#STRUMMER FEST
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STRUMMER FEST: LA ESENCIA DEL UNDER EN SU MÁXIMA EXPRESIÓN
Strummer Bar, cuna del under porteño, se agranda por una noche especial y nos trae el Strummer Fest, un evento que va a quedar marcado en la historia de la música independiente de la ciudad. No estamos hablando de un show más, estamos hablando de lo que pasa cuando la esencia de la música auténtica se encuentra con una audiencia hambrienta de lo real.
El 5 de octubre en el Complejo Art Media, Strummer, de la mano de RockyReggae, produce un festival que reunirá a miles de personas para celebrar lo mejor del under. Porque mientras otros buscan luces y brillos, acá mantenemos viva la chispa. Las entradas ya están a la venta por Passline.
La grilla está encabezada por bandas icónicas que ya son parte del ADN de Strummer, y faltan más por anunciar:
* Cienfuegos, la legendaria banda de Sergio Rotman, vuelve al escenario por ¿última vez? Nunca se sabe, lo que sí sabemos es que será irrepetible
· Pez, con Ariel Minimal al frente, trae su energía visceral al festival. Si alguna vez soñaste con ver a Pez darle pelea al horror en un escenario, esta es tu noche.
· Lucho Al Attaque, el proyecto solista de Luciano Scaglione, bajista de Attaque 77 y uno de los dueños de Strummer, se suma con la fuerza del punk que corre por nuestras venas.
· Fantasmagoria, con Gori a la cabeza, trae las cosas de verdad al escenario, porque acá lo real es lo que importa. Nada de chamuyo.
· Semilla de Maldad, buscando recobrar el espíritu del más salvaje y genuino Rockabilly, vienen a traer acordes crudos y eléctricos.
· Uno x Uno, el proyecto central de Carlos Alonso, leyenda de la electrónica experimental desde los ‘80, une la música con performances desconcertantes donde lo visual y lo auditivo chocan y te hacen replantear la realidad.
· Nikkö, ex Finnegans, ahora en su faceta solista despidiendo MANIKI, desafía lo superficial y sigue haciendo lo que le gusta sin rendirle cuentas a nadie.
· (Banda a anunciar): una de las propuestas más feroces de la escena local se prepara para dar un show explosivo. Llegan pateando trastes que se habían vestido con apuro para ir al velatorio del rock. Además disyokean en vinilo Selector Lucho y Asia del sur.
El Strummer Fest no es solo música, es una celebración de todo lo que hace grande a esta cultura: habrá una feria de vinilos, fanzines y ropa para que la experiencia sea completa.
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Chicago Zine Fest haul. Top: zines. Bottom: art and stickers and pins, etc.
#rust belt jessie#my photos#zines#art#stickers#pins#chicago zine fest#that joe strummer print?#i was traded it for a copy of my joe strummer poetry zine#which when the artist saw it they were like oh my god. oh my god. i’ll be right back.#and ran back to their table and brought back the print and asked if i’d trade to which i of course said yes#and then we just briefly freaked out together about how much we love joe strummer
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Saosin (Full Set) @ Chain Reaction - 19:25
circa survive at hoodwink 2010 part 5 - 3:29
Anthony Green - A Reason To Stay (Official Video) 0:47
[hate5six] L.S. Dunes - November 26, 2022 - 5:41
Circa Survive - Live @ Stubb's Austin, Texas 2010 - 7:20
CIRCA SURVIVE - Spring Tour: Part 3 - 4:07 [thank u wilde for the source]
L.S. Dunes - Permanent Rebellion (Official Music Video) - 1:25
CIRCA SURVIVE - Child Of The Desert (Official Music Video) - 1:25
[hate5six] L.S. Dunes - November 26, 2022 - 39:21
Saosin - "Translating the Name," "They Perched," and "Seven Years" (Live in Garden Grove 10-27-22) - 12:36 [thank u wes for the timestamp]
Saosin (Full Set) @ Chain Reaction - 24:27
ANTHONY GREEN performing "She Loves Me So" - 3:26
L.S. Dunes - Permanent Rebellion (Official Music Video) - 2:56
CIRCA SURVIVE - Spring Tour: Part 1 - 1:10
Anthony Green - Act Appalled Acoustic - 1:32
CIRCA SURVIVE - Spring Tour: Part 2 - 3:04
CIRCA SURVIVE - Spring Tour: Part 4 - 7:23
circa survive at hoodwink 2010 part 3 - 9:12
CIRCA SURVIVE - Spring Tour: Part 4 - 10:20
[hate5six] L.S. Dunes - November 26, 2022 - 41:52
Circa Survive - The Difference Between Medicine And Poison Is In The Dose (Live in Sydney) | Moshcam - 4:04
Anthony Green @ Strummer's (FULL SET) - 57:09
Circa Survive - Blue Sky Noise (LIVE) - 38:38
CIRCA SURVIVE- Schema (Official Music Video) - 1:59
CIRCA SURVIVE - Spring Tour: Part 3 - 11:58
Anthony Green - So It Goes (Official Video) - 0:09
CIRCA SURVIVE - Spring Tour: Part 1 - 1:06
Saosin - "Seven Years" and "Translating the Name" (Live in Santa Ana 1-19-15) - 4:50
CIRCA SURVIVE- Schema (Official Music Video) - 2:42
Anthony Green Threw A “Sparkler” Out The Tour Van Window | Classic Tales | VANS - 1:56
Circa Survive - Get Out (Official Music Video) - 0:49
L.S. Dunes First Show! (Part 1) live at Riot Fest 2022 (4K) - 7:25
Circa Survive - Imaginary Enemy (Official Music Video) - 1:46
Anthony Green - A Reason To Stay (Official Video) - 1:41
L.S. Dunes - Bombsquad (Live at Dreamland) 0:56
Circa Survive - Imposter Syndrome (Official Music Video) - 1:14
[hate5six] Circa Survive - December 10, 2021 - 40:37
CIRCA SURVIVE - Child Of The Desert (Official Music Video) - 2:59
Saosin - "Seven Years" and "Translating the Name" (Live in Santa Ana 1-19-15) - 7:23
CIRCA SURVIVE - Spring Tour: Part 4 - 11:26
Circa Survive - On Letting Go (Live in Sydney) | Moshcam - 2:21
[hate5six] Circa Survive - December 10, 2021 - 9:06
Circa Survive - "Through the Desert Alone" and "Stop the Fuckin' Car" (Live in Los Angeles 5-28-11) - 8:26
Circa Survive: Live at the Shrine (2014) - DVD - 46:25
Circa Survive - Get Out (Official Music Video) - 1:14
Circa Survive "The Great Golden Baby" & "Stop the Fu*king Car" live @ Chain Reaction 11/12/15 - 0:27
Anthony Green in a dress - 0:54
CIRCA SURVIVE - Child Of The Desert (Official Music Video) - 0:25
L.S. Dunes - Past Lives (Official Music Video) - 1:35
Anthony Green - "Cat Song" - 0:04
Circa Survive - "Through the Desert Alone" and "Stop the Fuckin' Car" (Live in Los Angeles 5-28-11) - 5:23
Circa Survive - Imposter Syndrome (Official Music Video) - 3:52
CIRCA SURVIVE- Schema (Official Music Video) - 2:15
L.S. Dunes - Past Lives (Official Music Video) - 1:29
Saosin (Full Set) @ Chain Reaction - 19:27
and there we have it. sources and timestamps for every single clip in dear wilde @funeralend 's absolute territory anthony green fancam. enjoy. lmk if any of the links are fucked up <3
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2022: The Year in Green’s Party
This has been another great year on this blog of me sharing a thought or two about pop culture! This was a year I needed pop culture, entertainment and escapism more than ever. I got to do so many awesome things and I can’t believe that in early 2023 this blog turns 10! Here are some of the highlights of 2022:
Retweets and Social Media: There were numerous retweets and shares of my posts this year on social media including 2022 Collectibles Extravaganza sharing my coverage, Dana Carvey liked my tweet about Wayne’s World at Nice a Fest, David Spade liked my tweet about my interview with Siobhan Fallon Hogan, and Sean Baker liked my tweet about Red Rocket being my Best 2021 Movie I Saw in 2022.
