#Sell Platinum Online

[goldjewellerybuyeringurgaon]

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[sellmyjewelry87]

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[selldiamond]

You may choose to Sell Wedding Ring online in several situations, including when the relationship that the ring was initially intended for has ended. When a wedding is called off, the engagement ring is often sold.

[panther-avonrep2021]

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[unendingphantasm]

one of the only surviving accounts from when i was a kid is my roblox account from 2011

[ebullionpvtltd]

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[doyoulikethissong-poll]

Lil Nas X featuring Billy Ray Cyrus - Old Town Road 2019

"Old Town Road" is the debut mainstream single by American rapper Lil Nas X, first released independently in December 2018. After gaining popularity, the single was re-released in March 2019. The rapper also recorded a remix with American country singer Billy Ray Cyrus, which was released on April 5, 2019. Both were included on Lil Nas X's second EP, 7 (2019). Dutch record producer YoungKio composed the instrumental and made it available for purchase online in 2018. It features a sample of "34 Ghosts IV" by the American industrial rockband Nine Inch Nails. The sample was placed behind trap-style Roland TR-808 drums and bass. Lil Nas X purchased the instrumental for US$30 and recorded "Old Town Road" in one day.

The song reached number 19 on the Billboard Hot Country Songs chart before the magazine disqualified it from the chart on the grounds that it did not "fit" the genre, sparking a debate on what constitutes the "definition" of country music. Though "Old Town Road" did not re-enter any country charts, both versions of the song collectively peaked at number 1 on the main Billboard Hot 100, remaining at the top for a record-breaking 19 consecutive weeks; the remix peaked at number 50 on Billboard's Country Airplay chart. "Old Town Road"'s overall run at number one is the longest in chart history, surpassing the previous record of sixteen weeks achieved by both "One Sweet Day" (poll #296) and "Despacito". One or more versions of "Old Town Road" have topped the national singles charts in Australia, Canada, France, Germany, Ireland, the Netherlands, New Zealand, Norway, Switzerland and the UK, and have charted in the top 10 in various other international markets.

The song was certified diamond by the RIAA in October 2019 for selling 10 million total units in the US, the fastest song to be certified diamond. At the 62nd Annual Grammy Awards, the remix featuring Billy Ray Cyrus was nominated for Record of the Year and won Best Pop Duo/Group Performance and Best Music Video. In September 2021, the song set the record for the second-highest certified song in history by the RIAA, at 16× platinum in the US - meaning it accumulated 16 million equivalent song units. The single has sold over 18 million copies worldwide, making it one of the best-selling singles of all time.

"Old Town Road" received a total of 80,6% yes votes!

[tangibletechnomancy]

The (Personal) Is (Political)

~7 hours, Dall-E 3 via Bing Image Creator, generated under the Code of Ethics of Are We Art Yet?

Or, Dear Microsoft and OpenAI: Your Filters Can't Stop Me From Saying Things: An interactive exercise in why all art is political and game of Spot The Symbols

A rare piece I consider Fully Finished simply as a jpeg, though I may do something physical with it regardless. "Director commentary" below, but I strongly encourage you to go over this and analyze it yourself before clicking through, then see how much your reading aligns with my intent.

Elements I told the model to add and a brief (...or at least inexhaustive) overview of why:

Anime style and character figures - Frequently associated with commercial "low" art and consumer culture, in East Asia and the English-speaking world alike, albeit in different ways - justly or otherwise. There is frequently an element of racism to the denigration of anime styles in the west; nearly any American artist who has taken formal illustration classes can tell you a story of being told that anime style will only hinder them, that no one will hire them if they see anime, or even being graded more harshly and scrutinized for potential anime-esque elements if they like anime or imply that they may like anime - including just by being Asian and young. On the other hand, it is true that there is a commercial strategy of "slap an anime girl on it and it will sell". The passion fans feel for these characters is genuine - and it is very, very exploitable. In fact, this commercialization puts anime styles in particular in a very contentious position when it comes to AI discussions!

