#SS decorative profile

[blogs-on-metal-industry]

Stainless Steel Decorative Profiles: Adding Elegance and Style to Interior Design

Regarding interior design, every detail matters, including the choice of materials for decorative elements. Stainless steel decorative profiles have gained popularity in recent years for their ability to add a touch of elegance and style to various spaces. In this blog, we will explore the versatility, durability, and aesthetic appeal of stainless steel decorative profiles and how they can transform any interior into a visually stunning and sophisticated environment.

Versatility in Design

Stainless steel decorative profiles offer immense versatility in design possibilities. They come in various shapes, sizes, and finishes, allowing designers and architects to create unique and customized applications. From sleek and minimalist designs to intricate and ornamental patterns, stainless steel profiles can be tailored to suit different interior styles, whether contemporary, industrial, or classic.

Aesthetic Appeal

One of the key reasons for the popularity of stainless steel decorative profiles is their inherent aesthetic appeal. The smooth, reflective surface of stainless steel adds a sense of sophistication and modernity to any space. Whether used as trim accents, borders, or architectural features, stainless steel profiles create a visually striking effect that elevates the overall design aesthetic.

Durability and Longevity

Stainless steel is renowned for its exceptional durability and longevity. It is resistant to corrosion, stains, and scratches, making it an ideal choice for decorative profiles. Stainless steel profiles can withstand daily wear and tear, ensuring that they maintain their pristine appearance for years to come. This durability also makes them suitable for high-traffic areas, such as hotels, restaurants, and commercial spaces.

Easy Maintenance

Another advantage of stainless steel decorative profiles is their easy maintenance. The smooth surface of stainless steel is non-porous, making it resistant to dirt, grime, and bacteria. Regular cleaning with mild soap and water is usually sufficient to keep the profiles looking their best. Additionally, stainless steel's resistance to staining means it retains its original shine and beauty over time, requiring minimal upkeep.

Application Possibilities

Stainless steel decorative profiles can be used in various applications within interior design. Some popular uses include:

Framing and accentuating mirrors, artwork, and wall panels.

Creating elegant transitions between different flooring materials.

Enhancing cabinetry and furniture by adding decorative edging or handles.

Accentuating staircases and handrails with stylish railing profiles.

Adding a touch of luxury to countertops, backsplashes, and architectural features.

Conclusion

Stainless steel decorative profiles offer a perfect blend of aesthetics, durability, and versatility, making them an excellent choice for interior design projects. Whether in residential, commercial, or hospitality spaces, these profiles add a touch of elegance and style that transforms ordinary interiors into extraordinary ones. With their ability to withstand the test of time, easy maintenance, and a wide range of design options, stainless steel decorative profiles will impress and leave a lasting impression on anyone who encounters them, Click here for more information on Stainless steel decorative profiles.

[creativesplat]

Late Night

[fabrinoxofficially]

Creating a Rustic Look with Antique Finishes: Tips and Inspirations

In the world of interior design, creating a warm, vintage, and timeless look is a popular trend. One of the best ways to achieve this is by using antique finishes. These finishes can transform modern spaces into charming areas that exude a sense of history and nostalgia. Whether you want to give your home or commercial space a touch of old-world charm, antique finishes can work wonders. In this blog, we will explore how to create a rustic look using antique finishes, with practical tips and inspirations for your space.

What is an Antique Finish?

Antique finish refers to a specific treatment applied to materials, like wood, metal, or stone, to give them a weathered, aged, or rustic appearance. This finish makes new items look like they have a rich history. It can be applied to various surfaces and materials, including ss decorative profiles to achieve a classic look. Antique finish often feature patinas, distressed edges, and soft, muted tones that add depth and character to interiors.

Why Choose Antique Finishes?

Using antique finishes has many advantages, especially for those who love vintage-style interiors. Here’s why choosing this finish can enhance your space:

Timeless Appeal:

Antique finishes never go out of style. They offer a classic and timeless look that blends well with different types of décor.

Unlike trendy finishes, antique finishes maintain their charm for years, making them a worthwhile investment.

Warm and Inviting Atmosphere:

Spaces with antique finishes have a warm and cozy feel, making them perfect for creating inviting environments in homes, cafes, or restaurants.

The natural tones and textures associated with these finishes add a sense of comfort and relaxation.