Interviews: I got to interview numerous people including Jon “Bermuda” Schwartz of Weird Al Yankovic’s band (plus a bonus portion of the interview), Nice a Fest founder Alex Pickert, musician Colleen Green, actor / director James Morosini, director Marq Evans, director April Wright, director Ryan White, musician Kay Hanley, and actors Brian O’Halloran and Jeff Anderson.
Movie Reviews: I got to review A Hero, Sundown, I Want You Back, Studio 666, Jazz Fest: A New Orleans Story, Jurassic World Dominion, The Beatles and India, George Michael Freedom Uncut, Hallelujah: Leonard Cohen, A Journey, A Song, Thor: Love and Thunder, Clerks III, Sidney, Nothing Compares, Halloween Ends, Let There Be Drums!, Rebel Dread, Weird: The Al Yankovic Story, A Christmas Story Christmas, She Said, Avatar: The Way of Water, and Bablyon.
Album Reviews: I got to review Eddie Vedder’s Earthling and the vinyl reissue of Ukelele Songs, John Carpenter, Cody Carpenter and Daniel Davies’ Firestarter soundtrack and Halloween Ends soundtrack, Florence + The Machine’s Dance Fever, The Rolling Stones’ Live at El Mocambo, The Clash’s Combat Rock / The People’s Hall special edition, Wilco’s Cruel Country, Beabadoobee’s Beatopia, Neil Young and Crazy Horse’s Toast, Neil Young and Promise of the Real’s Noise & Flowers, R.E.M.’s Chronic Town 40th anniversary EP, Oasis’s Be Here Now 25th anniversary edition, Ringo Starr’s EP3, Djo’s Decide, Billy Idol’s The Cage, The Smithereens’ The Lost Album, The Pixies’ Doggerel, L7′s Bricks Are Heavy 30th anniversary reissue, Yeah Yeah Yeahs’ Cool It Down, Alvvays’ Blue Rev, Red Hot Chili Peppers’ Return of the Dream Canteen, Joe Strummer and The Mescaleros’ Joe Strummer 002: The Mescalero Years box set, The Beatles’ Revolver Special Super Deluxe Edition, Foo Fighters’ The Essential Foo Fighters, the compilation album ‘Life Moves Pretty Fast’ The John Hughes Mixtapes, Guns N’ Roses Use Your Illusion I and II box set, Bruce Springsteen’s Only the Strong Survive, Jimi Hendrix Experience’s Los Angeles Forum: April 26, 1969, and Tom Petty and the Heartbreakers’ Live at the Fillmore, 1997.
Concert Reviews: The year began with a livestream concert review of Mike Garson’s A Bowie Celebration. In person concert reviews came back with reviews of Sheer Mag, Ringo Starr and His All-Starr Band, Paul McCartney, Death Cab for Cutie, Alvvays, and not an official review but I did a semi-review of Cheap Trick at Boston Calling.
DVD and Blu-ray Reviews: I got to review some DVD and blu-rays including The Beatles: Get Back, Neil Young and Promise of the Real: Noise & Flowers, and You Can’t Do That on Film.
Book Reviews: I got to cover numerous books released in 2022 including Olivia Harrison’s Came the Lightening: Twenty Poems for George, Pattie Boyd’s My Life in Pictures, and Jerry Seinfeld’s Comedians In Cars Getting Coffee Book.
Theater Reviews: This year I got to do my first official theater review, for On Beckett.
Music Festivals: I got to cover the 2022 Nice, a Fest festival.
Film Festivals and Film Events: I got to review a virtual film at Sundance Film Festival, my annual guide to the 2022 Oscar Nominated Short Films, my coverage of the 2022 Independent Film Festival Boston, covered the 2022 Collectibles Extravaganza, and the 2022 IFFBoston Fall Focus.
...And the biggest postings and news of the year:
- 1/2/2022: Green’s Party turned 9!
- 1/28/2022: I wrote my tribute to Mighty Mighty Bosstones, who I have been lucky enough to cover since 2017.
- March 2022: I took a breather from the blog for a few weeks due to a death in the family.
- 3/26/22: I posted my remembrance of Taylor Hawkins. 32 notes, my biggest post of 2022!
- 3/29/22: I posted my This Month In History column for March. 19 notes.
- 4/14/22: I wrote about returning to my first live concert in over 2 years to see LCD Soundsystem.
- 5/26/22: I posted my remembrance of Ray Liotta. 11 notes.
- 6/19/22: I re-shared my 2021 post about Sesame Street’s Juneteenth Song. 28 notes.
- 7/31/22: I posted my remembrance of Bill Russell and Nichelle Nichols. 18 notes.
- 8/7/22: I shared my return to Kim’s Video at NYC’s Alamo Drafthouse.
- 9/21/22: I shared the big news that my documentary Life on the V: The Story of V66 has been added to the Permanent Collection of the Rock and Roll Hall of Fame!
- 10/12/22: I re-shared my 2018 post about This Day in 2018. 15 notes.
- 12/8/22: Tumblr provided their data of Green’s Party Year in Review up until December 8.
- 12/17/22: I re-shared my 2020 Top 5 Seinfeld Episodes During the Holiday Season list. 11 notes.
#green's party#my blog#2022#year in review#film geek#music nerd#books#concerts#dvd review#theater review#film festival
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STRUMMER FEST: LA ESENCIA DEL UNDER EN SU MÁXIMA EXPRESIÓN
http://dlvr.it/TDV6Pz
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Sabado 09 de Diciembre ATMC FEST 25 Aniversario junto a Los Peyotes & Semilla de Maldad en Strummer Bar Burlesque Shows + Proyecciones + Dj's #atmcfest #atmc #lospeyotes #semillademaldad #strummerbar (en StrummerBar) https://www.instagram.com/p/ClO750COeXz/?igshid=NGJjMDIxMWI=
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You Gotta Lose? Hell, Some Of Us Ain’t Dead Yet by Mary Leary
https://www.youtube.com/watch?v=f0fz3FVBlOE
NRBQ has done so many amazing songs. I never thought much about “Roll Call,” from Tiddlywinks - for one thing, it has a lighter, almost Billy Joel sound that’s more about latter day Terry Adams style than what I think of as the classic Q. Yet just as Adams’ work has grown on me, this track has made its way into my consciousness. The lyrics speak to me more in 2020 than they did when Tiddlywinks was released in 1980, before the D.C.-area music scene had lost Robert Goldstein (Urban Verbs), Kevin MacDonald (brilliant visual artist and scene stalwart who helped me design and layout [The] Infiltrator), Danny Gatton disciple/guitar maverick Evan Johns, bassist Michael Maye from the original H-Bombs, Rick Dreyfuss (Half Japanese/Chumps/Shakemore), Libby Hatch and Michael Mariotte (Tru Fax and the Insaniacs), Sally Be/Berg - REM/Egoslavia/SHE/Robert Palmer), Nurses member Marc Halpern (heroin, 1982), Lorenzo (Pee- Wee) Jones (Tiny Desk Unit) and hybrid rocker Jim Altman (HIV, 1990s). Goldstein, Dreyfuss, Maye and MacDonald succumbed to cancer, while Evan Johns’ deterioration followed years of touring, hard drinking and pushing himself past the limit.
