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shankarjaikishanfansassnintl · 4 years ago

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51 fascinating facts about Bollywood from the age of Classic Cinema

resented by Chandrakant Pednekar

Perhaps you’ve heard some of these before, perhaps not. We’ve found some really interesting facts about Bollywood since the very beginning, for your nostalgic pleasure.1. THE GOLDEN AGE OF INDIAN CINEMA DAWNED IN 1947 WITH INDIAN INDEPENDENCE. THE PERIOD BETWEEN 1947 AND 1961 IS CALLED ‘THE GOLDEN AGE’ BECAUSE IT USHERED IN NEW IDEAS AND VALUES WITHOUT IGNORING THE BASIC CHARACTERISTICS OF INDIAN CINEMA, A SPLENDID COMBINATION OF THE OLD AND NEW, WHICH ALSO PASSED INTO THE 21ST CENTURY AND HAS CONTINUES TO THIS DAY.2. More and more films began to be made with every passing year. In the process, landmark moments and films began to be created and linked with those years. 1949 was one such revolutionary year that gave rise to several landmark films. The topmost among them being Andaz (1949), the first big-budget love triangle starring Dilip Kumar, Raj Kapoor and Nargis.3. Mahal directed by Kamal Amrohi and released in 1949 was the first suspense thriller made in India. Originally planned with singer/actress Suraiya, the film finally went to Madhubala who became a star with the haunting song ‘Aayega aayega aayega anewala aayega…’, along with its playback singer Lata Mangeshkar. Lata reinforced her position in 1949 with R.K Films – ‘Barsaat’, which revolutionized the world of film music with the entry of the musical duo – Shankar Jaikishan.4. Mohd. Rafi emerged as a prominent male playback singer in 1949 with another Madhubala starrer Dulari with the hit number “Suhani raat dhal chuki…”. The last year of 1940s proved to be a watershed year for film music, as it prominently gave rise to the playback system wherein professional singers sang for the actors on screen who just had to move their lips without worrying about the ‘sur’ and ‘taal’ of the songs.5. Raj Kapoor’s Awara (1951) not only signaled a change in the grammar of film-making but also brought India prominently on the world map. He grabbed the script of Awara from under the nose of the legendary Mehboob Khan and launched it on a big scale. With “Ghar aaya mera pardesi…” shot on a massive set, Awara became the mother of all dream-sequences.6. Bimal Roy started his career in Calcutta and introduced Bengali Literature to Hindi Cinema and transformed the latter in many ways. Greatly influenced by the neo-realist Italian films and other post-war films he saw at India’s first international film festival in 1952, Bimal Roy’s Do Bigha Zameen (1953) remains a landmark film that has influenced several films including Lagaan (2001). One can find echoes of “Hariyala sawan shol bajata aaya…” from Do Bigha Zameen in “Ghanan ghanan ghir aayee…” from Lagaan.7. Debonair Dev Anand used to model himself on the lines of famous Hollywood star, Gregory Peck. During the making of Taxi Driver (1954), Dev Anand proposed marriage to his heroine, Kalpana Kartik. Both walked across to the registrar of marriages during a shooting break. Both signed the register and came back to resume work. Hardly anybody was aware that they were now husband and wife. Kalpana Kartik decided to quit films after marriage but not before doing 2 more films with her husband Dev – House No. 44 (1955) and Nau Do Gyarah (1957).8. Saratchandra’s Devdas has always been a favourite with film makers. The silent version was made in 1927 by Naresh Mitra with Phani Burma in the lead. P.C.Barua made it in 1935 with himself in the Bengali version and with K.L.Saigal in the Hindi version. Bimal Roy directed his version with Dilip Kumar in 1955 while Sanjay Leela Bhansali had his own interpretation of the novel in 2002 with Shahrukh Khan.9. Chandramukhi’s role in Bimal Roy’s Devdas (1955) was rejected by Nargis, Bina Rai and Suraiya. Vyjayanthimala, who finally did the role refused to accept Filmfare’s Best Supporting Actress Award for Devdas, stating that her role was as important as Paro’s. Years later, Reena Roy too, rejected Filmfare’s Best Supporting Actress trophy for Apnapan (1978), citing that her role was leading and not supporting.10. Truly Chaplin in form, content and treatment, Raj Kapoor’s Shree 420 (1955) remains his most socially significant comedy to date. It was a tremendous hit in India and overseas, especially in Russia, Egypt, Middle-East etc. “Ichak dana…” and “Mera joota hai japani…’ were rewritten in the languages of various countries and sung as local songs.11. V. Shantaram’s Do Aankhen Barah Haath (1957) was inspired by the story of an ‘Open Prison’ experiment in Satara. The film portrays a young jail warden, Adinath, who rehabilitates six deadly prisoners released on parole into persons of virtue. During the shooting of the film, V. Shantaram battled with a bull and hurt his eyes and affected his vision. During the period of temporary blindness, he visualized some unseen colours of life which resulted into the making of his colourful Navrang (1959).12. Dilip Kumar initially refused to be part of Naya Daur (1957) but then, his friend Ashok Kumar, who heard and loved the story, convinced him to accept it. Madhubala was the female lead in this movie but when B.R. Chopra decided to shoot the movie in Bhopal, Madhubala’s father, Ataullah Khan, refused to let her go citing personal reasons. Finally, Madhubala had to be replaced with Vyjayantimala who entered a new phase of her career with the super hit – Naya Daur.13. Guru Dutt