#SHOULD I CONTINUE THIS? TURN IT INTO AN ACTUAL STORY?

[chevelleneech]

I love the show for the lack of plot, tbh. I think around episode four or five I felt like it was getting bland, but that’s mainly because I didn’t think they’d actually follow through with Ody3. Granted all we got was a threesome at the moment, but I’m a little more optimistic, so I can see that being a better way to have the stories of the guests continue to flow into Max, Avery, and Tristan. I also think they should continue bringing in more of the crew we currently know, because I like all the actors so far.

Aside from that, I don’t think the show needs huge plots every season like 9-1-1, which I think turned people away initially. It almost made me not bother, because the trailers made me think they were going to go for a s7 opening cruise arc sort of drawn out series, but it’s not. The s7 arc was way more serious, whereas DO is sort of weightless. It’s almost more like a soap opera than a drama, which I’m enjoying so much.

I hope they don’t kill anyone off, but I do also like the idea of the show being in Max’s head for real. Yes, that’s an unconfirmed fandom theory, but how good would it be? Max still in a coma and living a life he’s always dreamt of? Doing what he loves as a doctor, finding love at the same time with two people he also has fun with?

Idk, I feel like this show has a lot of potential so long as they keep it fun. Once they start trying to make it serious or make the medical emergencies realistic, it’ll lose its light. I’m not watching this to see how cruise line first responders deal with a crisis. What grabbed me is the cast chemistry and the characters themselves, which is just as good as a procedural drama that wants to tell a fleshed out story through its characters and setting.

Doctor Odyssey is a show that is fun and quite unrealistic, but it’s comforting because the characters are enjoyable above all else. And they also have very solid weekly stories. 1x06 was very well acted, and even though only three medical professionals exist on the ship, and the captain is almost too comically devoted to his job… it works. It’s not Law & Order, it’s not Grey’s Anatomy. It’s a show that’s kind of a tv writers dream gig. A set cast, a set location, and free rein to write whatever plot and chaos you want.

Tbh, it’s almost like the show Bones. That show had serious moments and was a bit more grounded than Doctor Odyssey, but it still had a lot of fun with itself. It had whimsical episodes and even crossed over with the show Sleepy Hollow (a fantasy about the Headless Horseman), despite being a crime/medical drama itself. DO can be that. It’s a show that can decide to port in LA and crossover with 9-1-1, with Grey’s in Seattle, and can even dabble in fantasy if it wants by simply saying the crew was drugged by someone smuggling something aboard.

There is just so much space for this show to stretch its legs, but it has to be given the chance by the network.

people on reddit complaining about the plot (or lack thereof) in doctor odyssey… how do i break it to them that no one is watching that show for the damn plot! we’re here to see if those hot doctor and nurses get a bit challengers with it!

[lostintransist]

I can't keep doing this to myself...

My brain spit out an idea at me that I don't want to lose so you get to suffer with me under the weight of this idea until I have the time space energy ADHD hyperfocus to start on it.

This is not edited. Goal is to get the thought out of my head, not to make it perfect.

So imagine for me if you will that in some version of the stories for whatever reason I can bullshit into making sense Simon is selected to undergo a new and experimental form of trauma therapy. Used she/her here but when I write it pronouns will be you/yours

He hates it but orders are orders and after losing Johnny (his best mate, his lover, the other half of his soul) he would do just about anything to crawl from under the weight of the grief and guilt. Accepting the assignment means being put under sedation regularly for anywhere from six months to a year. During the sedation your active mind will remian awake and will begin to interact with a simulation that will help deal with the traumas exisiting in his body and mind.

Simon, not 100% on board, accepts the assignment but when he wakes up in some of his worst memorires ignores the woman following him from scene to scene, offering help. Every time he cowers as a child she offers a hand. Each time he bites back the fear flooding his system on a battlefield she offers to take the bullet instead.

For months he ignores her, trying to defeat his demons on his own. This was his mind and his body dammit, he could do this.

She stops offering help but doesn't leave. Trailing behind him in his memories Simon always finds flowers strewn in his footsteps. He never bothered to learn her name. When her laughter starts to haunt his dreams he watches her instead of his memories.

Whoever had programed this simulation had taken great care in creating a realistic interaction point. She makes ugly faces before she sneezes in the barns he has hid in, always complains about hayfever. Her ring finger on her right had been broken before, he can tell from the slight bend between the second and third knuckle. Every time he entered the simulation she wore something different, sometimes tugging on pants as if they wouldn't stay up.

"What should I call you?"

"Mmm?" She looks up from a book she had pulled down from a shelf in a dilapidated kitchen. "Oh, I'm not real so you can call me whatever you want."

He stared at her, frustrations mounting.

"Back to the silent treatment? Okay, this recipe looks actually really yummy," she turns to look back to the book.

Simon stalks up and snatches it from her hands. There is actually handwritten recipes. For some reason this makes Simon's rage double. How? How could this be real? He never opened a book in this kitchen. All that happened here was patching his wounds while waiting for exfil.

Their pattern continues like that until his brain finally spits out Johnny's death. He had been so, so careful to never let that memory come up. When it does Simon is so blindsided that when she offers to help he finally accepts.

Not knowing what to expect from this interaction did not prevent Simon from being surprised at how she handled it. She started to hum as she froze the memory, touching and moving pieces and people until everything had rewound a few moments.

"You have to sit it in, this pain. Talk to him. Tell him everything you didn't get a chance to. The longer you can sit in the agony the sooner it will find peace." She takes him by the hand and pulls him to his love.

Simon cries, like the young boy who needed safety and only found hate or indifference. Through blubbering sobs he tells Johnny every word he regretted hording. When Johnny hugs him back, mouth moving and voice saying things Simon had only dreamed of he found a semblenece of peace.

When his heartrate returns to normal and the only proof this interaction happened is the hollow space in his chest where Johnny will continue to exist his compaion steps back from Johnny, appearing as if from the dust.

"I think that is enough today. You did good." Turning on her heel she walks away, disappearing into the folds between memories.

Simon had never seen her leave before, he always ended the sessions before she had a chance.

He lets her help then, this nameless woman. They conquer every memory and the vaguest notions of memories that bother him. This intensive work paired with his weekly therapy leaves his with the skills to deal with the nightmares, the PTSD, and the trauma that still manifests from time to time.

Can one fall in love with a figment of imagintion? Simon thinks he might have. The final session he confesses, brushing his lips against hers as she sobs.

"But I'm not real. Simon, you can't love me I'm not real."

"Johnny's not real either anymore. I still love him. I'll keep you in my bones next to him, both of you keeping me safe."

She runs then, between memories and fears until she disappears and ends the sesion.

Simon, upon requesting more sessions, is informed that he has completed the program and all his care is being turned over to the non-intensive team that his therapist is a part of. Oh she shouldn't have argued with him or cut off their sessions. Now he knows she is real, the woman the knocked around his brain and fought back the demons for him.

Now all he had to do? Find her.

For anything I am currently working on check out my masterlist. This is getting dropped into my drabbles for later.

[intrepidacious]

❤️ a good time!

tat!bucky’s favorite (or least favorite) thing about twelve

… why not both?

cause and effect

chapter summary: How Bucky fell in love with Twelve: Slowly, and then all at once.

pairing: bucky barnes x time witch!reader

word count: 1.8k

warnings: light angst and negative self talk (this is bucky y'all); some light pining 🤭please note that my blog is rated 18+. minors dni. ageless/empty blogs will be blocked without warning.

a/n: i've literally had this one in my drafts for about two years and i hadn't actually planned on posting it for a while yet but i did promise distractions. and i missed him. i always do.

this is part of the time after time universe but can be read as a teaser and/or a standalone 💚

Bucky’s relationship with time has been fractured ever since a cold day in January that stole away the life he was headed towards and turned him into the monster underneath a child’s bed.

It’s hard to feel good about the concept of time travel once a lot of your own time has been taken away from you. Even now, there’s only so many things in his life he has control over; like the fact that he’s actively choosing to go back to therapy now, or that he’s able to keep a pet for the first time since he was thirteen years old. Stupid little things, like what kind of food he wants for lunch or whether he should take the stairs or the elevator.

Every single one of these things he’s fought for tooth and nail, clawing his way out of the past and carving out his own space in reality again, struggling, trying, hanging on like he wasn’t able to all those decades ago.

He’s probably still failing.

Some days, clinging to the present is tense and brings him nothing but grief. Sometimes, it feels like he’s going to have to mourn the past forever, whatever might have been; and maybe that’s his sentence.

He wouldn’t have wished it on anyone. He deserves worse.

And then there’s you.

Flickering in and out of time, constantly moving, changing in the time it takes him to blink.

It’s infuriating to him, the way you get to use your powers. The way you don’t need to think about consequences, because they don’t have to be permanent, don’t have to be something you need to live with for the rest of your life. To you, time has always been something that can be changed with a single snap of your fingers. Whatever you do can just as easily be undone.

Once you decide you’ve seen enough, you can just take the scene from the top.

And you’re so stubborn.

You’ve already seen how this goes on if you let it, and so you’re always right, end of story. There’s an ease to your steps because of it, a nonchalance in every movement, and it makes Bucky’s blood boil to see it so plainly.

With all the good that you could do, you choose to do nothing instead; to stay out of the picture entirely and burn through your powers just because you can, wasting them all on things that don’t mean anything.

How many lives could you potentially save?

Instead, you consume disturbing amounts of caffeine and then continue to provide running commentary to the world around you based on things that, to him, never happen at all. "Do this", "don’t do that", "take the other one", or, his absolute favorite, "don’t make me fix that".

Why not? he wants to ask, say, demand. Why not fix all of it?

It takes a while for him to realize that all of your fire means you’re burning from both ends. In fact, it takes Becca.

"You should bring her by sometime," she tells him on a rainy afternoon. "While I’m still alive and kicking."

His little sister just turned ninety-eight. Her kitchen sideboard is filled with black-and-white pictures reminding him of all the things in her life that he missed, arranged in perfect little wooden frames.

"And why would I do that?" Bucky asks, scowling at his cards.

"Because you keep mentioning her," Rebecca says dryly and whisks the cards onto her pile with quick fingers.

"You gotta be kidding me," he groans, noting down her points. "And I don’t."

"Do, too. I don’t remember you being this terrible at this game."

"Because I haven’t caught you when you’re cheating."

"Exactly. It’s embarrassing." She wins the next trick, too. "How’s Tuesday?"

"Am I clairvoyant now?"

"I was thinking lunch."

"No." Finally, he gets a couple of points down. When he glances up at his sister again, she’s looking at him expectantly and he sighs. "What?"

"You can’t fault me for being curious," she says. She has just as many opinions as she did when she was sixteen. Her eyes are still the same, too, the same shade of blue as his and the same glimmer of archness as their mother.

"Don’t you think it’s weird?" Bucky says, finally giving in. "The whole … time thing?"

"I think it’s very weird, but so’s you returning from the dead and kvetching about it." Her eyes narrow when he starts to protest. His mouth closes again. "Besides," she continues, shuffling her hand around, "it doesn’t sound all that fun."

"To have the power to never make mistakes?"

"To have to live through every mistake twice without anyone knowing."

Something about her words strikes him like a match, and so he tilts his head and squints at her and thinks that maybe, just maybe, he’s got it wrong.

That you carry not only your past, but all the futures you’ve seen that never came to be; all the what ifs having turned into answers.

And he thinks, how nice. And then he thinks, how horrifying.

It’s a thought that follows him over the next couple of weeks, and it starts reframing your interactions for him, in a way.

"Will you stop staring at me," you say without looking up from your book.

Honestly, he can’t. He’s still trying to pick up on it, the split second between before and after, that little change of your posture, your hair, your face, that tells him more time has passed for you than it has for him.

It’s more of a feeling than anything else, something right at the back of his mind telling him that something is different if he concentrates on it enough, but he’s never sure what it is. And he doesn’t like that; not one bit.

So Bucky crosses his arms and leans back. "Why?"

A flash of irritation makes your nose twitch, even though you still refuse to meet his eye.

"It’s rude, for one."

"Noted." He waits for the two that never comes. "Anything else?"

And there it is. A blink-and-you-miss-it kind of moment, like the air shifting around you ever so slightly, a certain knowing glint in your eyes when you roll them and get up.

"Annoying!"

He can’t help it. He wonders what your original answer was.

***

Bucky’s relationship with time changes slowly, the deepest cuts carefully mending themselves until looking back doesn’t feel like getting his bones ripped apart anymore, until he looks at you on a cold day in January and realizes he’s fucked.

At first, he hopes that it might be a fluke. A trick of the light, maybe, or seasonal allergies. That’s the reason why his eyes are drawn to your face as soon as he enters a room; the closest source of discomfort always the thing he seeks out first. That’s the reason why his chest constricts like that.

But the truth is, he knows this feeling has been building slowly; he’s just been unwilling to admit it.

Something soft and delicate has started to nestle in that gaping hole inside his chest, unbothered by the walls he’s so carefully built up.

He’d never planned on you.

Fuck, if he’d known in the beginning, he might’ve …

No, he thinks. He wouldn’t have changed anything.

Because you’re too good for him, anyway, and he knows it. Smart and strong and funny and gorgeous and capable of things he’s not sure he’ll ever fully comprehend; and it’s worse than that, because he knows you now.

You’re grouchy in the mornings and you make terrible jokes when you’re nervous and you have a strange feud with his cat and your smile makes him want to put his fist through the wall because what is he supposed to do with any of this?

He’s not made for this dance anymore. That part was taken from him so long ago, and he’s delusional to think that anything or anyone could return it to him after all the bridges he’d been made to cross and burn. Why would someone like him deserve to be given tenderness anymore in this life? Why would anyone want to try?

But that foolish thing blooming inside him feels a lot like hope, despite of what he keeps telling himself.

There’s just something about you that keeps pulling him in, and honestly, he’s tired of fighting it. Then again, the thought of you feeling the same is nothing short of ridiculous.

He’s not the same guy as he used to be. Hell, sometimes he’ll look at old photographs and barely recognize himself.

He remembers life before, and maybe that’s what makes this so hard. He remembers talking to pretty girls, their bright smiles, their soft skin underneath his hands. Good times were easy to come by, even though life was hard in a different way, then. But he was good at it; acting on his feelings alone used to be simple, fun, second-nature almost.

It’s different now.

It used to be different only once before, and look where that’s gotten him.

No, he can’t say anything. Not ever; or not yet, at any rate.

Sometimes, though, Bucky lies awake at night and listens to the rain knocking against his window, and he remembers how much easier falling asleep used to be when he had someone next to him and his mattress didn’t swallow him alive.

He’ll remember the dark circles under your eyes and wish it could be as easy as asking, too. He wonders if there’s a universe you remember where he tries, but he doubts it.

These days, he knows his mind again. And it’s not a burden he wants to share.

You have enough to carry on your own.

Maybe, he thinks as he stares up at the ceiling at three in the morning, maybe there’s still a certain comfort in your powers, in knowing all the possibilities, but it also means constantly losing something that’s real; always mourning the life that isn’t.

He can relate to that.

And maybe that means you can relate to him, too, at least a little bit.

It’s odd, how comforting that last little thought is to him.

When he does eventually fall asleep, you make your way into his dreams, too, sometimes. Those times are the worst.

You’re you, and he’s him, and there’s a sort of "us" in the both of you that doesn’t exist in real life. So when you let him lace his fingers with yours and press your lips to his forehead and it feels easy, that’s usually the point when he wakes up, heart tumbling over itself, right hand tracing the ghost of your touch, always too much, never enough.

He knows it’s not real.

He knows it’s just an indulgence; selfish, really.

The problem is that whatever small hope has decided to settle in his very core is impossible to kill, no matter how much he pushes it down; and he’s not sure he wants to lose it again.

Secretly, silently, serendipitously, you make him have faith in the future again.

But it’s not time for it yet.

if you want to read more about these two (plus a lot of time related shenanigans), read the main series here. or check out the rest of my bucky fics, that's also an option 💚 i don't do tag lists but you can follow @intrepidacious-fics for update notifications

[greenduvet]

flowers she gave him pt. 1

A/N: Hi loves!! So excited to finally share this story that has been brewing in my head for what feels like forever. I haven’t posted any of my writing publicly for years! So this is a big step for me, and I just couldn’t keep these thoughts to myself any longer. I want to say the biggest thank you to @luiscarrutherss and @galarian-weezing-on-prep for not only reading the early draft but making me feel excited to write and share my story. Also my girlfriend for helping me edit and watching succession. This will be a friends to lovers slow burn, so if that’s your jam like mine stick around! Anyways, enjoy mwah!

The floor was silent. Most people had gone home hours ago, the lights off in most offices. It was always so odd this time of night — looking out over all the different worlds happening just below, life continued on so vividly yet it felt so stiff and halted here.

It wasn’t the plan to have been here this late. Really he should have picked you up hours ago, the dinner reservation that had been made earlier this week now way past check in.

The reservation was Roman’s idea. Maybe a poor attempt at an apology, the only way a Roy knew how to apologize — dance around it yet never letting it fully resolve. You were used to it by now, a lifetime of Roman had made you well familiar. Yet this time felt different. Roman for once in his life was being distant, independent. He would blame it on work, family, stress, but you knew him better than that.

Tearing your eyes from the window, you look at your phone. Still nothing from Roman, not even a heads up that he would be an hour late to the aforementioned reservation. The thought of sending another ignored text filled you with a sense of irritation. Why wait here when you could see him face to face?

Without a second thought you haphazardly throw your things into your bag, muttering softly to yourself. The lights of your borderline clinical office flick off as you shut the door.

The way to Romans office was nearly tattooed in your brain from years of walking back and forth. Though your office was just down the hall, tonight it felt like a dreadful journey into unfamiliar territory. This wasn't how the night was supposed to go.

Turning the corner you could see him through the thick glass walls. He was staring at his computer, full attention to whatever was on the screen. You swear you had never seen him work so hard in his life… or at least pretend to work this hard. With a soft sigh, you walk into the office and stop in front of his desk, his eyes not once glancing from the screen.

“Late night?” The tone of your voice is dry, maybe a bit sarcastic. You weren’t used to this Roman, the detached, focused type. He had always been clingy, willing to throw his work down as soon as you had walked in.

Even standing directly in front of him, his eyes still never move from the screen. Moving his free hand from the desk to run through his already tousled hair, he hums softly, not bothering to give a full response.

Another sigh leaves your mouth and you turn to take a seat on the piece of foam covered in velvet they called a couch, there more for decor than actual comfort.

~~~

While your back is turned, Roman’s eyes glance quickly to you. The perfect image of a long day, he watched as you slowly dropped your bag without a thought. The whole day he had fought the urge to text you and watched the minutes tick past the planned reservation. He didn’t understand why he was doing this, pushing you away and trying to hurt you. Yet he felt like he was the only one hurting here.

As quick as his eyes lingered on you they were back on the screen, looking at the same report sheet he had been rereading for over an hour now. The sight of you settling on the couch out of the corner of his eye made his brows furrow softly. Why was he doing this again?

“Uh, ya know, Dad had me do some stuff.” He mumbles softly in response, his voice high in octave and almost tense. God, he didn’t even believe himself. He rips the hand in his hair down and begins to rapidly type something on the computer, trying his best to sell his stupid ‘busy’ act. You weren’t buying it, but it was unspoken that you and Roman never really did feelings — maybe that's why you were still so close.

~~~

Sighing, you pull your phone out and slip off the uncomfortable shoes you were wearing. It seems like Roman won’t be finished anytime soon, so neither will you.

The two of you work in a tense but comfortable silence, you clearing old emails and roman rapidly slamming keys. It was routine, though it didn’t keep you from noticing that what was once so familiar was now slowly changing. The silence still comfortable, yet more deafening than before.

“We had a reservation for tonight, did you forget?” Your voice breaks the silence, addressing the elephant in the room. Panning your view to roman, you can tell the question makes him squirm. The vein on his forehead bulged, his eyes widening ever so slightly at the screen.

You wait to hear some poor excuse, something around how it wasn’t his fault or to fuck off… but it never comes. Roman just continues to slam on the keys, the discomfort only growing on his face.

Sitting up, you nearly roll your eyes for what feels like the hundredth time of the night. You didn’t have time to waste sitting twiddling your thumbs to expect a coherent response from Roman when he obviously wasn't interested in giving you one. Slipping on your tight shoes, you grab your bag and rise wordlessly.

You look at Roman, hoping for something. For him to look at you, acknowledge that you were here for him. His eyes remained glued to the screen, though it seems like there is a deeply rooted panic there. 5...10…30 seconds go by and he does nothing.

The voice in your head repeating a mantra of fuck this over and over finally wins, and you turn to the door to leave. Though it hurt, you were tired of this back and forth. That, and your bed sounded much more appealing than the stone couch.

~~~

The second you leave Romans office, his eyes tear from the screen to your disappearing figure. The feeling of panic that had been bubbling in his chest all week started to explode into a deeper fear — you were walking away. He knew he deserved it, but still — what the fuck? Part of him thinks to leave you be and ignore your texts again, but his heart is screaming at him to follow you, chase after you and stop pushing you away like he had been for weeks.

He rises from his desk, leaving his computer unlocked and hastily makes it over to where you’d gone off to.

~~~

It feels like the elevator is taking forever on purpose. Maybe to taunt you for waiting for Roman, or maybe because deep down you had hoped he would come after you. Still, you waited for the doors to open so you could forget about today and the weird feeling in your chest at your best friend ignoring you. Why did it feel like you might actually lose him this time? Roman had seen you through your worst, and you’d seen him through his. But this dynamic was new, and didn’t feel like something you could recover from.

Finally, the high pitched ding breaks you from your thoughts, the doors sliding open to the luxury elevator awaiting you. Stepping in, you scan your badge and wait to be taken to ground level once again. Wine sounded good tonight, lots of it.

