didn’t just fake it with me earlier. Look my in the eyes and fuckin’ tell me you gave something real back in that bed and I’ll leave it alone.”

You immediately avert your gaze. Because you honestly didn’t have it in your heart to keep lying to this man. He deserved better. And frankly, so did you. 

“Eyes on me, Bird.” He orders, demanding your full attention. “Open up that pretty mouth and start talkin’.” Sometimes this man had the patience of a saint. 

“I’m sorry.” You finally admit, wincing as the words come pouring out. “You weren’t supposed to–” You clamp your mouth shut and force yourself to pivot. “I didn’t think you’d be able to tell.”

Ari is quiet for a moment as confusion and disappointment radiate from his much larger form. 

“Why’d you do it?” 

“I’m sorry.” Unsure of what to do with all your nervous energy, you remove the tie from your hair to run your fingers through your curls. “I–I’ve never done it before. And I shouldn’t have done it tonight. I…” You glance down at your bare toes, wishing that the ground would simply open up and swallow you whole where you stood.

“Eyes.” Ari demands, making you jump slightly. “Damn it, baby. We’re gonna have a hell of a time making this shit work if you go mute every time there’s an issue.”

“It has nothing to do with you!” You manage to stop yourself just short of screaming. “I already said I was sorry, okay? Like, what more do you want from me?”

“And I want you to tell me when you suddenly decided to fake your pleasure with me!” He snarls, his brawny arms crossing his chest. “You claim you’ve never done it before. So what the hell made tonight so special?”

Yeah, he was fucking pissed. And what’s worse is that he had every reason to be. Because you’d hurt him. 

“Unless you’re lying to me. Again.” He continues when you refuse to answer. 

“I’m not.” You sniffle, dragging a weary hand across your face. “What you and I have – swear to God, Beast – it’s amazing. Explosive. Sometimes it feels like it’s too much to handle.” When all you receive is a grunt for your trouble, you take that as permission to keep going. 

“And tonight was no exception, it’s just…” You pause long enough to steady your breathing. “It felt like my body and my brain were totally disconnected. And no matter how hard I tried to relax and let myself feel good, I just couldn’t.”

Ari continues to stare you down as that tick in his jaw continues to work overtime.

“I’ve faked it before, with the others. Th–they didn’t know.” Neither Mason, nor the only other man you’d ever been with had seemed to notice whenever you’d been less than honest with them in bed.

“So you didn't think that I'd know. Jesus Christ.” He hisses, bracing himself on the edge of the counter. “Well, I hate to break it to you, sweetheart, but I ain’t them.” He levels you with a hard look. “I know you, know your body. I’ve memorized what you look like when you cum, the little noises you make, the way your gorgeous body bends and your pretty toes curl.”

Your eyes flutter closed as he speaks, which is why you fail to notice when he begins to round the corner – like a predator stalking his prey.

“I know what you taste like on my tongue. Know what it feels like to have that greedy pussy gush around me while your heels dig into my back. Even when you tap out, you best be sure that she always wants more.”

When you open your eyes it’s to see Ari looming over you. But you’re not intimidated, because deep down you know he would never hurt you, even though you’d just hurt him. However, you’re surprised when he reaches up to cup your face with both hands.

“I know these things…” Your bounty hunter rasps, his voice sounding almost hoarse. “Because I know you. I know my woman.” A lone tear falls, slowly gliding its way down your check before Ari dashes it away with his thumb.

“It wasn’t you, Beast.” You rush to reassure him, even as you move to bury your face in the wall of his sculpted chest. “I’ve just been so worried about the store – it’s been a slow month. And I’m still waiting on an order from two months ago. And tonight it was like no matter how much I tried to forget and refocus…I just couldn’t.”

“Hmph.” He grunts, but not before pressing a gentle kiss to the top of your head. “Why do you think I’m always on your stubborn little ass to talk to me?”

“I know.” Your words come out muffled. 

“If you’re not in the mood, or there’s too much going on in the beautiful brain, I want you to fuckin’ talk to me about it.” Without warning, he lifts you with impressive ease to set you on the counter. 

“I know.” Another tear escapes, but Ari is quick to wipe it away. “But I don’t want to disappoint you.”

“Disappoint me how?” He scoffs, briefly resting his forehead against your own.

“If you want sex and I don’t or I can’t, then –” 

“Then I’ll handle that shit like a man.” Ari swiftly interrupts. “Baby, it’s like you breathe in my general direction and I’m fuckin’ hard. But if the moment’s not working for you, either because you’re tired or you got worries, I want you to fuckin’ talk to me. Don’t fake an orgasm to try and soothe my ego.”

Wordlessly you nod as you go to wrap your arms around his neck, drawing him closer. You feel yourself relax when he pulls you into his warm embrace. It was the first time you’d been able to do so all evening. 

“It won’t happen again. Just…please don’t leave tonight.” Your voice sounds so small and fragile it takes you by surprise. 

“Aw, I ain’t goin’ anywhere, pretty Bird.” One of his hands begins to rub soothing circles along your lower back. Later, you would learn that that thought had never even crossed his mind. “Consider this water under a fuckin’ bridge.” 

You continue holding each other for a while longer, content to bask in the comforting silence. If there was never any doubt as to why you were coming to care so deeply for this man, those thoughts had all been dashed tonight.

In fact, if you weren’t careful, you just might be tempted to fall in love with this man. 

“C’mon back upstairs.” Ari murmurs a little while later, but not before capturing your lips with a gentle kiss. “Let’s get you into a shower, I’ll even help you wash your hair.” 

At his urging, you'd shown him how to do a quick co-wash a couple weeks ago, and now he was hooked. Not that you were complaining.

“Okay.” You nod, unable to stop yourself from melting.

“Tomorrow, we’ll talk about the shop. Maybe brainstorm some ideas about how to fix things, or at least cushion the blow.” Again you nod, feeling more at peace with the world than you had the last several days. 

Reaching for your hand, you lace your fingers through his and allow yourself to be led back up the stairs, leaving the dishes and the rest of your chores undone. You had more important things to see to, right now. 

And, perhaps, a little more apologizing to do.

END

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[idolomantises]

Wasn't sure when it would be the best time to discuss this, but since the ending is drawing near... yes, Bugtopia is ending.

It was a decision I really wrestled with myself for months over it, before finally concluding that letting it end after 40 episodes was the better option. Just to be clear, webtoons did not force me to end the series. They even offered to give me a pay raise to continue the series. It was my decision due to a multitude of personal factors. I'll just repeat what I said on my patreon:

I just want to say, first of all, thank you all so much for patiently waiting for my series to release and for supporting my work as I began developing the series. Bugtopia was a series I genuinely loved and adored and it made me feel so incredibly happy that people were turning their heads towards a series about weird bugs and their natural lives.

However, as you can probably guess, it pains me to say that I am concluding the series after season 1. I had 4 seasons planned with new characters to introduce, but unfortunately, I cannot see myself continuing to work with Webtoons and I want to pursue other projects.

