#Scratch Expanded

[fangsandfeels]

Playing Veilguard and making it everyone's problem

I am going to rant, and I will rant a lot, and there will be spoilers, so if you're not afraid of them and the game criticism, buckle up.

Elves and their gods

I am absolutely fucking livid about how Veilguard handles the Dalish and elves in general. The events of Trespasser made it clear that the elves started flocking over to Solas, including the elves working for the Inquisition:

After the events at the Winter Palace, elves left the Inquisition under mysterious circumstances, as did elven servants across Thedas. None could say where they went, but those who believed the Inquisitor's story about Fen'Harel wondered just how large the Dread Wolf's forces were... and what the ancient elven rebel had planned.

Solas had multiple spies working for him during Trespasser, and If I remember correctly, there was even a note, left by one of the elves - they were anticipating the great change and the return of the elven glory. Anyways, the established fact is that: elves learned that the stories about their gods were true and one of them now was going to restore the world as it used to be. At least, this is how they interpreted it (maybe, this is the version Solas didn't debunk) and so they started following him.

You might think, the Inquisitor and their allies are going to have a huge problem with breaking it to elves that their chosen leader isn't going to make things better and that their gods don't love them. Especially, if the Inquisitor is a human or anyone who isn't an elf. You'd imagine any attempts will end in failure because of course elves aren't going to listen to outsiders trying to explain their own culture and gods to them. You'd imagine that their trauma caused by centuries of oppression and discrimination will make it impossible for the Inquisitor and anyone else to make them see the truth.

You'd assume anyone who tries to find and stop Solas will be sabotaged every step of the way, feeling themselves horrible for having to clash with people desperate for a chance of a life without injustice - even if it means burning the rest of the world down.

You'd imagine that they will only change their mind if/when they see the harm done by Solas' actions and get to witness their gods true intentions by themselves - which would lead to a massive crisis of faith and schisms happening between elven tribes and groups.

You'd imagine will get all this incredible drama in the Veilguard, with elves initially resisting the group's attempts to stop Solas, then trying to pull themselves together after the revelation. You'd assume there will be zealous groups doubting Solas (because the Dreadwolf is a liar and a deceiver) and intending to use him to actually free the elven gods. You'd think this is how actually some of them get out.

But, NOPE. Not only Solas ends up working alone, with none of his followers throwing themselves at Rook and the party to buy him time, but also all elves now hate Solas because...Varric said so?

You meet a group of Veil Jumpers (elves devoted to exploring their ancient culture and history, learning more about their gods and reclaiming their heritage) and their leader instantly calls Solas an asshole. Based on WHAT?

I get it, Varric had met them before and told them that Solas was Fen'Harel...

(needless to say if you expect players to find and read other media in order to make sense of the events in the game, you are doing something wrong)

...but why were they so fucking calm about it, instantly eating up the "yep, he's bad" version? Even if the Dread Wolf is vilified in the Dalish mythology, wouldn't they be curious about what that means? Wouldn't they have gotten tempted or excited by the implication that other gods exist too? They weren't told the full story - why the fuck did they instantly accept the "Solas is an asshole" narrative? Especially when Solas comes with a promise of a world for the elves like it was meant to be?

WHY?

The Veilguard has no response for that. I guess, Dalish never cared about their history and traditions, and city elves were dandy about Alienages and oppression, so they easily believed some randos over a literal god promising a new, better world.

I don't even play Dalish, but I love their plotline and arcs - and I was bracing myself for some downright painful choices and conflicts during the next Dragon Age. But it felt like the writers couldn't be bothered with developing such a nuanced narrative, so they just waved it all down with "Nah, elves are chill now and they never really cared about their gods in the first place".

[wandixx]

I've seen a lot of different takes on Fear Toxin/other fear causing stuff (Yellow Lanterns Ring or something)(later just called Fear Toxin cause I'm lazy) but here is another one.

Danny seems like he isn't affected by Fear Toxin because his biggest fear is that his accident changed him so much he is no longer human, he can no longer truly experience human things.