Versatility in Design:

Antique finishes can be applied to various surfaces, including furniture, walls, floors, and even ss decorative profiles.

This versatility allows you to incorporate antique elements into any space, whether it’s a modern apartment or a heritage-style home.

Tips for Creating a Rustic Look with Antique Finishes

Creating a rustic look using antique finishes requires some planning and creativity. Here are some practical tips to help you achieve the perfect vintage-inspired space:

1. Choose the Right Materials

Materials like wood, stone, and metals work exceptionally well with antique finishes.

For a classic rustic look, opt for ss decorative profiles from Fabrinox with an antique finish. These profiles can be used for framing mirrors, decorating walls, or adding trim to furniture.

Natural materials provide a better canvas for creating distressed and weathered effects, enhancing the overall appearance.

2. Incorporate Distressed Wood

Distressed wood is a staple in rustic interiors. It brings a worn-out, rugged look that is characteristic of vintage styles.

You can use wood with an antique finish for flooring, beams, or even furniture pieces like dining tables and chairs.

To achieve this look, consider using sandpaper or steel wool to create gentle scuffs and scratches, followed by a layer of dark wax or stain to give the wood an aged appearance.

3. Add Patina to Metals

Patina is a great way to add a sense of age to metal surfaces. You can achieve a patina look by using chemicals or applying waxes that react with the metal.

Applying a patina to ss decorative profiles can create a beautiful aged effect, perfect for frames, railing, or cabinet handles.

Patinated metal pieces can be used in kitchens, bathrooms, or as decorative accents throughout the space, adding a subtle vintage charm.

4. Focus on Muted and Earthy Tones

Antique finishes often come in muted shades, such as browns, greys, and earthy tones.

When decorating with an antique finish, select a color palette that complements these shades.

Use these tones for walls, furniture, and accessories to create a cohesive and harmonious look. Colors like deep greens, dusty blues, and warm terracotta work well with antique finishes.

5. Use Vintage-Inspired Accessories

Accessories play a key role in completing the rustic look. Items like vintage clocks, antique mirrors, and old-world lanterns can enhance the charm of a space.

Pair these accessories with antique finish furniture and ss decorative profiles for a well-rounded look.

Look for pieces that have a worn or distressed appearance to maintain consistency with the overall theme.

Inspirations for Using Antique Finishes in Different Spaces

To inspire you further, here are some ideas on how you can use antique finishes in various areas of your home or commercial space:

1. Living Room

Create a cozy and inviting living room by using ss decorative profiles with an antique finish for photo frames and mirror borders.

Add a vintage-style wooden coffee table with distressed edges to serve as the centerpiece.

Use an antique finish on the fireplace mantel to make it stand out as a focal point in the room.

2. Kitchen

Use antique finishes on kitchen cabinets for a warm, farmhouse-style kitchen. Pair them with patina-treated handles and knobs.

SS decorative profiles with a brushed antique finish can be used to add a classic touch to cabinet edges or as a backsplash detail.

Consider using antique lighting fixtures like pendant lights with brass or copper patinas for a perfect blend of functionality and style.

3. Bedroom

For a peaceful and nostalgic bedroom, use an antique finish on a wooden bed frame or headboard.

Add a vintage dresser with a distressed paint finish to enhance the room’s character.

Use ss decorative profiles from Fabrinox around mirrors or as accent pieces on wardrobe doors to complete the look.

4. Commercial Spaces

Antique finishes are also popular in commercial spaces like cafes, restaurants, and retail stores.

SS decorative profiles with an antique finish can be used for shelves, countertops, and decorative panels to create a unique and inviting ambiance.

Antique-style lighting and distressed wood elements can further enhance the rustic, old-world charm of the space, making it more appealing to customers.

Why Choose Fabrinox for Antique Finish SS Decorative Profiles?

Fabrinox is known for providing high-quality ss decorative profiles that can be customized with an antique finish to suit your design needs. Here’s why you should consider Fabrinox for your next project:

Custom Solutions: We understand that every space is unique, and we offer tailored solutions to meet your specific requirements.

Quality Craftsmanship: Our profiles are made with precision and care, ensuring that they deliver both beauty and durability.

Expert Guidance: At Fabrinox, we guide you through the selection process, helping you choose the perfect antique finish for your project.