(Top to bottom: Tommy Keene, Kevin MacDonald, Susan Mumford)
Those named above have been joined by Tommy Keene (the Rage/the Razz/solo/Paul Westerberg/Matthew Sweet - cardiac arrest at the age of 59; 2017), TDU’s Susan Mumford (cancer, 2018), David Byers (Psychotics/H.R./Bad Brains), and Skip Groff (Yesterday and Today/ Limp Records/Dischord - seizure, 2019). This is just an imperfect/incomplete naming of D.C.-area losses - I’m sure journalists from other cities could make lists. A horde of New Wave and early alternative musicians have died within the past few years. Whether through the stress of hard living/poverty, substance abuse, cancer or Covid-19, we’re seeing artists pass much earlier than I, anyway, expected them to.
(Top to bottom: Fred "Freak” Smith, Michael Maye with Evan Johns, Tru Fax and the Insaniacs)
We’re already past the loss of all the original Ramones. All the Cramps less Poison Ivy. Joe Strummer. Robert Quine. Hilly Kristal. Lou Reed. As of July, 2020, since 2018 we’ve also lost Andy Gill, Ivan Kral, Genesis P-Orridge, Adam Schlesinger, Danny Mihm, Ric Ocasek, Daniel Johnston, Kim Shattuck, Lorna Doom, Mark Hollis, Keith Flint, Ranking Roger, Mark E. Smith, Glenn Branca, Randy Rampage, Hardy Fox, Pete Shelley, Matthew Seligman, Bill Rieflin, Dave Greenfield, Florian Schneider, Ian Dury, Benjamin Orr, Kirsty McColl and David Roback.
(Top to bottom: Sally Be/Berg, Ranking Roger, Danny Mihm)
Talking about the deaths of talented, gifted creatives is a helluva way to start a column. But here we are. Older performers don’t always get the attention afforded newer, so the rest of this piece shares and celebrates artists from the original New Wave/punk scenes who are still around and active. Many are from the D.C.-area cornucopia I know best, while others have just come to my attention, or seem especially noteworthy.
https://www.youtube.com/watch?v=MED9_XK_JVQ
The Zeros’ Javier Escovedo has been steadily emitting tasty Americana-ish rock while occasionally dropping some Zeros sturm-’n’-drang - most recently with Munster Records single “In The Spotlight” and a track on Burger Records’ Quarantunes compilation. Quarantunes is a seven-album affair featuring 140 alternative/punk performers old and new, all of whom wrote songs between March-April 2020. A cursory listen to Volume 2 reveals the recorded version of a good night at a very wild bar, with Zeros still handily kicking ass of all ages.
https://velvetmonkeys.bandcamp.com/album/legacy-of-success?fbclid=IwAR0lJyS0YDE4e3o7LJiITEtw1lhBWMkUX47Vuag1Lf9fs2QozJJKD1lwkes
Velvet Monkeys/B.A.L.L. player and Sonic Youth/Teenage Fanclub producer Don Fleming reports, “We’ve put out new tracks ‘Theories of Rummanetics’ and ‘Legacy of Success.’ Jay has written a few ‘modules’ and Malcolm and I are having fun doing the music,” adding, “I play some electric six string on the new Rob Moss album - it’s fun to be on, with lots of guitar slingers from the DC daze.”
Yup, Rob Moss of Skin-Tight Skin has solicited contributions from Fleming and from Marshall Keith (Slickee Boys), along with a pile of talent including Stuart Casson (Psychotics/Dove/Meatmen), Franz Stahl (Foo Fighters/Scream), Billy Loosigian (Nervous Eaters, the Boom-Boom Band), Nels Cline (Wilco) and Saul Koll (the guy who made guitars for Henry Kaiser and Lee Ranaldo). The set is called We’ve Come Back To Rock ‘n’ Roll.
https://www.youtube.com/watch?v=XdIB8a_0Q4c
Chumps/Workdogs/Jam Messengers player Rob Kennedy apparently has too much energy to throw in the towel - he’s kept recording, performing and making various sorts of lo-fi, DIY mischief that never loses that fresh, ‘70s feeling. Jam Messengers released Night And Day on vinyl in 2017. One of my fave Kennedy tracks, “A Low Down Dirty Shame” speaks to this moment as well as any.
https://www.youtube.com/watch?v=e-CRBEGVLE4
Former Tiny Desk Unit/Fuji’s Navy/Rhoda & the Bad Seeds members Bob Boilen, Kevin Lay, Michael Barron and Bob Harvey have released a new Danger Painters joint, Thank Speak Love This Record. Lay joked, “I have a voice made for Morse Code” before revealing his recent work with Rhoda and the Bad Seeds material, released June 30 as Live at Nightclub 9:30. Boilen continues to introduce artists both vital and obscure via Tiny Desk Concerts and All Songs Considered/NPR.
https://www.youtube.com/watch?v=ejQ1GajwfB0
I’ve seen David Arnson play recently and can attest to his proclivity for unfettered growth via Insect Surfers, the instrumental group that originally had some trouble establishing cred. with younger D.C. punks. The Surfers’ most recent release was Living Fossils (2019). Arnson celebrated the band’s 40 years of existence with a European tour in 2019.
https://www.youtube.com/watch?v=5SkIuWIZVkM
Jad Fair says, “Half Japanese will have a new album released in November on Fire Records.” Jad’s art was recently featured at the Hiromart Gallery/Tokyo, while David has created a Facebook page where fans can pick up his colorful images for, well, mere bags o’ shells, as far as we can see - https://www.facebook.com/David-Fair-Painting-107055447700859/
Despite health issues for several members, Bad Brains has collaborated with Element to make BB themed skate wear https://www.elementbrand.com/mens-collection-bad-brains/ and added some killer live tracks to its YouTube channel.
Former WGTB programmers John Paige and Steve Lorber have been presenting Rock Continuum on WOWD-LP FM 94.3 since 2017.
Mike Stax continues to give excellent motivation for hunting down a pair of Beatle boots - Munster released the Loons’ 7” EP, A Dream In Jade Green, last year. The latest issue of Ugly Things, said by Stax to be heavily focused on the Pretty Things’ Phil May, was reported in early July to be nearing publication.
https://www.youtube.com/watch?v=-6jSc7gEAv0
Razz (the) Documentary will tell the story of how an uncommonly combustible rock band - especially with the Bill Craig/Abaad Behram line-up - helped spread the Flamin’ Groovies gospel while throwing down oddly compelling originals and taking the two-guitar thing up several notches - the producers are purportedly seeing the light at the end of the tunnel. Whether anyone can ever recreate the experience of being in an altered state via obsessive, sometimes conversational repetition of certain chords, anchored by Ted Nicely rethinking just what can be done with a bass guitar, given girth by Doug Tull’s intuitive drumming; with Mike Reidy the heat-seeking missile somewhere near the center... well, I doubt it. ‘Cause at this point you’re feeling no pain and it’s not about drinking; there is no room for anything but water - the beer will be knocked over when you’re this busy matching David Arnson’s other-side-of-the-front-line’s leaps into joydum while PCP’d out yahoos from the sticks learn the hard way that hugging Marshall amps can lead to lifelong repercussions. There (in case nothing I want to say about [the] Razz makes it into the film) - I’ve said it.
Discussions among old friends have confirmed that I’m not alone in being happily surprised at this development - we never expected our actions - which led to the hardcore explosion that’s received a lot more attention... would ever make it into any history book. Yet coverage of many of the D.C.-area musicians featured in this piece also comes with Punk The Capitol, A History of D.C. Punk and Hardcore, 1976-1983. Spring 2021 is the projected date for streaming/DVD release.