This decision was due to a compiling number of issues with the company, the final straw was when they had a mass layoff, fired my editor that I've been working with for two years, and did not inform me for a week, leaving me in the dark until they randomly assigned me with someone else. My new editor is great and I'm glad I'm working with someone so patient and understanding, but this decision to fire my previous editor, the one who got me the job to begin with, without prior warning made me feel disrespected and disregarded, and it killed all motivation I had for properly completing the series.

I also felt incredibly overworked, I was spending vacation days working on comics and avoiding time with family just so I could get something done for webtoons once I come home. I feel like so much time was being wasted away for a company that paid me so little that I had to work twice as hard building up funds on my patreon. Bugtopia just ate up so much of my time. The pay also didn't make up for it. It's commonly assumed that webtoons authors make about $800 for the episodes they do, but that's not true. In fact, you can make far less depending on the amount of panels expected for your contract. It doesn't help that the artwork i did for banners and promotions were all things I had to draw and didn't get paid for, and the work I gave was either tampered with or scrapped, making me feel like I spent more hours of my day wasting time. There were also comics I had to censor and scrap, likely due to another series being in hot water for its racially insensitive content. But it was just extra work I wasn't being paid for. It also frustrated me because I was seeing other series with far more explicit content getting away with a slap on the wrist (turns out you can't say "fuck" anymore without it being hit with a mature rating, disappointing!)

In all honesty, it just felt like webtoons needed me more than I needed them. I was making more money from patreon in a week than I was making from webtoons in a month.

Personally, while I don't really regret my time with Webtoons and met some great people along the way, I honestly don't think any artist should work with them. You will be severely overworked and underpaid, and will barely be featured in ads unless your series becomes an instant hit immediately. It doesn't really matter how successful you are, you're just a product to Webtoons, put yourself above the corporation.

I have tried my best to provide you all with a satisfying conclusion to Bugtopia, even if some episodes may feel rushed or incomplete, but I completely understand if the conclusion isn't to your liking and I do apologize, but I could not continue working on this series if this was the mistreatment I was going to continuously get. I owe a massive thank you to my editor and assistants for helping me complete the series, I truly don't think I could have ever finished it without them.

Though I am done with Bugtopia, that does not mean I want to stop projects entirely, so please don't feel bad for me. I have a lot of upcoming projects and ideas in the works, and I'm still continuing the Monsters and Girls series.

Will Bugtopia ever return... possibly. I retain complete ownership of the series after a few years, and I wouldn't mind continuing the canvas series (or possibly starting over). Unfortunately I don't think I can continue the Webtoon Original as it belongs to webtoons now, but never say never I suppose!

[rafesangelita]

♡ kook!sweetheart!reader walks her first runway for her own lingerie brand, and of course rafe has to have a front row seat.

warnings: rafe being a supportive bf, suggestive ending

a/n: trying a new fic layout, i hope you all like it as much as i do <3 lol i had the hardest time trying to decide on the song i wanted to use for this fic

you couldn’t believe the day was finally here. ever since you started your lingerie line, you wanted to have a runway show to showcase the beautiful pieces, and all thanks to rafe, he was able to make that possible. while your boyfriend insisted on being backstage with you, you told him to wait until you walked out for the finale, wanting to surprise him in full glam and a set you have yet to release. to say you were excited would be an understatement— you were literally having your very own victoria secret show.

with fashion bloggers, magazine editors, and most importantly; rafe, the man who believed in you more than yourself, being in attendance, you just wanted everything to take place smoothly. “oh my god, you look amazing!” you glanced up from the small vanity mirror, meeting kelce’s girlfriend’s gaze. “me?!” your eyes widened as you shot up from your seat. “look at you! kelce is going to lose his mind.” you laughed, admiring the way her makeup sparkled under the studio lights.

“you think so?” she smiled, both of you swallowing nervously when you heard a ‘okay, we’re on in five!’ over one of the staff’s walkie talkie’s. “oh, god, just what i needed to hear.” you joked. she hugged you before joining the rest of the girls in line. outside in the crowd, rafe was already taking pictures like a proud facebook mom, shushing kelce and topper once the lights dimmed and the music started. the intro to britney spear’s ‘gimme more’ began playing, the crowd letting out a series of ‘oooh’s’ and ‘ahhh’s’ when the first model walked out.

rafe was only recording for your sake, his eyes strictly set on his hands as he patiently waited for your entrance. everything that the models were wearing was something he had already seen on you behind closed doors. rafe couldn’t help but feel his chest bloom with pride as he looked around the beautiful venue. despite him paying for everything, you were the one who worked with the planner and coordinator to bring your vision to life.

and what a vision it was.

you had spotlights lining the runway, glitter littering the glossy flooring. various props were also placed on the sidelines. “look, here comes y/n!” rafe arched a brow at his friend, kelce clearing his throat awkwardly. “don’t get too excited, now..” rafe grumbled, eyes locked on your silhouette. the music reached it’s final bridge, your lingerie clad body illuminating the stage. rafe had no words. you were wearing wings like the angel you truly were, the rhinestones and embellishments on your set reflecting under the now multicolored lighting.

“you’re beautiful, babygirl!” rafe shouted, his eyes widening as you got closer. you looked ethereal. not one hair was out of place, your makeup done flawlessly to enhance your natural features. you caught sight of him, sending a wink his way before blowing him a kiss. “she’s getting it tonight.” he held a hand over his heart, watching the way your hips swayed as cameras flashed from every direction. rafe stayed standing up until you disappeared behind the stage, his smile reaching from ear to ear.

“now that’s a show..” he adjusted himself in his pants, posting you on his instagram with the caption; ‘she’s perfect.’

eventually, the event came to a star strucking end, your boyfriend meeting you soon after with a huge bouquet of pink roses. you couldn’t help the sudden wave of emotions from washing over you at the sight of him. “oh, rafe!” you threw yourself into his arms, being careful not to ruin your makeup. “you were so amazing out there, baby.” he rubbed your back. “yeah?” you pulled away, pecking his lips. “fuck yeah.” his voice dropped a few octaves, his hand finding the curve of your ass. “can you take those angel wings home?” he whispered.

“yes.. why?” you smiled mischievously. “cause i need you to walk for me again. naked this time.”

[doyoulikethissong-poll]

No Doubt - Just a Girl 1995

"Just a Girl" was released as the lead single to American rockband No Doubt's third studio album, Tragic Kingdom (1995). The ska punk, pop-punk, alternative rock, and new wave song with sarcastic lyrics was written by Gwen Stefani and Tom Dumont, and produced by Matthew Wilder. Lyrically, "Just a Girl" is about Stefani's perspective of life as a woman and her struggles with having strict parents. "Just a Girl" was the first song Stefani wrote without the assistance of her brother Eric.

"Just a Girl" received positive reviews from music critics, who commended the feminist lyrics and Stefani's vocals. The single is typically regarded as being the breakthrough that popularized No Doubt. It became their first charting single in the US, peaking at number 23 on the Billboard Hot 100 and entering the Alternative Songs, Hot Rock Songs, and Mainstream Top 40 component charts. It also reached the top ten in several other countries, including Australia, Ireland, New Zealand, Norway, Scotland, and the UK. On the 1996 year-end chart in Australia, "Just a Girl" was ranked as the 22nd most-successful song of the year. In New Zealand, "Just a Girl" peaked at number nine and was 1996's 25th best-selling single.