Dark-skinned boy with platinum and pink [and blue] hair - Racism and colorism! They're a thing, no matter how much the worst people in the world want you to think they're long over and "critical race theory" is the work of evil anti-American terrorists! I chose his appearance because I knew that unless I was incredibly lucky, I would have to fight with this model for multiple hours to get satisfactory results on this point in particular - and indeed I did. It was an interesting experience - what didn't surprise me was how much work it took me to get a skin color darker than medium-dark tan; what did surprise me was that the hair color was very difficult to get right. In anime art, for dark skin to be matched with light hair and eyes is common enough to be...pretty problematic. Bing Image Creator/Dall-E, on the other hand, swings completely in the opposite direction and struggles with the concept of giving dark-skinned characters any hair color OTHER than black, demanding pretty specific phrasing to get it right even 70% of the time. (I might cynically call this yet another illustration against the pervasive copy-paste myth...) There is also much to say about the hair texture and facial features - while I was pleased to see that more results than I expected gave me textured hair and/or box braids without me asking for it, those were still very much in the minority, and I never saw any deviation from the typical anime facial structures meant to illustrate Asian and white characters. Not even once!

Pink and blue color palette - Our subject is transgender. Bias self-check time: did you make that association as quickly as you would with a light-skinned character, or even Sylveon?

Long hair, cute clothes, lots of accessories - Styling while transmasc is a damned-if-you-do, damned-if-you-don't situation, doubly so if you're not white. In many locations, the medical establishment and mainstream attitude demands total conformity to the dominant culture's standard conventional masculinity, or else "revoking your man card" isn't just a joke meant to uphold the idea that men are "better" than women, but a very real threat. In many queer communities, especially online, transmascs are expected to always be cute femboys who love pink (while transfems are frequently degraded and seen as threats for being butch), and being Just Some Guy is viewed as inherently a sign of assimilationism at best and abusiveness at worst. It is an eternal tug-of-war where "cuteness" and ornamentation are both demanded and banned at the same time. Black and brown people are often hypermasculinized and denied the opportunity to even be "cute" in the first place, regardless of gender. Long hair and how gender is read into it is extremely culture-dependent; no matter what it means to you, if anything, the dominant culture wherever you are will read it as it likes.

Trophies and medals - For one, the trans sports Disk Horse has set feminism back by nearly 50 years; I'm barely a Real History-Remembering Adult and yet I clearly remember a time when the feminist claim about gender in sports was predominantly "hey, it's pretty fucked up that sports are segregated by sex rather than weight class or similar measures, especially when women's sports are usually paid much less and given weirdly oversexualized uniforms," but then a few loud living embodiments of turds in the punch bowl realized that might mean treating trans people fairly and now it's super common for self-proclaimed feminists - mostly white ones - to claim that the strongest woman will still never measure up to the weakest man and this is totally a feminist statement because they totally want to PROTECT women (with invasive medical screenings on girls as young as 12 to prove they're Really Women if they perform too well, of course). For two, Black and brown people are stereotyped as being innately more sporty, physically strong, and, again, Masculine(TM) than others, which frequently intersects with item 1...and if you think it only affects trans women, I am sorry my friend but it is so much worse and more extensive than you think.

Hearts - They mean many things. Love. Happiness. Cuteness. Social media engagement?

TikTok - A platform widely known and hated around these parts for its arcane and deeply regressive algorithm; I felt it deserved to be name/layout/logodropped for reasons that, if they're not clear already, should become so in the final paragraph.

Computers, cameras and cell phones - My initial specification was that one of the phones should be on Instagram and another on TikTok, which the model instead chose to interpret as putting a TikTok sticker on the laptop, but sure, okay. They're ubiquitous in the modern day, for better and for worse. For all the debate over whether phones and social media are Good For Us or Bad For Us, the fact of the matter is, they seem to be a net positive-to-neutral, whose impacts depend on the person - but they do still have major drawbacks. The internet is a platform for conspiracy theories and pseudoscience and dangerous hoaxes to spread farther than ever before. Social media culture leaves many people feeling like we're always being watched and every waking moment of our lives must be Perfect - and in some senses, we are always being watched these days. Digital privacy is eroding by the day, already being used to enforce all the most unjust laws on the books, which leads to-

Pigs - I wrote the prompt with the intention that it would just be a sticker on the laptop, but instead it chose to put them everywhere, and given that I wanted to make a somewhat stealthy statement about surveillance, especially of the marginalized...thanks for that, Dall-E! ;)

Alligators - A counter to the pigs; a short-lived antifascist symbol after...this.