Conclusion: Embrace the Charm of Antique Finishes

Creating a rustic look with antique finishes is an art that can transform any space into a warm, inviting, and timeless retreat. By choosing the right materials, focusing on distressed and patina effects, and using vintage-inspired accessories, you can achieve a beautiful antique look in your interiors. With ss decorative profiles from Fabrinox, you can add that perfect touch of old-world charm to any room or commercial space.

If you’re ready to elevate your interior design with an antique finish, explore the range of options available at Fabrinox and turn your vision into reality. Embrace the beauty of the past with finishes that tell a story, and enjoy a space that is as unique as it is timeless.

Also Read:

What is Rose Gold PVD Coating? A Comprehensive Guide

How PVD Wall Art is Transforming Modern Interior Design

Originally published at https://fabrinoxofficially.blogspot.com

[niket11]

SS Embossed Texture Sheets Suppliers

The Stainless Steel Embossed Sheet made with high type, various shadings and subtleties at the genuine expense. Decorated treated steel sheets are commonly used for outside and within the structure, and moreover for lift/lift. These solidified steel decorated sheets exhibited all over USA, Australia, Canada, and Gulf countries especially in Dubai, Bahrain, Iran, Iraq, Kuwait, Oman, Qatar, Saudi Arabia, and the United Arab Emirates, etc.

Clients can benefit this enhanced steel sheet can be accessible in a wide scope of thicknesses, sizes, length and estimations at the genuine expense. We can offer these things in a wide scope of solidified steel grades like 304, 304L, 316, 316L, 410, etc Kindly connect with us today for additional information on our treated steel globule sway sheet limits.

It licenses for down checking, which therefore offer difficulty, lighter things and decreased help costs. We are offering these Check Texture Stainless Steel Sheets and it has a spot with worldwide and public finishes or measures. we besides make solidified steel fashioner or superb sheets, using twofold covering and formation of two phases which are pre treatment or pre cleaning followed by twofold coatings.

We are offering the tempered steel sheets having obvious thickness correspondingly as sizes. So now, customers or other current parts get an event to get it in cut to length or size other decision. You can get the sheets in changed shades, for instance, weak, white and distinctive others. We are correspondingly passing on these sheets with excellent packaging relationship to shield from the interminable air, rusting and cleaning. This is joined the high assessment disagreeable materials nearly as advances to guarantee its prop up long affiliations. Our momentous thing go is an unavoidable consequence of our undertakings to give the best of our exercises to clients. The sheets are inspected for high material quality, operational capacity correspondingly as harshness.

[ugh154628]

June 2019 - "Cece" taking advantage of my lude/nude photos for "revenge"

Part 1

I posted lingerie photos on my tumblr (without my face in them) and she proceeded to save those photos from my profile, by obviously creeping on me and looking at it (can't stress that enough, she was creeping on me herself), and then, claimed to sell them to others, attached my real full name to them (I didn't have my real name on my tumblr, only she knew it was mine), and printed one of the photos on coffee mug - to get some weird form of revenge on me for it. Now, my issue wasn't with people seeing them or her saving my photos (as weird as that was) so much as it was her ill intent with them. The copyright issue of her selling things that weren't hers for money was also an issue. Like excuse me, if anyone should be making money of of those it should be me. And secondly, it's pretty fake and scammy in general to sell public pictures that aren't even her's, and without that person's consent AND with vengeful intentions. I would say that kind of does constitute as revenge porn.

It was fraudulent. It was harassment. It was gross. It was creepy. And there was no excuse for this behavior.

And here's even more posts about it.

I posted a screenshot of the first post below both when it her account name was still "chelseyvecchio" and when she changed it to "harrowheart" to cover her ass later. As well as posts regarding the situation when she first changed her account name to "kindredjellybean". Nope, she isn't going to get around being exposed by simply changing her username multiple times.

So, here ya go:

And here is the photo she posted of the mug she made with one of my pictures:

Like yes, that is totally normal and excusable behavior. To not only save lude photos of your exes new girlfriend, but to spend money to get one custom printed on a coffee mug. And then, choose the picture in which your ex you're clearly hung up on grabbing her ass. And not only that, the put the label "best friends" on it. And then, put it on a shelf dedicated to enemy trophies in your room to look at every day. Funny thing id that "cheater's calico" was from an ex she dated years ago. It was a bottle she left at her house and then drank and obsessed over enough to use a decor in her room apparently. Sam told me she kept it for years, like literal years.

