#SUMMIT POINT
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mooni · 4 months ago
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i tismed out and made this, here are the slides
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donniesweep 2024! @autismswagreblogs
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eclec-tech · 2 years ago
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Hunter doesn't deserve it.
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The fandom's response to Hunter is not fair.
People want him to break down and start screaming over Tech's death and that's not usually how grief works for someone in a position of care over others. In fact, for someone of Hunter's personality, there is an excellent chance he won't outwardly show his grief much at all. He will likely process it internally in the background while he tends to the more pressing matter of his remaining family. It's what leaders do. It's what the head of a family does.
Of course Hunter is grieving over Tech. He has been from the moment he lost him. But that grief takes a back seat to making sure he gets the rest of his family to safety, to making sure their injuries are tended to, and to stopping the Empire from taking them.
And he certainly isn't going to take a moment to grieve when one of them has been taken—and no, I'm not including Crosshair here. Omega is an innocent. Crosshiar tried to kill them, led them into a trap, and chose to stay with the Empire. Hunter was right to hesitate in trusting the rest of his family to the possibility Crosshair has changed.
Hunter's final words of the season have convinced me that we probably won't see a single tear from the stoic sergeant. There's no time to grieve when someone you love has been taken by a cruel and demented scientist and you don't even know where to begin to start looking for them.
"We are going to get her back. And we don't stop searching until we do."
Cut the guy some slack.
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eshithepetty · 2 years ago
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So.
This is it, mobsters.... our final stand. When the poll starts on @autismswagsummit, go....... do your part.
[Short ID: a comic pertaining to the autism swag summit, featuring Mob and Tome. Mob reveals that he feels insecure about how seriously everyone's been taking this, and how he's not sure he likes all this attention on him for it, but Tome argues and encourages him, saying that his could help him get Tsubomi's attention, since she's autistic herself, and might appreciate Mob being more confident about that. In the end, Mob brightens up, and gets pumped to win the bracket, before it's revealed that Tsubomi actually hopes Papyrus wins. End short ID]
Extended ID under cut:
[ID: a comic pertaining to the autism swag summit, featuring Mob and Tome. It's done in pink and orange tones, except for the last panel, which is purple.
First page: Mob sits down at the table in the telepathy club room, sighing. Tome, who is playing a video game and eating fries, looks at him and asks: "? What's wrong, Mob?" Mob looks to the side, eyes downcast, and says: "It's nothing really... it's just- the autism contest thing. Everyone's taking it so seriously but- idk. It feels weird. Like Mezato-san's cult thing, kinda." Tome, meanwhile, slides him the fries, and he takes one, and continues, "I don't think I like all this attention on me. Not for this." and Tome looks at him, chin on hand, and asks: "But wasn't that like, one of your main goals? To be popular?"
Second page: at this, Mob startles, and in the next panel he shrinks in as he replies "um- yeah, but. To be honest, I only wanted that to-" and shrinks even further in the next, blushing, trailing off with "to..." Behind him, there is the tapping of footsteps as Tome, off screen, rounds the desk, and makes Mob jump with a loud SLAM, and yells "LISTEN, MOB!" Then, she is looking at him with a frown, gesturing with one hand, and continues: "You need to look at this from a different perspective. What if this is the contest that winning would aid you the most? After all, isn't Takane herself autistic?" Mob, eyes wide and blushing, loudly interrupts with "S-SHE IS??"
Third page: Mob asks, "How do you know??" Tome, her arms crossed, eyes closed and a smirk on her face, says "Look. I'm autistic. You're autistic. We're ALL autistic, I know my kin, alright?" Under her breath, (under the speech bubble) she also adds "Plus I kind of heard her say "Leave me alone, I'm autistic" once," before she interrupts herself, her arms spread wide and flapping, with "but that's beside the point!" She continues in the next panel, only one of her moving hands visible as Mob looks up at her, wide-eyed, "My point is, maybe this is your chance to show her what you're all about; that you know who you are; are secure in your identity, proud of it, even!"
Fourth page: Tome crosses her arms again, a confident smirk on her face as she looks down at Mob and asks, "So tell me. What are you gonna do?" Mob, hunched in, shyly responds, ".... I'm gonna win...?" Off screen, Tome replies: "Say it with more confidence!" And Mob does, back straightening and a blush creeping in: "I- I'm gonna win!" Tome yells "Louder!", and Mob stands up, leaning on the table, yelling in response "I'm gonna WIN!!" And Tome, a fist pumped in enthusiasm, yells back "YEAH!!"
Last panel: Tome's dialogue box is cut off, as we see Tsubomi, meanwhile, laying in her bed, sucking a lollipop and phone in hand, as she thinks: "I hope papyrus wins." End ID.]
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evilkitten3 · 7 months ago
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never getting over that this is just. casual naruto canon.