Details I did not intend but love anyway:

The blue in the hair - I only prompted for platinum and pink in the hair, but the overall color palette description "bled" over here anyway, completing the trans flag, making it even more blatant, and thus even more effective as a bias self-check.

The Macbook - I only specified a laptop. Hilariously ironic, to me, that a service provided through Bing interpreted "laptop" as "Macbook" nearly every time. In my recent history, 22 out of 24 attempts show, specifically, a Macbook. Microsoft v. OpenAI divorce arc when? ;) But also, let us not forget Apple's role in the ever-worsening sanitization of the internet. A Macbook with a TikTok sticker (or, well, a Tiikok sticker - recognizable enough) - I can think of little more emblematic of one of the main things I was complaining about, and it was a happy accident. Or perhaps an unhappy one, considering what it may imply about Apple's grip on culture and communications.

Which brings me to my process:

Generated over ~7 hours with Dall-E 3 through Bing Image Creator - The most powerful free tool out there for txt2img these days, as well as a nightmare of filters and what may be the most disgustingly, cloyingly impersonal toxic positivity I've ever witnessed from a tool. It wants to be Art(TM), yet it wants to ban Politics(TM); two things which are very much incompatible - and so, I wanted to make A Controversial Statement using only the most unflaggable, innocuous elements imaginable, no matter how long it took.

All art is political. All life is political. All our "defaults" are cultural, and therefore political. Anything whatsoever can be a symbol.

If you want all art to be a substance-free "look at the pretty picture :)" - it doesn't matter how much you filter, buddy, you've got a big storm coming.

[goldjewellerybuyeringurgaon]

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[fernsnailz]

Hello!

I had a question related to your shop, I'm looking into my options on creating an online store (because I refuse to do Etsy if I can avoid it just because of their sheer fuckery when it comes to how they treat creators) and was wondering if you wouldn't mind giving some tips or relaying your experience creating a shop, I was looking into Shopify but their fees scare me frankly and my family is having significant issues with them so they're kinda on the shit list lol

Anyway, ty for your time!

sure! i feel the same way about avoiding etsy, i've sworn off ever using it for a number of different reasons lol. unfortunately the biggest benefits that etsy has (easy international shipping and a search function that makes your shop/items really easy for people to find) aren't things you can get from most other shop hosting services.

i run my shop through bigcartel, which is similar to shopify - it's also a monthly subscription if you want to sell more than five items, but i think it's cheaper than shopify ($15/month for their platinum plan). i think bigcartel is okay, but their prices have been increasing recently (and they're also doing wild shit like putting their new shipping label feature behind their most expensive plan??? literally just found this out while researching for this ask. damn)

you could also look into ko-fi's shop feature or storenvy, i think you can use either for free. i don't have much experience with either, but i know people who use both and have had good experiences with those services.

running an online shop is hard! my main advice is usually to start small so you can get the hang of things first. the hardest thing for me to figure out was shipping - currently i use a site called pirate ship to make my labels and i get most of my mailers through ecoenclose. best of luck to you!

[jodeliejodelie]

My utterly correct and well-researched predictions for The Sims 5

no research has actually be done by me at all

EA will make the game a monthly subscription "service" which always needs to be online. There will of course be multiple subscription tiers with the higher tiers receiving some utterly mediocre clothes, hairs, furniture, Sims, you name it, paying lipservice to causes like diversity to make them seem important and un-missable (farm that FOMO). Lower tiers will have ads, a limited number of allowed mods/cc, and reduced graphics or some shit.