The doors begin to close, but before they can shut a hand is shoved between them, forcing them to open. Roman. He was there, face slightly flushed. It was funny, because Roman had never been the one to chase after you originally.

~~~

The sun felt hot – almost scorching. It was the end of June and finally it was starting to feel like summer in the hamptons. The backyard seemed to stretch on forever and was decked in long tables covered in lavish meals. This was a yearly event Logan held for his “partners” and their families — It was for the people who knew where the bodies were hidden. The whole ‘get away’ was to keep them close.

Though the event was mostly filled with adults, a few children were scattered around. A boy almost in his older teens, one a few years younger doing his best to fit in with the adults. An even younger boy with messy hair and big eyes, a young girl with fiery red hair, and lastly another girl who didn’t really fit in with the others. Yet that didn’t stop her from trying.

“Roman! Look at this – it's a worm!” You held out the stick with a worm dangling from it, the soft blue dress hanging on your tiny frame most definitely ruined. The wide grin on your face only grew as Romans eyes widened in disgust as he turned in the opposite direction. You would only start to chase after him again in response, as you had all afternoon.

This was a game between just you and Roman — you bugged, poked, nagged, and in response he would run away, gag, and ignore. For some reason your tiny brain just never got the memo that he couldn’t stand you. Things were easier back then. Innocent.

The sound of a loud bell stops you in your steps, Roman halting ahead of you. Dinner time. Placing the worm gently back to the ground you follow the children you came to know as the Roys.

The feeling of eyes on you from your parents and other bodies burnt like fire on your skin as you approached the dinner table. You hadn’t meant to dirty the dress, but running through the vast yard with the people you called “friends” had made you forget — forget that this was a performance, and that you needed to set a good example so that your family could stand out. Your mother would have words to say about this later.

Each child slid into their assigned seat at their own table away from the adult conversations happening at the other, longer table. You couldn’t help but feel a little relieved — you didn’t fully understand that whole world yet at the ripe age of 5, but you knew enough to be bored. Shiv felt the same way you did, her face more relaxed now than it had been at the sound of the ringing bell.

Roman’s seat was the one next to yours, and it was made obvious by the soft groan that left his mouth when he saw the tag of his name next to yours. Dramatically, he pulled his chair from the table, each action over dramatized and nearly throwing his body into the seat. Though the sour look didn't last long on his face as his eyes panned over to you and your dirty blue dress.

“Mommy and Daddy won’t be very happy with that, now will they?” The sour look fades from his face, a devilish grin replacing it. His tone is teasing and rude. It wasn’t anything new with Roman, though. The only attention he spared to give you was the more unpleasant kind. But it didn’t stop your obsession with trying to break him down and play with you.

You return his comment with a pout and look away from him, your hands finding themselves busy undoing the neatly folded table napkin at your place setting. Gently your fingers pull it apart, corner by corner. Finally you place it gently on your lap, your head high as you reply. “It was an accident. Maybe if you played nice, I wouldn't be messy.”

Roman was almost surprised with the response he was met with, a little smirk filled his lips. He couldn’t help but feel put in his place. He nodded to himself, taking the napkin and ripping the cloth out of its fold. Vastly different from the way you had done it with so much meaning. Maybe you weren’t as annoying as Roman thought.

The dinner was pretty tame. The children made soft conversation about various topics — the summer vacations they had planned, the extracurriculars, the movies they wanted to see. While the adults stuck to business conversation, how it always was and would be. It felt nice though, for once being around other children who somewhat understood your lifestyle. That, and it was a lot better than the company of your au pair.

After dinner, you find yourself with Shiv in the garden playing a game of fairies while running around the well maintained garden of roses. The sound of your feet against the gravel and shared giggles is all that can be heard — a pure moment of childhood innocence. Your dress slowly changed into one more brown than blue, Shiv’s own dress dirtying as well. It didn’t matter though, because for once you were just girls playing.

Logan’s booming voice rips you and Shiv from the moment. You can’t make out anything he is saying, but the both of you know it can't be good. You look to Shiv but her eyes are already on your face, wide and crystal blue. Then you hear it clear as day, the only word that mattered. Roman.

Looking around, you find a flower from one of the many bushes and pluck it gently, making sure to not damage any petals. You didn’t know Roman well yet but you knew well enough that this was normal. The sound of Logan's booming voice most times directed at him, as he seemed to always be the easiest target. Though, there was something about this time that felt worse than the others.

Without a second thought you run off, away from Shiv and the flower garden, carefully cradling the small white flower in your palm. The soft sound of sniffling guiding where to go, eventually leading you to the side of the oversized house.

There he was — sitting on the floor, knees to his chest, and a hand holding his cheek in pain. The spitting image of a kicked puppy.

This was worse than the other times.

Wordlessly you sit next to Roman, eyes not daring to look at him, but glued to the wall with ivy overgrowing. Before Roman can protest or run away, you bring the small white flower into view. A smile fills your lips before placing the flower onto his knee with all the care in the world.

That was the moment everything changed.

~~~

The elevator doors open fully and Roman steps into it with you. Your name falls from his lips as his hands comb through his hair for the umpteenth time that night. “Look– Fuck. Let’s just grab dinner, okay? There’s gotta be someplace still open and half edible around the block.”

You can tell he is trying his best to contain his expression and stay in control of the moment, but he's failing. Miserably.

His hazel eyes watery and nearly pleading, begging you to look at him and forgive him for being a total ass.

Looking him up and down, you hesitate. Maybe to make him sweat or to make him feel how you did all day, you weren’t sure.

“Wherever we go, I want hashbrowns.” You tear your eyes away from roman and click the button that would take you to the lobby. Immediately there is air in the elevator again, Roman’s pleading eyes vanishing. He always seemed to get his way with you.

[rotomartsblog]

The reason EAH is a children’s franchise is because only a child who Doesn’t Understand Things could possibly consider Royal being the right stance

[kayvsworld]

sorry to be doing mcu throwback complaints again and EXTRA sorry for it to be about cacw and aou, sorry, i just am thinking again that if marvel had. in aou. committed to letting steve rogers see that captain america graffiti calling him a fascist with his own two eyes i would have forgiven many of their subsequent deeds and crimes

[scarlettfevor]

Just watched the substance last night and gen z will literally gag over anything, that shit was ass

[leyiorr]

i can't stop looking at her t-t-t-t, FACE!

mdni.

satoru gojo is doomed.

why is he doomed, you ask? well, put bluntly, you, his girlfriend of five months, are driving him absolutely crazy.

crazy is an understatement, actually. insane, mad, mental, unhinged, deranged, bonkers - whatever you want to call it. he's holding on by a thread; the thinly woven string known as sanity growing ever weaker as the days roll by and turn into weeks.

of course, he's only blaming you. you hadn't actually done anything wrong.

you're the first relationship satoru's had in his life, and he'd be damned if some inappropriate thoughts ruin his chances with the love of his life. he'd never been happier - dating you gave him the kind of happiness he thought only existed in movies; the kind of giddiness of a child in a candy store.

he was devoted to you in every way, shape and form - you are everything he's dreamed of and more.

more.

that's right, you were more.

recently, you were the devil's temptation personified.

surprisingly, even after twenty-odd years of being one of the most attractive guys around, and having women throw themselves at him like he's some kind of greek deity, satoru is a virgin. i'll repeat that, he is a virgin. a fact that only suguru knows. a fact that he's neglected to tell his girlfriend.

he may have a flirtatious personality and the ability to charm ninety percent of the human race with one of his thousand-kilowatt smiles, but in truth, he had never dated anyone. ever. let alone got his dick in a pussy.

so when he starts wanting to go further, he's not sure how to bring it up without sounding like a horndog.

it all started when you wore a sleek black dress to one of your dates. it clung to your figure, fabric wrapping shamelessly around your every curve and tickling your midthigh at its end. and if that wasn't bad enough, it had a plunging neckline, giving the world - satoru specifically - an eyeful of the assets god gifted you with. your boobs were practically spilling out of your dress, the light catching your cleavage as you held his arm. he could feel himself salivating like some sort of perv. how was he supposed to focus with aphrodite's personal creation hanging off his arm?

his eyes began to drift to the flesh of your chest more than he'd like to admit. all sorts of r-rated scenarios ran through his head and he dared to entertain every. single. one. he could do so much with them, tease them, spit on them, pinch them, suck on them, put his dick between them-

“satoru?”

his gaze snaps back to your face at record speed. you notice how he's chewing his bottom lip, flush creeping onto his cheekbones and the tips of his ears. his hands are clammy; there's suddenly too little oxygen in his room.

“did you listen to anything i said?” your arms fold beneath your bosom and satoru almost implodes.

what do you expect him to do? the necklace around your neck has his initial on it, and it hovers over your tits almost mockingly. if it snapped, the letter would fall right between the valley of your breasts-

“satoru!”

he's choking on his saliva, apologizing profusely as he encourages you to continue your story - though he hasn't heard shit over the blood pumping loudly in his ears.

it's a battle no, a war between his rationality and his desires and he doesn't know which is winning. his rationality wins when he's around you - he just sucks in a breath and thugs it out, no matter how much his dick shouts at him. but in private, he's letting the desires win as his fists himself to the thought of you, your lips, your ass; your boobs.

the first time he sees you in a bikini he has to take a breather before he can get into a game of beach volleyball with you and the group.

(and even then he was struggling. every time you jumped for the ball the only thing he was looking at was your tits.)

he should be neutered. effective immediately.

it drags out for so long that you finally notice, and force him to talk to you about why he's avoiding you, and if you'd done anything wrong. but all you get is:

“baby, i'm so sorry- you're so pretty and i can't help myself. i didn't know how to bring up that i wanted to take our relationship to the next step, you mean the world to me and i'd hate to make you uncomfortable-” he trips and stumbles over his words-

“...is that it?”

and his eyes bug out of his head as he stares at you. weeks, months of agony over this and all you have to say is 'is that it'?

he doesn't even have chance to respond; to process your words before you're popping the top button of your blouse.

yeah, satoru gojo is doomed.

[thankskenpenders]

The Lara-Su Chronicles: Beginnings review

The day has finally come. Many, understandably, thought we'd never get here. Maybe we shouldn't have gotten here. We've been through so much. Lawsuits, reboots, redesigns, unreleased NFTs, empty legal threats over the fact that movie Knuckles has a dad, an attempt to license out Scourge the Hedgehog to fans that immediately got canceled (in both meanings of the term), and many, MANY idiotic Twitter controversies. But now, here we are.

Thirteen years after first announcing it in the middle of his legal battles with Archie and Sega that changed the American Sonic comics forever, former writer Ken Penders has released the first part of his new series: The Lara-Su Chronicles.

Yes. I had to buy the book. I had to take one for the team. Look at the fucking URL of this blog, a blog I've been using to talk about the American Sonic comics for nearly a decade while the specter of this book loomed in the distance. The one time I've actually been paid to write an article about anything in any professional capacity, it was an article about the Penders lawsuits. I'm cited on his Wikipedia page. There was no way I was going to skip reviewing this, and there was no guarantee that scans would ever turn up online given the incredibly small audience for this trash. (Only 166 people preordered this, and even that number feels way higher than it should be.) No, I had to preorder it to ensure I could get a copy and cover it for the blog... even if that meant my name would be forever immortalized in the list of "supporters" in the back of the book. These are the sacrifices I must make as a woman who stumbled ass backwards into being an amateur Archie Sonic historian.

So, what exactly is in this book? How much of it is new? How bad is it? How did we even get here in the first place? How can this exist without Sega pursuing legal action? What happens next? And, most importantly... why are there multiple depictions of an Archie Sonic character breastfeeding in this book?

I'm here to answer those questions as best I can, and in agonizing detail.

First, for those just tuning in to this decades-long saga or those who maybe don't know the full story, here's a refresher on the background info.

"What the hell is this?"

The Lara-Su Chronicles is Ken Penders' long-dreaded long-awaited continuation of his 1994-2006 run on Archie Sonic, ignoring everything written after he left by other writers like Ian Flynn. In particular, it picks up from the cliffhanger ending of the 2003-2004 arc "Mobius: 25 Years Later," which was set in what Ken considers the definitive canonical future of the series. It stars Knuckles' daughter from that future era, Lara-Su, among other new and returning characters. The project was first announced near the start of Ken's legal battle with Archie in 2011, and he's been posting WIP previews online for about a decade. Now, after all this time, a Lara-Su Chronicles book finally exists.

We'll get to the actual contents of that book in a bit.

"He can do that without getting in trouble with Sega?"

Believe it or not, yes, he can.

Thanks to the outcome of Archie Comics' woefully mismanaged lawsuits against Ken (yes, they sued him after he started filing for copyrights, not the other way around), he now has full legal ownership of every story he wrote for Archie Sonic and every character he created for the series. This was explicitly granted to him in the terms of the settlement between him and Archie (acting on behalf of Sega). He can even reprint his old Sonic material as-is to his heart's content. The main catch is just that he can't write new stories featuring Sega characters or trademarks, and his new stories also have to be distinct from Sonic at a glance to avoid confusing readers. As such, reprints can't use Sonic iconography on the cover, a few Sega characters (mainly Knuckles) have been renamed and slightly redesigned in the new stories, and the art style has been changed to less closely resemble Sonic. But otherwise, he can do whatever he wants with his own characters.

All of this is because Archie lost the original copy of Ken's work-for-hire contract that signed over the rights to his work. Without that (or any alternative that was considered permissible in court), his comics and characters are the property of their creator by default. Yes, those old comics are full of Sega stuff, but Sega doesn't automatically own the copyright for every drawing of Sonic in existence. And Sega put their stamp of approval all over those comics and let them get sold at retail for decades, even though (in the eyes of the court) there was no legal paperwork granting them ownership of any of it. It's almost like they were unwittingly distributing a fan comic for years and declaring it a fair use of their property, and now there's no takesies backsies. It's a strange and unique copyright situation. Again, they worked all this out in the settlement. And, yes, fans have long speculated that Ken stole and destroyed his own contract to regain the rights to his work, but frankly Archie was so incompetent throughout the lawsuit (it went so bad that they had to fire and replace their lawyers midway through) that I completely buy the idea of them just losing important legal documents.

Also, in case it needs to be spelled out: while Ken's a weirdo, it's ultimately a good thing for creatives everywhere that Archie lost their lawsuit against Ken. We do not want to live in a world where corporations can claim ownership of peoples' work without the contracts to back it up. That would be an incredibly dangerous legal precedent to set. And more comic creators, and artists in general, should own their own work! Corporations are not your friend! They'll delete your work for a tax write-off in a heartbeat! It's just bewildering that this guy, of all people, was the creator who ended up successfully getting his shit back, and that this is what he's doing with it.

"What about his old collaborators? Are they involved? Is he paying them?"

Ken is mostly doing The Lara-Su Chronicles solo, though he has, in fact, talked about compensating the artists involved in any material he's reprinting. The ones who give enough of a shit to get paid for a small scale reprint of something they did 20 years ago, anyway.

On the subject of his collaborators, it's also worth pointing out that Ken's wasn't the only contract that was lost. Most of the early Archie Sonic writers from before Ian Flynn's time seem to be in the same boat as Ken, with the ownership of their stories and characters defaulting back to them. Again, Archie fucked up big time. But like I said, most of them don't really seem to give a shit. For most of them, Sonic was just a random temporary gig they took to pay the bills while Marvel was busy going bankrupt in the '90s, not the thing that defined their entire careers.

The only other Archie Sonic contributor who's tried to do anything on the level of what Ken is doing was writer and editor Scott Fulop. In 2016 he attempted to sue Archie for the unauthorized use of what are now retroactively considered his copyrighted characters and stories, and he even announced a standalone comic about his most famous Sonic character, the recurring villain Mammoth Mogul (sort of a pastiche of DC's Vandal Savage and Marvel's Kingpin, with wizard powers added for spice). However, Fulop lost his lawsuit because he didn't put together a particularly compelling case. Since then he seems to have wiped all traces of his ill-advised Mammoth Mogul comic and his company, Narrative Ark Entertainment, from the internet. For now, this leaves The Lara-Su Chronicles the only project of its kind.

"What about those other Archie Sonic reprints he just announced?"

At the time of writing, Ken is once again claiming that he's trying to get the band back together to reprint all of Archie Sonic, now under the bad new banner "Floating Island Productions: MOBIAN LINE" that I can't imagine he consulted literally anyone else on.

So, like, look. As we've established, Ken can reprint his own stories. And if he can work something out with the other contributors whose contracts were lost, he can print their work, too. But there is no fucking way he's getting his hands on Ian Flynn's run, which Sega undoubtedly holds the copyright for. Even if they don't, Ian needs to maintain a good working relationship with both Sega and IDW if he's to keep his job, so he'd never go for this. Not to mention that Ian and Ken just... don't get along! Ken's whole plan here seems to be predicated on IDW going out of business (a thing he REALLY wants to happen) and freeing up the Sonic comic license, after which he knocks on Sega's door and goes "hey I've still got dirt on you guys," blackmailing them into giving him the Sonic license back so that he can reprint the later comics. Every step of this plan is ludicrous. It's never gonna happen.

He's been saying he wants to reprint the whole series for a few years now, though. This isn't really anything new. And despite his lofty plans that set Sonic Twitter ablaze, he quickly backpedaled. The only specific things in the works right now are a "two-volume omnibus" of all of his Knuckles stories and a collection of artist Scott Shaw's work on the very early Archie Sonic issues, since they're on good terms with each other. I have no idea how Ken plans on packaging these when he can't put any Sega characters or the Freedom Fighters on the covers, but these projects are small enough in scale that there's a decent chance they'll see the light of day. Scott Shaw only did like five issues. But anything beyond that? I'll believe it when I see it.

Or, y'know, this could've all just been a publicity stunt for his new book. I wouldn't put it past him. Let's just focus on the book that actually exists.

"So he finally did it? He made a whole Lara-Su book? It's out? He finished it??"

Yes and no.

The book that's out now is The Lara-Su Chronicles: Beginnings, a prologue for the series of seven graphic novels Ken somehow plans on making, even though it's taken him 13 years to put out literally anything new. I don't know whether or not this counts as book one of seven, because it only features 30 pages of new comics. 30.5 if I'm being generous.

Most of the book is actually just a reprint of his infamous Archie Sonic storyline "Mobius: 25 Years Later", which ran from issue #131 to #144 in 2003-2004. (Again, yes, he can reprint this, he just can't put Sonic on the cover.) Why's it infamous? Well, Ken had been building anticipation for this future era of the series for basically his entire run. We kept seeing King Sonic and Queen Sally from the future. Knuckles' entire backstory hinges on his dad having a vision of this future. Several years before Silver the Hedgehog was created, it was Lara-Su who was Sonic's equivalent to Future Trunks, the cool-looking child of one of the main characters who traveled back in time to try and prevent a dark future. Believe it or not, yes, there was hype for Lara-Su. And then we finally got M25YL, and none of that cool stuff happened. Instead it really ended up being about how unbearably boring the middle aged Sonic, Knuckles, Sally, and co. are in this peaceful future where Robotnik is dead and they're all married with kids, forced into traditional nuclear family gender roles. Lara-Su is present, but she mostly just does generic teen girl stuff and complains about how Knuckles won't let her do anything even though she REALLY wants to be the new Guardian of Angel Island, like, super bad! Come on, dad!!!

In its original printing, this meandering arc ended on an abrupt time travel cliffhanger that Ken was never able to follow up on before he left Archie in 2006. This new printing slightly changes that ending, using the unresolved timey-wimey shenanigans as a convenient excuse to alter the entire timeline. This creates the slightly different world of The Lara-Su Chronicles, where the few relevant Sega-owned characters have been replaced and everyone is ten times uglier.

After this, we finally get two short new stories picking up where M25YL left off: "The Storm," starring Acorn Kingdom super-spy and known creep Geoffrey St. John, and an early release of the first chapter of The Lara-Su Chronicles: Shattered Tomorrows, the first full TLSC graphic novel.

And now that we're all on the same page about what we're looking at, let's actually talk about the book!

The cover

Let's start by beating a dead horse. The cover art: it's still bad! But why is it bad?

The cover is, of course, based on Patrick Spaziante's cover from Archie Sonic #131, the start of the "Mobius: 25 Years Later" arc. (Ken did the layout for that cover, though, so in the eyes of the law he's the original creator who owns that cover.) That cover was, itself, a tribute to the iconic cover of Giant-Size X-Men #1 by Gil Kane and Dave Cockrum, the issue that introduced the version of the team with Wolverine, Storm, Nightcrawler, etc.

Ken seems to have forgotten that the point of both these covers was to hype up the arrival of a new cast of characters. The new guys are supposed to make a dramatic entrance front and center. That's the focal point. Meanwhile, the cover for Beginnings has the old timeline versions of the cast from Archie Sonic dramatically bursting out of a shattered crystal ball, while their new counterparts look on in mild bemusement - if they're even bothering to look at all, since most of the characters here are just copied and pasted from their profile pages. That's just not how you do this particular homage! The point is supposed to be "out with the old, in with the new." And why are they using a crystal ball to view the past? Hell, why are they even using a crystal ball at all? The original arc was presented as a magical vision of the future courtesy of Tails' uncle Merlin (don't ask), but the new story leans all the way into being futuristic sci-fi.

Of course, there is no real artistic intent at play here. The old versions of the characters are placed front and center in the crystal ball simply because Ken traced over Spaziante's original art of Lara-Su and Julie-Su (the only two characters on the Sonic cover he owns) and threw out the rest, ruining the composition in the process. Look at the awkward empty space where Sonic, Sally, and Rotor once were, and the new drawing of The Character Formerly Known As Knuckles who's no longer properly centered between his wife and daughter. Even if Ken can claim ownership of the cover because he did the original layout, this all just feels scummy and lame.

And, yeah, if it needs to be said, the new characters and Ken's new rendering style look like absolute fucking dogshit. Putting new Lara-Su directly next to old Lara-Su does her no favors. The shattered glass effect looks absolutely atrocious. I could go on, but we'll have plenty of time to talk about the art style when we see how bad the stories inside look.

