#SING THE PAPERS

[cpyclopse]

Navajo Miku!

I'm mixed so we gotta represent both sides:)

I love saying "miku, miku, ooohweeeoooh" idek what that song is called but it's on loop in my mind

This is peak Americana

[My art]

[shrimpwizards]

i can be your angle or you devil...

[yourlocalnameless]

LORDDDDDD HAVE MERCY 😍😍

WE MUST STAY FOCUSED BROTHERS WE.MUST.STAY.FOCUSED.

🩵Octobella fanart🩵

Actually my first time drawing her, and it was kinda hard...😅

Btw she is still so pretty and I love this character!

[starboysbrainrot]

the lovers.

or, a jetko fan art inspired by the tarot card “the lovers”. first one represents the upright card, second one represents the reversed card.

[quentinfiletmignon]

» THERE ARE SOME THINGS YOU JUST CAN'T EXPLAIN «

PAUL LANDERS & RICHARD Z. KRUSPE • RAMMSTEIN

A4 • STABILO point 88 liners

[bandsandwristbands]

AU where everything is exactly the same but the sand sibs have a punk band together. Now accepting band name suggestions. My partner said Tanuki! (TNK!)

[inspectorcosmo]

comfort character bingo moment

[minkx3]

hyenas and sea slugs

[wizardofpalmsprings]

Culinary Crimes and the Mystery of the Big Mouth Billy Bass

[shortnotsweet]

In a Week by Hozier ft. Karen Cowley

“The raven is death, obviously. When I die, I want a good tombstone—something right spooky. LT’s got something against the underground, though you’d think that would be just his kind of place. That’s alright. He needs to, he can cremate me. It’s not exactly Catholic, and Mam would turn in her grave, but God is a unicorn and no one is pure anymore, so. What’s all that got to do with me?”

Johnny “Soap” McTavish has a journal. Had. It is his no longer.

Simon “Ghost” Riley had dreams—awful ones, the kind that sank claws into his lungs, dragged him into sleep, and then sent him careening out of it. He still has dreams, but they’re different, now. Better. Johnny’s pages have folded themselves under his eyes and gotten into his head, brighter and more infectious than anything else has ever been. It’s more than the past, that rotting carcass behind him, and more than now. Now is nothing. Now is ash. It’s like, it’s like—blinding, is what it is. He’s a blind man.

It is biblical now. Ghost has read it backward and forward and sideways and inside out. When he runs out of things to read, he reads them again, and when that is not enough, he reads between the lines.

[prodogg]

She’s baby, my pookie, my poor little meow meow, my blorbo and my beloved mochi muncher.

[calamitoustide]

singer Regulus and music producer James who makes it his mission to someday make Regulus write a love song with him (he didn't think it would be for him but that's a big bonus)

[adriancatrin]

classic tea shop au

[solarsyrup]

gonna sound cheesy but honestly the best part of the ttyd remake is just seeing all the people try the game out for the first time, reminds me of playing it for the first time on gamecube forever ago and having just as much fun

[tavolgisvist]

Hold Me Tight

‘Hold Me Tight’ was an early Lennon-McCartney original, written at the latter’s home in Forthlin Road, Liverpool, and featured in The Beatles’ live set from 1961 to 1963.

Another Lennon and McCartney song that became part of their Cavern repertoire was ‘Hold Me Tight’, a McCartney number that Paul and John worked on together. It was written in Forthlin Road, but not recorded until the With the Beatles album. PAUL: When we first started it was all singles and we were always trying to write singles. That's why you get lots of these 2 minute 30 seconds songs; they all came out the same length. ‘Hold Me Tight’ was a failed attempt at a single which then became an acceptable album filler.

(Paul McCartney, Many Years From Now by Barry Miles)

Monday I I February 1963 Studio Two, EMI Studios, London: From 7.30 to 10.45 pm: 13 takes of 'Hold Me Tight' (this song would remain unreleased until a re-make recorded on 12 September 1963 was included on the group's second album With The Beatles)… … Thursday 12 September 1963 Studio Two, EMI Studios, London: The recordings were made between 2.30 and 6.30 pm along with ten takes of a re-make of `Hold Me Tight', first attempted for Please Please Me on 11 February but completed more successfully this time around. (The Complete Beatles Chronicle by Mark Lewisohn, 1992)

One the followinf afternoon, September 18, I returned to Montagu Square. Yoko opened the front door and led me into the living room where I observed John walking aimlessly around the room as if in a kind of daydream, half humming and half singing The Beatles' "Hold Me Tight" as if to the air ("Tell me I'm the only one and then I might never be the lonely one")

(17 + 18 September 1968, Montagu Square in Days that I'll remember: Spending Time with John Lennon and Yoko Ono by Jonathan Cott, 2013)

That was Paul’s. Maybe I stuck some bits in there – I don’t remember. It was a pretty poor song and I was never really interested in it either way.

(John Lennon, 1980, All We Are Saying by David Sheff)

It feels so right now, hold me tight, Tell me I'm the only one, And then I might, Never be the lonely one. So hold me tight, to-night, to-night, It's you, you you you, oh, oh, oh, oh. Hold me tight, Let me go on loving you, To-night to-night, Making love to only you, … Don't know what it means to hold you tight, Being here alone tonight with you, It feels so right now.

(Hold Me Tight, With the Beatles,1963)

ML: What about 'Hold Me Tight'? You tried that for the Please Please Me LP but it didn't work out. PM: I can't remember much about that one. Certain songs were just 'work' songs, you haven't got much memory of them. That's one of them. ML: I suppose that when you've had about 500 compositions published you can't remember then all. PM: That's what I mean. I remember the name of the tune. Some of them … I wouldn't call them fillers but they were 'work' songs. You just knew that you had a song that would work, a good melody. 'Hold Me Tight' never really had that much of an effect on me. It was a bit Shirelles.

(Paul McCartney, The Complete Beatles Recording Sessions by Mark Lewisohn, 1988)

I've waited all my life for you Hold me tight Take care of me and I'll be right Hold me tight, hold me tight Hold me tight, hugga me right Hold me tight, squeeza me tight Hold me tight, hugga me right Hold me tight, hold me tight, hold me tight You won't be going out tonight Candlelight Make love to me and make it right Hold me tight, hold me tight...

(Hold Me Tight, Red Rose Speedway, 1973)