So when he gets lungful of fear Toxin, he feels normal. He was antsy before, because c'mon, it's a rogue attack but it's not worse. Or so he thought. Because the anxiety lingers. Not enough to register as abnormal just this slight hypervigilance that makes you see things about yourself and your surroundings that you'd never realize otherwise. He'd realize he doesn't blink as often. He'd realize that if he doesn't consciously focus, he sometimes seems to not touch the ground. Forgets to breathe. He can't feel his own pulse at time. He'd realize people will miss him when he's walking down the street as if he was invisible (people just don't care about everyone they pass by). When he'd look straight into his reflection, he'd look slightly to the left. Not enough to actually name anything that was wrong but just stretched enough to fall on the wrong side of the uncanny valley. If he just caught his reflection in the peripheral vision, it'd be vaguely shadowy creature with glowing green eyes and white smoke instead of hair. Overall he'd be just wrong enough to be distinctly not human.

For everyone else, he'd be just a dude. Literally couldn't find more normal dude than this dude. Will pass as absolutely normal human unless someone is specifically looking for ecto-ghost stuff. Even most magic users wouldn't clock him at the glance

Tldr: Fear Toxin makes Danny perceive himself as some sort of eldritch horror but not enough to make him believe he'd actually be affected, while from outside perspective he's Just A Dude™

[ovenproofowl]

His Dark Materials is a franchise that tackles so many branches of physics and even creates a universe where the main course of study is experimental theology which is all about identifying and explaining dark matter while also adding dimensions to string theory, the multiverse theory, and the very concept of the human soul. At the same time, it aggressively calls out the problem with the state being controlled by the church, how people are condemned for being different and religious fearmongering stops the chance at growth both on an individual and a societal scale. It’s a franchise where the heroes of the story are two children who aren’t allowed to know the prophecy they’re a part of, who save the world unwittingly simply by doing what they believe to be right. Meanwhile, the person who thought he was the hero all along, the person who rallied an army from multiple universes to FIGHT. GOD. HIMSELF. is ultimately consumed by his own ego and forced to take a back seat when he realises he’s just one tiny piece of a much larger story that’s true heart is his own daugher. The child he abandoned, the child he didn’t know or care to know how to look after. It’s a franchise about finding love even when your biological family abandon you, it’s about looking evil in the eye and seeing your own mother, it’s about good and evil not being black and white but instead a complex and cruel mixture of both. It’s about the two worst people you know banding together at the last second to save their daughter with their final breaths. It’s about exploration and learning how to grow through experience, it’s about kindness being shared across the multiverse, exchanging stories with strangers and saving the whole world by doing something perfectly ordinary and receiving no reward.

Oh, and it’s also a franchise rich with fantasy, with giant talking polar bears, witches and ghosts, angels and daemons, and a mammal-like species from another world that travels exclusively on roller skates. 

And it fucking. rocks.

[robo-milky]

Lolol so… how low do you think he’d have to sink to reach Cloche and Grim? I’d imagine he’d be on his damn knees-

[Notes]

- So I’m thinking… Cloche probably found Skully cute UNTIL after finding out he’s 16- Now he’s cringe (if him talking down on his schoolmates wasn’t enough)

- A bit more far fetched but I think it’d be interesting if they both grew to dislike/feel iffy with each other over time?? No idea if Skully was ever bullied or not (only mentioned to be alone), but he sure as hell reminded Cloche of an old classmate/childhood friend she indirectly bullied- With him seeming to lack social awareness, Cloche almost wants to say it was his fault and he deserved it if somehow he’s outcasted by everyone in his school- 💀 (I don’t endorse this, it’s Cloche’ character flaw)

- At the same time, it’s also funny if Skully mistakes Cloche’ curse of calling everyone Master/sama as her having admiration for Jack and Sally 😭

- Maybe Skully can be the agent to bring Cloche and Epel closer- Cloche using Epel as a human shield to avoid all contact with Skully

- Skully is super duper uber cute but I like him the same way I like Epel/Rollo- I just think it’d be entertaining to see if he’d snap and push him to his limits of misery- Maybe he’ll keep on being the whimsical cinnamon roll we’re seeing so far, maybe he can give us a good scare like Jack did with the trick or treaters-

[lilia-calderus-pet-goat]

The Self-Fulfilled Tragedy of Agathario - Study / Analysis.