The song was featured in '90s cult hits Clueless (1995) and Romy & Michelle's High School Reunion (1997) — movies that served as power-players for unlikely female heroes. Stefani's aim at a male-centric world ended up being one of the most prominent feminist anthems of the '90s — it's a song that stands out now as the music industry's misogynistic outlook continues on. The song also appears in the film Captain Marvel (2019). In March 2023, the song was covered by Florence and the Machine for Showtime Networks' series Yellowjackets; their version appears in the trailer and soundtrack for the second season.

"Just a Girl" received a total of 84,3% yes votes! Previous No Doubt polls: #265 "Sunday Morning".

[dazed--xx]

SKZ!Reactions: It Was All a Bet II (Hyung Line)

Part 1 Maknae Line Masterlist

A/N: I put this out as like a little birthday present for myself lol but yeah, i hope you guys enjoy. a lot of you have requested this and have been waiting on the edge of your seat for this so here it is. i hope it lives up to you guys expectations.

Chan:

A series of rapid knocks slammed against your door; you roll your eyes from your position on the couch not moving a single inch to open the door. Turning up the volume on your t.v you hear your phone ring, seeing Chan’s contact name on your screen you snort to yourself. Another round of knock’s bang against your door. “Y/N, I know you’re home! Please just talk to me!” Chan pleads on the other side of the door. You shake your head to yourself, continuing to ignore him. You turn the volume up on your t.v. again drowning Chan out as you try to ignore the ache in your chest. The betrayal you felt beyond measure as you remember the way he laughed as he jeered at his friends about his win almost being guaranteed. How could he? You thought he loved you. You believed him every time he kissed you and held you close. The nights you spent wrapped in each other’s arms felt real, you couldn’t describe the pain you felt as he uttered those devastating words. It had been 4 days since you heard it, you couldn’t handle opening that door and seeing him after he took your heart and smashed it to a million pieces. You sniffle as you wipe a stray tear flowing down your cheek.

“No…Don’t cry over him…you’re not some weak heroine….” You tell yourself as the calls and knocks come to a stop. The sound of your door opening makes you jump in a panic, your eyes widen as you turn to see Chan entering your apartment. You shake your head as he slowly enters, his head hung low as he closes the door behind him. His eyes meet yours and you notice all the tension in him leave his body he reaches toward you, a desperate look on his face as he strides across the room toward you. “Babe--No.” you cut him off monotonously as you look away from him.

“Get out.” You demand.

A look of horror spreads across his features as he stares at you. A painfilled gasp is released from his throat “Y-You wont even let me explain?” His voice cracks as his eyes fill with tears. “There’s nothing to explain…. everything we had was based on a lie” You counter coldly. He shakes his head as he steps toward you, his heart cracking as you take a step back “N-No..you really misunderstood. Please…. please let me explain…l-let’s just sit, a-and talk. I promise its not what you think” You shake your head. “It doesn’t matter…. —I asked you out before the bet was made” He cuts you off desperately. “I-Im an ass for making the bet but, I never asked you out because of a bet I promise you that.” He continues nervously. Your head whips toward him, your eyebrows scrunch together in confusion as he explains “The bet was about the length of our relationship. I swear. Im not saying I was right to make the bet, but the guys kept saying that we wouldn’t last three months. My schedule is hectic and unpredictable so they kept saying that you’d feel forgotten about and that we wouldn’t even be able to make three months. So, I just made the bet and yes, I was stupid, but I love you. You know that I love you and I would never do something so terrible. I made a mistake a huge mistake, but I promise you that I love you and I won’t let my mistake ruin what we have…” He states as his right hand caresses your cheek as his left encases your waist pulling you into his lean frame, you turn your face away from his as he leans in closer to you.

“How long did you give us then?”

“What?”

“How long did you bet we’d be together?”

Chan smirks at you flirtatiously as he leans in close to your face brushing his lips over yours “I tried to say for the rest of our lives, but Minho talked me down to a year” You blush as he presses his lips against yours softly. “I’m so sorry, I was an ass, and I was so wrong but please…. don’t break up with me, okay? I felt like I couldn’t breathe when I felt like I was losing you. I love you” He pouts as he pulls you into his chest his arms wrapping around you firmly. “You’re still on thin ice…. but I love you too” You scold as out look up at him, pecking his lips softly.

Minho:

You stared out the window watching Minho pace in front of your job for the nth time while he contemplated coming inside. You watch him as he lifts his phone from his side as he begins to type out a message before deciding not to and running his hand through his hair. Your heart ached for him as you noticed the distressed look on his face, but you were much too frustrated with him to have sympathy for him. With a heavy annoyed sigh, you make your way from behind the counter and stride toward your ex. Pushing the front door open you glare at him “At this point, this could be considered stalking….” You scold. Minho’s head perks up as his movement’s halts, the moment he notices you he rushes toward you; his arms wrapping around you as he pulls you against him his legs giving way as he holds onto your waist. His body trembles as you feel your shirt growing wet as loud desperate sobs erupt through his chest as he buries his face in your shirt. “Im sorry, don’t break up with me. Im so sorry” He pleads. You try to shove him off softly.

“No! Please! Im sorry! Im so sorry please”

“Lee Minho, get ahold of yourself.”

 He shakes his head, “No. ill beg and plead and do anything I have to so that you can forgive me, and we can be together. I’ll explain, you’ll be mad for a while but—but…” He stares up at you with a pleading pitiful look “…we can figure it out. We can talk about this; we can work this out. I can fix this; I’ll do anything to fix this s-so please don’t break up with me. Please at least give me a chance to fix this…. I need one chance” You stare at him in disbelief “Why so you can finish your year?” A look of heartbreak forms on his features. “I don’t care about that…Y/N…h-how could you say that? How could you ask me that?” His voice cracks, as more tears form in his eyes as he stares down at his lap. “Y-You must think I’m this disgusting person now…. Fuck!” he cries. “Minho, this is my job. This isn’t the place for this.”

“Where else could I do this? You refused to see me this past week. You won’t answer my calls—you don’t have time for this. Where did you suddenly pull all this free time out your ass? Move on Minho. I found out about your bet to date me” You cut him off harshly. He finally brings himself to his feet, his hands encasing your shoulders. “Does that matter? Like truly?” He asks “Why does it matter? We are together, we care about each other, it doesn’t change the things we’ve been through this year. So why does it matter how we started?”

“Because its all a lie!”

“I have never lied to you!”

“Our entire relationship is a lie!”

Minho freezes as he stares at you with a painful expression “Y-You don’t believe that I care about you? Y/N…. I—you said I was tolerable, and that this year was a breeze because of it” You cut him off. He winces at the mention of his message. “I-I said the wrong thing. T-the guys would know what I meant. I didn’t mean to send you that message, and when I realized I did…. Y/N I promise you I never wanted you to find out this way. I was going to tell you, in person and beg you to understand and forgive me. But my feelings for you are real. I love you and I care about you, and this is fucking breaking me right now. so please, j-just give me another chance to show you that you mean more than anything else in this world to me.” You stand there for a moment as you contemplate, you notice your boss staring at you with a disapproving look from inside. You give a sigh, “This really isn’t the time…. I get out at 8. We can do dinner or something and talk I guess” you state. Minho’s eyes light up as he nods enthusiastically pressing his lips to your cheek. “T-thank you…You wont regret this.”