Changes to "Mobius: 25 Years Later"

Overall, 99% of M25YL is presented identically to its original printing. Sonic, Sally, Knuckles, et al. are still present with no changes to their names and no tweaks to the art. Even the original cover for issue #131 is included only a few pages into this book with its Archie, Sonic, and Sega logos still intact and everything. Again, because of the weird copyright situation described above, these preexisting comics can be released without any changes.

There is exactly one bizarre change to the art, though, where a hand drawn shot of Angel Island is replaced with an unfitting photo background and the ugly Floating Island photobash that Ken has been using as his personal logo for decades. I think he only did this as part of a test for his motion comic app that nobody asked for. I don't know why this had to make it into the print version. It's like the book is firing a warning shot for what's to come if you keep reading.

The new content begins on the final page of M25YL. In the original wet fart of a cliffhanger ending, Sonic and co. accidentally alter the timeline with an old time machine of Robotnik's and Lara-Su begins to fade away. Then, after everything goes white, we just cut to the present day heroes going "gee, you ever think about the future?" In this new printing, that last bit has been cut, and the rest of the page has been awkwardly shrunk down so that Ken can fit in a new panel. We now see the hands of an off-screen villain, seemingly named "Override," proclaiming that "the Praetorian" (Knuckles) has messed up the timeline again and that they'll finally get their revenge.

Who is this Override? I have no fucking clue. The new stories in this book make no mention of them. You have to buy the next book to find out.

My confusion over the identity of this villain overlaps with another big problem: name changes. So many names and nouns have been arbitrarily changed in The Lara-Su Chronicles, even ones Ken didn't have to change for copyright reasons, and I only know what half of them are replacing because Ken's been tweeting about this shit for years.

The echidnas are now a totally original alien race called "the Echyd'nya." Even in flashbacks to events from M25YL attempting to mimic the old art style, if it's on a new comic page, they're gonna call themselves "Echyd'nya." Evil echidna faction the Dark Legion is now the "Cyberdark Dominion," hailing from the "Cyberdark Colony." The Brotherhood of Guardians is still the Brotherhood of Guardians, but now the main guardian is called "The Praetorian." Angel Island is still called "The Floating Island," like it was in the older Archie comics, but it's ALSO sometimes called "Avion"? When I read this I wasn't sure if he had randomly renamed Albion, the other echidna city from the Archie comics. But no. Now we have an Albion AND an Avion. Sally is mentioned simply as "Princess Acorn," while Sonic is referenced once as an unnamed "blue-spined Erinaceinae," using the scientific name for hedgehog to make it sound more sci-fi. In an incredibly ballsy move, Ken even mentions Robotnik as "the Insurrectionist Kintobor," retaining his original surname from the Archie comics that's just "Robotnik" backwards. Guess Sega never trademarked that one.

Aside from every name change being a downgrade, this leads to confusion when you're not sure if something is supposed to be new, or if it's just an Archie thing you're supposed to recognize despite having a new name and design. Is "Override" someone I'm supposed to know already? Am I just supposed to have read a fucking tweet from Ken where he said he changed the name of some existing villain to "Override"? The answer is no, but I had to term search his Twitter just to verify this.

Moving on!

New story #1: "The Storm"

If you've been following the WIPs, this is that story about Geoffrey St. John that Ken's been posting previews of for almost a decade. The title page copyright dates it to 2015, and that absurdly long gestation is probably why the art is so inconsistent here. Even the style of speech bubbles and the font change between pages two and three.

This is a problem when there's supposed to be a deliberate and noticeable change in art style here signaling the moment where the time travel stuff alters the timeline, replacing the Archie Sonic world with the Lara-Su Chronicles world. If you don't already know that's what's going on, the idea isn't conveyed clearly at all. It just goes from one hideous art style to a slightly different one with no explanation.

The main problem here is that Ken has hitched his wagon to a franchise about anthropomorphic animals when he can't draw furries to save his life. (Though a bit later in the book we'll also begin to wonder if he can even still draw humans.) He's shifted away from the cartooniness of the original designs and given them more human proportions and facial features, but this just ends up making them look incredibly uncanny and lumpy and gross. With some designs he's trying to lean into more of a Star Trek alien vibe, but then he still insists upon retaining the giant Sonic eyes on most characters even though he has no idea how to make them emote.

The rendering of these godawful designs doesn't do them any favors, either. Ken's going for more of a painterly look now, but it almost seems as though he's shading everything with Photoshop's burn and dodge tools that are designed to darken and lighten select areas of a photo. The result is a muddy, smudgy look that makes it feel like the color layer has been smeared in vaseline. And it only looks worse after coming off of 14 chapters of M25YL that have way more palatable art.

The backgrounds, too, are a complete mess, a jumble of low res jpeg photo elements (sometimes with extremely noticeable pixelation), stock textures, and smooth digital gradients. There's no real sense of place here, and it gives everything a surreal, dreamlike quality when you can't really tell where anything is supposed to take place. This first story is seemingly set in a high-tech stronghold below Castle Acorn called "the Bunker," but it could just as easily be confused for the bridge of a spaceship. This whole story features characters speaking to each other over floating video displays and hologram projectors from three different locations, but without a hologram effect and without a clear sense of where the characters are it often feels like they're just in the same room as each other. Characters will be in one location on one photo background, and then the camera angle changes and they're in a completely different place, because Ken just uses mismatched photos off of the internet. It's been like 25 years since he first tried using photo backgrounds in the Archie comics and he hasn't gotten any better at it.

When I had my boyfriend read the book to see if it made literally any sense to him (it didn't), Anthony said this: "This is the kind of shit I'd see linked on a Second Life world that hasn't been touched since 2004." I think he really hit the nail on the head. Now, there's actually a contrarian part of me that thinks that might theoretically almost be kind of cool, in sort of a messy counterculture way. I love weird indie shit. I was a Homestuck reader! But this isn't a scrappy mixed media zine, or experimental outsider art from someone just messing around with Photoshop, or a loving throwback to weird old internet art, or even something intentionally bizarre and offputting like Xavier: Renegade Angel or a PilotRedSun video or whatever where the fact that it's weird and ugly is part of the humor. This is supposed to be a sincere sci-fi epic drawing on Star Trek and Jack Kirby comics, made by a guy who's been drawing comics professionally since the '80s. This is supposed to look good. This is supposed to compete with mainstream comics that are on sale right now. He thinks any day now IDW's gonna go out of business and Sega will come crawling back to him so that he can stamp the Sonic logo on shit like this. It just doesn't work.

But, okay. It's ugly. We knew it would be ugly. But that ugliness would be much easier to accept if it was in service of an otherwise genuinely good story. So what about the writing? After all this time, how does Ken choose to kick off this new saga? Well, credit where credit's due. "The Storm" feels like a proper continuation of Ken's writing style from M25YL.

Because it's eleven pages of characters standing around and talking while nothing fucking happens.

Here's the synopsis: A dog woman named Brownie, an ensign in the Royal Secret Service fresh out of training and the only character who's almost cute, walks up to Geoffrey to deliver a report. He's immediately suspicious of her, asking who let her in and if she's a spy for Elias (Sally's brother, if you're new here) or Alicia (Sally's mom). The art style suddenly shifts when the timeline is altered, but the scene continues uninterrupted. Geoffrey points a gun at Brownie when she won't say whose spy she is. Geoffrey is distracted by a call and proceeds to have a conversation via a mix of holograms and video screens with Remington (head of Echidnaopolis security), Spectre (Knuckles' great great great great great grandpa, the one with the helmet who always looks evil), and a new scientist character named Dr. Zephyr/Zephur. (The spelling of this character's name changes multiple times throughout the 11-page story, because I guess nine years wasn't enough time to spellcheck this shit.) They say a bunch of made up technobabble nonsense about how it looks like the timeline was just altered and Knuckles and co. seem to be involved. It's complete drivel that I'm not even going to try to make sense of. Everyone decides to investigate further, and the conversation ends. Brownie tells Geoffrey she's his spy, then walks out and implies she's actually Alicia's spy in her inner monologue.

To be continued!!!

Yes, that's it. It's really just a bunch of technobabble where some characters talk about how it seems like the timeline has been fucked with. That's it. The whole time Geoffrey doesn't even get up out of his damn chair, which he's of course sitting in backwards to show how cool he is. It's just 11 pages of Geoffrey sitting in a chair and talking to people and looking uglier than he's ever looked. Nothing happens. Nine years for this.

I'm also struck by how meaningless all of this is to anyone who hasn't read Archie Sonic. The added context from M25YL may help a little, but "The Storm" focuses on characters who weren't in that arc, and the story does very little to introduce who any of them are. Brownie could've been super useful as an inexperienced point of view character who's only meeting the others for the first time here, but instead she's really just a passive observer who's here as part of some kind of 4D chess game between Geoffrey and Alicia, an off-screen character whose motivations in this era of the story are completely unknown to even returning readers. Who are the good guys and bad guys here? What are the conflicts and the stakes of the story moving forward? What do these characters want? Basic questions like this aren't really answered. I can't imagine a new reader being able to make heads or tails of this. Hell, I can't really imagine a returning reader who hasn't been following the last decade's worth of Ken's tweets about this story making heads or tails of it, either.

...Maybe more will happen in the next story?

New story #2: Shattered Tomorrows preview chapter

After another message from Ken, the story of The Lara-Su Chronicles proper begins with the redesigned Lara-Su walking along a jpeg photograph beach at sunset and crying while thinking about how Knuckles - sorry, his name is K'Nox now - is dead.

Yep! Straight into the dad stuff!

Look, I'm the last person to complain about writers getting super personal and drawing from their own baggage in their writing, but Ken's just no fucking good at it. There's no nuance, nothing interesting to say. He just keeps writing mediocre-to-horrible dads whose misdeeds are always justified by their "good intentions," and then sometimes they die and their kids are like "we may have fought but actually you were the bestest dad ever and I'll miss you forever, I'll never be able to fill your shoes!"

This is the only part of the new material here that feels like it has any heart behind it, because I know how much his complex relationship with his late deadbeat father means to Ken (there's an author's note in this outright saying as much). But the guy died 42 years ago, and it doesn't feel like Ken has had any new thoughts about this part of his life in those four decades. He's just not an introspective or self-aware enough artist to actually mine his personal baggage for anything beyond "father knows best."

Anyway, so then it jumps forward in time(?) and now we're following this human guy who looks like this.

Previously, Ken got a lot of shit for literally just using the likeness of Anthony Mackie for this guy, based on his IMDB profile photo. Ken has thus redesigned the character... and by that I mean I think he looks more like Ernie Hudson now? Ken's clearly just working off of photo references (if not straight up tracing), given his face is the most detailed and realistic-looking thing on any page where he's present.

But you may be wondering: who is this, and why is he here? Well, for one, he's here to run around in front of some low res space photos while making trite references to things like Planet of the Apes and Star Trek. Haha, he makes a joke about red shirts! Original!! But beyond that, Commander Mykhal Taelor (yes, that's really how he chose to spell it) is a human... from Earth! Archie Sonic readers are probably confused, because in those comics Mobius is Earth in the distant post-apocalyptic future. Well, despite being a Planet of the Apes fan, Ken always hated that particular worldbuilding decision from Karl Bollers, always preferring to think of Mobius as a separate alien planet. And now he gets to make that canon in his own stories and throw out Karl's ideas. So Mobius is basically just, like, a Star Trek planet now, with its own alien creatures that sometimes just so happen to look like anthropomorphic Earth animals.

Also, at one point Taelor wonders if the inhabitants of the dead Mobius might have been human, and the alien ally he's talking to over the radio says it's unlikely. "I don't understand why your kind has a problem understanding you're a minority within a minority." Perhaps poor wording for a line said to the only Black character in the story.

Anyway, Commander Taelor here seems to have discovered the uninhabited husk of Mobius after the vague time-space cataclysm everyone was worried about in M25YL has come to pass, and he finds an audio log from Lara-Su that I presume will explain what happened. I guess those are the titular Lara-Su Chronicles. In theory this flash forward establishes some sense of pressing danger, but when the threat to the planet is so unclear and technobabble-y it just kind of lands with a thud.

It doesn't take long before we get back to Lara-Su being sad about her dad. A good little chunk of the chapter is spent with this new timeline's Lara-Su recalling moments in her life, including echoes of the original Lara-Su's memories from M25YL, which feels redundant coming hot off the heels of a straight reprint of that entire arc. And boy, for anyone who read the later Archie Sonic comics, the protagonist having vague memories of the old version of the series from before a lawsuit-related timeline reboot sure does sound familiar, huh?

The art inconsistency somehow becomes even worse in this story, with Ken flip-flopping on whether or not he wants to use outlines, with the no-outline art managing to look even worse by relying entirely on Ken's awful rendering. By this point in the book, readers are also likely to start noticing how often Ken reuses art from previous panels. This is a shortcut that tons of comic artists use, of course. Invincible famously did a joke about this. It's often understandable. But, again... it sure does stand out in a book that took 13 years to make with only 30 pages of new art. Amusingly, Ken even manages to combine his inconsistency and recycling problems by reusing the same art with and without outlines. And, of course, any time Ken tries to draw the Archie era designs it's just... the worst.

And, yes, it's in this dreamlike montage sequence of Lara-Su's life that we get...

The uncomfortable family nudity scene, followed by the dual timeline Julie-Su breastfeeding scene.

Yeah, you might have heard about this one already. If this incredibly eerie presentation of Lara-Su's hazy memories of the two different timelines make it hard to tell what's going on, don't worry. There's another, clearer version later in the book as part of Julie-Su's character profile, because I guess Ken was just so proud of it.

(I censored these myself because I'm not playing Russian roulette with Tumblr's inconsistent nudity rules and risking getting banned lmao)

Like, okay. Is a mother breastfeeding her child really that shocking of a thing to see in a story? No, not at all. But, like... when it's two characters who you previously created for an officially licensed Sonic the Hedgehog comic for 7-year-olds... and some of those officially licensed Sonic the Hedgehog comics for 7-year-olds are reprinted in the same book... and when it's drawn like this... yeah, it's kind of a shocker.

It just looks so unnatural. Julie-Su is posed very deliberately so that you'll see both of her breasts, and in the new timeline version she's barely even holding Lara-Su so you can really get a good look at her supermodel body, showing zero physical signs that she just gave birth. Most people will immediately jump to this being Ken putting his fetishes in his work (a type of criticism that I'm incredibly tired of - it's 2024, all the cool artists are blatantly putting their fetishes in their work now). And my immediate response is that, no, this is probably just Ken trying to come off as really mature on a surface level, a thing he's been obsessed with since the Archie days. Free from the shackles of writing a licensed children's comic, of course he's going to jump immediately into depicting some nonsexual, artistic nudity to try and prove he's A Real Mature Artist For Grown-Ups who just thinks the human body is beautiful and breastfeeding shouldn't be a taboo etc. etc.

But then, like. You look at some of the other character designs. Like Espio's daughter Salma, who's now this horrifying alien lizard person who's always nude, and her scale pattern puts scales exactly where her nipples should be. Or you look at his comments about the Echyd'nya age of consent. Or you look at how he keeps drawing Lara-Su in this. Like, does the shuttle really need this, like... reverse chaise lounge thing in the cockpit? So that we can keep getting these shots of the 16-year-old Lara-Su lying on her stomach and posing with one of her legs kicked up, her naked ass in plain view?

The vibe isn't great, is what I'm saying!

I'm not going to try to ascribe authorial intent here. I don't know. I'm not a psychic. Given his very blatant reliance on photo references elsewhere in the book, it's entirely possible he just referenced some figure drawing photos that were maybe just a little too sexy. And also, he's an American comic book artist, and a boomer one at that. Those guys tend to draw women a certain way, even when it's not supposed to be sexual. I don't fucking know. It just sucks. I'm not gonna make some hyperbolic statement about how this makes him a literal pedophile who should be in jail, but it is deeply offputting and objectifying.

But if you already knew about the nursing scenes and were hoping there was some other really shocking stuff in there for me to talk about in this review, sorry to disappoint, but nope. That's the only shockingly weird new thing in here. Once again, not a lot happens in this story, and what does happen is pretty boring.

Once we get past the recap stuff and the human guy, the plot developments boil down to this: The timeline was altered at the end of M25YL... but not as much as you might think. In the new timeline, Knuckles ("K'Nox"), Cobar (now looking significantly younger), and Rotor (now a rhino just called "The Emissary") still traveled via shuttle to go find a time machine in the Badlands and fix the time-space continuum, like in the climax of the original arc. This time, though, Sonic wasn't there, and Lara-Su came along without having to stow away. Lara-Su watches the ship while the grown ups go deal with the time machine, and then after a couple panels Not Rotor comes back with Cobar and is like "Hey, Cobar got hurt, we gotta leave. Dunno what happened to your dad." And then they just, like. Presume that Knuckles must have died. Even though we have no idea what happened to him. And then they just fly away. And then Lara-Su is sad that her dad died.

And that's pretty much it!

This is supposed to be a really emotional sequence - it's literally the scene where Lara-Su learns that Knuckles is dead - but instead it comes off as unintentionally funny because of how poorly it's portrayed. Not showing Knuckles' actual disappearance is a huge misstep, for one, making his uncertain fate more confusing and anticlimactic than dramatic. But also, Ken keeps just using the same two drawings of Rotor for two pages, so he doesn't really seem to be emoting at all, and he's in this spacey hazmat suit that honestly just makes him look like fucking Moltar from Space Ghost. So the whole time I'm just reading his dialogue in Moltar's deadpan voice as he's like "I dunno. We did what we could. Anyway, let's leave."

After this, we get a two-page spread previewing the rest of the story from Shattered Tomorrows. It's basically like a trailer in comic form. It has one of the most mystifying layouts I've ever seen in a comic book. I have no idea what order I'm supposed to read this in.

Yeah, I kinda have a feeling this is the full extent of what Ken has drawn for the rest of that book. I'd love to be wrong, but I fear that I'm right.

Bonus material: Data files

These are mostly very dull, recapping a lot of events shared between Ken's Archie run and the new Lara-Su Chronicles timeline. It seems like almost his entire run is still considered canon to the backstory of the new timeline, just with some names changed, and things only really diverge at the climax of M25YL. But I'll share the interesting stuff here.

Lara-Su

The main thing you'll notice in Lara-Su's profile is the massive, unreadable wall of text where Ken felt the need to list the entire Knuckles family tree, split across both pages.

This is literally so long that Lara-Su's personal history has to awkwardly cut off mid-sentence and be continued on the final page of the book, after the rest of the data files.

Also, please note that this list gives Julie-Su's mom's full name as Mari-Su of the House of Atrades. Incredible on all levels.

There's also a reference to the dark timeline Lara-Su was originally supposed to come from. You know, the one where Julie-Su is the leader of a rebel movement fighting against a Knuckles who had gone mad with power? The timeline that would have been way more interesting than the one in M25YL? Here it seems to have been written off as the result of another "timeline disruption." Lara-Su allegedly has vague memories of this timeline, in the same way that she has vague memories of the M25YL timeline.

Geoffrey

Geoffrey's bio mostly recaps events from the Archie comics, which means the Sonic/Sally/Geoffrey love triangle has to be alluded to. His rivalry with Sonic is described like this:

"He would later resurface when Kintobor was transporting his latest hi-tech weapon, the Dynamac-3000. It was during that mission he discovered a rival for the Princess' affections. Whereas the Princess would be one of a line of conquests where St. John was concerned, the blue-spined Erinaceinae who protested doth a bit too much regarding his affections for the Princess for St. John's taste would prove to be a source of great sport and amusement."

Yes. It's gross. Saying that Geoffrey saw Sally as "one of a line of conquests" is gross. Ken writing this and then still treating Geoffrey as the coolest badass ever is gross. The "Princess Acorn" is also first on the list of Geoffrey's "female relationships" elsewhere in his bio, though I suppose how much of a "relationship" they had is left vague. Honestly, at this point the fact that Ken didn't explicitly confirm that Geoffrey took the underage Sally's virginity in the book comes off as a display of restraint. The bar couldn't be any lower, I know.

Remington

His bio is, frankly, shockingly long for such a minor character, though I guess he does get a large portion of the word salad dialogue in "The Storm." There's a lot of stuff here about how the identities of his biological parents are shrouded in mystery, a plot point that fans have long speculated Ken just straight up forgot about in his time at Archie. (Ian confirmed that Kragok from the Dark Legion was Remington's dad, though, so this isn't really much of a mystery.)

Lien-Da

She gets a bio even though she's not present in the two new stories, just so we get to look at her awful new design and compare it to how Steven Butler drew her earlier in the book:

Commander Taelor

We get to see two drawings of him with the same exact Ernie Hudson face side by side! That's fun.

Julie-Su

She gets a list of "known friends," but the only character listed is Knuckles' mom. Poor Julie-Su.

Also, Ken feels the need to reiterate that Knuckles and Julie-Su are still distant cousins. He made a whole new timeline where he can change whatever details he wants, but THAT had to remain canon. Thanks, Ken.

And then after the data files we get the special thanks page, listing everyone who preordered the book and/or bought TLSC merch from Ken.

With my name on the list. Because I had to buy a copy to cover it for the blog.

My name is on the very next page right after the breastfeeding panel in Julie-Su's data file.

Yep. He got me.

Is it at least a well put together book? Like, in terms of manufacturing quality?

Its physical quality is... fine. It's a nice, sturdy hardcover. The print quality seems fine, though mine does have a bit of smudging from some sort of printing error on one page. The pages don't seem like they'll fall out on me. The image quality is crisp. The colors are vibrant. This is a low bar, but this is one of the few places where I'm able to give this book anything resembling praise.

The formatting and graphic design work, on the other hand...

(I didn't crumple those page corners, it came like that.)