wanted Dilip Kumar to play the leading role in Pyaasa (1957). The Tragedy King declined because he thought this role was similar to his Devdas (1955). So, Guru Dutt himself decided to play the role. Similarly, Madhubala and Nargis were his first choices for the leading ladies, which were eventually played by Mala Sinha and Waheeda Rehman. Pyaasa went on to become a cult film in the history of Indian cinema.14. Mehboob Khan’s Mother India (1957), was the colour remake of his own Aurat (1940) which featured his wife Sardar Akhtar. Aurat was inspired from Pearl S. Buck’s novel “The Mother”. Nargis got the role of her lifetime in Mother India which fetched her the Best Actress Award at the Karlovy Vary festival. Mother India was nominated for the Oscar as the best foreign film but it lost to Fellini’s Nights of Caberia (1957) by a single vote.15. Kishore Kumar apparently made Chalti Ka Nam Gaadi (1958), hoping it would fail commercially. He wanted to show losses in his income, to avoid paying a huge tax to the authorities. So he made two films – Lukochuri (Bengali) and Chalti Ka Nam Gaadi, and waited eagerly for them to collapse. However, both went on to become box-office successes. Kumar was so disgusted with this that he gifted Chalti Ka Nam Gaadi and all its rights to his secretary Anoop Sharma, who retained the copyright.16. Anari (1959), directed by Hrishikesh Mukherjee, brought together the sublimity of Raj Kapoor’s pairing with the timeless Nutan, celebrating the rich-poor divide through a story that saluted Raj Kapoor’s own Shree 420 (1955). Incidentally, Raj Kapoor’s brother Shashi Kapoor also starred in a film called Anari directed by Asit Sen in 1975. Later, Raj Kapoor’s grand-daughter Karisma Kapoor did another Anari in 1993 with the southern star Venkatesh.17. India’s first CinemaScope film Kaagaz Ke Phool (1959) was directed by Guru Dutt who also played the lead in the film. Apparently, Guru Dutt was so upset by the poor (box office) response to his film, that he thereafter never took credit as ‘Director’ for any of his later films such as Chaudhvin Ka Chand (1960), or Sahib, Bibi aur Ghulam (1962) even though they retain the unmistakable stamp of his direction. Though Kaagaz Ke Phool was a disaster in its time, it was later resurrected as a cult classic.18. Hrishikesh Mukherjee’s Anuradha (1960) was a movie much ahead of its time and featured debutante Leela Naidu in the title role with Balraj Sahani. A relative of the national leader Sarojini Naidu, Leela Naidu, was crowned Femina Miss India in 1954, and was featured in Vogue along with Maharani Gayatri Devi in the list of ‘World’s Ten Most Beautiful Women’. The film’s classical-based music was composed by Sitar maestro Pt. Ravi Shankar.19. K. Asif’s Mughal – E – Azam (1960) was actually planned in the 1940s. The political tensions surrounding India’s partition and independence in 1947 stalled the film’s production. Shortly after The Partition, financer Shiraz Ali migrated to Pakistan, leaving Asif without finance. Subsequently, the film’s lead Chandramohan suffered a heart attack and died in 1949. Ali had previously suggested the name of business tycoon Shapoorji Pallonji for financing the film. Pallonji did not know anything regarding the production of films, but he took a keen interest in the project and agreed to produce it due to his strong interest in Akbar’s history. Thus, began the saga of the magnum opus – Mughal–E–Azam!20. The Song “Pyar kiya to darna kiya…”, from Mughal – E – Azam (1960) has an unusual history to it. Naushad rejected 2 sets of lyrics made by Badayuni. Late in the night, Naushad remembered a folk song from Eastern Uttar Pradesh with the lyrics going as “Prem kiya, kya chori kari hai…”. The song was converted into a ghazal and subsequently recorded. As there was no technology to provide for the reverberation of sound heard in the song, Naushad had Lata Mangeshkar sing the song in a studio bathroom.21. A female-centric movie, based on a Bengali novel by Jarasandha, Bandini (1963) is the last directorial venture of Bimal Roy, a master of realism and regarded by many as his crowning achievement. Bimal Roy persuaded Nutan, who had given a magnificent performance in his Sujata (1959), to come out of her post-nuptial retirement and play the strictly raised, poetry-loving village girl, ‘Kalyani’. He convinced her to do Bandini, which went on to sweep all the top awards then, and is still considered a landmark movie of all time.22. Dosti (1964), a non star-cast film directed by Satyen Bose was made under the Rajshri banner and was biggest surprise hit of the year. The film focuses on the friendship between two boys, one blind and the other a cripple. Despite being released with Sangam, a blockbuster hit, Dosti was amongst the top ten grossers of 1964. It stands as a landmark in the career of Laxmikant-Pyarelal as this won them their first Filmfare Award and also made them popular in the film industry. Incidentally, R. D. Burman has played the harmonica throughout the film, which Ramu (one of the characters) plays throughout the film.23. Initially, Dilip Kumar was approached by Raj Kapoor to play the role of ‘Gopal Verma’ in Sangam (1964). Dilip Kumar agreed to play either one of the two male roles, with the condition that he was given the right to edit the final copy of the film. Since Raj Kapoor could not accept Dilip Kumar’s condition, he then approached Dev Anand for the role. The latter also declined the role citing date problems which ultimately went to Rajendra Kumar. Sangam ranked as the second