So, this is not at all creepy and obsessive, right? Uhm, I think yes.

Yes, it is. It's sick and discomforting on an extremely high level.

More context to each screenshot of "Cece's" posts about me:

Screenshot #1: Notice how in the "Oh dear" post she is indirectly to Sam ("Ricky") and refers to me as "she", implying that she is blaming me for HIS actions. Hence, him creeping on her and accidentily liking her posts as well as posting responses in french at her after she did that. Yeah, because that's MY fault. Ight.

SS #2: Body shaming, body shaming, and more body shaming. Which she started actually. So, she can shut the fuck up about that red post I made. She is no better. And at least I stopped that behavior a long time ago. Literally started as soon as it ended on my end. She still goes off about my body and appearance even more and WORSE than I did or she even did back then, to this day.

SS #3: She claims she's my "pimp", which is just really fucking weird. While vaguely warning she is about to print my pictures on a coffee mug.

SS #4/#5: Just her bragging about her "cliental" basis in selling my pictures increasing. What is mostly relevant to that one is the post comparison, the date on it, and the account name change.

SS #6: She says stuff about her previous romantic/sexual relations with Sam to step on me for some reason. It didn't bother me how she thought it would. It was just distasteful and creepily obsessive. And it ultimately, just says a lot about her shitty character. And then, she brags about making $125 off my pictures and dehumanizes me calling me a "product".

SS #7: She brags about making money from my pictures to pay her bills. Because she was apparently too broke to pay them without selling -someone else's- pictures, which I find really funny.

SS #8/#9: Just some screenshots to prove when she changed her account name to "kindredjellybean" to again, save her own ass covering her identity doing all this shit.

SS #10: The coffee mug....with my ass printed on it...labeled "best friends"...next to her other "enemy trophies"...on a decorative shelf in her room....that she hangs her jackets on and directly looks at every day. But, it's me that was obsessed? Lmao, ight.

Next post here:

[shopsignbd]

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[thdrama2]

i'm so glad someone else brought up Analogue's nazi obsession a little while ago 😭 Idc if people have nazi OCs but Analogue has used irl photos of nazis/SS soldiers as their pfp before and uses nazi photo/memes as profile decor. they also have Zeitwaffen (another nazi user - look up "toyhouse n*zi") and the PSA is the first result LOL) on their whitelist. hella sketchy imo definitely seems like they're using nazism as an aesthetic

Linked.

I didn't easily find a whitelist in their bulletins so I could not prove that part.

It looks like they got into Nazism about four-five months ago. Their bulletins were normal up until then.

I do not have any proof but it feels like they may be a teenager who just really likes Erik Cartman.

[kmbtpvtltd]

Supplier of Stainless Steel Plates in Maharashtra

Company Profile: Keshar Bhawani Metal & Tubes Pvt. Ltd. is a Stockiest and Supplier of Stainless Steel Plates in Mumbai, Maharashtra, India. Established in 1993, we are an ISO 9001:2015 certified company, ensuring quality products and services. Keshar Bhawani Metal & Tubes Pvt. Ltd. extensive product range includes SS Sheets, Plates, Coils, Pipes & Tubes, Bars, Wires, Rods, Angles, Channels, Flats, Fasteners, and more. Stainless steel plates are flat, rectangular metal sheets made from stainless steel, widely used in industrial applications like construction, manufacturing, and food processing. Available in various types including austenitic, ferritic, martensitic, and duplex grades, each offering unique properties suitable for specific industries. Popular grades like 304, 316, 430, and 2205 offer distinct qualities to meet diverse needs. Features: Our Stainless steel plates feature corrosion resistance, high durability, aesthetic appeal, and a range of surface finishes. Available in various sizes and thicknesses, catering to diverse industrial requirements with lasting quality. Applications: SS Plates find applications across industries such as construction, food processing, automotive, and household goods. Used for structural components, kitchenware, machinery parts, and decorative purposes due to their durability and corrosion resistance. Geographical Coverage: Keshar Bhawani Metal and Tubes Pvt. Ltd. are Supplier of Stainless Steel Plates in Maharashtra Including Ahmednagar, Akola, Amravati, Aurangabad, Bhandara, Bhusawal, Buldhana, Chandrapur, Daulatabad, Dhule, Jalgaon, Kalyan, Karli, Kolhapur, Mahabaleshwar, Malegaon, Matheran, Mumbai, Nagpur, Nanded, Nashik, Osmanabad, Pandharpur, Parbhani, Pune, Ratnagiri, Sangli, Satara, Sevagram, Solapur, Thane, Ulhasnagar, Vasai-Virar, Wardha, Yavatmal. For detailed information and inquiries, please feel free to contact us. Read the full article