And of course there will be expansion packs, a staple of The Sims franchise, but you will need to pay for those too. Unless you subscribe to the platinum+ package, which includes a season pass. Of course there will always be certain cc packs that everybody will have to pay for, such as collaborations with big brands like D*sney, big fashion houses or IK*A. Occasionally there will be a freebie, but it will be a shitty print on a basegame T-shirt nobody cares for.

But that's not all! Not only will there be subscriptions, o no, there will be an ever bigger affiliate system. Basically an inbuilt multi-level management system (pyramid scheme) where people can sell their own mods/cc and recruit other people into their downline and make money of the mods they sell. They will give it a cutesy name, like Mod Families, Creator Visionaries, or Simgineers. There will be so many *shitty* mods, but since EA sits at the very top of the pyramid, there is absolutely no desire for quality control. You will see the same hair, with some added strands/removed strands/shorted/streaked/etc. edits over and over again. Of course there will be major fights and drama when the two biggest teams asset flip/convert create the same thing (some uninspired Second Life high poly blouse or something).

Anyway, I'm having a business meeting with EA next week and I'm very excited to share this plan with them.

P.S. Other features:

Extra in game currency like diamonds that people can use to buy even more junk for the game

Limit mods/cc to the Hub, you can't just put things in folders, it won't work

Sponsored events in the game, like a Simlish concert of K*ty P*rry or a Ad*das pop-up store in the mall

More social media integrations

An additional app for mobile devices where you play with your sims in a very limited way, but most importantly earn in game currency by doing stupid tasks, like playing games or watching ads

No pools in the basegame, that was a A+ decision in The Sims 4, so we're keeping that

[selldiamond]

Do you want to Sell Diamond Ring for Cash? Know your diamond's resale worth and why it is typically lower than the purchase price so you can sell it successfully. Here, we will break down the many methods used to assess a stone's worth and provide some solid pointers for determining a diamond's resale value and locating a willing buyer.

[lola-babylon]

Running the numbers on Brendon, Ryan, and owning the Panic! at the Disco legacy

Some people are a bit upset that Brendon Urie continued performing as PATD after Jon & Ryan left, or after Spencer & Dallon left. One of the primary criticisms you see floating around is that, by using the Panic name for his solo career from 2015-2023. Brendon was profiting off of Ryan's legacy as the main songwriter on the early albums.

Let's dig into that, especially the "profit" bit.

I've seen jokes about Ryan Ross working retail now cause he's broke. We don't know what Ryan does with his days and it's none of our business unless he chooses to share that information publicly, but AFYCSO alone has been certified 4x Platinum in the US, having sold 4 million copies. Ryan, being the main songwriter on the album, would one hopes receive a decent income stream for the royalties and has no need to work a job he doesn't want to pay the bills (recording contracts are usually a Kafkaesque nightmare, but hopefully they had a decent contract where the artists get a fair share of royalties, that it isn't all chewed up by record companies).

But if you look at the album sales over time, this is where it gets interesting.

(well, interesting to a stats and facts wonk)

Here's the Recording Industry of America's certification record for AFYCSO - you can check for yourself here

The album went platinum, meaning sales of a million copies, in 2006, a year after it was released. It took another 9 years for the album to double that figure, selling 2 million copies by 2015 and achieving 2x platinum. But then things took off, with AFYCSO reaching 4 million sales by June 2023 and the resulting 4x platinum certification.

But what stands out here is this - AFYCSO was released in 2005. And fully half of all sales of AFYCSO took place after 2015.

2015 was the year that Panic became a solo project of Brendon Urie's. It also marked the start of the period of some of the band's highest sales since the early days, including their first number one charting album, a second number one album, and (Jebus, please save us from) the single "High Hopes". And Brendon toured extensively - musicians used to tour to encourage people to buy their albums; now that most music is digital musicians rely touring as their largest source of income, which is one of the reasons why a ticket to see Led Zeppelin on their 1975 U.S. tour cost $31 adjusted for inflation to 2023 dollars, but seeing any decently sized musical act in concert these days will set you back well over $100 and that's just for starters.