Ivan Julian came back from a scary 2015 bout with cancer to do a show in New York in 2016. The cancer has returned. Friends have organized a GoFundMe to raise money for surgery and basic needs.
https://www.youtube.com/watch?v=pDB_3by-xkI
The Shakemore fest also refuses to fade, promising “eight hours of streaming steaming video” on August 1. Sounds will be provided by R. Stevie Moore, Velvet Monkeys, Tav Falco’s Panther Burns, Half Japanese, Johnny Spampinato, Weird Paul and the Chumps, among many, many others.
Despite having played at CBGB and other alternative venues in 1979, at the height of the New Wave, Gary Wilson’s work is so distinctive, he’s rarely been included with any musical genre other than the oft-vague “experimental” category. Folks were too unmoored by his visceral performances to get behind him. Wilson’s 14th album, Tormented, was released by Cleopatra in February.
Paul Collins recently published a book that he wrote with Chuck Nolan; I Don’t Fit In: My Wild Ride Through the Punk and Power Pop Trenches with the Nerves and the Beat (Hozac Books).
As “Heath,” Michael Layne Heath, a journalist who contributed to (the) Infiltrator and many other ‘zines, published My Week Beats Your Year: Encounters with Lou Reed in May (Hat & Beard Press).
In April, X released its first album in 35 years; Alphabetland.
https://www.youtube.com/watch?v=pZ1I-laItPI
As exciting for me as any of the above is Richard Hell with the Heartbreakers’ 2019 release of Yonkers Demo 1976. Hell’s “You Gotta Lose” is one of my picks for best punk/new wave singles of all time. The Heartbreakers version is, predictably, messier than the Robert Quine guitar-spiked classic. Its more excessive charms are growing on me...
https://www.youtube.com/watch?v=48QnsysCN_A
This piece could go on and on - compiling it has been exhausting. The best part has been the response to my social media call for any info I didn’t have re: the D.C.-centric scene I left for New York in 1983. Musicians anxious to keep their compadres’ names alive have hammered that post with 138 comments to date. Urban Verbs percussionist Danny Frankel, who’s played with a colorful spread of artists including Beck, Marianne Faithful, Lou Reed, John Cale and k.d. Lang, made a point of being sure I knew about the passing of Marc Halpern, a source of obvious pain. People were worried I wouldn’t mention John Stabb (Government Issue - 2016), rockabilly player Billy Hancock (2018), Fred “Freak” Smith (Strange Boutique/Beefeater - murdered in Los Angeles, 2017), John Hansen (Slickee Boys - 2010), record store owner/Wasp Records starter/music supporter Bill Asp, Jimmy Barnett of The Killer Bees, and David Byers.
One of the hardest for me to write about is Chris Morse, whose 1984 passing from a drug overdose wrenched so many - I managed to get an obituary into, I think, The New York Rocker (that physical trek was part of a long-ago blur; a very hot day of traipsing over steaming concrete in a narrow-skirted dress to deliver the copy). Chris popped up in my dreams for years - one “visitation” pushed me to write a poem about it in the ‘90s. Morse, who played in Rhoda & The Bad Seeds and worked as a doorman at The Pyramid after moving to NYC in the early ‘80s, was on one of the Urban Verbs’ early flyers. I’m on another.
(Top to bottom: Me in an early Verbs flyer/photo shot at the Atlantis; Chris Morse on another Verbs flyer)
I ended up getting so burnt out on the responsibility of populating this sad roll call, I’ve started a memorial page for them all on Facebook. The nature of truly alternative music is such that many of its lights still fail to fill the pages of major publications. Many of these lights gave a great deal of their lives, if not everything, for the art they believed in. It’s good to remember them, and those heady early days. It’s good to enjoy what we still can.
https://www.youtube.com/watch?v=cA3IfK76mmI
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At Fest16, Strummer talked me into doing my first Fest flash piece, my anklegator. After her death, I was reminded of how important this community is to me, so I decided we were going to Fest. It was a tough one, I missed her at every turn, but I was surrounded by friends from far and wide and it was everything. Punk rock is beautiful, so here’s a tattoo that unites my love of pretty things with my love of this scene. #fest18 #strummerforever #brittanystrummerforever #festtattoo #wunderlandtattoo #gainesville #festfriendsforever #festfriendsarethebestfriends #thisishowifest #pitcryingiswhatwedonow #blackflagknockoff #idontevenlikeblackflag #fuckyougetpumped (at Wunderland Custom Tattooing) https://www.instagram.com/p/B4cnYfUlyqt/?igshid=g73f8xkzyutt
#fest18#strummerforever#brittanystrummerforever#festtattoo#wunderlandtattoo#gainesville#festfriendsforever#festfriendsarethebestfriends#thisishowifest#pitcryingiswhatwedonow#blackflagknockoff#idontevenlikeblackflag#fuckyougetpumped
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NILE | RELEASE LYRIC VIDEO FOR 'SNAKE PIT MATING FRENZY', 'VILE NILOTIC RITES' OUT NOW, CURRENTLY ON US TOUR W/ TERRORIZER
Technical death metal Egyptologists NILE are proud to release their ninth album, 'Vile Nilotic Rites,' today via Nuclear Blast. In celebration of the release the band offer fans the lyric video for the song, 'Snake Pit Mating Frenzy.' Watch here: https://www.youtube.com/watch?v=jt29cBn9ppk Karl Sanders comments, "The arrival of the release day of 'Vile Nilotic Rites' is the long-awaited culmination of not only years of passionate, dedicated work from everyone involved, but also the sweeping realization, the promised land of the collective hopes and expectations of our fans. In truth, this day of deliverance is also their day, not just ours. NILE fans have always been loyal and supportive through the years, and evidenced themselves particularly so over and over during the long wait while we slaved over this album. Their eternal metal faith and encouragement were a continuous source of inspiration for us to push ourselves to make this the best NILE record we possibly could. This album has been a long time coming; but it is here at last, here at last. Thank the metal gods almighty, 'Vile Nilotic Rites' is here at last." Order 'Vile Nilotic Rites' now, here: www.nuclearblast.com/nile-vnr Listen to 'Snake Pit Mating Frenzy' and other tracks in the NB New Releases Playlists: http://nblast.de/SpotifyNewReleases / http://nblast.de/AppleMusicNewReleases More on 'Vile Nilotic Rites': 'Long Shadows Of Dread' OFFICIAL LYRIC VIDEO: https://www.youtube.com/watch?v=tXZvLIN75Fs 'Vile Nilotic Rites' OFFICIAL LYRIC VIDEO: https://www.youtube.com/watch?v=KV3VvBBL6gI 'Vile Nilotic Rites' tracklisting: 01. Long Shadows of Dread 02. Oxford Handbook of Savage Genocidal Warfare 03. Vile Nilotic Rites 04. Seven Horns of War 05. That Which is Forbidden 06. Snake Pit Mating Frenzy 07. Revel in their Suffering 08. Thus Sayeth the Parasites of the Mind 09. Where is the Wrathful Sky 10. The Imperishable Stars are Sickened 11. We are Cursed 'Vile Nilotic Rites' was recorded and produced by Karl Sanders at Serpent Headed Studios in Greenville, South Carolina with the exception of the drums which were recorded at Esoteron Music Studios in Athens, Greece with engineering handled by Jim Touras and George Dovolos. The album was mixed and mastered by Mark Lewis at MRL Studios. For the album artwork, the band returned to artist Michał "Xaay" Loranc who has worked with the band for over 10 years.