For one, the placement and sizes of the M25YL pages is inconsistent, largely due to the fact that the book doesn't actually match the proportions of a comic. A lot of pages aren't properly centered vertically. Some pages go all the way up to the top edge of the paper, while others leave a visible gap of about half a centimeter. Every page has a 1cm gap to its left and right, which is sometimes filled in with a solid color or gradient that doesn't quite match the page it's surrounding. I have to assume Ken didn't have any sort of source files or original artwork to work off of, as those ideally would've had more generous bleed to account for slight shifts in printing. It kind of seems like he just got the highest resolution versions he could find of the digital releases online and printed those. The colors are a dead ringer for the digital versions, which have always looked slightly more saturated and pastel than they did in print.

I can't say this bodes well for his further plans for Archie Sonic reprints - sorry, Mobian Line reprints. If they ever come out, please, for the love of god, do not buy those. I don't care how much you love Archie Sonic, they aren't going to be good reprints. For comparison, IDW's similarly priced hardcover Sonic collections have none of these formatting problems, because they're made by people who know what they're doing with access to the actual source files.

The book also has its fair share of text-focused pages, split between the data files and messages directly from Ken about the history of his career and this project, and these are formatted in the most amateurish way possible. Just massive walls of Arial text over either plain white backgrounds, simple gradients, or faded photos. I've seen school yearbooks with better graphic design. Even ignoring my subjective feelings about the art and stories within, this book does not feel like it's worth $36 USD.

It's frankly shocking how shabby he let this thing look considering it's supposed to be his baby. And doesn't that really sum it all up?

Closing thoughts

Obviously, I did not expect this to be any good. But I'm still left kind of dumbfounded by it.

I think what really strikes me about it is that Ken had a blank check to do whatever he wanted here. He got an opportunity many writers would kill for when he gained complete ownership of his most famous work. He's free from the limitations of a monthly licensed comic book for children, free to make whatever creative decisions he wants without editors or other writers or Sega to worry about, free to completely reinvent the series to his heart's content and finally tell the story of his dreams. And with that opportunity and 13 years of his time, he made... this. A direct continuation of "Mobius: 25 Years Later" that barely changes anything about the characters or world beyond their awful new designs, even though much of the word count is spent rambling about how the timeline has changed. A story that makes zero concessions for new readers, or even returning readers who don't already have the last decade's worth of Ken's tweets explaining his creative decisions burned into their memory. 30 pages where nothing really happens and the story barely moves forward an inch despite the decades-long wait - but maybe something will happen if you buy the next book!

Who is this for? Maybe this really is a project for no one but Ken. Maybe he just really, really wants to finish the story he started, a story that's personal to him due to the family history it evokes, and the number of people who enjoy it or buy it beyond that is irrelevant. I think that many of the best artists are incredibly self-indulgent ones working with that exact mindset, artists whose enthusiasm for their own work jumps off the page or screen. So, if that's the case, then why the fuck isn't he telling the damn story? What's stopping him? Why is he still spinning his wheels? Where is that passion for his own work? Because it sure as hell isn't there on the page. There's a huge part of me that really wishes I could say "Man, what a weirdo, but you do you, Ken. You tell your weird little story." But there's barely any story here. It's like he loves styling himself as a storyteller, but he's terrified of finally having to actually tell a story after all this time. He's still stuck in the exact same mode of writing he was in almost 30 years ago when he was doing 6-page backup stories about Knuckles, just killing time and stringing readers along until he's eventually able to truly realize his vision. If not now, then when, Ken?

Even the back cover blurb is mostly just a dry recap of the history of this thing. It was a Sonic comic, the original arc was published in these issues, it went unfinished, Ken left Archie, the lawsuits happened, now he's continuing the story. There's nothing about why anyone should give a shit about this as its own story, even though Ken has spent years trying in vain to convince people TLSC is its own beast that shouldn't be judged as a Sonic story. I think deep down he knows that there's no pitch for this beyond the novelty of it originating from Sonic. And that's why, despite declaring that he'd leave the site, he's still on Twitter riling up Sonic fans. It's the only attention he gets at this point.

Maybe this is too harsh when those 30 pages of new comics are just intended as a preview for the "real" book. But the elephant in the room is that we have no idea if that "real" book will ever actually come out, let alone the entire series of seven graphic novels that will supposedly complete this saga.

Ken is undeniably a complete jackass and all around unpleasant, vindictive person who's rightly become an industry pariah. He's a self-proclaimed paragon of progressive values who'll send Comicsgaters after his successors for the crime of not worshiping the ground he walks on, and then turn around and announce he's going to reprint their work without even consulting them. He's a sore winner who already won his copyright battle on a level most comic writers would never dare to dream of, and yet still won't truly be satisfied until he sees an entire major comic publisher go out of business, putting god knows how many people out of work, because he thinks this would get him back the license to a video game franchise he doesn't even like.

But I still have to pity him.

As an artist, the trajectory of his life is my nightmare. I think all of us fear dying before we can tell all the stories we want to tell. There's simply never enough time to do everything. And here's Ken in his 60s, talking about how he's still planning on making his magnum opus all by himself out of stubbornness and pride, despite demonstrably proving he can't handle the workload, and also talking about how if he dies before the project can be finished he'll have to pass the torch on to his kids and get them to finish it for him. It's so grim. Even just typing that sends a shiver down my spine. It took nine years of his limited time on Earth to finish and release an 11-page comic about Geoffrey St. John sitting backwards in a chair.

This is a purgatory of his own creation. And yet... I'm not sure he's ever been prouder. One must imagine Sisyphus happy.

I guess if I want people to take anything away from this review, it's this:

Lesson one: If you're an artist or writer of some kind, or an aspiring creator, don't wait around. No one else is going to tell your story for you. Start writing that novel. Start drawing that webcomic. Start making that game. If Penders can put out this damn book that no one asked for after 13 years of work, then proudly proclaim that he's still going to make six or seven more books and also reprint hundreds of comics he doesn't have all of the rights to, then show up to cons with that foul Lara-Su Chronicles: Shattered Tomorrows banner and sit in front of it beaming with pride, fully aware of his critics but saying "fuck 'em, I know I'm hot shit," then you can do fucking anything. Tell the weird, sincere, cringe story of your dreams. If Ken Penders doesn't have imposter syndrome, then nobody should.

And lesson two: Don't buy Ken's books.

[theskyexists]

Rereading my Incredibles fanfic.. hey! That was pretty good actually!

[thinkinonsense]

PAST LIFE⋆

dofp!logan howlett x mutant fem!reader

cw:fingering, cursing, dirty talk, mentions of motherhood, fluff

masterlist

logan should've known when he accepted the mission to come go back in time to stop the sentinels that you would still be here.

"is there an issue here, hank?"

the sound of your voice made logan's heart flutter. you were barely peaking out from behind the door but logan could see you just fine. he couldn't stop staring.

"no, everything's fine." hank assured you. just as you turned to return to charles's office, you heard the door burst open. this handsome stranger hits hank right in the nose before continuing up the stairs to you.

logan had to take you in for a second. his beautiful future wife stood in front of him and had absolutely no clue that they were married because she was only twenty-five years old.

had you always been this gorgeous? was that even fair? all of these were questions that floated around in his mind.

"who are you and what do you want?" you asked as he reached out to touch you.

"so you've always been this beautiful, huh, princess?" he purred, tucking away a piece of your hair behind your ear.

sure, he was attractive in his brown leather jacket and sunglasses but this man looked in his mid-forties. logan was too busy staring down at your frilly yellow babydoll dress to notice where you were looking at him. his left hand; more specifically the gold band on his ring finger.

"i don't mess with married men." you glare at him. he can't help but chuckle darkly down at your innocence.

"oh, my wife wouldn't mind."

god, logan felt like such a pervert for coming on to you but he couldn't help it. your ethereal beauty was unreal. not that you have aged much since the present day, as you two have the slow aging processes in common. older hank would always tell logan that he should be lucky that you agreed to date him because there were plenty of people who would love to take his place. sure, logan believed him but now, he really understood what hank meant.

"where's charles at, sweetheart?" logan asks, inhaling your floral sent.

before you can respond, charles comes barreling down the stairs drunkenly calling after you.

"where've you been?" he asked you then turned to logan. "who the hell are you?"

this should be good.

°❀⋆.ೃ࿔*:･

"how do we know that you're actually from the future?" you asked, sitting atop charles desks, swinging your legs. hank and charles stood outside in the hallway discussing whether or not to trust logan.

"you've always been this stubborn?" logan says under his breath, rolling his eyes.

"how do we even know each other in the future?" you finally asked.

for the past hour, this man has tried to sell this absurd story about how future charles and magneto sent him here together to save mutants from sentinels. so far he's managed to convince charles but hank and you were still on the fence.

"we're married, sweetheart." logan smirks wickedly.

there was absolutely no way that you two were married. this man is grumpy, mean-looking, and wears dark brown leather. you are an academic scholar who adores pastels and helping other mutants. he had to have you mistaken.

you squint up at him and laugh, "we are married?"

logan nods, walking over to you until he's standing between your legs.

"tell me something only i would know then."

"your favorite ice cream flavor is strawberry, you hate the cold and winter, anytime you drink coffee you get nightmares, your favorite color is green, but your favorite shade is the color my eyes get when i look at you." logan could see the way your eyes widen, slowly starting to believe him more and more. he couldn't help but feel cocky. "would you like me to continue?"

"im not sure... think you're gonna have to prove it. another way." you challenge him. logan's hand trails up your thigh, playing with the soft yellow material.

"c'mon sweetheart, this is too easy." he mutters against your neck, placing soft kisses and nibbling on the skin.

logan knew you like the back of his hand. he knew exactly what you liked and disliked. sometimes you would even tell him that he knew you better than you knew yourself.

"you like when i pull your bottom lip when we kiss. you blush every time i offer for you to sit on my face. one of your favorite ways to fuck is pressed up against a wall or bent over a table..." logan could go on and on.

"we do that...?" you whisper embarrassed by this version of yourself, trying to avoid his burning gaze.

"oh, all the time. sometimes you pull me down on the floor when i come home, begging to ride me right then and there." logan says, once he captures your attention again. you chew on your bottom lip adorably.

a small whimper passes your lips before you remember that hank and charles aren't that far away from the room. one of your hands comes up to logan's chest, slightly pushing him back despite not wanting to.

"w-we should stop." you warn him. "they can hear us."

this was when logan knew that you hadn't discovered part of your mutation yet. he had already assumed that you hadn't but this confirmed it.

"need you to relax, princess," he says, moving higher up to your jaw. your body betrays everything your mouth says, eating out of the palm of his hand. "i promise once you relax, it'll feel like time has stopped."

logan's lips taunt yours; not quite giving you what you want. fed up, you overpower him and push his lips into yours. the only word floating around in your head was 'relax'.

carefully, logan lays you back on the desk. something about being held in the stranger's arms set you at ease; maybe he was your husband?

"you don't know this yet..." logan huffs. "but you can stop time."

you scoff, thinking that you caught him in a lie. "no, i can't."

"if you relax like i said, then you can." logan mutters against your collarbone.

one of his hands slides up your thigh while the other rubs circles on your hip bone. was this wrong of you? if he is telling the truth –and it seems like he is– then technically he is your husband and it's not wrong to mess around with your husband.

"open up for me, babydoll." logan mumbled against your collarbones, placing wet kisses and nibbling on the delicate skin.

your legs spread with ease as his callused fingers rub over your cotton panties. the soft material of your dress is bunched at your tummy as he tugs your panties off, pocketing them for himself. his thumb returns to rub your button.

"p-please..." you whimper, looking up at logan with bambi eyes. "need more."

"anything for you, princess." he groans, slipping two fingers inside of you as gently as he can. this earned a loud moan from you when he nudged that spot deep in your gummy walls with ease.

"see how well i know my wife?" logan gloats, pressing soft kisses to your lips but never letting you catch him. "you usually prefer it rougher than this but i'm not cruel."

"y-you can go... can go faster." you pant, never having anything quite his size yet.

"i don't want to hurt you, baby." he says in a condescending tone. "wanna know something 'bout the future?"

it was difficult but you managed to nod your head despite how clearly fucked out you were at this point.

"a couple weeks ago, you came home telling me how much you want to be a mom; how you've always wanted to be a mom." he pulls back to look at your pretty face, lust darkening your eyes and slick pouring out of you, practically dripping down his palm onto the desk. "so, every chance we get alone you've been begging for me to go raw inside of you."

logan loved how even as you're all spread out for him, you're still blushing at his filthy words.

"look at you, blushing while you soak my hand." he mocks with a smirk.

"i'm s-so close, please!" you beg so politely.

his thick fingers pick up the pace as you clench down on them; jaw dropped and head thrown back. logan's other hand supports your back while your cute painted blue nails dig into his wrist as your climax starts to wash over you.

"hey sweetheart, look out the window." he chuckles, moving your chin to stare hazily out the glass window.

you couldn't believe it. every car, bird, street light, everything was stopped. everything but you and logan.

"how did you know that i could...?"

"you can't always control it but when you calm your mind, it's easier for you to do it."

"does it always happen when we...?"

"when we have sex...?" logan chuckles as you hide yourself in his chest. you nod. "no. over time you've found ways to control it. sometimes if we need more time, you might manipulate it."

"future me sounds cool." you giggle, lifting up to look at him. "how do we meet?"

"i can't tell you that." he smiles.

"well, then where are you in this timeline? how can i meet you sooner?"

"i'm not a very good man during this time, baby. you'll meet me when the time is right."

"what if you don't want me then? how do you know we will still get together?"

logan looks down at your pouty lips, swiping his thumb across it.

"i'll always come back for you. no matter the timeline or where we are in life; i'll find you again."

"promise?"

"i promise you, sweetheart. don't worry that beautiful mind of yours." he assures, kissing the tear strolling down your cheek.

logan reaches down and kisses you tenderly, pulling you out of the time freeze. suddenly the door swings open on the two of you. thank god, logan had quick reflexes, pulling your dress back down to cover you.

charles calls your name and then asks, "what are you doing?"

"it's okay, he's my husband."

a loud laugh escapes logan at your lovey-dovey tone, almost making hank and charles eyes fall out of their heads. you couldn't wait to meet logan again in the future.

[writersdrug]

Bartender Simon, who cuts of a drunk costumer. The costumer is angry and begins insulting Simon, particularly his looks. It doesn't bother Simon but how does Waitress!Reader react?

Alas... the much-awaited ktih

Warnings: making out, groping, dry-humping

It was only seven pm, and Cole was already drunk. Simon knew this would happen - it usually does, at least every Friday night. He comes in, drinks for a solid two hours, until Simon finally has to cut him off and steer him in the direction of his apartment. The man at least lets him add twenty percent auto gratuity if he has to be sent home like that - and, more often than not, it's every week.

Today, however, is a different story.

Cole had come in at four, right when the pub opened. He gave you his usual, tight-lipped smile, making his way to the seat he took every Friday evening. Simon was already pouring his beer by the time he removed his coat. The conversation continues (mostly one-sided on Cole's part), as does the night, and he never ceases to tip the beers back - rattling on about how much money he makes, only getting louder when a group of women walks by.

Around nine at night is when he began to get drunk enough that the numbers on his tab begin to blend together. "A'aight- 'nother one for good fortune." He smacks his empty glass against the bartop, making you jump slightly as you did your tips at the end of the.

"Not tonight." Simon says, hovering over the POS and punching buttons on the screen. "You got 'nuff for good fortune. You can pick it back up next week."

"Bahhh, c'mon - I'll pay double." Cole slurs, leaning over the bar.

"What's your wife's name?" Simon asks, turning back around and leaning against the liquor shelf.

"... Sharon."

"Ya not even married, Cole."

He laughs, eyes glassy as he smacks the bartop and wheezes. "Tha's good! Real good- ya got me. Can't keep a woman 'f I tried."

Simon doesn't comment. He slides Cole's receipt across the bar, before promptly turning back and grabbing a glass.

Cole sighs, crumpling the receipt in his fist. "Y' don't want business?"

"Don't want you gettin' lost findin' your Uber." Simon replies, polishing a glass.

"Y'know..." Cole leans back in his seat, very adamantly refusing to leave, "I know you're strugglin' t' bring in the money with... whatever ya got goin' on behind the mask."

Maybe when he was a lieutenant, constantly dealing with jabs and stabs towards his ego, it would have gotten to him. But Simon just huffs in annoyance. "This what you resort to when you can't get a beer?"

"Defensive much?" Cole bites back. "You could use the money to fix y'r fuckin' face. Should stop bein' such a cunt n' worryin' 'bout me like you're my mum."

"Hardly - your mom probably wishes she'd swallowed you instead."

Simon nearly drops the glass - it takes him a moment to realize that you had spoken, and another one to process just what exactly you had said. He turns around to find you, staring Cole down with the most disgusted, angry expression he's ever seen you display. He's speechless - mostly because he didn't know you had an arsenal of insults, ready to fire off like this.

Cole chuckles drunkenly, turning in his seat to face you from down the bar. "Don' like it when I insult y'r bank account, do ya?"

"Aren't you supposed to be dumpster diving or something?" You snap, getting up out of your seat - Simon's never seen such a look in your eyes, and he quickly steps out from behind the bar to jog over to you. He places a hand on your shoulder, but you don't back down.

"You realize who you're talkin' to, little girl?"

"Draco Malfoy if he'd gone into British Parliament."

"Oi-" Simon snaps, fingers digging into your shoulder - surprisingly, you swat his hand away. You're fuming at this overgrown cabbage, running his mouth like he actually means something to anyone in this pub.

Cole purses his lips; your insults are getting to him. "You gonna do somethin' with this chick?" he asks Simon - who nearly blows a cap, but you beat him to it.

"Y'know, maybe you should spend your money on fixing those fucking teeth - because I see they're still social distancing - instead of wasting our time here, you grey, fucking sprinkle on a rainbow cupcake-"

"Hey- stairwell. Go." Simon gives you a gentle shove towards the stairs, and you throw your hands up and storm off. He stares after you, wide-eyed and tense, watching as you disappear behind the stairwell door. He's quickly growing hard, concerningly, after witnessing you fire off at Cole with a loaded gun full of wit and anger - it was quite possibly the most attractive thing he's seen you do.

Cole huffs, breaking Simon's focus. "Women - sticking their noses where they don't belong." he looks at him, expecting the bartender to agree.

Simon's holding back the urge to drive his fist into the man's skull. He grabs Cole's jacket from the back of the chair and shoves it into his chest so hard he nearly falls from his seat. "If you're not gone in the next ten minutes, Soap 'n I will make you leave, you understand?" he doesn't even wait for a reply, turning on his heel and stalking towards the stairwell, boots thudding heavily against the ground.

He's got bigger priorities at the moment.

You're standing in the stairwell, chewing the edge of your sweater as you stare at the dustpan and broom. Simon can surely fight his own battles - he didn't seem irritated in the slightest by Cole, why did you step in? Simon isn't yours (unfortunately), you don't need to defend him. You don't have the right to defend him other than the fact that he's your coworker. Manager. And you were definitely doing it based on other, unspoken reasons. It was obvious. Is it obvious to him? Forget possibly losing your job, is he going to be mad that you lost your shit like that? That you put your foot where it doesn't belong? That-

The door to the stairwell swings open, and you stop your pacing. His eyes are lidded. Angry? You can't tell. He looks rather intimidating, tall and tense as the door swings shut behind him, mask bunched into his fist as he shoves it into his back pocket.

You think he's about to let you have it, to chew you out for your outburst. "Simon, I'm-"

His rough hands are around your face before you know it - right as you open your mouth to yelp in shock, he leans down and kisses you.

Your eyes force themselves shut. You don't have a chance to pull away, not with his hand cradling the back of your head. He won't let you; you don't want to. His breath fans across your face, fingers calloused yet gentle as they relax around you, and you sigh into his touch, tilting your head to let him get closer. Your arms rest against his shoulders, squeezing the muscle as you feel months of worry and anticipation melt away-

And then, as quickly as it had begun, Simon has the audacity to stop and pull his head back.

His eyes find yours, still cupping your face in his hands. He looks breathless - good. At least you know he's just as riled up as you are, now. There's a hint of pink on his cheeks, and a need for reassurance in his hazy stare. He needs to know he was right, despite the months of flirting and the little chase you've been leading him in; now that he's finally caught up, caught you in his grasp, he needs you to tell him you want this. Though he doesn't know how he'll survive if you don't.

"You ok?" He pants, brow creased with uncertainty.

You let out a noise of frustration - threading your fingers behind his neck, you pull him back down, sealing your lips against his once again.

He exhales through his nose in relief. His hands find your waist as you part your lips, letting him slip inside and explore your mouth. Your fingernails dig crescents into his skin - he lets out a rather needy-sounding groan, backing you up until you hit the wall. You whine; your tongue flicking across his lower lip sends a shiver down his spine, heat building and twisting and tangling in his gut until you break away for a moment, nipping your teeth into his lip.

His mind short-circuits; he grunts, all the blood in his head rushing south to his cock, where it's getting uncomfortably warm and tight. He grabs you underneath your ass and hoists you up, and you squeak, instinctively locking your legs around his hips. You wrap your arms around his shoulders as he kisses you feverishly, desire brewing in your stomach as he presses you into the wall, tongues and teeth clashing, the both of you unable to satisfy the ever-growing blaze. It threatens to burn up the stairwell until there's nothing left but a sweaty, naked mess.

Simon breaks away to latch onto your neck, taking the thin flesh and rolling it between his teeth You bite back a whimper, carding your fingers through his hair; he bucks his hips in response, albeit involuntarily. You can sense the knot in your pelvis tightening, underwear growing slick as you feel the size of his erection with each thrust. Even through his clothes, you can tell it would be a challenge, but you've never been one to back down.

Fingers slide under his shirt, feeling the solid wall of muscle and fat beneath - his retracts a hand and drags it up your stomach, kneading and groping your tit through your shirt, silencing your moan with another searing, wet kiss. He's grinding into you now, hips rolling, cock twitching through his pants as you lock your ankles behind his back, and fuck he's ready to strip you bare right here and fuck you against the wall, ready to get back at you for teasing him for so long, ready to listen to your cries as you take each and every rung of his piercing-

He catches himself, lips moving away from yours to kiss along your chin, all the way up to your jaw. He sighs as he stills his hips, letting his head fall against your shoulder as he leans his weight into you. You feel him relaxing, wondering if he's worried about you again, but you so desperately want this to continue where it's heading.