(I told you I was a stats wonk).

Anyway, through all that work, Brendon was using the Panic name, sure. Was he entitled to? That's not my point here. What he was doing was keeping the Panic name in the public mind, entertaining old fans and winning new ones (not my thing, but again that's not my point) and in those years, those fans purchased 2 million copies of AFYCSO, and as the main songwriter on the album Ryan has received the largest share of the royalties from those sales. Ryan earned and was entitled to that money, of course, but would AFYCSO have sold two million copies between 2015 and 2023 if Brendon had retired the Panic name and continued as a solo artist?

Let's be realistic. No.

When people heard High Hopes or any of the other post split music, they were hearing a Panic at the Disco song. If they liked it, they'd look up the artist Panic at the Disco, find the band's earlier work, and buy/stream it. If they'd heard High Hopes as a Brendon Urie song, and looked up the artist Brendon Urie, is it likely they'd have followed the bread crumb trail, learned about this now defunct band called Panic at the Disco Brendon used to be in, and bought that band's stuff too?

We could go back to 2004/2005 and debate whether Panic would have made it as big as they did back then without Ryan's songwriting skills and determined online hustling of the band. Or without Brendon's vocals and stage presence, or Spencer's creative vision for their image and live performances. Or without that they were all so young, they were just crazy brave enough to put their all into the band when if they'd been only a few years older, they might have been worried about the future enough to stay in or go to college, or train as a hairdresser or whatever. Or for that matter whether they had all that, and the right sound at the right time, and made the right connections, oh and they weren't exactly bad looking. There's so many reasons bands do or don't make it. Just talent is never enough. Trying to work out which parts of Panic's early success were due to the respective talents of Ryan, Spencer, and/or Brendon nearly 20 years on is like trying to unscramble an egg (even Brent paid a role, through the loans his parents provided to help pay for the band's practice space and van for the early tours). But it's unrealistic to say Panic was a success solely because of Ryan or that Brendon trampled all over that to get to the top solo. Either way....

Brendon Urie continuing as Panic has been, financially, very benefical for Ryan. Brendon continuing with the Panic name has meant AFYCSO was from 2015-2023 the first album of a very successful currently touring act, and not a footnote to Brendon Urie's career from his now defunct first band (I don't see it that way at all - this post is about album sales and money, not artistic integrity). And Ryan has received the royalties from albums that would never have been sold if PATD officially disbanded in 2009 or 2013 or whatever.

And whilst Ryan has been at home restoring antique cuckoo clocks or whatever he chooses to do, Brendon's been missing his family, home, and dogs, getting up at 4am to catch flights, living out of suitacses, answering inane interview questions, sleeping on tour buses and wondering what country he's in today - and, indirectly, making Ryan money. If Ryan only cared about money he probably would have continued on with Panic past 2009, but I'm sure the royalties he's received since 2015 haven't been a burden either. I'm not saying Ryan owes Brendon anything, he doesn't, and Brendon only lived that life because he loved it, or thought the performing bit made it all worth it (along with making a bunch of money for himself).

This post has focused on AFYCSO, though of course Ryan also gets royalties from Pretty. Odd, which has had a long overdue reappraisal from audiences who realise it's really fucking good. (I'll use the correct punctuation this once, but there was no way I was going to add an exclamation point every time I typed the word panic). Anyway, crunching the numbers on one album was enough. But Brendon didn't profit off of Ryan's legacy by continuing as Panic. It's been very profitable for them both.

[crystalelemental]

What do you wanna see the postgame in Pokemon you want? I feel like it's kinda tricky to figure out myself when I replay the postgame content in numerous times.

Okay this might go for a while, because the short answer is "I don't think I know anymore."

Part of the issue is defining what count as "postgame." Like, is Kanto Redux in Gen 2 postgame because the League is the finish point, and Red is optional superboss content, or is that part of main game? Is the second half of Unova optional postgame content, or is it main game because you technically never finished your League quest? Some situations, like the Emma and Anabel quests in Gens 6 and 7, feel pretty decisively postgame, as do things like Delta Episode. But what counts and what doesn't is up for some debate, and I'm...not really sure where I draw the line. I've referred to everything in the second half of Unova as postgame, but now I question that decision.