NILE live: 'A Vile Caustic Attack Tour' w/ TERRORIZER 01.11. USA Atlanta, GA - Mass Destruction Metal Fest 02.11. USA Charlotte, NC - The Fillmore 03.11. USA Durham, NC - Motorco Music Hall 04.11. USA New York, NY - Gramercy Theatre 05.11. USA Baltimore, MD - Soundstage 06.11. USA Richmond, VA - The Canal Club 07.11. USA Philadelphia, PA - Theatre of Living Arts 08.11. USA Poughkeepsie, NY - The Chance Theater 09.11. USA Worcester, MA - Palladium 11.11. USA Pittsburgh, PA - The Crafthouse Stage & Grill 12.11. USA Westland, MI - The Token Lounge 13.11. USA Joliet, IL - The Forge 14.11. USA Milwaukee, WI - Turner Hall Ballroom 15.11. USA Minneapolis, MN - The Cabooze 16.11. USA Iowa City, IA - Wildwood BB & Saloon 17.11. USA Lincoln, NE - The Royal Grove 18.11. USA Denver, CO - Herman’s Hideway 19.11. USA Salt Lake City, UT - Liquid Joe’s 21.11. USA Seattle, WA - El Corazon 22.11. USA Portland, OR - Hawthorne Theatre 23.11. USA Sacramento, CA - Holy Diver 24.11. USA Oakland, CA - Metro Operahouse 25.11. USA Fresno, CA - Strummer’s Bar & Grill 26.11. USA West Hollywood, CA - Whisky a Go-Go 27.11. USA San Diego, CA - Brick By Brick 29.11. USA Las Vegas, NV - Backstage Bar & Billiards 30.11. USA Tempe, AZ - Club Red 01.12. USA Tuczon, AZ - The Rock 03.12. USA Albuquerque, NM - Sunshine Theater 04.12. USA Colorado Springs, CO - Sunshine Studios Live 05.12. USA Oklahoma City, OK - 89th Street 06.12. USA Dallas, TX - Trees 07.12. USA Austin, TX - Come and Take It Live 08.12. USA San Antonio, TX - The Rock Box 10.12. USA New Orleans, FL - Southport Hall 11.12. USA Orlando, FL - SoundBar 12.12. USA Lake Park, FL - The Kelsey Theater 13.12. USA Tampa, FL - The Orpheum 14.12. USA Greenville, SC - The Firmament
NILE is:
Karl Sanders | guitar, vocals
Brian Kingsland | guitar, vocals
George Kollias | drums
Brad Parris | bass
NILE online:
www.facebook.com/nilecatacombs
www.instagram.com/nile_official
www.twitter.com/nilecatacombs
www.nuclearblast.de/nile
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SUPERNATURAL DELIGHT TOUR KICKS OFF TOMORROW NIGHT IN LITTLE ROCK! 19x25 posters limited to 75 designed by @heavyandbeyond printed by @lewellynsprintshop #tripontheship Thur/Sept 19 - Little Rock, AR - Stickyz Chicken Shack w/ Hell Camino* Sat/Sept 21 - Asheville, NC - Heavy Mountain Fest - The Orange Peel w/ CoC, Pallbearer, Windhand, Torche, The Skull Sun/Sept 22 - Cincinnati, OH - Riverfront Live** Mon/Sept 23 - Detroit, MI - St. Andrews Hall** Wed/Sept 25 - Peoria, IL - Monarch Music Hall** Thur/Sept 26 - Ringle, WI - Q & Z Expo Center** Fri/Sept 27 - Joilet, IL - The Forge** Sat/Sept 28 - Iowa City, IA - Wildwood** Mon/Sept 30 - Memphis, TN - Growlers** Tue/Oct 01 - Dallas, TX - Canton Hall** Wed/Oct 02 - Corpus Christi, TX - House of Rock** Fri/Oct 04 - Lubbock, TX - Jake's** Sat/Oct 05 - Tulsa, OK - Cain's Ballroom** Mon/Oct 07 - Flagstaff, AZ - The Green Room** Wed/Oct 09 - Fresno, CA - Strummers** Thur/Oct 10 - Sacramento, CA - Holy Diver** Fri/Oct 11 - Pomona, CA - The Glass House** Sat/Oct 12 - San Diego, CA - Brick By Brick w/ Great Electric Quest* Sun/Oct 13 - Las Vegas, NV - Bunkhouse Saloon w/ Love Gang* Mon/Oct 14 - Mesa, AZ - Club Red w/ Love Gang* Wed/Oct 16 - Colorado Springs, CO - Black Sheep w/ Love Gang* Thur/Oct 17 - Denver, CO - Streets of London w/ Love Gang Fri/Oct 18th - Lawrence, KS - Harvest of Doom Festival w/ Coven Sat/Oct 19th - Oklahoma City, OK - Oklahoma City Limits w/ Crobone* [* HEADLINE DATES] [** w/ Corrosion of Conformity, The Skull, Witch Mountain] (at Planet Earth) https://www.instagram.com/p/B2j01mWhbRM/?igshid=1anw1m9918x2e
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Chicago, IL -- Divino Niño returns this week with their spunky new single “XO” along with a cheeky and slightly NSFW video directed by Ambar Navarro. The track spans just about 3 minutes long and it’s one of the few bilingual songs on the band’s upcoming album Last Spa on Earth. While “XO” still has Divino Niño’s signature dreaminess, there’s an added punchiness to the track that flows seamlessly with the rap-like Spanish verses. There’s an indulgence to the instrumental that’ll have you submerged in their sonic world.
The concept of the track and video “are inspired by experiences Camilo and Javier had growing up in a cultish Christian church. The lyrics are about rebelling against taboos set by religion with a tongue-in-cheek twist.” Medina adds, “I just thought: let’s put the bible and an ass right next to each other in the lyrics. If there was any trauma hanging from our upbringing, we were able to deal with it here.”
Last Spa on Earth is out September 23 via Winspear.
Last Spa on Earth by Divino Niño
Tour Dates:
07/29/22 – Attica, IL @ Postock Fest 09/10/22 – San Francisco, CA @ The Independent * 09/11/22 – Fresno, CA @ Strummer’s * 09/12/22 – Las Vegas, NV @ House of Blues * 09/15/22 – San Diego, CA @ House of Blues * 09/16/22 – Los Angeles, CA @ Primavera Sound LA 09/17/22 – Yuma, AZ @ Red Moon Ale House * 09/18/22 – Phoenix, AZ @ Crescent Ballroom * 09/19/22 – Tucson, AZ @ Hotel Congress Plaza * 09/21/22 – Dallas, TX @ Trees * 09/23/22 – Austin, TX @ The Parish * 09/24/22 – San Antonio, TX @ Paper Tiger * 09/25/22 – Houston, TX @ White Oak Music Hall * 09/29/22 – Atlanta, GA @ Masquerade * 09/30/22 – Charlotte, NC @ Snug Harbor * 10/01/22 – Washington, DC @ Comet Ping Pong * 10/03/22 – Philadelphia, PA @ The Foundry * 10/04/22 – Boston, MA @ Crystal Ballroom * 10/05/22 – Brooklyn, NY @ Elsewhere Hall * 10/07/22 – Detroit, MI @ El Club * 10/08/22 – Bloomington, IN @ The Bishop * 10/09/22 – Chicago, IL @ Lincoln Hall * 10/11/22 – Denver, CO @ Marquis * 10/12/22 – Salt Lake City, UT @ Kilby Court * 10/13/22 – Boise, ID @ Shredder * 10/14/22 – Portland, OR @ Mississippi Studios * 10/15/22 – Seattle, WA @ Vera Project * * Co-headline with Little Jesus
Connect with Divino Niño:
Official Site | Facebook | Twitter | Instagram
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Can I request KC + any cheesy Hallmark Christmas movie. Any of them.