[meghmanimetal]

Supplier of SS Angles in Andhra Pradesh

Supplier of SS Angles in Andhra Pradesh: Company Profile: Meghmani Metal is an ISO 9001:2015 Certified Company based in Andhra Pradesh, India. It is a leading supplier of stainless steel (SS) Angles.   Stainless Steel Angles (SS Angles): Structural components are made from stainless steel, offering strength and support. Features a right-angle shape with equal or unequal legs.   Material: Typically manufactured from stainless steel grades like 304, 316, 316L, or other alloys. Offers excellent corrosion resistance, durability, and aesthetic appeal.   Variants: Equal Leg Angles: Both legs are of equal length, forming a 90-degree angle. Unequal Leg Angles: One leg is longer than the other, creating unequal sides.   Applications: Structural Support: Used in construction for framing, bracing, and load-bearing. Architectural Design: Employed for decorative trim work and finishing details. Industrial Machinery: Utilized in equipment frames, conveyor systems, and platforms. Marine and Coastal Structures: Suitable for dock construction, seawall reinforcement, and offshore platforms.   Features and Benefits: Corrosion Resistance: Ideal for both indoor and outdoor environments. Strength and Durability: Ensures structural integrity and long-term performance. Aesthetic Appeal: Adds a sleek and modern look to architectural installations. Low Maintenance: Requires minimal upkeep, reducing cleaning efforts.   Supply Coverage: We Provide Supplier of SS Angles in Andhra Pradesh, including cities like Adoni, Amaravati, Anantapur, Chandragiri, Chittoor, Dowlaiswaram, Eluru, Guntur, Kadapa, Kakinada, Kurnool, Machilipatnam, Nagarjunakonda, Rajahmundry, Srikakulam, Tirupati, Vijayawada, Visakhapatnam, Vizianagaram, Yemmiganur, etc.   For more information, please engage in a professional conversation with our team.   Read the full article

[users345]

Are you looking for best SS Handrails with Tempered Glass & Doors?

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[digvijaymetals]

Stainless Steel Decorative Profile

[niket11]

Stainless Steel Decorative Sheets Stockists

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Regular size1000*2000mm, 1219*2438mm

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A rich color and good sense of beauty

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Interior and Exterior Decoration

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[studiesinconnoisseurship]

Hidden by Masolino

School photos, those wide-angle records of all the staff and pupils in a year, sometimes include a child who is partly concealed by another and consequently harder to identify. Similarly, in the long conspectus of artists at a given time, there are places where one partly conceals another. The collegiate church at Castiglione d’Olona, to the north-west of Milan, is such a place. To Renaissance specialists it is well known for having been frescoed in the 1430s by Masolino, the painter who had earlier worked alongside Masaccio in the Brancacci Chapel of the Carmine church at Florence. However, there was another artist decorating the walls at Castiglione d’Olona. I doubt that anyone knows his name, but I will devote this Shorter Notice to bringing him out from behind Masolino because I think he was the better artist and certainly the more modern in the context of his time.

Collegiate Church at Castiglione Olona, Lombardy, Italy

As I have said in my Studies on Masaccio, Masolino was in many ways a late Medieval artist trying to adapt to the new art that was sweeping through Florence in the latter part of his career. This other artist is no Masaccio, but he seems much more confident of his powers within that developing trend. He was also the creator of a rather memorable cast of characters rendered on stage in painted scenes and studied close-up in beautiful line drawings. I regret that I do not possess enough images to adequately represent his work at Castiglione d’Olona – a consequence of Masolino hogging the attention of scholars and therefore publishers and photographers – but there are enough to at least make clear that the artist he eclipses is worth looking at.