Agatha met Rio over the bodies of her original coven. She was scared, at first. “I didn't do it.” She said. Rio simply said, “I saw.” In a soft voice, “your power is beautiful. Don't ever feel guilty about your talent. You survived.”

Death was the only consistent comfort in Agatha's life — “this is the me you fell in love with.” Agatha wasn't scared of it, not for a long time.

Why should Agatha value life, when death loves her so intimately? When only Death understands her sorrow? When Death is the only one who tells her that she wasn't born evil—because Death is the natural order of all things?

They did live together, in that cottage, for a while. Agatha, “took power from the undeserving—” who *she* deemed undeserving, as said in WandaVision—and Rio collected the bodies. They never had to be apart. Death was her satellite, orbiting around her endlessly, holding her hand because no-one else would. (“I hold Death's hand in mine.”)

But Rio cannot be present for long if there is no body to collect. She needs to be everywhere, in every place, all at once. So she'd be gone for long periods of time, back whenever Agatha would kill and stick around to see her. Split across the fabric of reality, always reaping, collecting, guiding the souls to their afterlife. She may not be the only reaper—but she's the personification of Death, not merely a deity who carries the title. She is finality. She is the “end,” the “goal” the “completion.” The “telos” where all roads lead to. She isn't “decay” but a cycle coming to an end. Transformation. New Beginnings. Change. Growth. She is thr Green Witch, as all living beings return to the earth that gave birth to them.

Nicky came from Agatha's love for Rio, just as Billy and Tommy came from Wanda's love for Vision. There was no spell, no need for incantation. Nicky came from Scratch. Life from Death, like the Green Witch's trial. And that, indeed, is why he was a stillborn.

And because Rio merely appears wherever there is death—the moment she appeared during the childbirth, even though no one else was around, no bodies to collect—Agatha knew immediately.

Rio was inevitable—and she could offer only time. She bent the rules for the woman she loved, because she couldn't bear the thought of Agatha hating her.

And suddenly, the form she fell in love with was terrifying. Because she now had something to love other than death. She didn't find it to be a beautiful comfort amidst her darkness anymore, but a cruel reminder of her son's mortality.

And though once she killed and stayed—to keep death close—like the protagonist of an ancient tragedy, seeing beauty and eroticism and peace and quiet and divinity in Rio—she was suddenly met with discomfort and fear and grief. And so she killed and ran—to keep Death busy. To keep Death occupied. To keep Death away. To earn more time, to delay the inevitable. To not see her face again. “Why do we kill witches?” - “To survive.”

The same Death that rescued her from her mother's cruel arms and cradled her in hers was now the very reason she couldn't be a mother herself. The very reason she couldn't see her son grow.

The very Death that once re-assured her that she wasn't born evil was now a cruel reminder that maybe she was. And you know why?

Her mother treated her as evil because her magick 'takes'—and 'gives' nothing. For Agatha, that's what evil means. That's why she insults Rio by telling her she gave nothing—she *took.* “And that's usually your move, right?”

And the real tragedy of Agatha Harkness is that her villainy was self-actualized. A self-fulfilling prophecy. Agatha hates her powers, even more so when looking at her son. Because, “I cannot heal you, (Jen) I cannot protect you from what's coming, (Alice) and I cannot divine (Lilia) when she (Death) will return.”

So she hates her power, because unlike the others, Agatha cannot—by design—give anything to her son. She can only 'take' from others. She can only 'give' to *Death,* and that's why only Death has ever loved her. And that, now, to her, verifies her mother's statement: “you were *born* evil.”

Not like other witches—like Jen—the 'deserving.' “I left you alone, because what you were doing was important.” “It was bind or burn.”

Because she couldn't save her son. She never could have. And to Agatha, that's because she was “born evil.” Because she never was living—she was surviving, with Death's hand in hers. Her power could only drain life, not better it. The very song that Lorna Wu used to protect her daughter was a cruel reminder that Agatha couldn't protect ber son.