highest grossing film of the decade.24. Brij Katyal’s script for Jab Jab Phool Khile (1965) was turned down by three top Producers. However, Director Suraj Prakash felt it was a beautiful story and accepted it, which went on to become his greatest hit. To prepare for his role as ‘Raja’, Shashi Kapoor would spend days with the boatmen in Kashmir to study their lifestyle. Sometimes, he would have meals with them. The original climax from the script had Raj beating up the bad guys. However, Suraj Prakash rejected it, and after watching Love in the Afternoon (1957), settled with Rita (Nanda) leaving everything behind to go back to Kashmir with Raja. Incidentally, Jab Jab Phool Khile (1965) got remade 3 decades later as Raja Hindustani (1996).25. B.R. CHOPRA HAD ORIGINALLY PLANNED WAQT (1965) WITH PRITHVIRAJ KAPOOR AND HIS THREE SONS, RAJ KAPOOR, SHAMMI KAPOOR AND SHASHI KAPOOR. EVENTUALLY, ONLY SHASHI KAPOOR WAS CAST, ALONG WITH RAJ KUMAR & SUNIL DUTT AS HIS ELDER BROTHERS, WHILE BALRAJ SAHANI PLAYED THE FATHER. WAQT PIONEERED THE IDEA OF A MULTI-STAR CAST IN INDIAN CINEMA AND RE-INTRODUCED THE LOST AND REUNITE FORMULA, ORIGINALLY MADE POPULAR IN KISMET (1943). WAQT ALSO SHOWCASES SOME OF THE TOP DIALOGUES SPOKEN BY RAAJ KUMAR LIKE “JINKE APNE GHAR SHEESHAY KE HON, WOH DOOSRON PAR PATTHAR NAHI PHENKA KARTE” AND “JAANI, YEH BACHCHON KE KHELNE KI CHEEZ NAHI, HAATH KAT JAYE TOH KHOON NIKAL AATA HAI”.26. Guide (1965) was made in two versions – an English version in collaboration with Pearl S. Buck and directed by Ted Danielewski and the Hindi version directed by Dev Anand’s younger brother Vijay Anand. It had never happened anywhere in the annals of cinema that the same story was filmed twice from two different perspectives with the same actor, one immediately after the other. Another striking feature about Guide is the Song ‘Kaaton se kheench ke ye aanchal…’ which begins from the ‘Antara’ instead of the ‘Mukhda’, a rare innovation unlike most Hindustani compositions.27. Teesri Manzil (1966) produced by Nasir Hussain & directed by Vijay Anand was originally planned with Dev Anand in the lead. Due to some reasons he could not do it & Shammi Kapoor replaced him in the film. However, Shammi Kapoor was not happy with Nasir Hussain’s choice of the music Director, R. D. Burman. He wanted Shankar Jaikishan to score the music but agreed to give Pancham a hearing. A nervous Pancham was ready with all the six tunes. The moment he heard Pancham sing “O Haseena Zulfonwali” and “Aaja Aaja Main Hoon Pyar Tera”, he jumped out of sheer joy & gave his approval for Teesri Manzil that soon revolutionised the world of Hindi Film Music.28. AROUND THE WORLD (1967) WAS INDIA’S FIRST FILM TO BE RELEASED IN 70 MM AND WAS EXTENSIVELY SHOT ALL AROUND THE WORLD. THE MAJOR OF THE FILM WAS SHOT ON A CRUISE SHIP. IT FEATURED RAJ KAPOOR AS AN INDIAN WHO TRAVELED AROUND THE WORLD IN 8 DOLLARS. V.SHANTARAM’S DAUGHTER RAJSHREE PLAYED THE ROMANTIC LEAD IN THE FILM. SHE MET HER FUTURE HUSBAND, AMERICAN STUDENT GREG CHAPMAN IN AMERICA DURING THE SHOOTING OF AROUND THE WORLD AND MARRIED HIM AS PER HINDU MARRIAGE RITUALS THAT LASTED 5 DAYS AND WAS ATTENDED BY 15,000 GUESTS.29. JEWEL THIEF (1967), WILL ALWAYS BE REMEMBERED AS ONE OF THE BEST CRIME THRILLERS OF INDIAN CINEMA. WHILE DEV ANAND AND ASHOK KUMAR VIED WITH EACH OTHER FOR THE TITLE OF JEWEL THIEF, THE GIRLS DID TOO. VYJAYANTHIMALA WAS ROPED IN TO PLAY THE MAIN HEROINE AS SAIRA BANU, THE ORIGINAL CHOICE COULD NOT DO THE FILM BECAUSE OF HER MARRIAGE WITH DILIP KUMAR. THE FILM ALSO FEATURED FOUR BOND GIRL-LIKE ACTRESSES PORTRAYED BY TANUJA, HELEN, FARYAL AND ANJU MAHENDRU. A SEQUEL OF JEWEL THIEF WAS RELEASED IN 1996, NAMED RETURN OF JEWEL THIEF WITH DEV ANAND AND ASHOK KUMAR PLAYING THEIR ORIGINAL ROLES.30. Prime Minister Lal Bahadur Shastri praised his earlier film Shaheed (1965) and enthused Manoj Kumar to make a film on the ‘Jai Jawaan Jai Kissan’ slogan. The slogan helped Manoj Kumar’s official debut as a Director for Upkar (1967), where he believably played both a Jawan and a Kisan. A huge hit, Upkar made Manoj Kumar an authority on screen patriotism. Manoj Kumar started his Mr. Bharat persona and his brand of patriotism & fearless courage with this film. The script for Upkar (1967) was written in less than 24 hours on the train journey between Delhi and Mumbai.31. THE TRAGEDY KING DILIP KUMAR HAD TO TAKE PSYCHIATRIC ADVICE AFTER PLAYING MELANCHOLIC ROLES LIKE DEVDAS (1955). IT WAS SUGGESTED THAT HE PLAY ROLES WITH LIGHTER SHADES AND THE RESULT WAS AZAAD (1955) & KOHINOOR (1960). AN OPPORTUNITY TO PLAY LIGHTER ROLES AGAIN AROSE FOR HIM WITH RAM AUR SHYAM (1967), WHEREIN DILIP KUMAR PLAYED A DOUBLE ROLE. INTERESTINGLY, VYJAYANTHIMALA, WHO WAS TO PLAY ONE OF THE HEROINES, WAS REPLACED WITH WAHEEDA REHMAN. MALA SINHA, WHO WAS APPROACHED FOR THE OTHER LEAD, REJECTED IT PAVING THE WAY FOR MUMTAZ, WHO ROSE TO THE TOP LEAGUE AFTER DOING RAM AUR SHYAM.32. WHILE REHEARSING FOR ‘BABUL KI DUAYEN…’ FROM NEEL KAMAL (1968), RAFI SAAB WAS CONTINUOUSLY CRYING. THE MUSIC DIRECTOR RAVI WAS PUZZLED AND WENT TO MR. HAMID, (MOHD. RAFI’S BROTHER IN LAW AND SECRETARY) & ASKED HIM THE REASON FOR HIS OUTBURST. HAMID SAAB REVEALED THAT JUST A DAY BEFORE, HIS DAUGHTER HAD GOT ENGAGED AND RAFI SAAB BECAME EMOTIONAL AS THE SONG ALSO SUITED THE REAL LIFE SITUATION. THIS INSPIRATIONAL SONG WENT ON TO WIN A NATIONAL AWARD FOR MOHD. RAFI.33. KISHORE KUMAR’S PERFORMANCE IN PADOSAN (1968) WHERE HE BECOMES SUNIL DUTT’S VOICE TO WOO SAIRA BANU WAS A PRECURSOR TO HIS BECOMING A FULL-TIME PLAYBACK SINGER. THE VERY