#bollywood News

[adyjpg]

Raees (2017)

[bollywoodhotactress]

Happy birthday to the beautiful actress, have a nice day 🌹👸🎂

Kiara Advani

Happy Birthday Kiara Advani

[indianbash]

South Indian Actress Malavika Photos

[theomenmedia]

Shah Rukh Khan's Song Hits 1 Billion Views On YouTube

1 Billion Views and Counting!  #JhoomeJoPathaan becomes the anthem of the year! Dance like nobody's watching with #ShahRukhKhan and #DeepikaPadukone. #BollywoodHits #Pathaan #1BillionViews

Link to the full article: https://www.theomenmedia.com/post/jhoome-jo-pathaan-shah-rukh-khan-s-anthem-hits-1-billion-views

[hussyknee]

Unsure if I'm supposed to care about Saif Ali Khan or not. I've a vague idea of a memory that he's a piece of shit that only flies under the radar because Salman is the shittiest Khan. On the other hand, I grew up watching him in movies my entire life and there's a kind of reflexive fondness towards him despite myself.

On balance, it'll be a downer if he dies. Wonder who stabbed him though.

[prajwalrizer]

Pushpa2 Trailer | Allu Arjun | Sukumar | Rashmika Mandanna | Fahadh Faasil | DSP

[playermagic23]

Will Do Patti be the game-changer for actresses who turn producers?

While we wish Kriti Sanon the best of luck with her debut film, Do Patti, which will be available on Netflix on October 25, we can only hope that it will be the first of many game changers: a huge success among actress productions!

We say this because, thus far, there has been an alarmingly high rate of flops when women become film producers. Even the few actresses who have turned filmmakers have had a dismal track record at the box office (Simi Garewal's Rukhsat, Hema Malini's Dil Aashna Hai and Tell Me O Kkhuda, as well as the telefilm Mohini and five films directed by Pooja Bhatt from Paap to Jism 2).

There are some exceptions. The exceptions in this list are insignificant, as we will see. Reena Roy's home productions, Muqabla (1979) and Sanam Teri Kasam (1982), were both hero-driven films, whereas Juhi Chawla's co-production, Chalte Chalte, was co-produced with an actor—Shah Rukh Khan—and directed by Aziz Mirza. Yes, Kangana Ranaut's Manikarnika performed similarly. Priyanka Chopra Jonas' regional films, beginning with her smash-hit Marathi début, Ventilator, were profitable, while her Hindi film, The Sky is Pink, was not.

And the Rule! The list of flops is indeed voluminous, extending from Shashikala's Karodpati way back in 1961 (which, according to the late actress, "turned us into kangalpatis or broke!"), Nargis' Raat Aur Din and Sharmila Tagore's Tyaag to the aforementioned films as well as Neetu Singh's Chorni, Raakhee's Pugli, Taaqat (1982) and Zindagani, the Madhuri Dixit home productions, Dil Tera Aashiq (despite Salman Khan!), Yaraana (1996), Mohabbat (1997) and Padmini Kolhapure productions, Dav Pech and Rockford, and (according to rumor) the Zeenat Aman-backed Baat Ban Jaye are also examples.

As is customary, many of these films were "officially" produced by frontmen such as family members, relatives, or secretaries. "But the money obviously came from the star concerned!" says one industry source.

In the millenium, Lara Dutta's Chalo Dilli (albeit a wonderful film), Raveena Tandon Thadani's Stumped!, Manisha Koirala's Paisa Vasool, and Preity Zinta's Ishqk In Paris joined the list of flops. Shilpa Shetty's Dishkiyaoon, Anushka Sharma's highly anticipated NH10, Phillauri, and Pari (after which she chose the safe, OTT route with Bbulbul and Qala), Deepika Padukone's Chhapaak, and Taapsee Pannu's Blurr and Dhak Dhak (all excellent films). As evidenced by some of the examples above, it was not necessarily necessary for the actresses to appear in all of their productions. But that didn't change the situation!