Agatha could never see Rio the same. She could never face her like she had before. Because now, Death was her deepest shame. And she was Death's scar.

She left the world thinking that she sacrificed her son because it's better to be feared than pitied. Easier to blame herself and blame Rio than to admit and register that it was inevitable.

She slept that night without killing witches to spare Nicky's feelings—because he wasn't evil, like her, and she'd never let him think it like her mother did to her—and she assumee that Rio would wait. That she wouldn't strike in the night. What Rio saw as mercy, Agatha saw as the cruelest betrayal.

Rio never stopped pursuing her even as Agatha could never face her. And their love was so powerful, so passionate, but it couldn't overshadow the pain and the grief of something so human as losing a child. Though despite the baggage, they never could be too far from each other. Even within Wanda's hex, even when Agatha didn't remember her own name—she remembered her deep feelings for Rio. Her love, her hate, her passion. Even when she didn't remember why

Rio can't understand why Agatha doesn't want her. “No-one in history has had special treatment like you“ - “Why don't you want me?” - “this is the me you fell in love with” - Because as The Green Witch, the personification of Death—she is the natural outcome of all things and cannot conceive the human aversion to death. “Evil? You're calling me evil?” She doesn't **get it.** She doesn't find her nature cruel, just as she doesn't find Agatha as “born evil.” She sees her as she always had—affectionately. She bent the rules of the universe for her sake. And so she doesn't understand the aversion at all. She feels rejection. And all she wants is to have Agatha again, who keeps evading her for something she couldn't help. And she's devastated, because once, Agatha loved her for the very thing she now hated her for.

So Death can't fathom humanity finding her cruel. Because she knows she can be gentle, and kind, and patient. Because she has been, a million times over. Because she's the one thing that everyone has in common, as Lilia's Maestra said. But what she *can* fathom is grief—because she knows love—“because what is grief, if not love persevering?” And so grief is a feeling of longing, beyond Death. More powerful than her.

And the longing never stops, even for death. And so Agatha tries to kiss her on the road after the “she's my scar” scene. She can't stop herself. Is it because she's desperate to convince herself that Nicky's soul lives on in Billy, meaning perhaps that Rio allowed it to? Is it because, despite knowing it's not her son, she's vulnerable, and thankful that Rio didn't take him too? Is it because she's reminded of the past—and love is beyond death? Beyond fear? Because grief is love persevering?

Regardless—because I could not stop for death, she kindly stopped for me. And Rio doesn't take advantage of the vulnerability. She reminds Agatha of the raw, cruel, heavy truth. “That boy is not your own.” Nothing is better. Nothing is fixed. Agatha isn't kissing Rio here because she's accepted Death, but because she's denying it. And so it's not real. They can only kiss when Agatha finally accepts Death.

So in the finale when Agatha turns to Rio and kisses her, at first Rio doesn't believe it—that she finally wants her again, that she finally accepts her. As if finally letting her grief settle, accepting it as natural, sharing it with Rio.

She forgives Death, but she doesn't necessarily forgive herself. Because she HAS become a villain, because she has used her sweet boy's innocent song to kill, tainting it as to not face Death all these years, when she was stuck in limbo between blaming Rio and Herself.

Now, she only blames herself. She doesn't let it happen again, with Billy. Agatha embraces Death just as Nicky once did, because she wouldn't.

But she's still not ready to pass on. And maybe she never will be. She is a tragic figure with no catharsis, even as she's faced both hubris and nemesis.

And that is the real tragedy of Agatha Harkness, who loved Death above all and feared it all the same.

[buddiesmutslut]

When people say “I’m okay with Buck & Eddie not ending up together as long as their friendship doesn’t change”, I hate to say it, but that’s just not possible.

I’m not saying that they’re going to stop being best friends or anything, but if they get into actual, healthy, serious relationships, with people that are well matched & good for them, their current relationship is going to change. It’s inevitable.

I do believe that they’ll always be family, that they’ll do their best to be there for each other & for Chris, but they get so much from each other. In the past, even unintentionally, they’ve been more emotionally connected to each other than they have been with their partner, & that’s part of why their friendship is so solid, because they’re both only ever vulnerable with the other.