NEXT YEAR, SHAKTI SAMANTA OFFERED HIM TO SING FOR NEWCOMER RAJESH KHANNA IN ARADHANA (1969) AND THE REST IS HISTORY. BEFORE, ARADHANA, KISHORE KUMAR HAD ONLY SUNG FOR HIMSELF AND OCCASIONALLY FOR DEV ANAND, WITH THE EXCEPTION OF PADOSAN, AS THE STORY DEMANDED IT. ARADHANA WAS A MUSICAL BLOCKBUSTER AND KISHORE KUMAR WAS HERE TO STAY, IN THE NEW ROLE OF A PLAYBACK SINGER, RIGHT UNTIL HIS DEATH IN OCTOBER 1987.34. While recording the soundtrack of the film Aradhana (1969), S.D.Burman took ill after composing the two Rafi duets. The responsibility of finishing the soundtrack fell on his son R.D. Burman, who took charge and decided to use Kishore Kumar to record the solos, as Rafi was away on a tour abroad. The sizzling song from Aradhana – “Roop tera mastana…” �� made Bollywood history as the first song picturised in one shot without a single cut. Aradhana went on to win Filmfare’s best film award while Sharmila Tagore won her first Best Actress trophy.35. DO RAASTE (1969), A FILM DIRECTED BY RAJ KHOSLA, EMPHASIZES THE SANCTITY OF THE JOINT FAMILY AND THE SUPREMACY OF RELATIONS THAT ARE STRONGER THAN TIES OF BLOOD. RAJESH KHANNA APPEARED UNSHAVEN THROUGHOUT THIS MOVIE BECAUSE HE WAS SIMULTANEOUSLY SHOOTING FOR ITTEFAQ (1969) WHICH REQUIRED HIM TO BE UNSHAVEN. RAJESH KHANNA CREATED HAVOC AT THE BOX OFFICE WITH ARADHANA AND DO RAASTE. WHAT’S MORE IN BOMBAY, THE TWO FILMS HAD THEIR MAIN THEATRES RIGHT ACROSS THE ROAD FROM ONE ANOTHER, ARADHANA AT OPERA HOUSE AND DO RAASTE AT ROXY.36. THE CHARACTER OF ANAND (1970) WAS INSPIRED BY RAJ KAPOOR, WHO USED TO ADDRESS HRISHIKESH MUKHERJEE AS “BABU MOSHAY”. HRISHIDA INFORMED WRITER GULZAR TO OPEN THE MOVIE IN SUCH A WAY THAT THE AUDIENCE KNOWS IN THE FIRST SCENE ITSELF THAT ‘ANAND’ (RAJESH KHANNA) IS DEAD. HE DID NOT WANT THE AUDIENCE TO BE IN A STATE OF SUSPENSE TILL THE END AND KEEP GUESSING WHETHER ‘ANAND’ WILL SURVIVE OR NOT. BY DOING THAT HRISHIKESH MUKHERJEE WANTED TO CONCENTRATE ON HOW ‘ANAND’ WANTS TO LIVE LIFE TO THE FULLEST AND MAKE THE BEST OF THE TIME HE HAS. THE MOVIE WENT ON TO BECOME A ‘SUPER HIT’ AND MADE THE CHARACTER OF ‘ANAND’, IMMORTAL.37. JOHNY MERA NAAM (1970) DIRECTED BY VIJAY ANAND IS CONSIDERED A DEV ANAND CLASSIC. IT ALSO BECAME DREAM-GIRL HEMA MALINI’S FIRST SUPERHIT. THOUGH THE MOVIE DEALT WITH THE SIMPLE “LOST AND FOUND” THEME, WHAT STOOD APART WAS ITS BRILLIANT TREATMENT BY DIRECTOR VIJAY ANAND. VARIOUS TRACKS WERE INTELLIGENTLY INTEGRATED IN THE MOVIE INCLUDING THE TRIPLE ROLES OF COMEDIAN I.S. JOHAR. THE SONG “HUSN KE LAKHON RANG…” PICTURISED ON PADMA KHANNA WAS CONSIDERED SO BOLD THAT IT FACED A LOT OF CENSOR PROBLEMS. THE FILM WENT ON TO BECOME A CULT MOVIE, AND THE HIGHEST GROSSER OF 1970.38. MERA NAAM JOKER (1970) IS THE SECOND HINDI FILM TO HAVE TWO INTERVALS, THE FIRST ONE BEING SANGAM (1964). THE MAGNUM OPUS OF RAJ KAPOOR, MERA NAAM JOKER WAS DIVIDED INTO 3 CHAPTERS, EACH DEPICTING A DIFFERENT PHASE IN A JOKER’S LIFE, PLAYED BY RAJ KAPOOR. SIX YEARS IN THE MAKING, MERA NAAM JOKER TURNED OUT TO BE MUCH AHEAD OF ITS TIME WAS NOT A COMMERCIAL SUCCESS. HOWEVER, IT ACQUIRED CULT STATUS LATER AND IT IS NOW REGARDED AS A LANDMARK FILM OF INDIAN CINEMA.39. FROM ITS OPENING MONTAGE OF A YOUNG VILLAGE GIRL, WATCHING HER INDIFFERENT HUSBAND BRING HOME ANOTHER WIFE, TO THE FINAL MOMENTS, WHEN THE WOMAN IN HER TWILIGHT YEARS, IS TAKEN AWAY BY HER FOSTER-SON AMONGST THE FESTIVITIES OF DURGA PUJA, SHAKTI SAMANTA’S AMAR PREM (1971) IS A GLORIOUS HOMAGE TO WOMANHOOD. A MASTERPIECE DEALING WITH 2 PARALLEL TRACKS, ONE OF THE PLATONIC RELATIONSHIP THAT PUSHPA (SHARMILA TAGORE) SHARES WITH ANAND BABU (RAJESH KHANNA) AND THE OTHER OF PUSHPA’S RELATIONSHIP WITH A MOTHERLESS CHILD, AMAR AND PREM, TOUCHED THE EMOTIONAL CHORDS OF THE AUDIENCE TO THE FULLEST. IT IS STILL REMEMBERED FOR R.D.BURMAN’S MELODIOUS MUSIC AS MUCH AS IT IS REMEMBERED FOR RAJESH KHANNA’S FAMOUS DIALOGUE “PUSHPA, I HATE TEARS”.40. THE STORY FOR HARE RAMA HARE KRISHNA (1971) ACTUALLY CAME TO DEV ANAND’S MIND WHEN HE SAW HIPPIES AND THEIR FALLEN VALUES IN KATHMANDU, NEPAL. HE WANTED TO CAST MUMTAZ AS HIS NEPALI GIRLFRIEND AND ZAHEEDA, HIS CO-STAR OF PREM PUJARI, IN THE SISTER’S ROLE. ZAHEEDA DECLINED AND INSISTED ON PLAYING MUMTAZ’S PART. SHE ULTIMATELY LOST THE ROLE TO SENSUOUS ZEENAT AMAN WHO HIT BIG TIME WITH THIS FILM. THIS MUSICAL FAMILY DRAMA HAS AN ANTI-DRUG MESSAGE AND ALSO DEPICTS PROBLEMS ASSOCIATED WITH WESTERNIZATION SUCH AS DIVORCE AND ALIENATION.41. KAMAL AMROHI’S PAKEEZAH WAS LAUNCHED IN 1958 BUT TOOK 14 YEARS TO COMPLETE. IT WAS LAUNCHED IN BLACK-AND-WHITE, BUT WHEN COLOUR CAME IN VOGUE, AMROHI SCRAPPED THE PORTIONS ALREADY SHOT AND DECIDED TO START AGAIN. LATER, CINEMASCOPE CAME INTO VOGUE, AND AMROHI ACQUIRED A CINEMASCOPE LENS FROM MGM AND SCRAPPED THE PLAIN COLOUR PORTIONS TOO. FINALLY, IT WAS RELEASED IN 1972, JUST A FEW WEEKS BEFORE MEENA KUMARI’S DEATH. THE FILM HAD A SLOW START AT THE BOX-OFFICE BUT WENT ON TO BECOME A MAJOR HIT AS IT TURNED OUT TO BE THE SWAN SONG OF THE LEGENDARY MEENA KUMARI. LATE GHULAM MOHAMMED’S MUSIC IN PAKEEZAH CAUGHT THE FANCY OF THE ENTIRE NATION.42. SEETA AUR GEETA (1972) WAS THE FEMALE VERSION OF RAM AUR SHYAM (1967) BUT WITH A DIFFERENCE. DIRECTOR RAMESH SIPPY HAD HIS OWN UNIQUE INTERPRETATION OF IDENTICAL TWINS WHICH HE PRESENTED TO THE AUDIENCE INTERESTINGLY. INITIALLY, MUMTAZ WAS OFFERED THE DOUBLE ROLES OF ‘SEETA’ AND ‘GEETA’ BUT SHE COULD NOT DO THE FILM. SO IT WAS OFFERED TO HEMA MALINI WHO LAPPED UP THE OPPORTUNITY AND ZOOMED TO THE TOP SPOT WITH ITS GRAND SUCCESS. IT NOT ONLY EARNED HER THE FIRST FILMFARE