"I'm alright, I'm alright-"

"I know..." he mumbles, his hand sliding back to your thigh and squeezing the flesh there, fingers barely slipping past the hem of your shorts. He wants to go further, to feel the hem of your panties snap against his fingers, but he forces back the urge.

"What's wrong?" you pant, craning your neck to the side to look at him.

"'M not..." he huffs, pulling his head back and gazing down at you. "Not fuckin' you in the stairwell, dove. 'S filthy back here."

Your face heats up even more - the fact that he had to hold himself back from disheveling you right now is an unspoken compliment. "Can we take it upstairs?"

He chuckles and gently sets you down, much to your disdain. "No. Got a bar to run." He says, preening at the way you pout at that. "And I'm takin' you out, first."

"Out?"

"Yea, for lunch."

"Wh- where?"

"You decide. Monday."

Monday - that's deep-clean day. "Don't we have to be here at noon?"

He chuckles. Always worrying about losing your job. "I'll make an exception. Won't fire ya for goin' on a date with me."

Date. God, you could scream. "But what if Price-"

"If that man ever threatens your position at this pub," Simon leans down, gently grabbing your chin between his fingers, "you come to me, n' I'll knock some sense into 'im. Sound good?"

You're too starstruck to register half of what he's said. Simon Riley's just kissed you. AND admitted to wanting to fuck you. Now, he's taking you on a date on Monday. Did you have any plans? Doesn't matter. If you do, they're cancelled.

"Uh huh..." you say, absentmindedly leaning into his touch.

Looking down at you: you, you... god, can he call you his? Is that too soon? The stars in your eyes while you're staring at him, the struggle within himself to avoid both adoration and getting hard(er)... He takes another deep breath, thumb running down the blossoming hickey on your neck.

"Right." he taps your cheek softly, then goes to tuck his shirt back in from where you'd torn it from the waistband. "Go ahead n' take a minute. Come to the bar 'fore you leave."

He grabs the handle to leave, hesitating only for a moment. Both of you seem to have the same idea, sharing a hive mind with each other. You quickly move forward and he leans down as you both kiss again, slower, trying to savor this one. Honey drips from your brain into your chest, every cell in your body screaming in relief, satisfaction, and pure joy...

He breaks away again, laying a kiss to the crown of your head. You sit down on the stairs as he walks back onto the pub floor. He's still hard, and it's plain as day - but he could care less right now. He's got you just as much as you've had him. There's a lightness in his shoulders, a voice in his head that you've finally plucked free and thrown into the abyss, only to be replaced by your own being.

You're still sitting on the stairs, massaging your tits through your shirt as you try to smooth your nipples out. Your mind is racing a million miles a minute. What should I wear? Will Price be upset? Should we try to hide this? Will anyone care? Should I wear perfume or just body spray? Is work going to be weird now? He's not going to treat me differently, is he?

You sigh, biting your lip and trudging up the stairs. Your fingers run over the hickey on your neck. I need to find a whisk.

[soaps-mohawk]

Cherry Red, Crimson Blood

Chapter 36: To The Sea

Summary: It's time to move on. You're not sure where you're going exactly, but anywhere is better than Texas

Pairing: Poly 141 x reader

Word Count: 7,816 words

Warnings: ANGST, injuries, medical stuff, descriptions of pain and injuries, brief discussion about strangulation, mentions of PTSD and nightmares, so much crying, Alpha/Beta/Omega dynamics, Alternate Universe, angst, a very little sprinkle of comfort, language, mentions of medications, still very heavy emotionally

A/N: Not actually a lot of warnings for this one. It's a lot of dialogue and inner monologues. Not a lot happens, just mostly setting the scene for the next chunk of the story. Bring tissues though, the last part of the chapter emotionally wrecked me but also might be the best thing I've ever written.

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It’s warm outside. 

Not even the shade from the building can completely shield you from the dome of heat that seems to surround the base. It seeps into the concrete and asphalt that lock it into place, trapping everyone in a bubble that may as well be an oven. It’s always hot in Texas, though. You hate it. You’ve been spoiled by the cold, rainy seasons in England. You’d gladly take that over Texas. 

You’d take anything over Texas. 

The heat prickles at your skin, your arm starting to get sweaty in the sling. It had been Dr. Keller’s idea to keep your shoulder as still as possible so you don’t continue to cause yourself pain when you move. It still hurts, but at least you won’t instinctively try to use your left arm now.

Despite the warmth, there’s still a chill deep in your bones. The warmth of the pain medicine has worn off and you’ve been left with the perpetual ice that has seemed to coat your insides. Dr. Keller says it's the stress giving you a fever. Every nightmare, every flashback sends your body temperature spiking, your heart beating right out of your chest. You’re not out of the woods yet. It can take a long time to recover from that level of distress and the omega taking over. You almost regret it, but there was no guarantee you would have lived either way at that time. You did what you had to do, and it did work out in the end. 

But at what cost? 

Dr. Keller’s phone buzzes in her pocket and she pulls it out, staring down at the screen for a moment. “Kyle wants to come by.” 

You don’t want to see him. You don’t want to see any of them. 

“I think you should see him. Even if it’s just for a moment.” She squeezes your hand. “I’ll be right here.” 

It’s a predicament. Dr. Keller supports your decision to keep them away, putting some distance between all of you for the time being. Yet, she also says being close to your pack will help your healing. Having your pack around will help your omega settle once again. She needs that safety, that security before she finally lets go completely. 

You don’t want to be close to them, but you may not have any other choice. 

You sit there in silence, picking at the fabric of your sweatpants as you wait for Kyle’s arrival. Sweat has started to bead on your back, the day only getting warmer and warmer as the sun moves higher in the sky. You want to go back inside, back into the cool air conditioned building. You want to crawl back onto the hospital bed and lay there for the next few hours. 

You can’t. 

Footsteps approach, but you don’t look up. You know who it is. You don’t want to see him. 

“Kyle.” Dr. Keller greets. 

“Christine.” He says back. It still throws you off, hearing Dr. Keller's first name. She'll always be Dr. Keller to you. Kyle turns his attention to you, still standing a few steps from the bench you're perched on. “Hi, love.” He says. The affectionate nickname almost makes you wince. You don't look up at him. You don’t want to see his face. “I wanted to stop by and see how you’re doing.” 

You don't move, don't give an answer. You don't have an answer to give anyway. You shouldn't have to give an answer. 

He lowers himself onto the bench, sitting as far away from you as he can. “It’s hot today.” He says, adjusting his hat. Always wearing a hat. Maybe that's why he and Price work so well together. 

He stares at you for a long moment but you don't bother moving, your gaze still on your sweatpants. They're starting to get a bit warm, even with your perpetual chill. 

“I’m not here to apologize.” He says, breaking the silence. “You’ve probably heard enough apologies to last you a lifetime.” He shakes his head. “Words can’t fix what we did. Nothing can fix what we did, how we left you there. All we can do is give you what you need, try and make you as comfortable as possible.” 

Tears burn your eyes as you listen to him. He's not wrong, an apology won't fix what happened. No words will ever be able to fix what they put you through. You're not sure there's anything they could do that would make up for it. An apology still would have been nice, despite the fact you know how guilty he is. Their avoidance of you, their willingness to give you such space in an unknown place just proves how guilty they all are. 

That doesn't make things hurt any less. 

You slowly turn away from Kyle, angling yourself towards Dr. Keller. 

He doesn't say anything further in that regard, taking your movement as an answer to his non-apology. He leans forward instead, resting his elbows on his knees. “I just wanted to let you know that we’re getting ready to leave soon. We’ll be heading somewhere safe, somewhere quiet and secluded. I think you’ll like it.” 

Dr. Keller had informed you of that earlier after she went to speak to them. They've decided what to do, what's best for the pack again. You might have protested, except for the fact it meant you were getting to leave Texas. Where exactly they're taking you, you're not sure. You just know it's not Texas. 

“I want you to know that we’re here if you need us.” He stares at you for a moment longer before pushing himself up to stand. 

If, not when. 

Maybe they're finally getting the message. 

Dr. Keller stands, touching your right shoulder gently before she steps away with Kyle, speaking quietly with him, but you can still hear every word in the nearly silent space around you. 

“In an attempt to remain a neutral, professional party in this situation, I feel it would be appropriate for me to tell you not to beat yourself up too much about this.” Dr. Keller says. “The unprofessional side of me has many words I’d like to say to all of you.” She clears her throat. “That being said, on a positive note I can say you’re all doing the right thing for once, prioritizing your omega and fulfilling her needs, even if her needs require you to leave her alone for now. I know it’s hard, I know every instinct is screaming at you to help her, but just take comfort in knowing you are helping her. You’re doing the best thing you can do for her at this time.” Dr. Keller puts a hand on his arm, squeezing it gently. “Even if it is tearing you up inside.” 

“Thanks, Doc.” He says. 

“I’ll see you soon.” She says, patting his arm before she heads back towards your bench. 

You turn your head just slightly, not missing the way Gaz lingers for a brief moment before he turns his back on you, walking back down the sidewalk. 

It hurts. 

You want to cry with every swallow. No matter how much you chew, it doesn’t ease the pain of trying to swallow solid food. Even the worst sore throat you’ve ever had pales in comparison to this pain. Tears burn in your eyes as you eat, unable to refuse this time in favor of choking down some liquid nutrients. Even liquids make your throat ache, but they are easy to chug to get it over with at once. 

This feels like torture. 

Dr. Keller looks guilty as she spoon-feeds you the soup. Chicken noodle, something simple and easy but still something with some substance. It makes you think back to when you were sick as a child, your mother dutifully feeding you homemade chicken noodle soup until you reached the age you could feed yourself. 

You do feel like a child again, unable to even hold the spoon. Well, you could hold it, but it would have come at the expense of some burns from how badly your hand was shaking. 

So instead you sit here, being spoon-fed soup you can barely stand eating. 

“I know.” She says as a tear finally falls, your inhale shaky from the ache in your throat. “You need something in your system for the sedative. It’s a long flight and you’ll be sick when you wake up if you don’t have anything in your stomach. That’s going to hurt a lot worse than eating now.” 

Yeah. You’ve already figured that out. 

“Strangulation is a tough thing to survive.” She says, dragging the bottom of the spoon against the edge of the bowl to wipe off any soup that might drip on you. “Then again, so is getting shot, and distressing to the point of your omega taking over.” She holds the spoon up to your lips, and you’re tempted to refuse. “You’ve survived a lot, more than most could. And to look this good after...” 

You blink up at her, teary eyed and sickly looking, exhausted and bruised. Your left eye is still almost swollen shut, and your hair is tangled perhaps beyond saving, tied up in a bun at the top of your head. All just reminders of what you survived, all reminders of what happened to you. Of what was allowed to happen to you. 

You’re not quite sure when the last time you had a real shower was either. 

“I know.” She says, spooning more soup into your mouth. “You might not feel like it, right now.” 

“I want a shower.” You say, your voice still hoarse and cracking through your throat. A real shower might solve a lot of problems for you right now. It won’t fix much, but being truly clean would make a lot of things feel better. 

“I wholeheartedly agree.” Dr. Keller says. 

You give her a look. You don't smell that bad. She should know, she’s the one that cleaned the blood off of you and the one who gave you the sponge bath this morning. 

She gives you a look back. “I meant it would be nice to take a real shower. Once we get where we’re going, we can work on the logistics of a shower.” 

Right. You can’t exactly stand for a long time on your own, not to mention the problem of only being able to use one arm without bringing blinding pain upon yourself. That’s where the pack would come in handy. 

The thought of one of them seeing you vulnerable like that, putting their hands on you right now makes your skin crawl. 

A shiver runs down your spine, your body shuddering uncontrollably. You grunt as your shoulder screams in pain, another electric jolt burning straight through your nerves and down through your feet. Fuck. You mouth the word, squeezing your eyes shut. It makes your stomach churn, the soup starting to burn a path back up through your esophagus.

“Breathe for me.” Dr. Keller says, putting a gentle hand on your right shoulder. 

In and out. You focus on your breath, the only thing you can do without feeling like you’re going to go insane from the pain. It’s all you can do in this situation. It’s the only thing you can do at all. Breathe. Just keep breathing. 

Sometimes you don’t want to. 

The pain passes as it always does, leaving behind a subtle ache that will linger until the next flare of pain. It’s a constant, never-ending cycle that you can’t escape from. Weeks, Dr. Keller had said. It can take weeks to heal. You’ll be stuck in this cycle for weeks and weeks. What if it never heals? That is a possibility. It’s always a risk with any injury. 

What if the rest of your life is like this? 

You’re crying again, hot tears blazing a path down your cheeks. They won’t stop, they never stop. There’s a constant stream down your face, even in your sleep. You’ve woken to find your face and neck damp from the never ceasing flood of tears. 

How you can’t wait for the time to come when you have none left.

You’d welcome the numbness at this point, greet it like an old friend and invite it in for tea. Anything over the pain and tears that won’t stop. The depression-fueled numbness that had filled you when Price and Gaz left, then Soap and Ghost would be a welcome relief at this point. Anything would be better than the pain. 

You almost wish you were in a coma right now. Then you wouldn’t feel anything at all. 

Dr. Keller puts the spoon back into the soup bowl before rolling the table to the side. She puts a hand on your head, gently stroking your hair as you cry. The room is silent aside from your sniffles, Dr. Keller not having to say a single word. The silence is almost a blessing. You’re tired of hearing words, of hearing people speak. There’s nothing anyone can say that will do anything to help you, to comfort you, to make it better. 

There’s nothing anyone can do to make it better. 

You’re so tired of being like this. 

The sedative is kicking in before you even reach the airfield. She can see the way your head is drooping further and further forward in the car, your body jostling without any complaint. It had started kicking in before you even got into the car, as you offered very little resistance when Kyle helped her mauver you into the front seat. She chose Kyle out of everyone to help her in hopes it would be easiest on you. Your claimed alpha’s beta is a good place to start in rebuilding the bonds within the pack, and his calm demeanor certainly helps. He is a caretaker through and through, that beta trait prominent above the others in him. He would have made a good medic, had he gone that route. 

Your chin drops to your chest as the car comes to a stop in front of the plane, your body slumping to the side against the door. 

“She’s out.” Christine says, unbuckling her seatbelt. 

“Makes this easier.” Kyle says, getting out of the car. 

They maneuver you into the wheelchair, Christine easing your head onto your right shoulder to avoid aggravating the left. The less pain you’re in when you come out of it, the better, though pain will be unavoidable. Kyle pushes the wheelchair up the ramp of the plane, Christine following close behind. She’s glad she gave you the sedative before you left the med center to avoid as much pain as possible. She almost wishes she had given it to you earlier, as getting you into a sweatshirt had been a battle of its own. Though, the longer it stays in your system, the longer you’ll sleep through the flight. The longer you sleep through the flight, the longer they can delay the inevitable emotional storm of being enclosed in a tight space with your pack. 

If you’re lucky, you’ll be out of it long enough for them to reach the cottage without incident. 

John is waiting near the front of the aircraft, his eyes watching carefully as Kyle helps maneuver you into a seat. Even with the turmoil in the pack bonds, an alpha will always feel protective over their omega. There’s some things that can’t be undone, even in such a fragile state. Some instincts can’t be unlearned, no matter what. 

“I gave her a sedative.” Christine explains as she gets you as comfortable as possible in the seat. “It won’t last the whole flight, but it’ll take a while to wear off regardless.” 

“Is that more for her or for us?” John asks. 

“Both.” Christine says. “Mostly for her. It helps with the pain of moving around, but it will also keep her calm in close quarters like this.” 

“Here.” John says, handing her something. It’s a blanket, brand new by the feel of it. “Johnny made a store run this morning. It’s going to get cold in here, so he got the warmest one he could find.” 

Christine takes the blanket, the fabric thick and soft in her hands. It’s a touching gesture, speaking volumes of their desire to still care for you despite everything, their willingness to do what they have to, to keep the pack together. “Perfect.” She says, carefully draping it over you and tucking it around you before John gets you secured in the seat. 

“It’s going to be a long flight.” John says, taking a step back. 

“It is.” Christine says, pulling out her thermometer. She takes your temperature, letting out a hum at the number that pops up on screen. “I need to monitor her temperature.” She explains as John gives her a look. “It’s been spiking when she gets stressed.” 

“She's not quite out of it yet, is she?” John asks.

“Not quite.” She says, putting the thermometer back in her bag. “I’ve only seen two omegas successfully come back from that point, and I know the number across the board isn’t very high. It takes a long time for the body and the brain to get back to normal.” 

“And on top of everything that happened...” 

She stares up at him for a long moment. “She’s very strong. I knew she was a fighter, but to come out the other side even where she is now...” Christine shakes her head. “I didn’t want to say this at the time, but I was expecting the worst. When that call came in about what state she was in...” She bites her lip, holding the emotions back. “Her resilience and fortitude is what kept her alive. That and Simon’s courage to do what needed to be done.” 

“I know.” John says, looking past her. “We all owe a lot to him.” 

Christine puts a gentle hand on his arm. “You’re doing what’s best for her. No matter how much it hurts, no matter how much it goes against every instinct you have, it’s what she needs.” 

“That’s all that matters to us right now.” John says, staring down at her hand for a moment. “There’s nothing else we can do, so it’s time we start putting our priorities where they should have been the whole time.” 

Christine gives him a small smile. “I’m proud of you for that. It takes a lot to unlearn the things you’ve been told since the beginning.” 

The corner of John’s lips twitch before his face falls into the emotionless mask he’s been wearing for the last few days. “It’s about time we get our heads out of our arses.” 

“I can’t blame you totally.” She shrugs. “We were all just doing what the initiative was telling us to do. We couldn’t have known. There wasn’t any room to question it.” 

“I wish we would have figured it out sooner.” He sighs. 

“Things might have been worse if the truth did come out sooner. If you started digging into the initiative too soon, Shepherd might have gotten antsy and taken more drastic measures to stop the truth from coming out entirely.” She glances down at you. “I think this was all inevitable.” She turns her gaze back to John. “What happened, happened. None of us can change that. All we can do is keep moving forward with what we have right now.” 

He stares at her for a long moment. “The more time passes, the more I’ve come to realize why Kate chose you for this position.” 

The corner of her lips turns up in a smile. “Well, I am rather good at my job, which, among other things, involves advocating on behalf of omegas.” 

John huffs. “Wish we would have listened sooner.” 

“You can’t change the past.” She repeats, looking down at you again. “But you can change the future.” 

You woke from your sedation about four hours from Helston. 

Well, ’woke’ might have been too strong of a word for it. Your eyes opened, but you were still hazy, movements sluggish and entirely unaware of the world around you. You floated between sleep and awareness for an hour before finally gaining consciousness completely. Awareness took quite a while to return, though. Not until they were moving you to the car from the plane. 

Even still you’re groggy, slumped against the door in the back seat of the car. You blink slowly, eyes unfocused as you stare out the window at the blur of green passing by. 

“How is she?” John asks from the driver's seat, glancing up at the rearview mirror. 

“Cow.” You say, blinking slowly as the car passes a field of cows. 

“Still out of it.” Christine answers from the back seat where she's sitting next to you. Your response might have been enough to answer that. “Better than being in pain, though.” 

“How long will it take for her to get out of it?” Kyle asks. 

“Hopefully she’ll be more lucid by the time we get there, but it could take a few hours for it to completely wear off.” Christine says, wiping a bit of drool from your chin. “Probably not a bad thing. This is a big change, and with everything that’s happened, it’s going to take some time to settle in.” 

“Things are going to be rough.” Kyle says. 

“Yes.” She agrees. “Being enclosed in a small space with the people you want to see the least in the world isn’t an ideal situation. It’ll be an adjustment for everyone. I trust all of your abilities to adapt, though. Just don't go in expecting things to be the way they were.”

John's hands tighten around the steering wheel, his knuckles going white. Kyle cracks his window open, prepared for the thickening of John's scent in the air. Christine knows she hit a nerve, but it needed to be said. Even if you were open to forgiveness right now, even if they had chosen to go after you right away, things still wouldn't be the same. Things won't ever be the same. It is their fault deep at the root of it. Those cameras were put up because of them, you were taken because of them. You were chosen for the “initiative” because of them, because Kate thought you'd fit in well with them. Their decisions shaped your life, and will continue to shape your life. 

Can you ever come to forgive them? Christine likes to think so. She has the hope that they can put in the work and regain your trust and earn eventual forgiveness. She knows you'll allow them to try once the initial hurt and emotions begin to fade, once the two of you put in enough work to start processing the trauma around the events that happened. It will take time. Probably a long time. 

She'll be there every step of the way. 

“Ashley did some shopping for us, picked up some stuff to get us until we can get into town.” Kyle says, looking at his phone. 

“Good.” John says, his shoulders starting to relax. “Should wait a couple days before going. Get settled in.”

“She's still working on cleaning up. Probably still be there when we get there.” Kyle says, putting his phone back in his pocket. 

“That's fine. We’ll probably have to utilize her a bit.” 

“Doubt she'll complain.” Kyle says, looking out the window. “Be thrilled to have something to do besides work.” 

You let out a quiet groan, shifting against the door. “Hurts.” 

“I know, honey.” Christine says, carefully adjusting your left arm. “I’ll give you more pain meds once we get to the cottage.” 

“We’ll be there in half an hour.” John says, glancing up at the rearview mirror again before turning his eyes back to the road. 

The half hour seems to take the longest as you continue to become more and more lucid and aware. The pain sets in first, your brain picking up on those signals before anything else. John’s knuckles are white around the steering wheel as you begin to whine and whimper around every bend in the road and turn he has to make, every jostle of the car. Every instinct in his body tells him to pull over and comfort you, but he can’t. It’s more important to get to the cottage, and there’s no guarantee you’d even let him. It might make things worse. 