More to the point, postgame runs into two specific problems in both story and gameplay areas.

Gameplay is probably best explained by Bopper's Gen 2 video. In it, he expresses that a major selling point of Pokemon is the emphasis on continued growth and development, talking about how moves being learned late or late appearing Pokemon give players something to work toward, and keep the game fresh and interesting. And to be honest, this tracks. As someone who's owned cheat devices most of his Pokemon career, you do try to hack in final teams right at the start and they get stale really fast. Having something to work toward is part of the fun.

Postgames tend to run into the problem of not having anything left to specifically work toward. The difference between Crystal's Kanto Redux and Platinum's battle island is that in Platinum, my team is done and has learned everything. As a result, that island doesn't really offer anything particularly fun. While I've been a proponent of Gym Leader and League rematches in the past, they also have the issue of...not doing anything different. Red as a new final conflict requires a different approach from facing off against Lance and the League, but Cynthia 1 and Cynthia 2 go down to exactly the same strategy. There's less to work toward, so the island feels entirely boring to me. It's a complete slog.

While there are opportunities to switch up the team, sometimes that comes a bit late, and isn't exactly...engaging. It works in a game like Crystal because of how type matchups work, where Misdreavus can be caught and immediately blank Red's Snorlax, or Tyranitar countering half of Red's team. Or in Emerald, Mawile can hard counter Steven's entire team with careful play. But later games don't have that opportunity. It's just lower level stuff, sometimes weaker stuff, with no real gameplay benefit.

Which leads to the main thing. This is a Monster Collecting game. Its postgame is effectively completion of the dex. Which is something Pokemon is uniquely terrible at. A game like Nexomon (which is excellent and should be played) lets your postgame be hunting down everything, which is all available in that one playthrough. But Pokemon has version exclusives that demand two games, and internet connection, and with Switch paying for online connectivity. In addition, while Nexomon has a ton of Legendary status mons, it also gives a ton of Golden Nexotraps for assured captures to simplify the process. Meanwhile, Pokemon gives you one (1) Master Ball, then gives you a gauntlet of like a dozen Legendary Pokemon that are wretched to catch because of how annoying their systems are. Monster collecting in the most popular Monster Collecting Videogame is terrible by design. It's never been good, and they're never going to make it good. Though I guess they tried with Galar's Dynamax Adventures and Paldea's fights with main legends. Though they both still do the stupid catching thing in other ways, like the Galar birds and Treasures of Ruin.

I think ideal gameplay actually gives you something to work toward, but also Pokemon really just needs to improve how it operates with catching everything. Which I think it has. To its credit, Galar and Paldea do make it easier to complete the dex by making near everything available. But that's also predicated on dealing with the awful raids and dens, which is somehow worse.

The other element, story, is where things get dicey, and I'll use a comparison to explain. In Nexomon, your postgame events are...honestly the most story intensive segments. They're really good, and my personal favorite parts. More critically, they're continuations. Nexomon 1 follows up the main story of defeating Omnicron with your story of destroying his soul so he can't regenerate (spoilers I guess). Neoxmon 2 follows up all the heavy stuff that happens with a bit of a departure, but only in the sense of setting up the connection between things that happened and things that are about to happen. It's all excellent, and the postgame story is the hook. Granted, alongside new boss fights and challenges and developments that are engaging too. Shame about how the hunt for Tyrants goes, but I digress.

Gen 2 and Gen 5, while they offer postgame, tends to be very light and disconnected on story. There's not as much relevance. Even with things like XY and SuMo and the Paldea DLC, which are much heavier on story, they have...literally no significance to the main event. Like okay, you can argue the thematic relevance of Emma as a character, or that the UB hunt is related to Lusamine's actions, but like...it's really not that connected to what was going on before. Teal Mask is just 100% disconnected, and when they do connect in the Mochi Madness thing, it kinda sucks ass and they wrote Carmine out of it entirely like assholes. I will never forgive that.