Alia Bhatt made a spectacular debut with Darlings last year, which, like Do Patti, was streamed on Netflix, raising expectations for her next (this time theatrical) co-production, Jigra. However, that film, along with Kareena Kapoor Khan's The Buckingham Murders, collapsed like a house of cards.

The Trade View According to veteran distributor-exhibitor Raj Bansal, "Actresses are not as familiar with the commercial aspects as they should be." Filmmaking is about bringing something positive to the table, and they have their own perspectives on this."

He stated that there will always be stories that no one else wants to produce, but actresses believe they can create the best film for them! "It is always content that will hold, and if that does not, no film is going to work, however big the star," stated the director.

However, Bansal emphasizes the importance of budgeting. "A film like The Buckingham Murders has recovered its investment before the release through non-theatrical avenues and so it does not really matter if collections are not good!" He makes the case. "However, the terrain should be evaluated, and the target audience should not be limited to metropolitan areas. Also, if we look closely, directors such as Hansal Mehta (The Buckingham Murders) and Vasan Bala (Alia Bhatt's Jigra) do not cater to the masses."

[desiattitude]

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[pooja2024]

Satish and Meena used to travel in the same train at the same time every day, both were husband and wife. A young man, Vivek, also used to travel in the same train, know the full news

https://hamaristory24.blogspot.com/2024/08/satish-and-meena-used-to-travel-in-same.html

[btowncelebrity]

Sexy Elegance: Janhvi Kapoor's Bold Style That Lights Up the Screen

Dive into Janhvi Kapoor sexy style and photoshoots that reflect her confidence, elegance, and fashion-forward choices.

[indianbash]

Indian Actress Sonam Pics

[theomenmedia]

Singham Again Trailer Breaks Records

"Singham Again" trailer breaks the internet with record-breaking views! The action-packed saga is set to redefine Bollywood. Watch the history-making trailer now!

Link to the full story: https://www.theomenmedia.com/post/singham-again-shatters-records-the-biggest-bollywood-trailer-launch-ever

[bolllywoodhungama]

“Tota Roy Chowdhury’s character in Rocky Aur Rani Kii Prem Kahaani is borrowed from Karan Johar’s childhood,” reveals latter

In an interview, Karan Johar discusses the slurs he received in college for having an effeminate body language. 

Filmmaker Karan Johar has spoken up about being called names in college for having a lewd body language. The latest film Rocky Aur Rani Kii Prem Kahaani marked Johar's return to directing, and he claimed that the event has remained in his heart ever since.

Johar claimed that he was "very effeminate" as a child and used to dance in his room to Hindi songs in an interview with Film Companion. He claimed that his father, Yash Johar, frequently observed him dancing and clapping and felt it was "great".

When he entered college, things did, however, alter. He insisted, "No one told there was anything wrong at that time. So I grew up thinking (that) this is fine. Much later when you go to college you realise when you carry that through and do those moves, and people look at you and laugh."

Then Karan Johar said, "You're called all kinds of things. There are terms used and it's still in my heart because I grew up with that feeling that I was laughed at for my body language or way of being. Somewhere Tota's character is borrowed from my childhood. When he says ‘Hunar ka koi gender nahi hota (talent has no gender)’, I believe that."

Even though Karan didn't think it was a traumatic event, he did question why other people couldn't accept him for who he was while his own father did.

For the uninitiated, Tota Roy Chowdhury portrays Rani's father, a Kathak dancer who suffers humiliation since his profession is connected to femininity. Rocky's son Ranveer soon joins him and picks up Kathak, responding appropriately to those who made him feel bad. On "Dola Re Dola," Tota and Ranveer give a solid performance.

ALSO READ:

Rocky Aur Rani Kii Prem Kahaani Box Office Estimate Day 4: Collects Rs. 7 crores on Monday; passes the crucial ‘Khooni Monday’ test

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