Changbin:

“Do you not know how to read or something?” You growl as Changbin stood in your private studio. Changbin stared at you with a pout on his lips. “It’s been two weeks Y/N…” You shrug “Wish it had been longer” You state as you shove past him and sit at your desk. “How much longer are you going to punish me? I already apologized. I’ve been calling, texting you. What can I do to get you to talk to me again?” He whimpers as he stares at you sadly. “I don’t want to talk to you. Its that simple, Seo Sunbae-nim.” You state professionally. A look of horror and disbelief paint Changbin’s expression “Don’t—Don’t do that… don’t put distance between us like that.” He pleads. You shake your head “If you’re not here to discuss your next project I’d suggest you leave” You state as you focus on your computer.

“I-Im not leaving. Not until we talk about this.”

“Oomph, seems like you’re going to be moving in here. How fun….”

“Why are you being like this? Why can’t we just talk about this? I already said I’m sorry—yeah, right before you begged me to pretend, I don’t know about the bet so you could win.” You cut him off with a look of disgust on your face. Changbin freezes in his place as he stares at the ground as guilt fills his stomach. “That wasn’t the reason…. I know that I said I needed the money and that it would be doing me a favor but, I was panicking, and I just said whatever came to my mind that I thought would get you to stay with me.” He confesses nervously. “Well, that’s just stupid…” You state as you continue to stare at the computer pulling up a file for a new rookie group you’ve been working with. “If that’s all, can you leave? Im going to be having a session soon.” You state monotonously. Changbin’s eyes well up with tears as he turns your chair around, dropping to his knees he stares up at you with pleading eyes. “Please, please forgive me. I was wrong to make a bet to date you. I would never do anything that terrible again, I would never betray your trust again. I’m so sorry and I really regret making the bet, but I don’t regret dating you. The only good thing to come out of something this stupid is our relationship and how you make me feel. I will do anything to make this better, I can give you time, I can give you space so you can be mad at me all you need. If you want to curse at me in the middle of the night because of the pain I’ve caused you, I’ll answer the call every time. I’ll be your friend if that’s what you want for now, but I need to know that I will have a chance one day to fix this. I can do that; I will do that. I care about you, and yes, this relationship started without me truly feeling for you the way you did for me, but it is the same now. we love each other and I know I can fix this, please give me a chance to. Please, I can be better—I will be better for you. Im so sorry” He begs, a heartbroken expression painted on his features as tears stream down his face. His voice cracked as he spoke, causing the walls you placed around the section of your heart that was filled with Changbin to come crashing down. You stare at him feeling a pitiful guilt at the pain you caused to the man you love.

“B-Binnie…” You whisper naturally. His head perks up as he stares at you hopefully. His hand caresses your cheek. “You don’t understand how sorry I am” he whispers as he leans in slowly, and hesitant. “Sorry can’t fix this…:

“No, but I can’t force you to forgive me and just say yes to staying together when I hurt you. I need you to know how terrible I feel, and I want to turn back time, so I didn’t make the stupid bet.”

“We would have never been together if you didn’t...” You state, Changbin shakes his head in denial “No, we are meant to be together. Even if you don’t forgive me now…. I’ll wait for you because there’s no one else meant for me. Even if I didn’t make that stupid bet, we would have ended up together eventually. You’re meant for me, and I’m meant for you….”

Hyunjin:

You roll your eyes, unamused as you exit your apartment and see Hyunjin standing on your porch as you make your way to your classes. He smiles at you brightly “Hey Babe” choosing to ignore him you brush past him, a monotonous look on your face as you make your way to your car. You resist the urge to look back and see his reaction. HA! Take that ‘Male Lead’ You snort to yourself mentally. Unlocking your car your eyes widen when Hyunjin pulls open the passenger door and takes a seat before you could enter the car. “The audacity…” You whisper under your breath. With a sigh, you open the back door pulling out your bag and opting to walk to the university instead. Shrugging the bag over your shoulder you begin making your way down your driveway. “Y/N, Are you serious right now?” Hyunjin groans in annoyance as he exits the car closing the passenger door behind him before he walks around the car pressing the lock button before closing the door. You continue walking as he rushes from behind you taking a hold of your forearm and halting your movements. “Fuck, don’t do this to me….” He whimpers “Talk to me, look at me, something please…” His voice cracks. You shake your head as you try to pull your arm out of his grasp. His grip grows a little tighter. “I’ll explain. We can talk about this.” He pleads.

You continue staring forward and bite your lip, so you don’t respond. “You’re killing me here…you know that?” He whimpers. “I told you, its just better for you to leave well enough alone….” You state coldly. “And I told you that I’m not giving up on you” Hyunjin counters. You shake your head “I’d rather you did. I won’t be helping you win your bet.” A pained scoff erupts from his throat “Is that why you think I’m here? That stupid fucking bet?!” He growls angrily. You nod, knowing that the bet probably wasn’t the reason, but you allowed the pettiness you felt in the pit in your stomach take over. “You don’t even know what the fucking bet was about!” He shouts angrily.

“Excuse me?”

“You. Don’t. Even. Know. What. The. Bet. Was. About.” He grits. Your eyebrows furrow as anger boils in your stomach “Do I need to? I heard enough. I know you made some bet to date me and would get 500 dollars after a year” You argue. “No. The bet was I would confess to you and prove that I was actually serious about you within a year because I had a habit of developing feelings for any girl that treated me like a fucking person instead of Hwang Hyunjin from Stray Kids. Im not some disgusting prick that would date a girl I have no interest in for fucking pocket change Y/N. it’s not like I need 500 dollars, if you didn’t know Im kinda doing well in my career.” He snaps. “I made the bet to prove to myself and the guys that I was actually serious about you. Was it stupid? Yes, but I won’t let you just sit there and say that I was fucking playing around with you when you’re the first girl I want to be serious with in a very long time.”

You stare at him in disbelief. Words not coming to you as you replay his explanation over and over in your mind. It felt like an eternity before you said anything. “That’s a stupid ass bet if I’m being honest” You state with an annoyed pout. “Oh, you thought I was smart?” Hyunjin jokes as he leans into you pulling you into a back hug as he rests his chin on your shoulder “Can you please give me another chance? I wont ruin this again. I won’t do anything that stupid again.” He pleads softly, you sigh “Please just give me sometime to think about it?” Hyunjin groans “Please? Baby, this is torture…if you weren’t going to forgive me, you wouldn’t be letting me anywhere near you right now.”

“So, you should have your answer then….” You state sarcastically.

“But I’m not sure if you forgave me if you don’t say you do….” He pouts.