AWARD BUT TILL DATE REMAINS THE BEST FILM OF HER CAREER.43. BOBBY (1973) A FILM DIRECTED BY RAJ KAPOOR WAS VERY POPULAR AND WIDELY IMITATED. IT ALSO REPRESENTED THE FILM DÉBUT FOR DIMPLE KAPADIA AND THE FIRST LEADING ROLE FOR RAJ KAPOOR’S SON, RISHI KAPOOR. THE MOVIE IS KNOWN TO BE A TREND-SETTER IN ITS OWN RIGHT WHICH INTRODUCED THE GENRE OF TEENAGE ROMANCE WITH A RICH-VS-POOR CLASH AS A BACKDROP. THE FILM BECAME A BLOCKBUSTER AND WAS THE TOP GROSSER OF 1973. INCIDENTALLY, DIMPLE KAPADIA MARRIED SUPERSTAR RAJESH KHANNA BEFORE THE RELEASE OF BOBBY AND WAVED GOOD-BYE TO FILMS FOR ALMOST A DECADE.44. YASH CHOPRA BRANCHED OUT FROM HIS BROTHER B.R. CHOPRA’S PRODUCTION HOUSE, B.R. FILMS TO START HIS OWN COMPANY YASH RAJ FILMS IN 1973 AND LAUNCHED DAAG: A POEM OF LOVE. HE SIGNED THE REIGNING SUPERSTAR RAJESH KHANNA ALONG WITH THE BENGAL TIGERESS- SHARMILA TAGORE AND RAKHEE. A LOVE TRIANGLE WITH A DIFFERENCE DAAG: A POEM OF LOVE SHOWCASED THE INTRICACIES OF HUMAN RELATIONSHIPS WHICH WERE TO BECOME YASH CHOPRA’S FORTE IN SUBSEQUENT FILMS. AN ADAPTATION OF THE NOVEL “THE MAYOR OF CASTERBRIDGE”, THE FILM ALSO HAD INTERESTING SITUATIONS FOR LAXMIKANT- PYARELAL’S SUPERHIT MUSIC.45. JUST AS THE ESTABLISHED FILM-MAKER RAJ KAPOOR ADOPTED A MODERN APPROACH FOR BOBBY (1973), SO ALSO NASIR HUSSAIN, THE MAKER OF MUSICAL LOVE STORIES DID AN ABOUT TURN WITH THE MULTI-STARRER LOST-AND-FOUND DRAMA, YAADON KI BAARAT (1973). DESPITE, ITS ACTION ORIENTED THEME, THIS MOVIE IS STILL REMEMBERED FOR ITS UNFORGETTABLE MUSIC BY R. D. BURMAN, ESPECIALLY THE EVERGREEN ROMANTIC “CHURA LIYA HAI…” WHICH IS STILL THE MOST FAVOURITE SONG OF THE REMIX ARTISTES. THIS MOVIE ALSO FEATURES AAMIR KHAN IN THE TITLE SONG AS THE YOUNGEST KID.46. AMITABH WAS THE FIFTH CHOICE AFTER DEV ANAND, RAJ KUMAR, DHARMENDRA AND RAJESH KHANNA FOR THE LEAD ROLE IN ZANJEER (1973). DEV WANTED THE ACTOR TO BE ALLOWED TO SING A COUPLE OF SONGS AND ASKED PRAKASH TO DIRECT UNDER HIS NAVKETAN BANNER. DHARMENDRA COULD NOT FIT INTO SCHEDULE. RAJESH FEARED THE ROLE MIGHT TELL UPON HIS ROMANTIC IMAGE. IT WAS PRAN WHO SUGGESTED MEHRA TO SEE BOMBAY TO GOA (1972). THE FILM HAD A FIGHT SCENE, AND THE MOMENT PRAKASH SAW THE FIGHT SCENE, HE SCREAMED “MIL GAYA!!”. THE MOVIE CHANGED THE TREND FROM ROMANTIC FILMS TO ACTION FILMS AND PIONEERED AMITABH’S NEW IMAGE OF A BROODING YET EXPLOSIVE PERSON WHO FIGHTS BACK WHEN CORNERED.47. AFTER ZANJEER (1973) WAS DECLARED A HIT, AMITABH AND JAYA GOT MARRIED. BY THE TIME, THE CRITICALLY ACCLAIMED ABHIMAAN (1973) RELEASED, THE REEL-LIFE COUPLE HAD BECOME HUSBAND AND WIFE IN REAL LIFE TOO. ABHIMAAN (1973), DIRECTED BY HRISHIKESH MUKHERJEE WAS ORIGINALLY NAMED AS RAAG RAGINI. ABHIMAAN WAS EVEN POPULAR IN SRI LANKA AND WAS SCREENED CONTINUOUSLY FOR TWO YEARS IN THE SAME MOVIE THEATER, NEW OLYMPIA, COLOMBO.48. THE FILM NAYA DIN NAYI RAAT (1974) WAS KNOWN FOR SANJEEV KUMAR’S NINE-ROLE EPIC PERFORMANCE, WHICH WAS EARLIER PLAYED BY SIVAJI GANESAN IN NAVARATHIRI (1964)(TAMIL) AND BY AKKINENI NAGESWARA RAO IN NAVARATHRI (1966)(TELUGU). THIS FILM HAD ENHANCED SANJEEV KUMAR’S STATUS AND REPUTATION AS AN ACTOR IN HINDI CINEMA. YEARS LATER, KAMAL HAASAN APPEARED IN TEN DISTINCT ROLES IN DASAVATHAARAM (2008), MAKING IT THE FIRST TIME THAT AN ACTOR HAS APPEARED IN SO MANY ROLES IN WORLD CINEMA. A YEAR LATER, THIS RECORD WAS BROKEN BY PRIYANKA CHOPRA, WHEN SHE ESSAYED TWELVE DIFFERENT CHARACTERS IN WHATS’S YOUR RAASHEE? (2009), EACH CHARACTER, REPRESENTATIVE OF A ZODIAC SIGN.49. SHYAM BENEGAL IS RIGHTLY CALLED THE FATHER OF NEW WAVE CINEMA IN THE SEVENTIES. WHILE MRINAL SEN KICK-STARTED THE MOVEMENT IN 1969 WITH BHUVAN SHOME, BENEGAL PUT IT FIRMLY ON TRACKS WITH HIS DIRECTORIAL DEBUT ANKUR (1974). HE TOOK FORWARD THE FEUDAL FABLE OF SATYAJIT RAY’S PATHER PANCHALI (1955) OR BIMAL ROY’S DO BIGHA ZAMEEN (1953) IN HIS OWN STYLE. TILL THIS DAY, SHYAM BENEGAL HAS’NT STOPPED MAKING SOCIALLY RELEVANT FILMS THAT TOUCH A CHORD IN THE HUMAN HEART. SHABANA AZMI MADE HER DEBUT IN ANKUR IN A ROLE ORIGINALLY OFFERED TO VETERAN WAHEEDA REHMAN. HER PERFORMANCE WAS SO MESMERIZING THAT EVEN SATYAJIT RAY COMMENTED, “IN TWO HIGH-PITCHED SCENES SHE PULLS OUT ALL STOPS AND FIRMLY ESTABLISHES HERSELF AS ONE OF OUR FINEST DRAMATIC ACTRESSES.”50. WHILE UPKAR (1967) WAS INSPIRED BY LAL BAHADUR SHASTRI’S SLOGAN “JAI JAWAN JAI KISAN”, MANOJ KUMAR’S ROTI KAPDA AUR MAKAN (1974) WAS INSPIRED BY INDIRA GANDHI’S “GARIBI HATAO” SLOGAN. THE BASIC IDEA FOR THE FILM ALSO STEMMED FROM A RECITAL MANOJ KUMAR HAD HEARD AT A SCHOOL FUNCTION WHILE THE SCENE WHERE HE THROWS HIS DEGREE IN HIS FATHER’S FUNERAL PYRE WAS INSPIRED FROM A NEWSPAPER REPORT IN 1972. MANOJ KUMAR DEFTLY HANDLED THE ENSEMBLE CAST BALANCING THE STRONG SOCIAL UNDERCURRENTS WITH THE NECESSARY COMMERCIAL ELEMENTS. IT CONTINUES TO BE TOPICAL EVEN AFTER 38 YEARS OF ITS RELEASE.51. THE CHARACTER OF GABBAR SINGH IN THIS ACTION ADVENTURE FILM – SHOLAY (1975) WAS MODELED ON A REAL-LIFE DACOIT OF THE SAME NAME WHO MENACED THE VILLAGES AROUND GWALIOR IN THE 1950S. ANY POLICEMAN CAPTURED BY THE REAL GABBAR SINGH, HAD HIS EARS AND NOSE CUT OFF, AND WAS THEN RELEASED AS AN OBJECT LESSON TO OTHER POLICEMEN. INITIALLY, THE PRODUCERS APPROACHED DANNY DENZONGPA FOR THE ROLE OF THE BANDIT CHIEF, BUT HE WAS COMMITTED TO FEROZ KHAN’S DHARMATMA (1975), HENCE CHARACTER ACTOR JAYANT’S SON AMJAD KHAN WAS ROPED IN. HE PREPARED HIMSELF FOR THE PART BY READING A BOOK TITLED ‘ABAR ABHISHAPTA CHAMBAL’, WHICH TOLD OF THE EXPLOITS OF CHAMBAL DACOITS. AMJAD KHAN PLAYED THE ROLE SO CONVINCINGLY THAT HE MADE THE CHARACTER OF GABBAR SINGH IMMORTAL.