Thank you!!! Awesomeprompt. For some reason it’s not so mini, so sorry for the delay. Okay, I’ll admit that I took some liberties, I mean there are way toomany to choose from so this is a different spin. I think I kind of morphed intoa Hallmark movie writer with all this cheese and fluff, hope you still like it!
Not Another Hallmark Movie
“I’ve worked with animalsthat are better behaved and trained than you, Mikaelson,” she hissed.
“Only because they can’ttalk. If they could I’m sure they’d have some pretty choice things to sayabout such a Princess, Forbes,” he shot back.
“Cut!”
“You are such an…”
“Well, you’re no picnicyourself sweetheart.”
“I said Cut!” TheirDirector, Enzo St John, growled. “You don’t get creative license,children. This is a bloody Hallmark movie and you will do it as I say. So, justfor your information, the lines actually were, I love you Jacob. I think Ialways have but I’ve been hurt before and Christmas is such a difficult timefor me after losing my father.”
“And then Jacob says,”Bonnie Bennet, their long suffering producer, added through grittedteeth. “I would never hurt you Grace and if you let me in, let me love youthen I can prove that to you everyday of our lives.”
“I much prefer my line,”Klaus shrugged his shoulders, unmoved by their terse interruptions.
“As I do mine,” Carolineagreed, arms crossed over her chest. Agreeing was something the two actorsnever did, just ask the rest of the cast and crew. They’d been bickering eversince their first day on set and things didn’t seem to beimproving.
“How about we take abreak,” Enzo sighed. “We’ll pick up in twenty minutes and maybe you twocan learn your bloody lines.” The crew scurried away, no doubt to enjoy somedowntime from all the drama.
Klaus made his way to hisdressing room, slamming the door shut in the process. Who was Enzo St John totell him what to do and how to do it? He remembered the second worse decisionhe’d ever made so clearly. If he could have blamed it on alcohol he would havebut this was all her doing.
“Hallmark? Ah, no Lucien.”
“You didn’t even let mefinish…”
“Because you used the Hword,” he muttered. “I thought we spoke about having that networkexorcised from any future contracts.”
“You need this role Klaus,if anything just to get you back on your feet,” he pleaded. “The roleshave dried up since…”
“I don’t need you to tellme that,” he growled, finally stopping his pacing. “But there must besomething else, something on HBO? I saw they’d green lit a pilotabout the Clash.”
“The Joe Strummer role hasalready been cast.”
“Oh don’t tell me, it’sthat talentless idiot, Tyler Lockwood?”
“No, it’s…”
“Well, don’t keep mehanging, Lucien. You know, I’m a big boy, I can handle the truth.”
“Stefan Slavatore,” hemumbled, his brown eyes now firmly focused on the floor.
“The brooding, James Deanwannabe? He’s not even English and is definitely more boy band than punk. Anddon’t even get me started on his obsession with his hair. Could that guy ownany more hair products?”
“That’s probably why hehas that lucrative endorsement deal with L’oreal.”
“I bet his mother is soproud,” he groaned. “Why do talentless and undeserving losers like thatget the good roles?”
“You’ve been out of thegame for a bit, people tend to move on after you pass on roles,” he offered,albeit weakly. “You experienced a monumental loss and it’s understandablethat you needed some time out but…”
“You’re even starting tosound like a bloody Hallmark movie now.”
“It’s your only chance totry to resurrect your career Klaus, trust me on this.” Klaus was silent,thinking about his options.
Not that Klaus liked toadmit it readily but Lucien was right. But was his career more importantthan his pride? Klaus knew the answer and prepared his response carefully. Hallmarkand their latest Christmas cheese-fest could go fuck themselves. “The female part is being played by Caroline Forbes. She’s a verytalented and versatile actress. Actually grew up in the same town as you, Imean what a coincidence.”
That Klaus wasn’texpecting and he felt his chest constrict and an immediate craving to be closerto her again, if so just to try and make things right. “Fine, I’ll do it.”
It seemed as if Klaus hadcome full circle his worst ever mistake crashing into his second worst. She was just as flawless as he remembered when they met for rehearsals amonth earlier. Even with that scowl plastered firmly on her face, Klaus didn’tthink he’d seen anyone so beautiful. Even her latest insults couldn’t deter hisadmiration. If Klaus could do things differently, he would have.
“Now, that would have tobe your best tantrum by far.”
“If I wanted an audience,little sister, I would have chosen one a lot less sarcastic and hostile.”
“You’re not going to findone, Klaus,” she insisted. “Especially if you keep acting out this way. Noone will ever hire you again.”
“Always the publicist,” hedrawled, rolling his eyes for extra effect. “Did you ever think that maybeI don’t care?”
“And what about Caroline?”His eyes flew to hers, Rebekah always had a tendency to push his buttons andtoday was no exception. Caroline had pursued a modelling career but hadrecently excelled in a few cameo roles. “This is her first leading movie role,do you want to ruin it with such childish behaviour?”
“I’m pretty sure Hallmarkwill do that all on its own,” he joked. “Look, I realise Caroline is oneof your clients but that doesn’t mean you can use our sibling status to guilttrip me into staying. I’m sure that they can recast me with some bland, kendoll type. Maybe the gods are smiling on us and Stefan Salvatore is actuallyfree?”
“No one has chemistry likeyou and Caroline, trust me we’ve all seen it.”
“That was a long timeago.”
“Really? Because from thatforeplay I just saw out there, your connection is stronger thanever.”
Klaus knew it too, notthat he was willing to admit it aloud and to his sister and publicist of allpeople. He loved her, Klaus had never stopped. Suddenly he felt like he’dstepped into some weird, Hallmark vortex.
“Yes, those insults werereally romantic.”
“I know you miss her, weall do” she implored, her hands finding his. Klaus knew they weren’t talkingabout Caroline anymore. “But that’s no reason to throw away your career orCaroline in the process.”
Klaus knew she was right, hedidn’t speak, just squeezed her hands affectionately before making his waytowards her dressing room purposefully.
“If you’re here for roundtwo, I’m not interested,” Caroline scoffed before he could get a word in. Shewas seated at her dressing table and regarding him suspiciously in thereflection of the mirror.
“I don’t know,” he smiled,thinking just how much he’d missed their lively banter. “I thought we’dclocked up at least twenty rounds by now.”
“And to be honest, I’mtired of it,” she sighed, closing those blue eyes momentarily. Klaus knewexactly what she was doing.
After making love they’dlie naked together in the moonlit filled room, their limbs entwined and Klauswould recite all the reasons he loved her. Her creamy skin, her golden waves,her melodic laugh and ability to render him completely useless were frequentmentions but his favourite, he’d say, were her eyes. They were the windows toher soul, he’d say, and Klaus used to murmur that as long as she kept her eyesopen everything would be okay.
“Open your eyes, love,” hemurmured, making his way towards her dressing table and running a hand alongher cheek slowly.
“You don’t deserve that,”she whispered, a single tear making its way down her cheek. “You don’tdeserve me.”
“I don’t,” heagreed. “I lost that right after…” Her eyes flew open as she pushed awayhis hand.
“After you walked out onme,” she sobbed, standing shakily and increasing the distance between them. Shewas wearing a thin dressing gown and Klaus could make out the lace accents ofher underwear and the way they strained against the swell of herbreast.
“I didn’t want to hurtyou..”