If they find good, healthy, stable partners, they’re not going to need each other in the same way, and that’s going to change their relationship. Do you honestly believe that Eddie is going to leave Buck as Chris’ legal guardian if he finds a partner that he actually & genuinely loves and enjoys being with? (The fanfic writer in me wants to say yes, but the realist in me says no lol.)

If Buck falls in love with someone who is accepting & soft and kind and understanding with him, that person is going to be the one he goes to first for everything, not Eddie.

So much of their friendship is rooted in the way they show up for each other in ways that only committed partners really do, and if they fall in love & get serious and marry other people, it’s not going to be the same.

I just, idk if I’m explaining it eloquently enough, if I have the right words for it, but unless Buddie goes canon or they keep ending up in these half-assed relationships where they repeat the same mistakes over & over again, their relationships and these “moments” everyone loves so much are going to stop.

[pearl-kite]

So I came to the realization today that I am not going to get anymore work on this trunk done this year. I still need to finish stripping the paper inside and redoing that, but it's just. Not happening until spring. With that realization, I decided it's time to finally bring it back inside, put all the junk on my floor that used to be in it back in it, and guys

It looks good.

This is going to be a summary post of the project, so let's go back and remember what I started with. Back in, like, 2015 or something, I bought this dome-top steamer trunk at a missionary shop for $65

Yeah. Rough. But underneath that paint it was sturdy, and the only thing missing was the lock and the right-side hasp. While I lived overseas this sat in my parents' house, and when I got back I kept meaning to do something while storing all of my yarn and cat food in it. When I finally got my own space (almost a year ago now!) with my own garage, I finally decided: it was time.

Heads up, this is a long post under the cut.

Did a lot of research online, grew to hate how generative AI has even permeated niche topics like how to refinish a vintage steamer trunk, WHY is there generative AI for that, PLEASE stop, went to Lowe's and bought some supplies (I used Citristrip for the paint stripping, it worked VERY easily), and started stripping that hideous brown* away.

Almost instantly I could tell how good it could be. The tin looked amazing, and for most of the stripping process I wondered why on earth someone would cover it with any color. It took multiple layers of stripping, and I got better at it over time.

I did also start to see some oxidation issues with the tin that made the purpose behind the paint job a little more understandable.

One side was particularly bad, but I will never forgive the decision to paint the entire thing one single color.

At first, the flat metal seemed okay, but the longer I worked on stripping, the longer it was exposed to air, the rustier it started to get. I had already planned on coating it, and I ended up getting some Rust-Oleum Rust Reformer spray paint. Instead of removing the rust, it bonds to the oxide and stops the process from continuing. It also happens to leave it a nice matte black that didn't need additional painting. I taped everything off, then sprayed.

Then it was time for the tin. I looked for ideas, and the best one I found was Rub'n'Buff. It's not so much a paint as a pigmented wax, with the idea that you can buff it to a higher shine. As I was stripping paint, I found a spot under one of the slats that the painter missed, and the original tin had been painted a gold color, so I used that to decide on color. I decided on Grecian gold, though I used the antique gold as a kind of base to make sure the Grecian stretched far enough.

I originally started applying it with some craft foam brushes, but they didn't really want to work for me, so I ended up buying a pack of makeup sponges, the little disposable wedge ones, and the finer texture worked much better. I had to trim them down pretty frequently, because the wax would build up and stop applying as nicely, but there were more than enough in the pack to finish the job.

The coverage is amazing for this stuff. This side was the worst of them, and one layer of the stuff was almost perfect. The Grecian gold was almost a bit runnier, though, and ended up needing a second layer to cover some patches that were almost too thin, thus the other underneath.

This tin is so pretty though. I still kind of regret that it needed it; the places that weren't oxidized were so bright in a way that the Rub'n'Buff had no hope of emulating. There are some places you can still buy the embossed tin for rehabing trunks like this, but I haven't found one with a pattern quite like this, and this one is so much nicer than the ones I've seen. I'm very glad that it was all intact except for where the lock goes.