Frescoes on the ceiling at Castiglione d’Olona, Above: the more colourful of which are by Masolino and, Below: Monochrome images of the lower frescoes, which were painted by this other artist

The principal scenes are from the life of two early Christian martyrs, Saint Stephen who died in the First Century, and Saint Lawrence, martyred at Rome in 258. We can begin with the Trial (disputa) of Saint Stephen, a scene in which the Saint, looking to our right, stands like a preacher in a pulpit, but a pulpit that, as he was denounced by Jews as a blasphemer and had to defend himself, is also a dock. To left and right of him are his denouncers. Behind him we see an arcaded church interior, the columns given leafy capitals.

The scene is poorly preserved, but one feature of it is still clear, and that is the artist’s draughtsmanship, his drawing with a brush. This sets him apart from Masolino: drapery folds in Masolino are not represented as lines, but they very clearly are in this and all the other scenes depicted by the artist we are considering.

Left to Right: Tuscan Man, Albertina Museum, Vienna ; Head of a Man (attrib Uccello), Ashmolean Musuem, Oxford ; Man in Profile (attrib Uccello) Louvre, Paris

Fortunately there are drawings plausibly by him which attest to his skill as a draughtsman. Four are at the Albertina in Vienna, one is at the Ashmolean Museum in Oxford, another in the Louvre. One of the four at Vienna is a portrait of the Prior of a Florentine church, SS Michele e Gaetano. Interestingly, the head, drawn in pen and ink, has a brownish wash and is set against a backdrop described as ‘shaded with red chalk’. All have remained assignable only to the ‘Tuscan School. first half of the fifteenth century’, but I want to assign them to this artist. With a delicate but assured hand he draws the profiles of men with aquiline noses, ‘crows’foot’ creases about the eye, incisive lips and jutting chins The Oxford one is partly colour-washed, but not in a way that detracts from the linear elegance and purity of the image.It should be compared with the profile of the Emperor Decius pointing his accusing finger at Saint Lawrence.

Left to Right: Portrait of a Young Man (attrib Uccello) Musée des Beaux-Arts, Chambéry ; Head of a Man, Albertina, Vienna ; Young Man in a Scarlet Turban (attrib Masaccio), Isabella Gardner Museum, Boston

At the Musée des Beaux-Arts de Chambéry in France is a profile portrait of a Young Man, attributed by some to Uccello, by others to Masaccio. This also I want to claim for our artist. It has his linear clarity all over it ( perhaps a little too markedly in the eyebrows), and that purity of line is manifest in a drawing in the Albertina at Vienna which may not be a study for the Chambéry painting, or even be of the same young man, but definitely exhibits the style and demonstrates, I suggest, a refinement of sensibility the more evident when the painting is juxtaposed with a similar painted portrait from the Isabella Gardner Museum in Boston, quite likely Masolino’s work but in any case careless and clumsy by comparison.

Left: Madonna of Humility, Alte Pinakothek, Munich and Right: Madonna and Child, Kunsthalle, Bremen (both attrib Masolino)

A second characteristic of the Chambéry picture is its palette. This has a nut-brown, autumnal warmth to it which we can pick up on elsewhere, for instance in the Madonna and Child at the Alte Pinakothek at Munich where a similar tawny gold appears in the dress of the Virgin under her blue robe. This very attractive painting has often been assigned to Masolino, but juxtapose it with Masolino’s Bremen Madonna (at the Kunsthalle in Bremen) and it is clear that a quite different hand is at work – the hand, I am sure, that is responsible for the Chambéry and other pictures we are considering.The lack of colour reproductions of our artist’s work at Castiglione d’Olona is regrettable, but beneath one that shows Masolino’s Nativity we catch the top of the Saint Lawrence before the Emperor Decius and can see at once how much deeper and browner the palette is, when compared with Masolino’s pastel one of pale yellows and pinks.

In this image from Castiglione d’Olona we can see a change in colour palette between the upper frescoes and those below

On the subject of the brown palette, there is a fresco in Santa Maria Maggiore in Florence of Christ alone on the Cross; here the figure of Christ is modelled in pale brown, the Cross is brown (with a darker brown grain), the plain background is dark blue over brown, and the decorative border, arched at the top, is white over brown. A fine drawing for a crucified Christ (ex Coll. N. Colville, whereabouts unknown) appears to be a study for something similar.