The last thing you need right now is for things to get worse. 

Christine breathes a sigh of relief as they pull up to the cottage, glad she can finally get you somewhere more comfortable. You’ve been in far too many uncomfortable positions today, moved around too much. She would have liked to keep you in Texas a couple more days, but she knew as soon as you were able to travel, the better. The sooner they could get off the grid, the better. 

The sooner they could get out of Texas, the better. 

Kyle is getting the wheelchair out of the trunk when Johnny and Simon pull up, not having been far behind. They likely took a turn around the back roads to ensure no one was following and to keep things from looking too suspicious. 

Christine keeps you from slumping out of the car as she carefully opens the door on your side. You’re more awake than you were, blinking up at her with almost startlingly aware eyes.

“Crutch.” You pout when she pulls the wheelchair closer. 

She gives you a look. “Honey I'm not sure you could even stand right now.” You may be more aware, but that doesn’t mean your body is working as it should.

You let out a defiant noise as you attempt to get your legs out of the car, trying to hide your grunts of pain and discomfort. 

She's tempted to stand there and let you try, but she knows all hell will break loose if she lets you fall. She's not willing to take that risk, not to mention it will cause you more pain to get you up off the ground. 

“Come on,” She says, stopping you before you can get your feet under you. “Nice and slow.” 

You let out a quiet growl of indignation but you allow her to help you, your legs trembling as she eases you up. Kyle is there with the wheelchair, getting it as close to you as possible so she can sit you down quickly. 

“Ow.” You breathe, eyes pinched closed as you breathe through the pain. 

“I know.” She says, patting your good shoulder lightly. She's glad she put you in the sweatshirt before you left Texas. It's chilly outside, chillier than it was further inland a few days ago. 

It's hard to believe it's only been a few days since you were taken. Barely even a week. So much happened in such a short period of time. It feels like it’s been weeks since everything started, but then again, it had been weeks since John and Kyle first left. It had been weeks since you had been around your whole pack together by the time you were taken. The deep depression you sunk into before the events of the last week had been draining you slowly for weeks before this. It had started before John and Kyle were deployed, back to that day when you revealed the cameras and the secret you had been hiding from them. 

How long you’ve gone in such turmoil. 

How far you still have to go. 

The path up to the door is rocky and uneven, the wheelchair jostling as she pushes it up towards the door. She can picture your face, the way it has to be screwed up in pain. You're silent though, holding it all in. She almost wishes you weren't being silent about it. 

The door is already open, light shining from inside as she approaches. Kyle is in the house already, having gone ahead to greet his sister. John is right behind the two of you as Christine turns to wheel you up the steps into the house. His eyes are on you, focused and ready should you fall.  

Christine would never let you fall, and from the way your hand is gripping the arm of the chair for dear life, you probably couldn't anyway. 

She wheels you through the entryway, the inside warmer thanks to a fire that's burning. It's a nice cottage, far nicer than she had been expecting judging from the outside. 

Johnny lets out a low whistle as he enters behind John, looking around. “Yer parents own this?” 

“It was given to our mum by our grandparents. They did some...renovations before they passed it on.” Kyle says. 

“Yer tellin’ me.” Johnny says. 

It looks new inside. New wood floors, freshly painted walls. The furniture looks like she would expect to find in an English seaside cottage, though. Kyle’s parents went to France for summer vacation instead of utilizing the cottage, and none of his siblings had wanted to use it, he told them. It looks almost perfect, like it came right out of a home renovation show. Kyle’s sister must have worked some sort of magic to get it this clean. 

It is a very nice cottage. It’s small, the door opening right to the main area. There’s two couches and a chair in the middle of the room around a coffee table. To the left of the couches is a fireplace, the fire already lit and crackling. It looks original, likely having been untouched in the renovations. There’s a door to the left of the fireplace closer to the main entryway. A bedroom maybe? To the right of the front door are two doors, one on the far wall and one facing the front door. 

The stairs are in the middle of the house, leading up to the second floor where there’s likely more bedrooms. On the far side of the main area is the dining area and beyond that is a sliding glass door. Around the corner on the far side of the stairs is likely the kitchen. She can see the fridge from where she’s standing. It’s new. Very new. Makes her wonder just how long ago it had been renovated. 

“Everyone, this is my sister Ashley.” Kyle says, introducing the other woman in the room. 

“Hello,” she says, giving everyone a wave and a dazzling smile. 

She’s dressed simply in jeans and a t-shirt, her medium box braids pulled up into a bun on top of her head. They look a lot alike, her and Kyle. Tall and slender and stunning. They have the same smile and the same soft brown eyes. She's wearing scent blockers, but Christine can imagine her having a soft scent like lavender or something fresh like mint. 

“There's two rooms down here, and two upstairs.” Kyle says. “The main bedroom is through there.” He points towards a door to their left. “I figure we'll give that to our omega. The bathroom in there has a walk-in shower.” 

“Perfect.” Christine says. That will make getting you in and out of the shower easier at least, and you won’t have to go far to use the bathroom.

“You should take the other room down here.” John says, looking at Christine. “So you can be close in case of an emergency.”

And so you don't have to be too close to them, so you won’t feel like they’re hovering.

He doesn't have to say that part out loud. 

“I put new sheets on all the beds.” Ashley says. “I also picked up everything Kyle sent on the list. Food, some clothes, some other necessities.”

You let out a quiet groan, Christine patting your head gently. You have to be exhausted and sore after the day. She should give you another dose of pain medicine like she said she would. You’re going to need it tonight. 

“Let's get you laying down for a bit.” She says, wheeling you towards the door. 

Kyle opens it for her, revealing a spacious room with a big window looking out towards the sea. You're going to spend a lot of time in front of that window, she thinks. The bed is in the middle of the room, and there’s two chairs facing the window. She’s almost tempted to sit you in one of the chairs, but laying down will be more comfortable for you right now. 

You're still too out of it now to care much as she wheels you to the double bed. With Kyle's help they get you horizontal, Christine draping the blanket at the end of the bed over you. It’s not very soft, but it will do for now. She’ll have to get the guys to pick up some soft blankets for you when they go to town. She has a whole list of things starting in her head she needs them to pick up.

She leans your crutch against the end of the bed just in case you might need it for an emergency. She hopes you’ll yell first, but you always have been stubborn. Being mostly bed-bound has only made that worse. 

“I’m going to go look through the things Ashley picked up.” She says, patting your leg gently. “Get some rest.” 

Christine leaves the door open a crack as she exits, wanting to give you a little privacy as you nap, or at least she hopes you’ll nap. It’s going to be a rough adjustment, and you’re going to need as much rest as you can get. 

“I’m assuming you’re Christine.” Ashley says, walking up to her. 

“I am.” She says, giving Ashley a smile. 

She can’t help but get lost in Ashley’s soft gaze for a moment. The Garrick siblings seem to share the same magnetic energy. There’s something almost ethereal about them. She could easily imagine them with glowing halos and angel wings. It’s almost like she’s being blessed with the opportunity to look upon her. She could spend an hour staring at Ashley’s face and not grow tired of looking at her.

“I picked up the items Kyle said you needed.” She says, motioning to the bags on the coffee table, pulling Christine out of her daze. “I couldn’t find the exact nutrient powder you asked for, so I got one that was as close as I could find.” 

Christine glances through the bags. She was thorough, getting at least two of everything. 

“I got warmer clothes for her too, since it can get chilly out here this time of year. Just some simple things for now until you guys get into town.” Ashley says. “I did some research too and I read that omegas like comforting things so I picked up some extra blankets and pillows” Ashley says, motioning to a couple bags sitting on the couch. “I also picked up this,” She pulls a stuffed dog from one of the bags, holding it up. “It was the softest one I could find. I thought it might help.” 

A small smile forms on Christine’s face, her heart fluttering in her chest from the sweet, thoughtful gesture. Ashley doesn’t even know you, nor did she know exactly what happened to you, and yet she went so far as to pick up some comfort items for you. You have nothing right now, only the borrowed clothes on your back. All of your belongings are still on base, all of the things that you had built to make your perfect nest. Would you want any of them still? Or have they been tainted by the events of the last few weeks? 

That Ashley thought to do this has warmth flooding Christine’s body. You can have some comfort now without having to wait for their trip to town. She almost feels the urge to cry. She wants to hug Ashley, thank her over and over for her kindness. Ashley has no idea how much her small act of kindness means, how much it's going to mean. 

A smile forms on Christine’s face as she stares at the stuffed dog. “It’s perfect.” 

You can hear it. 

In the distance, the quiet roar reaches your ears as you’re dragged from the sweet arms of sleep. It must be a dream, or perhaps the sedative is still clinging to your mind, making you imagine things. 

No. 

You’d know that sound anywhere. 

The effort to push yourself up to sit is a momentous one, every cell in your body protesting after a day of being moved and jostled. The last thing you want is to move right now, but you have to. 

The pain meds have done little to help.

The crutch at the end of your bed must be a thousand miles away as you sit there and stare at it. The ache in your body only increases as you become more and more aware of the pain, almost as if it can tell what it is your mind is planning. 

The door is cracked open, letting in a slit of light from outside. It’s dark in the room, the curtains pulled over the window. It’s a blessing compared to the bright yellow light outside the door. You welcome the darkness as your head begins to throb. You could call for assistance. You’d get more help than you needed. More help than you want. 

No. 

You need to do this. 

The effort it takes to get standing nearly sends you back onto the bed. The pain nearly blinds you as your feet touch the floor, your body leaning against the side of the mattress out of desperation. If you fall, you’ll never be alone again. You can’t afford that. You don’t want that. 

If you fall, you’ll never get up again. 

The breaths out of your nose are short and sharp as you reach for the crutch, fingers trembling in the effort to fight the pain threatening to blind you. You’re trembling like a leaf in a storm as your fingers finally wrap around the cool metal. The rubber bottom drags across the floor as you tug it over to you, holding it against your chest for a moment. 

Breathe. That’s what you need to do. Breathe. 

In and out. 

Nice and slow. 

The pain is only a memory. The pain is nothing. The memories forming at the edges of your mind will take over and wipe out the pain and the misery. You just have to be sure. You just have to be certain.

You push yourself upright using the crutch, tucking it under your arm. You should go back to bed. You should rest. 

No. 

You need to know. 

You need to be certain.

The first step you take nearly makes you sick. 

It’s like watching a baby deer walk for the first time, knees wobbling, feet shaking. You lean heavily on the crutch, your determination the only thing keeping you from tumbling to the floor in a heap. That might almost hurt worse than forcing yourself to stand upright. 

If you fall, you’ll never get up again. 

Inch by inch you move across the floor, silently grateful for the socks on your feet. They allow you to slide across the hardwood, but they also pose a threat. Slide too far and you’ll lose your feet. 

If you fall, you’ll never get up again. 

The determination and your desire for certainty is what keeps you sliding inch by inch across the floor towards that strip of blinding light in front of you. It’s hovering before you, threatening you. How do you know there’s not one of them standing guard, waiting for you to try and leave? You can’t know. You don’t have a clue what’s waiting on the other side of that door. It could be nothing. It could be your entire pack. 

Breathe. 

In and out. 

You take a moment at the door, resting your aching feet. Your body is throbbing from the effort to keep yourself upright, the sedative still numbing your brain and your movements. It’s like treading through honey, everything twice as hard as it should be. You can walk. You’ve done it before. You did it in the medical center. 

You can do it here. 

You use the crutch to push the door open more, your free arm still tucked in a sling to keep you from moving it. Reaching for it with that arm would have put you on the floor, would have caused more pain than you needed, would have made you fall. 

If you fall, you’ll never get up again. 

Breathe. 

The light burns. Explosions of yellows and whites erupt behind your eyelids as you screw them tight against the sudden onslaught. The sun is in the room, shining its rays directly into your sensitive eyes. Your stomach churns, your fingers tightening around the crutch so tight your knuckles begin to ache. The oppressive light makes you want to recede back into the darkness of the room behind you like a vampire shying away from the light of day. 

No. 

You won’t be defeated by the harsh artificial lighting. You need to know. 

You need to be certain.

The others are moving around. You can hear voices around the corner, voices upstairs with thudding footsteps. The air is thick with a mesh of scents, cleaning chemicals, and the burn of scent blocker. Your nose wrinkles at the sudden onslaught against your senses, your sedated brain making it all seem so much worse. 

You need to know. 

The hardwood floors continue and you use them to your advantage as you shuffle your way across the main area. The fire crackles as you pass, the popping of a log making you startle. Your feet slide again, your body pushing up against the crutch to hold yourself steady. 

If you fall, you’ll never get up again. 

Your target is dead ahead, a mile away but so close you can almost taste it. Just past the dining table and straight on till morning. 

Despite your snail’s pace, no one seems to notice you shuffling your way across the house. It should make you upset, the fact that none of them notice you moving around, but instead it makes you glad. They’d try to stop you if they noticed you, turn you around and shuffle you back to bed. Or worse, they’d carry you. 

How easily you could slip away, though. 

Well...in theory. 

Perhaps that’s why they ‘re not paying you any mind. How far could you really go in your current state? 

Why would you want to stray from the only safe space you have? 

The world outside is more dangerous with the state you’re in. Not just because of your injuries and your status, but also because you know Shepherd is still out there, and for all you know Graves is as well. 

He could be waiting right outside the door. 

No. 

They’d know. 

They’d protect you. 

They failed. 

You push past the fear in favor of certainty as you push forward, passing the dining table in your slow crawl towards the sliding glass door. 

It poses an entirely new threat as you stand before it, staring out the darkened glass. You have to get it open. Getting it open takes strength and you’re down to one hand that’s trying to keep you upright. 

You have to know. 

You have to be certain. 

You lean your weight on the crutch, ignoring the way it digs into your armpit as you reach for the handle. You click the lock, wrapping your fingers around the plastic before pulling. Your body screams with pain as you tug, the door sliding in the track as slowly as you had moved across the small living area. It’s almost as if it's mocking you. 

It’s open only as wide as you need to crutch your way through, doing your best not to knock your left shoulder against the frame. 

If you fall, you’ll never get up again. 

Breathe. 

You can smell it. 

The salty sea air invades your senses, slipping up through your nose and straight into your brain. Memories come flooding back of childhood vacations back when things were simpler. Back when nothing mattered but the sand and the water and avoiding getting chased by your brothers carrying the piece of seaweed they found. 

Polkadot bathing suits, bright red to be seen easily. Toes in the water, sand everywhere. The nap in the silent car home. 

How simple life was back then. How easy life was. 

Your heart aches for those days again. The days when you could exist without a care in the world, trusting your pack would keep you safe, trusting your family would care for you. Your mind yearns for that sense of safety and security again. 

The world is grey as you hobble across the porch, the grey seeming to go on forever. You missed it, the chill in the air, the gloomy grey overhead. How you yearned for the gloom of England while stuck in the heat of Texas. 

Anything is better than Texas. 

Your forward shuffle pauses at the edge of the deck, your eyes looking out into the grey. Your breath catches in your throat as you stare out into the distance, the ache in your chest intensifying. It blocks out the pain in your body, numbing you to everything else as you stand there, legs trembling from the effort of going the short distance from your room to the end of the porch. 

You can see it. 

Emotions swirl inside of you like a hurricane as you stare out where the grey water meets the grey sky in the line of the horizon. Those emotions threaten to choke you as you stand there trembling at the edge of the porch. There’s a breeze, a cold one that bites through the fabric of your sweatshirt and into the skin below, but you don’t care. 

You can’t care. 

Your legs shake from the exertion, the neverending exhaustion that’s settled deep into your bones. It’s not just a physical exhaustion, but a mental one as well. It’s been a long week. 

Only a week. 

So much has happened in a week. 

You want to sit. You want to sink down onto the porch and rest. 

If you fall, you’ll never get up again. 

There’s a pain in your chest as your breath catches in your throat. The emotions are whirling, tightening around your chest, squeezing your lungs until they feel like they might pop. 

Breathe. 

In and out. 

You needed certainty. You needed to know. 

You can hear it. You can smell it. You can see it. 

A single tear rolls down your cheek as you stare out at the sea. 

NEXT ->

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[aceyalonso]

your brother won't like this - MAX VERSTAPPEN

pairing : max verstappen x norris!reader kinktober day 13 - deepthroating

summary : max can't seem to escape the norris' after that terrible race in Austria. The only difference? Y/n was actually worth Max's time (and stamina)

warnings/notes : story is set during the Austrian grand prix, swearing, drinking, smut, oral (m!receiving), unprotected sex (always use a condom guys!) choking, slight overstimulation, praise kink, degrading kink, name-calling, squirting, creampie, dirty talk

word count : 3.4k

a/n : god i love this trope

main masterlist | kinktober masterlist

After Lando and Max's disappointing crash in Austria, Max was fuming as he stormed into the hotel bar near the pool, his 5th-place finish feeling like a bitter defeat. As he approached the bar, he collided with someone, spilling his drink.

"Watch where you're going!" Max snapped, glaring at the person. But as he looked closer, his anger faded, replaced by surprise. Standing before him was a stunning young woman who looked remarkably like Lando.

"I'm so sorry, I didn't see you there," she apologized, her voice soft and melodic. She bent down to help clean up the spilled drink, giving Max an eyeful of her ample cleavage straining against her low-cut dress.

"Let me buy you a drink," Y/n insisted, her dark eyes meeting Max's gaze. "I should have been paying more attention. Please, allow me to make it up to you."

She gestured to the bar stool beside her. "Have a seat and let me buy you a drink. It's the least I can do."

Max hesitated for a moment, then shrugged and sat down, intrigued by this mysterious woman who seemed so familiar. As she signaled the bartender, he couldn't help but admire her figure, her curves accentuated by dress that she wore.

"I'm Y/n, by the way," she introduced herself, extending her hand. "And you are?"

"Max," he replied, shaking her soft hand. "Nice to meet you, Y/n."

As the bartender brought over their drinks, Y/n leaned in closer, her perfume tantalizing his senses. "So, Max, what brings you here tonight?" she asked with a playful smile, her fingers lightly brushing against his arm.

He sighed and took a swig of his drink, the cool liquid soothing his throat. "Just a rough day at work, you know how it is. Some asshole really got under my skin today."

Y/n nodded sympathetically, her dark eyes filled with understanding. "I'm sorry to hear that. Work can be so stressful sometimes."

"What about you?" Max asked, curious about the beautiful stranger. "What brings you to Austria?"

"Oh, I'm just passing through," Y/n replied casually, sipping her own drink. "Visiting my brother actually. He's here for some kind of race or something."

Max chuckled, shaking his head. "Figures. Seems like everyone and their brother is in town for that damn race."

As they continued to chat, Max found himself drawn to Y/n's warm personality and easygoing nature. She had a way of putting him at ease, her laughter like music to his ears.

As the night wore on, Max and Y/n continued to drink and converse, their initial tension melting away into a comfortable camaraderie. The alcohol flowed freely, and soon they were laughing and joking like old friends.

Y/n regaled Max with tales of her travels, her eyes sparkling with excitement as she described the various places she'd been. Max, in turn, shared stories from his own life, the stresses of work momentarily forgotten in the company of this captivating woman.

Their knees brushed under the table, sending a jolt of electricity through Max's body. He glanced at Y/n, noticing the way her lips curved into a coy smile as she caught his gaze. The air between them crackled with a palpable tension, a mutual attraction that was becoming harder to ignore.

Y/n leaned in closer, her hand resting lightly on Max's thigh. "You know, Max," she purred, her voice low and seductive, "I've really enjoyed talking with you tonight."

Her fingers traced lazy circles on his leg, inching higher with each pass. Max swallowed hard, his heart pounding in his chest as he met her smoldering gaze.

"I've enjoyed it too," he managed to say, his voice rough with desire.

Y/n's hand slid further up his thigh, her touch bold and unapologetic. "Maybe we should take this somewhere more private," she suggested, her lips hovering mere inches from his. "Somewhere we can... get to know each other better."

Max's breath caught in his throat, his body responding eagerly to her advances. He nodded, his eyes dark with lust as he imagined all the delicious things they could do together.

Without another word, Y/n stood and took Max's hand, leading him away from the crowded bar.

As they waited for the elevator, Max's hands found their way to Y/n's waist, pulling her close against his body. She let out a soft moan as his lips found the sensitive skin of her neck, his tongue tracing the delicate curve of her throat.

Y/n tilted her head back, giving Max better access to her neck as she pressed herself against him. Her hands slid up his chest, fingers curling into the fabric of his shirt as she lost herself in the sensation of his touch.

The elevator dinged, the doors sliding open to reveal an empty car. Max swept Y/n inside, his mouth never leaving her skin as he backed her against the wall, his body pinning hers in place.

The doors closed, and the elevator began its ascent to its destination. But Max and Y/n barely noticed, too consumed by their growing desire for one another. Max's hands roamed her curves, squeezing and caressing as Y/n arched into his touch, desperate for more.

The elevator reached their floor, the doors sliding open with a soft ding. Max and Y/n stumbled out, their lips locked in a passionate kiss as they made their way down the hallway to her room.

Max pushed Y/n against the wall as soon as they entered her hotel room, his lips trailing hot kisses along her shoulders. He tugged at the straps of her dress, letting them fall to the sides, exposing her smooth skin.

"You know, you never gave me your last name," he murmured between kisses, his teeth grazing her sensitive flesh. "It's not fair, since I gave you mine."

Y/n let out a breathy moan, arching into his touch as his hands explored her body. "Mmm, maybe I wanted to keep some mystery," she teased, her fingers tangling in his hair.

He nipped at her earlobe, his breath hot against her skin. "Well, I think it's time you revealed all your secrets to me," he growled, his hands sliding under her dress to cup her ass.

She hesitates for a moment, moaning as his lips make contact with the skin on her neck. "Norris," she breathes out. "That's my last name."