#cinema #classic cinema #shankar jaikishan #dev anand #dilip kmar #nargis #prithvirajkapoor #rajkapoor #shailendra #hasrat jaipuri

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prin-kon · 6 years ago

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list of Hindi films

Simmba is an upcoming Indian film directed by Rohit Shetty and produced by Karan Johar's Dharma Productions. It stars Ranveer Singh, Sara Ali Khan and Sonu Sood in lead roles. The film is a remake of 2015 Telugu film Temper. Principal photography began in June, 2018.The film will release on 28 December 2018. simmba

Zero is an upcoming 2018 Indian Hindi-language romantic drama film, written by Himanshu Sharma and directed by Aanand L. Rai. It was jointly produced by Colour Yellow Productions and Red Chillies Entertainment's Gauri Khan, and stars Shah Rukh Khan and Katrina Kaif in its lead roles. It follows Bauua Singh, a short man from Meerut who, after having difficulty finding a marriage partner, finds a companion in Aafia Bhinder, a NASA scientist with cerebral palsy. Zero

2.0 is an upcoming Indian science fiction action film written and directed by S. Shankar, co-written by B. Jeyamohan, and produced by A. Subaskaran. A spiritual successor to Enthiran (2010), 2.0 will feature Rajinikanth reprising the roles of Dr. Vaseegaran and Chitti, alongside Akshay Kumar and Amy Jackson. 2.0

Thugs of Hindostan is a 2018 Indian Hindi-language action-adventure film, written and directed by Vijay Krishna Acharya, and produced by Aditya Chopra under his banner Yash Raj Films. The film stars Amitabh Bachchan, Aamir Khan, Katrina Kaif, Fatima Sana Shaikh and Lloyd Owen. Set in 1795, the film follows a band of Thugs led by Khudabaksh Azaad, who aspires to free Hindostan (the Indian subcontinent) from the rule of the expanding British East India Company. Thugs of Hindostan

Badhaai Ho is a 2018 Indian Hindi-language comedy-drama film directed by Amit Ravindernath Sharma. It stars Ayushmann Khurrana, Neena Gupta, Gajraj Rao, Surekha Sikri, and Sanya Malhotra, and tells the story of a middle-aged couple who get pregnant much to the disappointment of their adult son. Badhaai Ho

Stree is a 2018 Indian Hindi-language comedy horror film. The film is directed by Amar Kaushik, written by Raj Nidimoru and Krishna D.K. and produced by Dinesh Vijan and Raj Nidimoru and Krishna D.K. under the banner of Maddock Films in association with D2R Films. Stree

Satyameva Jayate is a 2018 Indian vigilante action drama film directed by Milap Milan Zaveri. The film features John Abraham and Manoj Bajpayee in lead roles. It is the second collaboration between Abraham and Bajpayee. Satyameva Jayate

Gold is a 2018 Indian historical sports-drama film based upon the national hockey team's title at the 1948 Summer Olympics, directed by Reema Kagti and produced by Ritesh Sidhwani and Farhan Akhtar under the Excel Entertainment banner. It stars Akshay Kumar, Mouni Roy, Kunal Kapoor, Vineet Kumar Singh, Amit Sadh, and Sunny Kaushal. Gold

Sanju is a 2018 Indian biographical film directed by Rajkumar Hirani and written by Hirani and Abhijat Joshi. It was jointly produced by Hirani and Vidhu Vinod Chopra under the banners Rajkumar Hirani Films and Vinod Chopra Films respectively. The film follows the life of Bollywood actor Sanjay Dutt. Sanju

Race 3 is a 2018 Indian action thriller film directed by Remo D'Souza and produced under Tips Films and Salman Khan Films. The film features Anil Kapoor, Salman Khan, Bobby Deol, Jacqueline Fernandez, Daisy Shah, Saqib Saleem and Freddy Daruwala. It is the third installment of Race trilogy. Race 3

Raazi is a 2018 Indian spy thriller film directed by Meghna Gulzar and produced by Vineet Jain, Karan Johar, Hiroo Yash Johar and Apoorva Mehta under the banners of Dharma Productions and Junglee Pictures. It stars Alia Bhatt and features Vicky Kaushal, Rajit Kapur, Shishir Sharma, and Jaideep Ahlawat in supporting roles. Raazi

102 Not out is a 2018 Hindi-language Indian comedy-drama film directed by Umesh Shukla and starring Amitabh Bachchan and Rishi Kapoor in the lead roles. The film is based on the eponymous Gujarati play written by Saumya Joshi. 102 Not Out

October is a 2018 Indian Hindi-language slice of life romantic drama film directed by Shoojit Sircar, and produced by Ronnie Lahiri and Sheel Kumar under their Rising Sun Films banner. It stars Varun Dhawan, Banita Sandhu, and Gitanjali Rao. Both Sandhu and Rao debuted as actors with this film. October

Baaghi 2 is a 2018 Indian action thriller film produced by Sajid Nadiadwala under his banner Nadiadwala Grandson Entertainment and directed by Ahmed Khan. The film stars Tiger Shroff and Disha Patani. Baaghi 2

Hate Story 4 is a 2018 Indian Hindi-language revenge thriller film directed by Vishal Pandya and written by Sammeer Arora. The film features Urvashi Rautela, Karan Wahi and Vivan Bhatena in the lead roles. Hate Story 4