You shrug as you pull yourself out of his arms and make your way to your car. “I got a test and I’ll be late, so I have to go.” Hyunjin follows behind you with a kicked puppy expression as you unlock your car once again. “Will I see you after your classes?” He questions sadly. You pull open the driver’s door taking a seat and rolling down the window as the engine roars to life. You wave Hyunjin to lean into your window, he complies with a sad pout. You press your lips to his cheek as you whisper “Depends on your schedule…” His cheeks heat up turning a bright crimson as his hand caresses the cheek you kissed. You wink at him as you reverse out of the driveway.

Taglist: @corrodedthorn n @lovesunshinefelix @lailac13 @moonchildlv @neyangi @hello-stranger24 @tamlinsfiddle @allyrarara @yangbbokari

[valalice]

જ⁀➴ FOR THE FAME. a violet modern musician au

punk rockstar!vi 𝑥 popstar!reader

summary. the music industry—known for its raw creativity, dazzling performances, and turning anyone into an overnight sensation. but what comes with newfound success is being able to maintain a steady stream of traction around your name (whether it's good or bad, because all press is good press. right?), for some artists it comes naturally, becoming chart climbers release after release, while for others they struggle falling down the charts and becoming known as just a one hit wonder. now, when two artists under the same label are both getting sly criticism from blogs commenting on their declines, their managers have no other choice but to curate a classic pr stunt to regain their public appeal again, while creating buzz around their respective upcoming projects. what could happen when the industry's rebel and sweetheart become the unexpected pair of the year?

warnings. fluff, angst, and eventual smut. modern au. fake dating. enemies to friends to lovers. slow burn. reader's stage name is angel, you guys can honestly change it if you'd so like since it's rarely used. no use of "y/n". musicians: powder, ekko, claggor, and caitlyn. choreographer!mel. producer!jayce. homophobia and talk of internalized homophobia & comphet. addiction: alcohol & substance abuse, as well as talk of rehab. inaccurate knowledge of the music industry. social media extras & extended scene cuts. please check each individual chapter for appropriate warnings!

a/n. i'm am beyond excited to finally share this series with you all! this series started as a one off idea, and, well it turned into this. i know some have expected this, i've been throwing out teasers (more will still come) for some time. and to be honest i should not even be posting this series right now, but i cannot contain it for much longer, i'm just eager to get it out for people to enjoy! and is it hypocritical for me to be posting a series with the amount of drafts and request in my inbox? perhaps! but i promise that i will try my best to dually post between the series and other works! i'm still working on a posting schedule, so be on the look out for polls!

biggest thank you to @topimpabunny for dealing with my rants constantly, and bouncing ideas back and forth off of each other. truly, everyone thank her, because without her this series wouldn't even exist! another big big thank you to @veramores my wife, my best friend, for putting up with me yapping her ear away for like over an over. but nonetheless she is also apart of this series for giving me different perspectives on things. lots of love to the both of you <3

main masterlist ⋆ vi masterlist ⋆ read it on ao3

table of contents ◞ TRACKLIST

' 🅴 ' indicates smut

prelude ♪ popularity contest. ( releasing february 7th on all music platforms )

label mandated events. everyone dreads them, but social networking is a must; an art form managers have mastered and a sport to artists in order to thrive in the competitiveness that is the music industry. and it’s here where the two of you were closer than you had even thought.

track one ♪ sold your soul for . . . this? ( releasing february 14th on all music platforms )

with albums set to release during the summertime, meetings ensue to keep the artists on track. however, unpleasant news is shared that gives wake up calls when careers are on the line. oh, and a not-so-meet-cute happens between the bubbling popstar and spunky rocker.

track two ♪ the master plan.

uh, oh! looks like the track is still being produced!

extras ◞ DELUX EDITION

social media post

coming soon!

exposed ◞ BEHIND THE SCENES

discography ⋮ series playlist. reader's. vi's.

meet the artist ⋮ reader ꒱ vi ( tell all's coming soon! )

WANT A FEATURE?

comment on this post (and this post only) to be added to the 'for the fame' taglist! (i'm no longer responding to individually to each person who asks to be on the taglist, but i do see the comments and you are added!)

🎥 taglist. @sawaagyapong @baylegend6 @hauntedbydreams @sevisrealwife @dameacia @tdawg2012 @usuck @foralltheprettygirls @aphrodyk3 @ar1anw3n @jupitism @into-f0lkl0re @minaridior @sinsyster @oceangalore @prwttiestbunny @amsxdoll @ur-ur-urmom @drunkalex @ozzeryyyo @catrapplesauces @soltwent

[vivwritesfics]

Drive Me Crazy

Chapter Five

None of you are used to pack dynamics. Unlike then, it made you near feral. There's nothing more they want than to build you back up.

Lestappen X Reader

warnings: 18+, suggestive stuff, mad max, references to abuse (nothing explicit)

Series Masterlist

Mad Max. A name that hadn't been used in a good long while. Last season he hadn't needed to be Mad Max, not when he was the only one winning. 

It was a fitting nickname, sometimes. That was what Charles realised as he sat beside him. On top of the bed covers, his ass positively sore. It wasn't Max he'd just had sex with. No, it was Mad Max. 

He'd slept with Mad Max before, just a few times. But those times hadn't been because Max was mad. It was after he had moved himself and his cats to Monaco, when the full moon was near and he needed to stuff his cock in something. That something, more often than not, was Charles. 

His neck ached as he reached up, touching the bitemarks Max had left behind. "Sorry," Max muttered as he grabbed a cold can of drink from the mini fridge. "At least they've stopped bleeding." 

Charles released a dry laugh from his lips. "Who knew one practice would have you so riled up," he said and laid back. He stared at the ceiling, a smile crossing his face. 

He knew exactly why that practice had Mad Max showing his face. Every time he set the fastest lap, the fastest lap was taken from him. FP1 wasn't supposed to be for going fast, but Max couldn't stop himself from racing her. And she couldn't help but race him back. Even with Max in a superior car, she raced him. 

In FP2, it was the same story. 

"She's incredible," Charles said, still holding the can against his neck. He wouldn't drink whatever was inside, just use it to sooth the wounds that Max created. Wounds Max wanted him to wear with pride, wounds he couldn't bring himself to wear. 

"Incredible?" Max scoffed. He shook his head, his hair falling in front of his eyes. "Not the words I'd use. 

Charles sat up and let the can fall into his lap. "What words then, Max? How would you describe Birdy?" 

Max didn't mean to recoil. "You've given her a name? Fuck, Charles, you really are planning on keeping this one, aren't you?" 

"Answer the question, Max." 

He let a scowl overtake his features. "You wanna know? Fine, Charles. I'll fucking tell you!" He kicked his suitcase, flipping it over and emptying it of his clothes. "She's dangerous and viscous and she's gonna be the reason you don't get into the car!"

"What the fuck is that supposed to mean?" 

Suddenly Charles was on his feet, too. It was going to go one of two ways, always did with Mad Max. Either Charles was going to be back on the bed, letting Max take out his aggression, or he was going to let out of there, let Max stew in his anger. 

If it wasn't about Birdy, that sweet sweet girl, Charles would have been on his hands and knees, face pushed into the pillow. 

But it was about Birdy. 