As Max's lips trailed along Y/n's neck, leaving a path of hickeys in their wake, the realization hit him like a ton of bricks. "Norris... as in Lando Norris's sister?" he asked, his voice tinged with disbelief.

Y/n's eyes widened, a mixture of surprise and guilt flashing across her face. "You know my brother?" she asked, her voice barely above a whisper.

Max chuckled darkly, his hands gripping her hips possessively. "Know him? That asshole is the one who ruined my day," he growled, nipping at her sensitive skin. "But it looks like his sister might just make it all better."

Y/n let out a breathy moan, her head falling back as Max's lips and teeth worked their magic on her neck. She tangled her fingers in his hair, pulling him closer, desperate for more of his touch.

Max led Y/n to the bed, sitting down on the edge and pulling her to kneel between his legs. He leaned back, his hands resting on his thighs as he looked down at her with a hungry gaze.

"I want you to make me feel better, Y/n," he said, his voice low and commanding. "I want you to show me just how sorry you are for your brother's behavior."

Y/n bit her lip, her eyes dark with desire as she looked up at him. Slowly, she reached for his belt, her fingers making quick work of the buckle. She tugged his pants and boxers down, freeing his hard, throbbing cock.

"I'm so sorry, Max," she purred, her hand wrapping around his shaft. "Let me make it up to you."

With that, she leaned forward, her tongue darting out to lick the tip of his cock. Max groaned, his head falling back as he savored the sensation of her warm, wet mouth on his most sensitive flesh.

Y/n released Max's cock from her lips, a string of saliva connecting her mouth to the tip. She placed sloppy, open-mouthed kisses along his shaft, her tongue swirling around the sensitive skin.

Max watched her through hooded eyes, his breath coming in short, sharp gasps as she worked her way down his length. Her hands gripped his thighs, her nails digging into his flesh as she took him deeper into her mouth.

"Fuck, Y/n," Max groaned, his hips bucking involuntarily as she deepthroated him. "Your mouth feels so fucking good."

Y/n hummed in response, the vibrations sending shockwaves of pleasure through his body. She bobbed her head up and down, taking him to the back of her throat with each movement.

Y/n took Max deep into her throat, her nose pressing against his pelvis as she swallowed around his cock. Saliva dripped from the corners of her mouth, coating his shaft in a glistening sheen.

Max's hands flew to her hair, gripping the silky strands as he guided her head, thrusting shallowly into her mouth. "That's it, baby," he groaned, his voice rough with pleasure. "Take it all like a good girl."

She moaned around his cock, the sound muffled by his thick flesh. She hollowed her cheeks, sucking hard as her tongue swirled around the sensitive head. Her hands slid up his thighs, fingers teasing the sensitive skin behind his balls.

Max looked down at Y/n, his eyes dark with lust as he watched her worship his cock. "Fuck, Norris," he growled, his grip on her hair tightening. "You look so pathetic like this, choking on my dick."

Y/n's eyes watered, tears streaming down her cheeks as she gagged on his length. But she didn't pull away, instead doubling her efforts, determined to prove herself to him.

Max's hips rocked faster, fucking her face with abandon. "I bet your brother would be ashamed to see you like this," he taunted, his voice dripping with cruel amusement. "His precious sister, nothing more than a slutty little cocksucker."

Max's eyes glinted with malicious glee as he continued to fuck Y/n's face, his grip on her hair unrelenting. "Keep this up, and maybe I'll let your brother win the damn championship," he sneered, his words laced with cruelty. "Wouldn't that be nice? To have your slutty little mouth wrapped around my cock, all for your brother's success?"

Y/n whimpered, the sound muffled by his thick shaft. Tears streamed down her face, her mascara running in dark rivulets. But she didn't resist, instead hollowing her cheeks and sucking harder, desperate to please him.

Max's hips snapped faster, his cock hitting the back of her throat with each brutal thrust. "Fuck, your mouth feels so good," he groaned, his head falling back in ecstasy. "I might just keep you as my personal little cocksucker."

His thrusts became more erratic, his balls tightening as he neared his climax. "I'm gonna cum down your throat," he warned, his voice strained with impending release. "And you're going to swallow every last drop like a good little slut."

Y/n moaned in response, the vibrations pushing Max over the edge. With a guttural groan, he exploded in her mouth, his hot seed filling her throat. Y/n swallowed greedily, her tongue lapping at his shaft to catch every last drop.

Y/n released Max's cock from her lips, a mixture of cum and saliva dripping from the corner of her mouth. She looked up at him, her eyes glazed with a heady mix of submission and desire.

He grinned down at her, his spent cock still twitching with aftershocks of pleasure. "You did well, Norris," he praised, his thumb wiping away the stray drops of cum from her lips. "Maybe your brother will have a shot at that championship after all."

Max pulled Y/n to her feet, his hands roaming her curves possessively. "If you really want your brother to win though, you'll have to do more than just suck my dick," he growled, his eyes dark with lust.

He pushed her back onto the bed, crawling over her and pinning her wrists above her head. "I want this tight little pussy," he demanded, grinding his hardening cock against her clothed core. "I want to fuck you until you're screaming my name."

Y/n looked up at Max, her eyes blazing with defiance. "I don't care about my brother's career," she declared, her voice strong and unwavering. "He's his own person, and I'm mine. My pleasure is what matters to me right now, not his success on the track."

She bucked her hips against Max's, her core aching for his touch. "Fuck me because you want me, not because my brother pissed you off and you want payback," she demanded, her nails digging into his shoulders. "Make me feel good, Max. Make me forget about everything except the feeling of your cock inside me."

Max captured Y/n's lips in a searing kiss, his tongue delving into her mouth to taste her. He broke the kiss, his eyes dark with desire as he ordered, "Take that dress off. I want to see every inch of your gorgeous body."

Y/n sat up, her hands trembling with anticipation as she reached for the zipper of her dress. She pulled it down slowly, revealing the creamy skin of her back inch by inch. The dress fell away, pooling at her feet and leaving her clad in nothing but a lacy black bra and matching panties.

Max's eyes roamed over Y/n's body, taking in the constellation of moles that dotted her skin. He leaned in, pressing soft kisses to each one he encountered, his lips lingering on her sensitive flesh.

She shivered at the sensation, her body responding to his touch. She arched into him, her hands tangling in his hair as she pulled him closer. "Max," she breathed, her voice heavy with desire. "Please, I need you."

Max stood up, his eyes hungrily devouring Y/n's exposed body. "Get on your hands and knees," he commanded, his voice rough with desire. "I want to see all of you."

Y/n complied, positioning herself on the bed as instructed. Max stepped behind her, his hands gripping her ass and spreading her cheeks apart. He pulled her panties down, exposing her glistening pussy to his hungry gaze.

"Fuck, you're so wet," he groaned, his fingers dipping between her folds to tease her entrance. "I can't wait to bury my cock in this tight little cunt."

He thrust into Y/n with a single, powerful stroke, his thick cock splitting her open. The combination of her wetness and the leftover saliva from her earlier ministrations served as a makeshift lube, allowing him to slide in deep.

Y/n let out a sharp cry, her body struggling to accommodate his impressive size. "Slow down," she pleaded, her hands gripping the sheets beneath her. "You're so fucking big."

Max paused, giving Y/n a moment to adjust to his size. He leaned over her, his chest pressing against her back as he whispered in her ear. "Relax, baby," he cooed, his hands rubbing soothing circles on her hips. "I'll make you feel so good, I promise."

With that, he began to move, his hips rocking against her ass in a slow, steady rhythm. Each thrust sent shockwaves of pleasure through Y/n's body, her walls clenching around his thick shaft.

Max picked up the pace, his hips slamming against Y/n's ass with bruising force. The bed creaked beneath them, the headboard banging against the wall as he fucked her with wild abandon.

"Fuck, your pussy feels so good," he grunted, his fingers digging into the meat of her hips. "So fucking tight and wet."

Y/n could only moan in response, her body rocked forward with each powerful thrust. "Yes, yes, fuck me harder," she cried out, her knuckles turning white as she gripped the sheets. "Ruin me with that big fucking cock."

Max obliged, his thrusts becoming erratic as he chased his release. The sound of skin slapping against skin filled the room, mingling with their moans and grunts of pleasure. Y/n's pussy clenched around him, her orgasm building with each stroke of his cock against her G-spot.

Y/n's moans grew louder, her curses echoing off the walls as Max pounded into her. He brought his hand down on her ass, the sharp slap of skin on skin punctuating his thrusts.

"Fuck, you're so loud," he growled, his voice strained with pleasure. "I can't have you alerting the whole hotel to what a dirty little slut you are."

With that, he wrapped a hand around her neck, applying just enough pressure to make her gasp for air. Y/n's moans turned to whimpers, her body shaking with the intensity of her orgasm as Max continued to fuck her through it.

Max's grip on Y/n's neck tightened, his fingers digging into her flesh as he growled, "Shut the fuck up, you dirty little slut."

Y/n whimpered, her body shaking with the force of her orgasm. She tried to nod, but the lack of oxygen made it difficult. Her vision began to blur, the edges of her consciousness fading as Max continued to pound into her.

Just as she thought she might pass out, Max released his grip, allowing her to gasp for air. "Breathe," he commanded, his voice rough with desire. "I'm not done with you yet."

Y/n gasped for air, her lungs burning as she struggled to fill them with much-needed oxygen. Her moans mixed with her ragged breaths, creating a symphony of pleasure and desperation.

"Fuck, fuck, fuck," she chanted, her body trembling as another orgasm crashed over her. "I'm gonna... I'm gonna..."

Her words dissolved into a scream as she squirted all over Max's cock, her pussy clenching and fluttering around his thick shaft. The sensation pushed Max over the edge, his own orgasm ripping through him like a freight train.

Max fucked Y/n through his orgasm, his hips jerking erratically as he emptied himself inside her. His cum flooded her pussy, so much that it began to leak out around his still-twitching cock.

Y/n whimpered, her body overwhelmed by the sensation of being filled so completely. She could feel Max's seed dripping down her thighs, marking her as his.

Max collapsed on top of her, his chest heaving as he tried to catch his breath. He nuzzled into her neck, pressing soft kisses to her sweat-slicked skin. "Fuck, that was intense," he murmured, his voice hoarse with satisfaction.

He noticed Y/n's labored breathing, her chest heaving as she struggled to catch her breath. He pulled back, his eyes searching her face for any signs of distress.

"Are you okay?" he asked, his voice laced with concern. "Did I push you too far?"

She shook her head, a small smile tugging at the corners of her lips. "No, I'm fine," she assured him, her hand reaching up to cup his cheek. "It was intense, but in the best possible way."

Y/n's body went limp, her thighs quivering as she collapsed onto the bed. She cursed under her breath, her words a jumbled mix of expletives and praise for the mind-blowing sex she had just experienced.

"Fuck, that was so good," she moaned, her hand reaching down to touch her sensitive, well-fucked pussy. "I can't believe how hard you made me cum."

Max laughed, his eyes twinkling with mischief as he looked down at Y/n's trembling form. "I may have gotten a bit carried away," he admitted, his fingers tracing the curve of her hip. "Your brother really pissed me off today, and I guess I took it out on you."

She shivered at his touch, a small smile playing on her lips. "Well, if this is what happens when you're mad at him, maybe he should piss you off more often," she teased, her voice still hoarse from her earlier cries of pleasure.

Max chuckled, his hand sliding up Y/n's side to cup her breast. "Careful what you wish for," he warned, his thumb brushing over her nipple. "I might just have to find more reasons to get angry with your brother."

Y/n arched into his touch, a soft moan escaping her lips, "As long as it means I get to feel this good, I think I can live with that."

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[zorobff]

how to disappear. (opla!zoro x fem!reader)

synopsis: joining luffy’s crew made you believe that you’d finally escaped your former pirate crew and nightmare of a captain for good. that is, until a certain butler starts looking a little too familiar. good thing zoro’s keeping a close eye on you.

warnings: opla spoilers (ep 3), some direct dialogue from opla, mentions of verbal/physical abuse, kuro is just a weirdo tbh, reader is called a bitch, protective zoro, for the sake of the story sham and buchie joined the black cat pirates after reader left

word count: 4.7k

“this guy is full of shit.”

you knock your shoulder into zoro’s wider one. “be nice. and so what if he is?” 

zoro gives you a pointed glare. “then we should turn around and look for someone who can actually help us find a ship.” 

“all business, as per usual,” you reply, with a purposefully dramatic sigh. “why can’t you have a little fun?” 

“what about this is supposed to be fun?” zoro spits out the word like it’s poisonous. “this is the blandest village i’ve ever seen.”

you scoff. “now you’re the one that’s full of shit. nothing’s ever bland with us and you know it.” 

the us in question was your newly formed pirate crew… if you and luffy could even be considered that. having left the ship you’d been on a few years ago, you were in search of a new crew. luffy was persistent and charming — when you’d crossed paths in shells town, it took little to no time for him to convince you to join his hunt for the one piece. zoro and nami, on the other hand, had yet to follow in your footsteps. 

“well, considering that we’ve only been traveling together for a day and a half and i’ve already escaped a marine base, defeated a marine captain, and fought a clown with devil fruit powers… i’d actually have to agree.” 

you can’t help but giggle at his sarcastic delivery. “be grateful, zoro. not many pirate crews are this fun to be on, trust me. oh wait, that’s right, you still haven’t officially joined—”

“tell me about your old pirate crew,” interjects zoro, your comment having piqued his interest. 

you notice that the playful atmosphere dissipates. “god, where do i even start?” 

zoro answers that for you. “why did you leave?”

“starting with the hard hitting questions, huh?” you joke, mostly to stall. you clear your throat before you answer. “well, it was different. nothing like what luffy has going on. he actually cares about his crew… and even those who aren’t technically on it.” 

at that, a smile tugs at the corner of zoro’s lips. even you crack a small grin. although as you continue speaking, it fades. 

“on my old crew, we were dispensable. anytime something went wrong, our own captain would threaten to kill us. it was… scary, to be completely honest. there were so many times when i thought i’d die with that filthy crew. and i never wanted that. so as soon as we docked at shells town, i left.”  

zoro’s jaw clenches as imagines the things you’d seen and been subjected to. “this old captain of yours sounds like a real—”

“he was a nightmare,” you tell him. “he didn’t care that i was the only woman on board, he treated me just as horribly, if not worse.” 

zoro stops so suddenly that it takes you a second to realize he’s not walking alongside you.

“what do you mean by that.” the way zoro phrases the inquiry doesn’t even make it sound like a question. more like a demand. his narrowed eyes are fixed solely on you. holding his gaze feels… intense. 

you can’t help but glance away as you answer him. “he was just a bit of a creep.”

before zoro has the chance to try and extract more information out of you, a familiar voice calls both your names. you’re not really sure when you and zoro had fallen behind but from where you currently stand, the rest of your group looks miniature. or perhaps it’s just the massive size of the mansion behind them that makes luffy, nami, and usopp look pocket-sized in comparison. 

“why’d you stop walking?!” your captain shouts, hands pressed on each side of his mouth to amplify his voice. “get over here, we’re about to go in through the top secret entrance!” 

you vaguely make out usopp gesturing for luffy to keep his voice down. you’re sure that would warrant another comment from zoro about his reliability but he’s too busy staring at you with that expectant look in his eyes. 

“we better catch up,” you tell him, heading in the direction of the deluxe home. 

he allows you to dodge the subject and sighs, walking in long strides to catch up to you.  

“i’ve never seen a house this big before,” luffy admits, admiring the mansion along with the wellkept greenery surrounding it. 

“awesome, right?” usopp gloats, walking around like he owned the place. “kaya’s given me an open invitation to drop by anytime i want.” 

“wow.” you’re not sure if luffy was just going along with usopp’s act or if he really believed him. knowing the devil fruit user, it was more than likely the latter. “all this for just one person?”

“well, she lives here with her butler and a few other staff,” usopp replies, leaning against the stone well that sat in the middle of the lawn.

“money really shows you who people truly are,” nami mutters, eyes scanning the property. “most people only care about themselves and what’s theirs.”

zoro is quick to throw the insult back at her. “sounds like someone i know.”

you roll your eyes at his comment, though you make no effort to disagree with him. nami was a little on the materialistic side. 

“and a small staff makes for easy pickings,” she continues, proving your point.

“we just got here and you’re already planning on robbing the place blind?” you ask though you already know the answer.

“at least a little blurry,” she smirks, following behind luffy and usopp who walk toward the entrance. 

you and zoro share a look. one that says disappointed but not surprised. 

going under a shrub shaped as an arch, you’re met with a beautiful pond. you admire the pink lilies that float at the top and the bushes that were intricately trimmed into the shape of various animals. even if the people that lived here were filthy rich, at least they had good decorative taste. 

“so if you have an invitation, why are we going around the back way?” luffy ponders.

usopp’s answer is nonchalant. “oh, i never use the front entrance. like i said, this is the vip entrance reserved for special guests.”

zoro scoffs. “this guy’s definitely–”

“don’t start,” you groan, cutting him off. 

abruptly, usopp freezes and spins around, attempting to usher your crew back. “you know what, there’s actually a more exclusive entrance this way–”

the sharp swoosh of a knife cutting through the air and burying itself in the ground between usopp’s feet cuts him off. from the direction the kitchen utensil was thrown stands a heavyset gentleman with his face wrinkled in anger. his demanding voice booms through the garden, “the hell are you doing here, usopp?” 

the dark-skinned boy fumbles over his word. “buchi, buddy, uh, kaya’s expecting me.”

“another one of your lies,” the man – seemingly named buchi – seethes, grabbing him by the collar. “you ain’t welcome here and you know it.”

“i know nothing of the sort,” usopp retorts, keeping his cool even when he was practically being lifted off the ground by his shirt. “i’m here to give kaya an extra special gift.”

before buchi can get another word out, a feminine voice calls out for your companion. coming down the steps is a frail looking girl in a pink dress. on her arm is a man dressed in a crisp suit, presumably the butler usopp had mentioned earlier. though, from where you stand you can’t see either of their faces too clearly. 

“what a wonderful surprise,” she exclaims, breathlessly. 

“kaya!” usopp exclaims, returning her enthusiasm. buchi has no choice but to let him go, begrudgingly. usopp makes sure to shoot him a smug look before walking towards the young girl. “happy birthday.” 

the butler clears his throat, not afraid to intrude on their special moment. “usopp, we’ve discussed this before. you mustn’t show up unannounced.” 

“nonsense, klahadore.” kaya smiles warmly. “have you come to tell me another story? i do love hearing about your adventures.” 

“i’ll do you one better,” usopp smirks with such confidence that even you’re left wondering what kind of surprise he has up his sleeve. “i brought some of my crew!” he gestures back towards the four of you, proudly. 

your excitement vanishes. “oh. the surprise is… us.”

“well, that’s boring,” luffy agrees, just as disappointed as you are. 

kaya, on the other hand, is none the wiser. “it’s so nice to meet you. you must all stay for dinner.” 

klahadore lowers his voice. “miss kaya, it is a bit last minute. i’m afraid the kitchen hasn’t prepared for any extra guests.”

“please,” begs kaya, softly. “it’s my birthday. can’t be too much trouble can it?” 

giving in, klahadore purses his lips. “anything for you, miss kaya.” 

luffy claps his hands together. “alright! when do we eat?” 

“you don’t. not dressed like that, at least.” the butler directs himself to a staff member with teal colored hair. “sham, kindly show usopp and his friends to the guest suites. you will bathe and change before dinner.”

she follows his orders and leads the way. luffy, usopp, nami, and zoro trail behind her and you go to do the same. however, all it takes is a quick glance to stop you dead in your tracks. usually, you weren’t one to stare but klahadore’s face. that stare. so dark and depraved. 

“yes, miss?” he asks, holding your gaze. “can i help you?” 

“n-no, i…” your throat goes dry as you attempt to recover smoothly. “i just wanted to, um, thank you for being so hospitable.” 

his lips curve upwards into a sinister grin. “the pleasure’s all mine.” as if to confirm your worst fear, klahadore uses his palm to readjust his glasses. his beady eyes gauge your reaction closely.

the familiar gesture sends chills down your spine. appearance-wise, he had changed drastically but his aura was still just as menacing as you remember it. he was still the corrupt pirate captain you used to serve under. you feel like a weak and helpless subordinate all over again.

“klahadore!” giggles kaya. “you’re smiling! that’s certainly a rarity.”

he hums. “i’ve simply come to the realization that having guests once in a while can truly be a delight.”

his sickeningly sweet tone makes your stomach turn. just the fact that you were standing in front of him – captain kuro – again after all these years was nauseating in itself. last you’d heard he had died at the hands of captain morgan. how was this even possible? then again, he wasn’t dubbed kuro of a hundred plans for no reason. he always had a trick or two up his sleeve. you assumed this was no different. 

“hey, you comin’?”

you turn around to see zoro waiting for you. he meets your gaze for a moment. the softness of his eyes is a stark contrast to kuro’s. it’s a breath of fresh air. he then shifts his attention to your former captain and you swear his eyes darken. 

“yeah, sorry,” you mumble, trying not to look shaken as you walk up the steps. 

zoro follows behind you, this time closer than before.

“why would anybody even need this many clothes?”

“it’s not about need with these people, luffy. it’s about want,” nami spits, thumbing through the various fabrics on the wall. 

“at least she’s rich and nice,” luffy replies, innocently.

nami rolls her eyes. “yeah, letting us stay for dinner must be her idea of charity work.” 

“what are we even supposed to wear?” luffy continues, uninterested in nami’s criticism of the rich. 

“anything you want. when are you ever going to get the opportunity to wear things this nice?” 

you step out from behind the changing board where you’d swapped out your old tee and cargo skirt for an elegant satin dress. it was a stunning shade of olive green and frilly lace decorated the edges. not to mention, it hugged your curves in all the right ways.

nami’s eyes widen. “see, she’s got the right idea. you look amazing.” 

you smile, bashfully. “honestly, i feel amazing.”