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moongothic · 1 year ago
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Hey so also have Sir Crocodile brainrot and have recently reread Impel Down. This is probably nothing at all but it made me question the artistic choice made. Like we dont see Crocodiles full face until Luffy recognizes him. Before that tho he joins in on Jinbei & Ace's convo about Whitebeard and is shown to (non-)react to Boa Hancocks visit. But we only get his face in shadows or see the hook. Which. Why. Oda we know what he looks like and who the guy with the stitches on his face and the hook is. WHY OBSCURE HIM.
My friend, this is what we call a "cocktease"
Okay jokes aside, yes it was an artistic choise. More specifically, a storytelling technique Oda masterfully used to build up hype and excitement to Crocodile's eventual reveal and re-introduction into the story.
So thanks to Ms Goldenweek's cover story (which ran back during Water 7/Enies Lobby) we already knew Crocodile along with Daz, Bon-chan and Galdino had all been sent to Impel Down, when we also learned about Impel Down, Marineford and the Gates of Justice (+ the giant whirlpool between the three locations) to some extent. ((Now of course, if you were an anime-only then you would've had no idea about the former BW members being in Impel Down. And even if you had read the manga you still would've had to actually pay attention to the cover story and its lore, and not forgotten all about it))
So even before Luffy decides he's going to head to Impel Down to save Ace, we know Crocodile's going to be somewhere down there. The second Luffy arrives there, we are immidiately reminded of the fact when Domino mentions Crocodile taking the traditional "bath" new inmates take at the entrance. And as we descend deeper and deeper into Impel Down, with those cuts to what's happening down at Level 6 every now and then, as well as with the Baroque Works Countdown, Oda time and time again keeps on reminding of us of Crocodile's looming presence in the background. This is all absolutely deliberate. Crocodile was arguably the most iconic (maybe not most popular but iconic) One Piece villian at the time, if given an opportunity of course the readers wanted to see him again. But just letting us see him right away would be anti-climactic, and distracting from what's actually important (Ace, and Luffy getting to him as fast as possible). So keeping him hidden could serve multiple purposes:
For one, Crocodile doesn't get to steal the spotlight from the other characters (at least not too early). We can focus on Luffy, Ace, all the new Impel Down characters and the other returning characters in peace, while Crocodile waits for his turn. Another thing is that Crocodile's presence being downplayed gives off the impression that perhaps him being there isn't that important to the story. Thus, him teaming up with Luffy to break out isn't such an obvious twist (and so when that happens, it's ever more hype as a result)
But indeed, the most important part is that by teasing us constantly through out Impel Down, Oda creates hype. He makes us the readers excited if/when we might get to see the bastard, even if it was just a quick little cameo. So when Luffy finally reaches Level 6 and we finally do get that reveal, everyone loses their fucking marbles over the HISASHIBURI DANA MUGIWARA when we finally get to see The Motherfucker Himself. (And indeed, then getting to see him fight alongside Luffy is cool as fucking hell, completely unexpected and absolutely delightful)
But there's also another thing building up to Crocodile's reveal does. Compare his original introduction to the re-introduction
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Compare Crocodile at the height of his power and influence, to the absolute rock bottom he has hit. No longer happily laughing while looking down on people (literally), he's filthy, he has given up on life, with sunken eyes and a hollow look on his face, only moved by a thirst for petty revenge (/an opportunity to go out with a bang). He doesn't even get the whole page for his grand reveal anymore, he's been shuffled to the side so the plot can progress on the same page.
Oh, how the mighty have fallen.
And to some degree, this is kind of meant to be a shocking realization to the readers. That this is not the same Crocodile we remember from Alabasta, that Crocodile died when Luffy defeated him. This is just the husk that remains, a shadow of what was once there. It's a sad sight, and probably not what the readers who loved Crocodile The Villian wanted to see. It's not the epic Return of the (Evil) King they wanted. And that juxtaposition helps, because Crocodile doesn't return into the story as a villian, but as a frenemy/ally-on-thin-ice. And that idea is easier to signal to the readers in a lowkey manner when you do his re-introduction like this.
So yes, Oda refusing to show Crocodile's face until Luffy found him was 100% a deliberate artistic choise. This is fantastic storytelling
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every-sanji · 6 months ago
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aecholapis · 8 months ago
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virtchandmoir · 1 year ago
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tessavirtue17: The future is “Let’s Go Girls”
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heartbeetz · 2 months ago
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One of my favorite things from JB's impromptu discord qna the other day btw. Sooooo real and exactly how I see it tbh. They're goofysilly and annoying ♡
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suns-ashes · 6 months ago
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seventh-district · 5 months ago
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again and again i find myself lamenting that audio roleplay isn't taken more seriously by some people. like yeah, they often have a romantic element, and by nature they usually directly involve/address the listener- and i totally get that those things aren't to everyone's taste. no art or entertainment is universally appealing, and that's okay! but.. it still makes me a lil sad that the "cringe" reputation of asmr/audio rp precedes it. there's a whole lot of talent and creativity being poured into these audios by so many people that i feel goes unrecognized and/or disrespected simply due to the medium that the stories are being told through.