Grabbing his things from the floor, Charles marched out of the hotel room. Max didn't know what he was saying, especially not about his Birdy. His Birdy, because nobody knew what they were saying, not when it came to her. 

Even as he walked down the hall, barely dressed, the bite marks in his shoulder throbbing, he could hear Max. No doubt destroying the room, tearing it up. Mad Max. It was no full moon; it was pure anger. His usual outlet, winning races and being the fastest person alive, wasn't hitting it anymore. Because he wasn't the fastest person alive, and he fucking hated it. 

Charles couldn't help but sigh as he walked into his room. This wasn't his Max, the one he had molded. Max, who was usually the kindest man in the room. That kindness born from a childhood full of abuse. 

Just like Birdy, Charles thought. Max and Birdy, matching sides of two coins. And Charles was the other side of both those coins. She could be just as sweet as Max, he knew. She just needed a chance. 

Charles wasn't speaking to him. Max watched him, watched from the Red Bull garage as Charles walked past him. Normally he was the last person there, first to leave. But he had gotten there early, just for a chance to speak to Charles. 

But Charles wouldn't speak to him. 

Eventually, Max gave up waiting for Charles to catch his eye, to come and speak to them. All he wanted was to make up for his mistakes, all he wanted was that chance. A chance Charles wasn't giving him. 

He strode across the Red Bull garage, making his way to the Ferrari garage. "Charles," he called, and the Il Predestinato looked at him. He stepped closer and not close enough all that once. Close enough to keep it casual, too far away to show how he really felt. 

"Charles, I want to apologise for last night," he said, trying to keep himself quiet, keep the words just between them. 

Charles hadn't yet looked at him. He didn't turned towards Max when he spoke, didn't pay him any attention. Max's jaw twitched, but he didn't let it show on his face. "I was out of line, I know, and-" 

"It's not me you need to apologise to." 

Max stilled. Not me you need to apologise to. "Charlie, you can't be serious," Max whispered as he reached out to grab his arm. But Charles stepped out of reach. He looked past Max, looked across the garage. 

Max looked too. 

Birdy. That was the name Charles had given you. Beast was the name given to you by the rest of the motorsport world, the name Max knew you by. And you were a beast,  vicious beast who had gone to attack Charles. You were dangerous, and you had made that perfectly clear. 

Max steadied himself. He sucked in a breath and strode across the garage. 

It was hard to see the sweetness that Charles saw in you, not with the muzzle covering your mouth and the shock collar around your neck. You hadn't noticed him yet, head bowed as your muzzle was taken off and your balaclava was given to you.

When your handler told you to put it on, you did so. Your helmet came next, acting as a replacement for the muzzle. You fastened it under your chin, head tipping back slightly. 

And then you locked eyes with him. 

Max Verstappen. Current World Champion, lead in this year's championship. He stood before you, looking awkward and uncomfortable all at once. You couldn't help but match his pose, looking just as awkward and uncomfortable. Your helmet managed to hide your expression, though. 

"Hello," Max said, trying to get a look at your reaction. It was near impossible to get a read on you though, not with the helmet on. He looked back at Charles, watching the both of you. 

He cleared his throat, attention back on you. You hadn't looked away from him. "Look," he began, his hands dropping. "I'm sorry for..." But what was he sorry for? For thinking that you were dangerous? That was the truth, wasn't it? You were dangerous. 

"Okay, here's the thing. Charles is mad at me, so can we just pretend that we've had this big talk and I apologised for stuff?" 

The way he looked at you, expecting something. You blinked at him. If he wanted to apologise, he could go ahead and do so. But this wasn't much of an apology. 

"Come on, Beast-"

"Birdy." 

It had surprised even you. The word left your lips so suddenly, your brows furrowing beneath your helmet. You didn't want to be a beast, not anymore. 

Max stared at you, his blue eyes blown wide. "W-what?" He looked around, looking to see if anybody else had heard it. But everyone around the two of you was much too preoccupied with whatever they were doing. "Say it again, go on," he tried, but your lips were sealed. 

Speaking out of turn. 

Speaking out of turn.

Bad little wolves get punished of speaking out of turn. 

You stumbled back, trying to get away from him. "Wait," he called, but you were gone, disappearing further into the garage. 

Max desperately looked around for someone else that had heard you. But nobody else had. Birdy. The name Charles had given you. The fear had been so evident in your eyes the moment the name left your lips, he couldn't help the sadness that shot through him.

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[aurynsia]

Hellooo, so I am obsessed with the James Potter fic and can’t help but think of how James would react if he caught Harry writing a letter for Ginny the same way he did for reader? Or maybe his daughter received a letter from someone?

Like Father, Like Son

Dad!James Potter x Reader

Summary: James discovers Harry has inherited his lover boy gene…

Warnings: Mum!Reader x Dad!James, reader is referred to as Harry’s mother with she/her pronouns, not edited.

Word Count: 1K

Masterlist

A/N: I LOVE THIS IDEA!!! Thank you so much for the request! This acts as a sequel to this series, but feel free to read it as a stand alone one shot <3

——————— ⋆౨ৎ˚⟡˖ ࣪ ———————

“Dear Ginny,

there have been three occasions in my life when I’ve known what love is.

The first was watching my parents fall in love more and more everyday, reminiscing on their years spent as high school sweethearts. My dad had confessed to my mum in a series of love letters, initially anonymous before she found him out. They’ve been together ever since, and I long for a love like theirs.

The second time I knew love, it was platonic. My best friends mean the world to me, and they’ve shown me more love in these past few years of school than I’d ever known before. I can trust them with my deepest, darkest secrets, and for that I am truely grateful.

The third time was brought on by you. Ginny Weasley, I’m in love with-“

“Need any help with that holiday homework, love?”

James peaked his ever messy head of hair around the young Potter’s door, balancing a plate of his various house husband specialties in his hand.

Harry flushed with a wide-eyed shock, frozen in place as James pushed further into the room and placed the food on his desk.

“N-no, thanks dad! It’s uh…it’s not hard!” Harry managed to stutter out in reply after a beat, eyeing James curiously as he dotted around the room.

“What do you have there? Is that potions?” James lit up, scurrying over to Harry’s desk, “You know, your mother and I excelled in potions in seventh year! I was head over heels-“

He paused, glancing between the letter on Harry’s desk and his son’s sheepish grin, his eyebrows furrowed in the guilt of being caught.

“My boy…” James began, “Is that a love letter?” Harry looked away, worry clouding his features as he often sought to avoid conversations about love with his dad - he didn’t want to make a fool of himself.

“You really are my son!” James exclaimed, running on the spot to release some pent up energy, “Oh, this is great! Who’s it for? Have I met her? Or him! You know I’d never judge-“

“It’s for Ginny, dad,” Harry groaned, interrupting the man who was behaving like a fourteen year old boy. “The Weasley girl?” James paused as Harry winced. “I know she’s my best friend’s sister, but-“

“She’s lovely! Oh, this is perfect! Yes, what a sweet girl - such a welcoming family, her parents are such a treat-“ James rambled as he paced his son’s room, ignoring the way Harry released the breath he held as he broke the news to his dad.