“Yet you did exactly that!How long have we known each other Klaus? Twenty years now? We climbed treestogether when we were eight. You took me to my prom senior year and cheered meon at my college graduation. God, we dated for three years but even after wemoved our separate ways for career opportunities we were still close. You wouldcall me whenever Lord of the Rings was on TV because you knew I hated itand recited the dialogue verbatim, then you’d berate the latest tabloid storiesabout my love life because you were the only guy that was worthy of my timeapparently. I can recall so many conversations, so many life events with you presentand that was the thanks I got for being such a loyal friend?”
“I wasn’t in the righthead space that night Caroline, my mother had just died,” he explained. “Iwas spiralling out of control and had been drinking.”
“I wanted to be there foryou the night of her funeral, to support you in your time of need.”
“And I took advantage ofthat,” he murmured, remembering it like it was yesterday.
He’d woken, unsure of hissurroundings at first but then he felt her against his chest. He would neverforget the rhythmic and even sound of her breathing or the fact the thesunlight spilling into the room was highlighting the golden flecks in her hair.She looked like an angel.
He left hurriedly,throwing on his clothes and racing from the hotel room. Klaus knew it wascowardly but having to face her and explain the previous night and hisscrambled emotions was too much after burying his mother yesterday.
As the months passed,Klaus began to miss her name on his caller ID and almost hit the call button amillion times, if only just to hear the sound of her melodic laugh telling himhe was an idiot. But he never called and it was the biggest regret afterleaving her that morning without a goodbye.
“I’d rather not revisitmemory lane,” she said, breaking Klaus from his dream-like trance. “But Iam curious, why are you doing this film? I mean you break out inhives when you even hear the word Hallmark.”
“It was all for you,love.”
“Oh, if that’s a line, I’mso not interested in hearing anything more Mikaelson…”
“It’s not,” he persisted,making his way towards her and placing his hands on her shoulders gently.
Her blue eyes were widenow and Klaus could see that the anger and hostility he’d seen for weeks hadsince been replaced by curiosity and that raw vulnerability he loved so much.He knew there was a brief window, If only he could just explain himselfarticulately. Her vanilla scent was putting him off somewhat, so too her closeproximity. “I needed to be here, I needed to make things right after Iroyally stuffed them up.”
“That’s certainly anunderstatement,” she growled.
“I was scared,” headmitted, fastening a lock of hair behind her ear. “When Esther passed away sosuddenly it knocked me around so much. She was the most important and biggestpresence in my life. That morning when I woke up and saw you lying next to me Iwas so frightened it hurt. The thought of ever losing you, like her, was toomuch to comprehend in my emotional state.” She was silent for a momentobviously processing what he was saying.
“But you walked out onme.”
“I figured that if youweren’t in my life I couldn’t lose you. I know it’s not an excuse but you arethe only woman I’ve ever loved and even if you weren’t in my life I could stillwatch you from afar and it would be okay.”
“But yet you show up onthe set of a Hallmark movie.”
“Obviously that poorlythought rationale didn’t last too long. I was desperate, I wanted you backeven if it was a long shot.” She cocked her left eyebrow curiously, a slightsmile tugging at her lips.
“Do I have this right? You signed up for a Hallmark movie for me?”
“Desperate times and allthat,” he smirked. “Please tell me my efforts haven’t been completelywasted?”
“I’ll tell you what’s beencompletely wasted,” she said, her hands finding their way to his hips andpulling him closer. “Your talents.”
“Huh?”
“Your talents are wastedin this kind of film and we both know it,” she mused. “So, what I want youto do is march out there and tell Enzo you’re quitting.” Obviously she didn’twant to see him again but Klaus couldn’t blame her.
“Do you really hate me thatmuch?”
“I don’t unfortunately,”she teased. “You need to snap out of this funk. Esther wouldn’t want this for you and we both know it. You need to get back tothe roles that made you who you are and you need to stop stalking me too.As much as I appreciate the explanation, you are sounding more like a Hallmarkmovie everyday and I can’t have that.”
“What roles? There are none.”
“I heard about the ClashHBO series, that would be a good start.”
“ApparentlyStefan Salvatore has already been cast,” he groaned, hating the fact he even had to say his name aloud.
“I wouldn’t be so sure,Mikaelson,” she grinned knowingly. “You just need to have a little faithin yourself and your craft.”
“So, if I do all of that,do you think there’s any chance you might ever forgive me for being…”
“The biggest ass in theworld? I’ll think about it,” she smiled, placing a chaste kiss on his nose.Klaus melted into her embrace, not wanting to let go but also glad she’d heardhim out and was willing to consider a future, whatever that might be.
“So, before I go and annoyEnzo, Rebekah and my manager I have one question myself.” She didn’t respondjust raised her eyebrows in preparation. “Why did you take this role? Imean it’s not really your thing either.”
“I already have amodelling career, acting is a hobby right now, but it doesn’t hurt that there’sat least a dozen scripts sitting there for my perusal.”
Klaus looked over at the table,noticing the large volumes of paper for the first time. From this distance he could seethe title Oceans Eight on one of them. He wasn’t sureif it was related to the Soderbergh box office hits but if it was CarolineForbes was going to be a big star.
“And I’ll be therewatching your career unfold from afar, love.” He was gone before she couldrespond. His spirits buoyed and his heart open for the first time in over a year, telling him they’d meet again some day.
So, their ending wasn’t aHallmark one, well not that day anyway. Fast forward two years and Klaus wasstarring in the latest Scorcese film, Caroline in Spielberg.
“So, where can a girl geta drink around here?” He’d know that melodic voice anywhere, his crimson lips curving into a smile.
“I might be able to help you with that.” She sat at the neighbouring barstool her leg grazing his briefly and causing all the familiar feelings to resurface. He said he’d wait and Klaus was hoping she was finally collecting.
“Which is exactly why I came to see you,” she smiled. “We have a lot to talk about, Mikaelson.”
Turns out they did. Exactly three months later the two childhood best friends were married and happened to live happily ever after, just like in fairytale or a really cheesy Hallmark movie.
#not another hallmark movie#klaroline drabbles#misssophiachase#thanks for the awesome prompt#lbeartakestheworld
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Boris North American Tour
Boris will begin their North American tour soon. Tickets and information here.
Dates below:
OCT 03 - Fresno, CA @ Strummers * OCT 04 - Sacramento, CA @ Harlow’s * OCT 06 - Eugene, OR @ WOW Hall ^ OCT 07 - Seattle, WA @ Neumo’s ^ OCT 08 - Vancouver, BC @ Rickshaw Theatre ^ OCT 09 - Portland, OR @ Doug Fir Lounge ^ OCT 11 - San Francisco, CA @ The Independent ^ OCT 13 - Joshua Tree, CA @ Desert Daze Fest OCT 14 - Tucson, AZ @ 191 Toole % OCT 16 - Salt Lake City, UT @ Metro Music Hall % OCT 17 - Denver, CO @ Bluebird Theater % OCT 19 - Lawrence, KS @ Granada Theatre % OCT 20 - Omaha, NE @ The Waiting Room % OCT 21 - Minneapolis, MN @ Triple Rock Social Club + OCT 22 - Milwaukee, WI @ Turner Hall + OCT 23 - Chicago, IL @ Thalia Hall + OCT 25 - Detroit, MI @ El Club + OCT 26 - Cleveland, OH @ Grog Shop + OCT 27 - Millvale, PA @ Mr Smalls + OCT 28 - Philadelphia, PA @ Union Transfer + OCT 29 - Baltimore, MD @ Rams Head Live! (Days of Darkness) OCT 31 - Allston, MA @ Brighton Music Hall ~ NOV 01 - Brooklyn, NY @ Warsaw ~ NOV 04 - Durham, NC @ Motorco ~ NOV 05 - Knoxville, TN @ The Concourse ~ NOV 07 - Atlanta, GA @ The Masquerade, Hell Stage ~ NOV 08 - Nashville, TN @ Exit / In ~ NOV 09 - Birmingham, AL @ Saturn $ NOV 10 - New Orleans, LA @ One Eyed Jacks $ NOV 12 - McDade, TX @ Sound on Sound Fest NOV 14 - Albuquerque, NM @ Sister + NOV 15 - Phoenix, AZ @ Crescent Ballroom # NOV 16 - Las Vegas, NV @ Bunkhouse Saloon # NOV 17 - San Diego, CA @ Casbah # NOV 18 - Los Angeles, CA @ Echoplex
* = w/ Endon ^ = w/ Sumac, Endon % = w/ Subrosa, Endon + = w/ Helms Alee, Endon ~ = w/ Mutoid Man, Endon $ = w/ Thou, Endon # = w/ Torche, Endon
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Album Review: Dhani Harrison / Paul McCartney and Wings
This week I got to review an anniversary reissue from a solo Beatle and I got to review a new album from someone with Beatle DNA.