Left: Fresco at Santa Maggiore, Florence and Right: drawing, possibly a study for a similar fresco, whereabouts unknown

That same nut-brown colour of the Chambéry picture recurs in the background of a Madonna and Child flanked by two Angels in the Augustinian church of Santo Stefano at Empoli. The angels with their multicoloured wings are sisters, as it were, to those of the Madonna at Munich. The blue robe of the Madonna in the latter work falls like a cascade of water from the hood round Her face down into more and more complicated folds that are lovely to look at but leave one wondering where Her right knee and leg actually are.The rhythms here are essentially Gothic, as in , say, Gentile da Fabriano.At Empoli the artist has moved forward from such Gothic indulgence and the forms are more solid and suggestive of a later date.

Madonna and Child with two Angels, Augustinian church of Santo Stefano, Empoli

Three works that perhaps antedate the Munich picture are a damaged, much-weathered tabernacle in Piazza Santa Maria Novella in Florence – another Mother and Child, with four Saints –  a fresco fragment of an Apostle from Santa Maria del Carmine in Morrocco, Italy, and the delightful picture in the London National Gallery of Saint Dorothy holding the hand of a boy Christ. The complication in the drapery of Dorothy’s outer robe is reminiscent of what we find in the Munich Madonna. Close in style is a panel of unknown whereabouts showing Mary enthroned with the Child holding a scroll, the two of them flanked by John the Baptist and another Saint, with a vase of flowers between them By contrast all is more straightforward and more solid in yet another Madonna and Child that was sold by Drouot in Paris in 1927.

Clockwise from Top Left: St Dorothy, National Gallery, London ; Tabernacle in Piazza Santa Maria Novella, Florence ; Frescoe fragment, Santa Maria del Carmine, Florence ; Two panels of unknown origin depicting the Madonna

One more Mother and Child picture, a Madonna of Humility at the Fitzwilliam Museum in Cambridge, belongs somewhere in the series, but it is, apparently, both unfinished and much altered.The artist’s linear delicacy, in treatment of hair and drapery folds, is eloquent in spite of the condition and strange colouring.

Madonna of Humility, Fitzwilliam Museum, Cambridge

All the above items – illustrations 15 to 21- can be taken to represent, in respect of Castiglione d’Olona, an earlier, Florentine phase of the artist’s career. We can begin to move it on by considering first a Figure of Christ with hands crossed over His breast, now at Minneapolis. This has much in common with the Munich Madonna but the modelling of Christ’s face links it also to an unusual panel in the Uffizi that memorialises three painters of the Gaddi family, Taddeo, Zenobi and Angelo.The profiled head of Angelo, on our right, is a strong reminder of the Chambery Portrait of a Young Man, the associated Albertina drawing, and some of the young male  heads in the fresco scenes at Castiglione d’Olona. One begins to recognise the type: clear eyebrows, a sharpish nose, tightly closed lips, and a definite chin. This is what we find also in the Ashmolean and Vienna drawings mentioned earlier.

Facial features in a portrait of Christ, above, are reminiscent of those found in a protrait of the Gaddi family at the Uffizi Gallery, Florece, below

Top and Bottom: Frescoes from Castiglione d’Olona ; Centre from Left: Tuscan Man, Portrait of a Young Man, Head of a Man, as before

To summarise: this artist, like Masolino, begins in the late Gothic style but appears throughout to be the better draughtsman, as evinced by the pure-line drawings and by the drawn nature of his work as both painter of panels and decorator in fresco. This superior competence allows him to delineate heads (often in profile) and whole figures with a sensitive precision and a sharper suggestion of character. Once seen, the Ashmolean Man with Aquiline Nose is not easily forgotten. I make no claims for the artist being any kind of undiscovered genius, but I find it pleasing if connoisseurship can bring out of the shadows someone whose work is worth reassembling in so far as that is possible, given the lottery of survival and the conflicted world of attribution. It remains to hope that some photographer will soon supply a better record, in colour, of the frescoes this nameless artist contributed to the decoration of the church at Castiglione d’Olona, and thereby give more prominence to one of the more interesting contemporaries of Masaccio in that early fifteenth century period of revolutionary change.