Sonu Ke Titu Ki Sweety is a 2018 Indian Hindi comedy film directed by Luv Ranjan. Ranjan also produced the film with Bhushan Kumar, Krishan Kumar, and Ankur Garg. The film was co-produced by Luv Films and T-Series.This marks the fourth collaboration between Ranjan, the lead actors Kartik Aaryan and Nushrat Bharucha and third collaboration of Sunny Singh and Ishita Raj Sharma with the trio. Sonu Ke Titu Ki Sweety

Pad Man is a 2018 Indian biographical drama film directed and written by R. Balki, featuring Akshay Kumar, Sonam Kapoor and Radhika Apte in lead roles. It is based on the short story "The Sanitary Man of Sacred Land" in Twinkle Khanna's book The Legend of Lakshmi Prasad. Pad Man

Padmaavat is a 2018 Indian epic period drama film directed by Sanjay Leela Bhansali. Loosely based on the epic poem Padmavat by Malik Muhammad Jayasi, it stars Deepika Padukone as Rani Padmavati, a Rajput queen known for her beauty, wife of Maharawal Ratan Singh, played by Shahid Kapoor. Sultan Alauddin Khilji. Padmaavati

This is a list of Hindi films that have been released or are to be released in 2017:

Tiger Zinda Hai is a 2017 Indian action thriller film, directed by Ali Abbas Zafar and co-written by Neelesh Misra. The film stars Salman Khan, Katrina Kaif and Sajjad Delfrooz in leading roles, with Angad Bedi, Kumud Mishra, Nawab Shah, Ivan Rodrigues, Girish Karnad and Paresh Rawal in supporting roles. Tiger Zinda Hai

Golmaal Again is a 2017 Hindi supernatural horror comedy film, directed and co-produced by Rohit Shetty, and written by Sajid-Farhad and Yunus Sajawal. The film stars Ajay Devgn, Arshad Warsi, Tusshar Kapoor, Kunal Khemu, Shreyas Talpade, Parineeti Chopra, Tabu, Johnny Lever, Prakash Raj and Neil Nitin Mukesh in the lead roles. Golmaal Again

Secret Superstar is a 2017 Indian musical drama film, written and directed by Advait Chandan, and produced by Aamir Khan and Kiran Rao. The film stars Zaira Wasim, Meher Vij, Raj Arjun and Aamir Khan. Secret Superstar

Judwaa 2 is a 2017 Indian Hindi-language action-comedy film directed by David Dhawan. A reboot of the 1997 film Judwaa, the film stars Varun Dhawan playing twins Raja and Prem, opposite Jacqueline Fernandez and Taapsee Pannu. Judwaa 2

Toilet: Ek Prem Katha is a 2017 Indian Hindi-language comedy-drama film directed by Shree Narayan Singh. Co-produced by Akshay Kumar and Neeraj Pandey, the film stars Akshay Kumar and Bhumi Pednekar in the lead roles. Toilet: Ek Prem Katha

Jab Harry Met Sejal is a 2017 Indian romantic comedy film written and directed by Imtiaz Ali. It features Anushka Sharma and Shah Rukh Khan in the lead roles. Jab Harry Met Sejal

Jagga Jasoos is a 2017 Indian musical mystery comedy adventure film written and directed by Anurag Basu, and produced by Basu and Ranbir Kapoor. The film features Ranbir Kapoor and Katrina Kaif in lead roles. Jagga Jasoos

Tubelight is a 2017 Indian war drama film written and directed by Kabir Khan. The film is produced by Salman Khan and Kabir Khan. Set in the 1962 Sino-Indian War, it stars Salman Khan, Sohail Khan, Zhu Zhu, Matin Rey Tangu, and Om Puri. Tubelight

Hindi Medium is a 2017 Indian Hindi-language comedy-drama film, written by Zeenat Lakhani and directed by Saket Chaudhary. The film stars Irrfan Khan and Saba Qamar in the lead roles, with Deepak Dobriyal and Dishita Sehgal in supporting roles. Hindi Medium

Meri Pyaari Bindu is an Indian Hindi romantic comedy film, written by Suprotim Sengupta and directed by Akshay Roy. It features Parineeti Chopra and Ayushmann Khurrana in the lead roles. Meri Pyaari Bindu

Baahubali 2: The Conclusion is an Indian epic fantasy action film directed by S. S. Rajamouli and written by his father K. V. Vijayendra Prasad. It was produced by Shobu Yarlagadda and Prasad Devineni under the banner Arka Media Works. Released on 28 April 2017, the film stars Prabhas, Rana Daggubati, Anushka Shetty and Tamannaah while Ramya Krishnan, Sathyaraj and Nassar appear in prominent roles. Baahubali 2

Naam Shabana is a 2017 Indian action spy-thriller film directed by Shivam Nair and produced by Neeraj Pandey and Aruna Bhatia. It is a spin-off from the 2015 film Baby with Taapsee Pannu reprising her role as Shabana. Naam Shabana

Badrinath Ki Dulhania is a 2017 Indian romantic comedy film, directed by Shashank Khaitan, and produced by Karan Johar under the Dharma Productions banner. Starring Varun Dhawan and Alia Bhatt in the lead. Badrinath Ki Dulhania

Jolly LL.B 2 is a 2017 Indian black comedy drama film, written and directed by Subhash Kapoor. It is a sequel to the 2013 film Jolly LLB, and the second instalment of the Jolly LLB film series. The film stars Akshay Kumar, Huma Qureshi, Saurabh Shukla and Annu Kapoor in lead roles. Jolly LL.B 2

Raees is a 2017 Indian period action crime film directed by Rahul Dholakia and produced by Gauri Khan, Ritesh Sidhwani and Farhan Akhtar under their banners Red Chillies Entertainment and Excel Entertainment. It stars Shah Rukh Khan and Nawazuddin Siddiqui. Raees

Kaabil is a 2017 Indian action thriller film directed by Sanjay Gupta, written by Vijay Kumar Mishra, produced by Rakesh Roshan under his banner FilmKraft Productions. It features a love affair between two blind people, played by Hrithik Roshan and Yami Gautam. Kaabil

This is a list of Hindi films that have been released or are to be released in 2016:

Dangal is a 2016 Indian Hindi-language biographical sports drama film, directed by Nitesh Tiwari and produced by Aamir Khan, under his studio Aamir Khan Productions with UTV Motion Pictures and Walt Disney Pictures India. Dangal

Befikre is a 2016 Indian romantic-comedy drama film written, directed, and produced by Aditya Chopra under his Yash Raj Films banner. It features Ranveer Singh and Vaani Kapoor in the lead roles. Befikre

Dear Zindagi is a 2016 Indian Hindi-language coming-of-age drama film written and directed by Gauri Shinde. It was produced by Gauri Khan, Karan Johar, and Shinde under the banners of Red Chillies Entertainment, Dharma Productions, and Hope Productions respectively. The film features Alia Bhatt in the lead role, with Shah Rukh Khan, Kunal Kapoor and Ali Zafar. Dear Zindagi