#this post brought to you by: me bingeing Sam & Darlin's entire storyline over the past few days and having a Lot of feelings abt it#asmr#audio roleplay#rp audio stuff#redacted audio#anyways i don't have a conclusion to this post. and i'm not Mad or Upset or anything i'm just thinkin' out loud#and i mean it's not like it doesn't get plenty of praise within its respective audience bc it does. at least for the more popular creators#but i feel it'll still always have the shadow of its cringe reputation looming over it#which makes it hard for some ppl to openly appreciate or share with others that aren't already fans of the medium#like do u know how many comments i've seen along the lines of 'this is great but i'd die if anyone knew i liked this kinda stuff' ?? :(#idk maybe i feel strongly about it bc i'm a self-insert fanfic writer. and i feel like the two have a lot in common. including a bad rep.#like. not every audio will be well-written or produced and neither will every fanfic. but that doesn't mean it's a less legitimate artform#and i'm lucky to have never (yet) received negative comments on my work. but that doesn't mean that it doesn't make me sigh when people-#-say shit like 'this reads like fanfiction' as a way of calling something bad. or other similar sentiments that make the same implication#and i wouldn't be surprised if audio creators feel the same way when they encounter certain comments or statements#like. those YT videos where ppl will 'try bf asmr for the first time' or whatever and it's just 20 mins of cringing and over-reacting? eugh#tbf i haven't watched many bc why do that to myself. so Maybe there's some that are respectful but still. imagine getting roasted like that#and yes yes i know that by posting stuff online you're inadvertently sighing up to be criticized by Anyone but still. man. i dunno#i'm going on a tangent but my point is. i'm grateful for the creators that still make their art in spite of the public's perception of it#bc some of the most impactful emotional experiences i've ever gained from fiction took place in audio rp and i'm so serious abt that.#anyways. this post almost feels like i'm 'making up a person to be mad at' but i promise it's not that serious i'm just yapping. mostly.#certainly not trying to start any kind of debate or anything either i just have a lot of fixation-induced energy and nowhere to put it#this is Eric's fault (/lh) for cooking Sam up in a lab catered exactly to my taste and making Darlin' waaaaay too painfully relatable#but it's also My fault for bingeing the Inversion /and/ the Quinn arc /and/ the Summit all within a couple days. but i can't help myself#feels like i've run an emotional marathon. triathlon. The Emotional Olympics if u will. i'm feeling Everything#who knew that beating the shit out of ur fictional abuser could feel so goddamn cathartic! it's a nice replacement when u can't do it irl#anyways i'm off on a tangent again. thanks for coming to my TED Talk i'm gonna crawl back in my hole now#actually i'm gonna go relisten to a few audios. as Research for my Sam & Darlin' playlist as well as a post i'll be making about it soon#u Know i've got it bad when i not only make a playlist but start Posting on here about the songs that remind me of them. i'm cooked guys.
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thatonesmartkidfromschool · 2 years ago
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Vote Donnie 2023, he's desperate. @autismswagsummit
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darlincollins · 1 year ago
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LMAO you and the other Darlin kinnies been real quiet since the summit drop 🤭
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the-jam-to-the-unicorn · 9 months ago
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At what point do you think Olena realized that she still has to host a bunch of world leaders and personalities after presidency because they're all madly in love with her husband?
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misterbaritone · 1 year ago
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Y’know I’m glad a sizable portion of Guilty Gear Strive’s story is just the hilariousmisadventures Sol Badguy and Mr President.
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fandom-fantasy-fuel · 2 years ago
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Loved Hunter immediately giving up on rescuing Crosshair after Tech was gone, like yeah dude I’m sure you’re really honouring his memory and final wishes there! “He made a sacrifice, Omega, and we’re not gonna waste it.” BITCH do you think this is what Tech would’ve wanted??? Leaving Crosshair again would mean Tech died for nothing! It was the whole reason Tech risked his life in the first place, so finish the mission or it will have been in vain! 
I was disappointed but not surprised at Hunter’s reluctance, but “we’d be at a tactical disadvantage and I’m not sure it’s worth the risk.” was such a cop-out. Since when has a ‘tactical disadvantage’ ever stopped you? Clone Force 99 always accepted the dangerous missions that no-one else would! You’ve risked as much just for Cid’s cash.
It really warmed my heart to see Tech stand-up to Hunter and persuade him, I loved hearing that he still considers Crosshair a brother and the “we do not leave our own behind” got me right in the heart. He looked so worried and upset to find Crosshair was being held for experimentation. 
It’s going to be painful (for me at least) when Hunter finds Crosshair at the Advanced Science Division and Crosshair realises that he only came for Omega.
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