Harry always prayed his parents would never succumb to the expectations of blood status, marrying him off to some pretentious pure blood girl when he’d rather be with the quick witted red head who stole his heart.

Today, it seemed, those prayers had been answered.

“C’mon, son, let me help! I’m good at this, you know, swept your mother right off of her feet! A poet, she had called me, yes! What have you written so far?”

——————— ⋆౨ৎ˚⟡˖ ࣪ ———————

You pressed your key into the lock of your front door, twisting and turning to release the latch and enter the warmth of your home.

Letting out a shuddering breath from the frost that hit your neck in the street, you plunged into your hallway, throwing off your coat, bag and shoes before shuffling to the living room fireplace.

“Jamie,” you breathed, smiling with adoration at your husband’s perked up expression, anticipating your approach to the couch like an excited puppy after hearing the door slam.

“My lovely girl, welcome home! How was work? Are you hungry? There’s dinner on the stove,” he rattled off in a string of ecstatic exclamations, jumping off of the couch to wrap you in his strong arms.

You softened at his touch, humming in the warmth of his chest as you told him about your day and asked for late dinner.

“That sounds exhausting, sweetheart, I’m sorry,” he mused, pulling you to his chest on the couch after guiding you to the plush cushions with a bowl of food in your hands. “We had quite the eventful day here, too,” he started, bright eyed and reeling, “I’m sure it’ll cheer you up!”

“Tell me all about it, Jamie,” you murmured, cuddling into his chest like it was moulded perfectly for your head. “Harry’s written a love letter, a good one,” he began enthusiastically, “for that lovely little Ginny Weasley he’s been so infatuated with recently!”

He practically squealed at the confession, adding pressure to your waist out of unconscious joy. You grinned in surprise, eyebrows reaching for your hairline as you spun around to face James. “Well, he really is his father’s son, hmm?”

James bounced you on his lap in glee, describing the letter that Harry planned to take back to Hogwarts with him. “And then he’ll slip it under her door! Oh, love, it’s perfect!”

You smiled sleepily at his explanation, rolling your head across his chest to stare up at him dreamily. “He deserves a love like ours,” you mused, “I remember that night, I was so enamoured by your beautiful writing…Harry’s got your big heart.”

“And your beautiful brain,” he kissed your forehead, “and your gorgeous eyes,” another kiss, “and your stunning smile,” one kiss more. You giggled at his touch, leaning impossibly closer to him on the couch.

“If all goes as planned, I suppose we should have the Weasleys over for Christmas,” you mumbled with a sleepy smile, closing your eyes and tightening your grip on James’ arms that captured your waist. “Oh! I’ll make dinner! We can have a big party!”

James Potter, the big, strong man with an even bigger heart who just had to make you fall for his hopeless romantics.

——————— ⋆౨ৎ˚⟡˖ ࣪ ———————

[nadas-dirthalen]

Dragon Age: the Veilguard Was Packed with Lore — But Many of Us Overlooked It

— PART ONE — [ 2 ]

Welcome back, friends and travellers. If you've been here a while, you'll know that I wrote 30,000 words of predictions in the week and a half before DA:tV released. But here's the most surprising thing—I was right, for the most part.

I spent my first Veilguard playthrough grinning (and then sobbing) at all the lore reveals. And here's the thing: I think most of us missed a lot of them, including even me.

So let's begin with...

Titans: Dark and Light, Compassion and Rage, the Eternal Hymn and its Endless Listeners (1/2)

This is your warning: This post will contain spoilers for the entirety of Dragon Age: the Veilguard, and all Dragon Age content made before Veilguard.

Alright, pals. If you've been here a while, you know how this goes. I always start by listing what we're going to cover, like anyone who's never fully recovered from academia.

Today's Discussion:

What Veilguard (Re)Taught Us about the Titans

The Titans the first Shapers of the known world.

The Titans are beings of the Abyss.

The Titans are sleeping, dormant—but alive.

Dwarves are the Titans' children, created to tend them.

The Evanuris mined the Titans' bodies to create people.

The Titans—the Earth—fought back.

What Veilguard (Re)Taught Us about the Titans

The best thing about Dragon Age, as someone who loves the series to death, is that its worldbuilding is consistent, but also bears the unique quality that we, as players, are not aware of it all. Our protagonists in each game don't know everything; the people they learn from also don't know everything. We learn what we can through codices that are all biased and need an extra layer of decoding. This is a feature, not a bug.

It also means that we did not know how to understand the Titans before. Even my 30,000 words of theorycrafting, especially my piece all about the Titans, had elements of speculation. I had to check that speculation against other sources like the Chant of Light, which is a source that we REALLY did not know how to decode when it was revealed piece by piece in DAO, DA2, World of Thedas, and Inquisition.

Here, I'm going to break it all down, piece by piece.

The Titans were the first Shapers of the (known) world.

It is said in the Descent DLC that Titans are enormous beings whose singing shapes the world. Their existence predates much of Thedas, if not all of it. The Titans are called the first Shapers for this reason, and in Veilguard it is restated several times over that they did, indeed, shape the world—for instance, by Cole in Inquisition.

"Their ancient shapers were mountains drawn of all their wills, walking their memories into valleys of the world." —Cole dialogue.

Inquisition told us so much more about the Titans than just that, though. The Titans have a realm all their own, a counterpart to the Fade, mentioned over and again in the Chant of Light and referenced as a quest name in Inquisition.

Here lies the abyss: the well of all souls.

The Titans are beings of the Abyss.

Now, it's important that I mention right here that the Chant of Light has existed long before Inquisition. In fact, its tale is what opens DA:O as the game begins. Recently Eurogamer stated that BioWare has had a massive lore document for the 20+ years of its existence, and I believe that there is no truer example of this than in the Chant of Light itself.

The Abyss, for a long time, was a mystery to us. Inquisition cleared it up a lot—not only with its game content, but with World of Thedas' publication shortly thereafter.

Not only is the Abyss referred to in many elven codices, but we go there. The key locations of the Descent DLC—the Forgotten Caverns, Bastion of the Pure, and the Wellspring—are in a region called the Uncharted Abyss.

Now, with Harding, we go deeper into the Deep Roads than the average dweller. The same is true in that instance: venture down far enough, and we reach a Titan's heart.

We find a Titan's heart there. But the Titan does not wake—none have before DA:tV, and even then, they have not fully woken. Because, for as long as we have known...

The Titans are sleeping, dormant—but alive.

"It's singing. A they that's an it that's asleep, but still making music." — Cole dialogue.

There is so much Cole dialogue in Inquisition that speaks on the sleeping Titans, on their old songs that once sang the same, on how they will never wake up, that it would be folly to try and post every codex here. Suffice it to say: Cole knows of the Titans, knows of their songs, and knows they are asleep. He is one of the pathways to our knowledge of the Titans in Inquisition, and his words are peppered throughout the game.

The Chant of Light also makes reference to a mountainous Maker, who oft speaks about a forgotten mountain. When Andraste meets the Maker "in darkness unbroken," specifically, these words are used:

The Maker Appears to Andraste (7) Eyes sorrow-blinded, in darkness unbroken There 'pon the mountain, a voice answered my call. "Heart that is broken, beats still unceasing, An ocean of sorrow does nobody drown. — Andraste 1:7

Heart that is broken, beats still unceasing — a being who has been broken, but whose heart still beats. We can hear that, in the Descent DLC.