“you look the same to me,” your captain shrugs.

nami shoots him a death glare but you intervene before she can scold him.

“way to keep me humble, luffy.”

“no problem!” 

at that exact moment, a freshly showered zoro arrives donning a silk robe. he eyes the multitude of garments that cover every inch of the room, not particularly impressed. 

“there you are. don’t you think she looks nice?” nami asks him, gesturing towards you. she doesn’t notice how you shrink under zoro’s gaze. neither does he, as his eyes take their time raking over you, from top to bottom.

he hums. “suits you.” with that, he sets off towards a chair in the corner of the room.  

“seriously?” sighs nami, exasperated. “are you two physically unable to give compliments or something?” 

“hey, doesn’t that butler seem familiar to you guys?” zoro asks, promptly ignoring nami’s complaint. 

his question causes your breath to hitch. you’d pushed the kuro problem to the back of your mind while you were in search of a suitable dinner outfit. you figured that as long as your crew was by your side, he wouldn’t dare try anything. and even if he did… well, you’d seen what had happened to axe-hand morgan and buggy. 

“yeah, i think he was at the last dinner party i attended,” nami replies sarcastically, taking a handful of dresses behind the changing board. 

as he takes a seat, zoro grumbles, “i swear i’ve seen him before.” 

“where?” you can’t help but ask, fiddling with the lace on the neckline of your dress. 

“so far, i’ve got two suspicions. a wanted poster or funky bar on mirrorball island. you ever been?”

you know zoro’s teasing you, judging by the grin on his face. after all, funky bar was known to get insanely rowdy; never would he imagine finding someone as gentle as you there. but what he didn’t know is that it happened to be one of kuro’s favorite bars. per his request, you and the rest of the black cat pirates frequented it often, so he was more than likely right about having seen kuro there. he’d probably even seen you in passing, once or twice. thankfully, he doesn’t seem to have any recollection of that.

the thought of zoro knowing about your past forms a knot in the pit of your stomach. would he think less of you for having joined such a ruthless crew at one point in your life? what if it put a strain on the friendship you’d worked so hard to form? 

“i’ve, uh, heard of it,” you decide to reply, pushing down your worries for the time being. 

he tilts his head slightly, thinking out loud. “then again, i have seen a lot of wanted posters and bars in my time as a pirate hunter.”

you feel a grin creep onto your face. “probably more bars than posters, huh?”

zoro mirrors your smile. “shut up.”

by the time dinner rolls around, the entire crew is doing what they do best. 

luffy is stuffing his face, nami is attempting to swindle one of the staff, zoro is hanging by the drinks, and you’re hanging by zoro. 

“hey zoro, you gotta try this!” luffy calls through a mouthful of food.

“i’ve got all i need right here,” he mutters, taking a swig out of his champagne flute. 

“you know, i don’t think i’ve ever seen you choke down something that isn’t alcohol,” you comment, watching the way he downs the glass in one go. 

dryly, he replies, “that’s because i haven’t.”

“very on brand.”

“ladies and gentlemen,” calls out that voice from the top of the stairs. “may i present… miss kaya.”

arm in arm, kuro and kaya walk down the steps, all eyes on the birthday girl and her stunning gown. well, except you. your eyes never leave the so-called butler by her side. your jaw clenches when he has the audacity to meet your gaze and hold it. shameless bastard. 

once they reach the bottom, merry leads kaya to the guests while kuro takes his post at the bottom of the stairs… right next to the drink table. before you can think about steering yourself and zoro away, kuro speaks.

“forgive me if i am speaking out of line, madam, but i must inform you. you look positively radiant,” he purrs, soaking in your appearance. he looks ready to pounce.

you can’t stop your eyes from rolling. good to know he’s the same pervert he used to be.

looking between you both and sensing your discomfort, zoro steps in. “and you look familiar.” 

kuro’s head stiffly turns to face him, eyes peeling away from you. “highly doubtful, sir.” 

“funky bar? mirror ball island?” 

“funky bar?” kuro repeats, disgusted. “well, i can assure you i’ve never patronized that type of establishment.” 

while it was amusing to see your highly esteemed former captain lie through his teeth, the tension between him and zoro was unbearable. 

“well then.” zoro continues with his little interrogation. “ever been on a wanted poster?”

you cringe at his bluntness. sometimes it seemed like he had less of a filter than luffy.

kuro puts on a scandalized face at the question. “sir! such an accusation is highly offensive.” tugging on his collar, he goes to remove himself from zoro’s probing. “now, if you’ll excuse me, i’m going to help prepare the dinner table.” 

he leaves, en route to the dining room. zoro’s eyes follow his figure until he disappears, squinting as he racks his brain for any further recollection of this suspicious butler. 

you sigh. if zoro was going to continue being so relentless, you were sure the night would end in bloodshed and uncovered secrets. 

“keep this coming,” zoro demands, handing the empty wine bottle to sham. she takes it with a glare. 

“would it kill you to say please?” you ask, slicing the slab of fish on your plate into smaller pieces.

“the service here is shitty. why should i have to be polite?” 

you scowl. “remind me to never have dinner with you again.”

zoro turns to you with that cocky grin of his. “what if i asked nicely?” 

his quip makes your heart flutter but you manage to keep your composure. “you can try your luck.” 

before he can respond, usopp speaks up. “luffy, isn’t there something that you wanted to talk to kaya about?” 

luffy gesticulates enthusiastically with his fork. “oh, yes! usopp told me that you own the whole shipyard.” 

“well, actually, my parents founded the shipyard and merry’s been running the business since they… passed. but all that’s about to change. tonight, at midnight, i will become the sole owner.” she smiles somberly. 

“well, that’s great,” luffy says, raising his drink at her. “because we want to buy a ship from you.” 

“ah, i see. usopp mentioned that you’re sailors.” 

“nope, not sailors. we’re pirates!”

you’re certain at least three people at the table choke on their food, yourself included. 

“this ought to be good,” zoro mumbles behind his glass.

you’re too busy coughing into your napkin to chastise him for finding this entertaining.

“pirates?” kaya repeats, unsure of how to react. 

“yup! we haven’t sailed together for very long but we’ve already defeated an evil clown, raided a marine base, and taken down a captain with an axe! for a hand!” luffy holds up a fist, presumably to impersonate axe-hand morgan.

“sounds a lot like your adventures, usopp,” kaya says, turning to the brunette.

all he can do is laugh dryly. “yeah, that’s… that’s crazy.” 

“and we’re just getting started!” luffy continues, climbing up onto the table.

“someone put me out of my misery,” you mumble, looking down at your plate to ignore the secondhand embarrassment.

a tap on your shoulder answers your plea.

turning around, you find yourself face to face with kuro once again. “madam, a word please?”

“might i ask what for?” zoro cuts in before you can so much as think of a response.

kuro offers him the most forced grin you’ve ever had the displeasure of seeing. “i’m afraid that is between the lady and i.”

the swordsman turns to you, scanning your face for any ounce of discomfort. “you okay with that?”

you inhale, figuring it was finally time for you to confront the darkest part of your past. it was silly to assume you would be able to ignore him throughout your entire stay here. besides, you were sure zoro, just like the rest of your crew, would be on standby if kuro got brave enough to try anything. “sure. just… keep an eye out.”

zoro understands completely. truthfully, you didn’t even need to ask – he always looked after you. “got it.”

you push yourself out of your seat and smooth out your dress. you allow kuro to lead you to the doorway – he was smart enough to know that was the farthest you’d let him take you. 

“what do you want, klahadore?” you seethe, folding your arms.

he arches a brow. “why must you call me that? it’s ridiculous.” 

you tilt your head with faux innocence. “oh? is that not your name? must have misheard.”

he gives you an irritated look, dark eyes drilling into you.

“i remember that look,” you mutter, your memory serving you well. “it’s the same one you’d give me before you’d threaten to slice me to bits with your claws.”

kuro has the audacity to chuckle dryly. “but i never did, did i? although there were certainly times times where i should’ve.”

“what you should be is dead,” you hiss bitterly. “when i heard the news, i knew it was too good to be true.”

“you wound me, kitten,” he drawls, reaching up to fix his glasses. 

the condescending nickname makes your skin crawl. it carried so many awful memories of your time spent with the black cat pirates. it reminded you of just how weak kuro viewed you — nothing but a helpless, pitiful kitten in his eyes. typical of the man that abused his authority and treated you with not a single ounce of respect. 

he continues, putting on a sweet tone. “after all these years, stuck waiting hand and foot on that spoiled brat, there’s nothing i’d love more than to hear my favorite crew mate say my real name.”

you snap at him. “i’m no crew mate of yours.”

he sighs, dramatically. “sadly, you’re correct. after all, you did slip off the ship the moment we docked in shells town. locating you on an island crawling with marines proved to be nearly impossible. we had no choice but to leave without you.”

“that’s exactly why i chose to escape there.” 

“and to this day i can’t for the life of me figure out why you would ever do that. why would you want to leave us? leave me?”

you actually laugh right in his face. “is it really that hard to figure out? you were evil. you threatened and harassed me on a daily basis.”

“so your solution was to join that ragtag crew?” he glances at the table. “it’s pathetic, even for you.”

you lean into his face, lowering your voice down. “i’m happier than i ever was on your shitty crew. every day i wake up grateful that i managed to escape you.”

you see that vein on his forehead bulge before he’s gripping you by the chin. “listen here, you little bitch–”

the shiny silver of a sword slides between you and kuro, coming to rest against his neck. his adam’s apple bobs as he gulps anxiously, releasing you. thanks to zoro’s sword, it seemed as if he finally remembered where he was. you were no longer on his ship, he was no longer allowed to treat you like the dirt he walked on. not without someone noticing, that is. 

“why don’t you step away?” zoro offers simply.

that much was a kindness. usually those who found themselves on the end of zoro’s blade(s) weren’t lucky enough to receive a warning. however, the swordsman didn’t wish to cause a scene. at least not when you were right there and everyone was watching with shock from the dinner table.

kuro obliges, stumbling back. he meets kaya’s horrified eyes, feeling ashamed that he allowed his act to slip. surely this would cause some setbacks in his plan. with no excuse for his uncharacteristic behavior, the raven haired man scurries away and up the stairs.

zoro turns and locks eyes with luffy, giving him one singular nod. luffy returns it, jumping out of his seat and going after the butler. quiet murmuring breaks out at the dinner table, everyone surely confused. 

sheathing his sword, zoro directs his attention to you once more. “are you alright?” a calloused hand comes up to grip your chin, much like kuro had. however, this time, the touch is gentle. loving, almost. you welcome it.

“yeah, i’m… fine.” your heart is beating out of your chest and it has everything to do with your close proximity to zoro.

he tilts your face around, inspecting every inch of it. once he finishes, he pulls back. his demeanor goes serious once more. “we need to have a talk.”

you nod. “i know. i’ve been keeping some things from you guys and–”

“just tell me what’s been going on,” he demands. “and don’t overcomplicate it. you can be straightforward with me.”

his sincerity makes you start over, this time far more candidly. “klahadore used to be a pirate. i was part of his crew. he was my… captain.”

the shame in your voice pulls at zoro’s heartstrings. didn’t you know there was no reason to feel guilty with him? “is that it?” 

you open your mouth to speak but come up empty. all you can do is furrow your eyebrows at his unexpectedly dismissive reaction.

“i knew it,” zoro continues, annoyed. “i knew i’d seen him on a wanted poster before. just didn’t have any proof.”

“wait, so you don’t– you really don’t care?” you ask, still avoiding eye contact. “me being a former black cat pirate doesn’t bother you?”

he shrugs. “you said it yourself. ‘former.’ all that matters is that you got the hell out of there. and away from that creep. would he always put his hands on you like that?”

you blink a couple times, sighing. “his temper was really bad so–”

that seemed to be enough for zoro. “i’ll kill the bastard,” he hisses. “wanted to slice him to bits the moment i saw him grab you.” 

though it’s a violent threat, you can’t help but smile. the idea of zoro being so protective that he’d kill a man just for touching you made you blush. pirate love language, you suppose.

“well, i wouldn’t have stopped you,” you tell him, more than ready to see your former captain go.

zoro clicks his tongue. “nah. could’ve stained your new dress with his blood. i never would have been able to forgive myself.”

“so you do have a soft spot,” you tease.

“only for pretty things.”

“do you mean me or the dress?” 

now it’s zoro’s turn to become bashful. though, his lack of response is an answer in itself. you can’t help but giggle. 

a loud bang from upstairs interrupts your moment with the green-haired man. you assume luffy had gotten his hands on kuro… or vice versa. zoro must be thinking the same thing judging by the way he instinctively rests a hand on the handle of his blade.

“you should go up there,” you tell him. “i’ll stay with kaya.”  

he gives you a nod, though he doesn’t make any effort to leave. he stands there like he wants to say something… or do something. before you can think about it too much, you pull him in by the collar and crash your lips onto his. they’re slightly chapped and taste like the wine that’d come from the cellar – it’s pleasant. his large palms come to rest on your lower back; his hold feels tight and secure. 

when you finally allow yourself to pull away, you’re biting back a smile. “kick his ass for me.” 

“will i get more of that if i do?” asks zoro, wetting his lips. they now taste like the cherry lip gloss you’d borrowed from kaya. he takes a step forward, attempting to close the gap between you two once more.

you shrug, pushing him away by the chest. “go help luffy and we’ll see.”

you both know that means yes.

[rafecameronssl4t]

Like her mama || Rafe Cameron x fem!reader

Summary: inspired by this TikTok sound

Warnings: none!! just fluff :)

Word count: 1,416

MASTERLIST (dad!rafe au masterlist)

divider by @h-aewo

As you turn from the sink, water dripping from the freshly washed fruit in your strainer, Topper’s voice interrupts your thoughts. "Need some help with that?" he asks, his tone friendly and familiar. You glance over your shoulder, offering him a warm smile.

"I'm all good, thanks, Top," you reply, your eyes twinkling with gratitude. He nods and takes a seat on the nearby stool, settling in comfortably. Your attention shifts to the pool outside, where Rafe, Mabel, and Kelce are enjoying the morning sun.

"Everything alright out there?" you ask, your curiosity genuine as you look to Topper for reassurance. He glances outside, a slight smile tugging at his lips. "Yeah, they’re all good. The water’s really nice," he says with a chuckle.

You turn back toward the pool just in time to see Rafe holding Mabel in his arms, her tiny pink bucket hat slightly askew, too big for her small head. You wave, a soft giggle escaping your lips when Rafe lifts Mabel’s hand to mimic your wave, though you’re certain she can’t actually see you.

Topper can’t help but chuckle along with you. "Can’t believe she’ll be seven months next week," he remarks, his tone tinged with amazement. You let out a small sigh as you begin slicing the oranges, arranging them neatly on a platter. "Don’t remind me," you reply with a soft laugh. "She’s growing up so fast."

The two of you continue chatting, the conversation flowing easily until Rafe strolls into the kitchen. His hair is damp, the blonde strands clinging to his forehead, and tiny droplets of water trail down his chest and stomach, glistening in the soft light.

"Hi, baby," he greets you, leaning in to press a tender kiss to your cheek. "Hi," you respond, your smile widening at his touch. Rafe’s eyes drift down to the platter you’re preparing. "That looks amazing," he comments, quickly snatching a strawberry and popping it into his mouth before you can protest. You shake your head playfully, amused by his antics.

"Is Mabel all right?" you ask, glancing at him as he leans casually against the counter. "Mmhmm," he hums in affirmation, then suggests with a grin, "You should come in the water after this." You chuckle softly. "I will, I will," you promise, as he leans in for another quick kiss before heading back outside.

Topper watches him go, shaking his head with a smirk. "Rafe’s a complete softie now, huh?" he comments, clearly amused by the transformation in his friend. You snort, unable to hold back your laughter. "Maybe for us. But he still loves arguing with his sisters," you say with a fond smile, recalling the endless bickering between Rafe and his siblings.

Topper’s expression brightens with sudden recollection. "Did I end up tell you what happened this morning at the shops?" he asks, piquing your curiosity. "No? What happened?" you ask, looking up at him, eager to hear the story.

~

Flashback….

“Is she awake?” Rafe asks as he pulls his G-Wagon into a parking spot in front of the store. The engine’s hum fades as he shifts into park, and Kelce leans over to peer into the baby carrier. Mabel, with her big doe eyes, stares back at him, her tiny mouth busy with her pacifier.

“Wide awake,” Kelce reports with a chuckle, meeting her gaze with a grin. The three of them exit the car; Rafe decides against the stroller, opting to scoop Mabel into his arms instead. After all, they were only planning a quick stop. Mabel clings to him, her small hands gripping his shirt as she takes in her surroundings.

As they approach the store, Topper slips his oversized sunglasses onto Mabel’s little face. The glasses are comically large, sliding down her tiny nose, and the sight of it makes both Topper and Kelce snicker. They quickly pull out their phones, snapping a photo of the moment.

Rafe, oblivious to their antics at first, glances over his shoulder when he hears their muffled laughter. “You guys are idiots,” he says, shaking his head, though he can’t suppress the smile that tugs at his lips when he sees Topper’s sunglasses barely hanging on Mabel’s face. As her uncles continue to laugh, Mabel lets out a delighted giggle, her tiny hands reaching up to grasp at the sunglasses.

As they step into the shop, all three boys lift their sunglasses from their noses and perch them on top of their heads. The cool air inside the store is a welcome contrast to the warmth outside. “What are we getting again?” Kelce asks, glancing around as they enter.

Rafe pulls out his phone, scrolling through the list you had sent him. “Y/n gave me a little list,” he replies, quickly scanning the items before reading them aloud. Kelce nods and heads off towards the fruit section, while Rafe, Topper, and Mabel make their way down another aisle to gather the remaining items.

As they pass by the toy section, Rafe can’t resist stopping, his eyes drawn to the colourful display. Mabel’s attention is instantly caught by the toys on the shelves, her small hands reaching out eagerly. “You want that one? What about this too—” Rafe starts, picking up a soft toy, but he’s interrupted by a voice from behind them.

“Hey,” the voice says, drawing their attention. Rafe turns to find a girl, probably around their age or a bit younger, standing a few steps away. Her smile is bright, but there’s something in her eyes that makes Topper instantly wary. He notices the way her gaze lingers on Rafe before shifting to Mabel.

“Oh my goodness, what a cute baby you have!” she exclaims, her voice overly sweet, dripping with an eagerness that Rafe recognises all too well. It’s the tone of someone trying just a bit too hard to make an impression.

Without missing a beat, Rafe shrugs nonchalantly. “Yeah, my wife and I make pretty cute babies, huh?” he responds, his tone cool and dismissive, the question hanging in the air as more rhetorical than anything. He turns his attention back to Mabel, who is now clutching the toy he had picked up, her little fingers wrapped tightly around it. He places it in the shopping cart without sparing the girl another glance.

Topper stifles a grin, barely containing his amusement as they walk away, leaving the girl standing there, her plan clearly foiled. As they continue down the aisle, Rafe mutters under his breath, “The audacity,” his voice laced with mild annoyance, though a small smile still plays on his lips.

Topper bursts into laughter. “You handled that very well, didn’t he, Mabel?” he says, leaning over to tickle Mabel’s tummy. She giggles in response, her tiny hands gripping Rafe’s shirt as she hides her face, her laughter a sweet, infectious sound that makes both men smile even wider.

Rafe glances down at his daughter, his expression softening as he leans in to press a series of tender kisses on the side of her forehead. “Yeah, we don’t need any of that nonsense, do we, baby girl?” he murmurs, his voice overflowing with affection. Mabel giggles softly, her tiny hand reaching up to touch his face, and Rafe smiles, the warmth in his eyes evident as they continue with their shopping.

~

End of flashback...

A smile tugs at your lips as Topper finishes his story, the amusement clear in your eyes. His recount of Rafe's quick wit and protective nature at the store had you both chuckling. The memory lingers, bringing a soft warmth to your heart as you place the final pieces of fruit on the platter.

Topper grabs the colourful tray, balancing it with ease as he heads outside to join the others by the pool. Outside, Mabel is floating happily in a small inflatable ring, her tiny hands splashing the water as Rafe gently moves her around. His smile is wide, the pure joy on his face unmistakable as he watches her delight.

Your hands reach up to start unbuttoning Rafe's oversized button-up shirt that you had used as cover up over your bikini. You step into the pool, feeling the cool water contrast with the warmth of the day, and tie your hair up into a bun.

Rafe glances up at you, a playful glint in his eyes as you wade towards them. "Look, Mabel, Mumma's here," he says with a grin, his voice soft and affectionate. Hearing his words, Mabel turns her head, her big eyes lighting up at the sight of you. A gummy smile spreads across her face, and you can’t help but giggle at her reaction.

You move closer, lifting her gently from the floatie and pressing a kiss to her cheek. "You having fun, Bels?" you coo softly, spinning her lightly in the water. She babbles in response, her excitement clear as her little legs kick with glee. Rafe watches with a smile tugging at his lips, his gaze shifting between you and Mabel.

"I just realised you two are matching," he comments, noting your pink bikini and Mabel’s pink bucket hat that’s just a little too big for her. A playful grin spreads across your face. "I planned it," you tease, giving him a wink. Rafe chuckles, moving closer to wrap an arm around your waist and pulling both you and Mabel into a warm embrace.

He presses a gentle kiss to your forehead before leaning down to tickle Mabel’s tummy. Her infectious giggles echo around the pool, her little hands splashing the water playfully. You and Rafe laugh along with her, the happiness of the moment filling the air.

As you hold Mabel close, feeling the warmth of her tiny body against you, you glance up at Rafe, a soft smile playing on your lips. "We made a pretty cute baby, huh?" you say, your voice filled with pride and affection, echoing the words he had casually tossed out at the shops earlier.

Rafe’s eyes light up with recognition, a smirk forming as he remembers the moment. "Yeah, we sure did. The cutest baby" he agrees, leaning in to kiss you tenderly.