Dhani Harrison INNERSTANDING
I wish more people knew what a powerhouse phenom Dhani Harrison is! I wish people talked about him the way they talked about Jack Antonoff. He has done some fantastic work with the band Thenewno2 (I named their album Thefearofmissingout one of my Best Albums of 2012), as part of the super group Fistful of Mercy, and he has done a ton of movie soundtrack composition too. But in 2017 he released his first solo album with IN//PARALLEL (read my review here). In October 2023, his first album in six years INNERSTANDING was released digitally. This week it is getting a physical release from H.O.T. Records/BMG.
album cover and yellow vinyl
I'm going to address the elephant in the room: Dhani is the son of George Harrison. He was involved in the completion of his father’s album Brainwashed (released posthumously in 2002), was a featured performer at the Concert for George in 2002 and the George Fest in 2014 and he also helped develop The Beatles: Rock Band video game. In recent years he and his mother Olivia have also run the Dark Horse Records record label, founded by his father, and they have released albums by the likes of Billy Idol and Joe Strummer. I bring this up because that is what a lot of the attention for Dhani has been about. Any child of a much-loved musician has had to live up to their parent’s musicianship, just ask Jakob Dylan, Wolfgang Van Halen or Jason Bonham, all of whom are great musicians on their own, but had to live up to their legendary parents, which set the bar so unrealistically high. With the musical offspring of The Beatles, one can argue that you can hear their parent's sound in their music, i.e. John Lennon's influence on Sean Lennon's sound. With Dhani, his music is entirely different than George's music. It's easy to NOT compare his music to his dad.
With the first solo album, it felt like Dhani had really come into his own as a songwriter from Thenewno2. Here, it feels more grandiose and bigger in his musical approach. There's some collaborators on the album including Graham Coxon of Blur, Liela Moss of The Duke Spirit, and Mereki. There is a heavy influence from Trent Reznor and Peter Gabriel, especially on songs like "New Religion" or "Damn That Frequency". But he kind of defies a lot of genres and brings multiple styles in, sometimes within the same song. It's exciting to see Dhani emerging as not just a powerhouse phenom, but a studio production whiz!
For info on INNERSTANDING
4 out of 5 stars
Paul McCartney and Wings Band on the Run 50th Anniversary Edition
Originally released on December 5, 1973 (in the U.S.), the third album from Wings and the fifth album Paul McCartney released since The Beatles’ 1970 breakup was released. It is considered by many to be among the best of the Beatle solo albums, up there with John Lennon’s Imagine and George Harrison’s All Things Must Pass. I'd say this is probably his best non-Beatle album he released in his impressive discography. To celebrate the 50th anniversary (this year marks 51, but it's close enough to December 2023, so who cares, right?), the album was released last week by UMe in a special edition.
original album cover
The timing of this album is coming a few months after the passing of Wings guitarist Denny Laine and this edition serves as a reminder of what an asset he was to McCartney's 1970s albums. When I interviewed Mr. Laine in 2019, I asked him what his favorite Wings album was and he said "With Band on the Run, it was just me and Paul doing the music and then Linda did some harmonies…but yeah, that’s really the one that sticks out is Band on the Run." Fully agreed! When I saw Laine at City Winery in Jan. 2019, he played the Band on the Run album in its entirety. What a treat to hear him tell loads of stories about each song.
50th anniversary double CD edition
The album itself is noteworthy for the number of Sir Paul standards: "Band on the Run", "Jet", "Let Me Roll It", the list goes on. When I saw Sir Paul at Fenway Park in June 2022, he did some of the hits off the album. There's been various versions of this album but in 2010, I got the Paul McCartney Archive Collection version, which contained bonus tracks and a bonus DVD (the Best Buy edition). That one was awesome and sounded great. With this new edition, CD1 is the original album remastered. CD2 is "Underdubbed" mixes of the songs. According to the press release, Paul said:
“This is Band on the Run in a way you’ve never heard before. When you are making a song and putting on additional parts, like an extra guitar, that’s an overdub. Well, this version of the album is the opposite, underdubbed.”
While it is interesting to hear versions of the songs pre-final mix, for those of us who know the final songs so well, it can feel like an unfinished and incomplete version of the song. I like the 2010 edition of the album better, but this one has its moments.
For info on Band on the Run
Original album: 5 out of 5 stars
50th Anniversary Edition: 3.5 out of 5 stars
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The Get Up Kids Announce New Tour
The Get Up Kids have announced some new tour dates. Kevin Devine and The Whiffs will support the November dates 09/12 – Maquoketa, IA @ Codfish Hollow 09/13 – Chicago, IL @ Riot Fest 09/14 – Chicago, IL @ The Concord [SOLD OUT] * 10/04 – Sydney, Australia @ Crowbar 10/05 – Brisbane, Australia @ The Brightside 10/06 – Melbourne, Australia @ Corner Hotel 10/08 – Tokyo, Japan @ Tokyo O-West 10/09 – Tokyo, Japan @ Tokyo O-West [SOLD OUT] 10/10 – Osaka, Japan @ Club Quattro 10/12 – Honolulu, HI @ Republik 11/13 – Denver, CO @ Oriental Theater % 11/14 – Salt Lake City, UT @ Urban Lounge % 11/15 – Boise, ID @ The Shredder % 11/16 – Portland, OR @ Doug Fir Lounge % 11/17 – Seattle, WA @ The Crocodile % 11/19 – San Francisco, CA @ Great American Music Hall % 11/20 – Fresno, CA @ Strummer’s % 11/21 – Los Angeles, CA @ Echoplex % 11/22 – Anaheim, CA @ Chain Reaction % 11/23 – San Diego, CA @ Soda Bar % 11/24 – Phoenix, AZ @ Crescent Ballroom % 12/04 – Dallas, TX @ Gas Monkey Bar & Grill 12/05 – Austin, TX @ Barracuda 12/06 – Houston, TX @ Secret Group 12/07 – New Orleans, LA @ One Eyed Jacks 12/08 – Memphis, TN @ Growlers 12/10 – St. Louis, MO @ Blueberry Hill 12/11 – Cincinnati, OH @ Southgate House 12/12 – Cleveland, OH @ Grog Shop 12/13 – Pittsburgh, PA @ Rex Theater 12/14 – Buffalo, NY @ Buffalo Riverworks 12/15 – Detroit, MI @ Loving Touch * Taking Back Sunday % Kevin Devine and The Whiffs --- Please consider supporting us so we can keep bringing you stories like this one. ◎ https://chorus.fm/news/the-get-up-kids-announce-new-tour/
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