Veilguard confirms that both sources are true through Harding, her personal quest, and the codices for the Dwarven people.

Records that exist outside of Orzammar mention "great sleeping Titans" and "the First Ancestors." — Codex Entry: Harding's Notes: Orzammar and Titans

Harding's experiences in Veilguard, in this way, serve to prove Cole right. That is a deliberate narrative choice: BioWare's way of saying, Yes, this is true. Yes, you should take Cole's take on Titans as correct.

We also know, from Cole, that this state of being is permanent. Not only are the Titans asleep, but they don't know how to wake.

Songs screaming far away. It wants to wake up but can't remember how. No one should be here. — Cole dialogue.

This becomes crucial information in Veilguard, and central to the main plot. It serves as the backdrop for what actually matters most to the characters living in Thedas right now, which is...

Dwarves are the Titans' children, created to tend them.

By now, a lot of people have seen this reveal in the art book: the dwarves were created to tend to their Titan hosts/makers. But we knew this before—we just didn't know it in context, and therefore we did not believe it to be objectively true of Thedas.

In truth, we've known about the elves and the dwarves' origin since the Chant of Light came out in full with World of Thedas volume 2.

At last did the Maker From the living world Make men. Immutable, as the substance of the earth, With souls made of dream and idea, hope and fear, Endless possibilities. — Threnodies 5:5

I talk about it in more depth in my Chant of Light dissection, but what this verse says in context is that the dwarves (the Maker's second children) are beings crafted by the maker: bodies made of lyrium, souls made of the same "dream and idea, hope and fear" as the original spirits.

This concept has already been massively hinted toward with both Valta (who has become The Oracle in DA:tV) and Dagna, who both connect to isatunoll during Descent and Inquisition's base game, respectively.

We've known about the Evanuris' horrible crimes since before Inquisition, as well, for the same reason and from the same verses in the Chant of Light.

Until, at last, some of the firstborn said: "Our Father has abandoned us for these lesser things. We have power over heaven. Let us rule over earth as well And become greater gods than our Father." (8) The demons appeared to the children of earth in dreams And named themselves gods, demanding fealty. — Threnodies 5

With the context given to us by Trespasser and Veilguard, we know without a doubt that the Evanuris are those "jealous spirits" that comprise the Maker's first children.

And just like the Chant describes, they sought to conquer the earth: the realm of the Titans.

The Evanuris mined the Titans' bodies to create people.

Trespasser taught us so much of what we needed to know about the Evanuris' and Titans' conflicts. Its codices in the Deep Roads outline how it was Mythal, specifically, creating some of the first elves in the coffins found in that zone. The Temple of Solasan features coffins of the exact same kind.

Ir sa tel'nal Mythal las ma theneras Ir san'a emma Him solas evanuris Da'durgen'lin Banal malas elgara Bellanaris, bellanaris. — Codex: Torn Notebook in the Deep Roads, Section 3

My (updated) translation: Isatunoll Mythal gives you dreams Lyrium within Becomes Solas evanuris Little stone boy You give nothing to the Titan (anymore) Forever, forever.

Trespasser reveals that Mythal mined the bodies of slain titans and rendered their demesne unto the People: she conquered Titans and used their bodies for her own ends. The hints about these actions, however, are not exclusive to Trespasser, nor to Solasan. These seeds were planted all the way back at the Temple of Mythal.

Elgar'nan, Wrath and Thunder, Give us glory. Give us victory, over the Earth that shakes our cities. Strike the usurpers with your lightning. Burn the ground under your gaze. Bring Winged Death against those who throw down our work. Elgar'nan, help us tame the land.

This codex to Elgar'nan makes reference to Elgar'nan giving victory over the Earth (capital-E, the Titans). Trespasser would follow this up with much context—that it was Mythal who was first known to have slain Titans, "rendering their demesne unto the People."

I theorized that Mythal's mining of Titans for lyrium to make elvhen bodies was what angered the Titans, based on codices in Trespasser and the Temple of Solasan. (I go into much more depth there!) Veilguard confirms this theory in Solas' Memory #4: A Memory of Manifestation.

Solas: I have the Fade. Besides, this talk of taking on a solid form. When you took the glowing stone to build your body, did the earth not shake? Mythal: The lyrium gives us the strength we had when we were of the Fade. We are the best of physical and spirit.

Mythal's crime was what took the war with the Titans in a new, darker direction. It was what would set off the chain of events that would change the very nature of the world—and it was foreshadowed, back in Inquisition, by Cole.

The Titans—the Earth—fought back.

"They made bodies from the earth, and the earth was afraid. It fought back, but they made it forget." — Cole dialogue.

In this post, I theorized that it was Solas' creation itself that caused the first Titan to "go red." That is to say, to change its nature and fight back. I used codices from Trespasser and Solasan to get there, as well as one paragraph from World of Thedas and this codex on Fen'Harel that describe the Forgotten Ones as "beings of terror, malice, spite, and pestilence."

Thinking about those words, and specifically terror, I read the codex in the secret Deep Roads room in Trespasser with fresh perspective.

For a moment, the scent of blood fills the air, and there is a vivid image of green vines growing and enveloping a sphere of fire. The vision grows dark. An aeon seems to pass. Then the runes crackle, as if filled with an angry energy. A new vision appears: elves collapsing caverns, sealing the Deep Roads with stone and magic. Terror, heart-pounding, ice-cold, as the last of the spells is cast.

Terror. The first of the turned Titans. The fire/plant/ice imagery also caught my eye, and when I went back to Solasan to check, there were many hints that this was, indeed, where Terror came into being. (For more, go look at the most recently linked post in this section!)

Huge implications for Solas aside, what this codex taught me is that Titans' natures could change. This was confirmed in Veilguard many times over, yes—but my point here is that Inquisition taught this to me, just a few days before I gained the context of Veilguard. This was never a retcon! However, this lore plays exactly to BioWare's rules: we did not have the full context, and so almost no one read that Deep Roads codex as it was meant to be interpreted—including me, the first few times I read it!

It was only when I'd seen the achievement icons before Veilguard's release that it all clicked for me. All of the lore of Inquisition and everything before it made sense. That was never a bug, never a retcon, but a genius twist on BioWare's behalf: one that almost no one guessed at for an entire decade.

One that changes everything.

Titans, we know for certain now, behave as spirits. Obscure hints in World of Thedas, Inquisition, and the previous games have been confirmed in Veilguard. This new understanding changes not just the Titans, not just the dwarves, but reframes everything we know about the entire history of Thedas and how its magic system works.

______

Thank you for reading! It means a lot when people engage with these. And don't worry: I'm not nearly through with them. It's taken me a while to compile everything, but with more of Veilguard added to the wiki every day, it's a lot easier to compile things for these posts!

(Immense thanks to the wiki staff, of course. <3)

Up Next: Titans and Spirits are far more similar than we think, and it means everything.