After the tin came the slats. I knew from sites like Brettun's Village that I wanted to use tung oil, so I had bought what I thought was tung oil. Turns out Minwax gets to call their tung oil finish that even though there's. No... tung oil. in it. ? So uh, if you want actual tung oil, do NOT listen to Minwax, they're lying, I don't understand why it's allowed. It still looks nice enough, but quite annoying.

Speaking of Brettun's Village, they not only do their own restorations AND provide a guide, they have a very extensive supply of recently furbished and original parts. They happened to have a nearly identical hasp to the one that was missing (so nearly identical I only noticed after my dad pointed it out) and an old lock also similar to my original, made in the late 1800s/early 1900s.

The next step was to tackle the inside. Instead of just adding more paper on top (like the last people did, so now there are two layers, one of which hides some original stickers ;3;), I decided to try to scrape that out, and I've found some structural issues that the metal and slats outside have held together and kept hidden.

The top split in the wood is an actual crack on the front that needs fixing. The middle split is just the gap between the planks. The bottom is also a crack, but not as extensive as the top one.

So the final steps, when I get the motivation again come spring, is to finish getting as much of the paper off as I can. Then my dad is going to help me use some bondo to hold the cracks, and I'll find a removable wallpaper I like. Then I can sort out what I'm going to do with the lock. That top split runs right through where the lock should go - you can see some of the wood filler we already put in from where the original was ripped out - so we can't try to put anything there or it'll crack worse.

But I brought it in today!

It looks so good, I glance over and get to feel so satisfied; I did that.

*I don't like to call any color hideous, because a lot of the time it really depends on the context, and it's an okay brown. But for THIS? It was probably the worst brown they could have picked. Mixed with the orange of the paint stripper it looked like I was scraping diarrhea.

[fourteenpigs]

I figured out how to put it on my device guys

Like and subscrite

[birb-reblogs]

man I don't usually make recommendations or write reviews on here but I need everyone to go and read An Unauthorized Fan Treatise

if you don't mind burning an evening and potentially staying up too late reading, check it out b/c it is GRIPPING, and if you're a tumblr old or you've been in fandom for a while, it'll feel way too familiar ("I was there, Gandalf"), the lore is DEEP.

I saw it rec'd in a reddit thread and described as a story about hobby drama and fandom culture intersecting with true crime, and I would highly encourage anyone interested in reading to not look up anything else abt the the plot before going in blind

[pinkeoni]

Explaining WillEl's Narrative Duality— With Charts!

Today I want to talk about the duality of Will and El's storylines and how paralleled the two are, and to help explain I've drawn little diagrams! (or, me forcing everyone try and read my handwriting)

This will probably be a multi-part post, but I'm going to start with season one since it is the easiest to explain, but also looking at just season one gives a good incite into where their individual arcs are heading.

First, let's start with the narrative backbone— Joseph Campbell's Hero's Journey

The Hero's Journey is literary cycle that Joseph Campbell proposed all stories follow. Now whether or not all stories follow it is debatable, but ST actually follows it to a T.

I've simplified it for the sake of this post, but the general gist of it is that the hero starts off in the Known World, or the "Normal World," and then "crosses the threshold" into the Unknown World, or the "Realm of Monsters" as I'm calling it on my little chart. The hero then ends the cycle when they make the return journey back to the Known World with the knowledge they have gained.

Pre-season one, El and Will are sitting on opposite ends of the chart, Will lives in the Known World and El lives in the Unknown World. This will make more sense as I continue explaining.

I guess it's important to note that parts of the Hero's Journey is meant to be transformative based on the work and character that it is applied to. The Unknown World here is the known world to El, but from an audiences perspective her world is the unknown one, thus why I've placed her on that side of the chart. Will and El both follow the same steps of the chart in the same order, but whether they are in the Normal World or Realm of Monsters is different.

Once season one begins and we have our inciting incident, both characters cross the threshold onto the other side of the chart. They basically switch sides. El escapes the lab entering the Normal World and Will is taken to the Upside Down, or the "Realm of Monsters"

We see a lot more of El's story then we do with Will's, but for most of the season Will and El are basically living out opposite arcs. I think if you consider Will having powers, this is especially true.