I can't say Pokemon's ever really had a great story-centric postgame. It completely lacks in that area, and tells the story it wants to tell centrally. Not that Pokemon's ever been that intense on story. So this is an area it can't really work for. But the ones that do stand out...also run into issues. XY and SuMo have great events with Looker, Emma, and Anabel...but the actual playing of those segments isn't great. And going back to the initial question, does Teal Mask count as postgame if you can do it, entirely, from nearly the start of the game?

The final issue is one of...well, the Battle Facilities. I hate them, personally. I have no investment in playing literal cheating AI at reading minds. Gimmick frontier stuff like in Emerald and Platinum can be fun, but stuff like the normal Battle Tower sucks. Add to it that legendary Pokemon don't count, and there's also very little benefit to gathering legends. You don't really get to do much but stomp the League with the box legends, and...then what? Do a bunch of extra stuff? Run battles that don't allow them? What's the point of having the postgame without those benefits? Galar fixes this a bit by letting anything into Tower, but it's a small concession more than a proper fix.

Honestly, I don't really know what this all adds up to. Part of it is desperately wishing Pokemon had better capture mechanics, because god do the current ones suck. Part of it is thinking that postgame should be a little quick, because usually my complaint is it goes on too long. But I really don't even know what I'd expect anymore. I think that, to some degree, postgame in Pokemon works while the generation is current, but falls off in importance on replays. It's why Daybreak made Legends Arceus worse.

[ebullionpvtltd]

Our Story

Investing in precious metals is ingrained in our culture. Here's how we set off on a journey to make the experience effortless.

[rapid-artwork]

Are you planning to continue your ‘red lotus korra’ au?

Actually yes! I had to step away from my online art projects for a while due to my job obligations, but I've switched to a new job and have way more free to finish all the stuff I've been putting off.

My current schedule for finishing projects looks like this:

Mother's Favorite: I've written most of the script for the full game and I'm working on the assets and sprites

The Homunculus: I've actually been writing a full length fantasy novel that I'm in the process of publishing! Since it was started as writing practice, it's still very rough and I am polishing it up.

Red Lotus AU: Obviously I'm on a writing kick and I literally just re-read my fic and I'm already working on new ideas for the plot.

More Paper craft robots: I literally cannot stop making these little guys. They are actually for a homebrew table top I've been working on based on Armored Core 6 and after some play-testing I was thinking about publishing a PDF of the rules for free. Plus once I've edited the paper craft files enough I was planning on selling those online for like, a dollar or two for people who want to try making their own at home, and even opening commissions to build custom robots for people and shipping them through the mail.

Patreon Card game: I'm in the process of shutting down my old Patreon since I no longer feel comfortable asking for money since art is not my full time job. But I want to deliver on the card game I promised. I recently got into the Pokemon TCG and Magic the gather again, and I have a whole slew of ideas on how to fix the game and streamline it.

Rapid Pixel Art and Tara and Kevin: My children... I have abandoned my children... I intend to bring these guys back and actually tell their story. I have both of their plots fully written I just actually gotta... Do it ya know?

Mother's Favorite Sequel: Yeah the sequel is already in the works since I am insane. It's a murder mystery aboard a space ship where you have to interview the crew and figure out what happened. It follows a new protagonist but it slowly reveals how the two games intersect in horrifying ways. Imagine that episode of Firefly where they find the ship attacked by Reavers crossed with John Carpenter's The Thing and you've got a good idea of what I'm going for.

Various other WIPs that have been rattling around in my brain.

I've been dealing with ADHD my whole life but finally got an official diagnosis and new medication. It literally feels like an anime where I take of my limiters and I can suddenly use my full power.

I have all the same manic energy but finally enough focus to actually follow through on projects I started. I used to just start stuff cuz it interested me until I got bored and moved on.

No longer says I! I am gonna out in the work and finish what I started. I am going for the platinum medal and 100% completion this time.