Ae Dil Hai Mushkil is a 2016 Indian romantic drama film written and directed by Karan Johar. It stars Ranbir Kapoor, Anushka Sharma, and Aishwarya Rai Bachchan and tells the story of unrequited love. Ae Dil Hai Mushkil

Baar Baar Dekho is a 2016 Indian romantic drama film directed by Nitya Mehra which marks her debut in Hindi cinema. The film stars Sidharth Malhotra and Katrina Kaif. Baar Baar Dekho

Akira is a 2016 Indian action drama film co-written, produced and directed by AR Murugadoss It is a remake of the 2011 Tamil film Mouna Guru, and features Sonakshi Sinha in the titular role. Akira

A Flying Jatt is a 2016 Indian superhero film co-written and directed by Remo D'Souza and produced under the banner of Balaji Motion Pictures. It features Tiger Shroff, Jacqueline Fernandez and Nathan Jones in the lead roles. A Flying Jatt

Rustom is a 2016 Indian crime thriller film written by Vipul K. Rawal, directed by Tinu Suresh Desai and produced by Neeraj Pandey. Akshay Kumar and Ileana D'Cruz in the lead roles. Rustom

Dishoom is a 2016 Indian action-comedy buddy cop film, directed by Rohit Dhawan, produced by Sajid Nadiadwala, and written by Rohit Dhawan and Tushar Hiranandani. The film stars John Abraham, Varun Dhawan and Jacqueline Fernandez alongside Akshaye Khanna as the antagonist. Dishoom

Housefull 3 is a 2016 Indian comedy film co-written and directed by Sajid-Farhad. It stars Akshay Kumar, Riteish Deshmukh, Abhishek Bachchan, Jacqueline Fernandez, Nargis Fakhri, Lisa Haydon, Boman Irani and Jackie Shroff in the lead roles while Chunky Pandey, Samir Kochhar, Nikitin Dheer and Aarav Chowdhary are featured in supporting roles. Housefull 3

One Night Stand is a 2016 Indian Hindi thriller drama film written by Bhavani Iyer and directed by Jasmine D'Souza. It features Sunny Leone, Nyra Banerjee, and Tanuj Virwani in the lead roles. One Night Stand

1920 London is an Indian horror film directed by Tinu Suresh Desai. The film stars Sharman Joshi, Meera Chopra, and Vishal Karwal in lead roles. 1920 London

Baaghi is a 2016 Indian martial arts film directed by Sabbir Khan and produced by Sajid Nadiadwala under his banner Nadiadwala Grandson Entertainment. It features Tiger Shroff and Shraddha Kapoor in lead roles. Baaghi

Fan is a 2016 Indian Hindi-language film directed by Maneesh Sharma and co-written by Sharma and Habib Faisal. Produced by Aditya Chopra, the film stars Shah Rukh Khan in a double role as filmstar Aryan Khanna and obsessive fan Gaurav Chandna. Fan

Ki & Ka is a 2016 Indian romantic comedy film written, directed, and produced by R. Balki. The film follows a young, married couple contradicting the gender roles placed upon women and men in Indian society. It stars Kareena Kapoor and Arjun Kapoor. Ki & Ka

Rocky Handsome is a 2016 Indian action thriller film directed by Nishikant Kamat. It features John Abraham and child artist Bob Tyron Jara together with Franz Lambert Santos in the lead roles. Rocky Handsome

Neerja is a 2016 Indian Hindi-language biographical thriller film directed by Ram Madhvani. The film features Sonam Kapoor as the title character, with Shabana Azmi, Yogendra Tiku and Shekhar Ravjiani in supporting roles. Neerja

Sanam Re is a 2016 Indian Hindi-language romantic drama film directed by Divya Khosla Kumar. The film features Urvashi Rautela, Pulkit Samrat and Yami Gautam as the lead roles. Sanam Re

Ghayal Once Again is a 2016 Indian action drama film written and directed by Sunny Deol and produced by Dharmendra. Ghayal Once Again

Sanam Teri Kasam is a 2016 Indian romantic drama film, starring Harshvardhan Rane and Mawra Hocane. Sanam Teri Kasam

Mastizaade is a 2016 Indian Hindi-language adult comedy film, directed by Milap Milan Zaveri. The film stars Sunny Leone in a dual role alongside Tushar Kapoor and Vir Das. Mastizaade

Airlift is a 2016 Indian historical drama film directed by Raja Krishna Menon, starring Akshay Kumar and Nimrat Kaur. The film follows Ranjit Katyal (Akshay Kumar). Airlift

Kya Kool Hain Hum 3 is a 2016 Indian adult comedy film starring Tusshar Kapoor, Aftab Shivdasani and Mandana Karimi in lead roles. Kya Kool Hain Hum 3

Wazir is a 2016 Indian crime thriller film directed by Bejoy Nambiar and produced by Vidhu Vinod Chopra. Written and edited by Abhijat Joshi and Chopra, the film stars Farhan Akhtar and Amitabh Bachchan. Wazir

This is a list of Hindi films that have been released or are to be released in 2015:

Dilwale is a 2015 Indian romantic action film, directed by Rohit Shetty, The film stars Shah Rukh Khan, Kajol, Varun Dhawan and Kriti Sanon. Dilwale

Bajirao Mastani is a 2015 Indian epic historical romance film directed by Sanjay Leela Bhansali, it stars Ranveer Singh, Deepika Padukone and Priyanka Chopra. Bajirao Mastani

Bajrangi Bhaijaan is an Indian Hindi-language adventure comedy drama film; it stars Salman Khan and Harshaali Malhotra, with Nawazuddin Siddiqui and Kareena Kapoor Khan. Bajrangi Bhaijaan

Prem Ratan Dhan Payo is a 2015 Indian romantic drama film; it stars Salman Khan and Sonam Kapoor. Prem Ratan Dhan Payo

NH10 is a 2015 Indian Hindi-language thriller film directed by Navdeep Singh , It stars Anushka Sharma, Neil Bhoopalam, Darshan Kumar, Deepti Naval and Ravi Jhankal. NH10

Alone is a 2015 Indian horror film directed by Bhushan Patel, starring Bipasha Basu and Karan Singh grover. Alone

Action Jackson is a 2014 Indian action masala film directed by Prabhu Deva, It features Ajay Devgn, Sonakshi Sinha, Yami Gautam and Manasvi Mamgai. Action Jackson

Happy New Year is a 2014 Indian musical heist action comedy film directed by Farah Khan, It features Deepika Padukone, Shah Rukh Khan, Abhishek Bachchan, Sonu Sood, Boman Irani, Vivaan Shah and Jackie Shroff. Happy New Year

Bang Bang is a 2014 Indian action comedy film, directed by Siddharth Anand, It features Hrithik Roshan and Katrina Kaif. Bang Bang

Singham Returns is a 2014 Indian Hindi-language action drama film directed by Rohit Shetty, It features Ajay Devgn and Kareena Kapoor. Singham Returns

Kick is a 2014 Indian action heist film produced and directed by Sajid Nadiadwala, The film features Salman Khan, Jacqueline Fernandez, and Randeep Hooda. Kick

#list #hindi #bollywood #bollystars #film #movie

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inezvanb-blog · 6 years ago

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A list of Hindi films that have been released