El is a girl with powers who is learning how to navigate the conventions of the normal world.

Will is a normal boy who is learning how to navigate his powers in the unknown world.

If El is going to survive in this new environment, she has to learn how to dress and act like a normal girl. She has to learn what normal girls wear and what a friend is and how to make promises, all things that kids in the Known World, like Will, are already familiar with. On the other side of this chart, if Will is going to survive his new environment he has to learn how to use his powers. He has to learn how to control the lights so that he can communicate with his mom, something that kids in the Known World would not know, but that kids from the Unknown World, like El, would know.

The climax of season one is when their respective "monsters" are closing in on them. The Demogorgon (Vecna) gets closer to Will and Brenner gets closer to finding El.

Will and El then end the season on opposite ends of the chart once again, having both made their return journey.

(Of course, the story doesn't end there, but this is the resolution that is offered for the first season)

Like I suggested towards the beginning of this post, I feel like examining their respective storylines in this way could help predict the projection of their arcs in season 5, and what the core of their arcs are actually about.

An important aspect of The Hero's Journey that I didn't illustrate on my little chart is "Master of Both Worlds" or the step toward the end where the hero is a master of both the Known World and the Unknown World. This is a step that we haven't quite seen yet with neither Will nor El.

This goes along with my post here where I speculate the conclusion of Will and El's arcs, which includes El becoming her own person outside of being a superhero and Will becomes the chosen one. Considering that Will started off in the Known World and El started off in the Unknown World, the goal for each character has to be about mastering the opposite realm. Will is likely going to become a master of the Upside Down and his powers, and El is going to come into her own person outside of her superhero identity.

[vaguely-concerned]

nothing makes me feel like a golden god quite like a new recipe turning out delicious on the first try. unfortunately, conversely nothing makes me feel more 'I am god's mistake' than spending all that time and effort on something and having to make a sandwhich b/c the results were inedible if you want to retain your capacity for delight. the duality of home chef

[il3x]

Honestly very curious to know whether the "cat gets a stripe of blood across their eyes to indicate that their perspective is distorted by trauma" visual motif is, like, a Trope in warrior cats fan-videos, or if it's exclusive to these two (Little Pistol and It's All So Incredibly Loud).

[telltaletypist]

Can I poke your brain about nge no further reading required if not

Nge was trying to criticize the subculture of the time but trite “satire requires clarity of purpose lest it bebehcigkkskx etc” aside. Are you allowed? Is it ever correct to overtly do something if you are like “this is ironic” of course by allowed I guess what I mean is justified/moral. Like can anno ever claim to be criticizing moe/harem/sexualization if he’s sexualizing. Is it critique or is it just self aware. If the latter, that’s no better and maybe even worse than the earnestly horny anime of the time. But either way I’m glad nge and eoe exist

i don't know if anno would even say he was criticizing sexism/sexualization, i think that's something we kind of projected onto him. i admit i'm not deeply informed about what was going on behind the scenes or what he or the crew may or may not have said in interviews, but my understanding is he has always avoided delving too deeply into what his intentions with eva were.

to me a lot of what gets interpreted as a critique of sexism is closer to self-flagellating male guilt and a fascination with/valorization of female suffering. it's easy to think of eva as a feminist text since its female characters are, for the most part, extremely well realized and thoughtfully explored. but when you really pay attention to their stories, almost all of them lack the agency of their male counterparts, and all of them exist to serve the stories of men, which is why i personally struggle to say that it likes women, even if i like the women in it.

none of this is me trying to cancel eva or anything, it's still one of my favorites. i don't even know if i'd necessarily consider that a flaw in the text. it's just kind of what it wants to be

[starswallowingsea]

having thoughts about what makes an interesting idol rhythm game

[nomiyakazehaya]

sorry, kh brainrot really got to me, y'all 😔 very eepy and tired, hand and wrist ache

[averys-happy-space]

i did a thing for my sideblog :) u can look at it live here